{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=586","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=585","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=587","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660"},"meta":{"pages":{"current_page":586,"next_page":587,"prev_page":585,"total_pages":660,"limit_value":10,"offset_value":5850,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"d331ed22985bd548fd56cca6_aspace_57715","type":"Subseries","attributes":{"title":"Sub-Series III: Abril Lamarque Photographs","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_57715#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_57715","ref_ssm":["aspace_57715","aspace_57715"],"id":"d331ed22985bd548fd56cca6_aspace_57715","title_filing_ssi":"Sub-Series III: Abril Lamarque Photographs","title_ssm":["Sub-Series III: Abril Lamarque Photographs"],"title_tesim":["Sub-Series III: Abril Lamarque Photographs"],"normalized_title_ssm":["Sub-Series III: Abril Lamarque Photographs"],"text":["Sub-Series III: Abril Lamarque Photographs","Abril Lamarque Collection, 1883-2001","Series 1: Photographs and Slides","Sub-Series 3","/repositories/2/archival_objects/59654"],"component_level_isim":[2],"parent_ids_ssim":["d331ed22985bd548fd56cca6","d331ed22985bd548fd56cca6_aspace_57712"],"parent_unittitles_ssm":["Abril Lamarque Collection, 1883-2001","Series 1: Photographs and Slides"],"parent_unittitles_tesim":["Abril Lamarque Collection, 1883-2001","Series 1: Photographs and Slides"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 3","/repositories/2/archival_objects/59654"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":124,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":74,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"_nest_path_":"/components#0/components#2","_nest_parent_":"d331ed22985bd548fd56cca6_aspace_57712","_root_":"d331ed22985bd548fd56cca6","_version_":1870844705641594880,"timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_57715"}},{"id":"3574dbfb2eaa0487e5083bae_aspace_1316","type":"Subseries","attributes":{"title":"Sub-Series III: Articles About Documentaries","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_1316#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1316","ref_ssm":["aspace_1316","aspace_1316"],"id":"3574dbfb2eaa0487e5083bae_aspace_1316","title_filing_ssi":"Sub-Series III: Articles About Documentaries","title_ssm":["Sub-Series III: Articles About Documentaries"],"title_tesim":["Sub-Series III: Articles About Documentaries"],"normalized_title_ssm":["Sub-Series III: Articles About Documentaries"],"text":["Sub-Series III: Articles About Documentaries","Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles","Sub-Series 3","/repositories/2/archival_objects/11710"],"component_level_isim":[2],"parent_ids_ssim":["3574dbfb2eaa0487e5083bae","3574dbfb2eaa0487e5083bae_aspace_1034"],"parent_unittitles_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles"],"parent_unittitles_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 3","/repositories/2/archival_objects/11710"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":317,"parent_access_restrict_tesm":["There are No Restrictions on this Collection"],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#1/components#2","_nest_parent_":"3574dbfb2eaa0487e5083bae_aspace_1034","_root_":"3574dbfb2eaa0487e5083bae","_version_":1870844607502221312,"timestamp":"2026-07-16T04:34:12.153Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3574dbfb2eaa0487e5083bae","title_ssm":["Cuban Living History Project"],"title_tesim":["Cuban Living History Project"],"ead_ssi":"3574dbfb2eaa0487e5083bae","unitdate_ssm":["1990-1998","1993-1995"],"unitdate_bulk_ssim":["1993-1995"],"unitdate_inclusive_ssm":["1990-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC2001","/repositories/2/resources/43"],"text":["SPC2001","/repositories/2/resources/43","Cuban Living History Project, 1990-1998, bulk 1993-1995","Cuba -- Exiles","Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters","There are No Restrictions on this Collection","Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.","There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment","The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel","English Spanish; Castilian"],"unitid_tesim":["SPC2001","/repositories/2/resources/43"],"normalized_date_ssm":["1990-1998, bulk 1993-1995"],"normalized_title_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_title_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba -- Exiles"],"geogname_ssim":["Cuba -- Exiles"],"creator_ssm":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_persname_ssim":["González-Pando, Miguel"],"creator_corpname_ssim":["Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creators_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"places_ssim":["Cuba -- Exiles"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donated by Miguel González-Pando's widow"],"access_subjects_ssim":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"access_subjects_ssm":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"genreform_ssim":["Newspaper Clippings","Tapes","Photographs","Posters"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThere are No Restrictions on this Collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are No Restrictions on this Collection"],"arrangement_html_tesm":["\u003cp\u003eSpecial Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order."],"phystech_html_tesm":["\u003cp\u003eThere are No Physical Restrictions on this collection\u003c/p\u003e","\u003cp\u003ePatrons will need to use our audio visual equipment\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel Gonz\u0026#xE1;lez-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.\u003c/p\u003e\n","\u003cp\u003eThe personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel"],"corpname_ssim":["FIU Special Collections","Florida International University. 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Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0/components#1","_nest_parent_":"3574dbfb2eaa0487e5083bae_aspace_930","_root_":"3574dbfb2eaa0487e5083bae","_version_":1870844607502221312,"timestamp":"2026-07-16T04:34:12.153Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3574dbfb2eaa0487e5083bae","title_ssm":["Cuban Living History Project"],"title_tesim":["Cuban Living History Project"],"ead_ssi":"3574dbfb2eaa0487e5083bae","unitdate_ssm":["1990-1998","1993-1995"],"unitdate_bulk_ssim":["1993-1995"],"unitdate_inclusive_ssm":["1990-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC2001","/repositories/2/resources/43"],"text":["SPC2001","/repositories/2/resources/43","Cuban Living History Project, 1990-1998, bulk 1993-1995","Cuba -- Exiles","Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters","There are No Restrictions on this Collection","Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.","There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment","The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel","English Spanish; Castilian"],"unitid_tesim":["SPC2001","/repositories/2/resources/43"],"normalized_date_ssm":["1990-1998, bulk 1993-1995"],"normalized_title_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_title_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba -- Exiles"],"geogname_ssim":["Cuba -- Exiles"],"creator_ssm":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_persname_ssim":["González-Pando, Miguel"],"creator_corpname_ssim":["Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creators_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"places_ssim":["Cuba -- Exiles"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donated by Miguel González-Pando's widow"],"access_subjects_ssim":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"access_subjects_ssm":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"genreform_ssim":["Newspaper Clippings","Tapes","Photographs","Posters"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThere are No Restrictions on this Collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are No Restrictions on this Collection"],"arrangement_html_tesm":["\u003cp\u003eSpecial Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order."],"phystech_html_tesm":["\u003cp\u003eThere are No Physical Restrictions on this collection\u003c/p\u003e","\u003cp\u003ePatrons will need to use our audio visual equipment\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel Gonz\u0026#xE1;lez-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.\u003c/p\u003e\n","\u003cp\u003eThe personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel"],"corpname_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"persname_ssim":["González-Pando, Miguel"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":443,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844607502221312,"_root_":"3574dbfb2eaa0487e5083bae","timestamp":"2026-07-16T04:34:12.153Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_939"}},{"id":"d331ed22985bd548fd56cca6_aspace_57714","type":"Subseries","attributes":{"title":"Sub-Series II: Santiago de Cuba Earthquake","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_57714#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_57714","ref_ssm":["aspace_57714","aspace_57714"],"id":"d331ed22985bd548fd56cca6_aspace_57714","title_filing_ssi":"Sub-Series II: Santiago de Cuba Earthquake","title_ssm":["Sub-Series II: Santiago de Cuba Earthquake"],"title_tesim":["Sub-Series II: Santiago de Cuba Earthquake"],"normalized_title_ssm":["Sub-Series II: Santiago de Cuba Earthquake"],"text":["Sub-Series II: Santiago de Cuba Earthquake","Abril Lamarque Collection, 1883-2001","Series 1: Photographs and Slides","Sub-Series 2","/repositories/2/archival_objects/59648"],"component_level_isim":[2],"parent_ids_ssim":["d331ed22985bd548fd56cca6","d331ed22985bd548fd56cca6_aspace_57712"],"parent_unittitles_ssm":["Abril Lamarque Collection, 1883-2001","Series 1: Photographs and Slides"],"parent_unittitles_tesim":["Abril Lamarque Collection, 1883-2001","Series 1: Photographs and Slides"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 2","/repositories/2/archival_objects/59648"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":42,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":31,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"_nest_path_":"/components#0/components#1","_nest_parent_":"d331ed22985bd548fd56cca6_aspace_57712","_root_":"d331ed22985bd548fd56cca6","_version_":1870844705641594880,"timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. 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","For more information please visit: https://library.fiu.edu/find/copyright/"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"_nest_path_":"/components#0/components#0/components#0","_nest_parent_":"d7eec52667f1fd8875d2a9a0_aspace_8467a0a6bb1c0c2c675b1d3f22793cb0","_root_":"d7eec52667f1fd8875d2a9a0","_version_":1870844422736838656,"timestamp":"2026-07-16T04:31:15.954Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d7eec52667f1fd8875d2a9a0","title_ssm":["Michael Heinl Collection"],"title_tesim":["Michael Heinl Collection"],"ead_ssi":"d7eec52667f1fd8875d2a9a0","unitdate_ssm":["1910-1999"],"unitdate_inclusive_ssm":["1910-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8065","/repositories/2/resources/101"],"text":["SPC8065","/repositories/2/resources/101","Michael Heinl Collection, 1910-1999","Haiti","Haiti--Economic Conditions","Haiti--History, American Intervention, 1994-1995","Haiti--Politics and Government 20th Century","Haitian Newspapers","The collection is open for research.","The Heinl Collection is arranged in 3 series: 1. Photograph collection; 2. Printed Material. 3. Maps. Series 1 has two sub-series: U.S. Occupation of Haiti, 1915-1934; and Haiti, 1957-1971.","Michael Heinl (1950- ) is a collector of Haitiana and co-author of Written in Blood:\nThe Story of the Haitian People 1492-1995. He first spent time in Haiti as a child, when his father, Robert Debs Heinl, was Chief of the U.S. Naval Mission to Haiti (1959-1963). Michael lived there, in Port-au-Prince, until 1962, when he was sent back to the United States after nearly triggering a diplomatic incident. Michael, just twelve years old, had been arrested by a Tonton Macoute for publicly voicing criticism of the François Duvalier regime and had been taken to the presidential palace to be imprisoned. He was ultimately released, but only after catching the attention of the president's son, Jean-Claude Duvalier, who happened to be a close friend. Consequently, Michael's parents decided that he should return to the United States. As it was, Michael's father, an opponent of the Duvalier regime, was subsequently declared persona non grata the following year. The Heinl family nonetheless retained an interest in Haiti; Michael's parents, Robert Debs Heinl and Nancy Gordon Heinl, collected Haitian art and print materials through the rest of their lives, and in 1978 they published a popular history of the country, Written in Blood: The Story of the Haitian People, 1492-1971. Michael later built upon his parents' collection and revised and expanded a third edition of Written in Blood as well. Due to his knowledge of Haiti, Michael was invited in 2004 to testify at the Senate Foreign Affairs Committee on the Western Hemisphere. Professionally, Michael worked in the aerospace industry and then as an international business consultant in Washington, D.C. He received a B.A. from Johns Hopkins in 1973 and an M.B.A. from the University of California, Los Angeles, in 1979.","The FIU Green Library also holds books formerly owned by Michael Heinl. These materials are located in FIU Library online catalog by searching for: Michael Heinl Collection","The Heinl Collection is primarily concerned with Haiti. It includes photographs, print materials, and artwork from the late eighteenth century through to the late twentieth century. The photograph series contains images of Haiti from two periods: the U.S. occupation (1915-1934) and 1957-1971. Both sets have a strong focus on matters of military and diplomatic interest. The print materials include rare books, pamphlets, and letters, most of which are concerned with Haitian history. The art collection includes maps, prints, paintings, and drawings, including a number from colonial Saint Domingue.","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/","FIU Special Collections","English"],"unitid_tesim":["SPC8065","/repositories/2/resources/101"],"normalized_date_ssm":["1910-1999"],"normalized_title_ssm":["Michael Heinl Collection, 1910-1999"],"collection_title_tesim":["Michael Heinl Collection, 1910-1999"],"collection_ssim":["Michael Heinl Collection, 1910-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Haiti"],"geogname_ssim":["Haiti"],"places_ssim":["Haiti"],"access_terms_ssm":["Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/"],"acqinfo_ssim":["Michael Heinl","Donation"],"access_subjects_ssim":["Haiti--Economic Conditions","Haiti--History, American Intervention, 1994-1995","Haiti--Politics and Government 20th Century","Haitian Newspapers"],"access_subjects_ssm":["Haiti--Economic Conditions","Haiti--History, American Intervention, 1994-1995","Haiti--Politics and Government 20th Century","Haitian Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["5 boxes 1 legal-size archive case\n2 banker boxes\n1 newspaper box\n1 small flat box"],"extent_tesim":["5 boxes 1 legal-size archive case\n2 banker boxes\n1 newspaper box\n1 small flat box"],"dimensions_tesim":["5.79 linear ft."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Heinl Collection is arranged in 3 series: 1. 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Michael, just twelve years old, had been arrested by a Tonton Macoute for publicly voicing criticism of the Fran\u0026#xE7;ois Duvalier regime and had been taken to the presidential palace to be imprisoned. He was ultimately released, but only after catching the attention of the president's son, Jean-Claude Duvalier, who happened to be a close friend. Consequently, Michael's parents decided that he should return to the United States. As it was, Michael's father, an opponent of the Duvalier regime, was subsequently declared persona non grata the following year. The Heinl family nonetheless retained an interest in Haiti; Michael's parents, Robert Debs Heinl and Nancy Gordon Heinl, collected Haitian art and print materials through the rest of their lives, and in 1978 they published a popular history of the country, Written in Blood: The Story of the Haitian People, 1492-1971. Michael later built upon his parents' collection and revised and expanded a third edition of Written in Blood as well. Due to his knowledge of Haiti, Michael was invited in 2004 to testify at the Senate Foreign Affairs Committee on the Western Hemisphere. Professionally, Michael worked in the aerospace industry and then as an international business consultant in Washington, D.C. He received a B.A. from Johns Hopkins in 1973 and an M.B.A. from the University of California, Los Angeles, in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael Heinl (1950- ) is a collector of Haitiana and co-author of Written in Blood:\nThe Story of the Haitian People 1492-1995. He first spent time in Haiti as a child, when his father, Robert Debs Heinl, was Chief of the U.S. Naval Mission to Haiti (1959-1963). Michael lived there, in Port-au-Prince, until 1962, when he was sent back to the United States after nearly triggering a diplomatic incident. Michael, just twelve years old, had been arrested by a Tonton Macoute for publicly voicing criticism of the François Duvalier regime and had been taken to the presidential palace to be imprisoned. He was ultimately released, but only after catching the attention of the president's son, Jean-Claude Duvalier, who happened to be a close friend. Consequently, Michael's parents decided that he should return to the United States. As it was, Michael's father, an opponent of the Duvalier regime, was subsequently declared persona non grata the following year. The Heinl family nonetheless retained an interest in Haiti; Michael's parents, Robert Debs Heinl and Nancy Gordon Heinl, collected Haitian art and print materials through the rest of their lives, and in 1978 they published a popular history of the country, Written in Blood: The Story of the Haitian People, 1492-1971. Michael later built upon his parents' collection and revised and expanded a third edition of Written in Blood as well. Due to his knowledge of Haiti, Michael was invited in 2004 to testify at the Senate Foreign Affairs Committee on the Western Hemisphere. Professionally, Michael worked in the aerospace industry and then as an international business consultant in Washington, D.C. He received a B.A. from Johns Hopkins in 1973 and an M.B.A. from the University of California, Los Angeles, in 1979."],"relatedmaterial_html_tesm":["\u003cp\u003eThe FIU Green Library also holds books formerly owned by Michael Heinl. These materials are located in FIU Library online catalog by searching for: Michael Heinl Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The FIU Green Library also holds books formerly owned by Michael Heinl. These materials are located in FIU Library online catalog by searching for: Michael Heinl Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Heinl Collection is primarily concerned with Haiti. It includes photographs, print materials, and artwork from the late eighteenth century through to the late twentieth century. The photograph series contains images of Haiti from two periods: the U.S. occupation (1915-1934) and 1957-1971. Both sets have a strong focus on matters of military and diplomatic interest. The print materials include rare books, pamphlets, and letters, most of which are concerned with Haitian history. The art collection includes maps, prints, paintings, and drawings, including a number from colonial Saint Domingue.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Heinl Collection is primarily concerned with Haiti. It includes photographs, print materials, and artwork from the late eighteenth century through to the late twentieth century. The photograph series contains images of Haiti from two periods: the U.S. occupation (1915-1934) and 1957-1971. Both sets have a strong focus on matters of military and diplomatic interest. The print materials include rare books, pamphlets, and letters, most of which are concerned with Haitian history. The art collection includes maps, prints, paintings, and drawings, including a number from colonial Saint Domingue."],"userestrict_html_tesm":["\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":165,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844422736838656,"_root_":"d7eec52667f1fd8875d2a9a0","timestamp":"2026-07-16T04:31:15.954Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d7eec52667f1fd8875d2a9a0_aspace_35e46d58ac45e058c71ddd2a03f975d9"}},{"id":"3574dbfb2eaa0487e5083bae_aspace_1037","type":"Subseries","attributes":{"title":"Sub-Series IV: Album Memorabilia. Articles on Miguel Gonzalez-Pando Death","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_1037#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1037","ref_ssm":["aspace_1037","aspace_1037"],"id":"3574dbfb2eaa0487e5083bae_aspace_1037","title_filing_ssi":"Sub-Series IV: Album Memorabilia. Articles on Miguel Gonzalez-Pando Death","title_ssm":["Sub-Series IV: Album Memorabilia. Articles on Miguel Gonzalez-Pando Death"],"title_tesim":["Sub-Series IV: Album Memorabilia. Articles on Miguel Gonzalez-Pando Death"],"normalized_title_ssm":["Sub-Series IV: Album Memorabilia. Articles on Miguel Gonzalez-Pando Death"],"text":["Sub-Series IV: Album Memorabilia. Articles on Miguel Gonzalez-Pando Death","Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles","Sub-Series 4","/repositories/2/archival_objects/11713"],"component_level_isim":[2],"parent_ids_ssim":["3574dbfb2eaa0487e5083bae","3574dbfb2eaa0487e5083bae_aspace_1034"],"parent_unittitles_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles"],"parent_unittitles_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 4","/repositories/2/archival_objects/11713"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":371,"parent_access_restrict_tesm":["There are No Restrictions on this Collection"],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#1/components#3","_nest_parent_":"3574dbfb2eaa0487e5083bae_aspace_1034","_root_":"3574dbfb2eaa0487e5083bae","_version_":1870844607502221312,"timestamp":"2026-07-16T04:34:12.153Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3574dbfb2eaa0487e5083bae","title_ssm":["Cuban Living History Project"],"title_tesim":["Cuban Living History Project"],"ead_ssi":"3574dbfb2eaa0487e5083bae","unitdate_ssm":["1990-1998","1993-1995"],"unitdate_bulk_ssim":["1993-1995"],"unitdate_inclusive_ssm":["1990-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC2001","/repositories/2/resources/43"],"text":["SPC2001","/repositories/2/resources/43","Cuban Living History Project, 1990-1998, bulk 1993-1995","Cuba -- Exiles","Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters","There are No Restrictions on this Collection","Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.","There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment","The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel","English Spanish; Castilian"],"unitid_tesim":["SPC2001","/repositories/2/resources/43"],"normalized_date_ssm":["1990-1998, bulk 1993-1995"],"normalized_title_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_title_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba -- Exiles"],"geogname_ssim":["Cuba -- Exiles"],"creator_ssm":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_persname_ssim":["González-Pando, Miguel"],"creator_corpname_ssim":["Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creators_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"places_ssim":["Cuba -- Exiles"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donated by Miguel González-Pando's widow"],"access_subjects_ssim":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"access_subjects_ssm":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"genreform_ssim":["Newspaper Clippings","Tapes","Photographs","Posters"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThere are No Restrictions on this Collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are No Restrictions on this Collection"],"arrangement_html_tesm":["\u003cp\u003eSpecial Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order."],"phystech_html_tesm":["\u003cp\u003eThere are No Physical Restrictions on this collection\u003c/p\u003e","\u003cp\u003ePatrons will need to use our audio visual equipment\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel Gonz\u0026#xE1;lez-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.\u003c/p\u003e\n","\u003cp\u003eThe personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel"],"corpname_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"persname_ssim":["González-Pando, Miguel"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":443,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844607502221312,"_root_":"3574dbfb2eaa0487e5083bae","timestamp":"2026-07-16T04:34:12.153Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_1037"}},{"id":"5e441c26c224fc2443904339_aspace_19e8a7a6e19a355019231c6475b850da","type":"Subseries","attributes":{"title":"Sub Tender","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339_aspace_19e8a7a6e19a355019231c6475b850da#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_19e8a7a6e19a355019231c6475b850da","ref_ssm":["aspace_19e8a7a6e19a355019231c6475b850da","aspace_19e8a7a6e19a355019231c6475b850da"],"id":"5e441c26c224fc2443904339_aspace_19e8a7a6e19a355019231c6475b850da","title_filing_ssi":"Sub Tender","title_ssm":["Sub Tender"],"title_tesim":["Sub Tender"],"normalized_title_ssm":["Sub Tender"],"text":["Sub Tender","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Box 1","Cold War","/repositories/2/archival_objects/75754"],"component_level_isim":[3],"parent_ids_ssim":["5e441c26c224fc2443904339","5e441c26c224fc2443904339_aspace_bfbcc03b00690a4ddba2a32d2be2a6b9","5e441c26c224fc2443904339_aspace_a4f974841d4716dac467aa617b329b3d"],"parent_unittitles_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Box 1","Cold War"],"parent_unittitles_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Box 1","Cold War"],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/75754"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":115,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0/components#1/components#4","_nest_parent_":"5e441c26c224fc2443904339_aspace_a4f974841d4716dac467aa617b329b3d","_root_":"5e441c26c224fc2443904339","_version_":1870844426508566528,"timestamp":"2026-07-16T04:31:19.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e441c26c224fc2443904339","title_ssm":["Maks Dikarev Naval Cover Collection"],"title_tesim":["Maks Dikarev Naval Cover Collection"],"ead_ssi":"5e441c26c224fc2443904339","unitdate_ssm":["1927-1941","1954-1982"],"unitdate_inclusive_ssm":["1927-1941","1954-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9050","/repositories/2/resources/108"],"text":["SPC9050","/repositories/2/resources/108","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Naval battles in art","Cold War","Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art","This collection is open for research.","The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender","This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.","The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). ","The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Maksimilian Dikarev","English"],"unitid_tesim":["SPC9050","/repositories/2/resources/108"],"normalized_date_ssm":["1927-1941, 1954-1982"],"normalized_title_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_title_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Naval battles in art","Cold War"],"geogname_ssim":["Naval battles in art","Cold War"],"creator_ssm":["Maksimilian Dikarev"],"creator_ssim":["Maksimilian Dikarev"],"creator_persname_ssim":["Maksimilian Dikarev"],"creators_ssim":["Maksimilian Dikarev"],"places_ssim":["Naval battles in art","Cold War"],"access_terms_ssm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maksimilian Dikarev."],"access_subjects_ssim":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"access_subjects_ssm":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"physfacet_tesim":["1 Banker box and 1 5\" Legal size document case. "],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series' and sub-series:\u003c/p\u003e\n","\u003cp\u003eSeries:\nU.S. Asiatic Fleet\u003c/p\u003e\n","\u003cp\u003e\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War\u003c/p\u003e\n","\u003cp\u003e\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. \u003c/p\u003e\n","\u003cp\u003eAccording to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. \u003c/p\u003e\n","\u003cp\u003eThe focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases."],"scopecontent_html_tesm":["\u003cp\u003eThe materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. \u003c/p\u003e\n","\u003cp\u003eAs I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). "],"userestrict_html_tesm":["\u003cp\u003eThe Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Maksimilian Dikarev"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Maksimilian Dikarev"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426508566528,"_root_":"5e441c26c224fc2443904339","timestamp":"2026-07-16T04:31:19.551Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339_aspace_19e8a7a6e19a355019231c6475b850da"}},{"id":"eccf200246c0c0801ef714fb_aspace_47169","type":"Subseries","attributes":{"title":"Sudetendeutsche Akademie, 1989-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47169#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_47169","ref_ssm":["aspace_47169","aspace_47169"],"id":"eccf200246c0c0801ef714fb_aspace_47169","title_filing_ssi":"Sudetendeutsche Akademie","title_ssm":["Sudetendeutsche Akademie"],"title_tesim":["Sudetendeutsche Akademie"],"unitdate_inclusive_ssm":["1989-2002"],"normalized_date_ssm":["1989-2002"],"normalized_title_ssm":["Sudetendeutsche Akademie, 1989-2002"],"text":["Sudetendeutsche Akademie, 1989-2002","Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Sub-Series 56","/repositories/4/archival_objects/20256"],"component_level_isim":[2],"parent_ids_ssim":["eccf200246c0c0801ef714fb","eccf200246c0c0801ef714fb_aspace_46856"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 56","/repositories/4/archival_objects/20256"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":298,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"_nest_path_":"/components#2/components#55","_nest_parent_":"eccf200246c0c0801ef714fb_aspace_46856","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47169"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":331},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","value":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jonas+and+Edna+Kamlet+%2F+Kamlet+Laboratories+records%2C+1913-1989%2C+Date+acquired%3A+00%2F00%2F2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"The Florida Citrus Mutual Minute Books, 1949-2011","value":"The Florida Citrus Mutual Minute Books, 1949-2011","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=The+Florida+Citrus+Mutual+Minute+Books%2C+1949-2011\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"FAU Student Newspapers Collection, 1964 - 2017","value":"FAU Student Newspapers Collection, 1964 - 2017","hits":121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=FAU+Student+Newspapers+Collection%2C+1964+-+2017\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Photograph collection, bulk 1883-1977","value":"Florida Photograph collection, bulk 1883-1977","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Photograph+collection%2C+bulk+1883-1977\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","value":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Southern+College+Buildings+%26+Grounds%2C+1922-2024\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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