{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026facet.sort=count\u0026page=65519","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026facet.sort=count\u0026page=65518","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026facet.sort=count\u0026page=65520","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026facet.sort=count\u0026page=65773"},"meta":{"pages":{"current_page":65519,"next_page":65520,"prev_page":65518,"total_pages":65773,"limit_value":10,"offset_value":655180,"total_count":657728,"first_page?":false,"last_page?":false}},"data":[{"id":"18ce43a3c782b797db9fa781_aspace_178173","type":"Item","attributes":{"title":"[Yellow-breasted birds], 1920","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178173#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eHand-colored illustration. By Allan Brooks.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178173#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178173","ref_ssm":["aspace_178173","aspace_178173"],"id":"18ce43a3c782b797db9fa781_aspace_178173","title_filing_ssi":"[Yellow-breasted birds]","title_ssm":["[Yellow-breasted birds]"],"title_tesim":["[Yellow-breasted birds]"],"unitdate_other_ssim":["1920"],"normalized_date_ssm":["1920"],"normalized_title_ssm":["[Yellow-breasted birds], 1920"],"text":["[Yellow-breasted birds], 1920","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Flowers, Animals Birds","Birds","Item 21","/repositories/2/archival_objects/82585","Hand-colored illustration. By Allan Brooks."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179819","18ce43a3c782b797db9fa781_aspace_177743"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Flowers, Animals Birds","Birds"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Flowers, Animals Birds","Birds"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 21","/repositories/2/archival_objects/82585"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":748,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored illustration. By Allan Brooks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Hand-colored illustration. By Allan Brooks."],"_nest_path_":"/components#17/components#2/components#20","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_177743","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178173"}},{"id":"bf72cef4067ae25e75be968d_aspace_00ed9cccdd5046c0e8db9c9a2d91099c","type":"Item","attributes":{"title":"Yellow-Breasted Chat","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bf72cef4067ae25e75be968d_aspace_00ed9cccdd5046c0e8db9c9a2d91099c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_00ed9cccdd5046c0e8db9c9a2d91099c","ref_ssm":["aspace_00ed9cccdd5046c0e8db9c9a2d91099c","aspace_00ed9cccdd5046c0e8db9c9a2d91099c"],"id":"bf72cef4067ae25e75be968d_aspace_00ed9cccdd5046c0e8db9c9a2d91099c","title_filing_ssi":"Yellow-Breasted Chat","title_ssm":["Yellow-Breasted Chat"],"title_tesim":["Yellow-Breasted Chat"],"normalized_title_ssm":["Yellow-Breasted Chat"],"text":["Yellow-Breasted Chat","Richard Sloane Prints, Undated","/repositories/10/archival_objects/221728","frame 24"],"component_level_isim":[1],"parent_ids_ssim":["bf72cef4067ae25e75be968d"],"parent_unittitles_ssm":["Richard Sloane Prints, Undated"],"parent_unittitles_tesim":["Richard Sloane Prints, Undated"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/221728"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Richard Sloane Prints, Undated"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":42,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["frame 24"],"_nest_path_":"/components#41","_nest_parent_":"bf72cef4067ae25e75be968d","_root_":"bf72cef4067ae25e75be968d","timestamp":"2026-07-11T06:16:26.016Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bf72cef4067ae25e75be968d","title_ssm":["Richard Sloane Prints"],"title_tesim":["Richard Sloane Prints"],"ead_ssi":"bf72cef4067ae25e75be968d","unitdate_ssm":["Undated"],"unitdate_inclusive_ssm":["Undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SCA 2023-007","/repositories/10/resources/2640"],"text":["SCA 2023-007","/repositories/10/resources/2640","Richard Sloane Prints, Undated","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Date accessioned: 2023/09/19","Lithographs of bird illustrations by Richard Sloane.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["SCA 2023-007","/repositories/10/resources/2640"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Richard Sloane Prints, Undated"],"collection_title_tesim":["Richard Sloane Prints, Undated"],"collection_ssim":["Richard Sloane Prints, Undated"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet"],"extent_tesim":["8 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2023/09/19\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2023/09/19"],"prefercite_html_tesm":["\u003cp\u003eRichard Sloane Prints, SCA 2023-007, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/SCA_2023-007\u003c/p\u003e"],"prefercite_tesim":["Richard Sloane Prints, SCA 2023-007, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/SCA_2023-007"],"scopecontent_html_tesm":["\u003cp\u003eLithographs of bird illustrations by Richard Sloane.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lithographs of bird illustrations by Richard Sloane."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":43,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"bf72cef4067ae25e75be968d","timestamp":"2026-07-11T06:16:26.016Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bf72cef4067ae25e75be968d_aspace_00ed9cccdd5046c0e8db9c9a2d91099c"}},{"id":"27c60a84fd2f5fc89fc968d1_aspace_146300","type":"Item","attributes":{"title":"Yellow Cab","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_146300#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eInner Cigar Box Label; Cut from Magazine\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_146300#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_146300","ref_ssm":["aspace_146300","aspace_146300"],"id":"27c60a84fd2f5fc89fc968d1_aspace_146300","title_filing_ssi":"Yellow Cab","title_ssm":["Yellow Cab"],"title_tesim":["Yellow Cab"],"normalized_title_ssm":["Yellow Cab"],"text":["Yellow Cab","Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 5","Folder 17","Item 17","/repositories/2/archival_objects/2029","Inner Cigar Box Label; Cut from Magazine"],"component_level_isim":[3],"parent_ids_ssim":["27c60a84fd2f5fc89fc968d1","27c60a84fd2f5fc89fc968d1_aspace_170746","27c60a84fd2f5fc89fc968d1_aspace_146277"],"parent_unittitles_ssm":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 5","Folder 17"],"parent_unittitles_tesim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 5","Folder 17"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 17","/repositories/2/archival_objects/2029"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1476,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eInner Cigar Box Label; Cut from Magazine\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Inner Cigar Box Label; Cut from Magazine"],"_nest_path_":"/components#4/components#1/components#16","_nest_parent_":"27c60a84fd2f5fc89fc968d1_aspace_146277","_root_":"27c60a84fd2f5fc89fc968d1","timestamp":"2026-07-09T04:17:20.293Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"27c60a84fd2f5fc89fc968d1","title_ssm":["Rick and Patricia Ballantyne cigar label collection"],"title_tesim":["Rick and Patricia Ballantyne cigar label collection"],"ead_ssi":"27c60a84fd2f5fc89fc968d1","unitdate_ssm":["1880-1930","Date acquired: 12/01/2016"],"unitdate_inclusive_ssm":["1880-1930"],"unitdate_other_ssim":["Date acquired: 12/01/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2016-10","/repositories/2/resources/37"],"text":["MS-2016-10","/repositories/2/resources/37","Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Chromolithography","Cigar bands and labels",".","Arranged alphabetically by title.","This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.  Mr. Ballantyne had a special affinity for labels depicting women.","Note written by Andy Huse","Fred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Kane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Osterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Collection of cigar labels from the late 1800s and early 1900s.","USF Libraries - Tampa Special Collections","Ballantyne, Rick","Ballantyne, Patricia","English"],"unitid_tesim":["MS-2016-10","/repositories/2/resources/37"],"normalized_date_ssm":["1880-1930, Date acquired: 12/01/2016"],"normalized_title_ssm":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"collection_title_tesim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"collection_ssim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ballantyne, Rick","Ballantyne, Patricia"],"creator_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"creator_persname_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"creators_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Rick and Trish Ballantyne","Donation."],"access_subjects_ssim":["Chromolithography","Cigar bands and labels"],"access_subjects_ssm":["Chromolithography","Cigar bands and labels"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet","6 boxes"],"extent_tesim":["2.50 Linear Feet","6 boxes"],"genreform_ssim":["Cigar bands and labels"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930],"appraisal_html_tesm":["\u003cp\u003e.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically by title."],"bioghist_html_tesm":["\u003cp\u003eThis collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.\u0026#xA0; Mr. Ballantyne had a special affinity for labels depicting women.\u003c/p\u003e\n","\u003cp\u003eNote written by Andy Huse\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.  Mr. Ballantyne had a special affinity for labels depicting women.","Note written by Andy Huse"],"prefercite_html_tesm":["\u003cp\u003eRick and Patricia Ballantyne Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Rick and Patricia Ballantyne Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eFred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eKane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eOsterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Fred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Kane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Osterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffeb33666aa8afab57423eb79361a6e5\" label=\"Abstract\"\u003eCollection of cigar labels from the late 1800s and early 1900s.\u003c/abstract\u003e"],"abstract_tesim":["Collection of cigar labels from the late 1800s and early 1900s."],"names_ssim":["USF Libraries - Tampa Special Collections","Ballantyne, Rick","Ballantyne, Patricia"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1895,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"27c60a84fd2f5fc89fc968d1","timestamp":"2026-07-09T04:17:20.293Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_146300"}},{"id":"ba11e1a27e9c23cb6b07bb20_aspace_120981","type":"File","attributes":{"title":"Yellow Cab","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ba11e1a27e9c23cb6b07bb20_aspace_120981#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_120981","ref_ssm":["aspace_120981","aspace_120981"],"id":"ba11e1a27e9c23cb6b07bb20_aspace_120981","title_filing_ssi":"Yellow Cab","title_ssm":["Yellow Cab"],"title_tesim":["Yellow Cab"],"normalized_title_ssm":["Yellow Cab"],"text":["Yellow Cab","Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985","U-Z","Folder 62","/repositories/2/archival_objects/21803","box 16","folder 62"],"component_level_isim":[2],"parent_ids_ssim":["ba11e1a27e9c23cb6b07bb20","ba11e1a27e9c23cb6b07bb20_aspace_120919"],"parent_unittitles_ssm":["Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985","U-Z"],"parent_unittitles_tesim":["Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985","U-Z"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 62","/repositories/2/archival_objects/21803"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1044,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 16","folder 62"],"_nest_path_":"/components#15/components#61","_nest_parent_":"ba11e1a27e9c23cb6b07bb20_aspace_120919","_root_":"ba11e1a27e9c23cb6b07bb20","_version_":1870862523910062080,"timestamp":"2026-07-16T09:18:58.567Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ba11e1a27e9c23cb6b07bb20","title_ssm":["Fred Bautz Cigar Label collection"],"title_tesim":["Fred Bautz Cigar Label collection"],"ead_ssi":"ba11e1a27e9c23cb6b07bb20","unitdate_ssm":["1890-1945","Date acquired: 00/00/1985"],"unitdate_inclusive_ssm":["1890-1945"],"unitdate_other_ssim":["Date acquired: 00/00/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1985-01","/repositories/2/resources/142"],"text":["MS-1985-01","/repositories/2/resources/142","Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985","Chromolithography","Cigar bands and labels -- Lithography","Labels are arranged alphabetically by company name.","Kane-Greenberg Lithography Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Tampa Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","The Fred Bautz Cigar Label Collection covers a wide range of artistic styles used in cigar advertisement, as well as lithographic techniques used in creating those labels. The collection covers labels from the late 19th century through the mid-1940s, and geographically covers examples from the United States and Europe. The labels from the 1920s were also among the last to use the old chromolithographic printing process. The proofs themselves have a wide range of color use, ranging from six to twenty colors per proof, and include examples from several lithographic corporations, such as American Lithography, Hepenheimer and Sons, Whitch and Schmidt, George  Harris, Schumaker and Ettlinger, and Haywood S. and V. Lithographers.","USF Libraries - Tampa Special Collections","Bautz, Fred","English"],"unitid_tesim":["MS-1985-01","/repositories/2/resources/142"],"normalized_date_ssm":["1890-1945, Date acquired: 00/00/1985"],"normalized_title_ssm":["Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985"],"collection_title_tesim":["Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985"],"collection_ssim":["Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Bautz, Fred"],"creator_ssim":["Bautz, Fred"],"creator_persname_ssim":["Bautz, Fred"],"creators_ssim":["Bautz, Fred"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Fred Bautz","Historian L. Glenn Westfall facilitated the donation of this collection and is responsible for several important donations of material covering the cigar industry in Tampa and Key West."],"access_subjects_ssim":["Chromolithography","Cigar bands and labels -- Lithography"],"access_subjects_ssm":["Chromolithography","Cigar bands and labels -- Lithography"],"has_online_content_ssim":["false"],"extent_ssm":["6.26 Linear Feet","16 boxes"],"extent_tesim":["6.26 Linear Feet","16 boxes"],"genreform_ssim":["Cigar bands and labels -- Lithography"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"arrangement_html_tesm":["\u003cp\u003eLabels are arranged alphabetically by company name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Labels are arranged alphabetically by company name."],"prefercite_html_tesm":["\u003cp\u003eFred Bautz Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Fred Bautz Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eKane-Greenberg Lithography Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003eTampa Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Kane-Greenberg Lithography Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Tampa Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e98cef931140790b926273ef7b53f770\" label=\"Abstract\"\u003eThe Fred Bautz Cigar Label Collection covers a wide range of artistic styles used in cigar advertisement, as well as lithographic techniques used in creating those labels. The collection covers labels from the late 19th century through the mid-1940s, and geographically covers examples from the United States and Europe. The labels from the 1920s were also among the last to use the old chromolithographic printing process. The proofs themselves have a wide range of color use, ranging from six to twenty colors per proof, and include examples from several lithographic corporations, such as American Lithography, Hepenheimer and Sons, Whitch and Schmidt, George\u0026#xA0; Harris, Schumaker and Ettlinger, and Haywood S. and V. Lithographers.\u003c/abstract\u003e"],"abstract_tesim":["The Fred Bautz Cigar Label Collection covers a wide range of artistic styles used in cigar advertisement, as well as lithographic techniques used in creating those labels. The collection covers labels from the late 19th century through the mid-1940s, and geographically covers examples from the United States and Europe. The labels from the 1920s were also among the last to use the old chromolithographic printing process. The proofs themselves have a wide range of color use, ranging from six to twenty colors per proof, and include examples from several lithographic corporations, such as American Lithography, Hepenheimer and Sons, Whitch and Schmidt, George  Harris, Schumaker and Ettlinger, and Haywood S. and V. 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","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"scopecontent_html_tesm":["\u003cp\u003eItems available: 1 press release\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Items available: 1 press release"],"_nest_path_":"/components#12/components#276","_nest_parent_":"f70dba2e4db85b9be660d412_aspace_167769","_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f70dba2e4db85b9be660d412","title_ssm":["Cinema Promotional Materials"],"title_tesim":["Cinema Promotional Materials"],"ead_ssi":"f70dba2e4db85b9be660d412","unitdate_ssm":["1957-1976","Date acquired: 08/01/1976"],"unitdate_inclusive_ssm":["1957-1976"],"unitdate_other_ssim":["Date acquired: 08/01/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 76-18","/repositories/10/resources/599"],"text":["MSS 76-18","/repositories/10/resources/599","Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures.","This collection is open to all researchers. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library.","The larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed.","Processed November, 1977.","This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 76-18","/repositories/10/resources/599"],"normalized_date_ssm":["1957-1976, Date acquired: 08/01/1976"],"normalized_title_ssm":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_title_tesim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_ssim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Gift of Mr. Leslie W. Pendleton, District Supervisor, Kent Theatres, Inc.","Received August 1976 through the efforts of Dr. Ungurait."],"access_subjects_ssim":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"access_subjects_ssm":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"has_online_content_ssim":["false"],"extent_ssm":["5521.00 items"],"extent_tesim":["5521.00 items"],"genreform_ssim":["Motion pictures."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003ePortions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e\n","\u003cp\u003eBoxes 2-5 and 8 may be accessed at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eThe larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed."],"prefercite_html_tesm":["\u003cp\u003eCinema Promotional Materials, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18\u003c/p\u003e"],"prefercite_tesim":["Cinema Promotional Materials, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18"],"processinfo_html_tesm":["\u003cp\u003eProcessed November, 1977.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed November, 1977."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n\u003cbr\u003e\u003cbr\u003eEach press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n\u003cbr\u003e\u003cbr\u003eThe records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412_aspace_168046"}},{"id":"49000b957db46fc437972710_aspace_f1a3dd8e82b72f29ddb4f96468f453b7","type":"Item","attributes":{"title":"Yellow \"Charge On!\" sunglasses, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/49000b957db46fc437972710_aspace_f1a3dd8e82b72f29ddb4f96468f453b7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f1a3dd8e82b72f29ddb4f96468f453b7","ref_ssm":["aspace_f1a3dd8e82b72f29ddb4f96468f453b7","aspace_f1a3dd8e82b72f29ddb4f96468f453b7"],"id":"49000b957db46fc437972710_aspace_f1a3dd8e82b72f29ddb4f96468f453b7","title_filing_ssi":"Yellow \"Charge On!\" sunglasses","title_ssm":["Yellow \"Charge On!\" sunglasses"],"title_tesim":["Yellow \"Charge On!\" sunglasses"],"unitdate_other_ssim":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["Yellow \"Charge On!\" sunglasses, undated"],"text":["Yellow \"Charge On!\" sunglasses, undated","University of Central Florida Memorabilia collection, 1965-2020","Students, 1973-2017","/repositories/2/archival_objects/77555","box 24","Tray 2"],"component_level_isim":[2],"parent_ids_ssim":["49000b957db46fc437972710","49000b957db46fc437972710_aspace_82342"],"parent_unittitles_ssm":["University of Central Florida Memorabilia collection, 1965-2020","Students, 1973-2017"],"parent_unittitles_tesim":["University of Central Florida Memorabilia collection, 1965-2020","Students, 1973-2017"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/77555"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Memorabilia collection, 1965-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":63,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 24","Tray 2"],"_nest_path_":"/components#0/components#40","_nest_parent_":"49000b957db46fc437972710_aspace_82342","_root_":"49000b957db46fc437972710","_version_":1877743968931807232,"timestamp":"2026-09-30T08:16:35.951Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"49000b957db46fc437972710","title_ssm":["University of Central Florida Memorabilia collection"],"title_tesim":["University of Central Florida Memorabilia collection"],"ead_ssi":"49000b957db46fc437972710","unitdate_ssm":["1965-2020"],"unitdate_inclusive_ssm":["1965-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA27F","/repositories/2/resources/98"],"text":["UA27F","/repositories/2/resources/98","University of Central Florida Memorabilia collection, 1965-2020","Orlando (Fla.)","College students","Universities and colleges -- Alumni and alumnae","Universities and colleges -- Faculty","College Sports","Universities and colleges -- Florida","Universities and colleges -- Departments","The entire collection is open for research.","The collection is arranged into thirteen series as follows: \n I: Students, 1973-2017 II: Alumni, 1970s-2006 III: Sports, 1970-2009 IV: Homecoming, 1984-2018 V: Presidents: 1968-2012 VI: Faculty, Staff and Administrators, 1968-2011 VII: Buildings, 1967-2004 VIII: Colleges and Programs, 1974-2008 IX: Departments and Services, 1968-2006 X: Anniversaries, 1988-2008 XI: University History, 1965-2020 XII: Florida Technological University, 1968-1978 XIII: Events, 1977-2008","This artificial collection was brought together by UCF Special Collections \u0026 University Archives staff over time from various known and unknown sources. Items continue to be added as they are collected. ","Originally named Florida Technological University, the University of Central Florida (UCF) is a public multi-campus, metropolitan research university. Florida Technological University (FTU) was founded in 1963 by the State of Florida to provide educated professionals to work in the growing space program. Building began in 1967 and classes started in 1968. Charles N. Millican served as the founding president.  His successor, H. Trevor Colbourn, started the university's football program. In 1978, FTU's name was officially changed to UCF. Steven Altman presided over the university from 1989-1991. John C. Hitt served as president from 1992 until 2018. Dale Whittaker was UCF's fifth president from 2018 to 2019. Alexander Cartwright became the university's president in 2020.  \n \nThe university's official emblem is Pegasus, the winged horse of Greek mythology, and the athletics logo is the Knight. Knightro, the mascot, represents one version of the Knight theme; both Knightro and the logo have changed over time. ","During reprocessing, it was discovered that there are 30 missing items. Missing from original Box 1 is the 25th Anniversary Silver Metal Badge, 1988. Missing from original Box 19 is \"Students Today Alumni Forever t-shirt\" 2005, \"Knightro Touchdown Rush\" T-shirt 2006, and Ice Hockey Team Roster Pamphlet 1997-98. Missing from original Box 21 is FTU Banner, 1970s. Missing from original Box 24 is FTU Special Collections Pamphlet, circa 1975, and Videographer Passes, 2007. Missing from original Box 26 is a T-Shirt, 2007. Missing from original Box 29 is FTU Carbon Paper Pad, 1967-1978. The following items from original Box 32 are missing:  \"Beat Umass\" Sign 2009, Media Armband Buffalo Game 19-Sep-2009, Media Armband, Houston Game 14-Nov-2009, Media Armband, Marshall Game 1-Nov-2009, Media Armband, Samford Game 5-Sep-2009, Media Pass 2009, Parking Permit, Buffalo Game 19-Sep-2009, Parking Permit, Houston Game 14-Nov-2009, Parking Permit, Marshall Game 1-Nov-2009, Parking Permit, Memphis Game 3-Oct-2009, Parking Permit, Samford 5-Sep-2009, Dr. Millican's Statue Unveiling Program 2009. Missing from original Box 41 is SGA Pencil, undated. Missing from original Flat File 1 is Kickoff by Orlando Mayor Bill Frederick Panel of Three Photographs, circa 1980. The following items listed as originally found in Room 150 are missing: Poster Framed and Signed by Softball Team 2002, FTU Banner with Pegasus Seal created by neighbors of Dr. and Mrs. Millican circa 1970, Millican Hall Wooden Plaque 1971, Aerial Photograph Framed and Showing Research Park, UCF and the East-West Expressway (408) circa 1998, Lake Colbourn Framed Map circa 2006, College of Medicine Rejected Gonfalon 2008, Pegasus Seal with Knight Inset Framed circa 1965.","Re-processed in 2020 by Elisabeth Jimenez. Additions processed and finding aid revised by Asmara Cortes-Caba in 2024.","For further information regarding the university archives please consult our  website .","The University of Central Florida Memorabilia collection, 1965-2020 documents University of Central Florida (UCF) events and activities, such as such as homecoming, various sporting events, building dedications, and university anniversaries. It chiefly contains a variety of memorabilia, including t-shirts, cups, glassware, buttons, pins, programs, plaques, and other commemorative objects related to UCF students, alumni, faculty, staff, and university presidents. It also includes memorabilia from UCF's early days as Florida Technological University. The Pegasus Seal, the university's emblem, is featured on many objects, including those created when the university was named Florida Technological University. ","Series I: Students, 1973-2008 contains items produced for student organizations and events.","Series II: Alumni, 1970s-2005 mainly holds objects relating to the Alumni Association, but it also contains a few items commemorating the activities and achievements of specific alumni.","Series III: Sports, 1970-2009 contains plaques, shirts, balls and other items commemorating the university's sporting activities and achievements. In addition, the series holds a variety of items produced for fans or to advertise particular athletics conferences.","Series IV: Homecoming, 1984-2012 holds objects produced by Homecoming Committees to celebrate this annual event.","Series V: Presidents: 1968-2009 contains items that belonged to the presidents, commemorate specific events, or are associated with the office of University President.","Series VI: Faculty, Staff and Administrators, 1968-2006 holds a variety of items that belonged to specific individuals or that were produced by faculty or staff organizations.","Series VII: Buildings, 1967-2004 contains items commemorating the construction and dedication of campus buildings and Research Park.","Series VIII: Colleges and Programs, 1974-2008 holds objects advertising the academic life of the university.","Series IX: Departments and Services, 1968-2006 contains items advertising or used by specific departments on campus.","Series X: Anniversaries, 1988-2008 holds objects produced to celebrate university anniversaries.","Series XI: University History, 1965-2007 contains pamphlets and objects documenting milestones in the university's history and some miscellaneous objects decorated with the university seal.","Series XII: Florida Technological University, 1968-1978 holds a variety of objects decorated with the FTU version of the seal or the original name of the university.","Series XIII: Events, 1977-2006 contains items relating to specific university events.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The University of Central Florida Memorabilia collection, 1965-2020 documents University of Central Florida (UCF) events and activities, such as such as homecoming, various sporting events, building dedications, and university anniversaries. It chiefly contains a variety of memorabilia, including t-shirts, cups, glassware, buttons, pins, programs, plaques, and other commemorative objects related to UCF students, alumni, faculty, staff, and university presidents. It also includes memorabilia from UCF's early days as Florida Technological University. The Pegasus Seal, the university's emblem, is featured on many objects, including those created when the university was named Florida Technological University. \n\n \nThis artificial collection was brought together by UCF Special Collections \u0026 University Archives staff over time from various known and unknown sources. Items continue to be added as they are collected. Originally named Florida Technological University, the University of Central Florida (UCF) is a public multi-campus, metropolitan research university. Florida Technological University (FTU) was founded in 1963 by the State of Florida to provide educated professionals to work in the growing space program. Building began in 1967 and classes started in 1968. Charles N. Millican served as the founding president.  His successor, H. Trevor Colbourn, started the university's football program. In 1978, FTU's name was officially changed to UCF. Steven Altman presided over the university from 1989-1991. John C. Hitt served as president from 1992 until 2018. Dale Whittaker was UCF's fifth president from 2018 to 2019. Alexander Cartwright became the university's president in 2020.","UCF University Archives","University of Central Florida","Florida Technological University","English"],"unitid_tesim":["UA27F","/repositories/2/resources/98"],"normalized_date_ssm":["1965-2020"],"normalized_title_ssm":["University of Central Florida Memorabilia collection, 1965-2020"],"collection_title_tesim":["University of Central Florida Memorabilia collection, 1965-2020"],"collection_ssim":["University of Central Florida Memorabilia collection, 1965-2020"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"geogname_ssm":["Orlando (Fla.)"],"geogname_ssim":["Orlando (Fla.)"],"creator_ssm":["University of Central Florida"],"creator_ssim":["University of Central Florida"],"creator_corpname_ssim":["University of Central Florida"],"creators_ssim":["University of Central Florida"],"places_ssim":["Orlando (Fla.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This artificial collection was brought together by UCF Special Collections \u0026 University Archives staff over time from sources such as, the Office of the President, the Alumni Association, and various known and unknown individuals. Items continue to be added as they are collected. Materials were gifted by Laila Miletic-Vejzovic in 2014 (CFU2014_E). Materials were gifted in 2017 by  Sherri Freedman (CFU2017_03), Matthew Dunn (CFU2017_13), and Robin Chan (CFU2017_41). Materials were gifted in 2020 by Jalyn Smith (CFU2020_01). Materials were gifted by in 2024 by Library Administration (CFU2024_02) and David Benjamin (CFU2024_12; CFU2024_13)."],"access_subjects_ssim":["College students","Universities and colleges -- Alumni and alumnae","Universities and colleges -- Faculty","College Sports","Universities and colleges -- Florida","Universities and colleges -- Departments"],"access_subjects_ssm":["College students","Universities and colleges -- Alumni and alumnae","Universities and colleges -- Faculty","College Sports","Universities and colleges -- Florida","Universities and colleges -- Departments"],"has_online_content_ssim":["false"],"extent_ssm":["50.75 Linear Feet 47 boxes, 2 flat files, 21 objects"],"extent_tesim":["50.75 Linear Feet 47 boxes, 2 flat files, 21 objects"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into thirteen series as follows: \n\u003cul style=\"list-style: none;\"\u003e\n\u003cli\u003eI: Students, 1973-2017\u003c/li\u003e\n\u003cli\u003eII: Alumni, 1970s-2006\u003c/li\u003e\n\u003cli\u003eIII: Sports, 1970-2009\u003c/li\u003e\n\u003cli\u003eIV: Homecoming, 1984-2018\u003c/li\u003e\n\u003cli\u003eV: Presidents: 1968-2012\u003c/li\u003e\n\u003cli\u003eVI: Faculty, Staff and Administrators, 1968-2011\u003c/li\u003e\n\u003cli\u003eVII: Buildings, 1967-2004\u003c/li\u003e\n\u003cli\u003eVIII: Colleges and Programs, 1974-2008\u003c/li\u003e\n\u003cli\u003eIX: Departments and Services, 1968-2006\u003c/li\u003e\n\u003cli\u003eX: Anniversaries, 1988-2008\u003c/li\u003e\n\u003cli\u003eXI: University History, 1965-2020\u003c/li\u003e\n\u003cli\u003eXII: Florida Technological University, 1968-1978\u003c/li\u003e\n\u003cli\u003eXIII: Events, 1977-2008\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into thirteen series as follows: \n I: Students, 1973-2017 II: Alumni, 1970s-2006 III: Sports, 1970-2009 IV: Homecoming, 1984-2018 V: Presidents: 1968-2012 VI: Faculty, Staff and Administrators, 1968-2011 VII: Buildings, 1967-2004 VIII: Colleges and Programs, 1974-2008 IX: Departments and Services, 1968-2006 X: Anniversaries, 1988-2008 XI: University History, 1965-2020 XII: Florida Technological University, 1968-1978 XIII: Events, 1977-2008"],"bioghist_html_tesm":["\u003cp\u003eThis artificial collection was brought together by UCF Special Collections \u0026amp; University Archives staff over time from various known and unknown sources. Items continue to be added as they are collected. \u003c/p\u003e\n","\u003cp\u003eOriginally named Florida Technological University, the University of Central Florida (UCF) is a public multi-campus, metropolitan research university. Florida Technological University (FTU) was founded in 1963 by the State of Florida to provide educated professionals to work in the growing space program. Building began in 1967 and classes started in 1968. Charles N. Millican served as the founding president.  His successor, H. Trevor Colbourn, started the university's football program. In 1978, FTU's name was officially changed to UCF. Steven Altman presided over the university from 1989-1991. John C. Hitt served as president from 1992 until 2018. Dale Whittaker was UCF's fifth president from 2018 to 2019. Alexander Cartwright became the university's president in 2020.  \n \nThe university's official emblem is Pegasus, the winged horse of Greek mythology, and the athletics logo is the Knight. Knightro, the mascot, represents one version of the Knight theme; both Knightro and the logo have changed over time. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["This artificial collection was brought together by UCF Special Collections \u0026 University Archives staff over time from various known and unknown sources. Items continue to be added as they are collected. ","Originally named Florida Technological University, the University of Central Florida (UCF) is a public multi-campus, metropolitan research university. Florida Technological University (FTU) was founded in 1963 by the State of Florida to provide educated professionals to work in the growing space program. Building began in 1967 and classes started in 1968. Charles N. Millican served as the founding president.  His successor, H. Trevor Colbourn, started the university's football program. In 1978, FTU's name was officially changed to UCF. Steven Altman presided over the university from 1989-1991. John C. Hitt served as president from 1992 until 2018. Dale Whittaker was UCF's fifth president from 2018 to 2019. Alexander Cartwright became the university's president in 2020.  \n \nThe university's official emblem is Pegasus, the winged horse of Greek mythology, and the athletics logo is the Knight. Knightro, the mascot, represents one version of the Knight theme; both Knightro and the logo have changed over time. "],"odd_html_tesm":["\u003cp\u003eDuring reprocessing, it was discovered that there are 30 missing items. Missing from original Box 1 is the 25th Anniversary Silver Metal Badge, 1988. Missing from original Box 19 is \"Students Today Alumni Forever t-shirt\" 2005, \"Knightro Touchdown Rush\" T-shirt 2006, and Ice Hockey Team Roster Pamphlet 1997-98. Missing from original Box 21 is FTU Banner, 1970s. Missing from original Box 24 is FTU Special Collections Pamphlet, circa 1975, and Videographer Passes, 2007. Missing from original Box 26 is a T-Shirt, 2007. Missing from original Box 29 is FTU Carbon Paper Pad, 1967-1978. The following items from original Box 32 are missing:  \"Beat Umass\" Sign 2009, Media Armband Buffalo Game 19-Sep-2009, Media Armband, Houston Game 14-Nov-2009, Media Armband, Marshall Game 1-Nov-2009, Media Armband, Samford Game 5-Sep-2009, Media Pass 2009, Parking Permit, Buffalo Game 19-Sep-2009, Parking Permit, Houston Game 14-Nov-2009, Parking Permit, Marshall Game 1-Nov-2009, Parking Permit, Memphis Game 3-Oct-2009, Parking Permit, Samford 5-Sep-2009, Dr. Millican's Statue Unveiling Program 2009. Missing from original Box 41 is SGA Pencil, undated. Missing from original Flat File 1 is Kickoff by Orlando Mayor Bill Frederick Panel of Three Photographs, circa 1980. The following items listed as originally found in Room 150 are missing: Poster Framed and Signed by Softball Team 2002, FTU Banner with Pegasus Seal created by neighbors of Dr. and Mrs. Millican circa 1970, Millican Hall Wooden Plaque 1971, Aerial Photograph Framed and Showing Research Park, UCF and the East-West Expressway (408) circa 1998, Lake Colbourn Framed Map circa 2006, College of Medicine Rejected Gonfalon 2008, Pegasus Seal with Knight Inset Framed circa 1965.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["During reprocessing, it was discovered that there are 30 missing items. Missing from original Box 1 is the 25th Anniversary Silver Metal Badge, 1988. Missing from original Box 19 is \"Students Today Alumni Forever t-shirt\" 2005, \"Knightro Touchdown Rush\" T-shirt 2006, and Ice Hockey Team Roster Pamphlet 1997-98. Missing from original Box 21 is FTU Banner, 1970s. Missing from original Box 24 is FTU Special Collections Pamphlet, circa 1975, and Videographer Passes, 2007. Missing from original Box 26 is a T-Shirt, 2007. Missing from original Box 29 is FTU Carbon Paper Pad, 1967-1978. The following items from original Box 32 are missing:  \"Beat Umass\" Sign 2009, Media Armband Buffalo Game 19-Sep-2009, Media Armband, Houston Game 14-Nov-2009, Media Armband, Marshall Game 1-Nov-2009, Media Armband, Samford Game 5-Sep-2009, Media Pass 2009, Parking Permit, Buffalo Game 19-Sep-2009, Parking Permit, Houston Game 14-Nov-2009, Parking Permit, Marshall Game 1-Nov-2009, Parking Permit, Memphis Game 3-Oct-2009, Parking Permit, Samford 5-Sep-2009, Dr. Millican's Statue Unveiling Program 2009. Missing from original Box 41 is SGA Pencil, undated. Missing from original Flat File 1 is Kickoff by Orlando Mayor Bill Frederick Panel of Three Photographs, circa 1980. The following items listed as originally found in Room 150 are missing: Poster Framed and Signed by Softball Team 2002, FTU Banner with Pegasus Seal created by neighbors of Dr. and Mrs. Millican circa 1970, Millican Hall Wooden Plaque 1971, Aerial Photograph Framed and Showing Research Park, UCF and the East-West Expressway (408) circa 1998, Lake Colbourn Framed Map circa 2006, College of Medicine Rejected Gonfalon 2008, Pegasus Seal with Knight Inset Framed circa 1965."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida Memorabilia collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida Memorabilia collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eRe-processed in 2020 by Elisabeth Jimenez. Additions processed and finding aid revised by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Re-processed in 2020 by Elisabeth Jimenez. Additions processed and finding aid revised by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eFor further information regarding the university archives please consult our \u003cextref href=\"http://library.ucf.edu/SpecialCollections/\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For further information regarding the university archives please consult our  website ."],"scopecontent_html_tesm":["\u003cp\u003eThe University of Central Florida Memorabilia collection, 1965-2020 documents University of Central Florida (UCF) events and activities, such as such as homecoming, various sporting events, building dedications, and university anniversaries. It chiefly contains a variety of memorabilia, including t-shirts, cups, glassware, buttons, pins, programs, plaques, and other commemorative objects related to UCF students, alumni, faculty, staff, and university presidents. It also includes memorabilia from UCF's early days as Florida Technological University. The Pegasus Seal, the university's emblem, is featured on many objects, including those created when the university was named Florida Technological University. \u003c/p\u003e\n","\u003cp\u003eSeries I: Students, 1973-2008 contains items produced for student organizations and events.\u003c/p\u003e\n","\u003cp\u003eSeries II: Alumni, 1970s-2005 mainly holds objects relating to the Alumni Association, but it also contains a few items commemorating the activities and achievements of specific alumni.\u003c/p\u003e\n","\u003cp\u003eSeries III: Sports, 1970-2009 contains plaques, shirts, balls and other items commemorating the university's sporting activities and achievements. In addition, the series holds a variety of items produced for fans or to advertise particular athletics conferences.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Homecoming, 1984-2012 holds objects produced by Homecoming Committees to celebrate this annual event.\u003c/p\u003e\n","\u003cp\u003eSeries V: Presidents: 1968-2009 contains items that belonged to the presidents, commemorate specific events, or are associated with the office of University President.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Faculty, Staff and Administrators, 1968-2006 holds a variety of items that belonged to specific individuals or that were produced by faculty or staff organizations.\u003c/p\u003e\n","\u003cp\u003eSeries VII: Buildings, 1967-2004 contains items commemorating the construction and dedication of campus buildings and Research Park.\u003c/p\u003e\n","\u003cp\u003eSeries VIII: Colleges and Programs, 1974-2008 holds objects advertising the academic life of the university.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Departments and Services, 1968-2006 contains items advertising or used by specific departments on campus.\u003c/p\u003e\n","\u003cp\u003eSeries X: Anniversaries, 1988-2008 holds objects produced to celebrate university anniversaries.\u003c/p\u003e\n","\u003cp\u003eSeries XI: University History, 1965-2007 contains pamphlets and objects documenting milestones in the university's history and some miscellaneous objects decorated with the university seal.\u003c/p\u003e\n","\u003cp\u003eSeries XII: Florida Technological University, 1968-1978 holds a variety of objects decorated with the FTU version of the seal or the original name of the university.\u003c/p\u003e\n","\u003cp\u003eSeries XIII: Events, 1977-2006 contains items relating to specific university events.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The University of Central Florida Memorabilia collection, 1965-2020 documents University of Central Florida (UCF) events and activities, such as such as homecoming, various sporting events, building dedications, and university anniversaries. It chiefly contains a variety of memorabilia, including t-shirts, cups, glassware, buttons, pins, programs, plaques, and other commemorative objects related to UCF students, alumni, faculty, staff, and university presidents. It also includes memorabilia from UCF's early days as Florida Technological University. The Pegasus Seal, the university's emblem, is featured on many objects, including those created when the university was named Florida Technological University. ","Series I: Students, 1973-2008 contains items produced for student organizations and events.","Series II: Alumni, 1970s-2005 mainly holds objects relating to the Alumni Association, but it also contains a few items commemorating the activities and achievements of specific alumni.","Series III: Sports, 1970-2009 contains plaques, shirts, balls and other items commemorating the university's sporting activities and achievements. In addition, the series holds a variety of items produced for fans or to advertise particular athletics conferences.","Series IV: Homecoming, 1984-2012 holds objects produced by Homecoming Committees to celebrate this annual event.","Series V: Presidents: 1968-2009 contains items that belonged to the presidents, commemorate specific events, or are associated with the office of University President.","Series VI: Faculty, Staff and Administrators, 1968-2006 holds a variety of items that belonged to specific individuals or that were produced by faculty or staff organizations.","Series VII: Buildings, 1967-2004 contains items commemorating the construction and dedication of campus buildings and Research Park.","Series VIII: Colleges and Programs, 1974-2008 holds objects advertising the academic life of the university.","Series IX: Departments and Services, 1968-2006 contains items advertising or used by specific departments on campus.","Series X: Anniversaries, 1988-2008 holds objects produced to celebrate university anniversaries.","Series XI: University History, 1965-2007 contains pamphlets and objects documenting milestones in the university's history and some miscellaneous objects decorated with the university seal.","Series XII: Florida Technological University, 1968-1978 holds a variety of objects decorated with the FTU version of the seal or the original name of the university.","Series XIII: Events, 1977-2006 contains items relating to specific university events."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa36a27f3fda1afd83d556eacfd73b19\" label=\"Abstract\"\u003eThe University of Central Florida Memorabilia collection, 1965-2020 documents University of Central Florida (UCF) events and activities, such as such as homecoming, various sporting events, building dedications, and university anniversaries. It chiefly contains a variety of memorabilia, including t-shirts, cups, glassware, buttons, pins, programs, plaques, and other commemorative objects related to UCF students, alumni, faculty, staff, and university presidents. It also includes memorabilia from UCF's early days as Florida Technological University. The Pegasus Seal, the university's emblem, is featured on many objects, including those created when the university was named Florida Technological University. \n\n \nThis artificial collection was brought together by UCF Special Collections \u0026amp; University Archives staff over time from various known and unknown sources. Items continue to be added as they are collected. Originally named Florida Technological University, the University of Central Florida (UCF) is a public multi-campus, metropolitan research university. Florida Technological University (FTU) was founded in 1963 by the State of Florida to provide educated professionals to work in the growing space program. Building began in 1967 and classes started in 1968. Charles N. Millican served as the founding president.  His successor, H. Trevor Colbourn, started the university's football program. In 1978, FTU's name was officially changed to UCF. Steven Altman presided over the university from 1989-1991. John C. Hitt served as president from 1992 until 2018. Dale Whittaker was UCF's fifth president from 2018 to 2019. Alexander Cartwright became the university's president in 2020.\u003c/abstract\u003e"],"abstract_tesim":["The University of Central Florida Memorabilia collection, 1965-2020 documents University of Central Florida (UCF) events and activities, such as such as homecoming, various sporting events, building dedications, and university anniversaries. It chiefly contains a variety of memorabilia, including t-shirts, cups, glassware, buttons, pins, programs, plaques, and other commemorative objects related to UCF students, alumni, faculty, staff, and university presidents. It also includes memorabilia from UCF's early days as Florida Technological University. The Pegasus Seal, the university's emblem, is featured on many objects, including those created when the university was named Florida Technological University. \n\n \nThis artificial collection was brought together by UCF Special Collections \u0026 University Archives staff over time from various known and unknown sources. Items continue to be added as they are collected. Originally named Florida Technological University, the University of Central Florida (UCF) is a public multi-campus, metropolitan research university. Florida Technological University (FTU) was founded in 1963 by the State of Florida to provide educated professionals to work in the growing space program. Building began in 1967 and classes started in 1968. Charles N. Millican served as the founding president.  His successor, H. Trevor Colbourn, started the university's football program. In 1978, FTU's name was officially changed to UCF. Steven Altman presided over the university from 1989-1991. John C. Hitt served as president from 1992 until 2018. Dale Whittaker was UCF's fifth president from 2018 to 2019. Alexander Cartwright became the university's president in 2020."],"names_coll_ssim":["University of Central Florida","Florida Technological University"],"names_ssim":["UCF University Archives","University of Central Florida","Florida Technological University"],"corpname_ssim":["UCF University Archives","University of Central Florida","Florida Technological University"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":468,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877743968931807232,"_root_":"49000b957db46fc437972710","timestamp":"2026-09-30T08:16:35.951Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/49000b957db46fc437972710_aspace_f1a3dd8e82b72f29ddb4f96468f453b7"}},{"id":"4c93041cc45fd46c6ddf5857_aspace_10224","type":"Item","attributes":{"title":"Yellow Cotton T-Shirt","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4c93041cc45fd46c6ddf5857_aspace_10224#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\"Pilot Chapter of Greater Pensacola\" lettering [1 piece]\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4c93041cc45fd46c6ddf5857_aspace_10224#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_10224","ref_ssm":["aspace_10224","aspace_10224"],"id":"4c93041cc45fd46c6ddf5857_aspace_10224","title_filing_ssi":"Yellow Cotton T-Shirt","title_ssm":["Yellow Cotton T-Shirt"],"title_tesim":["Yellow Cotton T-Shirt"],"normalized_title_ssm":["Yellow Cotton T-Shirt"],"text":["Yellow Cotton T-Shirt","Pilot International. Pilot Club of Greater Pensacola Records, 1972-2000, Date acquired: 05/00/2002","Box 3","Item 1","/repositories/2/archival_objects/4872","item 1","\"Pilot Chapter of Greater Pensacola\" lettering  [1 piece]"],"component_level_isim":[2],"parent_ids_ssim":["4c93041cc45fd46c6ddf5857","4c93041cc45fd46c6ddf5857_aspace_10189"],"parent_unittitles_ssm":["Pilot International. Pilot Club of Greater Pensacola Records, 1972-2000, Date acquired: 05/00/2002","Box 3"],"parent_unittitles_tesim":["Pilot International. Pilot Club of Greater Pensacola Records, 1972-2000, Date acquired: 05/00/2002","Box 3"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/4872"],"repository_ssim":["UWF University Archives and West Florida History Center"],"collection_ssim":["Pilot International. Pilot Club of Greater Pensacola Records, 1972-2000, Date acquired: 05/00/2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":38,"parent_access_restrict_tesm":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"parent_access_terms_tesm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"containers_ssim":["item 1"],"scopecontent_html_tesm":["\u003cp\u003e\"Pilot Chapter of Greater Pensacola\" lettering  [1 piece]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["\"Pilot Chapter of Greater Pensacola\" lettering  [1 piece]"],"_nest_path_":"/components#2/components#0","_nest_parent_":"4c93041cc45fd46c6ddf5857_aspace_10189","_root_":"4c93041cc45fd46c6ddf5857","_version_":1870863376916152320,"timestamp":"2026-07-16T09:32:32.070Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4c93041cc45fd46c6ddf5857","title_ssm":["Pilot International. Pilot Club of Greater Pensacola Records"],"title_tesim":["Pilot International. Pilot Club of Greater Pensacola Records"],"ead_ssi":"4c93041cc45fd46c6ddf5857","unitdate_ssm":["1972-2000","Date acquired: 05/00/2002"],"unitdate_inclusive_ssm":["1972-2000"],"unitdate_other_ssim":["Date acquired: 05/00/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M2001-07","/repositories/2/resources/143"],"text":["M2001-07","/repositories/2/resources/143","Pilot International. Pilot Club of Greater Pensacola Records, 1972-2000, Date acquired: 05/00/2002","Pensacola (Fla.)--History--20th century.","Social service--Societies and clubs.","Women--Florida--Pensacola--Societies and Clubs.","Recycling (Waste, etc.)--Florida--Escambia County.","Epilepsy Society of Northwest Florida.","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.","Alphabetical then chronological","Cataloged 05/28/2002","Records, 1972-2000, of the Pilot Club of Greater Pensacola, a service club.  Includes awards and certificates, newsletters, yearbooks, and other materials noting the club's history, fund-raising activities, and service programs, such as Hurricane Opal counseling, Epilepsy Services of Northwest Florida, and recycling in Escambia County.","This Pilot Club was organized February 5, 1969, as club #594 in the Florida District.   Its last newsletter was April 2000 and it relinquished its charter to Pilot Clubs International on June 30, 2000.","Note that the code of ethics for Pilot changed from an original all women's organization to an all gender organization.","MATERIAL TYPES/PRESERVATION:","Papers; videocassette; flannel banner; photograph album.  Some newsletters on coated paper and ditto, will need to be re-copied.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Pilot Club of Greater Pensacola","Pilot Club of Greater Pensacola (Fla.)--Records.","English"],"unitid_tesim":["M2001-07","/repositories/2/resources/143"],"normalized_date_ssm":["1972-2000, Date acquired: 05/00/2002"],"normalized_title_ssm":["Pilot International. Pilot Club of Greater Pensacola Records, 1972-2000, Date acquired: 05/00/2002"],"collection_title_tesim":["Pilot International. Pilot Club of Greater Pensacola Records, 1972-2000, Date acquired: 05/00/2002"],"collection_ssim":["Pilot International. Pilot Club of Greater Pensacola Records, 1972-2000, Date acquired: 05/00/2002"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"geogname_ssm":["Pensacola (Fla.)--History--20th century."],"geogname_ssim":["Pensacola (Fla.)--History--20th century."],"creator_ssm":["Pilot Club of Greater Pensacola"],"creator_ssim":["Pilot Club of Greater Pensacola"],"creator_corpname_ssim":["Pilot Club of Greater Pensacola"],"creators_ssim":["Pilot Club of Greater Pensacola"],"places_ssim":["Pensacola (Fla.)--History--20th century."],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Gift of Ruthie Ratchford, Pensacola, Fla., May 2002"],"access_subjects_ssim":["Social service--Societies and clubs.","Women--Florida--Pensacola--Societies and Clubs.","Recycling (Waste, etc.)--Florida--Escambia County.","Epilepsy Society of Northwest Florida."],"access_subjects_ssm":["Social service--Societies and clubs.","Women--Florida--Pensacola--Societies and Clubs.","Recycling (Waste, etc.)--Florida--Escambia County.","Epilepsy Society of Northwest Florida."],"has_online_content_ssim":["false"],"extent_ssm":["301.00 items"],"extent_tesim":["301.00 items"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical then chronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical then chronological"],"processinfo_html_tesm":["\u003cp\u003eCataloged 05/28/2002\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Cataloged 05/28/2002"],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1972-2000, of the Pilot Club of Greater Pensacola, a service club.  Includes awards and certificates, newsletters, yearbooks, and other materials noting the club's history, fund-raising activities, and service programs, such as Hurricane Opal counseling, Epilepsy Services of Northwest Florida, and recycling in Escambia County.\u003c/p\u003e\n","\u003cp\u003eThis Pilot Club was organized February 5, 1969, as club #594 in the Florida District.   Its last newsletter was April 2000 and it relinquished its charter to Pilot Clubs International on June 30, 2000.\u003c/p\u003e\n","\u003cp\u003eNote that the code of ethics for Pilot changed from an original all women's organization to an all gender organization.\u003c/p\u003e\n","\u003cp\u003eMATERIAL TYPES/PRESERVATION:\u003c/p\u003e\n","\u003cp\u003ePapers; videocassette; flannel banner; photograph album.  Some newsletters on coated paper and ditto, will need to be re-copied.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records, 1972-2000, of the Pilot Club of Greater Pensacola, a service club.  Includes awards and certificates, newsletters, yearbooks, and other materials noting the club's history, fund-raising activities, and service programs, such as Hurricane Opal counseling, Epilepsy Services of Northwest Florida, and recycling in Escambia County.","This Pilot Club was organized February 5, 1969, as club #594 in the Florida District.   Its last newsletter was April 2000 and it relinquished its charter to Pilot Clubs International on June 30, 2000.","Note that the code of ethics for Pilot changed from an original all women's organization to an all gender organization.","MATERIAL TYPES/PRESERVATION:","Papers; videocassette; flannel banner; photograph album.  Some newsletters on coated paper and ditto, will need to be re-copied."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Pilot Club of Greater Pensacola (Fla.)--Records."],"names_ssim":["UWF University Archives and West Florida History Center","Pilot Club of Greater Pensacola","Pilot Club of Greater Pensacola (Fla.)--Records."],"corpname_ssim":["UWF University Archives and West Florida History Center","Pilot Club of Greater Pensacola","Pilot Club of Greater Pensacola (Fla.)--Records."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":41,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863376916152320,"_root_":"4c93041cc45fd46c6ddf5857","timestamp":"2026-07-16T09:32:32.070Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4c93041cc45fd46c6ddf5857_aspace_10224"}},{"id":"dfef092a22481784ca33b961_aspace_163408","type":"File","attributes":{"title":"Yellow-crowned Night Heron","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dfef092a22481784ca33b961_aspace_163408#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_163408","ref_ssm":["aspace_163408","aspace_163408"],"id":"dfef092a22481784ca33b961_aspace_163408","title_filing_ssi":"Yellow-crowned Night Heron","title_ssm":["Yellow-crowned Night Heron"],"title_tesim":["Yellow-crowned Night Heron"],"normalized_title_ssm":["Yellow-crowned Night Heron"],"text":["Yellow-crowned Night Heron","Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Slides 12","9","/repositories/2/archival_objects/3475","box 12","folder 9"],"component_level_isim":[2],"parent_ids_ssim":["dfef092a22481784ca33b961","dfef092a22481784ca33b961_aspace_163399"],"parent_unittitles_ssm":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Slides 12"],"parent_unittitles_tesim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Slides 12"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["9","/repositories/2/archival_objects/3475"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":283,"parent_access_terms_tesm":["Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"containers_ssim":["box 12","folder 9"],"_nest_path_":"/components#11/components#8","_nest_parent_":"dfef092a22481784ca33b961_aspace_163399","_root_":"dfef092a22481784ca33b961","timestamp":"2026-07-11T04:07:57.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dfef092a22481784ca33b961","title_ssm":["Tampa Audubon Society Slide collection"],"title_tesim":["Tampa Audubon Society Slide collection"],"ead_ssi":"dfef092a22481784ca33b961","unitdate_ssm":["1900-2005","1960-2005","Date acquired: 01/01/2015"],"unitdate_bulk_ssim":["1960-2005"],"unitdate_inclusive_ssm":["1900-2005"],"unitdate_other_ssim":["Date acquired: 01/01/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A57","/repositories/2/resources/38"],"text":["A57","/repositories/2/resources/38","Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Groupings and slide shows are preserved in the original order.","published","Audubon Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Lorida Audubon Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Audubon Everglades Science Center Research Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","These materials were mostly employed from the 1980s to the early 2000s in the Tampa Bay area, and cover the concerns and activities of the Audubon Society in the twentieth century.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov  for more information.","Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS.","This collection consists of slide presentations, photographs, video tapes, bird reports, and promotional and educational materials from the Florida Audubon Society. The materials in this collection document local bird life, conservation projects, and infrastructure issues, as well as environmental initiatives specific to the Florida Audubon Society branch.  Most of all, the slides document the educational efforts of the Audubon Society in Florida, specifically in the Tampa Bay region.","USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society","English"],"unitid_tesim":["A57","/repositories/2/resources/38"],"normalized_date_ssm":["1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"normalized_title_ssm":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"collection_title_tesim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"collection_ssim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Florida Audubon Society"],"creator_ssim":["Florida Audubon Society"],"creator_corpname_ssim":["Florida Audubon Society"],"creators_ssim":["Florida Audubon Society"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov  for more information.","Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"acqinfo_ssim":["Ann Paul, Tampa Audubon Society","Donation"],"access_subjects_ssim":["Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida"],"access_subjects_ssm":["Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["13.50 Linear Feet","26 boxes"],"extent_tesim":["13.50 Linear Feet","26 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eGroupings and slide shows are preserved in the original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Groupings and slide shows are preserved in the original order."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eFlorida Audubon Slide Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Audubon Slide Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eAudubon Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eLorida Audubon Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eAudubon Everglades Science Center Research Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Audubon Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Lorida Audubon Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Audubon Everglades Science Center Research Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThese materials were mostly employed from the 1980s to the early 2000s in the Tampa Bay area, and cover the concerns and activities of the Audubon Society in the twentieth century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These materials were mostly employed from the 1980s to the early 2000s in the Tampa Bay area, and cover the concerns and activities of the Audubon Society in the twentieth century."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov\u003c/extref\u003e for more information.\u003c/p\u003e","\u003cp\u003eUntil 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov  for more information.","Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86f1dfe2dd99ef99ff05baa5f1c97edc\" label=\"Abstract\"\u003eThis collection consists of slide presentations, photographs, video tapes, bird reports, and promotional and educational materials from the Florida Audubon Society. The materials in this collection document local bird life, conservation projects, and infrastructure issues, as well as environmental initiatives specific to the Florida Audubon Society branch.\u0026#xA0; Most of all, the slides document the educational efforts of the Audubon Society in Florida, specifically in the Tampa Bay region.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of slide presentations, photographs, video tapes, bird reports, and promotional and educational materials from the Florida Audubon Society. The materials in this collection document local bird life, conservation projects, and infrastructure issues, as well as environmental initiatives specific to the Florida Audubon Society branch.  Most of all, the slides document the educational efforts of the Audubon Society in Florida, specifically in the Tampa Bay region."],"names_coll_ssim":["National Audubon Society","Florida Audubon Society"],"names_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":624,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"dfef092a22481784ca33b961","timestamp":"2026-07-11T04:07:57.651Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dfef092a22481784ca33b961_aspace_163408"}},{"id":"236a3c88b766327883b2e155_aspace_ac25e0aca0ef227f4dcbe83de9548027","type":"Item","attributes":{"title":"\"Yellow-Crowned Night-heron\", undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_ac25e0aca0ef227f4dcbe83de9548027#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ac25e0aca0ef227f4dcbe83de9548027","ref_ssm":["aspace_ac25e0aca0ef227f4dcbe83de9548027","aspace_ac25e0aca0ef227f4dcbe83de9548027"],"id":"236a3c88b766327883b2e155_aspace_ac25e0aca0ef227f4dcbe83de9548027","title_filing_ssi":"\"Yellow-Crowned Night-heron\"","title_ssm":["\"Yellow-Crowned Night-heron\""],"title_tesim":["\"Yellow-Crowned Night-heron\""],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["\"Yellow-Crowned Night-heron\", undated"],"text":["\"Yellow-Crowned Night-heron\", undated","Joy Postle papers, 1910-2015","Art, 1921","Block Prints","/repositories/4/archival_objects/88025","/repositories/4/archival_objects/91222","box 4","folder 43"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_e6cb21af48e7c83cdb8b9c2c634d414c"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Block Prints"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Block Prints"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/88025","/repositories/4/archival_objects/91222"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":312,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 4","folder 43"],"_nest_path_":"/components#0/components#7/components#8","_nest_parent_":"236a3c88b766327883b2e155_aspace_e6cb21af48e7c83cdb8b9c2c634d414c","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_ac25e0aca0ef227f4dcbe83de9548027"}},{"id":"3a691bb3ebf7b743485425f4_aspace_5001ec63bb61166a2fe0734a015c28d9","type":"File","attributes":{"title":"Yellow Days","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_5001ec63bb61166a2fe0734a015c28d9#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_5001ec63bb61166a2fe0734a015c28d9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5001ec63bb61166a2fe0734a015c28d9","ref_ssm":["aspace_5001ec63bb61166a2fe0734a015c28d9","aspace_5001ec63bb61166a2fe0734a015c28d9"],"id":"3a691bb3ebf7b743485425f4_aspace_5001ec63bb61166a2fe0734a015c28d9","title_filing_ssi":"Yellow Days","title_ssm":["Yellow Days"],"title_tesim":["Yellow Days"],"normalized_title_ssm":["Yellow Days"],"text":["Yellow Days","Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series I: Alpha","Box 25","Folder 620","/repositories/12/archival_objects/214416","May, Billy (1916-11-10-2004-01-22)","Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets","English","This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari\nTrumpet: 4\nTrombone: 3 (extra trombone 2 part) \nBass: 1\nPiano: 1\nGuitar: 1\nPercussion: 1\nConductor: 1\nVocal: 1"],"component_level_isim":[3],"parent_ids_ssim":["3a691bb3ebf7b743485425f4","3a691bb3ebf7b743485425f4_aspace_e94ac77e4287197827a5217522d899b0","3a691bb3ebf7b743485425f4_aspace_5728affff146a72044e28e1697e3bb5a"],"parent_unittitles_ssm":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series I: Alpha","Box 25"],"parent_unittitles_tesim":["Robert H. Stone and Pamela S. 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