{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Cuba","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Cuba\u0026page=2","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Cuba\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":19,"first_page?":true,"last_page?":false}},"data":[{"id":"d331ed22985bd548fd56cca6","type":"collection","attributes":{"title":"Abril Lamarque Collection, 1883-2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#creator","type":"document_value","attributes":{"value":["Lamarque Sarno, Martha"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cem\u003eMonguito. \u003c/em\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6"}},{"id":"6c8b68b416b3f3ec053ccdfc","type":"collection","attributes":{"title":"Antonio Jorge Collection, 1968-2015","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6c8b68b416b3f3ec053ccdfc#abstract_or_scope","type":"document_value","attributes":{"value":["The Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6c8b68b416b3f3ec053ccdfc#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6c8b68b416b3f3ec053ccdfc","title_ssm":["Antonio Jorge Collection"],"title_tesim":["Antonio Jorge Collection"],"ead_ssi":"6c8b68b416b3f3ec053ccdfc","unitdate_ssm":["1968-2015"],"unitdate_inclusive_ssm":["1968-2015"],"level_ssm":["collection"],"level_ssim":["Other level","Collection"],"unitid_ssm":["SPC9045","/repositories/2/resources/133"],"text":["SPC9045","/repositories/2/resources/133","Antonio Jorge Collection, 1968-2015","Cuba","Authors, Cuban--20th century","Cuba -- Economic conditions","Florida International University","Autores, Cubano -- Siglo 20","Concertación Cívica Cubana","Cuba -- Condiciones económicas","The collection is open for research.","Antonio Jorge was born in Havana, Cuba, on September 28, 1931, and completed his schooling at the Colegio de Belén in Marianao. After graduating with honors from the University of Santo Tomás de Villanueva in 1952 with a Bachelor of Arts in Economics, he pursued advanced studies, earning his Master's degree and a Doctorate in Economic Sciences in 1956, becoming the first graduate of a doctoral program in economics in Cuba. During this time, he began his teaching career at the university, eventually becoming a Professor in both the Economics Department at the University of Villanueva and the University of Havana's Institute of Higher Economics. Additionally, he held prominent roles in the private and public sectors, including Director of the Department of Economics at the National Association of Industrialists of Cuba and the Ministry of Finance.","In 1962, Jorge was forced to leave Cuba due to political upheaval and settled in the United States. He quickly resumed his academic career, first as an Assistant Professor at Merrimac College in Massachusetts, where he became a full professor by 1972. He later moved to Miami, where he continued his academic work at Biscayne College and Miami Dade Community College. In 1974, he joined the University of Miami, where he taught economics and coordinated Spanish-language programs, while also leading the university's \"Continuing Education\" programs for Cuban professionals. He furthered his impact in academia by becoming a key administrator at various institutions, including serving as Provost at Biscayne College and Executive Vice President at Florida International University (FIU).","Jorge has been a prolific writer and consultant, publishing over twenty books and hundreds of articles on topics such as economic theory, Latin American development, foreign investment, and Cuban economics. His expertise has been sought after by both public and private organizations, and he is currently the Dean of the College of Economists of Cuba, a position he held prior to leaving Cuba. Beyond academia, Jorge has been actively involved in community affairs, especially related to the Cuban-American population in Miami, serving in various government and civic roles, including the first Director of the State Commission for Hispanic Affairs in Florida. His dedication to the cause of Cuban liberation and his extensive work in educating the Cuban exile community continues to make him a key figure in both academic and civic circles.","\nAntonio Jorge nació en La Habana, Cuba, el 28 de septiembre de 1931, y completó sus estudios en el Colegio de Belén en Marianao. Después de graduarse con honores de la Universidad de Santo Tomás de Villanueva en 1952 con una \"Bachelor of Arts\" en Economía, continuó sus estudios avanzados, obteniendo su Maestría y Doctorado en Ciencias Económicas en 1956, convirtiéndose en el primer graduado de un programa doctoral en economía en Cuba. Durante este tiempo, comenzó su carrera docente en la universidad, llegando a ser Profesor en el Departamento de Economía de la Universidad de Villanueva y en el Instituto Superior de Economía de la Universidad de La Habana. Además, ocupó roles destacados en los sectores privado y público, incluyendo Director del Departamento de Economía de la Asociación Nacional de Industriales de Cuba y del Ministerio de Hacienda.","En 1962, Jorge se vio obligado a abandonar Cuba debido a los cambios políticos y se estableció en los Estados Unidos. Rápidamente reanudó su carrera académica, primero como Profesor Asistente en el Merrimac College de Massachusetts, donde llegó a ser profesor titular en 1972. Más tarde se trasladó a Miami, donde continuó su labor docente en el Biscayne College y en el Miami Dade Community College. En 1974, se incorporó a la Universidad de Miami, donde enseñó economía y coordinó los programas en español, además de dirigir los programas de \"Educación Continua\" para profesionales cubanos. Amplió su influencia en el ámbito académico convirtiéndose en un importante administrador en varias instituciones, como Provost en Biscayne College y Vicepresidente Ejecutivo en la Universidad Internacional de la Florida (FIU).","Jorge ha sido un escritor prolífico y consultor, publicando más de veinte libros y cientos de artículos sobre temas como teoría económica, desarrollo de América Latina, inversión extranjera y economía cubana. Su experiencia ha sido solicitada tanto por organizaciones públicas como privadas, y actualmente es Decano del Colegio de Economistas de Cuba, cargo que ocupó antes de salir de Cuba. Más allá de la academia, Jorge ha estado activamente involucrado en los asuntos comunitarios, especialmente en los relacionados con la población cubanoamericana en Miami, desempeñando diversos roles gubernamentales y cívicos, entre ellos, el de primer Director de la Comisión Estatal para los Asuntos Hispanos en Florida. Su dedicación a la causa de la liberación de Cuba y su extenso trabajo en la educación de la comunidad cubana en el exilio lo han convertido en una figura clave tanto en el ámbito académico como en el cívico.","The Antonio Jorge Collection offers documentation of the long-life academic career of Dr. Antonio Jorge, a known Cuban economist, scholar, and leader of the Cuban-American communities. This collection encompasses his academic journey, professional achievements, personal documents, correspondences, publications and significant contributions towards people of his community. This not only display's his educational background but his role as a professor and educator. This collection covers his involvement with his academic career in various colleges and universities like Merrimac College, Biscayne College, University of Miami, and Florida International University. Not only does this collection document his dedication and involvement in public service and community advocacy, especially his work towards Cubans and Cuban-Americans. His leadership in Miami displays his role on activism and becoming the first Director of the State Commission for Hispanic Affairs in Florida, his work and contributions towards founding \"Concertacion Civica Cubana\" in 1995. Being a member of the State Post-Secondary Education Commission, Community Relations Board, Mental Health Boards of Dade and Broward counties, Long-Term Economic Planning Committee, and United Way Board of Trustees, all in Dade County. Furthermore, this collection highlights his scholarly input on numerous books and articles that concern with Latin American development and Cuban politics and economics. Featuring his works as consultant for national and international organizations, his civic and governmental duties. This provides insight into Antonio Jorge's dedication towards academia, the Cuban community, and all political and economic issues that Cuba faces. ","La Colección Antonio Jorge ofrece documentación sobre la larga carrera académica del Dr. Antonio Jorge, un reconocido economista cubano, académico y líder de las comunidades cubano-estadounidenses. Esta colección abarca su trayectoria académica, logros profesionales, documentos personales, correspondencia, publicaciones y contribuciones significativas hacia su comunidad. No solo muestra su formación educativa, sino también su papel como profesor y educador. Esta colección cubre su participación en su carrera académica en diversas universidades y colegios como el Merrimac College, Biscayne College, la Universidad de Miami y la Universidad Internacional de la Florida. Esta colección también documenta su dedicación e involucramiento en el servicio público y la defensa comunitaria, especialmente su trabajo hacia los cubanos y cubano-estadounidenses. Su liderazgo en Miami refleja su rol en el activismo y su papel como el primer director de la Comisión Estatal para los Asuntos Hispanoamericanos de Florida, así como sus contribuciones hacia la fundación de la \"Concertación Cívica Cubana\" en 1995. Fue miembro de la Comision de Educacion pos-secundaria del estado, de la Junta de Relaciones Comunitarias, de las Junta de Salud Mental de los condados de Dade y Broward, del Comité de Planificación Económica a largo plazo y de la \"United Way Board of Trustees\", todas en el condado de Dade. Además, esta colección resalta su aporte académico en numerosos libros y artículos que abordan el desarrollo de América Latina y la política y economía cubanas. Incluye también sus trabajos como consultor para organizaciones nacionales e internacionales y sus deberes cívicos y gubernamentales. Esto proporciona una visión del compromiso de Antonio Jorge con la academia, la comunidad cubana y todos los problemas políticos y económicos que enfrenta Cuba.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","The Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9045","/repositories/2/resources/133"],"normalized_date_ssm":["1968-2015"],"normalized_title_ssm":["Antonio Jorge Collection, 1968-2015"],"collection_title_tesim":["Antonio Jorge Collection, 1968-2015"],"collection_ssim":["Antonio Jorge Collection, 1968-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["Authors, Cuban--20th century","Cuba -- Economic conditions","Florida International University","Autores, Cubano -- Siglo 20","Concertación Cívica Cubana","Cuba -- Condiciones económicas"],"access_subjects_ssm":["Authors, Cuban--20th century","Cuba -- Economic conditions","Florida International University","Autores, Cubano -- Siglo 20","Concertación Cívica Cubana","Cuba -- Condiciones económicas"],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes"],"extent_tesim":["10 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eAntonio Jorge was born in Havana, Cuba, on September 28, 1931, and completed his schooling at the Colegio de Bel\u0026#xE9;n in Marianao. After graduating with honors from the University of Santo Tom\u0026#xE1;s de Villanueva in 1952 with a Bachelor of Arts in Economics, he pursued advanced studies, earning his Master's degree and a Doctorate in Economic Sciences in 1956, becoming the first graduate of a doctoral program in economics in Cuba. During this time, he began his teaching career at the university, eventually becoming a Professor in both the Economics Department at the University of Villanueva and the University of Havana's Institute of Higher Economics. Additionally, he held prominent roles in the private and public sectors, including Director of the Department of Economics at the National Association of Industrialists of Cuba and the Ministry of Finance.\u003c/p\u003e\n","\u003cp\u003eIn 1962, Jorge was forced to leave Cuba due to political upheaval and settled in the United States. He quickly resumed his academic career, first as an Assistant Professor at Merrimac College in Massachusetts, where he became a full professor by 1972. He later moved to Miami, where he continued his academic work at Biscayne College and Miami Dade Community College. In 1974, he joined the University of Miami, where he taught economics and coordinated Spanish-language programs, while also leading the university's \"Continuing Education\" programs for Cuban professionals. He furthered his impact in academia by becoming a key administrator at various institutions, including serving as Provost at Biscayne College and Executive Vice President at Florida International University (FIU).\u003c/p\u003e\n","\u003cp\u003eJorge has been a prolific writer and consultant, publishing over twenty books and hundreds of articles on topics such as economic theory, Latin American development, foreign investment, and Cuban economics. His expertise has been sought after by both public and private organizations, and he is currently the Dean of the College of Economists of Cuba, a position he held prior to leaving Cuba. Beyond academia, Jorge has been actively involved in community affairs, especially related to the Cuban-American population in Miami, serving in various government and civic roles, including the first Director of the State Commission for Hispanic Affairs in Florida. His dedication to the cause of Cuban liberation and his extensive work in educating the Cuban exile community continues to make him a key figure in both academic and civic circles.\u003c/p\u003e\n","\u003cp\u003e\nAntonio Jorge naci\u0026#xF3; en La Habana, Cuba, el 28 de septiembre de 1931, y complet\u0026#xF3; sus estudios en el Colegio de Bel\u0026#xE9;n en Marianao. Despu\u0026#xE9;s de graduarse con honores de la Universidad de Santo Tom\u0026#xE1;s de Villanueva en 1952 con una \"Bachelor of Arts\" en Econom\u0026#xED;a, continu\u0026#xF3; sus estudios avanzados, obteniendo su Maestr\u0026#xED;a y Doctorado en Ciencias Econ\u0026#xF3;micas en 1956, convirti\u0026#xE9;ndose en el primer graduado de un programa doctoral en econom\u0026#xED;a en Cuba. Durante este tiempo, comenz\u0026#xF3; su carrera docente en la universidad, llegando a ser Profesor en el Departamento de Econom\u0026#xED;a de la Universidad de Villanueva y en el Instituto Superior de Econom\u0026#xED;a de la Universidad de La Habana. Adem\u0026#xE1;s, ocup\u0026#xF3; roles destacados en los sectores privado y p\u0026#xFA;blico, incluyendo Director del Departamento de Econom\u0026#xED;a de la Asociaci\u0026#xF3;n Nacional de Industriales de Cuba y del Ministerio de Hacienda.\u003c/p\u003e\n","\u003cp\u003eEn 1962, Jorge se vio obligado a abandonar Cuba debido a los cambios pol\u0026#xED;ticos y se estableci\u0026#xF3; en los Estados Unidos. R\u0026#xE1;pidamente reanud\u0026#xF3; su carrera acad\u0026#xE9;mica, primero como Profesor Asistente en el Merrimac College de Massachusetts, donde lleg\u0026#xF3; a ser profesor titular en 1972. M\u0026#xE1;s tarde se traslad\u0026#xF3; a Miami, donde continu\u0026#xF3; su labor docente en el Biscayne College y en el Miami Dade Community College. En 1974, se incorpor\u0026#xF3; a la Universidad de Miami, donde ense\u0026#xF1;\u0026#xF3; econom\u0026#xED;a y coordin\u0026#xF3; los programas en espa\u0026#xF1;ol, adem\u0026#xE1;s de dirigir los programas de \"Educaci\u0026#xF3;n Continua\" para profesionales cubanos. Ampli\u0026#xF3; su influencia en el \u0026#xE1;mbito acad\u0026#xE9;mico convirti\u0026#xE9;ndose en un importante administrador en varias instituciones, como Provost en Biscayne College y Vicepresidente Ejecutivo en la Universidad Internacional de la Florida (FIU).\u003c/p\u003e\n","\u003cp\u003eJorge ha sido un escritor prol\u0026#xED;fico y consultor, publicando m\u0026#xE1;s de veinte libros y cientos de art\u0026#xED;culos sobre temas como teor\u0026#xED;a econ\u0026#xF3;mica, desarrollo de Am\u0026#xE9;rica Latina, inversi\u0026#xF3;n extranjera y econom\u0026#xED;a cubana. Su experiencia ha sido solicitada tanto por organizaciones p\u0026#xFA;blicas como privadas, y actualmente es Decano del Colegio de Economistas de Cuba, cargo que ocup\u0026#xF3; antes de salir de Cuba. M\u0026#xE1;s all\u0026#xE1; de la academia, Jorge ha estado activamente involucrado en los asuntos comunitarios, especialmente en los relacionados con la poblaci\u0026#xF3;n cubanoamericana en Miami, desempe\u0026#xF1;ando diversos roles gubernamentales y c\u0026#xED;vicos, entre ellos, el de primer Director de la Comisi\u0026#xF3;n Estatal para los Asuntos Hispanos en Florida. Su dedicaci\u0026#xF3;n a la causa de la liberaci\u0026#xF3;n de Cuba y su extenso trabajo en la educaci\u0026#xF3;n de la comunidad cubana en el exilio lo han convertido en una figura clave tanto en el \u0026#xE1;mbito acad\u0026#xE9;mico como en el c\u0026#xED;vico.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Antonio Jorge was born in Havana, Cuba, on September 28, 1931, and completed his schooling at the Colegio de Belén in Marianao. After graduating with honors from the University of Santo Tomás de Villanueva in 1952 with a Bachelor of Arts in Economics, he pursued advanced studies, earning his Master's degree and a Doctorate in Economic Sciences in 1956, becoming the first graduate of a doctoral program in economics in Cuba. During this time, he began his teaching career at the university, eventually becoming a Professor in both the Economics Department at the University of Villanueva and the University of Havana's Institute of Higher Economics. Additionally, he held prominent roles in the private and public sectors, including Director of the Department of Economics at the National Association of Industrialists of Cuba and the Ministry of Finance.","In 1962, Jorge was forced to leave Cuba due to political upheaval and settled in the United States. He quickly resumed his academic career, first as an Assistant Professor at Merrimac College in Massachusetts, where he became a full professor by 1972. He later moved to Miami, where he continued his academic work at Biscayne College and Miami Dade Community College. In 1974, he joined the University of Miami, where he taught economics and coordinated Spanish-language programs, while also leading the university's \"Continuing Education\" programs for Cuban professionals. He furthered his impact in academia by becoming a key administrator at various institutions, including serving as Provost at Biscayne College and Executive Vice President at Florida International University (FIU).","Jorge has been a prolific writer and consultant, publishing over twenty books and hundreds of articles on topics such as economic theory, Latin American development, foreign investment, and Cuban economics. His expertise has been sought after by both public and private organizations, and he is currently the Dean of the College of Economists of Cuba, a position he held prior to leaving Cuba. Beyond academia, Jorge has been actively involved in community affairs, especially related to the Cuban-American population in Miami, serving in various government and civic roles, including the first Director of the State Commission for Hispanic Affairs in Florida. His dedication to the cause of Cuban liberation and his extensive work in educating the Cuban exile community continues to make him a key figure in both academic and civic circles.","\nAntonio Jorge nació en La Habana, Cuba, el 28 de septiembre de 1931, y completó sus estudios en el Colegio de Belén en Marianao. Después de graduarse con honores de la Universidad de Santo Tomás de Villanueva en 1952 con una \"Bachelor of Arts\" en Economía, continuó sus estudios avanzados, obteniendo su Maestría y Doctorado en Ciencias Económicas en 1956, convirtiéndose en el primer graduado de un programa doctoral en economía en Cuba. Durante este tiempo, comenzó su carrera docente en la universidad, llegando a ser Profesor en el Departamento de Economía de la Universidad de Villanueva y en el Instituto Superior de Economía de la Universidad de La Habana. Además, ocupó roles destacados en los sectores privado y público, incluyendo Director del Departamento de Economía de la Asociación Nacional de Industriales de Cuba y del Ministerio de Hacienda.","En 1962, Jorge se vio obligado a abandonar Cuba debido a los cambios políticos y se estableció en los Estados Unidos. Rápidamente reanudó su carrera académica, primero como Profesor Asistente en el Merrimac College de Massachusetts, donde llegó a ser profesor titular en 1972. Más tarde se trasladó a Miami, donde continuó su labor docente en el Biscayne College y en el Miami Dade Community College. En 1974, se incorporó a la Universidad de Miami, donde enseñó economía y coordinó los programas en español, además de dirigir los programas de \"Educación Continua\" para profesionales cubanos. Amplió su influencia en el ámbito académico convirtiéndose en un importante administrador en varias instituciones, como Provost en Biscayne College y Vicepresidente Ejecutivo en la Universidad Internacional de la Florida (FIU).","Jorge ha sido un escritor prolífico y consultor, publicando más de veinte libros y cientos de artículos sobre temas como teoría económica, desarrollo de América Latina, inversión extranjera y economía cubana. Su experiencia ha sido solicitada tanto por organizaciones públicas como privadas, y actualmente es Decano del Colegio de Economistas de Cuba, cargo que ocupó antes de salir de Cuba. Más allá de la academia, Jorge ha estado activamente involucrado en los asuntos comunitarios, especialmente en los relacionados con la población cubanoamericana en Miami, desempeñando diversos roles gubernamentales y cívicos, entre ellos, el de primer Director de la Comisión Estatal para los Asuntos Hispanos en Florida. Su dedicación a la causa de la liberación de Cuba y su extenso trabajo en la educación de la comunidad cubana en el exilio lo han convertido en una figura clave tanto en el ámbito académico como en el cívico."],"scopecontent_html_tesm":["\u003cp\u003eThe Antonio Jorge Collection offers documentation of the long-life academic career of Dr. Antonio Jorge, a known Cuban economist, scholar, and leader of the Cuban-American communities. This collection encompasses his academic journey, professional achievements, personal documents, correspondences, publications and significant contributions towards people of his community. This not only display's his educational background but his role as a professor and educator. This collection covers his involvement with his academic career in various colleges and universities like Merrimac College, Biscayne College, University of Miami, and Florida International University. Not only does this collection document his dedication and involvement in public service and community advocacy, especially his work towards Cubans and Cuban-Americans. His leadership in Miami displays his role on activism and becoming the first Director of the State Commission for Hispanic Affairs in Florida, his work and contributions towards founding \"Concertacion Civica Cubana\" in 1995. Being a member of the State Post-Secondary Education Commission, Community Relations Board, Mental Health Boards of Dade and Broward counties, Long-Term Economic Planning Committee, and United Way Board of Trustees, all in Dade County. Furthermore, this collection highlights his scholarly input on numerous books and articles that concern with Latin American development and Cuban politics and economics. Featuring his works as consultant for national and international organizations, his civic and governmental duties. This provides insight into Antonio Jorge's dedication towards academia, the Cuban community, and all political and economic issues that Cuba faces. \u003c/p\u003e\n","\u003cp\u003eLa Colecci\u0026#xF3;n Antonio Jorge ofrece documentaci\u0026#xF3;n sobre la larga carrera acad\u0026#xE9;mica del Dr. Antonio Jorge, un reconocido economista cubano, acad\u0026#xE9;mico y l\u0026#xED;der de las comunidades cubano-estadounidenses. Esta colecci\u0026#xF3;n abarca su trayectoria acad\u0026#xE9;mica, logros profesionales, documentos personales, correspondencia, publicaciones y contribuciones significativas hacia su comunidad. No solo muestra su formaci\u0026#xF3;n educativa, sino tambi\u0026#xE9;n su papel como profesor y educador. Esta colecci\u0026#xF3;n cubre su participaci\u0026#xF3;n en su carrera acad\u0026#xE9;mica en diversas universidades y colegios como el Merrimac College, Biscayne College, la Universidad de Miami y la Universidad Internacional de la Florida. Esta colecci\u0026#xF3;n tambi\u0026#xE9;n documenta su dedicaci\u0026#xF3;n e involucramiento en el servicio p\u0026#xFA;blico y la defensa comunitaria, especialmente su trabajo hacia los cubanos y cubano-estadounidenses. Su liderazgo en Miami refleja su rol en el activismo y su papel como el primer director de la Comisi\u0026#xF3;n Estatal para los Asuntos Hispanoamericanos de Florida, as\u0026#xED; como sus contribuciones hacia la fundaci\u0026#xF3;n de la \"Concertaci\u0026#xF3;n C\u0026#xED;vica Cubana\" en 1995. Fue miembro de la Comision de Educacion pos-secundaria del estado, de la Junta de Relaciones Comunitarias, de las Junta de Salud Mental de los condados de Dade y Broward, del Comit\u0026#xE9; de Planificaci\u0026#xF3;n Econ\u0026#xF3;mica a largo plazo y de la \"United Way Board of Trustees\", todas en el condado de Dade. Adem\u0026#xE1;s, esta colecci\u0026#xF3;n resalta su aporte acad\u0026#xE9;mico en numerosos libros y art\u0026#xED;culos que abordan el desarrollo de Am\u0026#xE9;rica Latina y la pol\u0026#xED;tica y econom\u0026#xED;a cubanas. Incluye tambi\u0026#xE9;n sus trabajos como consultor para organizaciones nacionales e internacionales y sus deberes c\u0026#xED;vicos y gubernamentales. Esto proporciona una visi\u0026#xF3;n del compromiso de Antonio Jorge con la academia, la comunidad cubana y todos los problemas pol\u0026#xED;ticos y econ\u0026#xF3;micos que enfrenta Cuba.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Antonio Jorge Collection offers documentation of the long-life academic career of Dr. Antonio Jorge, a known Cuban economist, scholar, and leader of the Cuban-American communities. This collection encompasses his academic journey, professional achievements, personal documents, correspondences, publications and significant contributions towards people of his community. This not only display's his educational background but his role as a professor and educator. This collection covers his involvement with his academic career in various colleges and universities like Merrimac College, Biscayne College, University of Miami, and Florida International University. Not only does this collection document his dedication and involvement in public service and community advocacy, especially his work towards Cubans and Cuban-Americans. His leadership in Miami displays his role on activism and becoming the first Director of the State Commission for Hispanic Affairs in Florida, his work and contributions towards founding \"Concertacion Civica Cubana\" in 1995. Being a member of the State Post-Secondary Education Commission, Community Relations Board, Mental Health Boards of Dade and Broward counties, Long-Term Economic Planning Committee, and United Way Board of Trustees, all in Dade County. Furthermore, this collection highlights his scholarly input on numerous books and articles that concern with Latin American development and Cuban politics and economics. Featuring his works as consultant for national and international organizations, his civic and governmental duties. This provides insight into Antonio Jorge's dedication towards academia, the Cuban community, and all political and economic issues that Cuba faces. ","La Colección Antonio Jorge ofrece documentación sobre la larga carrera académica del Dr. Antonio Jorge, un reconocido economista cubano, académico y líder de las comunidades cubano-estadounidenses. Esta colección abarca su trayectoria académica, logros profesionales, documentos personales, correspondencia, publicaciones y contribuciones significativas hacia su comunidad. No solo muestra su formación educativa, sino también su papel como profesor y educador. Esta colección cubre su participación en su carrera académica en diversas universidades y colegios como el Merrimac College, Biscayne College, la Universidad de Miami y la Universidad Internacional de la Florida. Esta colección también documenta su dedicación e involucramiento en el servicio público y la defensa comunitaria, especialmente su trabajo hacia los cubanos y cubano-estadounidenses. Su liderazgo en Miami refleja su rol en el activismo y su papel como el primer director de la Comisión Estatal para los Asuntos Hispanoamericanos de Florida, así como sus contribuciones hacia la fundación de la \"Concertación Cívica Cubana\" en 1995. Fue miembro de la Comision de Educacion pos-secundaria del estado, de la Junta de Relaciones Comunitarias, de las Junta de Salud Mental de los condados de Dade y Broward, del Comité de Planificación Económica a largo plazo y de la \"United Way Board of Trustees\", todas en el condado de Dade. Además, esta colección resalta su aporte académico en numerosos libros y artículos que abordan el desarrollo de América Latina y la política y economía cubanas. Incluye también sus trabajos como consultor para organizaciones nacionales e internacionales y sus deberes cívicos y gubernamentales. Esto proporciona una visión del compromiso de Antonio Jorge con la academia, la comunidad cubana y todos los problemas políticos y económicos que enfrenta Cuba."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"abstract_html_tesm":["\u003cabstract id=\"aspace_adf636b7bc31c753a49cf01d9f55d41c\"\u003eThe Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues.\u003c/abstract\u003e"],"abstract_tesim":["The Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6c8b68b416b3f3ec053ccdfc","timestamp":"2026-05-21T02:01:04.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6c8b68b416b3f3ec053ccdfc","title_ssm":["Antonio Jorge Collection"],"title_tesim":["Antonio Jorge Collection"],"ead_ssi":"6c8b68b416b3f3ec053ccdfc","unitdate_ssm":["1968-2015"],"unitdate_inclusive_ssm":["1968-2015"],"level_ssm":["collection"],"level_ssim":["Other level","Collection"],"unitid_ssm":["SPC9045","/repositories/2/resources/133"],"text":["SPC9045","/repositories/2/resources/133","Antonio Jorge Collection, 1968-2015","Cuba","Authors, Cuban--20th century","Cuba -- Economic conditions","Florida International University","Autores, Cubano -- Siglo 20","Concertación Cívica Cubana","Cuba -- Condiciones económicas","The collection is open for research.","Antonio Jorge was born in Havana, Cuba, on September 28, 1931, and completed his schooling at the Colegio de Belén in Marianao. After graduating with honors from the University of Santo Tomás de Villanueva in 1952 with a Bachelor of Arts in Economics, he pursued advanced studies, earning his Master's degree and a Doctorate in Economic Sciences in 1956, becoming the first graduate of a doctoral program in economics in Cuba. During this time, he began his teaching career at the university, eventually becoming a Professor in both the Economics Department at the University of Villanueva and the University of Havana's Institute of Higher Economics. Additionally, he held prominent roles in the private and public sectors, including Director of the Department of Economics at the National Association of Industrialists of Cuba and the Ministry of Finance.","In 1962, Jorge was forced to leave Cuba due to political upheaval and settled in the United States. He quickly resumed his academic career, first as an Assistant Professor at Merrimac College in Massachusetts, where he became a full professor by 1972. He later moved to Miami, where he continued his academic work at Biscayne College and Miami Dade Community College. In 1974, he joined the University of Miami, where he taught economics and coordinated Spanish-language programs, while also leading the university's \"Continuing Education\" programs for Cuban professionals. He furthered his impact in academia by becoming a key administrator at various institutions, including serving as Provost at Biscayne College and Executive Vice President at Florida International University (FIU).","Jorge has been a prolific writer and consultant, publishing over twenty books and hundreds of articles on topics such as economic theory, Latin American development, foreign investment, and Cuban economics. His expertise has been sought after by both public and private organizations, and he is currently the Dean of the College of Economists of Cuba, a position he held prior to leaving Cuba. Beyond academia, Jorge has been actively involved in community affairs, especially related to the Cuban-American population in Miami, serving in various government and civic roles, including the first Director of the State Commission for Hispanic Affairs in Florida. His dedication to the cause of Cuban liberation and his extensive work in educating the Cuban exile community continues to make him a key figure in both academic and civic circles.","\nAntonio Jorge nació en La Habana, Cuba, el 28 de septiembre de 1931, y completó sus estudios en el Colegio de Belén en Marianao. Después de graduarse con honores de la Universidad de Santo Tomás de Villanueva en 1952 con una \"Bachelor of Arts\" en Economía, continuó sus estudios avanzados, obteniendo su Maestría y Doctorado en Ciencias Económicas en 1956, convirtiéndose en el primer graduado de un programa doctoral en economía en Cuba. Durante este tiempo, comenzó su carrera docente en la universidad, llegando a ser Profesor en el Departamento de Economía de la Universidad de Villanueva y en el Instituto Superior de Economía de la Universidad de La Habana. Además, ocupó roles destacados en los sectores privado y público, incluyendo Director del Departamento de Economía de la Asociación Nacional de Industriales de Cuba y del Ministerio de Hacienda.","En 1962, Jorge se vio obligado a abandonar Cuba debido a los cambios políticos y se estableció en los Estados Unidos. Rápidamente reanudó su carrera académica, primero como Profesor Asistente en el Merrimac College de Massachusetts, donde llegó a ser profesor titular en 1972. Más tarde se trasladó a Miami, donde continuó su labor docente en el Biscayne College y en el Miami Dade Community College. En 1974, se incorporó a la Universidad de Miami, donde enseñó economía y coordinó los programas en español, además de dirigir los programas de \"Educación Continua\" para profesionales cubanos. Amplió su influencia en el ámbito académico convirtiéndose en un importante administrador en varias instituciones, como Provost en Biscayne College y Vicepresidente Ejecutivo en la Universidad Internacional de la Florida (FIU).","Jorge ha sido un escritor prolífico y consultor, publicando más de veinte libros y cientos de artículos sobre temas como teoría económica, desarrollo de América Latina, inversión extranjera y economía cubana. Su experiencia ha sido solicitada tanto por organizaciones públicas como privadas, y actualmente es Decano del Colegio de Economistas de Cuba, cargo que ocupó antes de salir de Cuba. Más allá de la academia, Jorge ha estado activamente involucrado en los asuntos comunitarios, especialmente en los relacionados con la población cubanoamericana en Miami, desempeñando diversos roles gubernamentales y cívicos, entre ellos, el de primer Director de la Comisión Estatal para los Asuntos Hispanos en Florida. Su dedicación a la causa de la liberación de Cuba y su extenso trabajo en la educación de la comunidad cubana en el exilio lo han convertido en una figura clave tanto en el ámbito académico como en el cívico.","The Antonio Jorge Collection offers documentation of the long-life academic career of Dr. Antonio Jorge, a known Cuban economist, scholar, and leader of the Cuban-American communities. This collection encompasses his academic journey, professional achievements, personal documents, correspondences, publications and significant contributions towards people of his community. This not only display's his educational background but his role as a professor and educator. This collection covers his involvement with his academic career in various colleges and universities like Merrimac College, Biscayne College, University of Miami, and Florida International University. Not only does this collection document his dedication and involvement in public service and community advocacy, especially his work towards Cubans and Cuban-Americans. His leadership in Miami displays his role on activism and becoming the first Director of the State Commission for Hispanic Affairs in Florida, his work and contributions towards founding \"Concertacion Civica Cubana\" in 1995. Being a member of the State Post-Secondary Education Commission, Community Relations Board, Mental Health Boards of Dade and Broward counties, Long-Term Economic Planning Committee, and United Way Board of Trustees, all in Dade County. Furthermore, this collection highlights his scholarly input on numerous books and articles that concern with Latin American development and Cuban politics and economics. Featuring his works as consultant for national and international organizations, his civic and governmental duties. This provides insight into Antonio Jorge's dedication towards academia, the Cuban community, and all political and economic issues that Cuba faces. ","La Colección Antonio Jorge ofrece documentación sobre la larga carrera académica del Dr. Antonio Jorge, un reconocido economista cubano, académico y líder de las comunidades cubano-estadounidenses. Esta colección abarca su trayectoria académica, logros profesionales, documentos personales, correspondencia, publicaciones y contribuciones significativas hacia su comunidad. No solo muestra su formación educativa, sino también su papel como profesor y educador. Esta colección cubre su participación en su carrera académica en diversas universidades y colegios como el Merrimac College, Biscayne College, la Universidad de Miami y la Universidad Internacional de la Florida. Esta colección también documenta su dedicación e involucramiento en el servicio público y la defensa comunitaria, especialmente su trabajo hacia los cubanos y cubano-estadounidenses. Su liderazgo en Miami refleja su rol en el activismo y su papel como el primer director de la Comisión Estatal para los Asuntos Hispanoamericanos de Florida, así como sus contribuciones hacia la fundación de la \"Concertación Cívica Cubana\" en 1995. Fue miembro de la Comision de Educacion pos-secundaria del estado, de la Junta de Relaciones Comunitarias, de las Junta de Salud Mental de los condados de Dade y Broward, del Comité de Planificación Económica a largo plazo y de la \"United Way Board of Trustees\", todas en el condado de Dade. Además, esta colección resalta su aporte académico en numerosos libros y artículos que abordan el desarrollo de América Latina y la política y economía cubanas. Incluye también sus trabajos como consultor para organizaciones nacionales e internacionales y sus deberes cívicos y gubernamentales. Esto proporciona una visión del compromiso de Antonio Jorge con la academia, la comunidad cubana y todos los problemas políticos y económicos que enfrenta Cuba.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","The Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9045","/repositories/2/resources/133"],"normalized_date_ssm":["1968-2015"],"normalized_title_ssm":["Antonio Jorge Collection, 1968-2015"],"collection_title_tesim":["Antonio Jorge Collection, 1968-2015"],"collection_ssim":["Antonio Jorge Collection, 1968-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["Authors, Cuban--20th century","Cuba -- Economic conditions","Florida International University","Autores, Cubano -- Siglo 20","Concertación Cívica Cubana","Cuba -- Condiciones económicas"],"access_subjects_ssm":["Authors, Cuban--20th century","Cuba -- Economic conditions","Florida International University","Autores, Cubano -- Siglo 20","Concertación Cívica Cubana","Cuba -- Condiciones económicas"],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes"],"extent_tesim":["10 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eAntonio Jorge was born in Havana, Cuba, on September 28, 1931, and completed his schooling at the Colegio de Bel\u0026#xE9;n in Marianao. After graduating with honors from the University of Santo Tom\u0026#xE1;s de Villanueva in 1952 with a Bachelor of Arts in Economics, he pursued advanced studies, earning his Master's degree and a Doctorate in Economic Sciences in 1956, becoming the first graduate of a doctoral program in economics in Cuba. During this time, he began his teaching career at the university, eventually becoming a Professor in both the Economics Department at the University of Villanueva and the University of Havana's Institute of Higher Economics. Additionally, he held prominent roles in the private and public sectors, including Director of the Department of Economics at the National Association of Industrialists of Cuba and the Ministry of Finance.\u003c/p\u003e\n","\u003cp\u003eIn 1962, Jorge was forced to leave Cuba due to political upheaval and settled in the United States. He quickly resumed his academic career, first as an Assistant Professor at Merrimac College in Massachusetts, where he became a full professor by 1972. He later moved to Miami, where he continued his academic work at Biscayne College and Miami Dade Community College. In 1974, he joined the University of Miami, where he taught economics and coordinated Spanish-language programs, while also leading the university's \"Continuing Education\" programs for Cuban professionals. He furthered his impact in academia by becoming a key administrator at various institutions, including serving as Provost at Biscayne College and Executive Vice President at Florida International University (FIU).\u003c/p\u003e\n","\u003cp\u003eJorge has been a prolific writer and consultant, publishing over twenty books and hundreds of articles on topics such as economic theory, Latin American development, foreign investment, and Cuban economics. His expertise has been sought after by both public and private organizations, and he is currently the Dean of the College of Economists of Cuba, a position he held prior to leaving Cuba. Beyond academia, Jorge has been actively involved in community affairs, especially related to the Cuban-American population in Miami, serving in various government and civic roles, including the first Director of the State Commission for Hispanic Affairs in Florida. His dedication to the cause of Cuban liberation and his extensive work in educating the Cuban exile community continues to make him a key figure in both academic and civic circles.\u003c/p\u003e\n","\u003cp\u003e\nAntonio Jorge naci\u0026#xF3; en La Habana, Cuba, el 28 de septiembre de 1931, y complet\u0026#xF3; sus estudios en el Colegio de Bel\u0026#xE9;n en Marianao. Despu\u0026#xE9;s de graduarse con honores de la Universidad de Santo Tom\u0026#xE1;s de Villanueva en 1952 con una \"Bachelor of Arts\" en Econom\u0026#xED;a, continu\u0026#xF3; sus estudios avanzados, obteniendo su Maestr\u0026#xED;a y Doctorado en Ciencias Econ\u0026#xF3;micas en 1956, convirti\u0026#xE9;ndose en el primer graduado de un programa doctoral en econom\u0026#xED;a en Cuba. Durante este tiempo, comenz\u0026#xF3; su carrera docente en la universidad, llegando a ser Profesor en el Departamento de Econom\u0026#xED;a de la Universidad de Villanueva y en el Instituto Superior de Econom\u0026#xED;a de la Universidad de La Habana. Adem\u0026#xE1;s, ocup\u0026#xF3; roles destacados en los sectores privado y p\u0026#xFA;blico, incluyendo Director del Departamento de Econom\u0026#xED;a de la Asociaci\u0026#xF3;n Nacional de Industriales de Cuba y del Ministerio de Hacienda.\u003c/p\u003e\n","\u003cp\u003eEn 1962, Jorge se vio obligado a abandonar Cuba debido a los cambios pol\u0026#xED;ticos y se estableci\u0026#xF3; en los Estados Unidos. R\u0026#xE1;pidamente reanud\u0026#xF3; su carrera acad\u0026#xE9;mica, primero como Profesor Asistente en el Merrimac College de Massachusetts, donde lleg\u0026#xF3; a ser profesor titular en 1972. M\u0026#xE1;s tarde se traslad\u0026#xF3; a Miami, donde continu\u0026#xF3; su labor docente en el Biscayne College y en el Miami Dade Community College. En 1974, se incorpor\u0026#xF3; a la Universidad de Miami, donde ense\u0026#xF1;\u0026#xF3; econom\u0026#xED;a y coordin\u0026#xF3; los programas en espa\u0026#xF1;ol, adem\u0026#xE1;s de dirigir los programas de \"Educaci\u0026#xF3;n Continua\" para profesionales cubanos. Ampli\u0026#xF3; su influencia en el \u0026#xE1;mbito acad\u0026#xE9;mico convirti\u0026#xE9;ndose en un importante administrador en varias instituciones, como Provost en Biscayne College y Vicepresidente Ejecutivo en la Universidad Internacional de la Florida (FIU).\u003c/p\u003e\n","\u003cp\u003eJorge ha sido un escritor prol\u0026#xED;fico y consultor, publicando m\u0026#xE1;s de veinte libros y cientos de art\u0026#xED;culos sobre temas como teor\u0026#xED;a econ\u0026#xF3;mica, desarrollo de Am\u0026#xE9;rica Latina, inversi\u0026#xF3;n extranjera y econom\u0026#xED;a cubana. Su experiencia ha sido solicitada tanto por organizaciones p\u0026#xFA;blicas como privadas, y actualmente es Decano del Colegio de Economistas de Cuba, cargo que ocup\u0026#xF3; antes de salir de Cuba. M\u0026#xE1;s all\u0026#xE1; de la academia, Jorge ha estado activamente involucrado en los asuntos comunitarios, especialmente en los relacionados con la poblaci\u0026#xF3;n cubanoamericana en Miami, desempe\u0026#xF1;ando diversos roles gubernamentales y c\u0026#xED;vicos, entre ellos, el de primer Director de la Comisi\u0026#xF3;n Estatal para los Asuntos Hispanos en Florida. Su dedicaci\u0026#xF3;n a la causa de la liberaci\u0026#xF3;n de Cuba y su extenso trabajo en la educaci\u0026#xF3;n de la comunidad cubana en el exilio lo han convertido en una figura clave tanto en el \u0026#xE1;mbito acad\u0026#xE9;mico como en el c\u0026#xED;vico.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Antonio Jorge was born in Havana, Cuba, on September 28, 1931, and completed his schooling at the Colegio de Belén in Marianao. After graduating with honors from the University of Santo Tomás de Villanueva in 1952 with a Bachelor of Arts in Economics, he pursued advanced studies, earning his Master's degree and a Doctorate in Economic Sciences in 1956, becoming the first graduate of a doctoral program in economics in Cuba. During this time, he began his teaching career at the university, eventually becoming a Professor in both the Economics Department at the University of Villanueva and the University of Havana's Institute of Higher Economics. Additionally, he held prominent roles in the private and public sectors, including Director of the Department of Economics at the National Association of Industrialists of Cuba and the Ministry of Finance.","In 1962, Jorge was forced to leave Cuba due to political upheaval and settled in the United States. He quickly resumed his academic career, first as an Assistant Professor at Merrimac College in Massachusetts, where he became a full professor by 1972. He later moved to Miami, where he continued his academic work at Biscayne College and Miami Dade Community College. In 1974, he joined the University of Miami, where he taught economics and coordinated Spanish-language programs, while also leading the university's \"Continuing Education\" programs for Cuban professionals. He furthered his impact in academia by becoming a key administrator at various institutions, including serving as Provost at Biscayne College and Executive Vice President at Florida International University (FIU).","Jorge has been a prolific writer and consultant, publishing over twenty books and hundreds of articles on topics such as economic theory, Latin American development, foreign investment, and Cuban economics. His expertise has been sought after by both public and private organizations, and he is currently the Dean of the College of Economists of Cuba, a position he held prior to leaving Cuba. Beyond academia, Jorge has been actively involved in community affairs, especially related to the Cuban-American population in Miami, serving in various government and civic roles, including the first Director of the State Commission for Hispanic Affairs in Florida. His dedication to the cause of Cuban liberation and his extensive work in educating the Cuban exile community continues to make him a key figure in both academic and civic circles.","\nAntonio Jorge nació en La Habana, Cuba, el 28 de septiembre de 1931, y completó sus estudios en el Colegio de Belén en Marianao. Después de graduarse con honores de la Universidad de Santo Tomás de Villanueva en 1952 con una \"Bachelor of Arts\" en Economía, continuó sus estudios avanzados, obteniendo su Maestría y Doctorado en Ciencias Económicas en 1956, convirtiéndose en el primer graduado de un programa doctoral en economía en Cuba. Durante este tiempo, comenzó su carrera docente en la universidad, llegando a ser Profesor en el Departamento de Economía de la Universidad de Villanueva y en el Instituto Superior de Economía de la Universidad de La Habana. Además, ocupó roles destacados en los sectores privado y público, incluyendo Director del Departamento de Economía de la Asociación Nacional de Industriales de Cuba y del Ministerio de Hacienda.","En 1962, Jorge se vio obligado a abandonar Cuba debido a los cambios políticos y se estableció en los Estados Unidos. Rápidamente reanudó su carrera académica, primero como Profesor Asistente en el Merrimac College de Massachusetts, donde llegó a ser profesor titular en 1972. Más tarde se trasladó a Miami, donde continuó su labor docente en el Biscayne College y en el Miami Dade Community College. En 1974, se incorporó a la Universidad de Miami, donde enseñó economía y coordinó los programas en español, además de dirigir los programas de \"Educación Continua\" para profesionales cubanos. Amplió su influencia en el ámbito académico convirtiéndose en un importante administrador en varias instituciones, como Provost en Biscayne College y Vicepresidente Ejecutivo en la Universidad Internacional de la Florida (FIU).","Jorge ha sido un escritor prolífico y consultor, publicando más de veinte libros y cientos de artículos sobre temas como teoría económica, desarrollo de América Latina, inversión extranjera y economía cubana. Su experiencia ha sido solicitada tanto por organizaciones públicas como privadas, y actualmente es Decano del Colegio de Economistas de Cuba, cargo que ocupó antes de salir de Cuba. Más allá de la academia, Jorge ha estado activamente involucrado en los asuntos comunitarios, especialmente en los relacionados con la población cubanoamericana en Miami, desempeñando diversos roles gubernamentales y cívicos, entre ellos, el de primer Director de la Comisión Estatal para los Asuntos Hispanos en Florida. Su dedicación a la causa de la liberación de Cuba y su extenso trabajo en la educación de la comunidad cubana en el exilio lo han convertido en una figura clave tanto en el ámbito académico como en el cívico."],"scopecontent_html_tesm":["\u003cp\u003eThe Antonio Jorge Collection offers documentation of the long-life academic career of Dr. Antonio Jorge, a known Cuban economist, scholar, and leader of the Cuban-American communities. This collection encompasses his academic journey, professional achievements, personal documents, correspondences, publications and significant contributions towards people of his community. This not only display's his educational background but his role as a professor and educator. This collection covers his involvement with his academic career in various colleges and universities like Merrimac College, Biscayne College, University of Miami, and Florida International University. Not only does this collection document his dedication and involvement in public service and community advocacy, especially his work towards Cubans and Cuban-Americans. His leadership in Miami displays his role on activism and becoming the first Director of the State Commission for Hispanic Affairs in Florida, his work and contributions towards founding \"Concertacion Civica Cubana\" in 1995. Being a member of the State Post-Secondary Education Commission, Community Relations Board, Mental Health Boards of Dade and Broward counties, Long-Term Economic Planning Committee, and United Way Board of Trustees, all in Dade County. Furthermore, this collection highlights his scholarly input on numerous books and articles that concern with Latin American development and Cuban politics and economics. Featuring his works as consultant for national and international organizations, his civic and governmental duties. This provides insight into Antonio Jorge's dedication towards academia, the Cuban community, and all political and economic issues that Cuba faces. \u003c/p\u003e\n","\u003cp\u003eLa Colecci\u0026#xF3;n Antonio Jorge ofrece documentaci\u0026#xF3;n sobre la larga carrera acad\u0026#xE9;mica del Dr. Antonio Jorge, un reconocido economista cubano, acad\u0026#xE9;mico y l\u0026#xED;der de las comunidades cubano-estadounidenses. Esta colecci\u0026#xF3;n abarca su trayectoria acad\u0026#xE9;mica, logros profesionales, documentos personales, correspondencia, publicaciones y contribuciones significativas hacia su comunidad. No solo muestra su formaci\u0026#xF3;n educativa, sino tambi\u0026#xE9;n su papel como profesor y educador. Esta colecci\u0026#xF3;n cubre su participaci\u0026#xF3;n en su carrera acad\u0026#xE9;mica en diversas universidades y colegios como el Merrimac College, Biscayne College, la Universidad de Miami y la Universidad Internacional de la Florida. Esta colecci\u0026#xF3;n tambi\u0026#xE9;n documenta su dedicaci\u0026#xF3;n e involucramiento en el servicio p\u0026#xFA;blico y la defensa comunitaria, especialmente su trabajo hacia los cubanos y cubano-estadounidenses. Su liderazgo en Miami refleja su rol en el activismo y su papel como el primer director de la Comisi\u0026#xF3;n Estatal para los Asuntos Hispanoamericanos de Florida, as\u0026#xED; como sus contribuciones hacia la fundaci\u0026#xF3;n de la \"Concertaci\u0026#xF3;n C\u0026#xED;vica Cubana\" en 1995. Fue miembro de la Comision de Educacion pos-secundaria del estado, de la Junta de Relaciones Comunitarias, de las Junta de Salud Mental de los condados de Dade y Broward, del Comit\u0026#xE9; de Planificaci\u0026#xF3;n Econ\u0026#xF3;mica a largo plazo y de la \"United Way Board of Trustees\", todas en el condado de Dade. Adem\u0026#xE1;s, esta colecci\u0026#xF3;n resalta su aporte acad\u0026#xE9;mico en numerosos libros y art\u0026#xED;culos que abordan el desarrollo de Am\u0026#xE9;rica Latina y la pol\u0026#xED;tica y econom\u0026#xED;a cubanas. Incluye tambi\u0026#xE9;n sus trabajos como consultor para organizaciones nacionales e internacionales y sus deberes c\u0026#xED;vicos y gubernamentales. Esto proporciona una visi\u0026#xF3;n del compromiso de Antonio Jorge con la academia, la comunidad cubana y todos los problemas pol\u0026#xED;ticos y econ\u0026#xF3;micos que enfrenta Cuba.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Antonio Jorge Collection offers documentation of the long-life academic career of Dr. Antonio Jorge, a known Cuban economist, scholar, and leader of the Cuban-American communities. This collection encompasses his academic journey, professional achievements, personal documents, correspondences, publications and significant contributions towards people of his community. This not only display's his educational background but his role as a professor and educator. This collection covers his involvement with his academic career in various colleges and universities like Merrimac College, Biscayne College, University of Miami, and Florida International University. Not only does this collection document his dedication and involvement in public service and community advocacy, especially his work towards Cubans and Cuban-Americans. His leadership in Miami displays his role on activism and becoming the first Director of the State Commission for Hispanic Affairs in Florida, his work and contributions towards founding \"Concertacion Civica Cubana\" in 1995. Being a member of the State Post-Secondary Education Commission, Community Relations Board, Mental Health Boards of Dade and Broward counties, Long-Term Economic Planning Committee, and United Way Board of Trustees, all in Dade County. Furthermore, this collection highlights his scholarly input on numerous books and articles that concern with Latin American development and Cuban politics and economics. Featuring his works as consultant for national and international organizations, his civic and governmental duties. This provides insight into Antonio Jorge's dedication towards academia, the Cuban community, and all political and economic issues that Cuba faces. ","La Colección Antonio Jorge ofrece documentación sobre la larga carrera académica del Dr. Antonio Jorge, un reconocido economista cubano, académico y líder de las comunidades cubano-estadounidenses. Esta colección abarca su trayectoria académica, logros profesionales, documentos personales, correspondencia, publicaciones y contribuciones significativas hacia su comunidad. No solo muestra su formación educativa, sino también su papel como profesor y educador. Esta colección cubre su participación en su carrera académica en diversas universidades y colegios como el Merrimac College, Biscayne College, la Universidad de Miami y la Universidad Internacional de la Florida. Esta colección también documenta su dedicación e involucramiento en el servicio público y la defensa comunitaria, especialmente su trabajo hacia los cubanos y cubano-estadounidenses. Su liderazgo en Miami refleja su rol en el activismo y su papel como el primer director de la Comisión Estatal para los Asuntos Hispanoamericanos de Florida, así como sus contribuciones hacia la fundación de la \"Concertación Cívica Cubana\" en 1995. Fue miembro de la Comision de Educacion pos-secundaria del estado, de la Junta de Relaciones Comunitarias, de las Junta de Salud Mental de los condados de Dade y Broward, del Comité de Planificación Económica a largo plazo y de la \"United Way Board of Trustees\", todas en el condado de Dade. Además, esta colección resalta su aporte académico en numerosos libros y artículos que abordan el desarrollo de América Latina y la política y economía cubanas. Incluye también sus trabajos como consultor para organizaciones nacionales e internacionales y sus deberes cívicos y gubernamentales. Esto proporciona una visión del compromiso de Antonio Jorge con la academia, la comunidad cubana y todos los problemas políticos y económicos que enfrenta Cuba."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"abstract_html_tesm":["\u003cabstract id=\"aspace_adf636b7bc31c753a49cf01d9f55d41c\"\u003eThe Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues.\u003c/abstract\u003e"],"abstract_tesim":["The Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6c8b68b416b3f3ec053ccdfc","timestamp":"2026-05-21T02:01:04.955Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6c8b68b416b3f3ec053ccdfc"}},{"id":"dd37a5ca9e137f15bede5068","type":"collection","attributes":{"title":"Arguelles Family Photo Albums, 1937-1948","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/dd37a5ca9e137f15bede5068#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection maintains vast photographs of the Arguelles family starting in the 1930s. The significance of this collection relates directly to what life was like for a typical Cuban family before the Revolution and before Fulgencio Batista seized power. This includes photographs of plantations, farms, local airfields, and even a typical day at the beach with the family. Digital images of these albums are available through the Digital Library of the Caribbean (Dloc). Physical copies are available at FIU Special Collections Department.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dd37a5ca9e137f15bede5068#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"dd37a5ca9e137f15bede5068","title_ssm":["Arguelles Family Photo Albums"],"title_tesim":["Arguelles Family Photo Albums"],"ead_ssi":"dd37a5ca9e137f15bede5068","unitdate_ssm":["1937-1948"],"unitdate_inclusive_ssm":["1937-1948"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8005","/repositories/2/resources/86"],"text":["SPC8005","/repositories/2/resources/86","Arguelles Family Photo Albums, 1937-1948","Caribbean Area","Cuba","Varadero (Cuba)","Havana (Cuba)","Santa Lucía (Camagüey, Cuba)","Sugar plantations","Cuba--Social life and customs","Cuba--Vida social y costumbres","The collection is open for research.","The original chronological arragement of the series was maintained during processing. The collection is arranged in 3 series by albums. I. Album # 1, 1937-1940, II. Album 2, 1938-1939, and III. Album 3, 1940-1948.","This collection has been digitized. For more information please contact Special Collection Department at FIU.","This collection maintains vast photographs of the Arguelles family starting in the 1930s. The significance of this collection relates directly to what life was like for a typical Cuban family before the Revolution and before Fulgencio Batista seized power. This includes photographs of plantations, farms, local airfields, and even a typical day at the beach with the family. Digital images of these albums are available through the Digital Library of the Caribbean (Dloc). Physical copies are available at FIU Special Collections Department.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ ","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Spanish; Castilian English"],"unitid_tesim":["SPC8005","/repositories/2/resources/86"],"normalized_date_ssm":["1937-1948"],"normalized_title_ssm":["Arguelles Family Photo Albums, 1937-1948"],"collection_title_tesim":["Arguelles Family Photo Albums, 1937-1948"],"collection_ssim":["Arguelles Family Photo Albums, 1937-1948"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Caribbean Area","Cuba","Varadero (Cuba)","Havana (Cuba)","Santa Lucía (Camagüey, Cuba)"],"geogname_ssim":["Caribbean Area","Cuba","Varadero (Cuba)","Havana (Cuba)","Santa Lucía (Camagüey, Cuba)"],"places_ssim":["Caribbean Area","Cuba","Varadero (Cuba)","Havana (Cuba)","Santa Lucía (Camagüey, Cuba)"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ ","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donated by the Arguelles family."],"access_subjects_ssim":["Sugar plantations","Cuba--Social life and customs","Cuba--Vida social y costumbres"],"access_subjects_ssm":["Sugar plantations","Cuba--Social life and customs","Cuba--Vida social y costumbres"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe original chronological arragement of the series was maintained during processing. The collection is arranged in 3 series by albums. I. Album # 1, 1937-1940, II. Album 2, 1938-1939, and III. Album 3, 1940-1948.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The original chronological arragement of the series was maintained during processing. The collection is arranged in 3 series by albums. I. Album # 1, 1937-1940, II. Album 2, 1938-1939, and III. Album 3, 1940-1948."],"processinfo_html_tesm":["\u003cp\u003eThis collection has been digitized. For more information please contact Special Collection Department at FIU.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection has been digitized. For more information please contact Special Collection Department at FIU."],"scopecontent_html_tesm":["\u003cp\u003eThis collection maintains vast photographs of the Arguelles family starting in the 1930s. The significance of this collection relates directly to what life was like for a typical Cuban family before the Revolution and before Fulgencio Batista seized power. This includes photographs of plantations, farms, local airfields, and even a typical day at the beach with the family. Digital images of these albums are available through the Digital Library of the Caribbean (Dloc). Physical copies are available at FIU Special Collections Department.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection maintains vast photographs of the Arguelles family starting in the 1930s. The significance of this collection relates directly to what life was like for a typical Cuban family before the Revolution and before Fulgencio Batista seized power. This includes photographs of plantations, farms, local airfields, and even a typical day at the beach with the family. Digital images of these albums are available through the Digital Library of the Caribbean (Dloc). Physical copies are available at FIU Special Collections Department."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ \u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ ","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["Spanish; Castilian English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844709536006144,"_root_":"dd37a5ca9e137f15bede5068","timestamp":"2026-07-16T04:35:49.469Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dd37a5ca9e137f15bede5068","title_ssm":["Arguelles Family Photo Albums"],"title_tesim":["Arguelles Family Photo Albums"],"ead_ssi":"dd37a5ca9e137f15bede5068","unitdate_ssm":["1937-1948"],"unitdate_inclusive_ssm":["1937-1948"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8005","/repositories/2/resources/86"],"text":["SPC8005","/repositories/2/resources/86","Arguelles Family Photo Albums, 1937-1948","Caribbean Area","Cuba","Varadero (Cuba)","Havana (Cuba)","Santa Lucía (Camagüey, Cuba)","Sugar plantations","Cuba--Social life and customs","Cuba--Vida social y costumbres","The collection is open for research.","The original chronological arragement of the series was maintained during processing. The collection is arranged in 3 series by albums. I. Album # 1, 1937-1940, II. Album 2, 1938-1939, and III. Album 3, 1940-1948.","This collection has been digitized. For more information please contact Special Collection Department at FIU.","This collection maintains vast photographs of the Arguelles family starting in the 1930s. The significance of this collection relates directly to what life was like for a typical Cuban family before the Revolution and before Fulgencio Batista seized power. This includes photographs of plantations, farms, local airfields, and even a typical day at the beach with the family. Digital images of these albums are available through the Digital Library of the Caribbean (Dloc). Physical copies are available at FIU Special Collections Department.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ ","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Spanish; Castilian English"],"unitid_tesim":["SPC8005","/repositories/2/resources/86"],"normalized_date_ssm":["1937-1948"],"normalized_title_ssm":["Arguelles Family Photo Albums, 1937-1948"],"collection_title_tesim":["Arguelles Family Photo Albums, 1937-1948"],"collection_ssim":["Arguelles Family Photo Albums, 1937-1948"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Caribbean Area","Cuba","Varadero (Cuba)","Havana (Cuba)","Santa Lucía (Camagüey, Cuba)"],"geogname_ssim":["Caribbean Area","Cuba","Varadero (Cuba)","Havana (Cuba)","Santa Lucía (Camagüey, Cuba)"],"places_ssim":["Caribbean Area","Cuba","Varadero (Cuba)","Havana (Cuba)","Santa Lucía (Camagüey, Cuba)"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ ","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donated by the Arguelles family."],"access_subjects_ssim":["Sugar plantations","Cuba--Social life and customs","Cuba--Vida social y costumbres"],"access_subjects_ssm":["Sugar plantations","Cuba--Social life and customs","Cuba--Vida social y costumbres"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe original chronological arragement of the series was maintained during processing. The collection is arranged in 3 series by albums. I. Album # 1, 1937-1940, II. Album 2, 1938-1939, and III. 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This includes photographs of plantations, farms, local airfields, and even a typical day at the beach with the family. Digital images of these albums are available through the Digital Library of the Caribbean (Dloc). Physical copies are available at FIU Special Collections Department.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection maintains vast photographs of the Arguelles family starting in the 1930s. The significance of this collection relates directly to what life was like for a typical Cuban family before the Revolution and before Fulgencio Batista seized power. This includes photographs of plantations, farms, local airfields, and even a typical day at the beach with the family. Digital images of these albums are available through the Digital Library of the Caribbean (Dloc). Physical copies are available at FIU Special Collections Department."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ \u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ ","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["Spanish; Castilian English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844709536006144,"_root_":"dd37a5ca9e137f15bede5068","timestamp":"2026-07-16T04:35:49.469Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dd37a5ca9e137f15bede5068"}},{"id":"c7d18e0ed55015cd2a053b9a","type":"collection","attributes":{"title":"\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez, 1998-2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/c7d18e0ed55015cd2a053b9a#creator","type":"document_value","attributes":{"value":["Bohemia"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c7d18e0ed55015cd2a053b9a#abstract_or_scope","type":"document_value","attributes":{"value":["Collection consists of Ms. Lucille \"Lucy\" Rodriguez's \"La Bohemia\" magazine issues published in Havanna, Cuba from 1998 through 2001."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c7d18e0ed55015cd2a053b9a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"c7d18e0ed55015cd2a053b9a","title_ssm":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez"],"title_tesim":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez"],"ead_ssi":"c7d18e0ed55015cd2a053b9a","unitdate_ssm":["1998-2001"],"unitdate_inclusive_ssm":["1998-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2008-001","/repositories/3/resources/673"],"text":["SP-MS-2008-001","/repositories/3/resources/673","\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez, 1998-2001","Cuba","Latin America","Periodicals","Lucille \"Lucy\" Rodriguez was born in December 1903 and lived her entire life in West Tampa and Hillsborough County. She passed away at the age of 101 on 11 September 2005. In the late 1990s, she began a dialogue with residents of her ancestral homeland, Cuba, and some people began mailing her copies of Bohemia. The mailed magazines often included the Cuban residents' writings on the inside and covers of the magazines as well as handwritten notes and letters about activities in their lives.","Collection consists issues of Bohemia, a magazine published in Havana, Cuba, covering the years 1998 through 2001. Magazines and additional material of embriodered basket occupy two document boxes (2 linear ft). Some of the magazine issues have hand-written notes from the senders.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection consists of Ms. Lucille \"Lucy\" Rodriguez's \"La Bohemia\" magazine issues published in Havanna, Cuba from 1998 through 2001.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Bohemia","Rodriguez, Lucille ","Spanish; Castilian"],"unitid_tesim":["SP-MS-2008-001","/repositories/3/resources/673"],"normalized_date_ssm":["1998-2001"],"normalized_title_ssm":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez, 1998-2001"],"collection_title_tesim":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez, 1998-2001"],"collection_ssim":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez, 1998-2001"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"geogname_ssm":["Cuba","Latin America"],"geogname_ssim":["Cuba","Latin America"],"creator_ssm":["Bohemia","Rodriguez, Lucille "],"creator_ssim":["Bohemia","Rodriguez, Lucille "],"creator_persname_ssim":["Rodriguez, Lucille "],"creator_corpname_ssim":["Bohemia"],"creators_ssim":["Rodriguez, Lucille ","Bohemia"],"places_ssim":["Cuba","Latin America"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Maragaret Keller, a USF graduate, compiled and donated the collection due to her close relations to Lucille \"Lucy\" Rodriguez and family."],"access_subjects_ssim":["Periodicals"],"access_subjects_ssm":["Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["2 boxes"],"extent_tesim":["2 boxes"],"date_range_isim":[1998,1999,2000,2001],"bioghist_html_tesm":["\u003cp\u003eLucille \"Lucy\" Rodriguez was born in December 1903 and lived her entire life in West Tampa and Hillsborough County. She passed away at the age of 101 on 11 September 2005. In the late 1990s, she began a dialogue with residents of her ancestral homeland, Cuba, and some people began mailing her copies of Bohemia. The mailed magazines often included the Cuban residents' writings on the inside and covers of the magazines as well as handwritten notes and letters about activities in their lives.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lucille \"Lucy\" Rodriguez was born in December 1903 and lived her entire life in West Tampa and Hillsborough County. She passed away at the age of 101 on 11 September 2005. In the late 1990s, she began a dialogue with residents of her ancestral homeland, Cuba, and some people began mailing her copies of Bohemia. The mailed magazines often included the Cuban residents' writings on the inside and covers of the magazines as well as handwritten notes and letters about activities in their lives."],"prefercite_html_tesm":["\u003cp\u003e\"La Bohemia\" Magazine Collection of Lucille \"Lucy\" Rodriguez, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["\"La Bohemia\" Magazine Collection of Lucille \"Lucy\" Rodriguez, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"scopecontent_html_tesm":["\u003cp\u003eCollection consists issues of Bohemia, a magazine published in Havana, Cuba, covering the years 1998 through 2001. Magazines and additional material of embriodered basket occupy two document boxes (2 linear ft). Some of the magazine issues have hand-written notes from the senders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists issues of Bohemia, a magazine published in Havana, Cuba, covering the years 1998 through 2001. Magazines and additional material of embriodered basket occupy two document boxes (2 linear ft). Some of the magazine issues have hand-written notes from the senders."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_25df62f1cea5d175a72e11179ba710e3\"\u003eCollection consists of Ms. Lucille \"Lucy\" Rodriguez's \"La Bohemia\" magazine issues published in Havanna, Cuba from 1998 through 2001.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of Ms. Lucille \"Lucy\" Rodriguez's \"La Bohemia\" magazine issues published in Havanna, Cuba from 1998 through 2001."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Bohemia","Rodriguez, Lucille "],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Bohemia"],"names_coll_ssim":["Rodriguez, Lucille "],"persname_ssim":["Rodriguez, Lucille "],"language_ssim":["Spanish; Castilian"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870861427158286336,"_root_":"c7d18e0ed55015cd2a053b9a","timestamp":"2026-07-16T09:01:32.636Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c7d18e0ed55015cd2a053b9a","title_ssm":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez"],"title_tesim":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez"],"ead_ssi":"c7d18e0ed55015cd2a053b9a","unitdate_ssm":["1998-2001"],"unitdate_inclusive_ssm":["1998-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2008-001","/repositories/3/resources/673"],"text":["SP-MS-2008-001","/repositories/3/resources/673","\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez, 1998-2001","Cuba","Latin America","Periodicals","Lucille \"Lucy\" Rodriguez was born in December 1903 and lived her entire life in West Tampa and Hillsborough County. She passed away at the age of 101 on 11 September 2005. In the late 1990s, she began a dialogue with residents of her ancestral homeland, Cuba, and some people began mailing her copies of Bohemia. The mailed magazines often included the Cuban residents' writings on the inside and covers of the magazines as well as handwritten notes and letters about activities in their lives.","Collection consists issues of Bohemia, a magazine published in Havana, Cuba, covering the years 1998 through 2001. Magazines and additional material of embriodered basket occupy two document boxes (2 linear ft). Some of the magazine issues have hand-written notes from the senders.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection consists of Ms. Lucille \"Lucy\" Rodriguez's \"La Bohemia\" magazine issues published in Havanna, Cuba from 1998 through 2001.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Bohemia","Rodriguez, Lucille ","Spanish; Castilian"],"unitid_tesim":["SP-MS-2008-001","/repositories/3/resources/673"],"normalized_date_ssm":["1998-2001"],"normalized_title_ssm":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez, 1998-2001"],"collection_title_tesim":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez, 1998-2001"],"collection_ssim":["\"Bohemia\" Magazine collection of Lucille \"Lucy\" Rodriguez, 1998-2001"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"geogname_ssm":["Cuba","Latin America"],"geogname_ssim":["Cuba","Latin America"],"creator_ssm":["Bohemia","Rodriguez, Lucille "],"creator_ssim":["Bohemia","Rodriguez, Lucille "],"creator_persname_ssim":["Rodriguez, Lucille "],"creator_corpname_ssim":["Bohemia"],"creators_ssim":["Rodriguez, Lucille ","Bohemia"],"places_ssim":["Cuba","Latin America"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Maragaret Keller, a USF graduate, compiled and donated the collection due to her close relations to Lucille \"Lucy\" Rodriguez and family."],"access_subjects_ssim":["Periodicals"],"access_subjects_ssm":["Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["2 boxes"],"extent_tesim":["2 boxes"],"date_range_isim":[1998,1999,2000,2001],"bioghist_html_tesm":["\u003cp\u003eLucille \"Lucy\" Rodriguez was born in December 1903 and lived her entire life in West Tampa and Hillsborough County. She passed away at the age of 101 on 11 September 2005. In the late 1990s, she began a dialogue with residents of her ancestral homeland, Cuba, and some people began mailing her copies of Bohemia. The mailed magazines often included the Cuban residents' writings on the inside and covers of the magazines as well as handwritten notes and letters about activities in their lives.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lucille \"Lucy\" Rodriguez was born in December 1903 and lived her entire life in West Tampa and Hillsborough County. She passed away at the age of 101 on 11 September 2005. In the late 1990s, she began a dialogue with residents of her ancestral homeland, Cuba, and some people began mailing her copies of Bohemia. The mailed magazines often included the Cuban residents' writings on the inside and covers of the magazines as well as handwritten notes and letters about activities in their lives."],"prefercite_html_tesm":["\u003cp\u003e\"La Bohemia\" Magazine Collection of Lucille \"Lucy\" Rodriguez, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["\"La Bohemia\" Magazine Collection of Lucille \"Lucy\" Rodriguez, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"scopecontent_html_tesm":["\u003cp\u003eCollection consists issues of Bohemia, a magazine published in Havana, Cuba, covering the years 1998 through 2001. Magazines and additional material of embriodered basket occupy two document boxes (2 linear ft). Some of the magazine issues have hand-written notes from the senders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists issues of Bohemia, a magazine published in Havana, Cuba, covering the years 1998 through 2001. Magazines and additional material of embriodered basket occupy two document boxes (2 linear ft). Some of the magazine issues have hand-written notes from the senders."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_25df62f1cea5d175a72e11179ba710e3\"\u003eCollection consists of Ms. Lucille \"Lucy\" Rodriguez's \"La Bohemia\" magazine issues published in Havanna, Cuba from 1998 through 2001.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of Ms. Lucille \"Lucy\" Rodriguez's \"La Bohemia\" magazine issues published in Havanna, Cuba from 1998 through 2001."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Bohemia","Rodriguez, Lucille "],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Bohemia"],"names_coll_ssim":["Rodriguez, Lucille "],"persname_ssim":["Rodriguez, Lucille "],"language_ssim":["Spanish; Castilian"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870861427158286336,"_root_":"c7d18e0ed55015cd2a053b9a","timestamp":"2026-07-16T09:01:32.636Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c7d18e0ed55015cd2a053b9a"}},{"id":"a45d947c9de6cc8505dce499","type":"collection","attributes":{"title":"Bryant West Indies Ephemera Collection, 1682-1968","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a45d947c9de6cc8505dce499#abstract_or_scope","type":"document_value","attributes":{"value":["This collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a45d947c9de6cc8505dce499#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a45d947c9de6cc8505dce499","title_ssm":["Bryant West Indies Ephemera Collection"],"title_tesim":["Bryant West Indies Ephemera Collection"],"ead_ssi":"a45d947c9de6cc8505dce499","unitdate_ssm":["1682-1968"],"unitdate_inclusive_ssm":["1682-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.005","/repositories/4/resources/103"],"text":["SC.005","/repositories/4/resources/103","Bryant West Indies Ephemera Collection, 1682-1968","Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)","The entire collection is open for research.","This collection was arranged according to geographic area. It was divided into three main areas, the Greater Antilles, the Lesser Antilles and the maps of the islands.","William Junior Bryant, or June, as he preferred to be called, was born May 4, 1904 in Springfield Vermont. He attended Springfield High School, Phillips Exeter Academy, and graduated from Dartmouth College in 1925. Bryant worked for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant, from 1928 to 1946, becoming president in 1946. He started the William L. Bryant Foundation in 1950, named for his father, to begin excavations in Florida, Spain and the Caribbean. The Foundation helped Bryant to pursue his interest in archeology which fueled his passion for collecting works of art, cultural and ethnic items and books.","June Bryant divided the year between properties in Woodstock, VT from May until November, and the warmer climate of Tangerine, FL from November until May, each year, after retiring from the Bryant Chucking Grinding Co. in 1960. It was in this time that Bryant was able to dedicate more time to his other pursuits. Over the years he had started collecting works of art from areas in Spain, Florida and the Caribbean. These Florida and Caribbean works were collected over a period of twenty years.","Bryant purchased some of the collection himself, through catalogues and an art dealer in New York, but a considerable amount of the purchasing was done by Eleanor Sleight. She was the director of the Central Florida Museum in the late 1960s and later became the representative of the William L. Bryant Foundation. A large part of the collection was gathered in the trips Sleight took to the islands from 1969-1972.","The Bryant West Indies Collection was moved in 1972 from the Central Florida Museum to the library of Florida Technological University, now the University of Central Florida. Bryant thought it was important to keep the collection in Florida where he felt it would be better valued due to the close proximity to the West Indies. Part of the Bryant West Indies Collection is displayed annually.","Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger.","This collection is related to the William L. Bryant Collection, including audio, slides and parliamentary acts, as well as The Legacy of the Spirit Virtual Exhibit available on the Special Collections website. The Bryant collection of Spanish works can be found at Dartmouth College, where they are housed in the Baker Library. The papers of the William L. Bryant Foundation and the papers of William Junior Bryant and Bryant Family are housed in the Rauner Special Collection Library, also at Dartmouth College.","The Bryant West Indies Ephemera Collection is apart of the larger William L. Bryant West Indies Collection and includes tourism brochures, pamphlets, booklets and newspaper clippings from the islands and nations of the Caribbean and South America.","Series I: Greater Antilles, 1901-1968 contains materials related to the islands in the Western portion of the Caribbean. Islands included in this series are Cuba, the Dominican Republic, Haiti, Jamaica and Puerto Rico.","Series II: Lesser Antilles, 1682-1957, consists of materials related to the islands in the Eastern portion of the Caribbean. Islands included in this series are the Windward Islands, including Barbados, Saint Lucia and Trinadad and Tobago, as well as Dominica.","Series III: Maps, 1965-1980, includes oversize maps of the West Indies, South America, and North America. Some of the maps are reproductions of the originals.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam.","UCF Special Collections","Bryant, William L.","English"],"unitid_tesim":["SC.005","/repositories/4/resources/103"],"normalized_date_ssm":["1682-1968"],"normalized_title_ssm":["Bryant West Indies Ephemera Collection, 1682-1968"],"collection_title_tesim":["Bryant West Indies Ephemera Collection, 1682-1968"],"collection_ssim":["Bryant West Indies Ephemera Collection, 1682-1968"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)"],"geogname_ssim":["Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)"],"places_ssim":["Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["William L. Bryant. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1973 (CFM1973_01)."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 Box, 1 Flat File"],"extent_tesim":["0.5 Linear Feet 1 Box, 1 Flat File"],"date_range_isim":[1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged according to geographic area. It was divided into three main areas, the Greater Antilles, the Lesser Antilles and the maps of the islands.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection was arranged according to geographic area. It was divided into three main areas, the Greater Antilles, the Lesser Antilles and the maps of the islands."],"bioghist_html_tesm":["\u003cp\u003eWilliam Junior Bryant, or June, as he preferred to be called, was born May 4, 1904 in Springfield Vermont. He attended Springfield High School, Phillips Exeter Academy, and graduated from Dartmouth College in 1925. Bryant worked for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant, from 1928 to 1946, becoming president in 1946. He started the William L. Bryant Foundation in 1950, named for his father, to begin excavations in Florida, Spain and the Caribbean. The Foundation helped Bryant to pursue his interest in archeology which fueled his passion for collecting works of art, cultural and ethnic items and books.\u003c/p\u003e\n","\u003cp\u003eJune Bryant divided the year between properties in Woodstock, VT from May until November, and the warmer climate of Tangerine, FL from November until May, each year, after retiring from the Bryant Chucking Grinding Co. in 1960. It was in this time that Bryant was able to dedicate more time to his other pursuits. Over the years he had started collecting works of art from areas in Spain, Florida and the Caribbean. These Florida and Caribbean works were collected over a period of twenty years.\u003c/p\u003e\n","\u003cp\u003eBryant purchased some of the collection himself, through catalogues and an art dealer in New York, but a considerable amount of the purchasing was done by Eleanor Sleight. She was the director of the Central Florida Museum in the late 1960s and later became the representative of the William L. Bryant Foundation. A large part of the collection was gathered in the trips Sleight took to the islands from 1969-1972.\u003c/p\u003e\n","\u003cp\u003eThe Bryant West Indies Collection was moved in 1972 from the Central Florida Museum to the library of Florida Technological University, now the University of Central Florida. Bryant thought it was important to keep the collection in Florida where he felt it would be better valued due to the close proximity to the West Indies. Part of the Bryant West Indies Collection is displayed annually.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["William Junior Bryant, or June, as he preferred to be called, was born May 4, 1904 in Springfield Vermont. He attended Springfield High School, Phillips Exeter Academy, and graduated from Dartmouth College in 1925. Bryant worked for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant, from 1928 to 1946, becoming president in 1946. He started the William L. Bryant Foundation in 1950, named for his father, to begin excavations in Florida, Spain and the Caribbean. The Foundation helped Bryant to pursue his interest in archeology which fueled his passion for collecting works of art, cultural and ethnic items and books.","June Bryant divided the year between properties in Woodstock, VT from May until November, and the warmer climate of Tangerine, FL from November until May, each year, after retiring from the Bryant Chucking Grinding Co. in 1960. It was in this time that Bryant was able to dedicate more time to his other pursuits. Over the years he had started collecting works of art from areas in Spain, Florida and the Caribbean. These Florida and Caribbean works were collected over a period of twenty years.","Bryant purchased some of the collection himself, through catalogues and an art dealer in New York, but a considerable amount of the purchasing was done by Eleanor Sleight. She was the director of the Central Florida Museum in the late 1960s and later became the representative of the William L. Bryant Foundation. A large part of the collection was gathered in the trips Sleight took to the islands from 1969-1972.","The Bryant West Indies Collection was moved in 1972 from the Central Florida Museum to the library of Florida Technological University, now the University of Central Florida. Bryant thought it was important to keep the collection in Florida where he felt it would be better valued due to the close proximity to the West Indies. Part of the Bryant West Indies Collection is displayed annually."],"prefercite_html_tesm":["\u003cp\u003eBryant West indies Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bryant West indies Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Jessica Achberger; finding aid prepared by Jessica Achberger.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is related to the William L. Bryant Collection, including audio, slides and parliamentary acts, as well as The Legacy of the Spirit Virtual Exhibit available on the Special Collections website. The Bryant collection of Spanish works can be found at Dartmouth College, where they are housed in the Baker Library. The papers of the William L. Bryant Foundation and the papers of William Junior Bryant and Bryant Family are housed in the Rauner Special Collection Library, also at Dartmouth College.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is related to the William L. Bryant Collection, including audio, slides and parliamentary acts, as well as The Legacy of the Spirit Virtual Exhibit available on the Special Collections website. The Bryant collection of Spanish works can be found at Dartmouth College, where they are housed in the Baker Library. The papers of the William L. Bryant Foundation and the papers of William Junior Bryant and Bryant Family are housed in the Rauner Special Collection Library, also at Dartmouth College."],"scopecontent_html_tesm":["\u003cp\u003eThe Bryant West Indies Ephemera Collection is apart of the larger William L. Bryant West Indies Collection and includes tourism brochures, pamphlets, booklets and newspaper clippings from the islands and nations of the Caribbean and South America.\u003c/p\u003e\n","\u003cp\u003eSeries I: Greater Antilles, 1901-1968 contains materials related to the islands in the Western portion of the Caribbean. Islands included in this series are Cuba, the Dominican Republic, Haiti, Jamaica and Puerto Rico.\u003c/p\u003e\n","\u003cp\u003eSeries II: Lesser Antilles, 1682-1957, consists of materials related to the islands in the Eastern portion of the Caribbean. Islands included in this series are the Windward Islands, including Barbados, Saint Lucia and Trinadad and Tobago, as well as Dominica.\u003c/p\u003e\n","\u003cp\u003eSeries III: Maps, 1965-1980, includes oversize maps of the West Indies, South America, and North America. Some of the maps are reproductions of the originals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Bryant West Indies Ephemera Collection is apart of the larger William L. Bryant West Indies Collection and includes tourism brochures, pamphlets, booklets and newspaper clippings from the islands and nations of the Caribbean and South America.","Series I: Greater Antilles, 1901-1968 contains materials related to the islands in the Western portion of the Caribbean. Islands included in this series are Cuba, the Dominican Republic, Haiti, Jamaica and Puerto Rico.","Series II: Lesser Antilles, 1682-1957, consists of materials related to the islands in the Eastern portion of the Caribbean. Islands included in this series are the Windward Islands, including Barbados, Saint Lucia and Trinadad and Tobago, as well as Dominica.","Series III: Maps, 1965-1980, includes oversize maps of the West Indies, South America, and North America. Some of the maps are reproductions of the originals."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_96c28917cd01a938a16dc322adbe4578\" label=\"Abstract\"\u003eThis collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam.\u003c/abstract\u003e"],"abstract_tesim":["This collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam."],"names_ssim":["UCF Special Collections","Bryant, William L."],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Bryant, William L."],"persname_ssim":["Bryant, William L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857640910782464,"_root_":"a45d947c9de6cc8505dce499","timestamp":"2026-07-16T08:01:21.789Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a45d947c9de6cc8505dce499","title_ssm":["Bryant West Indies Ephemera Collection"],"title_tesim":["Bryant West Indies Ephemera Collection"],"ead_ssi":"a45d947c9de6cc8505dce499","unitdate_ssm":["1682-1968"],"unitdate_inclusive_ssm":["1682-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.005","/repositories/4/resources/103"],"text":["SC.005","/repositories/4/resources/103","Bryant West Indies Ephemera Collection, 1682-1968","Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)","The entire collection is open for research.","This collection was arranged according to geographic area. It was divided into three main areas, the Greater Antilles, the Lesser Antilles and the maps of the islands.","William Junior Bryant, or June, as he preferred to be called, was born May 4, 1904 in Springfield Vermont. He attended Springfield High School, Phillips Exeter Academy, and graduated from Dartmouth College in 1925. Bryant worked for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant, from 1928 to 1946, becoming president in 1946. He started the William L. Bryant Foundation in 1950, named for his father, to begin excavations in Florida, Spain and the Caribbean. The Foundation helped Bryant to pursue his interest in archeology which fueled his passion for collecting works of art, cultural and ethnic items and books.","June Bryant divided the year between properties in Woodstock, VT from May until November, and the warmer climate of Tangerine, FL from November until May, each year, after retiring from the Bryant Chucking Grinding Co. in 1960. It was in this time that Bryant was able to dedicate more time to his other pursuits. Over the years he had started collecting works of art from areas in Spain, Florida and the Caribbean. These Florida and Caribbean works were collected over a period of twenty years.","Bryant purchased some of the collection himself, through catalogues and an art dealer in New York, but a considerable amount of the purchasing was done by Eleanor Sleight. She was the director of the Central Florida Museum in the late 1960s and later became the representative of the William L. Bryant Foundation. A large part of the collection was gathered in the trips Sleight took to the islands from 1969-1972.","The Bryant West Indies Collection was moved in 1972 from the Central Florida Museum to the library of Florida Technological University, now the University of Central Florida. Bryant thought it was important to keep the collection in Florida where he felt it would be better valued due to the close proximity to the West Indies. Part of the Bryant West Indies Collection is displayed annually.","Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger.","This collection is related to the William L. Bryant Collection, including audio, slides and parliamentary acts, as well as The Legacy of the Spirit Virtual Exhibit available on the Special Collections website. The Bryant collection of Spanish works can be found at Dartmouth College, where they are housed in the Baker Library. The papers of the William L. Bryant Foundation and the papers of William Junior Bryant and Bryant Family are housed in the Rauner Special Collection Library, also at Dartmouth College.","The Bryant West Indies Ephemera Collection is apart of the larger William L. Bryant West Indies Collection and includes tourism brochures, pamphlets, booklets and newspaper clippings from the islands and nations of the Caribbean and South America.","Series I: Greater Antilles, 1901-1968 contains materials related to the islands in the Western portion of the Caribbean. Islands included in this series are Cuba, the Dominican Republic, Haiti, Jamaica and Puerto Rico.","Series II: Lesser Antilles, 1682-1957, consists of materials related to the islands in the Eastern portion of the Caribbean. Islands included in this series are the Windward Islands, including Barbados, Saint Lucia and Trinadad and Tobago, as well as Dominica.","Series III: Maps, 1965-1980, includes oversize maps of the West Indies, South America, and North America. Some of the maps are reproductions of the originals.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam.","UCF Special Collections","Bryant, William L.","English"],"unitid_tesim":["SC.005","/repositories/4/resources/103"],"normalized_date_ssm":["1682-1968"],"normalized_title_ssm":["Bryant West Indies Ephemera Collection, 1682-1968"],"collection_title_tesim":["Bryant West Indies Ephemera Collection, 1682-1968"],"collection_ssim":["Bryant West Indies Ephemera Collection, 1682-1968"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)"],"geogname_ssim":["Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)"],"places_ssim":["Antilles, Greater","Antilles, Lesser","Cuba","Dominican Republic","Haiti","Jamaica","Trinidad and Tobago","West Indies","Windward Islands (West Indies)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["William L. Bryant. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1973 (CFM1973_01)."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 Box, 1 Flat File"],"extent_tesim":["0.5 Linear Feet 1 Box, 1 Flat File"],"date_range_isim":[1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged according to geographic area. It was divided into three main areas, the Greater Antilles, the Lesser Antilles and the maps of the islands.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection was arranged according to geographic area. It was divided into three main areas, the Greater Antilles, the Lesser Antilles and the maps of the islands."],"bioghist_html_tesm":["\u003cp\u003eWilliam Junior Bryant, or June, as he preferred to be called, was born May 4, 1904 in Springfield Vermont. He attended Springfield High School, Phillips Exeter Academy, and graduated from Dartmouth College in 1925. Bryant worked for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant, from 1928 to 1946, becoming president in 1946. He started the William L. Bryant Foundation in 1950, named for his father, to begin excavations in Florida, Spain and the Caribbean. The Foundation helped Bryant to pursue his interest in archeology which fueled his passion for collecting works of art, cultural and ethnic items and books.\u003c/p\u003e\n","\u003cp\u003eJune Bryant divided the year between properties in Woodstock, VT from May until November, and the warmer climate of Tangerine, FL from November until May, each year, after retiring from the Bryant Chucking Grinding Co. in 1960. It was in this time that Bryant was able to dedicate more time to his other pursuits. Over the years he had started collecting works of art from areas in Spain, Florida and the Caribbean. These Florida and Caribbean works were collected over a period of twenty years.\u003c/p\u003e\n","\u003cp\u003eBryant purchased some of the collection himself, through catalogues and an art dealer in New York, but a considerable amount of the purchasing was done by Eleanor Sleight. She was the director of the Central Florida Museum in the late 1960s and later became the representative of the William L. Bryant Foundation. A large part of the collection was gathered in the trips Sleight took to the islands from 1969-1972.\u003c/p\u003e\n","\u003cp\u003eThe Bryant West Indies Collection was moved in 1972 from the Central Florida Museum to the library of Florida Technological University, now the University of Central Florida. Bryant thought it was important to keep the collection in Florida where he felt it would be better valued due to the close proximity to the West Indies. Part of the Bryant West Indies Collection is displayed annually.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["William Junior Bryant, or June, as he preferred to be called, was born May 4, 1904 in Springfield Vermont. He attended Springfield High School, Phillips Exeter Academy, and graduated from Dartmouth College in 1925. Bryant worked for Bryant Chucking Grinding Co., a machine tool company founded by his father, William Leroy Bryant, from 1928 to 1946, becoming president in 1946. He started the William L. Bryant Foundation in 1950, named for his father, to begin excavations in Florida, Spain and the Caribbean. The Foundation helped Bryant to pursue his interest in archeology which fueled his passion for collecting works of art, cultural and ethnic items and books.","June Bryant divided the year between properties in Woodstock, VT from May until November, and the warmer climate of Tangerine, FL from November until May, each year, after retiring from the Bryant Chucking Grinding Co. in 1960. It was in this time that Bryant was able to dedicate more time to his other pursuits. Over the years he had started collecting works of art from areas in Spain, Florida and the Caribbean. These Florida and Caribbean works were collected over a period of twenty years.","Bryant purchased some of the collection himself, through catalogues and an art dealer in New York, but a considerable amount of the purchasing was done by Eleanor Sleight. She was the director of the Central Florida Museum in the late 1960s and later became the representative of the William L. Bryant Foundation. A large part of the collection was gathered in the trips Sleight took to the islands from 1969-1972.","The Bryant West Indies Collection was moved in 1972 from the Central Florida Museum to the library of Florida Technological University, now the University of Central Florida. Bryant thought it was important to keep the collection in Florida where he felt it would be better valued due to the close proximity to the West Indies. Part of the Bryant West Indies Collection is displayed annually."],"prefercite_html_tesm":["\u003cp\u003eBryant West indies Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bryant West indies Ephemera Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Jessica Achberger; finding aid prepared by Jessica Achberger.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Jessica Achberger; finding aid prepared by Jessica Achberger."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is related to the William L. Bryant Collection, including audio, slides and parliamentary acts, as well as The Legacy of the Spirit Virtual Exhibit available on the Special Collections website. The Bryant collection of Spanish works can be found at Dartmouth College, where they are housed in the Baker Library. The papers of the William L. Bryant Foundation and the papers of William Junior Bryant and Bryant Family are housed in the Rauner Special Collection Library, also at Dartmouth College.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is related to the William L. Bryant Collection, including audio, slides and parliamentary acts, as well as The Legacy of the Spirit Virtual Exhibit available on the Special Collections website. The Bryant collection of Spanish works can be found at Dartmouth College, where they are housed in the Baker Library. The papers of the William L. Bryant Foundation and the papers of William Junior Bryant and Bryant Family are housed in the Rauner Special Collection Library, also at Dartmouth College."],"scopecontent_html_tesm":["\u003cp\u003eThe Bryant West Indies Ephemera Collection is apart of the larger William L. Bryant West Indies Collection and includes tourism brochures, pamphlets, booklets and newspaper clippings from the islands and nations of the Caribbean and South America.\u003c/p\u003e\n","\u003cp\u003eSeries I: Greater Antilles, 1901-1968 contains materials related to the islands in the Western portion of the Caribbean. Islands included in this series are Cuba, the Dominican Republic, Haiti, Jamaica and Puerto Rico.\u003c/p\u003e\n","\u003cp\u003eSeries II: Lesser Antilles, 1682-1957, consists of materials related to the islands in the Eastern portion of the Caribbean. Islands included in this series are the Windward Islands, including Barbados, Saint Lucia and Trinadad and Tobago, as well as Dominica.\u003c/p\u003e\n","\u003cp\u003eSeries III: Maps, 1965-1980, includes oversize maps of the West Indies, South America, and North America. Some of the maps are reproductions of the originals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Bryant West Indies Ephemera Collection is apart of the larger William L. Bryant West Indies Collection and includes tourism brochures, pamphlets, booklets and newspaper clippings from the islands and nations of the Caribbean and South America.","Series I: Greater Antilles, 1901-1968 contains materials related to the islands in the Western portion of the Caribbean. Islands included in this series are Cuba, the Dominican Republic, Haiti, Jamaica and Puerto Rico.","Series II: Lesser Antilles, 1682-1957, consists of materials related to the islands in the Eastern portion of the Caribbean. Islands included in this series are the Windward Islands, including Barbados, Saint Lucia and Trinadad and Tobago, as well as Dominica.","Series III: Maps, 1965-1980, includes oversize maps of the West Indies, South America, and North America. Some of the maps are reproductions of the originals."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_96c28917cd01a938a16dc322adbe4578\" label=\"Abstract\"\u003eThis collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam.\u003c/abstract\u003e"],"abstract_tesim":["This collection of tourism brochures, pamphlets, maps and newspaper clippings documents the islands of the West Indies. The collection encompasses the Greater and Lesser Antilles, as well as the islands and nations of South America, and includes Cuba, Jamaica, Trinidad and Tobago and Surinam."],"names_ssim":["UCF Special Collections","Bryant, William L."],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Bryant, William L."],"persname_ssim":["Bryant, William L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857640910782464,"_root_":"a45d947c9de6cc8505dce499","timestamp":"2026-07-16T08:01:21.789Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a45d947c9de6cc8505dce499"}},{"id":"37312f5866336a19375b2369","type":"collection","attributes":{"title":"Carlos Ripoll Collection, 1939-2002","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/37312f5866336a19375b2369#creator","type":"document_value","attributes":{"value":["Ripoll, Carlos"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/37312f5866336a19375b2369#abstract_or_scope","type":"document_value","attributes":{"value":["The Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of José Martí and other Cuban personalities."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/37312f5866336a19375b2369#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"37312f5866336a19375b2369","title_ssm":["Carlos Ripoll Collection"],"title_tesim":["Carlos Ripoll Collection"],"ead_ssi":"37312f5866336a19375b2369","unitdate_ssm":["1939-2002"],"unitdate_other_ssim":["1939-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7025","/repositories/2/resources/93"],"text":["SPC7025","/repositories/2/resources/93","Carlos Ripoll Collection, 1939-2002","Cuba","Authors, Cuban -- 19th century -- Biography","Cuba -- Foreign relations -- United States.","Cuba -- History -- 1810-1899","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","  Cuba -- History -- Insurrection, 1868-1878","Cuba -- History -- Revolution, 1895-1898 -- Press coverage -- United States","            Cuba -- Intellectual life -- 20th century","Emblems, National -- Cuba -- History","Freedom of information -- Cuba","Freedom of speech -- Cuba","Martí, José -- 1853-1895 -- Crítica e interpretación","Martí, José -- 1853-1895 -- Criticism and interpretation","Martí, José -- 1853-1895 -- Exile -- New York (State) -- New York","Martí, José -- 1853-1895 -- Family","Martí, José -- 1853-1895 -- In mass media","Martí, José -- 1853-1895 -- Political and social views","Martí, José -- 1853-1895 -- Psychology","Lincoln, Abraham -- 1809-1865 -- Political and social views","New York (N.Y.) -- Intellectual life -- 19th century","Political refugees -- Political activity -- New York (State) -- New York","Spain -- Politics and government -- 1868-1875","United States -- Foreign relations -- Cuba","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","This collection is arranged into two series.","Carlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on José Martí, a legendary Cuban figure and important Latin American writer.","Carlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.","Ripoll devoted his life to studying and writing about Martí. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.","Carlos Ripoll died in Miami in 2011.","Note written by Annia Gonzalez","The Carlos Ripoll Collection consists of material relating to José Martí, which was accumulated by Mr. Ripoll in the course of his research on the life and work of José Martí.  Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers.","The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of José Martí and other Cuban personalities.","FIU Special Collections","Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895","English Spanish; Castilian"],"unitid_tesim":["SPC7025","/repositories/2/resources/93"],"normalized_date_ssm":["1939-2002"],"normalized_title_ssm":["Carlos Ripoll Collection, 1939-2002"],"collection_title_tesim":["Carlos Ripoll Collection, 1939-2002"],"collection_ssim":["Carlos Ripoll Collection, 1939-2002"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Ripoll, Carlos"],"creator_ssim":["Ripoll, Carlos"],"creator_persname_ssim":["Ripoll, Carlos"],"creators_ssim":["Ripoll, Carlos"],"places_ssim":["Cuba"],"access_terms_ssm":["The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. 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Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into two series."],"bioghist_html_tesm":["\u003cp\u003eCarlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on Jos\u0026#xE9; Mart\u0026#xED;, a legendary Cuban figure and important Latin American writer.\u003c/p\u003e\n","\u003cp\u003eCarlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.\u003c/p\u003e\n","\u003cp\u003eRipoll devoted his life to studying and writing about Mart\u0026#xED;. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.\u003c/p\u003e\n","\u003cp\u003eCarlos Ripoll died in Miami in 2011.\u003c/p\u003e\n","\u003cp\u003eNote written by Annia Gonzalez\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on José Martí, a legendary Cuban figure and important Latin American writer.","Carlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.","Ripoll devoted his life to studying and writing about Martí. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.","Carlos Ripoll died in Miami in 2011.","Note written by Annia Gonzalez"],"scopecontent_html_tesm":["\u003cp\u003eThe Carlos Ripoll Collection consists of material relating to Jos\u0026#xE9; Mart\u0026#xED;, which was accumulated by Mr. Ripoll in the course of his research on the life and work of Jos\u0026#xE9; Mart\u0026#xED;.\u0026#xA0; Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carlos Ripoll Collection consists of material relating to José Martí, which was accumulated by Mr. Ripoll in the course of his research on the life and work of José Martí.  Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers."],"userestrict_html_tesm":["\u003cp\u003eThe Carlos Ripoll Collection is owned by Florida International University.\u0026#xA0; This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8328ead2bfc2bb419daa7d87d1161d\" label=\"Abstract\"\u003eThe Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of Jos\u0026#xE9; Mart\u0026#xED; and other Cuban personalities.\u003c/abstract\u003e"],"abstract_tesim":["The Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of José Martí and other Cuban personalities."],"names_ssim":["FIU Special Collections","Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"persname_ssim":["Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":436,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"37312f5866336a19375b2369","timestamp":"2026-07-10T02:36:25.172Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"37312f5866336a19375b2369","title_ssm":["Carlos Ripoll Collection"],"title_tesim":["Carlos Ripoll Collection"],"ead_ssi":"37312f5866336a19375b2369","unitdate_ssm":["1939-2002"],"unitdate_other_ssim":["1939-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7025","/repositories/2/resources/93"],"text":["SPC7025","/repositories/2/resources/93","Carlos Ripoll Collection, 1939-2002","Cuba","Authors, Cuban -- 19th century -- Biography","Cuba -- Foreign relations -- United States.","Cuba -- History -- 1810-1899","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","  Cuba -- History -- Insurrection, 1868-1878","Cuba -- History -- Revolution, 1895-1898 -- Press coverage -- United States","            Cuba -- Intellectual life -- 20th century","Emblems, National -- Cuba -- History","Freedom of information -- Cuba","Freedom of speech -- Cuba","Martí, José -- 1853-1895 -- Crítica e interpretación","Martí, José -- 1853-1895 -- Criticism and interpretation","Martí, José -- 1853-1895 -- Exile -- New York (State) -- New York","Martí, José -- 1853-1895 -- Family","Martí, José -- 1853-1895 -- In mass media","Martí, José -- 1853-1895 -- Political and social views","Martí, José -- 1853-1895 -- Psychology","Lincoln, Abraham -- 1809-1865 -- Political and social views","New York (N.Y.) -- Intellectual life -- 19th century","Political refugees -- Political activity -- New York (State) -- New York","Spain -- Politics and government -- 1868-1875","United States -- Foreign relations -- Cuba","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","This collection is arranged into two series.","Carlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on José Martí, a legendary Cuban figure and important Latin American writer.","Carlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.","Ripoll devoted his life to studying and writing about Martí. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.","Carlos Ripoll died in Miami in 2011.","Note written by Annia Gonzalez","The Carlos Ripoll Collection consists of material relating to José Martí, which was accumulated by Mr. Ripoll in the course of his research on the life and work of José Martí.  Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers.","The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of José Martí and other Cuban personalities.","FIU Special Collections","Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895","English Spanish; Castilian"],"unitid_tesim":["SPC7025","/repositories/2/resources/93"],"normalized_date_ssm":["1939-2002"],"normalized_title_ssm":["Carlos Ripoll Collection, 1939-2002"],"collection_title_tesim":["Carlos Ripoll Collection, 1939-2002"],"collection_ssim":["Carlos Ripoll Collection, 1939-2002"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Ripoll, Carlos"],"creator_ssim":["Ripoll, Carlos"],"creator_persname_ssim":["Ripoll, Carlos"],"creators_ssim":["Ripoll, Carlos"],"places_ssim":["Cuba"],"access_terms_ssm":["The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["Donated by Carlos Ripoll."],"access_subjects_ssim":["Authors, Cuban -- 19th century -- Biography","Cuba -- Foreign relations -- United States.","Cuba -- History -- 1810-1899","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","  Cuba -- History -- Insurrection, 1868-1878","Cuba -- History -- Revolution, 1895-1898 -- Press coverage -- United States","            Cuba -- Intellectual life -- 20th century","Emblems, National -- Cuba -- History","Freedom of information -- Cuba","Freedom of speech -- Cuba","Martí, José -- 1853-1895 -- Crítica e interpretación","Martí, José -- 1853-1895 -- Criticism and interpretation","Martí, José -- 1853-1895 -- Exile -- New York (State) -- New York","Martí, José -- 1853-1895 -- Family","Martí, José -- 1853-1895 -- In mass media","Martí, José -- 1853-1895 -- Political and social views","Martí, José -- 1853-1895 -- Psychology","Lincoln, Abraham -- 1809-1865 -- Political and social views","New York (N.Y.) -- Intellectual life -- 19th century","Political refugees -- Political activity -- New York (State) -- New York","Spain -- Politics and government -- 1868-1875","United States -- Foreign relations -- Cuba"],"access_subjects_ssm":["Authors, Cuban -- 19th century -- Biography","Cuba -- Foreign relations -- United States.","Cuba -- History -- 1810-1899","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","  Cuba -- History -- Insurrection, 1868-1878","Cuba -- History -- Revolution, 1895-1898 -- Press coverage -- United States","            Cuba -- Intellectual life -- 20th century","Emblems, National -- Cuba -- History","Freedom of information -- Cuba","Freedom of speech -- Cuba","Martí, José -- 1853-1895 -- Crítica e interpretación","Martí, José -- 1853-1895 -- Criticism and interpretation","Martí, José -- 1853-1895 -- Exile -- New York (State) -- New York","Martí, José -- 1853-1895 -- Family","Martí, José -- 1853-1895 -- In mass media","Martí, José -- 1853-1895 -- Political and social views","Martí, José -- 1853-1895 -- Psychology","Lincoln, Abraham -- 1809-1865 -- Political and social views","New York (N.Y.) -- Intellectual life -- 19th century","Political refugees -- Political activity -- New York (State) -- New York","Spain -- Politics and government -- 1868-1875","United States -- Foreign relations -- Cuba"],"has_online_content_ssim":["false"],"extent_ssm":["29.00 boxes"],"extent_tesim":["29.00 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into two series."],"bioghist_html_tesm":["\u003cp\u003eCarlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on Jos\u0026#xE9; Mart\u0026#xED;, a legendary Cuban figure and important Latin American writer.\u003c/p\u003e\n","\u003cp\u003eCarlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.\u003c/p\u003e\n","\u003cp\u003eRipoll devoted his life to studying and writing about Mart\u0026#xED;. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.\u003c/p\u003e\n","\u003cp\u003eCarlos Ripoll died in Miami in 2011.\u003c/p\u003e\n","\u003cp\u003eNote written by Annia Gonzalez\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on José Martí, a legendary Cuban figure and important Latin American writer.","Carlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.","Ripoll devoted his life to studying and writing about Martí. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.","Carlos Ripoll died in Miami in 2011.","Note written by Annia Gonzalez"],"scopecontent_html_tesm":["\u003cp\u003eThe Carlos Ripoll Collection consists of material relating to Jos\u0026#xE9; Mart\u0026#xED;, which was accumulated by Mr. Ripoll in the course of his research on the life and work of Jos\u0026#xE9; Mart\u0026#xED;.\u0026#xA0; Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carlos Ripoll Collection consists of material relating to José Martí, which was accumulated by Mr. Ripoll in the course of his research on the life and work of José Martí.  Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers."],"userestrict_html_tesm":["\u003cp\u003eThe Carlos Ripoll Collection is owned by Florida International University.\u0026#xA0; This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8328ead2bfc2bb419daa7d87d1161d\" label=\"Abstract\"\u003eThe Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of Jos\u0026#xE9; Mart\u0026#xED; and other Cuban personalities.\u003c/abstract\u003e"],"abstract_tesim":["The Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of José Martí and other Cuban personalities."],"names_ssim":["FIU Special Collections","Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"persname_ssim":["Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":436,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"37312f5866336a19375b2369","timestamp":"2026-07-10T02:36:25.172Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/37312f5866336a19375b2369"}},{"id":"df5f33ab57ee6e767c26a104","type":"collection","attributes":{"title":"Cienfuegos Collection, 1819-1991","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"df5f33ab57ee6e767c26a104","title_ssm":["Cienfuegos Collection"],"title_tesim":["Cienfuegos Collection"],"ead_ssi":"df5f33ab57ee6e767c26a104","unitdate_ssm":["1819-1991"],"unitdate_inclusive_ssm":["1819-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9010","/repositories/2/resources/115"],"text":["SPC9010","/repositories/2/resources/115","Cienfuegos Collection, 1819-1991","Cuba","postcards","Newspaper","Maps","Magazine","Photographs","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.","The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.","The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9010","/repositories/2/resources/115"],"normalized_date_ssm":["1819-1991"],"normalized_title_ssm":["Cienfuegos Collection, 1819-1991"],"collection_title_tesim":["Cienfuegos Collection, 1819-1991"],"collection_ssim":["Cienfuegos Collection, 1819-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were acquired through a private donor."],"access_subjects_ssim":["postcards","Newspaper","Maps","Magazine","Photographs"],"access_subjects_ssm":["postcards","Newspaper","Maps","Magazine","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 3 archival storage cartons"],"extent_tesim":["3 boxes 3 archival storage cartons"],"dimensions_tesim":["3.25 linear feet"],"genreform_ssim":["Newspaper","Maps","Magazine","Photographs"],"date_range_isim":[1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eCienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards."],"userestrict_html_tesm":["\u003cp\u003eThe Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844445591601152,"_root_":"df5f33ab57ee6e767c26a104","timestamp":"2026-07-16T04:31:37.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"df5f33ab57ee6e767c26a104","title_ssm":["Cienfuegos Collection"],"title_tesim":["Cienfuegos Collection"],"ead_ssi":"df5f33ab57ee6e767c26a104","unitdate_ssm":["1819-1991"],"unitdate_inclusive_ssm":["1819-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9010","/repositories/2/resources/115"],"text":["SPC9010","/repositories/2/resources/115","Cienfuegos Collection, 1819-1991","Cuba","postcards","Newspaper","Maps","Magazine","Photographs","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.","The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.","The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9010","/repositories/2/resources/115"],"normalized_date_ssm":["1819-1991"],"normalized_title_ssm":["Cienfuegos Collection, 1819-1991"],"collection_title_tesim":["Cienfuegos Collection, 1819-1991"],"collection_ssim":["Cienfuegos Collection, 1819-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were acquired through a private donor."],"access_subjects_ssim":["postcards","Newspaper","Maps","Magazine","Photographs"],"access_subjects_ssm":["postcards","Newspaper","Maps","Magazine","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 3 archival storage cartons"],"extent_tesim":["3 boxes 3 archival storage cartons"],"dimensions_tesim":["3.25 linear feet"],"genreform_ssim":["Newspaper","Maps","Magazine","Photographs"],"date_range_isim":[1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eCienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards."],"userestrict_html_tesm":["\u003cp\u003eThe Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844445591601152,"_root_":"df5f33ab57ee6e767c26a104","timestamp":"2026-07-16T04:31:37.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104"}},{"id":"88d3b99b89bbf1c44cf508d9","type":"collection","attributes":{"title":"Colección de Postales para Album Cuba en 1925","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/88d3b99b89bbf1c44cf508d9#abstract_or_scope","type":"document_value","attributes":{"value":["Photographic collectible prints of all the sights in Havana, Cuba in the year 1925."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/88d3b99b89bbf1c44cf508d9#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"88d3b99b89bbf1c44cf508d9","title_ssm":["Colección de Postales para Album Cuba en 1925"],"title_tesim":["Colección de Postales para Album Cuba en 1925"],"ead_ssi":"88d3b99b89bbf1c44cf508d9","unitdate_ssm":[""],"unitdate_other_ssim":[""],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6070","/repositories/2/resources/128"],"text":["SPC6070","/repositories/2/resources/128","Colección de Postales para Album Cuba en 1925","La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles","Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography","The collection is open for research.","The \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026 Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026 Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026 Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  ","The photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of  Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba.   ","Despite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history. ","\nLa serie \"Cuba en 1925\" es un recordatorio histórico del tejido cultural e histórico de la capital de Cuba, La Habana. Esta colección consta de un total de 265 impresiones fotográficas de las 1,670 originales, y está organizada numéricamente según el número que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitectónica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compañía de cigarros Henry Clay y Bock \u0026 Co., Ltd., esta serie es una herramienta visual de marketing y un registro histórico que ofrece una instantánea de la sociedad cubana a principios del siglo XX. Durante la década de 1920, Henry Clay y Bock \u0026 Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colección fue diseñada para ser un artículo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotografía de un sitio conocido y la leyenda \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026 Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas están organizadas por un sistema numérico, lo que facilita a los coleccionistas su compra y construcción de una colección para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.","Las impresiones fotográficas están organizadas geográficamente, dedicándose a muchos sitios históricos, iglesias, edificios administrativos, parques públicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, fábricas, embajadas y más. El propósito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus diseños arquitectónicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposición con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.","A pesar de su importancia histórica para el país, muy pocos de los originales fotográficos han sobrevivido hasta el día de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez más raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al público una idea de cómo era Cuba durante sus años dorados, especialmente en cuanto al turismo global. La serie fotográfica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colección de imágenes, sino que también muestra el espíritu y la diversidad de Cuba en 1925, capturada para siempre, dándonos un vistazo a los sitios y paisajes que dieron forma al país y las historias que se encuentran dentro de estas impresiones históricas.","Cuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0","The Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026 Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. ","\nLa colección \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visión del paisaje arquitectónico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colección comienza con la impresión 25, y hay algunas que faltan de la colección de un total de 1,670.) Estas impresiones fotográficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques públicos, cementerios y sitios históricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones están etiquetadas numéricamente y geográficamente, fabricadas por Henry Clay y Bock \u0026 Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los años dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colección se ofrecen un total de 265 impresiones en exhibición, brindando a los investigadores la oportunidad de ver estas fotografías y ofrecer una ventana a La Habana, Cuba, en 1925.","Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws","Photographic collectible prints of all the sights in Havana, Cuba in the year 1925.","FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Spanish; Castilian"],"unitid_tesim":["SPC6070","/repositories/2/resources/128"],"normalized_title_ssm":["Colección de Postales para Album Cuba en 1925"],"collection_title_tesim":["Colección de Postales para Album Cuba en 1925"],"collection_ssim":["Colección de Postales para Album Cuba en 1925"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles"],"geogname_ssim":["La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles"],"places_ssim":["La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles"],"access_terms_ssm":["Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws"],"access_subjects_ssim":["Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"access_subjects_ssm":["Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"genreform_ssim":["Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"date_range_isim":[1925],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026amp; Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026amp; Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el \u0026#xC1;lbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026amp; Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  \u003c/p\u003e\n","\u003cp\u003eThe photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of \u0026#xA0;Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba. \u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eDespite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\nLa serie \"Cuba en 1925\" es un recordatorio hist\u0026#xF3;rico del tejido cultural e hist\u0026#xF3;rico de la capital de Cuba, La Habana. Esta colecci\u0026#xF3;n consta de un total de 265 impresiones fotogr\u0026#xE1;ficas de las 1,670 originales, y est\u0026#xE1; organizada num\u0026#xE9;ricamente seg\u0026#xFA;n el n\u0026#xFA;mero que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitect\u0026#xF3;nica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compa\u0026#xF1;\u0026#xED;a de cigarros Henry Clay y Bock \u0026amp; Co., Ltd., esta serie es una herramienta visual de marketing y un registro hist\u0026#xF3;rico que ofrece una instant\u0026#xE1;nea de la sociedad cubana a principios del siglo XX. Durante la d\u0026#xE9;cada de 1920, Henry Clay y Bock \u0026amp; Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colecci\u0026#xF3;n fue dise\u0026#xF1;ada para ser un art\u0026#xED;culo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotograf\u0026#xED;a de un sitio conocido y la leyenda \"Postal para el \u0026#xC1;lbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026amp; Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas est\u0026#xE1;n organizadas por un sistema num\u0026#xE9;rico, lo que facilita a los coleccionistas su compra y construcci\u0026#xF3;n de una colecci\u0026#xF3;n para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.\u003c/p\u003e\n","\u003cp\u003eLas impresiones fotogr\u0026#xE1;ficas est\u0026#xE1;n organizadas geogr\u0026#xE1;ficamente, dedic\u0026#xE1;ndose a muchos sitios hist\u0026#xF3;ricos, iglesias, edificios administrativos, parques p\u0026#xFA;blicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, f\u0026#xE1;bricas, embajadas y m\u0026#xE1;s. El prop\u0026#xF3;sito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus dise\u0026#xF1;os arquitect\u0026#xF3;nicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposici\u0026#xF3;n con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.\u003c/p\u003e\n","\u003cp\u003eA pesar de su importancia hist\u0026#xF3;rica para el pa\u0026#xED;s, muy pocos de los originales fotogr\u0026#xE1;ficos han sobrevivido hasta el d\u0026#xED;a de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez m\u0026#xE1;s raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al p\u0026#xFA;blico una idea de c\u0026#xF3;mo era Cuba durante sus a\u0026#xF1;os dorados, especialmente en cuanto al turismo global. La serie fotogr\u0026#xE1;fica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colecci\u0026#xF3;n de im\u0026#xE1;genes, sino que tambi\u0026#xE9;n muestra el esp\u0026#xED;ritu y la diversidad de Cuba en 1925, capturada para siempre, d\u0026#xE1;ndonos un vistazo a los sitios y paisajes que dieron forma al pa\u0026#xED;s y las historias que se encuentran dentro de estas impresiones hist\u0026#xF3;ricas.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026 Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026 Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026 Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  ","The photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of  Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba.   ","Despite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history. ","\nLa serie \"Cuba en 1925\" es un recordatorio histórico del tejido cultural e histórico de la capital de Cuba, La Habana. Esta colección consta de un total de 265 impresiones fotográficas de las 1,670 originales, y está organizada numéricamente según el número que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitectónica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compañía de cigarros Henry Clay y Bock \u0026 Co., Ltd., esta serie es una herramienta visual de marketing y un registro histórico que ofrece una instantánea de la sociedad cubana a principios del siglo XX. Durante la década de 1920, Henry Clay y Bock \u0026 Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colección fue diseñada para ser un artículo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotografía de un sitio conocido y la leyenda \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026 Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas están organizadas por un sistema numérico, lo que facilita a los coleccionistas su compra y construcción de una colección para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.","Las impresiones fotográficas están organizadas geográficamente, dedicándose a muchos sitios históricos, iglesias, edificios administrativos, parques públicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, fábricas, embajadas y más. El propósito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus diseños arquitectónicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposición con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.","A pesar de su importancia histórica para el país, muy pocos de los originales fotográficos han sobrevivido hasta el día de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez más raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al público una idea de cómo era Cuba durante sus años dorados, especialmente en cuanto al turismo global. La serie fotográfica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colección de imágenes, sino que también muestra el espíritu y la diversidad de Cuba en 1925, capturada para siempre, dándonos un vistazo a los sitios y paisajes que dieron forma al país y las historias que se encuentran dentro de estas impresiones históricas."],"relatedmaterial_html_tesm":["\u003cp\u003eCuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Cuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026amp; Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. \u003c/p\u003e\n","\u003cp\u003e\nLa colecci\u0026#xF3;n \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visi\u0026#xF3;n del paisaje arquitect\u0026#xF3;nico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colecci\u0026#xF3;n comienza con la impresi\u0026#xF3;n 25, y hay algunas que faltan de la colecci\u0026#xF3;n de un total de 1,670.) Estas impresiones fotogr\u0026#xE1;ficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques p\u0026#xFA;blicos, cementerios y sitios hist\u0026#xF3;ricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones est\u0026#xE1;n etiquetadas num\u0026#xE9;ricamente y geogr\u0026#xE1;ficamente, fabricadas por Henry Clay y Bock \u0026amp; Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los a\u0026#xF1;os dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colecci\u0026#xF3;n se ofrecen un total de 265 impresiones en exhibici\u0026#xF3;n, brindando a los investigadores la oportunidad de ver estas fotograf\u0026#xED;as y ofrecer una ventana a La Habana, Cuba, en 1925.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026 Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. ","\nLa colección \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visión del paisaje arquitectónico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colección comienza con la impresión 25, y hay algunas que faltan de la colección de un total de 1,670.) Estas impresiones fotográficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques públicos, cementerios y sitios históricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones están etiquetadas numéricamente y geográficamente, fabricadas por Henry Clay y Bock \u0026 Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los años dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colección se ofrecen un total de 265 impresiones en exhibición, brindando a los investigadores la oportunidad de ver estas fotografías y ofrecer una ventana a La Habana, Cuba, en 1925."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws"],"abstract_html_tesm":["\u003cabstract id=\"aspace_875c348bfe0ad7bab4f0e1ffb279cd3b\"\u003ePhotographic collectible prints of all the sights in Havana, Cuba in the year 1925.\u003c/abstract\u003e"],"abstract_tesim":["Photographic collectible prints of all the sights in Havana, Cuba in the year 1925."],"names_ssim":["FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"corpname_ssim":["FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":265,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485974360064,"_root_":"88d3b99b89bbf1c44cf508d9","timestamp":"2026-07-16T04:32:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"88d3b99b89bbf1c44cf508d9","title_ssm":["Colección de Postales para Album Cuba en 1925"],"title_tesim":["Colección de Postales para Album Cuba en 1925"],"ead_ssi":"88d3b99b89bbf1c44cf508d9","unitdate_ssm":[""],"unitdate_other_ssim":[""],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6070","/repositories/2/resources/128"],"text":["SPC6070","/repositories/2/resources/128","Colección de Postales para Album Cuba en 1925","La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles","Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography","The collection is open for research.","The \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026 Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026 Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026 Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  ","The photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of  Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba.   ","Despite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history. ","\nLa serie \"Cuba en 1925\" es un recordatorio histórico del tejido cultural e histórico de la capital de Cuba, La Habana. Esta colección consta de un total de 265 impresiones fotográficas de las 1,670 originales, y está organizada numéricamente según el número que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitectónica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compañía de cigarros Henry Clay y Bock \u0026 Co., Ltd., esta serie es una herramienta visual de marketing y un registro histórico que ofrece una instantánea de la sociedad cubana a principios del siglo XX. Durante la década de 1920, Henry Clay y Bock \u0026 Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colección fue diseñada para ser un artículo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotografía de un sitio conocido y la leyenda \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026 Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas están organizadas por un sistema numérico, lo que facilita a los coleccionistas su compra y construcción de una colección para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.","Las impresiones fotográficas están organizadas geográficamente, dedicándose a muchos sitios históricos, iglesias, edificios administrativos, parques públicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, fábricas, embajadas y más. El propósito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus diseños arquitectónicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposición con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.","A pesar de su importancia histórica para el país, muy pocos de los originales fotográficos han sobrevivido hasta el día de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez más raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al público una idea de cómo era Cuba durante sus años dorados, especialmente en cuanto al turismo global. La serie fotográfica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colección de imágenes, sino que también muestra el espíritu y la diversidad de Cuba en 1925, capturada para siempre, dándonos un vistazo a los sitios y paisajes que dieron forma al país y las historias que se encuentran dentro de estas impresiones históricas.","Cuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0","The Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026 Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. ","\nLa colección \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visión del paisaje arquitectónico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colección comienza con la impresión 25, y hay algunas que faltan de la colección de un total de 1,670.) Estas impresiones fotográficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques públicos, cementerios y sitios históricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones están etiquetadas numéricamente y geográficamente, fabricadas por Henry Clay y Bock \u0026 Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los años dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colección se ofrecen un total de 265 impresiones en exhibición, brindando a los investigadores la oportunidad de ver estas fotografías y ofrecer una ventana a La Habana, Cuba, en 1925.","Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws","Photographic collectible prints of all the sights in Havana, Cuba in the year 1925.","FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Spanish; Castilian"],"unitid_tesim":["SPC6070","/repositories/2/resources/128"],"normalized_title_ssm":["Colección de Postales para Album Cuba en 1925"],"collection_title_tesim":["Colección de Postales para Album Cuba en 1925"],"collection_ssim":["Colección de Postales para Album Cuba en 1925"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles"],"geogname_ssim":["La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles"],"places_ssim":["La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles"],"access_terms_ssm":["Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws"],"access_subjects_ssim":["Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"access_subjects_ssm":["Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"genreform_ssim":["Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"date_range_isim":[1925],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026amp; Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026amp; Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el \u0026#xC1;lbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026amp; Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  \u003c/p\u003e\n","\u003cp\u003eThe photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of \u0026#xA0;Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba. \u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eDespite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\nLa serie \"Cuba en 1925\" es un recordatorio hist\u0026#xF3;rico del tejido cultural e hist\u0026#xF3;rico de la capital de Cuba, La Habana. Esta colecci\u0026#xF3;n consta de un total de 265 impresiones fotogr\u0026#xE1;ficas de las 1,670 originales, y est\u0026#xE1; organizada num\u0026#xE9;ricamente seg\u0026#xFA;n el n\u0026#xFA;mero que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitect\u0026#xF3;nica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compa\u0026#xF1;\u0026#xED;a de cigarros Henry Clay y Bock \u0026amp; Co., Ltd., esta serie es una herramienta visual de marketing y un registro hist\u0026#xF3;rico que ofrece una instant\u0026#xE1;nea de la sociedad cubana a principios del siglo XX. Durante la d\u0026#xE9;cada de 1920, Henry Clay y Bock \u0026amp; Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colecci\u0026#xF3;n fue dise\u0026#xF1;ada para ser un art\u0026#xED;culo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotograf\u0026#xED;a de un sitio conocido y la leyenda \"Postal para el \u0026#xC1;lbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026amp; Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas est\u0026#xE1;n organizadas por un sistema num\u0026#xE9;rico, lo que facilita a los coleccionistas su compra y construcci\u0026#xF3;n de una colecci\u0026#xF3;n para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.\u003c/p\u003e\n","\u003cp\u003eLas impresiones fotogr\u0026#xE1;ficas est\u0026#xE1;n organizadas geogr\u0026#xE1;ficamente, dedic\u0026#xE1;ndose a muchos sitios hist\u0026#xF3;ricos, iglesias, edificios administrativos, parques p\u0026#xFA;blicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, f\u0026#xE1;bricas, embajadas y m\u0026#xE1;s. El prop\u0026#xF3;sito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus dise\u0026#xF1;os arquitect\u0026#xF3;nicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposici\u0026#xF3;n con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.\u003c/p\u003e\n","\u003cp\u003eA pesar de su importancia hist\u0026#xF3;rica para el pa\u0026#xED;s, muy pocos de los originales fotogr\u0026#xE1;ficos han sobrevivido hasta el d\u0026#xED;a de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez m\u0026#xE1;s raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al p\u0026#xFA;blico una idea de c\u0026#xF3;mo era Cuba durante sus a\u0026#xF1;os dorados, especialmente en cuanto al turismo global. La serie fotogr\u0026#xE1;fica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colecci\u0026#xF3;n de im\u0026#xE1;genes, sino que tambi\u0026#xE9;n muestra el esp\u0026#xED;ritu y la diversidad de Cuba en 1925, capturada para siempre, d\u0026#xE1;ndonos un vistazo a los sitios y paisajes que dieron forma al pa\u0026#xED;s y las historias que se encuentran dentro de estas impresiones hist\u0026#xF3;ricas.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026 Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026 Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026 Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  ","The photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of  Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba.   ","Despite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history. ","\nLa serie \"Cuba en 1925\" es un recordatorio histórico del tejido cultural e histórico de la capital de Cuba, La Habana. Esta colección consta de un total de 265 impresiones fotográficas de las 1,670 originales, y está organizada numéricamente según el número que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitectónica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compañía de cigarros Henry Clay y Bock \u0026 Co., Ltd., esta serie es una herramienta visual de marketing y un registro histórico que ofrece una instantánea de la sociedad cubana a principios del siglo XX. Durante la década de 1920, Henry Clay y Bock \u0026 Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colección fue diseñada para ser un artículo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotografía de un sitio conocido y la leyenda \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026 Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas están organizadas por un sistema numérico, lo que facilita a los coleccionistas su compra y construcción de una colección para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.","Las impresiones fotográficas están organizadas geográficamente, dedicándose a muchos sitios históricos, iglesias, edificios administrativos, parques públicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, fábricas, embajadas y más. El propósito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus diseños arquitectónicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposición con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.","A pesar de su importancia histórica para el país, muy pocos de los originales fotográficos han sobrevivido hasta el día de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez más raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al público una idea de cómo era Cuba durante sus años dorados, especialmente en cuanto al turismo global. La serie fotográfica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colección de imágenes, sino que también muestra el espíritu y la diversidad de Cuba en 1925, capturada para siempre, dándonos un vistazo a los sitios y paisajes que dieron forma al país y las historias que se encuentran dentro de estas impresiones históricas."],"relatedmaterial_html_tesm":["\u003cp\u003eCuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Cuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026amp; Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. \u003c/p\u003e\n","\u003cp\u003e\nLa colecci\u0026#xF3;n \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visi\u0026#xF3;n del paisaje arquitect\u0026#xF3;nico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colecci\u0026#xF3;n comienza con la impresi\u0026#xF3;n 25, y hay algunas que faltan de la colecci\u0026#xF3;n de un total de 1,670.) Estas impresiones fotogr\u0026#xE1;ficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques p\u0026#xFA;blicos, cementerios y sitios hist\u0026#xF3;ricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones est\u0026#xE1;n etiquetadas num\u0026#xE9;ricamente y geogr\u0026#xE1;ficamente, fabricadas por Henry Clay y Bock \u0026amp; Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los a\u0026#xF1;os dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colecci\u0026#xF3;n se ofrecen un total de 265 impresiones en exhibici\u0026#xF3;n, brindando a los investigadores la oportunidad de ver estas fotograf\u0026#xED;as y ofrecer una ventana a La Habana, Cuba, en 1925.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026 Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. ","\nLa colección \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visión del paisaje arquitectónico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colección comienza con la impresión 25, y hay algunas que faltan de la colección de un total de 1,670.) Estas impresiones fotográficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques públicos, cementerios y sitios históricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones están etiquetadas numéricamente y geográficamente, fabricadas por Henry Clay y Bock \u0026 Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los años dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colección se ofrecen un total de 265 impresiones en exhibición, brindando a los investigadores la oportunidad de ver estas fotografías y ofrecer una ventana a La Habana, Cuba, en 1925."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws"],"abstract_html_tesm":["\u003cabstract id=\"aspace_875c348bfe0ad7bab4f0e1ffb279cd3b\"\u003ePhotographic collectible prints of all the sights in Havana, Cuba in the year 1925.\u003c/abstract\u003e"],"abstract_tesim":["Photographic collectible prints of all the sights in Havana, Cuba in the year 1925."],"names_ssim":["FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"corpname_ssim":["FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":265,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485974360064,"_root_":"88d3b99b89bbf1c44cf508d9","timestamp":"2026-07-16T04:32:16.259Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/88d3b99b89bbf1c44cf508d9"}},{"id":"02af2cf74127deeeeb9c1994_aspace_734d2df73603c3eb83918ae0332f20d6","type":"Drawer","attributes":{"title":"Cuban maps and ephemera, 1891-1958","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/02af2cf74127deeeeb9c1994_aspace_734d2df73603c3eb83918ae0332f20d6#abstract_or_scope","type":"document_value","attributes":{"value":["This collection consists of Spanish language articles, posters, and maps relating to the nation of Cuba."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02af2cf74127deeeeb9c1994_aspace_734d2df73603c3eb83918ae0332f20d6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_734d2df73603c3eb83918ae0332f20d6","ref_ssm":["aspace_734d2df73603c3eb83918ae0332f20d6","aspace_734d2df73603c3eb83918ae0332f20d6"],"id":"02af2cf74127deeeeb9c1994_aspace_734d2df73603c3eb83918ae0332f20d6","title_filing_ssi":"Cuban maps and ephemera","title_ssm":["Cuban maps and ephemera"],"title_tesim":["Cuban maps and ephemera"],"unitdate_inclusive_ssm":["1891-1958"],"normalized_date_ssm":["1891-1958"],"normalized_title_ssm":["Cuban maps and ephemera, 1891-1958"],"text":["Cuban maps and ephemera, 1891-1958","Mostly Florida Broadsides and Ephemera, bulk 1869-1958","Folder 8","/repositories/2/archival_objects/177279","Cuba","Spanish; Castilian English","case 7","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of Spanish language articles, posters, and maps relating to the nation of Cuba.","Map case 7, drawer 7"],"component_level_isim":[1],"parent_ids_ssim":["02af2cf74127deeeeb9c1994"],"parent_unittitles_ssm":["Mostly Florida Broadsides and Ephemera, bulk 1869-1958"],"parent_unittitles_tesim":["Mostly Florida Broadsides and Ephemera, bulk 1869-1958"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 8","/repositories/2/archival_objects/177279"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Mostly Florida Broadsides and Ephemera, bulk 1869-1958"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Drawer"],"level_ssim":["Drawer"],"sort_isi":8,"parent_access_restrict_tesm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"geogname_ssim":["Cuba"],"geogname_ssm":["Cuba"],"places_ssim":["Cuba"],"language_ssim":["Spanish; Castilian English"],"containers_ssim":["case 7"],"accessrestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_356ded5dcff4d36fa2a99effd530f776\"\u003eThis collection consists of Spanish language articles, posters, and maps relating to the nation of Cuba.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of Spanish language articles, posters, and maps relating to the nation of Cuba."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_81eef74e1655d05adf17df17cad87d8a\"\u003eMap case 7, drawer 7\u003c/physloc\u003e"],"physloc_tesim":["Map case 7, drawer 7"],"_nest_path_":"/components#7","_nest_parent_":"02af2cf74127deeeeb9c1994","_root_":"02af2cf74127deeeeb9c1994","timestamp":"2026-07-08T05:38:11.968Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02af2cf74127deeeeb9c1994","title_ssm":["Mostly Florida Broadsides and Ephemera"],"title_tesim":["Mostly Florida Broadsides and Ephemera"],"ead_ssi":"02af2cf74127deeeeb9c1994","unitdate_ssm":["1869-1958"],"unitdate_bulk_ssim":["1869-1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2023-08","/repositories/2/resources/629"],"text":["MS-2023-08","/repositories/2/resources/629","Mostly Florida Broadsides and Ephemera, bulk 1869-1958","Cuba","Tampa (Fla.) -- Newspapers","United States -- History -- Civil War, 1861-1865","Florida -- Politics and government","World War, 1914-1918","World War, 1939-1945","Almanac.","Spanish Civil War, Spain, 1936-1939","Spanish-American War, 1898","Political campaigns -- United States","None. The contents of this collection may be subject to copyright. 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