{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=465","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=464","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=466","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660"},"meta":{"pages":{"current_page":465,"next_page":466,"prev_page":464,"total_pages":660,"limit_value":10,"offset_value":4640,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_318edd7ebca6dc086595d6ce9ab7cb79","type":"Subseries","attributes":{"title":"Posters, 1869-1981, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_318edd7ebca6dc086595d6ce9ab7cb79#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_318edd7ebca6dc086595d6ce9ab7cb79","ref_ssm":["aspace_318edd7ebca6dc086595d6ce9ab7cb79","aspace_318edd7ebca6dc086595d6ce9ab7cb79"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_318edd7ebca6dc086595d6ce9ab7cb79","title_filing_ssi":"Posters","title_ssm":["Posters"],"title_tesim":["Posters"],"unitdate_inclusive_ssm":["1869-1981, Undated"],"normalized_date_ssm":["1869-1981, Undated"],"normalized_title_ssm":["Posters, 1869-1981, Undated"],"text":["Posters, 1869-1981, Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Sub-Series 8","/repositories/4/archival_objects/56626"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 8","/repositories/4/archival_objects/56626"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":217,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"_nest_path_":"/components#1/components#8","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_318edd7ebca6dc086595d6ce9ab7cb79"}},{"id":"2d920f17dde733c1cf36099d_aspace_45765","type":"Subseries","attributes":{"title":"Posters, 1980-2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_45765#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_45765","ref_ssm":["aspace_45765","aspace_45765"],"id":"2d920f17dde733c1cf36099d_aspace_45765","title_filing_ssi":"Posters","title_ssm":["Posters"],"title_tesim":["Posters"],"unitdate_inclusive_ssm":["1980-2000"],"normalized_date_ssm":["1980-2000"],"normalized_title_ssm":["Posters, 1980-2000"],"text":["Posters, 1980-2000","Bromeliad Society International (BSI) Archive, 1911-2018","Memorabilia, 1980-2004, Undated","Sub-Series 3","/repositories/4/archival_objects/17209"],"component_level_isim":[2],"parent_ids_ssim":["2d920f17dde733c1cf36099d","2d920f17dde733c1cf36099d_aspace_45754"],"parent_unittitles_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018","Memorabilia, 1980-2004, Undated"],"parent_unittitles_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018","Memorabilia, 1980-2004, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 3","/repositories/4/archival_objects/17209"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":985,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"_nest_path_":"/components#4/components#2","_nest_parent_":"2d920f17dde733c1cf36099d_aspace_45754","_root_":"2d920f17dde733c1cf36099d","_version_":1870858035398705152,"timestamp":"2026-07-16T08:07:37.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2d920f17dde733c1cf36099d","title_ssm":["Bromeliad Society International (BSI) Archive"],"title_tesim":["Bromeliad Society International (BSI) Archive"],"ead_ssi":"2d920f17dde733c1cf36099d","unitdate_ssm":["1911-2018"],"unitdate_inclusive_ssm":["1911-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.097","/repositories/4/resources/78"],"text":["SC.097","/repositories/4/resources/78","Bromeliad Society International (BSI) Archive, 1911-2018","Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)","Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)","The entire collection is open for research.","For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\"","Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.","The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies","Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.","UCF Special Collections","Bromeliad Society International","English"],"unitid_tesim":["SC.097","/repositories/4/resources/78"],"normalized_date_ssm":["1911-2018"],"normalized_title_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_title_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"geogname_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"places_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department acquired these materials from Jay Thurrott in 2014 (CFM2014_04). Additional materials were donated in 2015 (CFM2015_08), 2016 (CFM2016_06), 2018 (CFM2018_11) and 2022 (CFM2022_17)."],"access_subjects_ssim":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"access_subjects_ssm":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"extent_tesim":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"genreform_ssim":["Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eFor many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.\u003c/p\u003e\n","\u003cp\u003eOther adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.\u003c/p\u003e\n","\u003cp\u003eThe September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.\u003c/p\u003e\n","\u003cp\u003eThis meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.\u003c/p\u003e\n","\u003cp\u003eIn November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.\u003c/p\u003e\n","\u003cp\u003eIn the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.\u003c/p\u003e\n","\u003cp\u003eIn the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.\u003c/p\u003e\n","\u003cp\u003eList of past Bromeliad World Conferences:\u003c/p\u003e\n","\u003cp\u003e\n1972 Houston, Texas - First acknowledged Bromeliad Conference\u003c/p\u003e\n","\u003cp\u003e\n1975 25th Anniversary Celebration, Buena Park, California\u003c/p\u003e\n","\u003cp\u003e\n1977 New Orleans, Louisiana\u003c/p\u003e\n","\u003cp\u003e\n1980 Orlando, Florida - 30th Birthday celebration\u003c/p\u003e\n","\u003cp\u003e\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"\u003c/p\u003e\n","\u003cp\u003e\n1984 Los Angeles, California - \"Bromelympics\"\u003c/p\u003e\n","\u003cp\u003e\n1986 New Orleans, Louisiana - \"One Mo' Time\"\u003c/p\u003e\n","\u003cp\u003e\n1988 Miami, Florida - \"Miami Magic\"\u003c/p\u003e\n","\u003cp\u003e\n1990 Houston, Texas - Bromeliads in Space\"\u003c/p\u003e\n","\u003cp\u003e\n1992 Tampa, Florida - \"Bromeliad Safari\"\u003c/p\u003e\n","\u003cp\u003e\n1994 San Diego, California - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n1996 Orlando, Florida - \"Orlandiana '96\"\u003c/p\u003e\n","\u003cp\u003e\n1998 Houston, Texas - \"Bromeliad Roundup\"\u003c/p\u003e\n","\u003cp\u003e\n2000 San Francisco, California - \"50th Birthday Celebration\"\u003c/p\u003e\n","\u003cp\u003e\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"\u003c/p\u003e\n","\u003cp\u003e\n2004 Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003e\n2006 San Diego, California - \"Bromeliads on the Border\"\u003c/p\u003e\n","\u003cp\u003e\n2008 Cairns, Australia - \"Bromeliads Down Under\"\u003c/p\u003e\n","\u003cp\u003e\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"\u003c/p\u003e\n","\u003cp\u003e2012 Orlando, Florida - \"Orlandiana '12\"\u003c/p\u003e\n","\u003cp\u003e\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n2018 San Diego, California - \"Fiesta de las Bromelias\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\""],"prefercite_html_tesm":["\u003cp\u003eBromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eThe Michael A. Spencer Bromeliad Research Collection\u003c/extref\u003e. Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eThe Michael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e. Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e. These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e. Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn\u003c/extref\u003e. These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/new/\"\u003eBromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/bsi_info/affiliates/?bylocation\"\u003eAffiliated Societies of Bromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.fcbs.org\"\u003eFlorida Council of Affiliated Societies\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026amp; symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026amp; standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9ae065e663a8566449eee07dbeca3db9\" label=\"Abstract\"\u003eThe Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.\u003c/abstract\u003e"],"abstract_tesim":["The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world."],"names_coll_ssim":["Bromeliad Society International"],"names_ssim":["UCF Special Collections","Bromeliad Society International"],"corpname_ssim":["UCF Special Collections","Bromeliad Society International"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1613,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858035398705152,"_root_":"2d920f17dde733c1cf36099d","timestamp":"2026-07-16T08:07:37.887Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_45765"}},{"id":"ccf3505ef9ddf4f3a6ba31ec_aspace_84363","type":"Subseries","attributes":{"title":"Posters and Brochures","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ccf3505ef9ddf4f3a6ba31ec_aspace_84363#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_84363","ref_ssm":["aspace_84363","aspace_84363"],"id":"ccf3505ef9ddf4f3a6ba31ec_aspace_84363","title_filing_ssi":"Posters and Brochures","title_ssm":["Posters and Brochures"],"title_tesim":["Posters and Brochures"],"normalized_title_ssm":["Posters and Brochures"],"text":["Posters and Brochures","Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990","Personal Papers","Sub-Series 5.04","/repositories/2/archival_objects/4193","box 08"],"component_level_isim":[2],"parent_ids_ssim":["ccf3505ef9ddf4f3a6ba31ec","ccf3505ef9ddf4f3a6ba31ec_aspace_84299"],"parent_unittitles_ssm":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990","Personal Papers"],"parent_unittitles_tesim":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990","Personal Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 5.04","/repositories/2/archival_objects/4193"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":361,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 08"],"_nest_path_":"/components#4/components#3","_nest_parent_":"ccf3505ef9ddf4f3a6ba31ec_aspace_84299","_root_":"ccf3505ef9ddf4f3a6ba31ec","_version_":1870841739142496256,"timestamp":"2026-07-16T03:48:36.671Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ccf3505ef9ddf4f3a6ba31ec","title_ssm":["Cantor Zvi Aroni Music Collection"],"title_tesim":["Cantor Zvi Aroni Music Collection"],"ead_ssi":"ccf3505ef9ddf4f3a6ba31ec","unitdate_ssm":["1890-1991","1970-1990","Date acquired: 00/00/1991"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1890-1991"],"unitdate_other_ssim":["Date acquired: 00/00/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00001","/repositories/2/resources/15"],"text":["PMC00001","/repositories/2/resources/15","Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, Elizabeth Fairall, Anand Daibee, and Victoria Thur processed this collection.","In 1991, the family of Zvi Aroni [neé Shalom Zvee Aronowitz] donated his collection of print music, music manuscripts, personal songbooks, pictures, programs, and video recordings relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Aroni studied voice with Cantor Samuel Kavetsky and had a close relationship with the composer, Reuven Kosakoff. Many of their manuscripts can be found in the Collection. Cantor Aroni came to America in 1947 where he served as cantor in synagogues in Philadelphia and New York City. From 1964-1968 he served as Cantor of the Beth Emeth Bais Yehuda Synagogue in Toronto, Canada. It was here that he was able to realize his dream of reviving the boy choir and integrating it into the service. From 1968-1979 Cantor Aroni lived and sang in NYC. He was Cantor at Beth Torah in North Miami Beach until his death in 1990.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00001","/repositories/2/resources/15"],"normalized_date_ssm":["1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"normalized_title_ssm":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"collection_title_tesim":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"collection_ssim":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Hedva Aroni and Vivian Serota","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["7.50 Linear Feet"],"extent_tesim":["7.50 Linear Feet"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, Elizabeth Fairall, Anand Daibee, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, Elizabeth Fairall, Anand Daibee, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eIn 1991, the family of Zvi Aroni [ne\u0026#xE9; Shalom Zvee Aronowitz] donated his collection of print music, music manuscripts, personal songbooks, pictures, programs, and video recordings relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Aroni studied voice with Cantor Samuel Kavetsky and had a close relationship with the composer, Reuven Kosakoff. Many of their manuscripts can be found in the Collection. Cantor Aroni came to America in 1947 where he served as cantor in synagogues in Philadelphia and New York City. From 1964-1968 he served as Cantor of the Beth Emeth Bais Yehuda Synagogue in Toronto, Canada. It was here that he was able to realize his dream of reviving the boy choir and integrating it into the service. From 1968-1979 Cantor Aroni lived and sang in NYC. He was Cantor at Beth Torah in North Miami Beach until his death in 1990.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 1991, the family of Zvi Aroni [neé Shalom Zvee Aronowitz] donated his collection of print music, music manuscripts, personal songbooks, pictures, programs, and video recordings relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Aroni studied voice with Cantor Samuel Kavetsky and had a close relationship with the composer, Reuven Kosakoff. Many of their manuscripts can be found in the Collection. Cantor Aroni came to America in 1947 where he served as cantor in synagogues in Philadelphia and New York City. From 1964-1968 he served as Cantor of the Beth Emeth Bais Yehuda Synagogue in Toronto, Canada. It was here that he was able to realize his dream of reviving the boy choir and integrating it into the service. From 1968-1979 Cantor Aroni lived and sang in NYC. He was Cantor at Beth Torah in North Miami Beach until his death in 1990."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":451,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841739142496256,"_root_":"ccf3505ef9ddf4f3a6ba31ec","timestamp":"2026-07-16T03:48:36.671Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ccf3505ef9ddf4f3a6ba31ec_aspace_84363"}},{"id":"67ebe54fb98d30a72fd90a98_aspace_88294","type":"Subseries","attributes":{"title":"Posters and Flyers","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/67ebe54fb98d30a72fd90a98_aspace_88294#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_88294","ref_ssm":["aspace_88294","aspace_88294"],"id":"67ebe54fb98d30a72fd90a98_aspace_88294","title_filing_ssi":"Posters and Flyers","title_ssm":["Posters and Flyers"],"title_tesim":["Posters and Flyers"],"normalized_title_ssm":["Posters and Flyers"],"text":["Posters and Flyers","Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001","Publicity","Sub-Series 5","/repositories/2/archival_objects/85701"],"component_level_isim":[2],"parent_ids_ssim":["67ebe54fb98d30a72fd90a98","67ebe54fb98d30a72fd90a98_aspace_91817"],"parent_unittitles_ssm":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001","Publicity"],"parent_unittitles_tesim":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001","Publicity"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 5","/repositories/2/archival_objects/85701"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":150,"parent_access_restrict_tesm":["There is one box containing restricted documents (Series 1: Biographical Materials; Sub-series 5: Restricted documents)."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2/components#4","_nest_parent_":"67ebe54fb98d30a72fd90a98_aspace_91817","_root_":"67ebe54fb98d30a72fd90a98","timestamp":"2026-05-21T03:19:12.119Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"67ebe54fb98d30a72fd90a98","title_ssm":["Robert Helps collection"],"title_tesim":["Robert Helps collection"],"ead_ssi":"67ebe54fb98d30a72fd90a98","unitdate_ssm":["1928-2001","1938-2001","Date acquired: 10/07/2002"],"unitdate_bulk_ssim":["1938-2001"],"unitdate_inclusive_ssm":["1928-2001"],"unitdate_other_ssim":["Date acquired: 10/07/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2002-03","/repositories/2/resources/402"],"text":["MS-2002-03","/repositories/2/resources/402","Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001","Music--United States--20th century","Composers","There is one box containing restricted documents (Series 1: Biographical Materials; Sub-series 5: Restricted documents).","The collection is arranged by type of material within the following series: biographical materials, concert programs, publicity materials, correspondence, teaching materials and notes, sketches, manuscript scores, published scores, scores for performance and study, and audio and video recordings.","Robert Helps (1928-2001) was an American pianist and composer. He studied under Abby Whiteside, piano, and Roger Sessions, composition. Helps served as Professor of Piano at the New England Conservatory, the San Francisco Conservatory, Princeton University, Stanford University, the University of California at Berkeley, and the Manhattan School of Music. He was Professor of Music at the University of South Florida in Tampa, Florida from 1980 until his death at 72 in 2001. He performed internationally as a soloist and chamber musician. He composed piano, chamber, and symphonic works. Most of them were published by C. F. Peters, Associated Music Publishers, E. B. Marks, and the American Composers Edition. His music was recorded and released by CRI, Decca, Gramaphone, etc. In 1996, Robert Helps received an Honorary Doctorate of Humane Letters from the University of St. Thomas in St. Paul, Minnesota.","Note written by Mahn-Hee Kang","published","Special arrangements can be made to access reel to reel tapes, LP's, digital audio tapes, cassette tapes, VHS and Beta tapes due to the need of special playback equipments.","processed","Flemm, Eugene W.  The Solo Piano Music of Robert Helps . , 1990. Print.","Gillen, Tracie W.  Motivic Development: A Cohesive Process As It Appears in Selected Compositions by Robert Helps . , 1992. Print.","This collection primarily consists of sketches, manuscripts, and printed scores composed by Robert Helps. Scores published by other composers (predominantly piano) also make up a significant portion of the collection. The Helps music scores span from the early 1950s to 2001, and include sketches, manuscript scores, proof copies, corrections, published scores, and additional corrections on Helps' own performance copies. There are unpublished works in the collection, in addition to numerous performance programs, newspaper articles, and performance reviews. The performances included were recorded on reel to reel tapes, cassette tapes, LPs, and digital audio tapes as well as VHS and Beta video tapes. Professional and personal correspondence, the bulk of which dates from the 1930s to 2000, is also present, in addition to professional and personal photographs.","Restrictions on reproduction of published scores and audio recordings due to copyright.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the papers of compose Robert Helps.","USF Libraries - Tampa Special Collections","Helps, Robert E. (Robert Eugene), 1928-2001","English"],"unitid_tesim":["MS-2002-03","/repositories/2/resources/402"],"normalized_date_ssm":["1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"normalized_title_ssm":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"collection_title_tesim":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"collection_ssim":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Helps, Robert E. (Robert Eugene), 1928-2001"],"creator_ssim":["Helps, Robert E. (Robert Eugene), 1928-2001"],"creator_persname_ssim":["Helps, Robert E. (Robert Eugene), 1928-2001"],"creators_ssim":["Helps, Robert E. (Robert Eugene), 1928-2001"],"access_terms_ssm":["Restrictions on reproduction of published scores and audio recordings due to copyright.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Robert Helps Music Trust","Donation."],"access_subjects_ssim":["Music--United States--20th century","Composers"],"access_subjects_ssm":["Music--United States--20th century","Composers"],"has_online_content_ssim":["false"],"extent_ssm":["84.74 Linear Feet","96 boxes"],"extent_tesim":["84.74 Linear Feet","96 boxes"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere is one box containing restricted documents (Series 1: Biographical Materials; Sub-series 5: Restricted documents).\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There is one box containing restricted documents (Series 1: Biographical Materials; Sub-series 5: Restricted documents)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material within the following series: biographical materials, concert programs, publicity materials, correspondence, teaching materials and notes, sketches, manuscript scores, published scores, scores for performance and study, and audio and video recordings.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by type of material within the following series: biographical materials, concert programs, publicity materials, correspondence, teaching materials and notes, sketches, manuscript scores, published scores, scores for performance and study, and audio and video recordings."],"bioghist_html_tesm":["\u003cp\u003eRobert Helps (1928-2001) was an American pianist and composer. He studied under Abby Whiteside, piano, and Roger Sessions, composition. Helps served as Professor of Piano at the New England Conservatory, the San Francisco Conservatory, Princeton University, Stanford University, the University of California at Berkeley, and the Manhattan School of Music. He was Professor of Music at the University of South Florida in Tampa, Florida from 1980 until his death at 72 in 2001. He performed internationally as a soloist and chamber musician. He composed piano, chamber, and symphonic works. Most of them were published by C. F. Peters, Associated Music Publishers, E. B. Marks, and the American Composers Edition. His music was recorded and released by CRI, Decca, Gramaphone, etc. In 1996, Robert Helps received an Honorary Doctorate of Humane Letters from the University of St. Thomas in St. Paul, Minnesota.\u003c/p\u003e\n","\u003cp\u003eNote written by Mahn-Hee Kang\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Robert Helps (1928-2001) was an American pianist and composer. He studied under Abby Whiteside, piano, and Roger Sessions, composition. Helps served as Professor of Piano at the New England Conservatory, the San Francisco Conservatory, Princeton University, Stanford University, the University of California at Berkeley, and the Manhattan School of Music. He was Professor of Music at the University of South Florida in Tampa, Florida from 1980 until his death at 72 in 2001. He performed internationally as a soloist and chamber musician. He composed piano, chamber, and symphonic works. Most of them were published by C. F. Peters, Associated Music Publishers, E. B. Marks, and the American Composers Edition. His music was recorded and released by CRI, Decca, Gramaphone, etc. In 1996, Robert Helps received an Honorary Doctorate of Humane Letters from the University of St. Thomas in St. Paul, Minnesota.","Note written by Mahn-Hee Kang"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"phystech_html_tesm":["\u003cp\u003eSpecial arrangements can be made to access reel to reel tapes, LP's, digital audio tapes, cassette tapes, VHS and Beta tapes due to the need of special playback equipments.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access Requirements"],"phystech_tesim":["Special arrangements can be made to access reel to reel tapes, LP's, digital audio tapes, cassette tapes, VHS and Beta tapes due to the need of special playback equipments."],"prefercite_html_tesm":["\u003cp\u003eRobert Helps Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Robert Helps Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"relatedmaterial_html_tesm":["\u003cp\u003eFlemm, Eugene W. \u003cemph render=\"italic\"\u003eThe Solo Piano Music of Robert Helps\u003c/emph\u003e. , 1990. Print.\u003c/p\u003e\n","\u003cp\u003eGillen, Tracie W. \u003cemph render=\"italic\"\u003eMotivic Development: A Cohesive Process As It Appears in Selected Compositions by Robert Helps\u003c/emph\u003e. , 1992. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["Flemm, Eugene W.  The Solo Piano Music of Robert Helps . , 1990. Print.","Gillen, Tracie W.  Motivic Development: A Cohesive Process As It Appears in Selected Compositions by Robert Helps . , 1992. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily consists of sketches, manuscripts, and printed scores composed by Robert Helps. Scores published by other composers (predominantly piano) also make up a significant portion of the collection. The Helps music scores span from the early 1950s to 2001, and include sketches, manuscript scores, proof copies, corrections, published scores, and additional corrections on Helps' own performance copies. There are unpublished works in the collection, in addition to numerous performance programs, newspaper articles, and performance reviews. The performances included were recorded on reel to reel tapes, cassette tapes, LPs, and digital audio tapes as well as VHS and Beta video tapes. Professional and personal correspondence, the bulk of which dates from the 1930s to 2000, is also present, in addition to professional and personal photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily consists of sketches, manuscripts, and printed scores composed by Robert Helps. Scores published by other composers (predominantly piano) also make up a significant portion of the collection. The Helps music scores span from the early 1950s to 2001, and include sketches, manuscript scores, proof copies, corrections, published scores, and additional corrections on Helps' own performance copies. There are unpublished works in the collection, in addition to numerous performance programs, newspaper articles, and performance reviews. The performances included were recorded on reel to reel tapes, cassette tapes, LPs, and digital audio tapes as well as VHS and Beta video tapes. Professional and personal correspondence, the bulk of which dates from the 1930s to 2000, is also present, in addition to professional and personal photographs."],"userestrict_html_tesm":["\u003cp\u003eRestrictions on reproduction of published scores and audio recordings due to copyright.\u003c/p\u003e","\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Restrictions on reproduction of published scores and audio recordings due to copyright.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3afee50b05cfa18048205d91fc8404c8\" label=\"Abstract\"\u003eThis collection consists of the papers of compose Robert Helps.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the papers of compose Robert Helps."],"names_ssim":["USF Libraries - Tampa Special Collections","Helps, Robert E. (Robert Eugene), 1928-2001"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Helps, Robert E. (Robert Eugene), 1928-2001"],"persname_ssim":["Helps, Robert E. (Robert Eugene), 1928-2001"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":840,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"67ebe54fb98d30a72fd90a98","timestamp":"2026-05-21T03:19:12.119Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/67ebe54fb98d30a72fd90a98_aspace_88294"}},{"id":"7fceb5bcf4a96127973495db_aspace_40650","type":"Subseries","attributes":{"title":"Post-Governor Papers","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7fceb5bcf4a96127973495db_aspace_40650#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_40650","ref_ssm":["aspace_40650","aspace_40650"],"id":"7fceb5bcf4a96127973495db_aspace_40650","title_filing_ssi":"Post-Governor Papers","title_ssm":["Post-Governor Papers"],"title_tesim":["Post-Governor Papers"],"normalized_title_ssm":["Post-Governor Papers"],"text":["Post-Governor Papers","Thomas LeRoy Collins Papers, 1909-1991","Official Papers","Sub-Series 4","/repositories/10/archival_objects/127442"],"component_level_isim":[2],"parent_ids_ssim":["7fceb5bcf4a96127973495db","7fceb5bcf4a96127973495db_aspace_39975"],"parent_unittitles_ssm":["Thomas LeRoy Collins Papers, 1909-1991","Official Papers"],"parent_unittitles_tesim":["Thomas LeRoy Collins Papers, 1909-1991","Official Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 4","/repositories/10/archival_objects/127442"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Thomas LeRoy Collins Papers, 1909-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":140,"parent_access_restrict_tesm":["Users may access this collection at the Claude Pepper Library."],"parent_access_terms_tesm":["Copyright has not been transferred to the Florida State University Libraries\nAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"_nest_path_":"/components#0/components#3","_nest_parent_":"7fceb5bcf4a96127973495db_aspace_39975","_root_":"7fceb5bcf4a96127973495db","_version_":1870859484706897920,"timestamp":"2026-07-16T08:30:40.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7fceb5bcf4a96127973495db","title_ssm":["Thomas LeRoy Collins Papers"],"title_tesim":["Thomas LeRoy Collins Papers"],"ead_ssi":"7fceb5bcf4a96127973495db","unitdate_ssm":["1909-1991"],"unitdate_inclusive_ssm":["1909-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1991-012","/repositories/10/resources/817"],"text":["MSS 1991-012","/repositories/10/resources/817","Thomas LeRoy Collins Papers, 1909-1991","Genealogy","Education, Higher--Florida","Florida--Politics and government","Interviews.","Florida. Governor (1955-1961 : Collins)","Videocassettes.","Clippings (Books, newspapers, etc.)","Correspondence","Lectures.","Motion pictures.","Photographs","Scrapbooks","Sound recordings.","Speeches, addresses, etc.","Newspapers","Users may access this collection at the Claude Pepper Library.","March 10, 1909: Born in Tallahassee, Florida.","1927: Graduated from Leon High School, Tallahassee, Florida.","1931: Received LL.B degree from Cumberland University, Lebanon, Tennessee.","1932: Married Mary Call Darby, great-granddaughter of Florida Territorial Governor Richard Keith Call.","1935-1940: Served as Florida Representative","1940-1953: Served as Florida Senator.","1954: Elected Florida Governor in primary campaign against Acting Governor Charley Johns.","1955-1961: Served two terms as Florida Governor.","1960: Elected permanent chairman of Democratic National Committee.","1961-1964: Served as President, National Association of Broadcasters.","1964-1965: Served as Director, Community Relations Service.","1965-1966: Served as Undersecretary, U. S. Department of Commerce.","1968: Ran for U.S. Senate seat vacated by U.S. Senator George Smathers; was defeated by U.S. Representative Edward Gurney.\n \t1970: Returned to law practice in Tallahassee with firm of Ervin, Varn, Jacobs, Odom, and Kitchen.","1971: Published his book  Forerunners Courageous .","1974: Served on Florida Commission on Ethics.","1977-1978: Served on Florida Constitution Revision Commission.","1978: Received first Annual Nelson Poynter Award for his public service in preserving civil rights.","1978-1983: Served on Governor's Advisory Council on Productivity.","1979: Served on Florida Joint Legislative and Executive Committee on Postsecondary Education.","1980-1981: Served on Commission on the Future of the South.","1981: Selected as first recipient of the Florida Distinguished Service medal at the premiere of his film,  LeRoy Collins, Great Floridian .","1982-1984: Served as Director of the Committee on the Constitutional System in Washington, D.C.","1983-1990: Produced Public Service Radio Broadcast Series.","1986-1989: Served on U.S. Constitution Bicentennial Commission of Florida.","1989: Collins Center for Public Policy Founded.","1990: Received first Distinguished Community College Alumni Award.","March 12, 1991: Died at his Tallahassee home, The Grove.","There is an additional collection of Collins' printed and audiovisual materials housed in Special Collections at the University of South Florida. The finding aid for that collection  may be viewed here .","The Thomas LeRoy Collins Papers, 1903-1991, largely document this Florida statesman's post-Gubernatorial career (1961-1991). While these materials are predominantly from this period, there are also files from his earlier years as Florida Representative, Florida Senator, and Florida Governor.\n The collection includes campaign materials, correspondence, newsclippings, records from organizations in which he served, speeches, and press releases. In addition, there are articles written by Collins, books, personal memorabilia, photographs, and sound and video recordings. Miscellaneous items include articles about Collins and personal reference (information) files.\n The three largest groups of materials in the collection are LeRoy Collins' post-gubernatorial correspondence, organization files, and speeches. His correspondence documents his work with such groups as the Leon County (Florida) Research and Development Authority, the \"Five for Florida's Future\" campaign, and the Southern Legal Council in the 1970s and 1980s; his \"V.I.P.\" files include correspondence from such prominent individuals as President Lyndon Baines Johnson, U.S. Supreme Court Justice William O. Douglas, Eleanor Roosevelt, and economist John Kenneth Galbraith.\n The post-gubernatorial speeches contain addresses and interviews given by LeRoy Collins to various groups and individuals. The largest volume of speeches are those he gave as President of the National Association of Broadcasters.\n His post-gubernatorial organization papers include background information, correspondence, meeting files, proposals, and reports from those groups in which he participated during the 1970s and 1980s. These files include the Collins Center for Public Policy, Commission on the Future of the South, Community Relations Service, Florida Commission on Ethics, Governor's Advisory Council on Productivity, and the Legislative and Executive Joint Commission on Postsecondary Education.\n His post-gubernatorial organization papers include background information, correspondence, meeting files, proposals, and reports from those groups in which he participated during the 1970s and 1980s. These files include the Collins Center for Public Policy, Commission on the Future of the South, Community Relations Service, Florida Commission on Ethics, Governor's Advisory Council on Productivity, and the Legislative and Executive Joint Commission on Postsecondary Education.","Select materials from the Thomas LeRoy Collins Papers have been digitized and are available through the  FSU Digital Library .","Copyright has not been transferred to the Florida State University Libraries\nAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library.","FSU Special Collections \u0026 Archives","Florida. Governor","National Association of Broadcasters","Collins, LeRoy (Thomas LeRoy Collins)","Chiles, Lawton, 1930-1998","Collins, LeRoy","Nixon, Richard M. (Richard Milhous), 1913-1994","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Terrell, Glenn, 1878-1964","English"],"unitid_tesim":["MSS 1991-012","/repositories/10/resources/817"],"normalized_date_ssm":["1909-1991"],"normalized_title_ssm":["Thomas LeRoy Collins Papers, 1909-1991"],"collection_title_tesim":["Thomas LeRoy Collins Papers, 1909-1991"],"collection_ssim":["Thomas LeRoy Collins Papers, 1909-1991"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Collins, LeRoy (Thomas LeRoy Collins)"],"creator_ssim":["Collins, LeRoy (Thomas LeRoy Collins)"],"creator_persname_ssim":["Collins, LeRoy (Thomas LeRoy Collins)"],"creators_ssim":["Collins, LeRoy (Thomas LeRoy Collins)"],"access_terms_ssm":["Copyright has not been transferred to the Florida State University Libraries\nAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Gift of Mary Call Collins","Collection materials were donated in August 1991 and January 1992."],"access_subjects_ssim":["Genealogy","Education, Higher--Florida","Florida--Politics and government","Interviews.","Florida. Governor (1955-1961 : Collins)","Videocassettes.","Clippings (Books, newspapers, etc.)","Correspondence","Lectures.","Motion pictures.","Photographs","Scrapbooks","Sound recordings.","Speeches, addresses, etc.","Newspapers"],"access_subjects_ssm":["Genealogy","Education, Higher--Florida","Florida--Politics and government","Interviews.","Florida. Governor (1955-1961 : Collins)","Videocassettes.","Clippings (Books, newspapers, etc.)","Correspondence","Lectures.","Motion pictures.","Photographs","Scrapbooks","Sound recordings.","Speeches, addresses, etc.","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["28.00 Linear Feet"],"extent_tesim":["28.00 Linear Feet"],"genreform_ssim":["Videocassettes.","Clippings (Books, newspapers, etc.)","Correspondence","Lectures.","Motion pictures.","Photographs","Scrapbooks","Sound recordings.","Speeches, addresses, etc.","Newspapers"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Users may access this collection at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eMarch 10, 1909: Born in Tallahassee, Florida.\u003c/p\u003e\n","\u003cp\u003e1927: Graduated from Leon High School, Tallahassee, Florida.\u003c/p\u003e\n","\u003cp\u003e1931: Received LL.B degree from Cumberland University, Lebanon, Tennessee.\u003c/p\u003e\n","\u003cp\u003e1932: Married Mary Call Darby, great-granddaughter of Florida Territorial Governor Richard Keith Call.\u003c/p\u003e\n","\u003cp\u003e1935-1940: Served as Florida Representative\u003c/p\u003e\n","\u003cp\u003e1940-1953: Served as Florida Senator.\u003c/p\u003e\n","\u003cp\u003e1954: Elected Florida Governor in primary campaign against Acting Governor Charley Johns.\u003c/p\u003e\n","\u003cp\u003e1955-1961: Served two terms as Florida Governor.\u003c/p\u003e\n","\u003cp\u003e1960: Elected permanent chairman of Democratic National Committee.\u003c/p\u003e\n","\u003cp\u003e1961-1964: Served as President, National Association of Broadcasters.\u003c/p\u003e\n","\u003cp\u003e1964-1965: Served as Director, Community Relations Service.\u003c/p\u003e\n","\u003cp\u003e1965-1966: Served as Undersecretary, U. S. Department of Commerce.\u003c/p\u003e\n","\u003cp\u003e1968: Ran for U.S. Senate seat vacated by U.S. Senator George Smathers; was defeated by U.S. Representative Edward Gurney.\n\u003cbr\u003e\u003cbr\u003e\t1970: Returned to law practice in Tallahassee with firm of Ervin, Varn, Jacobs, Odom, and Kitchen.\u003c/p\u003e\n","\u003cp\u003e1971: Published his book \u003cemph render=\"italic\"\u003eForerunners Courageous\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e1974: Served on Florida Commission on Ethics.\u003c/p\u003e\n","\u003cp\u003e1977-1978: Served on Florida Constitution Revision Commission.\u003c/p\u003e\n","\u003cp\u003e1978: Received first Annual Nelson Poynter Award for his public service in preserving civil rights.\u003c/p\u003e\n","\u003cp\u003e1978-1983: Served on Governor's Advisory Council on Productivity.\u003c/p\u003e\n","\u003cp\u003e1979: Served on Florida Joint Legislative and Executive Committee on Postsecondary Education.\u003c/p\u003e\n","\u003cp\u003e1980-1981: Served on Commission on the Future of the South.\u003c/p\u003e\n","\u003cp\u003e1981: Selected as first recipient of the Florida Distinguished Service medal at the premiere of his film, \u003cemph render=\"italic\"\u003eLeRoy Collins, Great Floridian\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e1982-1984: Served as Director of the Committee on the Constitutional System in Washington, D.C.\u003c/p\u003e\n","\u003cp\u003e1983-1990: Produced Public Service Radio Broadcast Series.\u003c/p\u003e\n","\u003cp\u003e1986-1989: Served on U.S. Constitution Bicentennial Commission of Florida.\u003c/p\u003e\n","\u003cp\u003e1989: Collins Center for Public Policy Founded.\u003c/p\u003e\n","\u003cp\u003e1990: Received first Distinguished Community College Alumni Award.\u003c/p\u003e\n","\u003cp\u003eMarch 12, 1991: Died at his Tallahassee home, The Grove.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["March 10, 1909: Born in Tallahassee, Florida.","1927: Graduated from Leon High School, Tallahassee, Florida.","1931: Received LL.B degree from Cumberland University, Lebanon, Tennessee.","1932: Married Mary Call Darby, great-granddaughter of Florida Territorial Governor Richard Keith Call.","1935-1940: Served as Florida Representative","1940-1953: Served as Florida Senator.","1954: Elected Florida Governor in primary campaign against Acting Governor Charley Johns.","1955-1961: Served two terms as Florida Governor.","1960: Elected permanent chairman of Democratic National Committee.","1961-1964: Served as President, National Association of Broadcasters.","1964-1965: Served as Director, Community Relations Service.","1965-1966: Served as Undersecretary, U. S. Department of Commerce.","1968: Ran for U.S. Senate seat vacated by U.S. Senator George Smathers; was defeated by U.S. Representative Edward Gurney.\n \t1970: Returned to law practice in Tallahassee with firm of Ervin, Varn, Jacobs, Odom, and Kitchen.","1971: Published his book  Forerunners Courageous .","1974: Served on Florida Commission on Ethics.","1977-1978: Served on Florida Constitution Revision Commission.","1978: Received first Annual Nelson Poynter Award for his public service in preserving civil rights.","1978-1983: Served on Governor's Advisory Council on Productivity.","1979: Served on Florida Joint Legislative and Executive Committee on Postsecondary Education.","1980-1981: Served on Commission on the Future of the South.","1981: Selected as first recipient of the Florida Distinguished Service medal at the premiere of his film,  LeRoy Collins, Great Floridian .","1982-1984: Served as Director of the Committee on the Constitutional System in Washington, D.C.","1983-1990: Produced Public Service Radio Broadcast Series.","1986-1989: Served on U.S. Constitution Bicentennial Commission of Florida.","1989: Collins Center for Public Policy Founded.","1990: Received first Distinguished Community College Alumni Award.","March 12, 1991: Died at his Tallahassee home, The Grove."],"prefercite_html_tesm":["\u003cp\u003eThomas LeRoy Collins Papers, Claude Pepper Library, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1991-012\u003c/p\u003e"],"prefercite_tesim":["Thomas LeRoy Collins Papers, Claude Pepper Library, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1991-012"],"relatedmaterial_html_tesm":["\u003cp\u003eThere is an additional collection of Collins' printed and audiovisual materials housed in Special Collections at the University of South Florida. The finding aid for that collection \u003cextref href=\"http://www.lib.usf.edu/aeon/eads/index.html?eadrequest=true\u0026amp;ead_id=U29-00089-C31\"\u003emay be viewed here\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is an additional collection of Collins' printed and audiovisual materials housed in Special Collections at the University of South Florida. The finding aid for that collection  may be viewed here ."],"scopecontent_html_tesm":["\u003cp\u003eThe Thomas LeRoy Collins Papers, 1903-1991, largely document this Florida statesman's post-Gubernatorial career (1961-1991). While these materials are predominantly from this period, there are also files from his earlier years as Florida Representative, Florida Senator, and Florida Governor.\n\u003cbr\u003e\u003cbr\u003eThe collection includes campaign materials, correspondence, newsclippings, records from organizations in which he served, speeches, and press releases. In addition, there are articles written by Collins, books, personal memorabilia, photographs, and sound and video recordings. Miscellaneous items include articles about Collins and personal reference (information) files.\n\u003cbr\u003e\u003cbr\u003eThe three largest groups of materials in the collection are LeRoy Collins' post-gubernatorial correspondence, organization files, and speeches. His correspondence documents his work with such groups as the Leon County (Florida) Research and Development Authority, the \"Five for Florida's Future\" campaign, and the Southern Legal Council in the 1970s and 1980s; his \"V.I.P.\" files include correspondence from such prominent individuals as President Lyndon Baines Johnson, U.S. Supreme Court Justice William O. Douglas, Eleanor Roosevelt, and economist John Kenneth Galbraith.\n\u003cbr\u003e\u003cbr\u003eThe post-gubernatorial speeches contain addresses and interviews given by LeRoy Collins to various groups and individuals. The largest volume of speeches are those he gave as President of the National Association of Broadcasters.\n\u003cbr\u003e\u003cbr\u003eHis post-gubernatorial organization papers include background information, correspondence, meeting files, proposals, and reports from those groups in which he participated during the 1970s and 1980s. These files include the Collins Center for Public Policy, Commission on the Future of the South, Community Relations Service, Florida Commission on Ethics, Governor's Advisory Council on Productivity, and the Legislative and Executive Joint Commission on Postsecondary Education.\n\u003cbr\u003e\u003cbr\u003eHis post-gubernatorial organization papers include background information, correspondence, meeting files, proposals, and reports from those groups in which he participated during the 1970s and 1980s. These files include the Collins Center for Public Policy, Commission on the Future of the South, Community Relations Service, Florida Commission on Ethics, Governor's Advisory Council on Productivity, and the Legislative and Executive Joint Commission on Postsecondary Education.\u003c/p\u003e","\u003cp\u003eSelect materials from the Thomas LeRoy Collins Papers have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:thomasleroycollinspapers\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Thomas LeRoy Collins Papers, 1903-1991, largely document this Florida statesman's post-Gubernatorial career (1961-1991). While these materials are predominantly from this period, there are also files from his earlier years as Florida Representative, Florida Senator, and Florida Governor.\n The collection includes campaign materials, correspondence, newsclippings, records from organizations in which he served, speeches, and press releases. In addition, there are articles written by Collins, books, personal memorabilia, photographs, and sound and video recordings. Miscellaneous items include articles about Collins and personal reference (information) files.\n The three largest groups of materials in the collection are LeRoy Collins' post-gubernatorial correspondence, organization files, and speeches. His correspondence documents his work with such groups as the Leon County (Florida) Research and Development Authority, the \"Five for Florida's Future\" campaign, and the Southern Legal Council in the 1970s and 1980s; his \"V.I.P.\" files include correspondence from such prominent individuals as President Lyndon Baines Johnson, U.S. Supreme Court Justice William O. Douglas, Eleanor Roosevelt, and economist John Kenneth Galbraith.\n The post-gubernatorial speeches contain addresses and interviews given by LeRoy Collins to various groups and individuals. The largest volume of speeches are those he gave as President of the National Association of Broadcasters.\n His post-gubernatorial organization papers include background information, correspondence, meeting files, proposals, and reports from those groups in which he participated during the 1970s and 1980s. These files include the Collins Center for Public Policy, Commission on the Future of the South, Community Relations Service, Florida Commission on Ethics, Governor's Advisory Council on Productivity, and the Legislative and Executive Joint Commission on Postsecondary Education.\n His post-gubernatorial organization papers include background information, correspondence, meeting files, proposals, and reports from those groups in which he participated during the 1970s and 1980s. These files include the Collins Center for Public Policy, Commission on the Future of the South, Community Relations Service, Florida Commission on Ethics, Governor's Advisory Council on Productivity, and the Legislative and Executive Joint Commission on Postsecondary Education.","Select materials from the Thomas LeRoy Collins Papers have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been transferred to the Florida State University Libraries\nAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been transferred to the Florida State University Libraries\nAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_503876f5d47eb246b40f2387b3e6c000\"\u003eClaude Pepper Library.\u003c/physloc\u003e"],"physloc_tesim":["Claude Pepper Library."],"names_coll_ssim":["Florida. Governor","National Association of Broadcasters","Chiles, Lawton, 1930-1998","Collins, LeRoy","Nixon, Richard M. (Richard Milhous), 1913-1994","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Terrell, Glenn, 1878-1964"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida. Governor","National Association of Broadcasters","Collins, LeRoy (Thomas LeRoy Collins)","Chiles, Lawton, 1930-1998","Collins, LeRoy","Nixon, Richard M. (Richard Milhous), 1913-1994","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Terrell, Glenn, 1878-1964"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida. Governor","National Association of Broadcasters"],"persname_ssim":["Collins, LeRoy (Thomas LeRoy Collins)","Chiles, Lawton, 1930-1998","Collins, LeRoy","Nixon, Richard M. (Richard Milhous), 1913-1994","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Terrell, Glenn, 1878-1964"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":837,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859484706897920,"_root_":"7fceb5bcf4a96127973495db","timestamp":"2026-07-16T08:30:40.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7fceb5bcf4a96127973495db_aspace_40650"}},{"id":"236a3c88b766327883b2e155_aspace_10dcab65717ce3aab542dae55fda9437","type":"Subseries","attributes":{"title":"Postle, Joy","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_10dcab65717ce3aab542dae55fda9437#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_10dcab65717ce3aab542dae55fda9437","ref_ssm":["aspace_10dcab65717ce3aab542dae55fda9437","aspace_10dcab65717ce3aab542dae55fda9437"],"id":"236a3c88b766327883b2e155_aspace_10dcab65717ce3aab542dae55fda9437","title_filing_ssi":"Postle, Joy","title_ssm":["Postle, Joy"],"title_tesim":["Postle, Joy"],"normalized_title_ssm":["Postle, Joy"],"text":["Postle, Joy","Joy Postle papers, 1910-2015","Photographs, 1912–1988","People","/repositories/4/archival_objects/87925","/repositories/4/archival_objects/91273"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_e211d01548256ebc408dbfbc8027a912","236a3c88b766327883b2e155_aspace_a500d64d45a77f8ac5d14c1d16c76681"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","People"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","People"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87925","/repositories/4/archival_objects/91273"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":380,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#2/components#5/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_a500d64d45a77f8ac5d14c1d16c76681","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_10dcab65717ce3aab542dae55fda9437"}},{"id":"a79c840ed87d42961e583cf1_aspace_82682","type":"Subseries","attributes":{"title":"Potable Sea Water","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_82682#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82682","ref_ssm":["aspace_82682","aspace_82682"],"id":"a79c840ed87d42961e583cf1_aspace_82682","title_filing_ssi":"Potable Sea Water","title_ssm":["Potable Sea Water"],"title_tesim":["Potable Sea Water"],"normalized_title_ssm":["Potable Sea Water"],"text":["Potable Sea Water","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders","Sub-Series 549","/repositories/2/archival_objects/122928"],"component_level_isim":[2],"parent_ids_ssim":["a79c840ed87d42961e583cf1","a79c840ed87d42961e583cf1_aspace_7673"],"parent_unittitles_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_unittitles_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 549","/repositories/2/archival_objects/122928"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":808,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2/components#50","_nest_parent_":"a79c840ed87d42961e583cf1_aspace_7673","_root_":"a79c840ed87d42961e583cf1","_version_":1870863518701453312,"timestamp":"2026-07-16T09:34:47.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a79c840ed87d42961e583cf1","title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"ead_ssi":"a79c840ed87d42961e583cf1","unitdate_ssm":["1913-1989","Date acquired: 00/00/2006"],"unitdate_inclusive_ssm":["1913-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-10","/repositories/2/resources/535"],"text":["MS-2006-10","/repositories/2/resources/535","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Chemical engineering laboratories","The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides.","Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07","This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.","USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna","English"],"unitid_tesim":["MS-2006-10","/repositories/2/resources/535"],"normalized_date_ssm":["1913-1989, Date acquired: 00/00/2006"],"normalized_title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creators_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edna Rodgers","Donation."],"access_subjects_ssim":["Chemical engineering laboratories"],"access_subjects_ssm":["Chemical engineering laboratories"],"has_online_content_ssim":["false"],"extent_ssm":["177.00 Linear Feet","232 boxes"],"extent_tesim":["177.00 Linear Feet","232 boxes"],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe following are four ways in which the series were arranged.\u003c/p\u003e\n","\u003cp\u003eBy subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. \u003c/p\u003e\n","\u003cp\u003eFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003eMaterials are organized into folders by format, subject, and original folder number.\u0026#xA0; The subject headings of each folder are the headings applied to the original folders by the Kamlets.\u0026#xA0; (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.\u0026#xA0; Contents inside folders are organized chronologically when applicable.\u0026#xA0; Some folders contain the format denotation \"Notes to Users.\"\u0026#xA0; Folders with this title contain index cards that were often found attached to the original manila envelopes.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.\u0026#xA0; The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.\u0026#xA0; The index cards that are a part of this finding mechanism are organized alphabetically by subject.\u0026#xA0; Contact an archivist for assistance with this secondary finding aid.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eMaterials have been arranged with regards to their original order.\u0026#xA0; Organized by subject.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.\u0026#xA0; Contact an archivist for assistance with these supplemental guides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides."],"bioghist_html_tesm":["\u003cp\u003eJonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.\u0026#xA0; The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.\u0026#xA0; The laboratory also provided consultation services to a variety of businesses.\u0026#xA0; Edna Kamlet continued the laboratory's work following the death of her husband in 1960.\u0026#xA0; She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.\u003c/p\u003e\n","\u003cp\u003eMartin, D. \u0026amp; Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44\u003c/p\u003e\n","\u003cp\u003eUSF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf\u003c/p\u003e\n","\u003cp\u003eNote written by BMB 10/1/07\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07"],"prefercite_html_tesm":["\u003cp\u003eKamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  .\u003c/p\u003e"],"prefercite_tesim":["Kamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is a compilation of eight finding aids. Each finding aid represents a series.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003e1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.\u0026#xA0; A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.\u003c/p\u003e\n","\u003cp\u003e2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.\u0026#xA0; Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.\u003c/p\u003e\n","\u003cp\u003e4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003e5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.\u0026#xA0; The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u003c/p\u003e\n","\u003cp\u003e8.\u0026#xA0; \u0026#xA0;\u0026#xA0; Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f163370d009d8390608d15228d74d825\" label=\"Abstract\"\u003eThis collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks."],"names_ssim":["USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4072,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863518701453312,"_root_":"a79c840ed87d42961e583cf1","timestamp":"2026-07-16T09:34:47.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_82682"}},{"id":"a79c840ed87d42961e583cf1_aspace_85597","type":"Subseries","attributes":{"title":"Potash and Portland from Feldspar","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_85597#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_85597","ref_ssm":["aspace_85597","aspace_85597"],"id":"a79c840ed87d42961e583cf1_aspace_85597","title_filing_ssi":"Potash and Portland from Feldspar","title_ssm":["Potash and Portland from Feldspar"],"title_tesim":["Potash and Portland from Feldspar"],"normalized_title_ssm":["Potash and Portland from Feldspar"],"text":["Potash and Portland from Feldspar","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders","Sub-Series 625","/repositories/2/archival_objects/124551"],"component_level_isim":[2],"parent_ids_ssim":["a79c840ed87d42961e583cf1","a79c840ed87d42961e583cf1_aspace_7673"],"parent_unittitles_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_unittitles_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 625","/repositories/2/archival_objects/124551"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1545,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2/components#129","_nest_parent_":"a79c840ed87d42961e583cf1_aspace_7673","_root_":"a79c840ed87d42961e583cf1","_version_":1870863518701453312,"timestamp":"2026-07-16T09:34:47.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a79c840ed87d42961e583cf1","title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"ead_ssi":"a79c840ed87d42961e583cf1","unitdate_ssm":["1913-1989","Date acquired: 00/00/2006"],"unitdate_inclusive_ssm":["1913-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-10","/repositories/2/resources/535"],"text":["MS-2006-10","/repositories/2/resources/535","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Chemical engineering laboratories","The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides.","Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07","This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.","USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna","English"],"unitid_tesim":["MS-2006-10","/repositories/2/resources/535"],"normalized_date_ssm":["1913-1989, Date acquired: 00/00/2006"],"normalized_title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creators_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edna Rodgers","Donation."],"access_subjects_ssim":["Chemical engineering laboratories"],"access_subjects_ssm":["Chemical engineering laboratories"],"has_online_content_ssim":["false"],"extent_ssm":["177.00 Linear Feet","232 boxes"],"extent_tesim":["177.00 Linear Feet","232 boxes"],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe following are four ways in which the series were arranged.\u003c/p\u003e\n","\u003cp\u003eBy subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. \u003c/p\u003e\n","\u003cp\u003eFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003eMaterials are organized into folders by format, subject, and original folder number.\u0026#xA0; The subject headings of each folder are the headings applied to the original folders by the Kamlets.\u0026#xA0; (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.\u0026#xA0; Contents inside folders are organized chronologically when applicable.\u0026#xA0; Some folders contain the format denotation \"Notes to Users.\"\u0026#xA0; Folders with this title contain index cards that were often found attached to the original manila envelopes.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.\u0026#xA0; The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.\u0026#xA0; The index cards that are a part of this finding mechanism are organized alphabetically by subject.\u0026#xA0; Contact an archivist for assistance with this secondary finding aid.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eMaterials have been arranged with regards to their original order.\u0026#xA0; Organized by subject.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.\u0026#xA0; Contact an archivist for assistance with these supplemental guides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides."],"bioghist_html_tesm":["\u003cp\u003eJonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.\u0026#xA0; The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.\u0026#xA0; The laboratory also provided consultation services to a variety of businesses.\u0026#xA0; Edna Kamlet continued the laboratory's work following the death of her husband in 1960.\u0026#xA0; She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.\u003c/p\u003e\n","\u003cp\u003eMartin, D. \u0026amp; Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44\u003c/p\u003e\n","\u003cp\u003eUSF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf\u003c/p\u003e\n","\u003cp\u003eNote written by BMB 10/1/07\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07"],"prefercite_html_tesm":["\u003cp\u003eKamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  .\u003c/p\u003e"],"prefercite_tesim":["Kamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is a compilation of eight finding aids. Each finding aid represents a series.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003e1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.\u0026#xA0; A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.\u003c/p\u003e\n","\u003cp\u003e2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.\u0026#xA0; Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.\u003c/p\u003e\n","\u003cp\u003e4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003e5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.\u0026#xA0; The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u003c/p\u003e\n","\u003cp\u003e8.\u0026#xA0; \u0026#xA0;\u0026#xA0; Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f163370d009d8390608d15228d74d825\" label=\"Abstract\"\u003eThis collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks."],"names_ssim":["USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4072,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863518701453312,"_root_":"a79c840ed87d42961e583cf1","timestamp":"2026-07-16T09:34:47.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_85597"}},{"id":"05176a8238a411947dafe2de_aspace_16394","type":"Subseries","attributes":{"title":"Poway, 1993-1999","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16394#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16394","ref_ssm":["aspace_16394","aspace_16394"],"id":"05176a8238a411947dafe2de_aspace_16394","title_filing_ssi":"Poway","title_ssm":["Poway"],"title_tesim":["Poway"],"unitdate_inclusive_ssm":["1993-1999"],"normalized_date_ssm":["1993-1999"],"normalized_title_ssm":["Poway, 1993-1999"],"text":["Poway, 1993-1999","George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","California, 1982-1999","Sub-Series 2","/repositories/4/archival_objects/36768"],"component_level_isim":[4],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16275","05176a8238a411947dafe2de_aspace_16376","05176a8238a411947dafe2de_aspace_16391"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","California, 1982-1999"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","California, 1982-1999"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Sub-Series 2","/repositories/4/archival_objects/36768"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":95,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999],"_nest_path_":"/components#0/components#2/components#2/components#1","_nest_parent_":"05176a8238a411947dafe2de_aspace_16391","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16394"}},{"id":"05176a8238a411947dafe2de_aspace_16656","type":"Subseries","attributes":{"title":"Poway Park, 1992-1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16656#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16656","ref_ssm":["aspace_16656","aspace_16656"],"id":"05176a8238a411947dafe2de_aspace_16656","title_filing_ssi":"Poway Park","title_ssm":["Poway Park"],"title_tesim":["Poway Park"],"unitdate_inclusive_ssm":["1992-1997"],"normalized_date_ssm":["1992-1997"],"normalized_title_ssm":["Poway Park, 1992-1997"],"text":["Poway Park, 1992-1997","George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Anne Millay's Files, 1975-2004","Sub-Series 9","/repositories/4/archival_objects/36968"],"component_level_isim":[3],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16275","05176a8238a411947dafe2de_aspace_16610"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Anne Millay's Files, 1975-2004"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Anne Millay's Files, 1975-2004"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 9","/repositories/4/archival_objects/36968"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":289,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1992,1993,1994,1995,1996,1997],"_nest_path_":"/components#0/components#3/components#15","_nest_parent_":"05176a8238a411947dafe2de_aspace_16610","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16656"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":331},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","value":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jonas+and+Edna+Kamlet+%2F+Kamlet+Laboratories+records%2C+1913-1989%2C+Date+acquired%3A+00%2F00%2F2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"The Florida Citrus Mutual Minute Books, 1949-2011","value":"The Florida Citrus Mutual Minute Books, 1949-2011","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=The+Florida+Citrus+Mutual+Minute+Books%2C+1949-2011\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"FAU Student Newspapers Collection, 1964 - 2017","value":"FAU Student Newspapers Collection, 1964 - 2017","hits":121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=FAU+Student+Newspapers+Collection%2C+1964+-+2017\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Photograph collection, bulk 1883-1977","value":"Florida Photograph collection, bulk 1883-1977","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Photograph+collection%2C+bulk+1883-1977\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","value":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Southern+College+Buildings+%26+Grounds%2C+1922-2024\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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