{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Congdon%2C+Kristin+G.\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Congdon%2C+Kristin+G.\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"c19172eb6fb77b938e63ec62","type":"collection","attributes":{"title":"Cultural Byways Project, 7/6/02-8/5/02","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/c19172eb6fb77b938e63ec62#creator","type":"document_value","attributes":{"value":["Congdon, Kristin G."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c19172eb6fb77b938e63ec62#abstract_or_scope","type":"document_value","attributes":{"value":["Research files for the Cultural Byways grant in Central Florida. 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These zines cover numerous topics such as music, body image, consumption, and socio-political issues.","Series III: Dr. Maria C. Santana's WST3460 \"Women's Race and Struggle\" Class, 2017. These zines areworks by students at the University of Central Florida in Dr. Maria C. Santana's WST3460 \"Women's Raceand Struggle\" class from Spring 2017. These zines cover topics such as race, gender, sexuality, and feminisms.","Series IV: Dr. Anne Rubriski's WST3015 \"Intro to Women's Studies\" Class, 2018. These Zines are works by students at the University of Central Florida in Dr. Anne Rubristki's WST3015 \"Intro to Women's Studies\" class from Spring 2018. These Zines cover topics such as gender and feminisms."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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They cover a range of topics and were produced primarily with inkjet printers, although a few were made using black and white photocopiers or found materials."],"names_ssim":["UCF Special Collections","Congdon, Kristin G.","Cooper, Larry","Bubriski-McKenzie, Anne","Santana, Maria C."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Congdon, Kristin G.","Cooper, Larry","Bubriski-McKenzie, Anne","Santana, Maria C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876021626016890880,"_root_":"4ca37bc1f4f1a366d7b8983a","timestamp":"2026-09-11T08:00:41.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ca37bc1f4f1a366d7b8983a","title_ssm":["University of Central Florida Student Zines collection"],"title_tesim":["University of Central Florida Student Zines collection"],"ead_ssi":"4ca37bc1f4f1a366d7b8983a","unitdate_ssm":["1996-2018"],"unitdate_inclusive_ssm":["1996-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC045","/repositories/4/resources/34"],"text":["SC045","/repositories/4/resources/34","University of Central Florida Student Zines collection, 1996-2018","United States -- Politics and government","University of Central Florida","Feminism -- United States","Women's studies","Sexuality","Gender studies","fanzines","The entire collection is open for research.","The collection is divided into four series by class project.","Zines are non-commercial, small circulation \"Do It Yourself\" (DIY) magazines. The term \"Zines\" comes from \"fanzines\" or fan magazines. Precursors to the modern zine include Thomas Paine's Common Sense and other leaflets published and distributed to the masses in the eighteenth and nineteenth centuries. The modern zine evolved from the science fiction fanzines of the 1930s. In the early 1980s the emergence of the personal computer and photocopiers led to a \"zine revolution\", and today's underground publishing movement was born. Today's zines cover a myriad of topics and reflect their creator's interests; they can be about anything from women's rights or politics to libraries. Zines can be produced by anyone with access to a photocopier from homeless teenagers to librarians.","Collection was initially processed by Nadine Helm and Amanda Richards in 2005. Additional materials integrated in 2019 by Courtney Toelle (CFM2019_03, CFM2019_04, and CFM2019_05).","Minimal preservation work was necessary; materials were alphabetized by author's last name. The items were placed in individual acid-free folders and boxesd in archival boxes.","The collection is divided into four series by class project.","Series I: Dr. Kristin Congdon's Students Work, 1996-2011. The zines in this collection were created by University of Central Florida students in classes taught by Dr. Kristin Congdon. They cover a range of topics that reflect the creators' interests; they can be about anything from women's rights to politics to libraries.","Series II: Larry Cooper, M.F.A. Artistic Books Class, 2017. These zines are work by students at the University of Central Florida in Larry Cooper, M.F.A.'s Artistic Books Class from Spring 2017. These zines cover numerous topics such as music, body image, consumption, and socio-political issues.","Series III: Dr. Maria C. Santana's WST3460 \"Women's Race and Struggle\" Class, 2017. These zines areworks by students at the University of Central Florida in Dr. Maria C. Santana's WST3460 \"Women's Raceand Struggle\" class from Spring 2017. These zines cover topics such as race, gender, sexuality, and feminisms.","Series IV: Dr. Anne Rubriski's WST3015 \"Intro to Women's Studies\" Class, 2018. These Zines are works by students at the University of Central Florida in Dr. Anne Rubristki's WST3015 \"Intro to Women's Studies\" class from Spring 2018. These Zines cover topics such as gender and feminisms.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The zines in this collection were gathered by professors of their student's works. They cover a range of topics and were produced primarily with inkjet printers, although a few were made using black and white photocopiers or found materials.","UCF Special Collections","Congdon, Kristin G.","Cooper, Larry","Bubriski-McKenzie, Anne","Santana, Maria C.","English"],"unitid_tesim":["SC045","/repositories/4/resources/34"],"normalized_date_ssm":["1996-2018"],"normalized_title_ssm":["University of Central Florida Student Zines collection, 1996-2018"],"collection_title_tesim":["University of Central Florida Student Zines collection, 1996-2018"],"collection_ssim":["University of Central Florida Student Zines collection, 1996-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["United States -- Politics and government"],"geogname_ssim":["United States -- Politics and government"],"creator_ssm":["Congdon, Kristin G.","Cooper, Larry","Bubriski-McKenzie, Anne","Santana, Maria C."],"creator_ssim":["Congdon, Kristin G.","Cooper, Larry","Bubriski-McKenzie, Anne","Santana, Maria C."],"creator_persname_ssim":["Congdon, Kristin G.","Cooper, Larry","Bubriski-McKenzie, Anne","Santana, Maria C."],"creators_ssim":["Congdon, Kristin G.","Cooper, Larry","Bubriski-McKenzie, Anne","Santana, Maria C."],"places_ssim":["United States -- Politics and government"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Kristin Congdon (CFM2003_09), Larry Cooper (CFM2019_03), Maria C. Santana (CFM2019_04), and Anne Bubriski (CFM2019_05) donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2003 and 2019. Zines are collected in an ongoing cycle."],"access_subjects_ssim":["University of Central Florida","Feminism -- United States","Women's studies","Sexuality","Gender studies","fanzines"],"access_subjects_ssm":["University of Central Florida","Feminism -- United States","Women's studies","Sexuality","Gender studies","fanzines"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 3 Boxes"],"extent_tesim":["2.5 Linear Feet 3 Boxes"],"genreform_ssim":["fanzines"],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into four series by class project.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into four series by class project."],"bioghist_html_tesm":["\u003cp\u003eZines are non-commercial, small circulation \"Do It Yourself\" (DIY) magazines. The term \"Zines\" comes from \"fanzines\" or fan magazines. Precursors to the modern zine include Thomas Paine's Common Sense and other leaflets published and distributed to the masses in the eighteenth and nineteenth centuries. The modern zine evolved from the science fiction fanzines of the 1930s. In the early 1980s the emergence of the personal computer and photocopiers led to a \"zine revolution\", and today's underground publishing movement was born. Today's zines cover a myriad of topics and reflect their creator's interests; they can be about anything from women's rights or politics to libraries. Zines can be produced by anyone with access to a photocopier from homeless teenagers to librarians.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Zines are non-commercial, small circulation \"Do It Yourself\" (DIY) magazines. The term \"Zines\" comes from \"fanzines\" or fan magazines. Precursors to the modern zine include Thomas Paine's Common Sense and other leaflets published and distributed to the masses in the eighteenth and nineteenth centuries. The modern zine evolved from the science fiction fanzines of the 1930s. In the early 1980s the emergence of the personal computer and photocopiers led to a \"zine revolution\", and today's underground publishing movement was born. Today's zines cover a myriad of topics and reflect their creator's interests; they can be about anything from women's rights or politics to libraries. Zines can be produced by anyone with access to a photocopier from homeless teenagers to librarians."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida Student Zines collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida Student Zines collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection was initially processed by Nadine Helm and Amanda Richards in 2005. Additional materials integrated in 2019 by Courtney Toelle (CFM2019_03, CFM2019_04, and CFM2019_05).\u003c/p\u003e","\u003cp\u003eMinimal preservation work was necessary; materials were alphabetized by author's last name. 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They cover a range of topics that reflect the creators' interests; they can be about anything from women's rights to politics to libraries.\u003c/p\u003e","\u003cp\u003eSeries II: Larry Cooper, M.F.A. Artistic Books Class, 2017. These zines are work by students at the University of Central Florida in Larry Cooper, M.F.A.'s Artistic Books Class from Spring 2017. These zines cover numerous topics such as music, body image, consumption, and socio-political issues.\u003c/p\u003e","\u003cp\u003eSeries III: Dr. Maria C. Santana's WST3460 \"Women's Race and Struggle\" Class, 2017. These zines areworks by students at the University of Central Florida in Dr. Maria C. Santana's WST3460 \"Women's Raceand Struggle\" class from Spring 2017. These zines cover topics such as race, gender, sexuality, and feminisms.\u003c/p\u003e","\u003cp\u003eSeries IV: Dr. Anne Rubriski's WST3015 \"Intro to Women's Studies\" Class, 2018. These Zines are works by students at the University of Central Florida in Dr. Anne Rubristki's WST3015 \"Intro to Women's Studies\" class from Spring 2018. These Zines cover topics such as gender and feminisms.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into four series by class project.","Series I: Dr. Kristin Congdon's Students Work, 1996-2011. The zines in this collection were created by University of Central Florida students in classes taught by Dr. Kristin Congdon. They cover a range of topics that reflect the creators' interests; they can be about anything from women's rights to politics to libraries.","Series II: Larry Cooper, M.F.A. Artistic Books Class, 2017. These zines are work by students at the University of Central Florida in Larry Cooper, M.F.A.'s Artistic Books Class from Spring 2017. These zines cover numerous topics such as music, body image, consumption, and socio-political issues.","Series III: Dr. Maria C. Santana's WST3460 \"Women's Race and Struggle\" Class, 2017. These zines areworks by students at the University of Central Florida in Dr. Maria C. Santana's WST3460 \"Women's Raceand Struggle\" class from Spring 2017. These zines cover topics such as race, gender, sexuality, and feminisms.","Series IV: Dr. Anne Rubriski's WST3015 \"Intro to Women's Studies\" Class, 2018. These Zines are works by students at the University of Central Florida in Dr. Anne Rubristki's WST3015 \"Intro to Women's Studies\" class from Spring 2018. These Zines cover topics such as gender and feminisms."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_685b9db7e25873d69f62b7e6545eb6b9\" label=\"Abstract\"\u003eThe zines in this collection were gathered by professors of their student's works. They cover a range of topics and were produced primarily with inkjet printers, although a few were made using black and white photocopiers or found materials.\u003c/abstract\u003e"],"abstract_tesim":["The zines in this collection were gathered by professors of their student's works. They cover a range of topics and were produced primarily with inkjet printers, although a few were made using black and white photocopiers or found materials."],"names_ssim":["UCF Special Collections","Congdon, Kristin G.","Cooper, Larry","Bubriski-McKenzie, Anne","Santana, Maria C."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Congdon, Kristin G.","Cooper, Larry","Bubriski-McKenzie, Anne","Santana, Maria C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876021626016890880,"_root_":"4ca37bc1f4f1a366d7b8983a","timestamp":"2026-09-11T08:00:41.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ca37bc1f4f1a366d7b8983a"}},{"id":"8d964efa464c4f8b717f7b0a","type":"collection","attributes":{"title":"University of Central Florida ZORA! Academic Conference records, 1988-2004","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8d964efa464c4f8b717f7b0a#creator","type":"document_value","attributes":{"value":["University of Central Florida. College of Arts and Humanities"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8d964efa464c4f8b717f7b0a#abstract_or_scope","type":"document_value","attributes":{"value":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals. It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cem\u003eTheir Eyes Were Watching God\u003c/em\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts. Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8d964efa464c4f8b717f7b0a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8d964efa464c4f8b717f7b0a","title_ssm":["University of Central Florida ZORA! Academic Conference records"],"title_tesim":["University of Central Florida ZORA! Academic Conference records"],"ead_ssi":"8d964efa464c4f8b717f7b0a","unitdate_ssm":["1988-2004"],"unitdate_inclusive_ssm":["1988-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA28G","/repositories/2/resources/303"],"text":["UA28G","/repositories/2/resources/303","University of Central Florida ZORA! Academic Conference records, 1988-2004","Eatonville (Fla.)","Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)","The entire collection is open for research.","The collection is arranged into one series, Planning, 1988-2004.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. ","Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.","Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.","UCF University Archives","University of Central Florida. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Transferred by Kristin Congdon (Accession No. CFU2006_47)."],"access_subjects_ssim":["Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)"],"access_subjects_ssm":["Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["2.1 Linear Feet (1 box, 1 flat file)"],"extent_tesim":["2.1 Linear Feet (1 box, 1 flat file)"],"genreform_ssim":["reports","agendas (administrative records)","letters (correspondence)"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into one series, Planning, 1988-2004.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into one series, Planning, 1988-2004."],"bioghist_html_tesm":["\u003cp\u003eThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information about the Zora Neale Hurston Festival of the Arts may be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/44\"\u003e Collected Materials on the Zora Neale Hurston Festival.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival."],"scopecontent_html_tesm":["\u003cp\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  \u003c/p\u003e\n","\u003cp\u003eSeries I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d77ea98ffb9c538fd7c594cbfee27eac\" label=\"Abstract\"\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.\u003c/abstract\u003e"],"abstract_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF."],"names_coll_ssim":["Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"names_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"corpname_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)"],"persname_ssim":["Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8d964efa464c4f8b717f7b0a","timestamp":"2026-07-10T03:11:41.409Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8d964efa464c4f8b717f7b0a","title_ssm":["University of Central Florida ZORA! Academic Conference records"],"title_tesim":["University of Central Florida ZORA! Academic Conference records"],"ead_ssi":"8d964efa464c4f8b717f7b0a","unitdate_ssm":["1988-2004"],"unitdate_inclusive_ssm":["1988-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA28G","/repositories/2/resources/303"],"text":["UA28G","/repositories/2/resources/303","University of Central Florida ZORA! Academic Conference records, 1988-2004","Eatonville (Fla.)","Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)","The entire collection is open for research.","The collection is arranged into one series, Planning, 1988-2004.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. ","Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.","Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.","UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G.","English"],"unitid_tesim":["UA28G","/repositories/2/resources/303"],"normalized_date_ssm":["1988-2004"],"normalized_title_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"collection_title_tesim":["University of Central Florida ZORA! 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Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! 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Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information about the Zora Neale Hurston Festival of the Arts may be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/44\"\u003e Collected Materials on the Zora Neale Hurston Festival.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival."],"scopecontent_html_tesm":["\u003cp\u003eThe University of Central Florida ZORA! 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It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  \u003c/p\u003e\n","\u003cp\u003eSeries I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d77ea98ffb9c538fd7c594cbfee27eac\" label=\"Abstract\"\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.\u003c/abstract\u003e"],"abstract_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF."],"names_coll_ssim":["Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"names_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"corpname_ssim":["UCF University Archives","University of Central Florida. 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