{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=64995","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=64994","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=64996","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=65767"},"meta":{"pages":{"current_page":64995,"next_page":64996,"prev_page":64994,"total_pages":65767,"limit_value":10,"offset_value":649940,"total_count":657665,"first_page?":false,"last_page?":false}},"data":[{"id":"18ce43a3c782b797db9fa781_aspace_179188","type":"Item","attributes":{"title":"[Women outside of building]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179188#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179188#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_179188","ref_ssm":["aspace_179188","aspace_179188"],"id":"18ce43a3c782b797db9fa781_aspace_179188","title_filing_ssi":"[Women outside of building]","title_ssm":["[Women outside of building]"],"title_tesim":["[Women outside of building]"],"normalized_title_ssm":["[Women outside of building]"],"text":["[Women outside of building]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - Philadelphia, Mount Vernon","Item 1","/repositories/2/archival_objects/81760","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179828","18ce43a3c782b797db9fa781_aspace_179187"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - Philadelphia, Mount Vernon"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - Philadelphia, Mount Vernon"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/81760"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1405,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#24/components#3/components#0","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179187","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179188"}},{"id":"18ce43a3c782b797db9fa781_aspace_178326","type":"Item","attributes":{"title":"[Women outside of Old Kitchen]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178326#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178326#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178326","ref_ssm":["aspace_178326","aspace_178326"],"id":"18ce43a3c782b797db9fa781_aspace_178326","title_filing_ssi":"[Women outside of Old Kitchen]","title_ssm":["[Women outside of Old Kitchen]"],"title_tesim":["[Women outside of Old Kitchen]"],"normalized_title_ssm":["[Women outside of Old Kitchen]"],"text":["[Women outside of Old Kitchen]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Mildred Part I","Item 17","/repositories/2/archival_objects/82813","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179893","18ce43a3c782b797db9fa781_aspace_178309"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Mildred Part I"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Mildred Part I"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 17","/repositories/2/archival_objects/82813"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2204,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#32/components#2/components#16","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178309","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178326"}},{"id":"8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2","type":"Item","attributes":{"title":"Women outside, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e3 women standing outside by small brick wall.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_976bb8d7d238322b21ffe58a7f94bab2","ref_ssm":["aspace_976bb8d7d238322b21ffe58a7f94bab2","aspace_976bb8d7d238322b21ffe58a7f94bab2"],"id":"8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2","title_filing_ssi":"Women outside","title_ssm":["Women outside"],"title_tesim":["Women outside"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Women outside, Undated"],"text":["Women outside, Undated","Barbara Carter Collection, Circa 1940s-1960s","Photographs","Small photographs, Undated","/repositories/2/archival_objects/20130","box 1","3 women standing outside by small brick wall."],"component_level_isim":[3],"parent_ids_ssim":["8cd3559c8c888ca4f16e1857","8cd3559c8c888ca4f16e1857_aspace_776dd1221e2f1a47bea3217b019e0992","8cd3559c8c888ca4f16e1857_aspace_507d713d7afc32a83079fc3aa29fc86e"],"parent_unittitles_ssm":["Barbara Carter Collection, Circa 1940s-1960s","Photographs","Small photographs, Undated"],"parent_unittitles_tesim":["Barbara Carter Collection, Circa 1940s-1960s","Photographs","Small photographs, Undated"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["/repositories/2/archival_objects/20130"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Barbara Carter Collection, Circa 1940s-1960s"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":11,"parent_access_restrict_tesm":["The Barbara Carter Collection is open for research."],"containers_ssim":["box 1"],"scopecontent_html_tesm":["\u003cp\u003e3 women standing outside by small brick wall.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["3 women standing outside by small brick wall."],"_nest_path_":"/components#0/components#2/components#1","_nest_parent_":"8cd3559c8c888ca4f16e1857_aspace_507d713d7afc32a83079fc3aa29fc86e","_root_":"8cd3559c8c888ca4f16e1857","timestamp":"2026-05-02T01:31:36.231Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8cd3559c8c888ca4f16e1857","title_filing_ssi":"Carter, Barbara Collection","title_ssm":["Barbara Carter Collection"],"title_tesim":["Barbara Carter Collection"],"ead_ssi":"8cd3559c8c888ca4f16e1857","unitdate_ssm":["Circa 1940s-1960s"],"unitdate_inclusive_ssm":["Circa 1940s-1960s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2007.5","/repositories/2/resources/279"],"text":["AARLCC.2007.5","/repositories/2/resources/279","Barbara Carter Collection, Circa 1940s-1960s","Fort Lauderdale (Fla.)","Hurricanes","Hurricane damage","African American churches","African Americans--Florida","Photographs","The Barbara Carter Collection is open for research.","The Barbara Carter Collection is digitized and available on the  Broward County Library Digital Archives .","This collection received processing at the container level by Erin Purdy in November 2024. The collection was processed at the item level by Adam Anderson in March 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Barbara Carter Collection contains papers and 27 photographs related to life in Florida during the 1940s through the 1960s. Photographs include images of Black people, Zeta Phi Beta sorority, a meeting of the Interdenominational Choirs' Union of Fort Lauderdale, and flooding in downtown Fort Lauderdale during the October 1947 hurricane. ","Papers include an Orange Bowl program dated December 10, 1949, Mount Hernon African Methodist Epsiscopal Church of Fort Lauderdale (Mt. Hernon AME Church) programs and ephemera, a 1948 map of Florida, a 1951 calendar from Fifth Ave. Market - Bass Bros., a 1960 McWhite School of Cosmetology commencement program, business cards, and the Fort Lauderdale Bell Tel News from August 1960.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2007.5","/repositories/2/resources/279"],"normalized_date_ssm":["Circa 1940s-1960s"],"normalized_title_ssm":["Barbara Carter Collection, Circa 1940s-1960s"],"collection_title_tesim":["Barbara Carter Collection, Circa 1940s-1960s"],"collection_ssim":["Barbara Carter Collection, Circa 1940s-1960s"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["Hurricanes","Hurricane damage","African American churches","African Americans--Florida","Photographs"],"access_subjects_ssm":["Hurricanes","Hurricane damage","African American churches","African Americans--Florida","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Half Hollinger Box"],"extent_tesim":["1 Half Hollinger Box"],"genreform_ssim":["Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThe Barbara Carter Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Barbara Carter Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eThe Barbara Carter Collection is digitized and available on the \u003ca href=\"https://digitalarchives.broward.org/digital/collection/bcarter/search\"\u003eBroward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Barbara Carter Collection is digitized and available on the  Broward County Library Digital Archives ."],"prefercite_html_tesm":["\u003cp\u003eBarbara Carter Collection (AARLCC-2007.5), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Barbara Carter Collection (AARLCC-2007.5), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received processing at the container level by Erin Purdy in November 2024. The collection was processed at the item level by Adam Anderson in March 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received processing at the container level by Erin Purdy in November 2024. The collection was processed at the item level by Adam Anderson in March 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Barbara Carter Collection contains papers and 27 photographs related to life in Florida during the 1940s through the 1960s. Photographs include images of Black people, Zeta Phi Beta sorority, a meeting of the Interdenominational Choirs' Union of Fort Lauderdale, and flooding in downtown Fort Lauderdale during the October 1947 hurricane. \u003c/p\u003e\n","\u003cp\u003ePapers include an Orange Bowl program dated December 10, 1949, Mount Hernon African Methodist Epsiscopal Church of Fort Lauderdale (Mt. Hernon AME Church) programs and ephemera, a 1948 map of Florida, a 1951 calendar from Fifth Ave. Market - Bass Bros., a 1960 McWhite School of Cosmetology commencement program, business cards, and the Fort Lauderdale Bell Tel News from August 1960.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Barbara Carter Collection contains papers and 27 photographs related to life in Florida during the 1940s through the 1960s. Photographs include images of Black people, Zeta Phi Beta sorority, a meeting of the Interdenominational Choirs' Union of Fort Lauderdale, and flooding in downtown Fort Lauderdale during the October 1947 hurricane. ","Papers include an Orange Bowl program dated December 10, 1949, Mount Hernon African Methodist Epsiscopal Church of Fort Lauderdale (Mt. Hernon AME Church) programs and ephemera, a 1948 map of Florida, a 1951 calendar from Fifth Ave. Market - Bass Bros., a 1960 McWhite School of Cosmetology commencement program, business cards, and the Fort Lauderdale Bell Tel News from August 1960."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8cd3559c8c888ca4f16e1857","timestamp":"2026-05-02T01:31:36.231Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_24217","type":"File","attributes":{"title":"Women, Part 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24217#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24217","ref_ssm":["aspace_24217","aspace_24217"],"id":"da4d05e4376dbaeab6a6dad3_aspace_24217","title_filing_ssi":"Women, Part 1","title_ssm":["Women, Part 1"],"title_tesim":["Women, Part 1"],"normalized_title_ssm":["Women, Part 1"],"text":["Women, Part 1","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women","Folder 12","/repositories/2/archival_objects/61699","box 120","folder 12"],"component_level_isim":[3],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_178138","da4d05e4376dbaeab6a6dad3_aspace_176571"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 12","/repositories/2/archival_objects/61699"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2600,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["box 120","folder 12"],"_nest_path_":"/components#0/components#119/components#11","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_176571","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925","English"],"unitid_tesim":["MS-1982-01","/repositories/2/resources/371"],"normalized_date_ssm":["1824-1994, Date acquired: 10/23/1982"],"normalized_title_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_title_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Pizzo, Anthony P. (1912-1994)"],"creator_ssim":["Pizzo, Anthony P. (1912-1994)"],"creator_persname_ssim":["Pizzo, Anthony P. (1912-1994)"],"creators_ssim":["Pizzo, Anthony P. (1912-1994)"],"places_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Anthony P. Pizzo","Donation"],"access_subjects_ssim":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"access_subjects_ssm":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"has_online_content_ssim":["false"],"extent_ssm":["126.00 Linear Feet","262 boxes"],"extent_tesim":["126.00 Linear Feet","262 boxes"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are fragile.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some materials are fragile."],"accruals_html_tesm":["\u003cp\u003eThe collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24217"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_24218","type":"File","attributes":{"title":"Women, Part 2","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24218#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24218","ref_ssm":["aspace_24218","aspace_24218"],"id":"da4d05e4376dbaeab6a6dad3_aspace_24218","title_filing_ssi":"Women, Part 2","title_ssm":["Women, Part 2"],"title_tesim":["Women, Part 2"],"normalized_title_ssm":["Women, Part 2"],"text":["Women, Part 2","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women","Folder 13","/repositories/2/archival_objects/61700","box 120","folder 13"],"component_level_isim":[3],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_178138","da4d05e4376dbaeab6a6dad3_aspace_176571"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 13","/repositories/2/archival_objects/61700"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2601,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["box 120","folder 13"],"_nest_path_":"/components#0/components#119/components#12","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_176571","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. 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Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24218"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_24219","type":"File","attributes":{"title":"Women, Part 3","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24219#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24219","ref_ssm":["aspace_24219","aspace_24219"],"id":"da4d05e4376dbaeab6a6dad3_aspace_24219","title_filing_ssi":"Women, Part 3","title_ssm":["Women, Part 3"],"title_tesim":["Women, Part 3"],"normalized_title_ssm":["Women, Part 3"],"text":["Women, Part 3","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women","Folder 14","/repositories/2/archival_objects/61756","box 120","folder 14"],"component_level_isim":[3],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_178138","da4d05e4376dbaeab6a6dad3_aspace_176571"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 14","/repositories/2/archival_objects/61756"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2602,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["box 120","folder 14"],"_nest_path_":"/components#0/components#119/components#13","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_176571","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. 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Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24219"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_24220","type":"File","attributes":{"title":"Women, Part 4","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24220#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24220","ref_ssm":["aspace_24220","aspace_24220"],"id":"da4d05e4376dbaeab6a6dad3_aspace_24220","title_filing_ssi":"Women, Part 4","title_ssm":["Women, Part 4"],"title_tesim":["Women, Part 4"],"normalized_title_ssm":["Women, Part 4"],"text":["Women, Part 4","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women","Folder 15","/repositories/2/archival_objects/61758","box 120","folder 15"],"component_level_isim":[3],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_178138","da4d05e4376dbaeab6a6dad3_aspace_176571"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 15","/repositories/2/archival_objects/61758"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2603,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["box 120","folder 15"],"_nest_path_":"/components#0/components#119/components#14","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_176571","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. 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Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24220"}},{"id":"3fb93ee98c9e20882f9e1732_aspace_006e41dd39910a1236c945d015e5d1d6","type":"Item","attributes":{"title":"Women Participating in Altrusa Workshop","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3fb93ee98c9e20882f9e1732_aspace_006e41dd39910a1236c945d015e5d1d6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_006e41dd39910a1236c945d015e5d1d6","ref_ssm":["aspace_006e41dd39910a1236c945d015e5d1d6","aspace_006e41dd39910a1236c945d015e5d1d6"],"id":"3fb93ee98c9e20882f9e1732_aspace_006e41dd39910a1236c945d015e5d1d6","title_filing_ssi":"Women Participating in Altrusa Workshop","title_ssm":["Women Participating in Altrusa Workshop"],"title_tesim":["Women Participating in Altrusa Workshop"],"normalized_title_ssm":["Women Participating in Altrusa Workshop"],"text":["Women Participating in Altrusa Workshop","Altrusa International of Tampa Bay, Inc., 1950-2019, Date acquired: 05/31/2019","Box 4","Photographs","/repositories/2/archival_objects/199858"],"component_level_isim":[3],"parent_ids_ssim":["3fb93ee98c9e20882f9e1732","3fb93ee98c9e20882f9e1732_aspace_176359","3fb93ee98c9e20882f9e1732_aspace_176368"],"parent_unittitles_ssm":["Altrusa International of Tampa Bay, Inc., 1950-2019, Date acquired: 05/31/2019","Box 4","Photographs"],"parent_unittitles_tesim":["Altrusa International of Tampa Bay, Inc., 1950-2019, Date acquired: 05/31/2019","Box 4","Photographs"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["/repositories/2/archival_objects/199858"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Altrusa International of Tampa Bay, Inc., 1950-2019, Date acquired: 05/31/2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":121,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#3/components#8/components#16","_nest_parent_":"3fb93ee98c9e20882f9e1732_aspace_176368","_root_":"3fb93ee98c9e20882f9e1732","_version_":1871043597834387456,"timestamp":"2026-07-18T09:17:04.119Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3fb93ee98c9e20882f9e1732","title_ssm":["Altrusa International of Tampa Bay, Inc."],"title_tesim":["Altrusa International of Tampa Bay, Inc."],"ead_ssi":"3fb93ee98c9e20882f9e1732","unitdate_ssm":["1950-2019","Date acquired: 05/31/2019"],"unitdate_inclusive_ssm":["1950-2019"],"unitdate_other_ssim":["Date acquired: 05/31/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2019-01","/repositories/2/resources/28"],"text":["MS-2019-01","/repositories/2/resources/28","Altrusa International of Tampa Bay, Inc., 1950-2019, Date acquired: 05/31/2019","Women -- Societies and clubs","Additional materials added June 2019 and September 2023.","Original order","Altrusa International of Tampa Bay was formed as a local affiliate of the International Organization by a group of businesses and professional women during a charter banquet at the Floridan Hotel on December 12, 1953. The organization established the Wilma B. Hogan Foundation in 1999 to provide funds for services, programs, and projects that fulfill the needs of the Tampa Bay community. 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The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. 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