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She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2783,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130979618816,"_root_":"0f3ff22ed6c6664bd88a5adc","timestamp":"2026-07-16T03:54:50.079Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc_aspace_131268"}},{"id":"614a284e6078cb7d5dfe7caa_aspace_4b82052ab76a9b955abb1a935fe8008f","type":"Subseries","attributes":{"title":"Sub-Series 1: Correspondence between Dr. Hall and publishers","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/614a284e6078cb7d5dfe7caa_aspace_4b82052ab76a9b955abb1a935fe8008f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4b82052ab76a9b955abb1a935fe8008f","ref_ssm":["aspace_4b82052ab76a9b955abb1a935fe8008f","aspace_4b82052ab76a9b955abb1a935fe8008f"],"id":"614a284e6078cb7d5dfe7caa_aspace_4b82052ab76a9b955abb1a935fe8008f","title_filing_ssi":"Sub-Series 1: Correspondence between Dr. Hall and publishers","title_ssm":["Sub-Series 1: Correspondence between Dr. Hall and publishers"],"title_tesim":["Sub-Series 1: Correspondence between Dr. Hall and publishers"],"normalized_title_ssm":["Sub-Series 1: Correspondence between Dr. Hall and publishers"],"text":["Sub-Series 1: Correspondence between Dr. Hall and publishers","James W. Hall Papers, 1969-1999","Series III: Correspondence","1","/repositories/2/archival_objects/83595","box 8","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["614a284e6078cb7d5dfe7caa","614a284e6078cb7d5dfe7caa_aspace_d9c53189cad4b4756039fcb1689a27f8"],"parent_unittitles_ssm":["James W. Hall Papers, 1969-1999","Series III: Correspondence"],"parent_unittitles_tesim":["James W. Hall Papers, 1969-1999","Series III: Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["1","/repositories/2/archival_objects/83595"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["James W. Hall Papers, 1969-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":24,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":81,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"containers_ssim":["box 8","folder 1"],"_nest_path_":"/components#2/components#0","_nest_parent_":"614a284e6078cb7d5dfe7caa_aspace_d9c53189cad4b4756039fcb1689a27f8","_root_":"614a284e6078cb7d5dfe7caa","_version_":1870844463312535552,"timestamp":"2026-07-16T04:31:54.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"614a284e6078cb7d5dfe7caa","title_ssm":["James W. Hall Papers"],"title_tesim":["James W. Hall Papers"],"ead_ssi":"614a284e6078cb7d5dfe7caa","unitdate_ssm":["1969-1999"],"unitdate_inclusive_ssm":["1969-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC4000","/repositories/2/resources/120"],"text":["SPC4000","/repositories/2/resources/120","James W. Hall Papers, 1969-1999","Key West (Fla.) -- Fiction","Detective and mystery stories, American"," Hall, James W. (James Wilson), 1947","Thorn (Fictitious character) -- Fiction","The collection is open for research use.","Dr. James W. Hall was born in 1947 in Kentucky. In the early 1980s he moved from Miami to Key Largo as he was enthralled by the Keys. Thus he used the Keys as the backdrop for most of his novels. While there he worked part-time in a local bait shop while teaching during the week at Florida International Unviersity in Miami, where he taught literature and creative writing for 40 years and founded the school's creative writing program in the early 1970s. He has a master's degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a Fulbright professor of literature in Spain. Hall began his career as a poet. \nHe is a crime and mystery novelist and his work includes 23 novels, 4 poetry books, short stories, and essays. He has won awards for his work including the Edgar Award for Best Short Story and Shamus Award for Best P. I. Hardcover Novel. Notable works include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Tropical Freeze, Red Sky at Night, Gone Wild, and Rough Draft. Most of Hall's work was published between the 80s, 90s, and early 2000s, and two of his novels, Under Cover of Daylight and Bones of Coral have been written into screenplay. Hall's Thorn series include a character inspired by the tough, independent Keys people he grew up knowing in Key Largo and Key West, and is a character in 16 novels. In his words they are \"pioneers, Americans at heart, resourceful, and trustworthy\".","The James W. Hall Papers Collection consists of printed papers, manusscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line. The collection also includes the screenplay from Under Cover of Daylight and Bones of Coral, along with collections of poems and short stories called Paper Products. The majority of papers in this collection was written/published between the 1980s and 1990s, including the novels. The collection is sectioned by boxes, each including contenets from a certain novel.","Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law.","The James W. Hall Papers Collection consists of printed papers, manuscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line.","FIU Special Collections","English"],"unitid_tesim":["SPC4000","/repositories/2/resources/120"],"normalized_date_ssm":["1969-1999"],"normalized_title_ssm":["James W. Hall Papers, 1969-1999"],"collection_title_tesim":["James W. Hall Papers, 1969-1999"],"collection_ssim":["James W. Hall Papers, 1969-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Key West (Fla.) -- Fiction"],"geogname_ssim":["Key West (Fla.) -- Fiction"],"places_ssim":["Key West (Fla.) -- Fiction"],"access_terms_ssm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"acqinfo_ssim":["Dr. James W. Hall donated his papers to Special Collections at Florida International University."],"access_subjects_ssim":["Detective and mystery stories, American"," Hall, James W. (James Wilson), 1947","Thorn (Fictitious character) -- Fiction"],"access_subjects_ssm":["Detective and mystery stories, American"," Hall, James W. (James Wilson), 1947","Thorn (Fictitious character) -- Fiction"],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes"],"extent_tesim":["10 boxes"],"genreform_ssim":["Thorn (Fictitious character) -- Fiction"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDr. James W. Hall was born in 1947 in Kentucky. In the early 1980s he moved from Miami to Key Largo as he was enthralled by the Keys. Thus he used the Keys as the backdrop for most of his novels. While there he worked part-time in a local bait shop while teaching during the week at Florida International Unviersity in Miami, where he taught literature and creative writing for 40 years and founded the school's creative writing program in the early 1970s. He has a master's degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a Fulbright professor of literature in Spain. Hall began his career as a poet. \nHe is a crime and mystery novelist and his work includes 23 novels, 4 poetry books, short stories, and essays. He has won awards for his work including the Edgar Award for Best Short Story and Shamus Award for Best P. I. Hardcover Novel. Notable works include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Tropical Freeze, Red Sky at Night, Gone Wild, and Rough Draft. Most of Hall's work was published between the 80s, 90s, and early 2000s, and two of his novels, Under Cover of Daylight and Bones of Coral have been written into screenplay. Hall's Thorn series include a character inspired by the tough, independent Keys people he grew up knowing in Key Largo and Key West, and is a character in 16 novels. In his words they are \"pioneers, Americans at heart, resourceful, and trustworthy\".\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. James W. Hall was born in 1947 in Kentucky. In the early 1980s he moved from Miami to Key Largo as he was enthralled by the Keys. Thus he used the Keys as the backdrop for most of his novels. While there he worked part-time in a local bait shop while teaching during the week at Florida International Unviersity in Miami, where he taught literature and creative writing for 40 years and founded the school's creative writing program in the early 1970s. He has a master's degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a Fulbright professor of literature in Spain. Hall began his career as a poet. \nHe is a crime and mystery novelist and his work includes 23 novels, 4 poetry books, short stories, and essays. He has won awards for his work including the Edgar Award for Best Short Story and Shamus Award for Best P. I. Hardcover Novel. Notable works include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Tropical Freeze, Red Sky at Night, Gone Wild, and Rough Draft. Most of Hall's work was published between the 80s, 90s, and early 2000s, and two of his novels, Under Cover of Daylight and Bones of Coral have been written into screenplay. Hall's Thorn series include a character inspired by the tough, independent Keys people he grew up knowing in Key Largo and Key West, and is a character in 16 novels. In his words they are \"pioneers, Americans at heart, resourceful, and trustworthy\"."],"scopecontent_html_tesm":["\u003cp\u003eThe James W. Hall Papers Collection consists of printed papers, manusscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line. The collection also includes the screenplay from Under Cover of Daylight and Bones of Coral, along with collections of poems and short stories called Paper Products. The majority of papers in this collection was written/published between the 1980s and 1990s, including the novels. The collection is sectioned by boxes, each including contenets from a certain novel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James W. Hall Papers Collection consists of printed papers, manusscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line. The collection also includes the screenplay from Under Cover of Daylight and Bones of Coral, along with collections of poems and short stories called Paper Products. The majority of papers in this collection was written/published between the 1980s and 1990s, including the novels. The collection is sectioned by boxes, each including contenets from a certain novel."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2e198da6202a51d5e095178388790fb3\"\u003eThe James W. Hall Papers Collection consists of printed papers, manuscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line.\u003c/abstract\u003e"],"abstract_tesim":["The James W. Hall Papers Collection consists of printed papers, manuscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844463312535552,"_root_":"614a284e6078cb7d5dfe7caa","timestamp":"2026-07-16T04:31:54.651Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/614a284e6078cb7d5dfe7caa_aspace_4b82052ab76a9b955abb1a935fe8008f"}},{"id":"fbf633f326a970bc04506713_aspace_e58c8729b9ee85c73306b3d1f9c8c022","type":"Subseries","attributes":{"title":"Sub-Series 1: Faculty and Staff Biographical Files, 1969-1996","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_e58c8729b9ee85c73306b3d1f9c8c022#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e58c8729b9ee85c73306b3d1f9c8c022","ref_ssm":["aspace_e58c8729b9ee85c73306b3d1f9c8c022","aspace_e58c8729b9ee85c73306b3d1f9c8c022"],"id":"fbf633f326a970bc04506713_aspace_e58c8729b9ee85c73306b3d1f9c8c022","title_filing_ssi":"Sub-Series 1: Faculty and Staff Biographical Files","title_ssm":["Sub-Series 1: Faculty and Staff Biographical Files"],"title_tesim":["Sub-Series 1: Faculty and Staff Biographical Files"],"unitdate_inclusive_ssm":["1969-1996"],"normalized_date_ssm":["1969-1996"],"normalized_title_ssm":["Sub-Series 1: Faculty and Staff Biographical Files, 1969-1996"],"text":["Sub-Series 1: Faculty and Staff Biographical Files, 1969-1996","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Series 3: Biographical Files, 1937-2000","/repositories/10/archival_objects/234924"],"component_level_isim":[2],"parent_ids_ssim":["fbf633f326a970bc04506713","fbf633f326a970bc04506713_aspace_6e4db966808c121c2a78e987de8beebc"],"parent_unittitles_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Series 3: Biographical Files, 1937-2000"],"parent_unittitles_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Series 3: Biographical Files, 1937-2000"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/234924"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":19,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":439,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"_nest_path_":"/components#2/components#0","_nest_parent_":"fbf633f326a970bc04506713_aspace_6e4db966808c121c2a78e987de8beebc","_root_":"fbf633f326a970bc04506713","_version_":1880459939778920448,"timestamp":"2026-10-30T07:45:47.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbf633f326a970bc04506713","title_ssm":["FSU School of Dance Records"],"title_tesim":["FSU School of Dance Records"],"ead_ssi":"fbf633f326a970bc04506713","unitdate_ssm":["1911-1912, 1920, 1927-2006, 2011-2012","1960-2000"],"unitdate_bulk_ssim":["1960-2000"],"unitdate_inclusive_ssm":["1911-1912, 1920, 1927-2006, 2011-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2013-009","/repositories/10/resources/1929"],"text":["HP 2013-009","/repositories/10/resources/1929","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Dance","Modern dance","Choreography","This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library .","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond","English"],"unitid_tesim":["HP 2013-009","/repositories/10/resources/1929"],"normalized_date_ssm":["1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"normalized_title_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_title_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_ssim":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_persname_ssim":["Dickinson, Nellie-Bond"],"creator_corpname_ssim":["Florida State University. School of Dance","Florida State University. School of Dance"],"creators_ssim":["Dickinson, Nellie-Bond","Florida State University. School of Dance","Florida State University. School of Dance"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Accessioned May 2, 2013"],"access_subjects_ssim":["Dance","Modern dance","Choreography"],"access_subjects_ssm":["Dance","Modern dance","Choreography"],"has_online_content_ssim":["false"],"extent_ssm":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"extent_tesim":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. \u003c/p\u003e\n","\u003cp\u003eIn 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.\u003c/p\u003e\n","\u003cp\u003eThe core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.\u003c/p\u003e\n","\u003cp\u003eThe School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.\u003c/p\u003e","\u003cp\u003eNellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. \u003c/p\u003e\n","\u003cp\u003eDickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Nellie-Bond Dickinson"],"bioghist_tesim":["The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.\u003c/p\u003e","\u003cp\u003eSelect materials from the FSU School of Dance Records have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/School%20of%20Dance?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Online Copies Available "],"scopecontent_tesim":["The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State University. School of Dance","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women"],"persname_ssim":["Dickinson, Nellie-Bond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":549,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880459939778920448,"_root_":"fbf633f326a970bc04506713","timestamp":"2026-10-30T07:45:47.591Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_e58c8729b9ee85c73306b3d1f9c8c022"}},{"id":"d331ed22985bd548fd56cca6_aspace_74372","type":"Subseries","attributes":{"title":"Sub-Series 1: General Photographs","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_74372#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_74372","ref_ssm":["aspace_74372","aspace_74372"],"id":"d331ed22985bd548fd56cca6_aspace_74372","title_filing_ssi":"Sub-Series 1: General Photographs","title_ssm":["Sub-Series 1: General Photographs"],"title_tesim":["Sub-Series 1: General Photographs"],"normalized_title_ssm":["Sub-Series 1: General Photographs"],"text":["Sub-Series 1: General Photographs","Abril Lamarque Collection, 1883-2001","Series 1: Photographs and Slides","Sub-Series 1","/repositories/2/archival_objects/59646"],"component_level_isim":[2],"parent_ids_ssim":["d331ed22985bd548fd56cca6","d331ed22985bd548fd56cca6_aspace_57712"],"parent_unittitles_ssm":["Abril Lamarque Collection, 1883-2001","Series 1: Photographs and Slides"],"parent_unittitles_tesim":["Abril Lamarque Collection, 1883-2001","Series 1: Photographs and Slides"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1","/repositories/2/archival_objects/59646"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":28,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"_nest_path_":"/components#0/components#0","_nest_parent_":"d331ed22985bd548fd56cca6_aspace_57712","_root_":"d331ed22985bd548fd56cca6","_version_":1870844705641594880,"timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_74372"}},{"id":"a62b266ca8a0c4c6e9a227d3_aspace_8b86c00bcdff4cfcffd68b1d1e99a5a6","type":"Subseries","attributes":{"title":"Sub-Series 1: Photographs","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_8b86c00bcdff4cfcffd68b1d1e99a5a6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8b86c00bcdff4cfcffd68b1d1e99a5a6","ref_ssm":["aspace_8b86c00bcdff4cfcffd68b1d1e99a5a6","aspace_8b86c00bcdff4cfcffd68b1d1e99a5a6"],"id":"a62b266ca8a0c4c6e9a227d3_aspace_8b86c00bcdff4cfcffd68b1d1e99a5a6","title_filing_ssi":"Sub-Series 1: Photographs","title_ssm":["Sub-Series 1: Photographs"],"title_tesim":["Sub-Series 1: Photographs"],"normalized_title_ssm":["Sub-Series 1: Photographs"],"text":["Sub-Series 1: Photographs","Rob Boyte Collection, bulk date unknown","Series 1: Visual Material","1","/repositories/2/archival_objects/83791","This collection contains photographs depicting nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content.","The collection contains photographs of identifiable individuals. Researchers are responsible for respecting individual privacy and applicable laws when using or publishing materials from the collection."],"component_level_isim":[2],"parent_ids_ssim":["a62b266ca8a0c4c6e9a227d3","a62b266ca8a0c4c6e9a227d3_aspace_bc4f13a8aa2c8f96f713984790418d10"],"parent_unittitles_ssm":["Rob Boyte Collection, bulk date unknown","Series 1: Visual Material"],"parent_unittitles_tesim":["Rob Boyte Collection, bulk date unknown","Series 1: Visual Material"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["1","/repositories/2/archival_objects/83791"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"has_online_content_ssim":["false"],"child_component_count_isi":23,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["Access is available only by permission of the Special Collections staff."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"odd_html_tesm":["\u003cp\u003eThis collection contains photographs depicting nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content.\u003c/p\u003e","\u003cp\u003eThe collection contains photographs of identifiable individuals. Researchers are responsible for respecting individual privacy and applicable laws when using or publishing materials from the collection.\u003c/p\u003e"],"odd_heading_ssm":[" Content Note","Privacy Note"],"odd_tesim":["This collection contains photographs depicting nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content.","The collection contains photographs of identifiable individuals. Researchers are responsible for respecting individual privacy and applicable laws when using or publishing materials from the collection."],"_nest_path_":"/components#0/components#0","_nest_parent_":"a62b266ca8a0c4c6e9a227d3_aspace_bc4f13a8aa2c8f96f713984790418d10","_root_":"a62b266ca8a0c4c6e9a227d3","_version_":1876642586161053696,"timestamp":"2026-09-18T04:30:35.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a62b266ca8a0c4c6e9a227d3","title_ssm":["Rob Boyte Collection"],"title_tesim":["Rob Boyte Collection"],"ead_ssi":"a62b266ca8a0c4c6e9a227d3","unitdate_ssm":["date unknown"],"unitdate_bulk_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8030","/repositories/2/resources/12"],"text":["SPC8030","/repositories/2/resources/12","Rob Boyte Collection, bulk date unknown","Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.","Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte","The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Boyte, Robert Alan","English"],"unitid_tesim":["SPC8030","/repositories/2/resources/12"],"normalized_date_ssm":["bulk date unknown"],"normalized_title_ssm":["Rob Boyte Collection, bulk date unknown"],"collection_title_tesim":["Rob Boyte Collection, bulk date unknown"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Boyte, Robert Alan"],"creator_ssim":["Boyte, Robert Alan"],"creator_persname_ssim":["Boyte, Robert Alan"],"creators_ssim":["Boyte, Robert Alan"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Donated by Rob Boyte"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 boxes"],"extent_tesim":["6.00 boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eRestrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"bioghist_html_tesm":["\u003cp\u003eRob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.\u0026#xA0; His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.\u0026#xA0; His interests as an adolescent in high school were Art, Biology and Writing.\u0026#xA0; Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"\u003c/p\u003e\n","\u003cp\u003eDuring childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. \u003c/p\u003e\n","\u003cp\u003eRob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.\u0026#xA0; His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.\u0026#xA0; After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.\u0026#xA0; That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).\u003c/p\u003e\n","\u003cp\u003eRob was never goal oriented and never selected a career other than gravitating to human services work.\u0026#xA0; In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. \u003c/p\u003e\n","\u003cp\u003eWhile in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.\u0026#xA0; While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. \u003c/p\u003e\n","\u003cp\u003eRob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.\u0026#xA0;\u0026#xA0; Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.\u0026#xA0; They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.\u0026#xA0; Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.\u003c/p\u003e\n","\u003cp\u003eDuring the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.\u0026#xA0; He also wrote a column for Naturist publications called \u003cemph render=\"italic\"\u003eNude Attitude\u003c/emph\u003e, which he later compiled into a small, self-published book of the same title.\u003c/p\u003e\n","\u003cp\u003eRob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.\u0026#xA0; Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. \u003c/p\u003e\n","\u003cp\u003eFrom 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.\u0026#xA0; During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.\u0026#xA0; In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eWhile living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.\u0026#xA0; Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.\u0026#xA0; Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.\u0026#xA0; Brenda worked at Alachua General Hospital.\u003c/p\u003e\n","\u003cp\u003eRob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.\u0026#xA0; Rob and Brenda got divorced in 1998. \u003c/p\u003e\n","\u003cp\u003eIn November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eNote written by Robert Alan Boyte\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte"],"scopecontent_html_tesm":["\u003cp\u003eThe Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Boyte, Robert Alan"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Boyte, Robert Alan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":74,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876642586161053696,"_root_":"a62b266ca8a0c4c6e9a227d3","timestamp":"2026-09-18T04:30:35.495Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_8b86c00bcdff4cfcffd68b1d1e99a5a6"}},{"id":"07e83d7fe9b8feb6c0518c05_aspace_5b2c31ce18d8b7c571222785918ce7e8","type":"Subseries","attributes":{"title":"Sub-Series 1: Scrapbooks and Photo Albums","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/07e83d7fe9b8feb6c0518c05_aspace_5b2c31ce18d8b7c571222785918ce7e8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5b2c31ce18d8b7c571222785918ce7e8","ref_ssm":["aspace_5b2c31ce18d8b7c571222785918ce7e8","aspace_5b2c31ce18d8b7c571222785918ce7e8"],"id":"07e83d7fe9b8feb6c0518c05_aspace_5b2c31ce18d8b7c571222785918ce7e8","title_filing_ssi":"Sub-Series 1: Scrapbooks and Photo Albums","title_ssm":["Sub-Series 1: Scrapbooks and Photo Albums"],"title_tesim":["Sub-Series 1: Scrapbooks and Photo Albums"],"normalized_title_ssm":["Sub-Series 1: Scrapbooks and Photo Albums"],"text":["Sub-Series 1: Scrapbooks and Photo Albums","Mana-Zucca Collection, 1912-1989","Series 1: Graphic Materials","/repositories/2/archival_objects/75762"],"component_level_isim":[2],"parent_ids_ssim":["07e83d7fe9b8feb6c0518c05","07e83d7fe9b8feb6c0518c05_aspace_59700"],"parent_unittitles_ssm":["Mana-Zucca Collection, 1912-1989","Series 1: Graphic Materials"],"parent_unittitles_tesim":["Mana-Zucca Collection, 1912-1989","Series 1: Graphic Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/75762"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":53,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0/components#0","_nest_parent_":"07e83d7fe9b8feb6c0518c05_aspace_59700","_root_":"07e83d7fe9b8feb6c0518c05","_version_":1881085616266936320,"timestamp":"2026-11-06T05:30:39.187Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"07e83d7fe9b8feb6c0518c05","title_ssm":["Mana-Zucca Collection"],"title_tesim":["Mana-Zucca Collection"],"ead_ssi":"07e83d7fe9b8feb6c0518c05","unitdate_ssm":["1912-1989"],"unitdate_inclusive_ssm":["1912-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7005","/repositories/2/resources/69"],"text":["SPC7005","/repositories/2/resources/69","Mana-Zucca Collection, 1912-1989","The collection is open for research.","Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","FIU Special Collections","Mana-Zucca","Cassel, Leslie","English"],"unitid_tesim":["SPC7005","/repositories/2/resources/69"],"normalized_date_ssm":["1912-1989"],"normalized_title_ssm":["Mana-Zucca Collection, 1912-1989"],"collection_title_tesim":["Mana-Zucca Collection, 1912-1989"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mana-Zucca","Cassel, Leslie"],"creator_ssim":["Mana-Zucca","Cassel, Leslie"],"creator_persname_ssim":["Mana-Zucca","Cassel, Leslie"],"creators_ssim":["Mana-Zucca","Cassel, Leslie"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["102 boxes"],"extent_tesim":["102 boxes"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions of Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eManna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981."],"scopecontent_html_tesm":["\u003cp\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7a0b994c99b6770a2303aa33bd8e3db\" label=\"Abstract\"\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/abstract\u003e"],"abstract_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"names_ssim":["FIU Special Collections","Mana-Zucca","Cassel, Leslie"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Cassel, Leslie"],"persname_ssim":["Mana-Zucca","Cassel, Leslie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":795,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881085616266936320,"_root_":"07e83d7fe9b8feb6c0518c05","timestamp":"2026-11-06T05:30:39.187Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/07e83d7fe9b8feb6c0518c05_aspace_5b2c31ce18d8b7c571222785918ce7e8"}},{"id":"614a284e6078cb7d5dfe7caa_aspace_63cd1c2dd8fce154ae12089d0090f22d","type":"Subseries","attributes":{"title":"Sub-Series 1: Under Cover of Daylight","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/614a284e6078cb7d5dfe7caa_aspace_63cd1c2dd8fce154ae12089d0090f22d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_63cd1c2dd8fce154ae12089d0090f22d","ref_ssm":["aspace_63cd1c2dd8fce154ae12089d0090f22d","aspace_63cd1c2dd8fce154ae12089d0090f22d"],"id":"614a284e6078cb7d5dfe7caa_aspace_63cd1c2dd8fce154ae12089d0090f22d","title_filing_ssi":"Sub-Series 1: Under Cover of Daylight","title_ssm":["Sub-Series 1: Under Cover of Daylight"],"title_tesim":["Sub-Series 1: Under Cover of Daylight"],"normalized_title_ssm":["Sub-Series 1: Under Cover of Daylight"],"text":["Sub-Series 1: Under Cover of Daylight","James W. Hall Papers, 1969-1999","Series I: Novels","/repositories/2/archival_objects/82833","box 1"],"component_level_isim":[2],"parent_ids_ssim":["614a284e6078cb7d5dfe7caa","614a284e6078cb7d5dfe7caa_aspace_665aac46e4ab627d846c5690ac5bfa9b"],"parent_unittitles_ssm":["James W. Hall Papers, 1969-1999","Series I: Novels"],"parent_unittitles_tesim":["James W. Hall Papers, 1969-1999","Series I: Novels"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/82833"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["James W. Hall Papers, 1969-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"containers_ssim":["box 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"614a284e6078cb7d5dfe7caa_aspace_665aac46e4ab627d846c5690ac5bfa9b","_root_":"614a284e6078cb7d5dfe7caa","_version_":1870844463312535552,"timestamp":"2026-07-16T04:31:54.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"614a284e6078cb7d5dfe7caa","title_ssm":["James W. Hall Papers"],"title_tesim":["James W. Hall Papers"],"ead_ssi":"614a284e6078cb7d5dfe7caa","unitdate_ssm":["1969-1999"],"unitdate_inclusive_ssm":["1969-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC4000","/repositories/2/resources/120"],"text":["SPC4000","/repositories/2/resources/120","James W. Hall Papers, 1969-1999","Key West (Fla.) -- Fiction","Detective and mystery stories, American"," Hall, James W. (James Wilson), 1947","Thorn (Fictitious character) -- Fiction","The collection is open for research use.","Dr. James W. Hall was born in 1947 in Kentucky. In the early 1980s he moved from Miami to Key Largo as he was enthralled by the Keys. Thus he used the Keys as the backdrop for most of his novels. While there he worked part-time in a local bait shop while teaching during the week at Florida International Unviersity in Miami, where he taught literature and creative writing for 40 years and founded the school's creative writing program in the early 1970s. He has a master's degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a Fulbright professor of literature in Spain. Hall began his career as a poet. \nHe is a crime and mystery novelist and his work includes 23 novels, 4 poetry books, short stories, and essays. He has won awards for his work including the Edgar Award for Best Short Story and Shamus Award for Best P. I. Hardcover Novel. Notable works include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Tropical Freeze, Red Sky at Night, Gone Wild, and Rough Draft. Most of Hall's work was published between the 80s, 90s, and early 2000s, and two of his novels, Under Cover of Daylight and Bones of Coral have been written into screenplay. Hall's Thorn series include a character inspired by the tough, independent Keys people he grew up knowing in Key Largo and Key West, and is a character in 16 novels. In his words they are \"pioneers, Americans at heart, resourceful, and trustworthy\".","The James W. Hall Papers Collection consists of printed papers, manusscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line. The collection also includes the screenplay from Under Cover of Daylight and Bones of Coral, along with collections of poems and short stories called Paper Products. The majority of papers in this collection was written/published between the 1980s and 1990s, including the novels. The collection is sectioned by boxes, each including contenets from a certain novel.","Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law.","The James W. Hall Papers Collection consists of printed papers, manuscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line.","FIU Special Collections","English"],"unitid_tesim":["SPC4000","/repositories/2/resources/120"],"normalized_date_ssm":["1969-1999"],"normalized_title_ssm":["James W. Hall Papers, 1969-1999"],"collection_title_tesim":["James W. Hall Papers, 1969-1999"],"collection_ssim":["James W. Hall Papers, 1969-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Key West (Fla.) -- Fiction"],"geogname_ssim":["Key West (Fla.) -- Fiction"],"places_ssim":["Key West (Fla.) -- Fiction"],"access_terms_ssm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"acqinfo_ssim":["Dr. James W. Hall donated his papers to Special Collections at Florida International University."],"access_subjects_ssim":["Detective and mystery stories, American"," Hall, James W. (James Wilson), 1947","Thorn (Fictitious character) -- Fiction"],"access_subjects_ssm":["Detective and mystery stories, American"," Hall, James W. (James Wilson), 1947","Thorn (Fictitious character) -- Fiction"],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes"],"extent_tesim":["10 boxes"],"genreform_ssim":["Thorn (Fictitious character) -- Fiction"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDr. James W. Hall was born in 1947 in Kentucky. In the early 1980s he moved from Miami to Key Largo as he was enthralled by the Keys. Thus he used the Keys as the backdrop for most of his novels. While there he worked part-time in a local bait shop while teaching during the week at Florida International Unviersity in Miami, where he taught literature and creative writing for 40 years and founded the school's creative writing program in the early 1970s. He has a master's degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a Fulbright professor of literature in Spain. Hall began his career as a poet. \nHe is a crime and mystery novelist and his work includes 23 novels, 4 poetry books, short stories, and essays. He has won awards for his work including the Edgar Award for Best Short Story and Shamus Award for Best P. I. Hardcover Novel. Notable works include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Tropical Freeze, Red Sky at Night, Gone Wild, and Rough Draft. Most of Hall's work was published between the 80s, 90s, and early 2000s, and two of his novels, Under Cover of Daylight and Bones of Coral have been written into screenplay. Hall's Thorn series include a character inspired by the tough, independent Keys people he grew up knowing in Key Largo and Key West, and is a character in 16 novels. In his words they are \"pioneers, Americans at heart, resourceful, and trustworthy\".\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. James W. Hall was born in 1947 in Kentucky. In the early 1980s he moved from Miami to Key Largo as he was enthralled by the Keys. Thus he used the Keys as the backdrop for most of his novels. While there he worked part-time in a local bait shop while teaching during the week at Florida International Unviersity in Miami, where he taught literature and creative writing for 40 years and founded the school's creative writing program in the early 1970s. He has a master's degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a Fulbright professor of literature in Spain. Hall began his career as a poet. \nHe is a crime and mystery novelist and his work includes 23 novels, 4 poetry books, short stories, and essays. He has won awards for his work including the Edgar Award for Best Short Story and Shamus Award for Best P. I. Hardcover Novel. Notable works include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Tropical Freeze, Red Sky at Night, Gone Wild, and Rough Draft. Most of Hall's work was published between the 80s, 90s, and early 2000s, and two of his novels, Under Cover of Daylight and Bones of Coral have been written into screenplay. Hall's Thorn series include a character inspired by the tough, independent Keys people he grew up knowing in Key Largo and Key West, and is a character in 16 novels. In his words they are \"pioneers, Americans at heart, resourceful, and trustworthy\"."],"scopecontent_html_tesm":["\u003cp\u003eThe James W. Hall Papers Collection consists of printed papers, manusscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line. The collection also includes the screenplay from Under Cover of Daylight and Bones of Coral, along with collections of poems and short stories called Paper Products. The majority of papers in this collection was written/published between the 1980s and 1990s, including the novels. The collection is sectioned by boxes, each including contenets from a certain novel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James W. Hall Papers Collection consists of printed papers, manusscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line. The collection also includes the screenplay from Under Cover of Daylight and Bones of Coral, along with collections of poems and short stories called Paper Products. The majority of papers in this collection was written/published between the 1980s and 1990s, including the novels. The collection is sectioned by boxes, each including contenets from a certain novel."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2e198da6202a51d5e095178388790fb3\"\u003eThe James W. Hall Papers Collection consists of printed papers, manuscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line.\u003c/abstract\u003e"],"abstract_tesim":["The James W. Hall Papers Collection consists of printed papers, manuscripts, and correspondence. This includes rough drafts of novels, both printed from the publisher and first drafts and outlines written by Dr. Hall. There is correspondence including letters to and from publishing companies, universities, and bookstores. The majority of the collection is drafts from his published novels. The collection also includes many poems as Dr. Hall was a poet as well as a novelist. Works from Dr. Hall's novels in this collection include Under Cover of Daylight, Bones of Coral, Mean High Tide, Body Language, Miami Beach, Kentucky, Tropical Freeze, Red Sky at Night, Gone Wild, Rough Draft, and Squall Line."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844463312535552,"_root_":"614a284e6078cb7d5dfe7caa","timestamp":"2026-07-16T04:31:54.651Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/614a284e6078cb7d5dfe7caa_aspace_63cd1c2dd8fce154ae12089d0090f22d"}},{"id":"2d7156e72e010a34961778b8_aspace_108669","type":"Subseries","attributes":{"title":"Sub-Series 2","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2d7156e72e010a34961778b8_aspace_108669#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_108669","ref_ssm":["aspace_108669","aspace_108669"],"id":"2d7156e72e010a34961778b8_aspace_108669","title_filing_ssi":"Sub-Series 2","title_ssm":["Sub-Series 2"],"title_tesim":["Sub-Series 2"],"normalized_title_ssm":["Sub-Series 2"],"text":["Sub-Series 2","Students Photograph Collection, 1960s, 1964-1969, Date acquired: 00/00/2016","Student Government Association","Sub-Series 2","/repositories/2/archival_objects/9520","box 4"],"component_level_isim":[2],"parent_ids_ssim":["2d7156e72e010a34961778b8","2d7156e72e010a34961778b8_aspace_108661"],"parent_unittitles_ssm":["Students Photograph Collection, 1960s, 1964-1969, Date acquired: 00/00/2016","Student Government Association"],"parent_unittitles_tesim":["Students Photograph Collection, 1960s, 1964-1969, Date acquired: 00/00/2016","Student Government Association"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 2","/repositories/2/archival_objects/9520"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Students Photograph Collection, 1960s, 1964-1969, Date acquired: 00/00/2016"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":712,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment."],"parent_access_terms_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment."],"containers_ssim":["box 4"],"_nest_path_":"/components#6/components#1","_nest_parent_":"2d7156e72e010a34961778b8_aspace_108661","_root_":"2d7156e72e010a34961778b8","_version_":1870841877547188224,"timestamp":"2026-07-16T03:50:48.663Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2d7156e72e010a34961778b8","title_ssm":["Students Photograph Collection, 1960s"],"title_tesim":["Students Photograph Collection, 1960s"],"ead_ssi":"2d7156e72e010a34961778b8","unitdate_ssm":["1964-1969","Date acquired: 00/00/2016"],"unitdate_inclusive_ssm":["1964-1969"],"unitdate_other_ssim":["Date acquired: 00/00/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAP00016","/repositories/2/resources/21"],"text":["UAP00016","/repositories/2/resources/21","Students Photograph Collection, 1960s, 1964-1969, Date acquired: 00/00/2016","Florida Atlantic University -- History","University Archives","University Archives -- Photography ","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","The collection is arranged into eleven (11) series, within the series there can be sub-series.","http://www.archon.org","In 2018, this collection was added into the FAU Students, 1960s to 2000s Collection and is no longer updated. This finding aid was retained to provide researchers with a guide for boxes 1 through 3 in the updated FAU Students, 1960s to 2000s Collection. Please  follow this link  to access the new collection."," "," ","This collection documents student life at Florida Atlantic University in its first decade. It consists of 975 Black And White and color photographs, negatives, and transparencies (slides) showing students in class, on the many patios and gardens of the campus, in the cafeteria, in their dorms, and in many other college life activities.","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAP00016","/repositories/2/resources/21"],"normalized_date_ssm":["1964-1969, Date acquired: 00/00/2016"],"normalized_title_ssm":["Students Photograph Collection, 1960s, 1964-1969, Date acquired: 00/00/2016"],"collection_title_tesim":["Students Photograph Collection, 1960s, 1964-1969, Date acquired: 00/00/2016"],"collection_ssim":["Students Photograph Collection, 1960s, 1964-1969, Date acquired: 00/00/2016"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives","University Archives -- Photography "],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives","University Archives -- Photography "],"has_online_content_ssim":["false"],"extent_ssm":["2.00 Linear Feet","This collection consists of six (6) clam shell boxes (12\"x 11 3/4\"x2 3/8\") other_unmapped"],"extent_tesim":["2.00 Linear Feet","This collection consists of six (6) clam shell boxes (12\"x 11 3/4\"x2 3/8\") other_unmapped"],"date_range_isim":[1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eleven (11) series, within the series there can be sub-series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into eleven (11) series, within the series there can be sub-series."],"relatedmaterial_html_tesm":["\u003cp\u003ehttp://www.archon.org\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["http://www.archon.org"],"scopecontent_html_tesm":["\u003cp\u003eIn 2018, this collection was added into the FAU Students, 1960s to 2000s Collection and is no longer updated. This finding aid was retained to provide researchers with a guide for boxes 1 through 3 in the updated FAU Students, 1960s to 2000s Collection. Please \u003cextref href=\"http://fauarchon.fcla.edu/index.php?p=collections/findingaid\u0026amp;id=1002\u0026amp;q=1960s\"\u003efollow this link\u003c/extref\u003e to access the new collection.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eThis collection documents student life at Florida Atlantic University in its first decade. It consists of 975 Black And White and color photographs, negatives, and transparencies (slides) showing students in class, on the many patios and gardens of the campus, in the cafeteria, in their dorms, and in many other college life activities.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 2018, this collection was added into the FAU Students, 1960s to 2000s Collection and is no longer updated. This finding aid was retained to provide researchers with a guide for boxes 1 through 3 in the updated FAU Students, 1960s to 2000s Collection. Please  follow this link  to access the new collection."," "," ","This collection documents student life at Florida Atlantic University in its first decade. It consists of 975 Black And White and color photographs, negatives, and transparencies (slides) showing students in class, on the many patios and gardens of the campus, in the cafeteria, in their dorms, and in many other college life activities."],"userestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":797,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841877547188224,"_root_":"2d7156e72e010a34961778b8","timestamp":"2026-07-16T03:50:48.663Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2d7156e72e010a34961778b8_aspace_108669"}},{"id":"4f9b938446b216e09aed1c5e_aspace_24498","type":"Subseries","attributes":{"title":"Sub-Series 2","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4f9b938446b216e09aed1c5e_aspace_24498#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24498","ref_ssm":["aspace_24498","aspace_24498"],"id":"4f9b938446b216e09aed1c5e_aspace_24498","title_filing_ssi":"Sub-Series 2","title_ssm":["Sub-Series 2"],"title_tesim":["Sub-Series 2"],"normalized_title_ssm":["Sub-Series 2"],"text":["Sub-Series 2","Grace I. Fox and Mary Jane Martin-Vegue Collection, Dummy Date","Photographs","Folder 5","Sub-Series 2","/repositories/10/archival_objects/166139"],"component_level_isim":[3],"parent_ids_ssim":["4f9b938446b216e09aed1c5e","4f9b938446b216e09aed1c5e_aspace_211190","4f9b938446b216e09aed1c5e_aspace_24550"],"parent_unittitles_ssm":["Grace I. Fox and Mary Jane Martin-Vegue Collection, Dummy Date","Photographs","Folder 5"],"parent_unittitles_tesim":["Grace I. Fox and Mary Jane Martin-Vegue Collection, Dummy Date","Photographs","Folder 5"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Sub-Series 2","/repositories/10/archival_objects/166139"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Grace I. Fox and Mary Jane Martin-Vegue Collection, Dummy Date"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":731,"_nest_path_":"/components#6/components#1/components#1","_nest_parent_":"4f9b938446b216e09aed1c5e_aspace_24550","_root_":"4f9b938446b216e09aed1c5e","_version_":1870857281344634880,"timestamp":"2026-07-16T07:55:38.872Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4f9b938446b216e09aed1c5e","title_ssm":["Grace I. Fox and Mary Jane Martin-Vegue Collection"],"title_tesim":["Grace I. Fox and Mary Jane Martin-Vegue Collection"],"ead_ssi":"4f9b938446b216e09aed1c5e","unitdate_ssm":["Dummy Date"],"unitdate_other_ssim":["Dummy Date"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2008-025","/repositories/10/resources/1315"],"text":["HP 2008-025","/repositories/10/resources/1315","Grace I. Fox and Mary Jane Martin-Vegue Collection, Dummy Date","Florida State University Reservation (Fla.)","Laguna Beach (Calif.)","Miami (Fla.)","Knoxville (Tenn.)","Sports.","Physical Education","Literary Organizations","Even Team Memorabilia","Faculty","Faculty Memorabilia","Volleyball.","Soccer.","Softball","Florida State University. Department of Dance","Announcements","Pamphlets","Bibliography","Name tags","Photographs","Directories.","Scrapbooks","Clippings (Books, newspapers, etc.)","Yearbook pages","Yearbooks","Yearbook photograph","Envelopes (Stationery)","Notes.","Lists.","Drafts (Document)","Reports","Certificates","Schedules","Labels.","Syllabus","Programs","Blank forms","Outlines","Questionnaires.","Financial Records","Financial statements.","Diplomas","Plaques","Bulletins","Surveys.","Minutes","Memoranda","Books","Notebooks.","Publications","Speeches, addresses, etc.","Receipts","Invitation cards.","Résumés (Employment)","Greeting cards.","Periodicals.","The Grace I. Fox and Mary Jane Martin-Vegue Collection consists of a variety of materials relating to their involvement with Florida State University and their leadership in physical education in the state of Florida, as well as nationally. ","The Physical Education and Athletics Papers consist of documents relating to the physical education curriculum at Florida State University and materials concerning the involvement of Grace Fox, Mary Jane Martin-Vegue, and Katherine W. Montgomery in national and state-wide physical education and athletics organizations and associations.","The collection includes official correspondence of Grace Imogene Fox, Mary Jane Martin-Vegue, and Katherine W. Montgomery.","Several scrapbooks and loose scrapbook pages contain personal photographs of both Grace Fox and Mary Jane Martin-Vegue.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection.","FSU Special Collections \u0026 Archives","Florida State College for Women","Miami Herald","F Club","Florida Flambeau","Physical Education Department","Tallahassee Democrat.","Florida Times Union","Tallahassee Literary Club","Tarpon Club","Florida State University. Flying High Circus","Kappa Delta Pi (Honor society)","Women's Society of Christian Service","American Red Cross","Woman's Auxiliary of the Presbyterian Church U.S.","Southern District of the American Association for Health, Physical Education, and Recreation","American Association for Health, Physical Education, and Recreation","Florida Association for Health, Physical Education, and Recreation","Robert E. Lee High School","Phi Beta Kappa","Miami Senior High School","Florida Women's State Athletic Association","Amatuer Athletic Union","Journal of Health and Physical Education","Florida High School Athletic Association","Florida Association of Recreation Workers","Heritage Tower (Tallahassee, Fla.)","Seminole Guide","Statesboro High School","Fox, Grace Imogene","Martin-Vegue, Mary Jane Medlin","Blackwell, Gordon W. (Gordon Williams), 1911-2004","Fox, Grace","Fields, Mary","Salt, E. Benton (Ellis Benton), 1900-","Crosby, Louise","Eastman, Bill","Blanchard, Arthurine","Shoaf, Frances","Shoaf, Milton","Ecker, Denore","Wimpee, Bonnie","Lloyd, Jean","Ecker, Denora","Martin-Vegue, George Boyd","Eklund, Frances","Telford, Mary","Helms, Meta","Emal, Paulette Nolan","Lee, Frances \"Paulette\" Nolan","Bail, Grace","Cunningham, Elizabeth Ezzard","Flynn, Stella Valenti","Bisz, Helen","Thomas, Mary Lois","West, Felicia M.","Bennett, Sarah L.","Eyman, Jeanne","Smith, Jean Eyman","Gruppe, Kathleen","Annis, Edward R., 1913-2009","McGahagin, Dorothy Bryant","Twitty, Martha","Walker, Edwin R.","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Fite, Bill","Fite, JoAnn","Fite, Martha","Fite, Sara Hethcox","Hines, Edna","Cardieu, Betty","Greer, Viola Brooks","Barret, Frank E.","Bailey, Dorothy","Bailey, Carol Ann, 1939-","Newton, Frances Hurlin","Wilby, Yvone","Wilby, Stone","Daane, Beth","Autrey, Betty","Autrey, Elizabeth","Waldrop, Rebecca \"Becky\"","Creary, Dempsey","Ramsey, Denara Ecker","Mitchell, Anna Lenora Brown","Ashmore, Grace Fox","Brewer, Mary E.","Montgomery, Edward F.","Settle, Mary","Davis, Rose Lee","Williams, Gladys Vaughn","McVev, Glora Y.","Moore, Martha","Shackleford, Margaret","Boyles, Eloise","Johnston, Vera D.","Marchesseau, Yvonne","Dean, Belle","Herrick, Mabel Dunscombe","Scott, Brennelle Mobley","McKay, Anna Frances \"Peaches\"","Albany Herald","Wells, Janet, 1920-","Rogers, Carmen","Barfield, Margaret Ellen","McCreary, Mary Alice","Hayden, Alice","Lafayette","Patterson, Phil","Maynard, Zollie M.","Sample, Catherine","Troester, Jr., Carl A.","Adams, Miller K.","Baker, G. Floyd","Stone, Mode L. (Mode Lee), 1902-1979","Strozier, Robert M. (Robert Manning), 1906-1960","Miller, Ken","Miller, Kenneth D.","Fordyce, Phillip R.","Marshall, J. Stanley (James Stanley), 1923-","Cubbon, Eddie","Meeks, Carl G.","Troester, Carl A.","Smith, Nancy","Craig, Merrill","Perloff, Ben J.","Ballard, Janet V.","Smith, Marjorie","Snell, Catherine","Moore, Elizabeth","Cozens, Eloise","Campbell, Laurie E.","Cherry, Spurgeon","Dillon, Evelyn K.","Spencer, Clyde","Samson, Ruth B.","Huey, Marion Wood","Pratt, J. Lowell","Hobson, Howard, 1903-","Halsey, Elizabeth, 1890-","Warner, Kenneth O. (Kenneth Oren), 1904-","Boyce, Roberta","Golden, Lafayette","Miller, Mary Kate","Hunt, Cordelia B.","Jernigan, Harvey Jordon","Moffat, Ruth","Eisenhower, Dwight D. (Dwight David), 1890-1969","Schnell, Herman","Anderson, George F.","Flanagau, Virginia","Sowers, Ray","Hick, Esther","Arnold, Anna Frances \"Peaches\" McKay","Montgomery, Katherine W. (Katherine Williams), 1894-1958","English"],"unitid_tesim":["HP 2008-025","/repositories/10/resources/1315"],"normalized_date_ssm":["Dummy Date"],"normalized_title_ssm":["Grace I. Fox and Mary Jane Martin-Vegue Collection, Dummy Date"],"collection_title_tesim":["Grace I. Fox and Mary Jane Martin-Vegue Collection, Dummy Date"],"collection_ssim":["Grace I. Fox and Mary Jane Martin-Vegue Collection, Dummy Date"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Florida State University Reservation (Fla.)","Laguna Beach (Calif.)","Miami (Fla.)","Knoxville (Tenn.)"],"geogname_ssim":["Florida State University Reservation (Fla.)","Laguna Beach (Calif.)","Miami (Fla.)","Knoxville (Tenn.)"],"creator_ssm":["Fox, Grace Imogene","Martin-Vegue, Mary Jane Medlin"],"creator_ssim":["Fox, Grace Imogene","Martin-Vegue, Mary Jane Medlin"],"creator_persname_ssim":["Fox, Grace Imogene","Martin-Vegue, Mary Jane Medlin"],"creators_ssim":["Fox, Grace Imogene","Martin-Vegue, Mary Jane Medlin"],"places_ssim":["Florida State University Reservation (Fla.)","Laguna Beach (Calif.)","Miami (Fla.)","Knoxville (Tenn.)"],"access_subjects_ssim":["Sports.","Physical Education","Literary Organizations","Even Team Memorabilia","Faculty","Faculty Memorabilia","Volleyball.","Soccer.","Softball","Florida State University. Department of Dance","Announcements","Pamphlets","Bibliography","Name tags","Photographs","Directories.","Scrapbooks","Clippings (Books, newspapers, etc.)","Yearbook pages","Yearbooks","Yearbook photograph","Envelopes (Stationery)","Notes.","Lists.","Drafts (Document)","Reports","Certificates","Schedules","Labels.","Syllabus","Programs","Blank forms","Outlines","Questionnaires.","Financial Records","Financial statements.","Diplomas","Plaques","Bulletins","Surveys.","Minutes","Memoranda","Books","Notebooks.","Publications","Speeches, addresses, etc.","Receipts","Invitation cards.","Résumés (Employment)","Greeting cards.","Periodicals."],"access_subjects_ssm":["Sports.","Physical Education","Literary Organizations","Even Team Memorabilia","Faculty","Faculty Memorabilia","Volleyball.","Soccer.","Softball","Florida State University. Department of Dance","Announcements","Pamphlets","Bibliography","Name tags","Photographs","Directories.","Scrapbooks","Clippings (Books, newspapers, etc.)","Yearbook pages","Yearbooks","Yearbook photograph","Envelopes (Stationery)","Notes.","Lists.","Drafts (Document)","Reports","Certificates","Schedules","Labels.","Syllabus","Programs","Blank forms","Outlines","Questionnaires.","Financial Records","Financial statements.","Diplomas","Plaques","Bulletins","Surveys.","Minutes","Memoranda","Books","Notebooks.","Publications","Speeches, addresses, etc.","Receipts","Invitation cards.","Résumés (Employment)","Greeting cards.","Periodicals."],"has_online_content_ssim":["false"],"extent_ssm":["1.50 Linear Feet"],"extent_tesim":["1.50 Linear Feet"],"genreform_ssim":["Name tags","Photographs","Directories.","Scrapbooks","Clippings (Books, newspapers, etc.)","Yearbook pages","Yearbooks","Yearbook photograph","Envelopes (Stationery)","Notes.","Lists.","Drafts (Document)","Reports","Certificates","Schedules","Labels.","Syllabus","Programs","Blank forms","Outlines","Questionnaires.","Financial Records","Financial statements.","Diplomas","Plaques","Bulletins","Surveys.","Minutes","Memoranda","Books","Notebooks.","Publications","Speeches, addresses, etc.","Receipts","Invitation cards.","Résumés (Employment)","Greeting cards.","Periodicals."],"prefercite_html_tesm":["\u003cp\u003eGrace I. Fox and Mary Jane Martin-Vegue Collection, Heritage \u0026amp; University Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HP-2008-025\"\u003ehttp://purl.fcla.edu/fsu/HP-2008-025\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Grace I. Fox and Mary Jane Martin-Vegue Collection, Heritage \u0026 University Archives, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HP-2008-025"],"scopecontent_html_tesm":["\u003cp\u003eThe Grace I. Fox and Mary Jane Martin-Vegue Collection consists of a variety of materials relating to their involvement with Florida State University and their leadership in physical education in the state of Florida, as well as nationally. \u003c/p\u003e\n","\u003cp\u003eThe Physical Education and Athletics Papers consist of documents relating to the physical education curriculum at Florida State University and materials concerning the involvement of Grace Fox, Mary Jane Martin-Vegue, and Katherine W. Montgomery in national and state-wide physical education and athletics organizations and associations.\u003c/p\u003e\n","\u003cp\u003eThe collection includes official correspondence of Grace Imogene Fox, Mary Jane Martin-Vegue, and Katherine W. Montgomery.\u003c/p\u003e\n","\u003cp\u003eSeveral scrapbooks and loose scrapbook pages contain personal photographs of both Grace Fox and Mary Jane Martin-Vegue.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:huaphotographcollection\"\u003eFSU Digital Library\u003c/extref\u003e as part of a larger photograph collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Grace I. Fox and Mary Jane Martin-Vegue Collection consists of a variety of materials relating to their involvement with Florida State University and their leadership in physical education in the state of Florida, as well as nationally. ","The Physical Education and Athletics Papers consist of documents relating to the physical education curriculum at Florida State University and materials concerning the involvement of Grace Fox, Mary Jane Martin-Vegue, and Katherine W. Montgomery in national and state-wide physical education and athletics organizations and associations.","The collection includes official correspondence of Grace Imogene Fox, Mary Jane Martin-Vegue, and Katherine W. Montgomery.","Several scrapbooks and loose scrapbook pages contain personal photographs of both Grace Fox and Mary Jane Martin-Vegue.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection."],"names_coll_ssim":["Florida State College for Women","Miami Herald","F Club","Florida Flambeau","Physical Education Department","Tallahassee Democrat.","Florida Times Union","Tallahassee Literary Club","Tarpon Club","Florida State University. Flying High Circus","Kappa Delta Pi (Honor society)","Women's Society of Christian Service","American Red Cross","Woman's Auxiliary of the Presbyterian Church U.S.","Southern District of the American Association for Health, Physical Education, and Recreation","American Association for Health, Physical Education, and Recreation","Florida Association for Health, Physical Education, and Recreation","Robert E. Lee High School","Phi Beta Kappa","Miami Senior High School","Florida Women's State Athletic Association","Amatuer Athletic Union","Journal of Health and Physical Education","Florida High School Athletic Association","Florida Association of Recreation Workers","Heritage Tower (Tallahassee, Fla.)","Seminole Guide","Statesboro High School","Blackwell, Gordon W. (Gordon Williams), 1911-2004","Fox, Grace","Martin-Vegue, Mary Jane Medlin","Fields, Mary","Salt, E. Benton (Ellis Benton), 1900-","Crosby, Louise","Eastman, Bill","Blanchard, Arthurine","Shoaf, Frances","Shoaf, Milton","Ecker, Denore","Wimpee, Bonnie","Lloyd, Jean","Ecker, Denora","Martin-Vegue, George Boyd","Eklund, Frances","Telford, Mary","Helms, Meta","Emal, Paulette Nolan","Lee, Frances \"Paulette\" Nolan","Bail, Grace","Cunningham, Elizabeth Ezzard","Flynn, Stella Valenti","Bisz, Helen","Thomas, Mary Lois","West, Felicia M.","Bennett, Sarah L.","Eyman, Jeanne","Smith, Jean Eyman","Gruppe, Kathleen","Annis, Edward R., 1913-2009","McGahagin, Dorothy Bryant","Twitty, Martha","Walker, Edwin R.","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Fite, Bill","Fite, JoAnn","Fite, Martha","Fite, Sara Hethcox","Hines, Edna","Cardieu, Betty","Greer, Viola Brooks","Barret, Frank E.","Bailey, Dorothy","Bailey, Carol Ann, 1939-","Newton, Frances Hurlin","Wilby, Yvone","Wilby, Stone","Daane, Beth","Autrey, Betty","Autrey, Elizabeth","Waldrop, Rebecca \"Becky\"","Creary, Dempsey","Ramsey, Denara Ecker","Mitchell, Anna Lenora Brown","Ashmore, Grace Fox","Brewer, Mary E.","Montgomery, Edward F.","Settle, Mary","Davis, Rose Lee","Williams, Gladys Vaughn","McVev, Glora Y.","Moore, Martha","Shackleford, Margaret","Boyles, Eloise","Johnston, Vera D.","Marchesseau, Yvonne","Dean, Belle","Herrick, Mabel Dunscombe","Scott, Brennelle Mobley","McKay, Anna Frances \"Peaches\"","Albany Herald","Wells, Janet, 1920-","Rogers, Carmen","Barfield, Margaret Ellen","McCreary, Mary Alice","Hayden, Alice","Lafayette","Patterson, Phil","Maynard, Zollie M.","Sample, Catherine","Troester, Jr., Carl A.","Adams, Miller K.","Baker, G. Floyd","Stone, Mode L. (Mode Lee), 1902-1979","Strozier, Robert M. (Robert Manning), 1906-1960","Miller, Ken","Miller, Kenneth D.","Fordyce, Phillip R.","Marshall, J. Stanley (James Stanley), 1923-","Cubbon, Eddie","Meeks, Carl G.","Troester, Carl A.","Smith, Nancy","Craig, Merrill","Perloff, Ben J.","Ballard, Janet V.","Smith, Marjorie","Snell, Catherine","Moore, Elizabeth","Cozens, Eloise","Campbell, Laurie E.","Cherry, Spurgeon","Dillon, Evelyn K.","Spencer, Clyde","Samson, Ruth B.","Huey, Marion Wood","Pratt, J. Lowell","Hobson, Howard, 1903-","Halsey, Elizabeth, 1890-","Warner, Kenneth O. (Kenneth Oren), 1904-","Boyce, Roberta","Golden, Lafayette","Miller, Mary Kate","Hunt, Cordelia B.","Jernigan, Harvey Jordon","Moffat, Ruth","Eisenhower, Dwight D. (Dwight David), 1890-1969","Schnell, Herman","Anderson, George F.","Flanagau, Virginia","Sowers, Ray","Hick, Esther","Arnold, Anna Frances \"Peaches\" McKay","Montgomery, Katherine W. (Katherine Williams), 1894-1958"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women","Miami Herald","F Club","Florida Flambeau","Physical Education Department","Tallahassee Democrat.","Florida Times Union","Tallahassee Literary Club","Tarpon Club","Florida State University. Flying High Circus","Kappa Delta Pi (Honor society)","Women's Society of Christian Service","American Red Cross","Woman's Auxiliary of the Presbyterian Church U.S.","Southern District of the American Association for Health, Physical Education, and Recreation","American Association for Health, Physical Education, and Recreation","Florida Association for Health, Physical Education, and Recreation","Robert E. Lee High School","Phi Beta Kappa","Miami Senior High School","Florida Women's State Athletic Association","Amatuer Athletic Union","Journal of Health and Physical Education","Florida High School Athletic Association","Florida Association of Recreation Workers","Heritage Tower (Tallahassee, Fla.)","Seminole Guide","Statesboro High School","Fox, Grace Imogene","Martin-Vegue, Mary Jane Medlin","Blackwell, Gordon W. (Gordon Williams), 1911-2004","Fox, Grace","Fields, Mary","Salt, E. Benton (Ellis Benton), 1900-","Crosby, Louise","Eastman, Bill","Blanchard, Arthurine","Shoaf, Frances","Shoaf, Milton","Ecker, Denore","Wimpee, Bonnie","Lloyd, Jean","Ecker, Denora","Martin-Vegue, George Boyd","Eklund, Frances","Telford, Mary","Helms, Meta","Emal, Paulette Nolan","Lee, Frances \"Paulette\" Nolan","Bail, Grace","Cunningham, Elizabeth Ezzard","Flynn, Stella Valenti","Bisz, Helen","Thomas, Mary Lois","West, Felicia M.","Bennett, Sarah L.","Eyman, Jeanne","Smith, Jean Eyman","Gruppe, Kathleen","Annis, Edward R., 1913-2009","McGahagin, Dorothy Bryant","Twitty, Martha","Walker, Edwin R.","Campbell, Doak S. 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