{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Social+justice","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Social+justice\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":6,"first_page?":true,"last_page?":true}},"data":[{"id":"256e771e3cc0782aac349f80_aspace_e19c66f62a25f28549b2e0afd8ca065a","type":"File","attributes":{"title":"Fifth Estate: The Re-Enchantment of the World, Vol. 54, No. 2, #404, 2019","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_e19c66f62a25f28549b2e0afd8ca065a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e19c66f62a25f28549b2e0afd8ca065a","ref_ssm":["aspace_e19c66f62a25f28549b2e0afd8ca065a","aspace_e19c66f62a25f28549b2e0afd8ca065a"],"id":"256e771e3cc0782aac349f80_aspace_e19c66f62a25f28549b2e0afd8ca065a","title_filing_ssi":"Fifth Estate: The Re-Enchantment of the World, Vol. 54, No. 2, #404","title_ssm":["Fifth Estate: The Re-Enchantment of the World, Vol. 54, No. 2, #404"],"title_tesim":["Fifth Estate: The Re-Enchantment of the World, Vol. 54, No. 2, #404"],"unitdate_other_ssim":["2019"],"normalized_date_ssm":["2019"],"normalized_title_ssm":["Fifth Estate: The Re-Enchantment of the World, Vol. 54, No. 2, #404, 2019"],"text":["Fifth Estate: The Re-Enchantment of the World, Vol. 54, No. 2, #404, 2019","Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present","/repositories/2/archival_objects/29901","Zines.","Social justice","Activists","English","Box: 6","folder 49"],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29901"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":406,"parent_access_restrict_tesm":["The collection is open for use."],"geogname_ssim":["Zines.","Social justice"],"geogname_ssm":["Zines.","Social justice"],"places_ssim":["Zines.","Social justice"],"access_subjects_ssim":["Activists"],"access_subjects_ssm":["Activists"],"language_ssim":["English"],"containers_ssim":["Box: 6","folder 49"],"_nest_path_":"/components#5/components#48","_nest_parent_":"256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; 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Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. 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Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; 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Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_8824e325037c5b4ad35375cabeaee716"}},{"id":"256e771e3cc0782aac349f80_aspace_eb5e5b3fa0432fe5516bac48f6d6b859","type":"File","attributes":{"title":"Muchacha Issue #3, Summer '12","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_eb5e5b3fa0432fe5516bac48f6d6b859#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_eb5e5b3fa0432fe5516bac48f6d6b859","ref_ssm":["aspace_eb5e5b3fa0432fe5516bac48f6d6b859","aspace_eb5e5b3fa0432fe5516bac48f6d6b859"],"id":"256e771e3cc0782aac349f80_aspace_eb5e5b3fa0432fe5516bac48f6d6b859","title_filing_ssi":"Muchacha Issue #3, Summer '12","title_ssm":["Muchacha Issue #3, Summer '12"],"title_tesim":["Muchacha Issue #3, Summer '12"],"normalized_title_ssm":["Muchacha Issue #3, Summer '12"],"text":["Muchacha Issue #3, Summer '12","Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present","194","/repositories/2/archival_objects/30131","Feminism.","Intersectionality (Sociology)","Patriarchy","Social justice","Zines.","English","Box: 6","folder 59"],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["194","/repositories/2/archival_objects/30131"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":416,"parent_access_restrict_tesm":["The collection is open for use."],"geogname_ssim":["Feminism.","Intersectionality (Sociology)","Patriarchy","Social justice","Zines."],"geogname_ssm":["Feminism.","Intersectionality (Sociology)","Patriarchy","Social justice","Zines."],"places_ssim":["Feminism.","Intersectionality (Sociology)","Patriarchy","Social justice","Zines."],"language_ssim":["English"],"containers_ssim":["Box: 6","folder 59"],"_nest_path_":"/components#5/components#58","_nest_parent_":"256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; 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Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; 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and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. 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Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_eb5e5b3fa0432fe5516bac48f6d6b859"}},{"id":"256e771e3cc0782aac349f80_aspace_e0cc0544a86e3ace00a5d9d8f9fdd4ca","type":"File","attributes":{"title":"Queer Attachment: an anti-oppression toolkit for rational healing, 2020","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_e0cc0544a86e3ace00a5d9d8f9fdd4ca#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e0cc0544a86e3ace00a5d9d8f9fdd4ca","ref_ssm":["aspace_e0cc0544a86e3ace00a5d9d8f9fdd4ca","aspace_e0cc0544a86e3ace00a5d9d8f9fdd4ca"],"id":"256e771e3cc0782aac349f80_aspace_e0cc0544a86e3ace00a5d9d8f9fdd4ca","title_filing_ssi":"Queer Attachment: an anti-oppression toolkit for rational healing","title_ssm":["Queer Attachment: an anti-oppression toolkit for rational healing"],"title_tesim":["Queer Attachment: an anti-oppression toolkit for rational healing"],"unitdate_other_ssim":["2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Queer Attachment: an anti-oppression toolkit for rational healing, 2020"],"text":["Queer Attachment: an anti-oppression toolkit for rational healing, 2020","Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present","/repositories/2/archival_objects/29947","Social justice","Zines.","LGBTQ issues\t","English","Box 6","folder 56"],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29947"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":413,"parent_access_restrict_tesm":["The collection is open for use."],"geogname_ssim":["Social justice","Zines.","LGBTQ issues\t"],"geogname_ssm":["Social justice","Zines.","LGBTQ issues\t"],"places_ssim":["Social justice","Zines.","LGBTQ issues\t"],"language_ssim":["English"],"containers_ssim":["Box 6","folder 56"],"_nest_path_":"/components#5/components#55","_nest_parent_":"256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; 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Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; 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and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. 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Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. 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Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; 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To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_9ae4db94bbda444e73bf58eb0ee2ec80"}},{"id":"6c2142414bfc36e4e62e8bcb_aspace_56440af0071d8a465ad80e5f50b36d27","type":"Item","attributes":{"title":"\"Sometimes, All I Can Do Is Sing: Song of Songs 2:8-17\" by Elsi Vassdal Ellis, 2014","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6c2142414bfc36e4e62e8bcb_aspace_56440af0071d8a465ad80e5f50b36d27#abstract_or_scope","type":"document_value","attributes":{"value":["\"The 5th-8th century Hindu/Buddhist/Jain temples in southwest India were designed to glorify a specific quality of a deity rather than serve the faithful as a place of worship. 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The second focuses on the contradictions in the actions of the faithful regarding vows taken, marriage, gender status, procreation, physical/sexual/mental abuse, gender identity.\" -- 23 Sandy Gallery website"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6c2142414bfc36e4e62e8bcb_aspace_56440af0071d8a465ad80e5f50b36d27#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_56440af0071d8a465ad80e5f50b36d27","ref_ssm":["aspace_56440af0071d8a465ad80e5f50b36d27","aspace_56440af0071d8a465ad80e5f50b36d27"],"id":"6c2142414bfc36e4e62e8bcb_aspace_56440af0071d8a465ad80e5f50b36d27","title_filing_ssi":"\"Sometimes, All I Can Do Is Sing: Song of Songs 2:8-17\" by Elsi Vassdal Ellis","title_ssm":["\"Sometimes, All I Can Do Is Sing: Song of Songs 2:8-17\" by Elsi Vassdal Ellis"],"title_tesim":["\"Sometimes, All I Can Do Is Sing: Song of Songs 2:8-17\" by Elsi Vassdal Ellis"],"unitdate_other_ssim":["2014"],"normalized_date_ssm":["2014"],"normalized_title_ssm":["\"Sometimes, All I Can Do Is Sing: Song of Songs 2:8-17\" by Elsi Vassdal Ellis, 2014"],"text":["\"Sometimes, All I Can Do Is Sing: Song of Songs 2:8-17\" by Elsi Vassdal Ellis, 2014","Artists' Book Collection, 1980-2017","/repositories/2/archival_objects/28545","Artists' books","Art.","Social justice","Feminism and art--United States.","Bible","Autobiographic Memory in Art","Marriage in Art","Gender Identity in Art","Religion in Art","Social Justice in Art","English","drawer 26","\"The 5th-8th century Hindu/Buddhist/Jain temples in southwest India were designed to glorify a specific quality of a deity rather than serve the faithful as a place of worship. 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The second focuses on the contradictions in the actions of the faithful regarding vows taken, marriage, gender status, procreation, physical/sexual/mental abuse, gender identity.\" -- 23 Sandy Gallery website"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_714bd4418fd19537118a88212c6db339\"\u003e72 pages with illustrations\nArchival inkjet; die-cut circle windows\nCover is Cougar Opaque #65 paper, interior pages are natural papers\nCoptic sewn and housed in a clamshell box\n6 x 6 x .5 inches (closed)\nEdition of 10\u003c/materialspec\u003e"],"materialspec_tesim":["72 pages with illustrations\nArchival inkjet; die-cut circle windows\nCover is Cougar Opaque #65 paper, interior pages are natural papers\nCoptic sewn and housed in a clamshell box\n6 x 6 x .5 inches (closed)\nEdition of 10"],"_nest_path_":"/components#8","_nest_parent_":"6c2142414bfc36e4e62e8bcb","_root_":"6c2142414bfc36e4e62e8bcb","_version_":1879903204285612032,"timestamp":"2026-10-24T04:16:43.255Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6c2142414bfc36e4e62e8bcb","title_ssm":["Artists' Book Collection"],"title_tesim":["Artists' Book Collection"],"ead_ssi":"6c2142414bfc36e4e62e8bcb","unitdate_ssm":["1980-2017"],"unitdate_inclusive_ssm":["1980-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2017.SC.001","/repositories/2/resources/38"],"text":["2017.SC.001","/repositories/2/resources/38","Artists' Book Collection, 1980-2017","Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism.","The collection is open and available for research.","Artists' books are a platform for personal expression created without censorship or outside influence. 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