{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=580","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=579","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=581","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660"},"meta":{"pages":{"current_page":580,"next_page":581,"prev_page":579,"total_pages":660,"limit_value":10,"offset_value":5790,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"a62b266ca8a0c4c6e9a227d3_aspace_7c60dc1574260547d50111dd3ab7d4b5","type":"Subseries","attributes":{"title":"Sub-Series 2: Drawings","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_7c60dc1574260547d50111dd3ab7d4b5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7c60dc1574260547d50111dd3ab7d4b5","ref_ssm":["aspace_7c60dc1574260547d50111dd3ab7d4b5","aspace_7c60dc1574260547d50111dd3ab7d4b5"],"id":"a62b266ca8a0c4c6e9a227d3_aspace_7c60dc1574260547d50111dd3ab7d4b5","title_filing_ssi":"Sub-Series 2: Drawings","title_ssm":["Sub-Series 2: Drawings"],"title_tesim":["Sub-Series 2: Drawings"],"normalized_title_ssm":["Sub-Series 2: Drawings"],"text":["Sub-Series 2: Drawings","Rob Boyte Collection, bulk date unknown","Series 1: Visual Material","2","/repositories/2/archival_objects/83792"],"component_level_isim":[2],"parent_ids_ssim":["a62b266ca8a0c4c6e9a227d3","a62b266ca8a0c4c6e9a227d3_aspace_bc4f13a8aa2c8f96f713984790418d10"],"parent_unittitles_ssm":["Rob Boyte Collection, bulk date unknown","Series 1: Visual Material"],"parent_unittitles_tesim":["Rob Boyte Collection, bulk date unknown","Series 1: Visual Material"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["2","/repositories/2/archival_objects/83792"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":26,"parent_access_restrict_tesm":["Access is available only by permission of the Special Collections staff."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0/components#1","_nest_parent_":"a62b266ca8a0c4c6e9a227d3_aspace_bc4f13a8aa2c8f96f713984790418d10","_root_":"a62b266ca8a0c4c6e9a227d3","_version_":1876642586161053696,"timestamp":"2026-09-18T04:30:35.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a62b266ca8a0c4c6e9a227d3","title_ssm":["Rob Boyte Collection"],"title_tesim":["Rob Boyte Collection"],"ead_ssi":"a62b266ca8a0c4c6e9a227d3","unitdate_ssm":["date unknown"],"unitdate_bulk_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8030","/repositories/2/resources/12"],"text":["SPC8030","/repositories/2/resources/12","Rob Boyte Collection, bulk date unknown","Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.","Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte","The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Boyte, Robert Alan","English"],"unitid_tesim":["SPC8030","/repositories/2/resources/12"],"normalized_date_ssm":["bulk date unknown"],"normalized_title_ssm":["Rob Boyte Collection, bulk date unknown"],"collection_title_tesim":["Rob Boyte Collection, bulk date unknown"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Boyte, Robert Alan"],"creator_ssim":["Boyte, Robert Alan"],"creator_persname_ssim":["Boyte, Robert Alan"],"creators_ssim":["Boyte, Robert Alan"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Donated by Rob Boyte"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 boxes"],"extent_tesim":["6.00 boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eRestrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"bioghist_html_tesm":["\u003cp\u003eRob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.\u0026#xA0; His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.\u0026#xA0; His interests as an adolescent in high school were Art, Biology and Writing.\u0026#xA0; Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"\u003c/p\u003e\n","\u003cp\u003eDuring childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. \u003c/p\u003e\n","\u003cp\u003eRob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.\u0026#xA0; His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.\u0026#xA0; After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.\u0026#xA0; That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).\u003c/p\u003e\n","\u003cp\u003eRob was never goal oriented and never selected a career other than gravitating to human services work.\u0026#xA0; In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. \u003c/p\u003e\n","\u003cp\u003eWhile in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.\u0026#xA0; While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. \u003c/p\u003e\n","\u003cp\u003eRob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.\u0026#xA0;\u0026#xA0; Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.\u0026#xA0; They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.\u0026#xA0; Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.\u003c/p\u003e\n","\u003cp\u003eDuring the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.\u0026#xA0; He also wrote a column for Naturist publications called \u003cemph render=\"italic\"\u003eNude Attitude\u003c/emph\u003e, which he later compiled into a small, self-published book of the same title.\u003c/p\u003e\n","\u003cp\u003eRob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.\u0026#xA0; Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. \u003c/p\u003e\n","\u003cp\u003eFrom 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.\u0026#xA0; During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.\u0026#xA0; In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eWhile living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.\u0026#xA0; Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.\u0026#xA0; Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.\u0026#xA0; Brenda worked at Alachua General Hospital.\u003c/p\u003e\n","\u003cp\u003eRob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.\u0026#xA0; Rob and Brenda got divorced in 1998. \u003c/p\u003e\n","\u003cp\u003eIn November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eNote written by Robert Alan Boyte\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte"],"scopecontent_html_tesm":["\u003cp\u003eThe Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Boyte, Robert Alan"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Boyte, Robert Alan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":74,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876642586161053696,"_root_":"a62b266ca8a0c4c6e9a227d3","timestamp":"2026-09-18T04:30:35.495Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_7c60dc1574260547d50111dd3ab7d4b5"}},{"id":"fbf633f326a970bc04506713_aspace_e734f9f8209f174a6d4f12bd62d90157","type":"Subseries","attributes":{"title":"Sub-Series 2: Guest Biographical Files, 1937-2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_e734f9f8209f174a6d4f12bd62d90157#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e734f9f8209f174a6d4f12bd62d90157","ref_ssm":["aspace_e734f9f8209f174a6d4f12bd62d90157","aspace_e734f9f8209f174a6d4f12bd62d90157"],"id":"fbf633f326a970bc04506713_aspace_e734f9f8209f174a6d4f12bd62d90157","title_filing_ssi":"Sub-Series 2: Guest Biographical Files","title_ssm":["Sub-Series 2: Guest Biographical Files"],"title_tesim":["Sub-Series 2: Guest Biographical Files"],"unitdate_inclusive_ssm":["1937-2000"],"normalized_date_ssm":["1937-2000"],"normalized_title_ssm":["Sub-Series 2: Guest Biographical Files, 1937-2000"],"text":["Sub-Series 2: Guest Biographical Files, 1937-2000","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Series 3: Biographical Files, 1937-2000","/repositories/10/archival_objects/234944"],"component_level_isim":[2],"parent_ids_ssim":["fbf633f326a970bc04506713","fbf633f326a970bc04506713_aspace_6e4db966808c121c2a78e987de8beebc"],"parent_unittitles_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Series 3: Biographical Files, 1937-2000"],"parent_unittitles_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Series 3: Biographical Files, 1937-2000"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/234944"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":58,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":459,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"_nest_path_":"/components#2/components#1","_nest_parent_":"fbf633f326a970bc04506713_aspace_6e4db966808c121c2a78e987de8beebc","_root_":"fbf633f326a970bc04506713","_version_":1880459939778920448,"timestamp":"2026-10-30T07:45:47.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbf633f326a970bc04506713","title_ssm":["FSU School of Dance Records"],"title_tesim":["FSU School of Dance Records"],"ead_ssi":"fbf633f326a970bc04506713","unitdate_ssm":["1911-1912, 1920, 1927-2006, 2011-2012","1960-2000"],"unitdate_bulk_ssim":["1960-2000"],"unitdate_inclusive_ssm":["1911-1912, 1920, 1927-2006, 2011-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2013-009","/repositories/10/resources/1929"],"text":["HP 2013-009","/repositories/10/resources/1929","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Dance","Modern dance","Choreography","This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library .","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond","English"],"unitid_tesim":["HP 2013-009","/repositories/10/resources/1929"],"normalized_date_ssm":["1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"normalized_title_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_title_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_ssim":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_persname_ssim":["Dickinson, Nellie-Bond"],"creator_corpname_ssim":["Florida State University. School of Dance","Florida State University. School of Dance"],"creators_ssim":["Dickinson, Nellie-Bond","Florida State University. School of Dance","Florida State University. School of Dance"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Accessioned May 2, 2013"],"access_subjects_ssim":["Dance","Modern dance","Choreography"],"access_subjects_ssm":["Dance","Modern dance","Choreography"],"has_online_content_ssim":["false"],"extent_ssm":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"extent_tesim":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. \u003c/p\u003e\n","\u003cp\u003eIn 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.\u003c/p\u003e\n","\u003cp\u003eThe core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.\u003c/p\u003e\n","\u003cp\u003eThe School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.\u003c/p\u003e","\u003cp\u003eNellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. \u003c/p\u003e\n","\u003cp\u003eDickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Nellie-Bond Dickinson"],"bioghist_tesim":["The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.\u003c/p\u003e","\u003cp\u003eSelect materials from the FSU School of Dance Records have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/School%20of%20Dance?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Online Copies Available "],"scopecontent_tesim":["The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State University. School of Dance","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women"],"persname_ssim":["Dickinson, Nellie-Bond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":549,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880459939778920448,"_root_":"fbf633f326a970bc04506713","timestamp":"2026-10-30T07:45:47.591Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_e734f9f8209f174a6d4f12bd62d90157"}},{"id":"614a284e6078cb7d5dfe7caa_aspace_7979ef179b577127be84875eea564de2","type":"Subseries","attributes":{"title":"Sub-Series 2: Mean High Tide","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/614a284e6078cb7d5dfe7caa_aspace_7979ef179b577127be84875eea564de2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7979ef179b577127be84875eea564de2","ref_ssm":["aspace_7979ef179b577127be84875eea564de2","aspace_7979ef179b577127be84875eea564de2"],"id":"614a284e6078cb7d5dfe7caa_aspace_7979ef179b577127be84875eea564de2","title_filing_ssi":"Sub-Series 2: Mean High Tide","title_ssm":["Sub-Series 2: Mean High Tide"],"title_tesim":["Sub-Series 2: Mean High Tide"],"normalized_title_ssm":["Sub-Series 2: Mean High Tide"],"text":["Sub-Series 2: Mean High Tide","James W. Hall Papers, 1969-1999","Series I: Novels","/repositories/2/archival_objects/82834"],"component_level_isim":[2],"parent_ids_ssim":["614a284e6078cb7d5dfe7caa","614a284e6078cb7d5dfe7caa_aspace_665aac46e4ab627d846c5690ac5bfa9b"],"parent_unittitles_ssm":["James W. Hall Papers, 1969-1999","Series I: Novels"],"parent_unittitles_tesim":["James W. Hall Papers, 1969-1999","Series I: Novels"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/82834"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["James W. Hall Papers, 1969-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":9,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"_nest_path_":"/components#0/components#1","_nest_parent_":"614a284e6078cb7d5dfe7caa_aspace_665aac46e4ab627d846c5690ac5bfa9b","_root_":"614a284e6078cb7d5dfe7caa","_version_":1870844463312535552,"timestamp":"2026-07-16T04:31:54.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"614a284e6078cb7d5dfe7caa","title_ssm":["James W. Hall Papers"],"title_tesim":["James W. Hall Papers"],"ead_ssi":"614a284e6078cb7d5dfe7caa","unitdate_ssm":["1969-1999"],"unitdate_inclusive_ssm":["1969-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC4000","/repositories/2/resources/120"],"text":["SPC4000","/repositories/2/resources/120","James W. Hall Papers, 1969-1999","Key West (Fla.) -- Fiction","Detective and mystery stories, American"," Hall, James W. (James Wilson), 1947","Thorn (Fictitious character) -- Fiction","The collection is open for research use.","Dr. James W. Hall was born in 1947 in Kentucky. In the early 1980s he moved from Miami to Key Largo as he was enthralled by the Keys. Thus he used the Keys as the backdrop for most of his novels. While there he worked part-time in a local bait shop while teaching during the week at Florida International Unviersity in Miami, where he taught literature and creative writing for 40 years and founded the school's creative writing program in the early 1970s. He has a master's degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a Fulbright professor of literature in Spain. Hall began his career as a poet. \nHe is a crime and mystery novelist and his work includes 23 novels, 4 poetry books, short stories, and essays. He has won awards for his work including the Edgar Award for Best Short Story and Shamus Award for Best P. I. Hardcover Novel. Notable works include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Tropical Freeze, Red Sky at Night, Gone Wild, and Rough Draft. Most of Hall's work was published between the 80s, 90s, and early 2000s, and two of his novels, Under Cover of Daylight and Bones of Coral have been written into screenplay. Hall's Thorn series include a character inspired by the tough, independent Keys people he grew up knowing in Key Largo and Key West, and is a character in 16 novels. In his words they are \"pioneers, Americans at heart, resourceful, and trustworthy\".","The James W. Hall Papers Collection consists of printed papers, manusscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line. The collection also includes the screenplay from Under Cover of Daylight and Bones of Coral, along with collections of poems and short stories called Paper Products. The majority of papers in this collection was written/published between the 1980s and 1990s, including the novels. The collection is sectioned by boxes, each including contenets from a certain novel.","Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law.","The James W. Hall Papers Collection consists of printed papers, manuscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line.","FIU Special Collections","English"],"unitid_tesim":["SPC4000","/repositories/2/resources/120"],"normalized_date_ssm":["1969-1999"],"normalized_title_ssm":["James W. Hall Papers, 1969-1999"],"collection_title_tesim":["James W. Hall Papers, 1969-1999"],"collection_ssim":["James W. Hall Papers, 1969-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Key West (Fla.) -- Fiction"],"geogname_ssim":["Key West (Fla.) -- Fiction"],"places_ssim":["Key West (Fla.) -- Fiction"],"access_terms_ssm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"acqinfo_ssim":["Dr. James W. Hall donated his papers to Special Collections at Florida International University."],"access_subjects_ssim":["Detective and mystery stories, American"," Hall, James W. (James Wilson), 1947","Thorn (Fictitious character) -- Fiction"],"access_subjects_ssm":["Detective and mystery stories, American"," Hall, James W. (James Wilson), 1947","Thorn (Fictitious character) -- Fiction"],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes"],"extent_tesim":["10 boxes"],"genreform_ssim":["Thorn (Fictitious character) -- Fiction"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDr. James W. Hall was born in 1947 in Kentucky. In the early 1980s he moved from Miami to Key Largo as he was enthralled by the Keys. Thus he used the Keys as the backdrop for most of his novels. While there he worked part-time in a local bait shop while teaching during the week at Florida International Unviersity in Miami, where he taught literature and creative writing for 40 years and founded the school's creative writing program in the early 1970s. He has a master's degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a Fulbright professor of literature in Spain. Hall began his career as a poet. \nHe is a crime and mystery novelist and his work includes 23 novels, 4 poetry books, short stories, and essays. He has won awards for his work including the Edgar Award for Best Short Story and Shamus Award for Best P. I. Hardcover Novel. Notable works include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Tropical Freeze, Red Sky at Night, Gone Wild, and Rough Draft. Most of Hall's work was published between the 80s, 90s, and early 2000s, and two of his novels, Under Cover of Daylight and Bones of Coral have been written into screenplay. Hall's Thorn series include a character inspired by the tough, independent Keys people he grew up knowing in Key Largo and Key West, and is a character in 16 novels. In his words they are \"pioneers, Americans at heart, resourceful, and trustworthy\".\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. James W. Hall was born in 1947 in Kentucky. In the early 1980s he moved from Miami to Key Largo as he was enthralled by the Keys. Thus he used the Keys as the backdrop for most of his novels. While there he worked part-time in a local bait shop while teaching during the week at Florida International Unviersity in Miami, where he taught literature and creative writing for 40 years and founded the school's creative writing program in the early 1970s. He has a master's degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a Fulbright professor of literature in Spain. Hall began his career as a poet. \nHe is a crime and mystery novelist and his work includes 23 novels, 4 poetry books, short stories, and essays. He has won awards for his work including the Edgar Award for Best Short Story and Shamus Award for Best P. I. Hardcover Novel. Notable works include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Tropical Freeze, Red Sky at Night, Gone Wild, and Rough Draft. Most of Hall's work was published between the 80s, 90s, and early 2000s, and two of his novels, Under Cover of Daylight and Bones of Coral have been written into screenplay. Hall's Thorn series include a character inspired by the tough, independent Keys people he grew up knowing in Key Largo and Key West, and is a character in 16 novels. In his words they are \"pioneers, Americans at heart, resourceful, and trustworthy\"."],"scopecontent_html_tesm":["\u003cp\u003eThe James W. Hall Papers Collection consists of printed papers, manusscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line. The collection also includes the screenplay from Under Cover of Daylight and Bones of Coral, along with collections of poems and short stories called Paper Products. The majority of papers in this collection was written/published between the 1980s and 1990s, including the novels. The collection is sectioned by boxes, each including contenets from a certain novel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James W. Hall Papers Collection consists of printed papers, manusscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line. The collection also includes the screenplay from Under Cover of Daylight and Bones of Coral, along with collections of poems and short stories called Paper Products. The majority of papers in this collection was written/published between the 1980s and 1990s, including the novels. The collection is sectioned by boxes, each including contenets from a certain novel."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2e198da6202a51d5e095178388790fb3\"\u003eThe James W. Hall Papers Collection consists of printed papers, manuscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line.\u003c/abstract\u003e"],"abstract_tesim":["The James W. Hall Papers Collection consists of printed papers, manuscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844463312535552,"_root_":"614a284e6078cb7d5dfe7caa","timestamp":"2026-07-16T04:31:54.651Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/614a284e6078cb7d5dfe7caa_aspace_7979ef179b577127be84875eea564de2"}},{"id":"07e83d7fe9b8feb6c0518c05_aspace_aa2bec3950e5e0a2e289689c59c27467","type":"Subseries","attributes":{"title":"Sub-Series 2: Photographs","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/07e83d7fe9b8feb6c0518c05_aspace_aa2bec3950e5e0a2e289689c59c27467#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_aa2bec3950e5e0a2e289689c59c27467","ref_ssm":["aspace_aa2bec3950e5e0a2e289689c59c27467","aspace_aa2bec3950e5e0a2e289689c59c27467"],"id":"07e83d7fe9b8feb6c0518c05_aspace_aa2bec3950e5e0a2e289689c59c27467","title_filing_ssi":"Sub-Series 2: Photographs","title_ssm":["Sub-Series 2: Photographs"],"title_tesim":["Sub-Series 2: Photographs"],"normalized_title_ssm":["Sub-Series 2: Photographs"],"text":["Sub-Series 2: Photographs","Mana-Zucca Collection, 1912-1989","Series 1: Graphic Materials","/repositories/2/archival_objects/75857"],"component_level_isim":[2],"parent_ids_ssim":["07e83d7fe9b8feb6c0518c05","07e83d7fe9b8feb6c0518c05_aspace_59700"],"parent_unittitles_ssm":["Mana-Zucca Collection, 1912-1989","Series 1: Graphic Materials"],"parent_unittitles_tesim":["Mana-Zucca Collection, 1912-1989","Series 1: Graphic Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/75857"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":56,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0/components#1","_nest_parent_":"07e83d7fe9b8feb6c0518c05_aspace_59700","_root_":"07e83d7fe9b8feb6c0518c05","_version_":1881085616266936320,"timestamp":"2026-11-06T05:30:39.187Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"07e83d7fe9b8feb6c0518c05","title_ssm":["Mana-Zucca Collection"],"title_tesim":["Mana-Zucca Collection"],"ead_ssi":"07e83d7fe9b8feb6c0518c05","unitdate_ssm":["1912-1989"],"unitdate_inclusive_ssm":["1912-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7005","/repositories/2/resources/69"],"text":["SPC7005","/repositories/2/resources/69","Mana-Zucca Collection, 1912-1989","The collection is open for research.","Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","FIU Special Collections","Mana-Zucca","Cassel, Leslie","English"],"unitid_tesim":["SPC7005","/repositories/2/resources/69"],"normalized_date_ssm":["1912-1989"],"normalized_title_ssm":["Mana-Zucca Collection, 1912-1989"],"collection_title_tesim":["Mana-Zucca Collection, 1912-1989"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mana-Zucca","Cassel, Leslie"],"creator_ssim":["Mana-Zucca","Cassel, Leslie"],"creator_persname_ssim":["Mana-Zucca","Cassel, Leslie"],"creators_ssim":["Mana-Zucca","Cassel, Leslie"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["102 boxes"],"extent_tesim":["102 boxes"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions of Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eManna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981."],"scopecontent_html_tesm":["\u003cp\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7a0b994c99b6770a2303aa33bd8e3db\" label=\"Abstract\"\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/abstract\u003e"],"abstract_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"names_ssim":["FIU Special Collections","Mana-Zucca","Cassel, Leslie"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Cassel, Leslie"],"persname_ssim":["Mana-Zucca","Cassel, Leslie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":795,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881085616266936320,"_root_":"07e83d7fe9b8feb6c0518c05","timestamp":"2026-11-06T05:30:39.187Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/07e83d7fe9b8feb6c0518c05_aspace_aa2bec3950e5e0a2e289689c59c27467"}},{"id":"200ddbe75be793c2914648c0_aspace_102666","type":"Subseries","attributes":{"title":"Sub-Series 3","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/200ddbe75be793c2914648c0_aspace_102666#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_102666","ref_ssm":["aspace_102666","aspace_102666"],"id":"200ddbe75be793c2914648c0_aspace_102666","title_filing_ssi":"Sub-Series 3","title_ssm":["Sub-Series 3"],"title_tesim":["Sub-Series 3"],"normalized_title_ssm":["Sub-Series 3"],"text":["Sub-Series 3","FAU Library Photograph Collection, 1964-2010, 1964-2010, bulk 1964-1998","Library Interior, 1985-2005","Sub-Series 3","/repositories/2/archival_objects/388","box 13"],"component_level_isim":[2],"parent_ids_ssim":["200ddbe75be793c2914648c0","200ddbe75be793c2914648c0_aspace_102589"],"parent_unittitles_ssm":["FAU Library Photograph Collection, 1964-2010, 1964-2010, bulk 1964-1998","Library Interior, 1985-2005"],"parent_unittitles_tesim":["FAU Library Photograph Collection, 1964-2010, 1964-2010, bulk 1964-1998","Library Interior, 1985-2005"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 3","/repositories/2/archival_objects/388"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU Library Photograph Collection, 1964-2010, 1964-2010, bulk 1964-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":520,"parent_access_terms_tesm":["The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. 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The Library has always been used by students for resarch and studying but in addition to that it is also a social area were students mingle and talk. These photographs also show the changes in the ways the library is used by students while maintaining the same goal of studying and research. There are 242 items in this collection consisting photographs, transparencies, contact sheets, and negatives.","The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAP00036","/repositories/2/resources/2"],"normalized_date_ssm":["1964-2010, bulk 1964-1998"],"normalized_title_ssm":["FAU Library Photograph Collection, 1964-2010, 1964-2010, bulk 1964-1998"],"collection_title_tesim":["FAU Library Photograph Collection, 1964-2010, 1964-2010, bulk 1964-1998"],"collection_ssim":["FAU Library Photograph Collection, 1964-2010, 1964-2010, bulk 1964-1998"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher"],"acqinfo_ssim":["Periodic transfer from Media Relations and donations from individual photographers."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives","University Archives -- Photography "],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives","University Archives -- Photography "],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into series and within each series the photographs are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into series and within each series the photographs are arranged in chronological order."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed by Leslie Siegel.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed by Leslie Siegel."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is a visual history of the the Library that shows its many physical changes including the 1984-1986 expansion of the west wing. The Library has always been used by students for resarch and studying but in addition to that it is also a social area were students mingle and talk. These photographs also show the changes in the ways the library is used by students while maintaining the same goal of studying and research. There are 242 items in this collection consisting photographs, transparencies, contact sheets, and negatives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is a visual history of the the Library that shows its many physical changes including the 1984-1986 expansion of the west wing. The Library has always been used by students for resarch and studying but in addition to that it is also a social area were students mingle and talk. These photographs also show the changes in the ways the library is used by students while maintaining the same goal of studying and research. There are 242 items in this collection consisting photographs, transparencies, contact sheets, and negatives."],"userestrict_html_tesm":["\u003cp\u003eThe collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Dr. John D. 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Dr. Early began his career as a Jesuit priest, although he resigned from the priesthood in 1969. As a member of the Harvard-Chiapas Research Project, he went to Zinacantán to study Maya worldview and its Catholic elements. Later, his interest turned to demographic research as a planning basis for the literacy, cooperative and health programs in which he was involved among the Maya in Guatemala. It was also intended to bring to national and international attention to the severe malnutrition and high mortality among the Maya primarily as a result of social injustice. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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