{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"a9da232da7ee82207e1752db","type":"collection","attributes":{"title":"Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/a9da232da7ee82207e1752db#creator","type":"document_value","attributes":{"value":["Ray, Charles (Charles A.)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a9da232da7ee82207e1752db#abstract_or_scope","type":"document_value","attributes":{"value":["The Charles A. Ray Photojournalism Collection offers scholars a glimpse into the work of Charles A. Ray. Charles Ray stepped behind the camera in 1954, at the age of 23. Ray's camera captured a nation in flux. Through his lens, television viewers experienced the drama of presidential campaigns, the passion of the civil rights movement, and the adventure and tragedy of NASA's race for space. Charles Ray documented our nation's growing pains, including the bloody clashes between police and journalists covering the civil rights protests of the 1960s, and the tragic end of Camelot. Charles Ray graciously donated his collection to Florida Gulf Coast University Library in 2002. The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos. The collection is organized by two series. The first series highlights his personal life, which consists of documents, images, and ephermera. The second series provides documents and images from Ray's professional career."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a9da232da7ee82207e1752db#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a9da232da7ee82207e1752db","title_ssm":["Charles A. Ray Photojournalism Collection"],"title_tesim":["Charles A. Ray Photojournalism Collection"],"ead_ssi":"a9da232da7ee82207e1752db","unitdate_ssm":["1953-2003","Date Acquired"],"unitdate_inclusive_ssm":["1953-2003"],"unitdate_other_ssim":["Date Acquired"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/15","/repositories/2/resources/18"],"text":["02/01/15","/repositories/2/resources/18","Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired","San Francisco Bay Area (Calif.)","Police brutality.","Civil rights.","Photography.","Journalism","Social science.","The collection is open and available for research.","Organized in two series: Series 1, Charles A. Ray Personal Papers, ca. 1948-2003; Series 2, Charles A. Ray Professional Papers, ca. 1953-1998.","The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos.","Charles Ray will retain copyright in pepetuity.  The collection will be held in trust by the university for 10 years.  FGCU has full ownership of collection as of 2012.","The Charles A. Ray Photojournalism Collection offers scholars a glimpse into the work of Charles A. Ray. Charles Ray stepped behind the camera in 1954, at the age of 23. Ray's camera captured a nation in flux. Through his lens, television viewers experienced the drama of presidential campaigns, the passion of the civil rights movement, and the adventure and tragedy of NASA's race for space. Charles Ray documented our nation's growing pains, including the bloody clashes between police and journalists covering the civil rights protests of the 1960s, and the tragic end of Camelot.\n\nCharles Ray graciously donated his collection to Florida Gulf Coast University Library in 2002. The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos. The collection is organized by two series. The first series highlights his personal life, which consists of documents, images, and ephermera. The second series provides documents and images from Ray's professional career.","Range: 8B, Section: 1, Shelf: 1-6\nRange: 8B, Section: 2, Shelf: 1-5\nRange: 8B, Section: 3, Shelf: 6","Florida Gulf Coast University Special Collections","Ray, Charles (Charles A.)","English"],"unitid_tesim":["02/01/15","/repositories/2/resources/18"],"normalized_date_ssm":["1953-2003, Date Acquired"],"normalized_title_ssm":["Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired"],"collection_title_tesim":["Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired"],"collection_ssim":["Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["San Francisco Bay Area (Calif.)","Police brutality.","Civil rights.","Photography."],"geogname_ssim":["San Francisco Bay Area (Calif.)","Police brutality.","Civil rights.","Photography."],"creator_ssm":["Ray, Charles (Charles A.)"],"creator_ssim":["Ray, Charles (Charles A.)"],"creator_persname_ssim":["Ray, Charles (Charles A.)"],"creators_ssim":["Ray, Charles (Charles A.)"],"places_ssim":["San Francisco Bay Area (Calif.)","Police brutality.","Civil rights.","Photography."],"access_terms_ssm":["Charles Ray will retain copyright in pepetuity.  The collection will be held in trust by the university for 10 years.  FGCU has full ownership of collection as of 2012."],"acqinfo_ssim":["Charles A. Ray","Charles Ray donated materials to the FGCU Foundation, for use in the University Library. Charles Ray and his family will have open access to the collection and Charles Ray will retain copyright of all items in perpetuity."],"access_subjects_ssim":["Journalism","Social science."],"access_subjects_ssm":["Journalism","Social science."],"has_online_content_ssim":["false"],"extent_ssm":["30.00 Linear Feet"],"extent_tesim":["30.00 Linear Feet"],"genreform_ssim":["Social science."],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"arrangement_html_tesm":["\u003cp\u003eOrganized in two series: Series 1, Charles A. Ray Personal Papers, ca. 1948-2003; Series 2, Charles A. Ray Professional Papers, ca. 1953-1998.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in two series: Series 1, Charles A. Ray Personal Papers, ca. 1948-2003; Series 2, Charles A. Ray Professional Papers, ca. 1953-1998."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos."],"userestrict_html_tesm":["\u003cp\u003eCharles Ray will retain copyright in pepetuity.\u0026#xA0; The collection will be held in trust by the university for 10 years.\u0026#xA0; FGCU has full ownership of collection as of 2012.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Charles Ray will retain copyright in pepetuity.  The collection will be held in trust by the university for 10 years.  FGCU has full ownership of collection as of 2012."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bccd15860b54e0b153224d5f355ce419\"\u003eThe Charles A. Ray Photojournalism Collection offers scholars a glimpse into the work of Charles A. Ray. Charles Ray stepped behind the camera in 1954, at the age of 23. Ray's camera captured a nation in flux. Through his lens, television viewers experienced the drama of presidential campaigns, the passion of the civil rights movement, and the adventure and tragedy of NASA's race for space. Charles Ray documented our nation's growing pains, including the bloody clashes between police and journalists covering the civil rights protests of the 1960s, and the tragic end of Camelot.\n\nCharles Ray graciously donated his collection to Florida Gulf Coast University Library in 2002. The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos. The collection is organized by two series. The first series highlights his personal life, which consists of documents, images, and ephermera. The second series provides documents and images from Ray's professional career.\u003c/abstract\u003e"],"abstract_tesim":["The Charles A. Ray Photojournalism Collection offers scholars a glimpse into the work of Charles A. Ray. Charles Ray stepped behind the camera in 1954, at the age of 23. Ray's camera captured a nation in flux. Through his lens, television viewers experienced the drama of presidential campaigns, the passion of the civil rights movement, and the adventure and tragedy of NASA's race for space. Charles Ray documented our nation's growing pains, including the bloody clashes between police and journalists covering the civil rights protests of the 1960s, and the tragic end of Camelot.\n\nCharles Ray graciously donated his collection to Florida Gulf Coast University Library in 2002. The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos. The collection is organized by two series. The first series highlights his personal life, which consists of documents, images, and ephermera. The second series provides documents and images from Ray's professional career."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_82011e2bc8a450c1e6b3f87e5d52d5a9\"\u003eRange: 8B, Section: 1, Shelf: 1-6\nRange: 8B, Section: 2, Shelf: 1-5\nRange: 8B, Section: 3, Shelf: 6\u003c/physloc\u003e"],"physloc_tesim":["Range: 8B, Section: 1, Shelf: 1-6\nRange: 8B, Section: 2, Shelf: 1-5\nRange: 8B, Section: 3, Shelf: 6"],"names_ssim":["Florida Gulf Coast University Special Collections","Ray, Charles (Charles A.)"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Ray, Charles (Charles A.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880356197414993920,"_root_":"a9da232da7ee82207e1752db","timestamp":"2026-10-29T04:16:51.167Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a9da232da7ee82207e1752db","title_ssm":["Charles A. Ray Photojournalism Collection"],"title_tesim":["Charles A. Ray Photojournalism Collection"],"ead_ssi":"a9da232da7ee82207e1752db","unitdate_ssm":["1953-2003","Date Acquired"],"unitdate_inclusive_ssm":["1953-2003"],"unitdate_other_ssim":["Date Acquired"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/15","/repositories/2/resources/18"],"text":["02/01/15","/repositories/2/resources/18","Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired","San Francisco Bay Area (Calif.)","Police brutality.","Civil rights.","Photography.","Journalism","Social science.","The collection is open and available for research.","Organized in two series: Series 1, Charles A. Ray Personal Papers, ca. 1948-2003; Series 2, Charles A. Ray Professional Papers, ca. 1953-1998.","The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos.","Charles Ray will retain copyright in pepetuity.  The collection will be held in trust by the university for 10 years.  FGCU has full ownership of collection as of 2012.","The Charles A. Ray Photojournalism Collection offers scholars a glimpse into the work of Charles A. Ray. Charles Ray stepped behind the camera in 1954, at the age of 23. Ray's camera captured a nation in flux. Through his lens, television viewers experienced the drama of presidential campaigns, the passion of the civil rights movement, and the adventure and tragedy of NASA's race for space. Charles Ray documented our nation's growing pains, including the bloody clashes between police and journalists covering the civil rights protests of the 1960s, and the tragic end of Camelot.\n\nCharles Ray graciously donated his collection to Florida Gulf Coast University Library in 2002. The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos. The collection is organized by two series. The first series highlights his personal life, which consists of documents, images, and ephermera. The second series provides documents and images from Ray's professional career.","Range: 8B, Section: 1, Shelf: 1-6\nRange: 8B, Section: 2, Shelf: 1-5\nRange: 8B, Section: 3, Shelf: 6","Florida Gulf Coast University Special Collections","Ray, Charles (Charles A.)","English"],"unitid_tesim":["02/01/15","/repositories/2/resources/18"],"normalized_date_ssm":["1953-2003, Date Acquired"],"normalized_title_ssm":["Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired"],"collection_title_tesim":["Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired"],"collection_ssim":["Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["San Francisco Bay Area (Calif.)","Police brutality.","Civil rights.","Photography."],"geogname_ssim":["San Francisco Bay Area (Calif.)","Police brutality.","Civil rights.","Photography."],"creator_ssm":["Ray, Charles (Charles A.)"],"creator_ssim":["Ray, Charles (Charles A.)"],"creator_persname_ssim":["Ray, Charles (Charles A.)"],"creators_ssim":["Ray, Charles (Charles A.)"],"places_ssim":["San Francisco Bay Area (Calif.)","Police brutality.","Civil rights.","Photography."],"access_terms_ssm":["Charles Ray will retain copyright in pepetuity.  The collection will be held in trust by the university for 10 years.  FGCU has full ownership of collection as of 2012."],"acqinfo_ssim":["Charles A. Ray","Charles Ray donated materials to the FGCU Foundation, for use in the University Library. Charles Ray and his family will have open access to the collection and Charles Ray will retain copyright of all items in perpetuity."],"access_subjects_ssim":["Journalism","Social science."],"access_subjects_ssm":["Journalism","Social science."],"has_online_content_ssim":["false"],"extent_ssm":["30.00 Linear Feet"],"extent_tesim":["30.00 Linear Feet"],"genreform_ssim":["Social science."],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"arrangement_html_tesm":["\u003cp\u003eOrganized in two series: Series 1, Charles A. Ray Personal Papers, ca. 1948-2003; Series 2, Charles A. Ray Professional Papers, ca. 1953-1998.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in two series: Series 1, Charles A. Ray Personal Papers, ca. 1948-2003; Series 2, Charles A. Ray Professional Papers, ca. 1953-1998."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos."],"userestrict_html_tesm":["\u003cp\u003eCharles Ray will retain copyright in pepetuity.\u0026#xA0; The collection will be held in trust by the university for 10 years.\u0026#xA0; FGCU has full ownership of collection as of 2012.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Charles Ray will retain copyright in pepetuity.  The collection will be held in trust by the university for 10 years.  FGCU has full ownership of collection as of 2012."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bccd15860b54e0b153224d5f355ce419\"\u003eThe Charles A. Ray Photojournalism Collection offers scholars a glimpse into the work of Charles A. Ray. Charles Ray stepped behind the camera in 1954, at the age of 23. Ray's camera captured a nation in flux. Through his lens, television viewers experienced the drama of presidential campaigns, the passion of the civil rights movement, and the adventure and tragedy of NASA's race for space. Charles Ray documented our nation's growing pains, including the bloody clashes between police and journalists covering the civil rights protests of the 1960s, and the tragic end of Camelot.\n\nCharles Ray graciously donated his collection to Florida Gulf Coast University Library in 2002. The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos. The collection is organized by two series. The first series highlights his personal life, which consists of documents, images, and ephermera. The second series provides documents and images from Ray's professional career.\u003c/abstract\u003e"],"abstract_tesim":["The Charles A. Ray Photojournalism Collection offers scholars a glimpse into the work of Charles A. Ray. Charles Ray stepped behind the camera in 1954, at the age of 23. Ray's camera captured a nation in flux. Through his lens, television viewers experienced the drama of presidential campaigns, the passion of the civil rights movement, and the adventure and tragedy of NASA's race for space. Charles Ray documented our nation's growing pains, including the bloody clashes between police and journalists covering the civil rights protests of the 1960s, and the tragic end of Camelot.\n\nCharles Ray graciously donated his collection to Florida Gulf Coast University Library in 2002. The Charles A. Ray Photojournalism Collection includes photographs, negatives, daybooks, audiotapes, videotapes, periodicals, newspapers, a reel-to-reel projector, 16mm film, and other professional mementos. The collection is organized by two series. The first series highlights his personal life, which consists of documents, images, and ephermera. The second series provides documents and images from Ray's professional career."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_82011e2bc8a450c1e6b3f87e5d52d5a9\"\u003eRange: 8B, Section: 1, Shelf: 1-6\nRange: 8B, Section: 2, Shelf: 1-5\nRange: 8B, Section: 3, Shelf: 6\u003c/physloc\u003e"],"physloc_tesim":["Range: 8B, Section: 1, Shelf: 1-6\nRange: 8B, Section: 2, Shelf: 1-5\nRange: 8B, Section: 3, Shelf: 6"],"names_ssim":["Florida Gulf Coast University Special Collections","Ray, Charles (Charles A.)"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Ray, Charles (Charles A.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880356197414993920,"_root_":"a9da232da7ee82207e1752db","timestamp":"2026-10-29T04:16:51.167Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a9da232da7ee82207e1752db"}},{"id":"256e771e3cc0782aac349f80_aspace_18101","type":"File","attributes":{"title":"\"Cutlass no. 5\", January 2000","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18101#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis zine - free for prisoners - compiled by Janice Flux contains collage art and essays addressing topics including anarchy, the San Francisco punk scene, prisoner rights, and opposition to the World Trade Organization.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18101#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_18101","ref_ssm":["aspace_18101","aspace_18101"],"id":"256e771e3cc0782aac349f80_aspace_18101","title_filing_ssi":"\"Cutlass no. 5\"","title_ssm":["\"Cutlass no. 5\""],"title_tesim":["\"Cutlass no. 5\""],"unitdate_other_ssim":["January 2000"],"normalized_date_ssm":["January 2000"],"normalized_title_ssm":["\"Cutlass no. 5\", January 2000"],"text":["\"Cutlass no. 5\", January 2000","Zine Collection, 1973-2019","Non-Collectives \u0026 Unaffiliated Creators, 1970-2018","Folder 33","/repositories/2/archival_objects/3963","Anarchy","Art.","Authority in art.","Capitalism.","Classism.","Identity and solidarity","Police brutality.","Protest and social movements","Punk culture.","Punk rock music.","Regionalism.","Zines.","Vigilantes.","Prisoners--Correspondence.","box 3","folder 33","This zine - free for prisoners - compiled by Janice Flux contains collage art and essays addressing topics including anarchy, the San Francisco punk scene, prisoner rights, and opposition to the World Trade Organization."],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_16885"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives \u0026 Unaffiliated Creators, 1970-2018"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives \u0026 Unaffiliated Creators, 1970-2018"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 33","/repositories/2/archival_objects/3963"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":263,"parent_access_restrict_tesm":["The collection is open for use."],"geogname_ssim":["Anarchy","Art.","Authority in art.","Capitalism.","Classism.","Identity and solidarity","Police brutality.","Protest and social movements","Punk culture.","Punk rock music.","Regionalism.","Zines.","Vigilantes.","Prisoners--Correspondence."],"geogname_ssm":["Anarchy","Art.","Authority in art.","Capitalism.","Classism.","Identity and solidarity","Police brutality.","Protest and social movements","Punk culture.","Punk rock music.","Regionalism.","Zines.","Vigilantes.","Prisoners--Correspondence."],"places_ssim":["Anarchy","Art.","Authority in art.","Capitalism.","Classism.","Identity and solidarity","Police brutality.","Protest and social movements","Punk culture.","Punk rock music.","Regionalism.","Zines.","Vigilantes.","Prisoners--Correspondence."],"containers_ssim":["box 3","folder 33"],"scopecontent_html_tesm":["\u003cp\u003eThis zine - free for prisoners - compiled by Janice Flux contains collage art and essays addressing topics including anarchy, the San Francisco punk scene, prisoner rights, and opposition to the World Trade Organization.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This zine - free for prisoners - compiled by Janice Flux contains collage art and essays addressing topics including anarchy, the San Francisco punk scene, prisoner rights, and opposition to the World Trade Organization."],"_nest_path_":"/components#2/components#32","_nest_parent_":"256e771e3cc0782aac349f80_aspace_16885","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18101"}},{"id":"256e771e3cc0782aac349f80_aspace_18104","type":"File","attributes":{"title":"\"Muchacha Issue #6:The Case of the San Antonio Four \u0026 Other Legal Injustices\", Summer 2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18104#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\"Muchacha is a quarterly fanzine that seeks to: promote the 'f' word feminism, encourage involvement in the DIY music/art community, and inspire participation in grassroots activism.\"This issue discusses the case of teh San Antonio Four, rape culture, and pornography.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18104#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_18104","ref_ssm":["aspace_18104","aspace_18104"],"id":"256e771e3cc0782aac349f80_aspace_18104","title_filing_ssi":"\"Muchacha Issue #6:The Case of the San Antonio Four \u0026 Other Legal Injustices\"","title_ssm":["\"Muchacha Issue #6:The Case of the San Antonio Four \u0026 Other Legal Injustices\""],"title_tesim":["\"Muchacha Issue #6:The Case of the San Antonio Four \u0026 Other Legal Injustices\""],"unitdate_other_ssim":["Summer 2013"],"normalized_date_ssm":["Summer 2013"],"normalized_title_ssm":["\"Muchacha Issue #6:The Case of the San Antonio Four \u0026 Other Legal Injustices\", Summer 2013"],"text":["\"Muchacha Issue #6:The Case of the San Antonio Four \u0026 Other Legal Injustices\", Summer 2013","Zine Collection, 1973-2019","Non-Collectives \u0026 Unaffiliated Creators, 1970-2018","Folder 36","/repositories/2/archival_objects/3966","Collage.","Feminism.","Identity and solidarity","Intersectionality (Sociology)","Rape in literature.","Rape victims.","RAINN (Organization)","Rape.","Racism.","Protest and social movements","Pornography.","Police brutality.","Oppression (Psychology)","Zines.","Sexual abuse.","box 3","folder 36","\"Muchacha is a quarterly fanzine that seeks to: promote the 'f' word feminism, encourage involvement in the DIY music/art community, and inspire participation in grassroots activism.\"This issue discusses the case of teh San Antonio Four, rape culture, and pornography."],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_16885"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives \u0026 Unaffiliated Creators, 1970-2018"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives \u0026 Unaffiliated Creators, 1970-2018"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 36","/repositories/2/archival_objects/3966"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":266,"parent_access_restrict_tesm":["The collection is open for use."],"geogname_ssim":["Collage.","Feminism.","Identity and solidarity","Intersectionality (Sociology)","Rape in literature.","Rape victims.","RAINN (Organization)","Rape.","Racism.","Protest and social movements","Pornography.","Police brutality.","Oppression (Psychology)","Zines.","Sexual abuse."],"geogname_ssm":["Collage.","Feminism.","Identity and solidarity","Intersectionality (Sociology)","Rape in literature.","Rape victims.","RAINN (Organization)","Rape.","Racism.","Protest and social movements","Pornography.","Police brutality.","Oppression (Psychology)","Zines.","Sexual abuse."],"places_ssim":["Collage.","Feminism.","Identity and solidarity","Intersectionality (Sociology)","Rape in literature.","Rape victims.","RAINN (Organization)","Rape.","Racism.","Protest and social movements","Pornography.","Police brutality.","Oppression (Psychology)","Zines.","Sexual abuse."],"containers_ssim":["box 3","folder 36"],"scopecontent_html_tesm":["\u003cp\u003e\"Muchacha is a quarterly fanzine that seeks to: promote the 'f' word feminism, encourage involvement in the DIY music/art community, and inspire participation in grassroots activism.\"This issue discusses the case of teh San Antonio Four, rape culture, and pornography.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["\"Muchacha is a quarterly fanzine that seeks to: promote the 'f' word feminism, encourage involvement in the DIY music/art community, and inspire participation in grassroots activism.\"This issue discusses the case of teh San Antonio Four, rape culture, and pornography."],"_nest_path_":"/components#2/components#35","_nest_parent_":"256e771e3cc0782aac349f80_aspace_16885","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18104"}},{"id":"256e771e3cc0782aac349f80_aspace_18090","type":"File","attributes":{"title":"\"So What if They See\", 2000","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18090#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFran harris offers poetry and prose addressing topics including race, love, and police brutality.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18090#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_18090","ref_ssm":["aspace_18090","aspace_18090"],"id":"256e771e3cc0782aac349f80_aspace_18090","title_filing_ssi":"\"So What if They See\"","title_ssm":["\"So What if They See\""],"title_tesim":["\"So What if They See\""],"unitdate_other_ssim":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["\"So What if They See\", 2000"],"text":["\"So What if They See\", 2000","Zine Collection, 1973-2019","Non-Collectives \u0026 Unaffiliated Creators, 1970-2018","Folder 22","/repositories/2/archival_objects/3936","Police brutality.","Anxiety.","Art.","Authority in art.","Classism.","Feminism.","Feminism and art--United States.","Identity and solidarity","Intersectionality (Sociology)","Poetry.","Protest and social movements","LGBTQ issues\t","Race -- Social aspects.","Racism.","Zines.","Slavery.","box 3","folder 22","Fran harris offers poetry and prose addressing topics including race, love, and police brutality."],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_16885"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives \u0026 Unaffiliated Creators, 1970-2018"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives \u0026 Unaffiliated Creators, 1970-2018"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 22","/repositories/2/archival_objects/3936"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":252,"parent_access_restrict_tesm":["The collection is open for use."],"geogname_ssim":["Police brutality.","Anxiety.","Art.","Authority in art.","Classism.","Feminism.","Feminism and art--United States.","Identity and solidarity","Intersectionality (Sociology)","Poetry.","Protest and social movements","LGBTQ issues\t","Race -- Social aspects.","Racism.","Zines.","Slavery."],"geogname_ssm":["Police brutality.","Anxiety.","Art.","Authority in art.","Classism.","Feminism.","Feminism and art--United States.","Identity and solidarity","Intersectionality (Sociology)","Poetry.","Protest and social movements","LGBTQ issues\t","Race -- Social aspects.","Racism.","Zines.","Slavery."],"places_ssim":["Police brutality.","Anxiety.","Art.","Authority in art.","Classism.","Feminism.","Feminism and art--United States.","Identity and solidarity","Intersectionality (Sociology)","Poetry.","Protest and social movements","LGBTQ issues\t","Race -- Social aspects.","Racism.","Zines.","Slavery."],"containers_ssim":["box 3","folder 22"],"scopecontent_html_tesm":["\u003cp\u003eFran harris offers poetry and prose addressing topics including race, love, and police brutality.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Fran harris offers poetry and prose addressing topics including race, love, and police brutality."],"_nest_path_":"/components#2/components#21","_nest_parent_":"256e771e3cc0782aac349f80_aspace_16885","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18090"}},{"id":"256e771e3cc0782aac349f80_aspace_8c98c94513deef0af8a03abad6be0062","type":"File","attributes":{"title":"\"Stonewalled: Still Demanding Respect\", 2006","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_8c98c94513deef0af8a03abad6be0062#abstract_or_scope","type":"document_value","attributes":{"value":["Book-style report from Amnesty International. Outlines the prevalence of gender-based violence asnd police brutality targeted at members of the LGBTQ+ community. Note: This publication was created prior to the Obergefell v. Hodges (2015), which made it legal for non-heterosexual couples to marry."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_8c98c94513deef0af8a03abad6be0062#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8c98c94513deef0af8a03abad6be0062","ref_ssm":["aspace_8c98c94513deef0af8a03abad6be0062","aspace_8c98c94513deef0af8a03abad6be0062"],"id":"256e771e3cc0782aac349f80_aspace_8c98c94513deef0af8a03abad6be0062","title_filing_ssi":"\"Stonewalled: Still Demanding Respect\"","title_ssm":["\"Stonewalled: Still Demanding Respect\""],"title_tesim":["\"Stonewalled: Still Demanding Respect\""],"unitdate_other_ssim":["2006"],"normalized_date_ssm":["2006"],"normalized_title_ssm":["\"Stonewalled: Still Demanding Respect\", 2006"],"text":["\"Stonewalled: Still Demanding Respect\", 2006","Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present","/repositories/2/archival_objects/21718","Lesbian and gay studies","Transgender life","Police brutality.","English","Box: 6","folder 19","Book-style report from Amnesty International. Outlines the prevalence of gender-based violence asnd police brutality targeted at members of the LGBTQ+ community. Note: This publication was created prior to the Obergefell v. Hodges (2015), which made it legal for non-heterosexual couples to marry."],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/21718"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":376,"parent_access_restrict_tesm":["The collection is open for use."],"date_range_isim":[2006],"geogname_ssim":["Lesbian and gay studies","Transgender life","Police brutality."],"geogname_ssm":["Lesbian and gay studies","Transgender life","Police brutality."],"places_ssim":["Lesbian and gay studies","Transgender life","Police brutality."],"language_ssim":["English"],"containers_ssim":["Box: 6","folder 19"],"abstract_html_tesm":["\u003cabstract id=\"aspace_529ec2e4e1fd7f7833880ee2781c0333\"\u003eBook-style report from Amnesty International. Outlines the prevalence of gender-based violence asnd police brutality targeted at members of the LGBTQ+ community. Note: This publication was created prior to the Obergefell v. Hodges (2015), which made it legal for non-heterosexual couples to marry.\u003c/abstract\u003e"],"abstract_tesim":["Book-style report from Amnesty International. Outlines the prevalence of gender-based violence asnd police brutality targeted at members of the LGBTQ+ community. Note: This publication was created prior to the Obergefell v. Hodges (2015), which made it legal for non-heterosexual couples to marry."],"_nest_path_":"/components#5/components#18","_nest_parent_":"256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_8c98c94513deef0af8a03abad6be0062"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Zine Collection, 1973-2019","value":"Zine Collection, 1973-2019","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Zine+Collection%2C+1973-2019\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired","value":"Charles A. Ray Photojournalism Collection, 1953-2003, Date Acquired","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Charles+A.+Ray+Photojournalism+Collection%2C+1953-2003%2C+Date+Acquired\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Ray, Charles (Charles A.)","value":"Ray, Charles (Charles A.)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Ray%2C+Charles+%28Charles+A.%29\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1953","value":"1953","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1954","value":"1954","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1954\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1955","value":"1955","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1956","value":"1956","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1957","value":"1957","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1957\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1958","value":"1958","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1958\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1959","value":"1959","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1960","value":"1960","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1961","value":"1961","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1962","value":"1962","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1963","value":"1963","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1963\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1964","value":"1964","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1965","value":"1965","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1966","value":"1966","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1967","value":"1967","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1968","value":"1968","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1969","value":"1969","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1970","value":"1970","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1970\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1971","value":"1971","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1972","value":"1972","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1973","value":"1973","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1974","value":"1974","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1975","value":"1975","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1976","value":"1976","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1977","value":"1977","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1978","value":"1978","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1979","value":"1979","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1980","value":"1980","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1981","value":"1981","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1982","value":"1982","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1983","value":"1983","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1984","value":"1984","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1984\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1985","value":"1985","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1986","value":"1986","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1987","value":"1987","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1988","value":"1988","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1989","value":"1989","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1990","value":"1990","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1991","value":"1991","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1992","value":"1992","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1993","value":"1993","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1993\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1994","value":"1994","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1995","value":"1995","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1996","value":"1996","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1997","value":"1997","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1998","value":"1998","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"1999","value":"1999","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1999\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"2000","value":"2000","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"2001","value":"2001","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"2002","value":"2002","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"2003","value":"2003","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"2006","value":"2006","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"File","value":"File","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"Collection","value":"Collection","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Florida Gulf Coast University Special Collections","value":"Florida Gulf Coast University Special Collections","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+Gulf+Coast+University+Special+Collections\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"Ray, Charles (Charles A.)","value":"Ray, Charles (Charles A.)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Ray%2C+Charles+%28Charles+A.%29\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Florida Gulf Coast University Special Collections","value":"Florida Gulf Coast University Special Collections","hits":5},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Special+Collections\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Police brutality.","value":"Police brutality.","hits":5},"links":{"remove":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"Identity and solidarity","value":"Identity and solidarity","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Identity+and+solidarity\u0026view=compact"}},{"attributes":{"label":"Protest and social movements","value":"Protest and social movements","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Protest+and+social+movements\u0026view=compact"}},{"attributes":{"label":"Zines.","value":"Zines.","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Zines.\u0026view=compact"}},{"attributes":{"label":"Art.","value":"Art.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Art.\u0026view=compact"}},{"attributes":{"label":"Authority in art.","value":"Authority in art.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Authority+in+art.\u0026view=compact"}},{"attributes":{"label":"Classism.","value":"Classism.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Classism.\u0026view=compact"}},{"attributes":{"label":"Feminism.","value":"Feminism.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Feminism.\u0026view=compact"}},{"attributes":{"label":"Intersectionality (Sociology)","value":"Intersectionality (Sociology)","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Intersectionality+%28Sociology%29\u0026view=compact"}},{"attributes":{"label":"Racism.","value":"Racism.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Racism.\u0026view=compact"}},{"attributes":{"label":"Anarchy","value":"Anarchy","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026f%5Bplaces%5D%5B%5D=Anarchy\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Journalism","value":"Journalism","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Journalism\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"attributes":{"label":"Social science.","value":"Social science.","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Social+science.\u0026f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Police+brutality.\u0026sort=title_sort+desc\u0026view=compact"}}]}