{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=66","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=65","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=67","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660"},"meta":{"pages":{"current_page":66,"next_page":67,"prev_page":65,"total_pages":660,"limit_value":10,"offset_value":650,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"236a3c88b766327883b2e155_aspace_c30eb8c3f4a9bd147549e05b8edf373b","type":"Subseries","attributes":{"title":"Birds","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_c30eb8c3f4a9bd147549e05b8edf373b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c30eb8c3f4a9bd147549e05b8edf373b","ref_ssm":["aspace_c30eb8c3f4a9bd147549e05b8edf373b","aspace_c30eb8c3f4a9bd147549e05b8edf373b"],"id":"236a3c88b766327883b2e155_aspace_c30eb8c3f4a9bd147549e05b8edf373b","title_filing_ssi":"Birds","title_ssm":["Birds"],"title_tesim":["Birds"],"normalized_title_ssm":["Birds"],"text":["Birds","Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings","/repositories/4/archival_objects/87837","/repositories/4/archival_objects/91193"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_3303cbe5b1b51a02ba6be97aa8f0f912"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87837","/repositories/4/archival_objects/91193"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":39,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":203,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#4/components#1","_nest_parent_":"236a3c88b766327883b2e155_aspace_3303cbe5b1b51a02ba6be97aa8f0f912","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_c30eb8c3f4a9bd147549e05b8edf373b"}},{"id":"4961d443b0be41b7531e2e8e_aspace_20381","type":"Subseries","attributes":{"title":"Birthday Greetings (80th Birthday), 1959.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4961d443b0be41b7531e2e8e_aspace_20381#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_20381","ref_ssm":["aspace_20381","aspace_20381"],"id":"4961d443b0be41b7531e2e8e_aspace_20381","title_filing_ssi":"Birthday Greetings (80th Birthday)","title_ssm":["Birthday Greetings (80th Birthday)"],"title_tesim":["Birthday Greetings (80th Birthday)"],"unitdate_other_ssim":["1959."],"normalized_date_ssm":["1959."],"normalized_title_ssm":["Birthday Greetings (80th Birthday), 1959."],"text":["Birthday Greetings (80th Birthday), 1959.","Albin Polasek Collection, 1897-2004","Documents, 1906-1977, 2004.","Sub-Series 1","/repositories/4/archival_objects/40599"],"component_level_isim":[2],"parent_ids_ssim":["4961d443b0be41b7531e2e8e","4961d443b0be41b7531e2e8e_aspace_20380"],"parent_unittitles_ssm":["Albin Polasek Collection, 1897-2004","Documents, 1906-1977, 2004."],"parent_unittitles_tesim":["Albin Polasek Collection, 1897-2004","Documents, 1906-1977, 2004."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1","/repositories/4/archival_objects/40599"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Albin Polasek Collection, 1897-2004"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#0","_nest_parent_":"4961d443b0be41b7531e2e8e_aspace_20380","_root_":"4961d443b0be41b7531e2e8e","_version_":1874662721765507072,"timestamp":"2026-08-27T08:01:29.662Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4961d443b0be41b7531e2e8e","title_ssm":["Albin Polasek Collection"],"title_tesim":["Albin Polasek Collection"],"ead_ssi":"4961d443b0be41b7531e2e8e","unitdate_ssm":["1897-2004"],"unitdate_inclusive_ssm":["1897-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC020","/repositories/4/resources/171"],"text":["SC020","/repositories/4/resources/171","Albin Polasek Collection, 1897-2004","Florida","Sculptors","Photographic prints","The entire collection is open for research.","Albin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens.","Originally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t ","The collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order.","Polasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections –  NB237.P65 P6","\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections –  F590.B67 P6","\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Polásek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections –  NB237.P6 S45","Albin Polasek Museum","The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers.","UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation","Polasek, Albin, 1879-1965","English"],"unitid_tesim":["SC020","/repositories/4/resources/171"],"normalized_date_ssm":["1897-2004"],"normalized_title_ssm":["Albin Polasek Collection, 1897-2004"],"collection_title_tesim":["Albin Polasek Collection, 1897-2004"],"collection_ssim":["Albin Polasek Collection, 1897-2004"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Polasek, Albin, 1879-1965"],"creator_ssim":["Polasek, Albin, 1879-1965"],"creator_persname_ssim":["Polasek, Albin, 1879-1965"],"creators_ssim":["Polasek, Albin, 1879-1965"],"places_ssim":["Florida"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated to the University of Central Florida in 1993 (CFM1993_03)."],"access_subjects_ssim":["Sculptors","Photographic prints"],"access_subjects_ssm":["Sculptors","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["3.75 Linear Feet 9 Boxes"],"extent_tesim":["3.75 Linear Feet 9 Boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eAlbin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Albin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens."],"prefercite_html_tesm":["\u003cp\u003eAlbin Polasek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Albin Polasek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eOriginally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t \u003c/p\u003e","\u003cp\u003eThe collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Originally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t ","The collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order."],"relatedmaterial_html_tesm":["\u003cp\u003ePolasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990230744990306596\"\u003eNB237.P65 P6\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990263733320306596\"\u003eF590.B67 P6\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Pol\u0026#xE1;sek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990229039640306596\"\u003eNB237.P6 S45\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.polasek.org/\"\u003eAlbin Polasek Museum\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Polasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections –  NB237.P65 P6","\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections –  F590.B67 P6","\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Polásek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections –  NB237.P6 S45","Albin Polasek Museum"],"scopecontent_html_tesm":["\u003cp\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_648a7ef0b30f6c3a383ade4da0746eca\" label=\"Abstract\"\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers.\u003c/abstract\u003e"],"abstract_tesim":["The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers."],"names_coll_ssim":["Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation"],"names_ssim":["UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation","Polasek, Albin, 1879-1965"],"corpname_ssim":["UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation"],"persname_ssim":["Polasek, Albin, 1879-1965"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":831,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874662721765507072,"_root_":"4961d443b0be41b7531e2e8e","timestamp":"2026-08-27T08:01:29.662Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4961d443b0be41b7531e2e8e_aspace_20381"}},{"id":"59327c0abe5aee857a5586d7_aspace_eac7769bd6deda9dcdd0bd0e030fef62","type":"Subseries","attributes":{"title":"Birth of a New World Monument., 1990, 1996-1998.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_eac7769bd6deda9dcdd0bd0e030fef62#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_eac7769bd6deda9dcdd0bd0e030fef62","ref_ssm":["aspace_eac7769bd6deda9dcdd0bd0e030fef62","aspace_eac7769bd6deda9dcdd0bd0e030fef62"],"id":"59327c0abe5aee857a5586d7_aspace_eac7769bd6deda9dcdd0bd0e030fef62","title_filing_ssi":"Birth of a New World Monument.","title_ssm":["Birth of a New World Monument."],"title_tesim":["Birth of a New World Monument."],"unitdate_inclusive_ssm":["1990, 1996-1998."],"normalized_date_ssm":["1990, 1996-1998."],"normalized_title_ssm":["Birth of a New World Monument., 1990, 1996-1998."],"text":["Birth of a New World Monument., 1990, 1996-1998.","Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005.","/repositories/4/archival_objects/71239"],"component_level_isim":[3],"parent_ids_ssim":["59327c0abe5aee857a5586d7","59327c0abe5aee857a5586d7_aspace_75fd1a9aac41d2150339e31aea23f6f5","59327c0abe5aee857a5586d7_aspace_a7a22ae08c63f53e06d590e86c5ed46a"],"parent_unittitles_ssm":["Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005."],"parent_unittitles_tesim":["Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/71239"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2803,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#6/components#0/components#35","_nest_parent_":"59327c0abe5aee857a5586d7_aspace_a7a22ae08c63f53e06d590e86c5ed46a","_root_":"59327c0abe5aee857a5586d7","_version_":1870858054322356224,"timestamp":"2026-07-16T08:07:55.983Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"59327c0abe5aee857a5586d7","title_ssm":["Harrison \"Buzz\" Price papers"],"title_tesim":["Harrison \"Buzz\" Price papers"],"ead_ssi":"59327c0abe5aee857a5586d7","unitdate_ssm":["1948-2006"],"unitdate_inclusive_ssm":["1948-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 047","/repositories/4/resources/299"],"text":["SC 047","/repositories/4/resources/299","Harrison \"Buzz\" Price papers, 1948-2006","Disneyland (Calif.)","Walt Disney World (Fla.)","Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)","The entire collection is open for research.","Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection .","The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000","Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. ","Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.","Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.","UCF Special Collections","Harrison Price Company","Price, Harrison","English"],"unitid_tesim":["SC 047","/repositories/4/resources/299"],"normalized_date_ssm":["1948-2006"],"normalized_title_ssm":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_title_tesim":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Price, Harrison"],"creator_ssim":["Price, Harrison"],"creator_persname_ssim":["Price, Harrison"],"creators_ssim":["Price, Harrison"],"places_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Harrison A. Price in 2003 (Accession no. CFM2003_12). Additional materials were donated in July 2005 (Accession no. CFM2005_19)."],"access_subjects_ssim":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"access_subjects_ssm":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["178.9 Linear Feet 357 boxes, 8 flat files"],"extent_tesim":["178.9 Linear Feet 357 boxes, 8 flat files"],"genreform_ssim":["photographs","official reports","proposals","research (documents)","speeches (documents)"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eSome reports have been made available online via the \u003cextref href=\"https://stars.library.ucf.edu/buzzprice/\"\u003eHarrison \"Buzz\" Price Digital Collection\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies "],"altformavail_tesim":["Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: \n\u003cul style=\"list-style-type: none\"\u003e\n\u003cli\u003eI. Reports, 1952-2003 \u003c/li\u003e\n\u003cli\u003eII. Proposals, 1978-2001\u003c/li\u003e\n\u003cli\u003eIII. Speeches, 1966-2006\u003c/li\u003e \n\u003cli\u003eIV. World's Fairs, 1974-1989\u003c/li\u003e\n\u003cli\u003eV. Images, 1964-1997\u003c/li\u003e \n\u003cli\u003eVI. Subject Research Materials, 1960-1995\u003c/li\u003e \n\u003cli\u003eVII. Project Research Materials, 1948-2005\u003c/li\u003e \n\u003cli\u003eVIII. Price Company Files, 1963-2000\u003c/li\u003e \n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note "],"arrangement_tesim":["The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000"],"bioghist_html_tesm":["\u003cp\u003eHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information "],"bioghist_tesim":["Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":["Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01FALSC_UCF:UCF\u0026amp;tab=Everything\u0026amp;docid=alma990223015270306596\"\u003eWalt's revolution! : by the numbers.\u003c/extref\u003e\u003c/emph\u003e Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004."],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   \u003c/p\u003e\n","\u003cp\u003eThis collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \u003c/p\u003e\n","\u003cp\u003eSeries I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. \u003c/p\u003e\n","\u003cp\u003eSeries II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. \u003c/p\u003e\n","\u003cp\u003eSeries IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  \u003c/p\u003e\n","\u003cp\u003eSeries VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  \u003c/p\u003e\n","\u003cp\u003eSeries VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. \u003c/p\u003e\n","\u003cp\u003eSeries VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f301b4d6cd4750973558e5e365ab2d20\" label=\"Abstract \"\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.\u003c/abstract\u003e"],"abstract_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89."],"names_coll_ssim":["Harrison Price Company"],"names_ssim":["UCF Special Collections","Harrison Price Company","Price, Harrison"],"corpname_ssim":["UCF Special Collections","Harrison Price Company"],"persname_ssim":["Price, Harrison"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4991,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858054322356224,"_root_":"59327c0abe5aee857a5586d7","timestamp":"2026-07-16T08:07:55.983Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_eac7769bd6deda9dcdd0bd0e030fef62"}},{"id":"bec408ef355489ed2515918e_aspace_9608","type":"Subseries","attributes":{"title":"Bishop College, 1920-1958, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9608#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe vast majority of these photographs are of a 1958 event at Bishop College, a now-defunct Baptist College founded in Marhsall, Texas. The college later moved to Dallas before being closed in 1988 because of a financial scandal. The campus, purchased in 1990 by Comer S. Cottrell, is now the site of Paul Quinn College. Also included is an earlier collection of photographs of unidentified subjects in Marshall, Texas. Most of these are estimated to have been taken in the 1920's and are likely from the same personal collection as the Bishop College photographs. All photographs in this subseries are black and white.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9608#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9608","ref_ssm":["aspace_9608","aspace_9608"],"id":"bec408ef355489ed2515918e_aspace_9608","title_filing_ssi":"Bishop College","title_ssm":["Bishop College"],"title_tesim":["Bishop College"],"unitdate_inclusive_ssm":["1920-1958, Undated"],"normalized_date_ssm":["1920-1958, Undated"],"normalized_title_ssm":["Bishop College, 1920-1958, Undated"],"text":["Bishop College, 1920-1958, Undated","African American Legacy: The Carol Mundy collection, 1791-2003","Photographs, 1800-1989, Undated","Sub-Series 2","/repositories/4/archival_objects/24175","The vast majority of these photographs are of a 1958 event at Bishop College, a now-defunct Baptist College founded in Marhsall, Texas. The college later moved to Dallas before being closed in 1988 because of a financial scandal. The campus, purchased in 1990 by Comer S. Cottrell, is now the site of Paul Quinn College. Also included is an earlier collection of photographs of unidentified subjects in Marshall, Texas. Most of these are estimated to have been taken in the 1920's and are likely from the same personal collection as the Bishop College photographs. All photographs in this subseries are black and white."],"component_level_isim":[2],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_9385"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Photographs, 1800-1989, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Photographs, 1800-1989, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 2","/repositories/4/archival_objects/24175"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":101,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":702,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"scopecontent_html_tesm":["\u003cp\u003eThe vast majority of these photographs are of a 1958 event at Bishop College, a now-defunct Baptist College founded in Marhsall, Texas. The college later moved to Dallas before being closed in 1988 because of a financial scandal. The campus, purchased in 1990 by Comer S. Cottrell, is now the site of Paul Quinn College. Also included is an earlier collection of photographs of unidentified subjects in Marshall, Texas. Most of these are estimated to have been taken in the 1920's and are likely from the same personal collection as the Bishop College photographs. All photographs in this subseries are black and white.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The vast majority of these photographs are of a 1958 event at Bishop College, a now-defunct Baptist College founded in Marhsall, Texas. The college later moved to Dallas before being closed in 1988 because of a financial scandal. The campus, purchased in 1990 by Comer S. Cottrell, is now the site of Paul Quinn College. Also included is an earlier collection of photographs of unidentified subjects in Marshall, Texas. Most of these are estimated to have been taken in the 1920's and are likely from the same personal collection as the Bishop College photographs. All photographs in this subseries are black and white."],"_nest_path_":"/components#5/components#1","_nest_parent_":"bec408ef355489ed2515918e_aspace_9385","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9608"}},{"id":"61657dca6e05f30cb549ce7a_aspace_4bf4ae47a956a0ff7b67183aa9c32bc2","type":"Subseries","attributes":{"title":"Bishop Robert E. '58 and Faye '59 Fannin Campus Ministries Center","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_4bf4ae47a956a0ff7b67183aa9c32bc2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4bf4ae47a956a0ff7b67183aa9c32bc2","ref_ssm":["aspace_4bf4ae47a956a0ff7b67183aa9c32bc2","aspace_4bf4ae47a956a0ff7b67183aa9c32bc2"],"id":"61657dca6e05f30cb549ce7a_aspace_4bf4ae47a956a0ff7b67183aa9c32bc2","title_filing_ssi":"Bishop Robert E. '58 and Faye '59 Fannin Campus Ministries Center","title_ssm":["Bishop Robert E. '58 and Faye '59 Fannin Campus Ministries Center"],"title_tesim":["Bishop Robert E. '58 and Faye '59 Fannin Campus Ministries Center"],"normalized_title_ssm":["Bishop Robert E. '58 and Faye '59 Fannin Campus Ministries Center"],"text":["Bishop Robert E. '58 and Faye '59 Fannin Campus Ministries Center","Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 12","Student Unions","/repositories/4/archival_objects/1405"],"component_level_isim":[3],"parent_ids_ssim":["61657dca6e05f30cb549ce7a","61657dca6e05f30cb549ce7a_aspace_e77592e18bd41b1a2d10342fb70b9433","61657dca6e05f30cb549ce7a_aspace_68b48456bb37cbf1123f5c70f72801e6"],"parent_unittitles_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 12","Student Unions"],"parent_unittitles_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 12","Student Unions"],"parent_levels_ssm":["collection","Box ","Series"],"unitid_ssm":["/repositories/4/archival_objects/1405"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":507,"parent_access_restrict_tesm":["This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material"],"parent_access_terms_tesm":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"_nest_path_":"/components#11/components#4/components#2","_nest_parent_":"61657dca6e05f30cb549ce7a_aspace_68b48456bb37cbf1123f5c70f72801e6","_root_":"61657dca6e05f30cb549ce7a","_version_":1873201808878338048,"timestamp":"2026-08-11T05:00:54.566Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"61657dca6e05f30cb549ce7a","title_ssm":["Florida Southern College Buildings \u0026 Grounds"],"title_tesim":["Florida Southern College Buildings \u0026 Grounds"],"ead_ssi":"61657dca6e05f30cb549ce7a","unitdate_ssm":["1922-2024"],"unitdate_inclusive_ssm":["1922-2024"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA6000","/repositories/4/resources/39"],"text":["CA6000","/repositories/4/resources/39","Florida Southern College Buildings \u0026 Grounds, 1922-2024","College buildings—Florida—Lakeland","Florida Southern College--History.","Frank Lloyd Wright—Influence","Campus planning—Florida—Lakeland","Architectural drawings","This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material","The files in this collection are arranged in the following series. Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.","\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary.","Former Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format.","The files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland.","This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA6000","/repositories/4/resources/39"],"normalized_date_ssm":["1922-2024"],"normalized_title_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_title_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"access_subjects_ssim":["College buildings—Florida—Lakeland","Florida Southern College--History.","Frank Lloyd Wright—Influence","Campus planning—Florida—Lakeland","Architectural drawings"],"access_subjects_ssm":["College buildings—Florida—Lakeland","Florida Southern College--History.","Frank Lloyd Wright—Influence","Campus planning—Florida—Lakeland","Architectural drawings"],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet"],"extent_tesim":["6.25 Linear Feet"],"genreform_ssim":["Architectural drawings"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material"],"arrangement_html_tesm":["\u003cp\u003eThe files in this collection are arranged in the following series. Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.\u003c/p\u003e\n","\u003cp\u003e\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The files in this collection are arranged in the following series. Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.","\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary."],"odd_html_tesm":["\u003cp\u003eFormer Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Former Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format."],"scopecontent_html_tesm":["\u003cp\u003eThe files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":565,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873201808878338048,"_root_":"61657dca6e05f30cb549ce7a","timestamp":"2026-08-11T05:00:54.566Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_4bf4ae47a956a0ff7b67183aa9c32bc2"}},{"id":"0ee12974d6006d61b8bbca26_aspace_79315","type":"Subseries","attributes":{"title":"Black and White","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79315#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe black and white proof sheets contain images of portraits (e.g. David Mays, Bill Scott, Dr. Harry Smith, Susie Findell, Randy Fountain, Heather Pastor, Mike Carlson, Randy Lilly, Charlotte Ware, Scott Patterson, Steve Caldero, Bob Smithers among others), President Nixon's commencement address, theatre productions (Journey's End, The Miracle Worker, The Beaux' Stratagem, Thieves Carnival, Of Mice and Men), rehearsals (Kiss Me Kate, The Night Thoreau in Jail) and live performances by the rock band Dr. Hook \u0026amp; the Medicine Show. However, there are missing proofs including #'s 29, 32-37, 46, 88, 299, 302, 344, 372-377, 398, 425, 564-565, 574-575, 588-1-588-2, 652, and 763-780. Proof #'s 173 and 181 are complete, however 173 is a duplicate of 172 and 181 has cutouts.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79315#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_79315","ref_ssm":["aspace_79315","aspace_79315"],"id":"0ee12974d6006d61b8bbca26_aspace_79315","title_filing_ssi":"Black and White","title_ssm":["Black and White"],"title_tesim":["Black and White"],"normalized_title_ssm":["Black and White"],"text":["Black and White","Michael Berman Negatives and Contact Sheets, circa 1970s","Proof Sheets, circa 1970s","Sub-Series 1","/repositories/2/archival_objects/16976","The black and white proof sheets contain images of portraits (e.g. David Mays, Bill Scott, Dr. Harry Smith, Susie Findell, Randy Fountain, Heather Pastor, Mike Carlson, Randy Lilly, Charlotte Ware, Scott Patterson, Steve Caldero, Bob Smithers among others), President Nixon's commencement address, theatre productions (Journey's End, The Miracle Worker, The Beaux' Stratagem, Thieves Carnival, Of Mice and Men), rehearsals (Kiss Me Kate, The Night Thoreau in Jail) and live performances by the rock band Dr. Hook \u0026 the Medicine Show. However, there are missing proofs including #'s 29, 32-37, 46, 88, 299, 302, 344, 372-377, 398, 425, 564-565, 574-575, 588-1-588-2, 652, and 763-780. Proof #'s 173 and 181 are complete, however 173 is a duplicate of 172 and 181 has cutouts."],"component_level_isim":[2],"parent_ids_ssim":["0ee12974d6006d61b8bbca26","0ee12974d6006d61b8bbca26_aspace_79314"],"parent_unittitles_ssm":["Michael Berman Negatives and Contact Sheets, circa 1970s","Proof Sheets, circa 1970s"],"parent_unittitles_tesim":["Michael Berman Negatives and Contact Sheets, circa 1970s","Proof Sheets, circa 1970s"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1","/repositories/2/archival_objects/16976"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eThe black and white proof sheets contain images of portraits (e.g. David Mays, Bill Scott, Dr. Harry Smith, Susie Findell, Randy Fountain, Heather Pastor, Mike Carlson, Randy Lilly, Charlotte Ware, Scott Patterson, Steve Caldero, Bob Smithers among others), President Nixon's commencement address, theatre productions (Journey's End, The Miracle Worker, The Beaux' Stratagem, Thieves Carnival, Of Mice and Men), rehearsals (Kiss Me Kate, The Night Thoreau in Jail) and live performances by the rock band Dr. Hook \u0026amp; the Medicine Show. However, there are missing proofs including #'s 29, 32-37, 46, 88, 299, 302, 344, 372-377, 398, 425, 564-565, 574-575, 588-1-588-2, 652, and 763-780. Proof #'s 173 and 181 are complete, however 173 is a duplicate of 172 and 181 has cutouts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The black and white proof sheets contain images of portraits (e.g. David Mays, Bill Scott, Dr. Harry Smith, Susie Findell, Randy Fountain, Heather Pastor, Mike Carlson, Randy Lilly, Charlotte Ware, Scott Patterson, Steve Caldero, Bob Smithers among others), President Nixon's commencement address, theatre productions (Journey's End, The Miracle Worker, The Beaux' Stratagem, Thieves Carnival, Of Mice and Men), rehearsals (Kiss Me Kate, The Night Thoreau in Jail) and live performances by the rock band Dr. Hook \u0026 the Medicine Show. However, there are missing proofs including #'s 29, 32-37, 46, 88, 299, 302, 344, 372-377, 398, 425, 564-565, 574-575, 588-1-588-2, 652, and 763-780. Proof #'s 173 and 181 are complete, however 173 is a duplicate of 172 and 181 has cutouts."],"_nest_path_":"/components#0/components#0","_nest_parent_":"0ee12974d6006d61b8bbca26_aspace_79314","_root_":"0ee12974d6006d61b8bbca26","timestamp":"2026-07-09T03:23:11.454Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0ee12974d6006d61b8bbca26","title_ssm":["Michael Berman Negatives and Contact Sheets"],"title_tesim":["Michael Berman Negatives and Contact Sheets"],"ead_ssi":"0ee12974d6006d61b8bbca26","unitdate_ssm":["circa 1970s"],"unitdate_inclusive_ssm":["circa 1970s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA23B","/repositories/2/resources/75"],"text":["UA23B","/repositories/2/resources/75","Michael Berman Negatives and Contact Sheets, circa 1970s","University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets","The entire collection is open for research.","Previous Collection Identifier: CFU2015_46","This collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries.","Michael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.","Michael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.","After the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.","During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.","Collection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website.","Series I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.","Series II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","In the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael","English"],"unitid_tesim":["UA23B","/repositories/2/resources/75"],"normalized_date_ssm":["circa 1970s"],"normalized_title_ssm":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"collection_title_tesim":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"collection_ssim":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Berman, Michael"],"creator_ssim":["Berman, Michael"],"creator_persname_ssim":["Berman, Michael"],"creators_ssim":["Berman, Michael"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Michael Berman gifted these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFU2015_46) and in 2016 (CFU2016_47)."],"access_subjects_ssim":["University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets"],"access_subjects_ssm":["University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes 3.75 Linear Feet"],"extent_tesim":["8 boxes 3.75 Linear Feet"],"genreform_ssim":["photographs","roll film transparencies","contact sheets"],"date_range_isim":[1970],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003ePrevious Collection Identifier: CFU2015_46\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Previous Collection Identifier: CFU2015_46"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries."],"bioghist_html_tesm":["\u003cp\u003eMichael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eMichael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.\u003c/p\u003e\n","\u003cp\u003eAfter the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.\u003c/p\u003e\n","\u003cp\u003eDuring his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.","Michael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.","After the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.","During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016."],"prefercite_html_tesm":["\u003cp\u003eMichael Berman Negatives and Contact Sheets, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael Berman Negatives and Contact Sheets, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.\u003c/p\u003e\n","\u003cp\u003eSeries II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.","Series II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71f4ba180e1b0da040415f27cf8c9a4e\" label=\"Abstract\"\u003eIn the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes.\u003c/abstract\u003e"],"abstract_tesim":["In the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes."],"names_coll_ssim":["University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida"],"persname_ssim":["Berman, Michael"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0ee12974d6006d61b8bbca26","timestamp":"2026-07-09T03:23:11.454Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79315"}},{"id":"0ee12974d6006d61b8bbca26_aspace_79331","type":"Subseries","attributes":{"title":"Black and White","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79331#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThere are several missing negative strips and proof sheets including #'s 1, 13, 88, 175, 180, 190, 230, 280, 291, 416, 455, 564-565, 588-1, 588-2, 621, 666, 682, and 774. There are also negative sheets that are assumed complete, however there is no proof sheet for comparison including #'s 29, 32-37, 46, 299, 302, 344, 372-377, 398, 425, 574-575, 652, 763-773, and 775-780. Proof #'s 14, 50, 69, 117, 154, 163, 180, 248, 311, 333, 438, 454, 456, 493, and 495 are complete, however they also contain one extra strip. Proof #'s 194 and 492 are complete, however they also contain two extra strips. Proof # 496 is complete, however it also contains three extra strips. Proof # 172 is complete, however it is a duplicate of 173.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79331#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_79331","ref_ssm":["aspace_79331","aspace_79331"],"id":"0ee12974d6006d61b8bbca26_aspace_79331","title_filing_ssi":"Black and White","title_ssm":["Black and White"],"title_tesim":["Black and White"],"normalized_title_ssm":["Black and White"],"text":["Black and White","Michael Berman Negatives and Contact Sheets, circa 1970s","Negatives, circa 1970s","Sub-Series 1","/repositories/2/archival_objects/16982","There are several missing negative strips and proof sheets including #'s 1, 13, 88, 175, 180, 190, 230, 280, 291, 416, 455, 564-565, 588-1, 588-2, 621, 666, 682, and 774. There are also negative sheets that are assumed complete, however there is no proof sheet for comparison including #'s 29, 32-37, 46, 299, 302, 344, 372-377, 398, 425, 574-575, 652, 763-773, and 775-780. Proof #'s 14, 50, 69, 117, 154, 163, 180, 248, 311, 333, 438, 454, 456, 493, and 495 are complete, however they also contain one extra strip. Proof #'s 194 and 492 are complete, however they also contain two extra strips. Proof # 496 is complete, however it also contains three extra strips. Proof # 172 is complete, however it is a duplicate of 173."],"component_level_isim":[2],"parent_ids_ssim":["0ee12974d6006d61b8bbca26","0ee12974d6006d61b8bbca26_aspace_79330"],"parent_unittitles_ssm":["Michael Berman Negatives and Contact Sheets, circa 1970s","Negatives, circa 1970s"],"parent_unittitles_tesim":["Michael Berman Negatives and Contact Sheets, circa 1970s","Negatives, circa 1970s"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1","/repositories/2/archival_objects/16982"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"has_online_content_ssim":["false"],"child_component_count_isi":39,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":14,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eThere are several missing negative strips and proof sheets including #'s 1, 13, 88, 175, 180, 190, 230, 280, 291, 416, 455, 564-565, 588-1, 588-2, 621, 666, 682, and 774. There are also negative sheets that are assumed complete, however there is no proof sheet for comparison including #'s 29, 32-37, 46, 299, 302, 344, 372-377, 398, 425, 574-575, 652, 763-773, and 775-780. Proof #'s 14, 50, 69, 117, 154, 163, 180, 248, 311, 333, 438, 454, 456, 493, and 495 are complete, however they also contain one extra strip. Proof #'s 194 and 492 are complete, however they also contain two extra strips. Proof # 496 is complete, however it also contains three extra strips. Proof # 172 is complete, however it is a duplicate of 173.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["There are several missing negative strips and proof sheets including #'s 1, 13, 88, 175, 180, 190, 230, 280, 291, 416, 455, 564-565, 588-1, 588-2, 621, 666, 682, and 774. There are also negative sheets that are assumed complete, however there is no proof sheet for comparison including #'s 29, 32-37, 46, 299, 302, 344, 372-377, 398, 425, 574-575, 652, 763-773, and 775-780. Proof #'s 14, 50, 69, 117, 154, 163, 180, 248, 311, 333, 438, 454, 456, 493, and 495 are complete, however they also contain one extra strip. Proof #'s 194 and 492 are complete, however they also contain two extra strips. Proof # 496 is complete, however it also contains three extra strips. Proof # 172 is complete, however it is a duplicate of 173."],"_nest_path_":"/components#1/components#0","_nest_parent_":"0ee12974d6006d61b8bbca26_aspace_79330","_root_":"0ee12974d6006d61b8bbca26","timestamp":"2026-07-09T03:23:11.454Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0ee12974d6006d61b8bbca26","title_ssm":["Michael Berman Negatives and Contact Sheets"],"title_tesim":["Michael Berman Negatives and Contact Sheets"],"ead_ssi":"0ee12974d6006d61b8bbca26","unitdate_ssm":["circa 1970s"],"unitdate_inclusive_ssm":["circa 1970s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA23B","/repositories/2/resources/75"],"text":["UA23B","/repositories/2/resources/75","Michael Berman Negatives and Contact Sheets, circa 1970s","University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets","The entire collection is open for research.","Previous Collection Identifier: CFU2015_46","This collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries.","Michael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.","Michael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.","After the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.","During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.","Collection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website.","Series I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.","Series II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","In the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael","English"],"unitid_tesim":["UA23B","/repositories/2/resources/75"],"normalized_date_ssm":["circa 1970s"],"normalized_title_ssm":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"collection_title_tesim":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"collection_ssim":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Berman, Michael"],"creator_ssim":["Berman, Michael"],"creator_persname_ssim":["Berman, Michael"],"creators_ssim":["Berman, Michael"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Michael Berman gifted these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFU2015_46) and in 2016 (CFU2016_47)."],"access_subjects_ssim":["University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets"],"access_subjects_ssm":["University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes 3.75 Linear Feet"],"extent_tesim":["8 boxes 3.75 Linear Feet"],"genreform_ssim":["photographs","roll film transparencies","contact sheets"],"date_range_isim":[1970],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003ePrevious Collection Identifier: CFU2015_46\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Previous Collection Identifier: CFU2015_46"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries."],"bioghist_html_tesm":["\u003cp\u003eMichael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eMichael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.\u003c/p\u003e\n","\u003cp\u003eAfter the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.\u003c/p\u003e\n","\u003cp\u003eDuring his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.","Michael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.","After the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.","During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016."],"prefercite_html_tesm":["\u003cp\u003eMichael Berman Negatives and Contact Sheets, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael Berman Negatives and Contact Sheets, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.\u003c/p\u003e\n","\u003cp\u003eSeries II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.","Series II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71f4ba180e1b0da040415f27cf8c9a4e\" label=\"Abstract\"\u003eIn the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes.\u003c/abstract\u003e"],"abstract_tesim":["In the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes."],"names_coll_ssim":["University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida"],"persname_ssim":["Berman, Michael"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0ee12974d6006d61b8bbca26","timestamp":"2026-07-09T03:23:11.454Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79331"}},{"id":"42e7073fb9b8528341d9f801_aspace_1f1adb6c96762f605873634bdf8fa5b9","type":"Subseries","attributes":{"title":"Black Heritage Commemorative Stamp Series, 1978-2014","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/42e7073fb9b8528341d9f801_aspace_1f1adb6c96762f605873634bdf8fa5b9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1f1adb6c96762f605873634bdf8fa5b9","ref_ssm":["aspace_1f1adb6c96762f605873634bdf8fa5b9","aspace_1f1adb6c96762f605873634bdf8fa5b9"],"id":"42e7073fb9b8528341d9f801_aspace_1f1adb6c96762f605873634bdf8fa5b9","title_filing_ssi":"Black Heritage Commemorative Stamp Series","title_ssm":["Black Heritage Commemorative Stamp Series"],"title_tesim":["Black Heritage Commemorative Stamp Series"],"unitdate_inclusive_ssm":["1978-2014"],"normalized_date_ssm":["1978-2014"],"normalized_title_ssm":["Black Heritage Commemorative Stamp Series, 1978-2014"],"text":["Black Heritage Commemorative Stamp Series, 1978-2014","Rodney Lawrence Hurst, Sr. Papers, 1957-2015","Stamp Collection, 1978-2020","/repositories/3/archival_objects/6711"],"component_level_isim":[2],"parent_ids_ssim":["42e7073fb9b8528341d9f801","42e7073fb9b8528341d9f801_aspace_7fca4e9af9c0eb2cabda5af93691a3df"],"parent_unittitles_ssm":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015","Stamp Collection, 1978-2020"],"parent_unittitles_tesim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015","Stamp Collection, 1978-2020"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/6711"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":296,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"_nest_path_":"/components#5/components#0","_nest_parent_":"42e7073fb9b8528341d9f801_aspace_7fca4e9af9c0eb2cabda5af93691a3df","_root_":"42e7073fb9b8528341d9f801","timestamp":"2026-05-27T03:06:30.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"42e7073fb9b8528341d9f801","title_ssm":["Rodney Lawrence Hurst, Sr. Papers"],"title_tesim":["Rodney Lawrence Hurst, Sr. Papers"],"ead_ssi":"42e7073fb9b8528341d9f801","unitdate_ssm":["1957-2015"],"unitdate_inclusive_ssm":["1957-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" 2018.001","/repositories/3/resources/65"],"text":[" 2018.001","/repositories/3/resources/65","Rodney Lawrence Hurst, Sr. Papers, 1957-2015","USPS Black Heritage Stamp Series","Hurst, Rodney L.  -- Stamp collections","African Americans on postage stamps","Civil rights movements","Civil rights demonstrations","African American civil rights workers","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.","In 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.","In addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. Due to his efforts in civil rights history, the Durkeeville Historical Society awarded Mr. Hurst a certificate of appreciation.","In 2010, Mr. Hurst participated in the University of Central Florida Book Festival and in 2012, he taught a course about Ax Handle Saturday and the Jacksonville sit ins at the University of North Florida.","Recently, in 2018, the Jacksonville Task Force on Civil Rights History was created. Mr. Hurst served as the co chair of the taskforce's historical timeline subcommittee and created a chronology of civil rights history in Jacksonville from 1838 with the founding of Bethel Baptist Institutional Church to the present. ","The collection consists of papers and memorabilia related to civil rights history in Jacksonville and Hurst's experiences as a member of the NAACP Youth Council in the 1960's. The collection focuses on the NAACP sit-ins of stores in James Weldon Johnson Park, formerly known as Hemming Park or Plaza, and Hurst's book about Ax Handle Saturday.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":[" 2018.001","/repositories/3/resources/65"],"normalized_date_ssm":["1957-2015"],"normalized_title_ssm":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"collection_title_tesim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"collection_ssim":["Rodney Lawrence Hurst, Sr. Papers, 1957-2015"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Rodney Lawrence Hurst, Sr. in 2018."],"access_subjects_ssim":["USPS Black Heritage Stamp Series","Hurst, Rodney L.  -- Stamp collections","African Americans on postage stamps","Civil rights movements","Civil rights demonstrations","African American civil rights workers"],"access_subjects_ssm":["USPS Black Heritage Stamp Series","Hurst, Rodney L.  -- Stamp collections","African Americans on postage stamps","Civil rights movements","Civil rights demonstrations","African American civil rights workers"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 Linear Feet 2 legal sized archives document boxes, 1 oversized flat box, 3 medium sized flat boxes"],"extent_tesim":["5.00 Linear Feet 2 legal sized archives document boxes, 1 oversized flat box, 3 medium sized flat boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.\u003c/p\u003e\n","\u003cp\u003eIn 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.\u003c/p\u003e\n","\u003cp\u003eIn addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. Due to his efforts in civil rights history, the Durkeeville Historical Society awarded Mr. Hurst a certificate of appreciation.\u003c/p\u003e\n","\u003cp\u003eIn 2010, Mr. Hurst participated in the University of Central Florida Book Festival and in 2012, he taught a course about Ax Handle Saturday and the Jacksonville sit ins at the University of North Florida.\u003c/p\u003e\n","\u003cp\u003eRecently, in 2018, the Jacksonville Task Force on Civil Rights History was created. Mr. Hurst served as the co chair of the taskforce's historical timeline subcommittee and created a chronology of civil rights history in Jacksonville from 1838 with the founding of Bethel Baptist Institutional Church to the present. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.","In 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.","In addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. Due to his efforts in civil rights history, the Durkeeville Historical Society awarded Mr. Hurst a certificate of appreciation.","In 2010, Mr. Hurst participated in the University of Central Florida Book Festival and in 2012, he taught a course about Ax Handle Saturday and the Jacksonville sit ins at the University of North Florida.","Recently, in 2018, the Jacksonville Task Force on Civil Rights History was created. Mr. Hurst served as the co chair of the taskforce's historical timeline subcommittee and created a chronology of civil rights history in Jacksonville from 1838 with the founding of Bethel Baptist Institutional Church to the present. "],"prefercite_html_tesm":["\u003cp\u003eRodney Lawrence Hurst, Sr. Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Rodney Lawrence Hurst, Sr. Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers and memorabilia related to civil rights history in Jacksonville and Hurst's experiences as a member of the NAACP Youth Council in the 1960's. The collection focuses on the NAACP sit-ins of stores in James Weldon Johnson Park, formerly known as Hemming Park or Plaza, and Hurst's book about Ax Handle Saturday.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of papers and memorabilia related to civil rights history in Jacksonville and Hurst's experiences as a member of the NAACP Youth Council in the 1960's. The collection focuses on the NAACP sit-ins of stores in James Weldon Johnson Park, formerly known as Hemming Park or Plaza, and Hurst's book about Ax Handle Saturday."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":509,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"42e7073fb9b8528341d9f801","timestamp":"2026-05-27T03:06:30.746Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/42e7073fb9b8528341d9f801_aspace_1f1adb6c96762f605873634bdf8fa5b9"}},{"id":"4e07af0f8c656144bacfc56b_aspace_8652","type":"Subseries","attributes":{"title":"Black Student Retention","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4e07af0f8c656144bacfc56b_aspace_8652#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8652","ref_ssm":["aspace_8652","aspace_8652"],"id":"4e07af0f8c656144bacfc56b_aspace_8652","title_filing_ssi":"Black Student Retention","title_ssm":["Black Student Retention"],"title_tesim":["Black Student Retention"],"normalized_title_ssm":["Black Student Retention"],"text":["Black Student Retention","Office of the Provost, 1964-2007, bulk 1970-1990","Undergraduate Studies","Sub-Series 3.4","/repositories/2/archival_objects/33858","box 3"],"component_level_isim":[2],"parent_ids_ssim":["4e07af0f8c656144bacfc56b","4e07af0f8c656144bacfc56b_aspace_8629"],"parent_unittitles_ssm":["Office of the Provost, 1964-2007, bulk 1970-1990","Undergraduate Studies"],"parent_unittitles_tesim":["Office of the Provost, 1964-2007, bulk 1970-1990","Undergraduate Studies"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 3.4","/repositories/2/archival_objects/33858"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Office of the Provost, 1964-2007, bulk 1970-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":58,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 3"],"_nest_path_":"/components#2/components#3","_nest_parent_":"4e07af0f8c656144bacfc56b_aspace_8629","_root_":"4e07af0f8c656144bacfc56b","_version_":1870842153735815168,"timestamp":"2026-07-16T03:55:12.062Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4e07af0f8c656144bacfc56b","title_ssm":["Office of the Provost"],"title_tesim":["Office of the Provost"],"ead_ssi":"4e07af0f8c656144bacfc56b","unitdate_ssm":["1964-2007","1970-1990"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1964-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00014","/repositories/2/resources/86"],"text":["UA00014","/repositories/2/resources/86","Office of the Provost, 1964-2007, bulk 1970-1990","Florida Atlantic University -- History","University Archives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2010, Leslie Siegel and Victoria Thur processed this collection.","The Division of Academic Affairs is responsible for all academic programs, personnel, budgets and support units, including the University Libraries, the Registrar's Office, Computing Services, and the Office of Institutional Effectiveness and Analysis. The Division is led by the University Provost and Chief Academic Officer.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00014","/repositories/2/resources/86"],"normalized_date_ssm":["1964-2007, bulk 1970-1990"],"normalized_title_ssm":["Office of the Provost, 1964-2007, bulk 1970-1990"],"collection_title_tesim":["Office of the Provost, 1964-2007, bulk 1970-1990"],"collection_ssim":["Office of the Provost, 1964-2007, bulk 1970-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["7.00 boxes","4.5 linear feet other_unmapped"],"extent_tesim":["7.00 boxes","4.5 linear feet other_unmapped"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Leslie Siegel and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Leslie Siegel and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Division of Academic Affairs is responsible for all academic programs, personnel, budgets and support units, including the University Libraries, the Registrar's Office, Computing Services, and the Office of Institutional Effectiveness and Analysis. The Division is led by the University Provost and Chief Academic Officer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Division of Academic Affairs is responsible for all academic programs, personnel, budgets and support units, including the University Libraries, the Registrar's Office, Computing Services, and the Office of Institutional Effectiveness and Analysis. The Division is led by the University Provost and Chief Academic Officer."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":318,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842153735815168,"_root_":"4e07af0f8c656144bacfc56b","timestamp":"2026-07-16T03:55:12.062Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4e07af0f8c656144bacfc56b_aspace_8652"}},{"id":"5c99b3da628461469a76cd09_aspace_130365","type":"Subseries","attributes":{"title":"Black Student Union Poetry Read Photographs","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c99b3da628461469a76cd09_aspace_130365#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_130365","ref_ssm":["aspace_130365","aspace_130365"],"id":"5c99b3da628461469a76cd09_aspace_130365","title_filing_ssi":"Black Student Union Poetry Read Photographs","title_ssm":["Black Student Union Poetry Read Photographs"],"title_tesim":["Black Student Union Poetry Read Photographs"],"normalized_title_ssm":["Black Student Union Poetry Read Photographs"],"text":["Black Student Union Poetry Read Photographs","Nancine Thompson Photographs Collection, 2002","Nancine Thompson Photographs","Sub-Series 1.4","/repositories/2/archival_objects/38675","box 4"],"component_level_isim":[2],"parent_ids_ssim":["5c99b3da628461469a76cd09","5c99b3da628461469a76cd09_aspace_130343"],"parent_unittitles_ssm":["Nancine Thompson Photographs Collection, 2002","Nancine Thompson Photographs"],"parent_unittitles_tesim":["Nancine Thompson Photographs Collection, 2002","Nancine Thompson Photographs"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1.4","/repositories/2/archival_objects/38675"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Nancine Thompson Photographs Collection, 2002"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":20,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 4"],"_nest_path_":"/components#0/components#3","_nest_parent_":"5c99b3da628461469a76cd09_aspace_130343","_root_":"5c99b3da628461469a76cd09","timestamp":"2026-07-10T01:49:07.220Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c99b3da628461469a76cd09","title_ssm":["Nancine Thompson Photographs Collection"],"title_tesim":["Nancine Thompson Photographs Collection"],"ead_ssi":"5c99b3da628461469a76cd09","unitdate_ssm":["2002"],"unitdate_inclusive_ssm":["2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAP00051","/repositories/2/resources/105"],"text":["UAP00051","/repositories/2/resources/105","Nancine Thompson Photographs Collection, 2002","University Archives -- Photography ","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Content type","This collection contains photographs compiled by Nancine Thompson. To provide a sample of the collection, some images from each box were described. To see more photographs, please contact lysca@fau.edu to make an appointment.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAP00051","/repositories/2/resources/105"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["Nancine Thompson Photographs Collection, 2002"],"collection_title_tesim":["Nancine Thompson Photographs Collection, 2002"],"collection_ssim":["Nancine Thompson Photographs Collection, 2002"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["University Archives -- Photography ","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Photography ","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 boxes","over 400 4x6 photographs; 170 35mm negatives; 13 CDs; 16 8x11 photographs; other photographs of varying sizes. other_unmapped"],"extent_tesim":["6.00 boxes","over 400 4x6 photographs; 170 35mm negatives; 13 CDs; 16 8x11 photographs; other photographs of varying sizes. other_unmapped"],"date_range_isim":[2002],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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