{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=431\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=430\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=432\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660\u0026view=compact"},"meta":{"pages":{"current_page":431,"next_page":432,"prev_page":430,"total_pages":660,"limit_value":10,"offset_value":4300,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"22557056952ccd425aa98a4a_aspace_55061658730ebd3b020bdcfdd7050b53","type":"Subseries","attributes":{"title":"PDRA., undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/22557056952ccd425aa98a4a_aspace_55061658730ebd3b020bdcfdd7050b53#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_55061658730ebd3b020bdcfdd7050b53","ref_ssm":["aspace_55061658730ebd3b020bdcfdd7050b53","aspace_55061658730ebd3b020bdcfdd7050b53"],"id":"22557056952ccd425aa98a4a_aspace_55061658730ebd3b020bdcfdd7050b53","title_filing_ssi":"PDRA.","title_ssm":["PDRA."],"title_tesim":["PDRA."],"unitdate_other_ssim":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["PDRA., undated"],"text":["PDRA., undated","University of Central Florida Library collection, 1953-2024, bulk 1966-1996","Series II: Boards \u0026 Committees, 1972-2019.","Internal., 1972-2019","/repositories/2/archival_objects/58140"],"component_level_isim":[3],"parent_ids_ssim":["22557056952ccd425aa98a4a","22557056952ccd425aa98a4a_aspace_seriesII","22557056952ccd425aa98a4a_aspace_9f1283f3977f9136b4cb031004765157"],"parent_unittitles_ssm":["University of Central Florida Library collection, 1953-2024, bulk 1966-1996","Series II: Boards \u0026 Committees, 1972-2019.","Internal., 1972-2019"],"parent_unittitles_tesim":["University of Central Florida Library collection, 1953-2024, bulk 1966-1996","Series II: Boards \u0026 Committees, 1972-2019.","Internal., 1972-2019"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/58140"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Library collection, 1953-2024, bulk 1966-1996"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2798,"parent_access_restrict_tesm":["The entire collection is open for research except for the following: Box 206, Flat Files 2-7, and Objects 1-3. Access to UCF Facilities drawings, documents, and sensitive data is available to authorized university staff and approved consultants only, per university policy, and under lawful exception to Florida's Public Records Law. For more information, please contact staff in Special Collections \u0026 University Archives."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#1/components#0/components#32","_nest_parent_":"22557056952ccd425aa98a4a_aspace_9f1283f3977f9136b4cb031004765157","_root_":"22557056952ccd425aa98a4a","_version_":1879284116823736320,"timestamp":"2026-10-17T08:16:35.403Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"22557056952ccd425aa98a4a","title_ssm":["University of Central Florida Library collection"],"title_tesim":["University of Central Florida Library collection"],"ead_ssi":"22557056952ccd425aa98a4a","unitdate_ssm":["1953-2024","1966-1996"],"unitdate_bulk_ssim":["1966-1996"],"unitdate_inclusive_ssm":["1953-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA13A","/repositories/2/resources/236"],"text":["UA13A","/repositories/2/resources/236","University of Central Florida Library collection, 1953-2024, bulk 1966-1996","Universities and colleges -- Florida","Art students -- Florida -- Orlando","Library exhibits -- Florida -- Orlando","Librarians -- Promotions -- Florida -- Orlando","compact discs","DVDs","newspaper clippings","photographs","VHS","The entire collection is open for research except for the following: Box 206, Flat Files 2-7, and Objects 1-3. Access to UCF Facilities drawings, documents, and sensitive data is available to authorized university staff and approved consultants only, per university policy, and under lawful exception to Florida's Public Records Law. For more information, please contact staff in Special Collections \u0026 University Archives.","Previous Collection Identifier: CFU1989_02b","Additions: CFU19XX_03, CFU19XX_04, CFU19XX_05, CFU1997_01, CFU2004_04, CFU2006_01, CFU2010_07, CFU2011_22, CFU2012_29, CFU2012_30, CFU2013_14, CFU2013_I, CFU2014_01, CFU2014_B, CFU2016_04, CFU2018_33","This collection is arranged in five series. Series I contains both alphabetical and chronological arrangement by subseries. Series II, III, and IV is broken down further into subseries and arranged chronologically. Lastly, Series V is arranged alphabetically by subseries and arranged chronologically.","In 1968 when University of Central Florida (then Florida Technological University) began, the library was the only building constructed completely and many classes and administrative offices were housed there. Clubs and athletics teams such as wrestling (CFF Vol 3 No 23) would meet in the library. According to the Annual Report of 1968-1969, the library's collection consisted of about 50,000 books and periodicals, plus 6,000 items of government documents. These items were packed within a warehouse waiting to be moved into the Library once construction as finished. A small percentage of the books were already processed. The decision was made to prepare the rest with whatever help was available at the time. So, students and all library staff created an assembly line to speed up the process. This process took an approximate ten weeks to complete. "," The first Library Director Lynn Walker was director from 1966-1982. Anne Marie Allison took the role as Library Director from 1983-1996. Barry Baker was the director from 1997-2019. In 2021, the Library Director position was elevated to a Dean of Libraries position. Beau Case was the inaugural Dean of Libraries."," In the late 1970s, the university applied for funding to help expand the building. In 1984, UCF saw its largest library renovation as of yet; doubling the building in size. In 2012, the main library was named after then university president John C. Hitt while celebrating his 20th anniversary serving at UCF. In 2020, the Automated Retrieval Center (ARC) finished partial construction as a part of several phases to better acclimate the growing student population. Even with the quick growth of the campus, the university library has remained a hub for cultural and intellectual activity, offering students and faculty an open forum for discussion and reflection.","Processing History  The original UCF Library Exhibits Records collection was processed by and finding aid prepared by April Karlene Anderson in 2005. Rusted paper clips were removed and replaced with plastic clips. News clippings were photocopied onto acid-free paper. All materials were rehoused in acid-free folders and boxes. Duplicates were removed and social security numbers were obliterated. Post-it notes were moved to the edge of the documents to prevent destruction of information. To facilitate research, files in the alphabetical files that belonged more appropriately in other series were moved. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018. The original University of Central Florida Libraries Promotion Coordinating Committee Records were processed by and finding aid prepared by Mary Rubin in 2012. Materials were re-foldered in archival materials. The original University of Central Florida Libraries Faculty Affairs Committee Documents were processed by and finding aid prepared by Mary Rubin in 2013.Renata Nagy began began combining these collections in 2017. The collection was finished by Elisabeth \"Eli\" Jimenez in 2022.Additional materials processed in 2024 by Arielle Petrovich.","For more information on university archives, please see our website. There is mention of a book sale at the library that was held on February 11, 1992 at the lobby. This event is referenced in the Central Florida Future Vol. 24 No. 41 and also in the UCF Report of February 5, 1992. Library Faculty Meeting Minutes from 1978 to 1994 are bound and is listed speartely from this collection. The call number is LD 1772 .F 934.","This collection is arranged in five series. Series I contains both alphabetical and chronological arrangement by subseries. Series II, III, and IV is broken down further into subseries and arranged chronologically. Lastly, Series V is arranged alphabetically by subseries and arranged chronologically.\n\n","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Library collection documents the history of the John C. Hitt library. There are several subseries pertaining to different leaders, committees, and departments found within the library. This collection contains photographs, negatives, CDs, VHSs, and documents.","UCF University Archives","University of Central Florida. Office of Public Affairs","Florida Technological University","University of Central Florida","University of Central Florida. Library","University of Central Florida. Library -- Exhibitions","University of Central Florida. Library Promotion Coordinating Committee","Florida Technological University. Library -- Exhibitions","Florida Technological University. Library","Walker, Lynn","Allison, Anne Marie","Mahan, Cheryl","Hinshaw, Carole","Kibbee, Raynette","Spyers-Duran, Peter, II","Bottorff, Tim ","Miletic-Vejzovic, Laila","Scharf, Meg","Baker, Barry","English"],"unitid_tesim":["UA13A","/repositories/2/resources/236"],"normalized_date_ssm":["1953-2024, bulk 1966-1996"],"normalized_title_ssm":["University of Central Florida Library collection, 1953-2024, bulk 1966-1996"],"collection_title_tesim":["University of Central Florida Library collection, 1953-2024, bulk 1966-1996"],"collection_ssim":["University of Central Florida Library collection, 1953-2024, bulk 1966-1996"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Walker, Lynn","University of Central Florida. Office of Public Affairs","Allison, Anne Marie","Mahan, Cheryl","Hinshaw, Carole","Kibbee, Raynette","Spyers-Duran, Peter, II","Bottorff, Tim ","Miletic-Vejzovic, Laila","Scharf, Meg","Baker, Barry"],"creator_ssim":["Walker, Lynn","University of Central Florida. Office of Public Affairs","Allison, Anne Marie","Mahan, Cheryl","Hinshaw, Carole","Kibbee, Raynette","Spyers-Duran, Peter, II","Bottorff, Tim ","Miletic-Vejzovic, Laila","Scharf, Meg","Baker, Barry"],"creator_persname_ssim":["Walker, Lynn","Allison, Anne Marie","Mahan, Cheryl","Hinshaw, Carole","Kibbee, Raynette","Spyers-Duran, Peter, II","Bottorff, Tim ","Miletic-Vejzovic, Laila","Scharf, Meg","Baker, Barry"],"creator_corpname_ssim":["University of Central Florida. Office of Public Affairs"],"creators_ssim":["Walker, Lynn","Allison, Anne Marie","Mahan, Cheryl","Hinshaw, Carole","Kibbee, Raynette","Spyers-Duran, Peter, II","Bottorff, Tim ","Miletic-Vejzovic, Laila","Scharf, Meg","Baker, Barry","University of Central Florida. Office of Public Affairs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Lynn Walker transferred his records in 1983 (CFU1983_01). The Office of Public Affairs transferred Library Exhibit photographs to the University Archives in 1989 (CFU1989_02b). Anne Marie Allison transferred her records in 1997 (CFU1997_01). Blueprints (CFU19XX_03), photographs (CFU19XX_04), minutes (CFU19XX_05), and exhibit materials (CFU2012_13) were given to the archives. It is unknown who made those transfers. Cheryl Mahan transferred Library Exhibit materials in 2004 (CFU2004_04) and Carole Hinshaw transferred additional materials in 2010 (CFU2010_07). Raynette Kibbee transferred Library Staff Photographs in 2006 (CFU2006_01) and in 2013 (CFU2013_14) as well as administrative papers in 2011 (CFU2011_22). Peter Spyers-Duran II transferred Promotion Coordinating Committee materials in 2012 (CFU2012_30). Tim Bottorff transferred Library Faculty Affairs Committee materials in 2012 (CFU2012_29) and Laila Miletic-Vejzovic transferred additional materials in 2014 (CFU2014_01). Meg Scharf transferred digital photos in 2013 (CFU2013_I) and plaques in 2014 (CFU2014_B). Barry Baker transferred his records and records about the 21st Century Library Project in 2016 (CFU2016_04) and in 2018 (CFU2018_33). Additional materials were transferred in 2024 (CFU2024_03; CFU2024_21)."],"access_subjects_ssim":["Universities and colleges -- Florida","Art students -- Florida -- Orlando","Library exhibits -- Florida -- Orlando","Librarians -- Promotions -- Florida -- Orlando","compact discs","DVDs","newspaper clippings","photographs","VHS"],"access_subjects_ssm":["Universities and colleges -- Florida","Art students -- Florida -- Orlando","Library exhibits -- Florida -- Orlando","Librarians -- Promotions -- Florida -- Orlando","compact discs","DVDs","newspaper clippings","photographs","VHS"],"has_online_content_ssim":["false"],"extent_ssm":["104.5 Linear Feet 207 boxes, 3 objects"],"extent_tesim":["104.5 Linear Feet 207 boxes, 3 objects"],"genreform_ssim":["compact discs","DVDs","newspaper clippings","photographs","VHS"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following: Box 206, Flat Files 2-7, and Objects 1-3. Access to UCF Facilities drawings, documents, and sensitive data is available to authorized university staff and approved consultants only, per university policy, and under lawful exception to Florida's Public Records Law. For more information, please contact staff in Special Collections \u0026amp; University Archives.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following: Box 206, Flat Files 2-7, and Objects 1-3. Access to UCF Facilities drawings, documents, and sensitive data is available to authorized university staff and approved consultants only, per university policy, and under lawful exception to Florida's Public Records Law. For more information, please contact staff in Special Collections \u0026 University Archives."],"accruals_html_tesm":["\u003cp\u003ePrevious Collection Identifier: CFU1989_02b\u003c/p\u003e\n","\u003cp\u003eAdditions: CFU19XX_03, CFU19XX_04, CFU19XX_05, CFU1997_01, CFU2004_04, CFU2006_01, CFU2010_07, CFU2011_22, CFU2012_29, CFU2012_30, CFU2013_14, CFU2013_I, CFU2014_01, CFU2014_B, CFU2016_04, CFU2018_33\u003c/p\u003e"],"accruals_heading_ssm":["Additions"],"accruals_tesim":["Previous Collection Identifier: CFU1989_02b","Additions: CFU19XX_03, CFU19XX_04, CFU19XX_05, CFU1997_01, CFU2004_04, CFU2006_01, CFU2010_07, CFU2011_22, CFU2012_29, CFU2012_30, CFU2013_14, CFU2013_I, CFU2014_01, CFU2014_B, CFU2016_04, CFU2018_33"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in five series. Series I contains both alphabetical and chronological arrangement by subseries. Series II, III, and IV is broken down further into subseries and arranged chronologically. Lastly, Series V is arranged alphabetically by subseries and arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in five series. Series I contains both alphabetical and chronological arrangement by subseries. Series II, III, and IV is broken down further into subseries and arranged chronologically. Lastly, Series V is arranged alphabetically by subseries and arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eIn 1968 when University of Central Florida (then Florida Technological University) began, the library was the only building constructed completely and many classes and administrative offices were housed there. Clubs and athletics teams such as wrestling (CFF Vol 3 No 23) would meet in the library. According to the Annual Report of 1968-1969, the library's collection consisted of about 50,000 books and periodicals, plus 6,000 items of government documents. These items were packed within a warehouse waiting to be moved into the Library once construction as finished. A small percentage of the books were already processed. The decision was made to prepare the rest with whatever help was available at the time. So, students and all library staff created an assembly line to speed up the process. This process took an approximate ten weeks to complete. \u003c/p\u003e\n","\u003cp\u003e The first Library Director Lynn Walker was director from 1966-1982. Anne Marie Allison took the role as Library Director from 1983-1996. Barry Baker was the director from 1997-2019. In 2021, the Library Director position was elevated to a Dean of Libraries position. Beau Case was the inaugural Dean of Libraries.\u003c/p\u003e\n","\u003cp\u003e In the late 1970s, the university applied for funding to help expand the building. In 1984, UCF saw its largest library renovation as of yet; doubling the building in size. In 2012, the main library was named after then university president John C. Hitt while celebrating his 20th anniversary serving at UCF. In 2020, the Automated Retrieval Center (ARC) finished partial construction as a part of several phases to better acclimate the growing student population. Even with the quick growth of the campus, the university library has remained a hub for cultural and intellectual activity, offering students and faculty an open forum for discussion and reflection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["In 1968 when University of Central Florida (then Florida Technological University) began, the library was the only building constructed completely and many classes and administrative offices were housed there. Clubs and athletics teams such as wrestling (CFF Vol 3 No 23) would meet in the library. According to the Annual Report of 1968-1969, the library's collection consisted of about 50,000 books and periodicals, plus 6,000 items of government documents. These items were packed within a warehouse waiting to be moved into the Library once construction as finished. A small percentage of the books were already processed. The decision was made to prepare the rest with whatever help was available at the time. So, students and all library staff created an assembly line to speed up the process. This process took an approximate ten weeks to complete. "," The first Library Director Lynn Walker was director from 1966-1982. Anne Marie Allison took the role as Library Director from 1983-1996. Barry Baker was the director from 1997-2019. In 2021, the Library Director position was elevated to a Dean of Libraries position. Beau Case was the inaugural Dean of Libraries."," In the late 1970s, the university applied for funding to help expand the building. In 1984, UCF saw its largest library renovation as of yet; doubling the building in size. In 2012, the main library was named after then university president John C. Hitt while celebrating his 20th anniversary serving at UCF. In 2020, the Automated Retrieval Center (ARC) finished partial construction as a part of several phases to better acclimate the growing student population. Even with the quick growth of the campus, the university library has remained a hub for cultural and intellectual activity, offering students and faculty an open forum for discussion and reflection."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Library Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Library Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003e\u003chead audience=\"internal\"\u003eProcessing History\u003c/head\u003e The original UCF Library Exhibits Records collection was processed by and finding aid prepared by April Karlene Anderson in 2005. Rusted paper clips were removed and replaced with plastic clips. News clippings were photocopied onto acid-free paper. All materials were rehoused in acid-free folders and boxes. Duplicates were removed and social security numbers were obliterated. Post-it notes were moved to the edge of the documents to prevent destruction of information. To facilitate research, files in the alphabetical files that belonged more appropriately in other series were moved. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018. The original University of Central Florida Libraries Promotion Coordinating Committee Records were processed by and finding aid prepared by Mary Rubin in 2012. Materials were re-foldered in archival materials. The original University of Central Florida Libraries Faculty Affairs Committee Documents were processed by and finding aid prepared by Mary Rubin in 2013.Renata Nagy began began combining these collections in 2017. The collection was finished by Elisabeth \"Eli\" Jimenez in 2022.Additional materials processed in 2024 by Arielle Petrovich.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Processing History  The original UCF Library Exhibits Records collection was processed by and finding aid prepared by April Karlene Anderson in 2005. Rusted paper clips were removed and replaced with plastic clips. News clippings were photocopied onto acid-free paper. All materials were rehoused in acid-free folders and boxes. Duplicates were removed and social security numbers were obliterated. Post-it notes were moved to the edge of the documents to prevent destruction of information. To facilitate research, files in the alphabetical files that belonged more appropriately in other series were moved. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018. The original University of Central Florida Libraries Promotion Coordinating Committee Records were processed by and finding aid prepared by Mary Rubin in 2012. Materials were re-foldered in archival materials. The original University of Central Florida Libraries Faculty Affairs Committee Documents were processed by and finding aid prepared by Mary Rubin in 2013.Renata Nagy began began combining these collections in 2017. The collection was finished by Elisabeth \"Eli\" Jimenez in 2022.Additional materials processed in 2024 by Arielle Petrovich."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. There is mention of a book sale at the library that was held on February 11, 1992 at the lobby. This event is referenced in the Central Florida Future Vol. 24 No. 41 and also in the UCF Report of February 5, 1992. Library Faculty Meeting Minutes from 1978 to 1994 are bound and is listed speartely from this collection. The call number is LD 1772 .F 934.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on university archives, please see our website. There is mention of a book sale at the library that was held on February 11, 1992 at the lobby. This event is referenced in the Central Florida Future Vol. 24 No. 41 and also in the UCF Report of February 5, 1992. Library Faculty Meeting Minutes from 1978 to 1994 are bound and is listed speartely from this collection. The call number is LD 1772 .F 934."],"scopecontent_html_tesm":["\u003carrangement\u003eThis collection is arranged in five series. Series I contains both alphabetical and chronological arrangement by subseries. Series II, III, and IV is broken down further into subseries and arranged chronologically. Lastly, Series V is arranged alphabetically by subseries and arranged chronologically.\n\n\u003c/arrangement\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is arranged in five series. Series I contains both alphabetical and chronological arrangement by subseries. Series II, III, and IV is broken down further into subseries and arranged chronologically. Lastly, Series V is arranged alphabetically by subseries and arranged chronologically.\n\n"],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. 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Library Promotion Coordinating Committee","Florida Technological University. Library -- Exhibitions","Florida Technological University. Library"],"names_ssim":["UCF University Archives","University of Central Florida. Office of Public Affairs","Florida Technological University","University of Central Florida","University of Central Florida. Library","University of Central Florida. Library -- Exhibitions","University of Central Florida. Library Promotion Coordinating Committee","Florida Technological University. Library -- Exhibitions","Florida Technological University. Library","Walker, Lynn","Allison, Anne Marie","Mahan, Cheryl","Hinshaw, Carole","Kibbee, Raynette","Spyers-Duran, Peter, II","Bottorff, Tim ","Miletic-Vejzovic, Laila","Scharf, Meg","Baker, Barry"],"corpname_ssim":["UCF University Archives","University of Central Florida. Office of Public Affairs","Florida Technological University","University of Central Florida","University of Central Florida. Library","University of Central Florida. Library -- Exhibitions","University of Central Florida. Library Promotion Coordinating Committee","Florida Technological University. Library -- Exhibitions","Florida Technological University. 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Woods Papers, 1920-1969, 1980, 1993, 1999","Box 3","Reference Materials","/repositories/3/archival_objects/6775"],"component_level_isim":[3],"parent_ids_ssim":["011ce7550184b08ebda432fd","011ce7550184b08ebda432fd_aspace_4558ad7df96eb20b7a16709596de7d66","011ce7550184b08ebda432fd_aspace_166b0e02c5ed8a5f05c4259b324055af"],"parent_unittitles_ssm":["Vaughn E. Woods Papers, 1920-1969, 1980, 1993, 1999","Box 3","Reference Materials"],"parent_unittitles_tesim":["Vaughn E. Woods Papers, 1920-1969, 1980, 1993, 1999","Box 3","Reference Materials"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["/repositories/3/archival_objects/6775"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Vaughn E. Woods Papers, 1920-1969, 1980, 1993, 1999"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":38,"parent_access_restrict_tesm":["This collection is open for research. 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Woods Papers"],"ead_ssi":"011ce7550184b08ebda432fd","unitdate_ssm":["1920-1969","1980","1993","1999"],"unitdate_inclusive_ssm":["1920-1969"],"unitdate_other_ssim":["1980","1993","1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT3080","/repositories/3/resources/45"],"text":["CIT3080","/repositories/3/resources/45","Vaughn E. Woods Papers, 1920-1969, 1980, 1993, 1999","Lakeland (Fla.)--Climate","Woods, Vaughn E. (Vaughn Edmond), 1908-1999","Frost--Florida--Prevention","Citrus fruits--Florida--Effect of cold on","United States. Weather Bureau","Florida Citrus Commission","Florida Fruit and Vegetable Association","Meteorology, Agricultural--Florida","Reports","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","Vaughn Edmond Woods (1908-1999) moved to Davenport, Florida in 1931, and in 1932, he established the V. Woods Laboratory in the city. In 1937, he became the Soil Chemist for the Wilson and Toomer Fertilizer Company, where he would work for about 35 years, taking over from W.L. Tait. After Woods left Wilson and Toomer, he held a variety of roles: he opened Nepco Realty in Davenport and worked there for 30 years; he also became the owner of what was once known as the Pardee Groves in Davenport; and in the 1950s, he also served as the Mayor of Davenport. Woods retired in 1998 and passed away in 1999.","Vaughn Woods was the first cousin once removed of Col. Bayard F. Floyd, who also worked for the Wilson and Toomer Fertilizer Company. For more information on the company the two worked for, please see the Wilson and Toomer Fertilizer Company Records as well as the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company. See also the Holly Hill Grove and Fruit Company Photographs collection for photographs taken by the company for advertising purposes.","The Personal Materials series contains materials created or collected by the subject related to his personal interests. This series includes the Businesses sub-series, which contains materials from the businesses that Woods founded and owned. The series was arranged alphabetically based on subject. ","The Reference Materials series contains materials collected by Vaughn Woods presumably to be used as reference materials through the course of his professional work and research. 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Woods Papers, 1920-1969, 1980, 1993, 1999"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"geogname_ssm":["Lakeland (Fla.)--Climate"],"geogname_ssim":["Lakeland (Fla.)--Climate"],"creator_ssm":["Woods, Vaughn "],"creator_ssim":["Woods, Vaughn "],"creator_persname_ssim":["Woods, Vaughn "],"creators_ssim":["Woods, Vaughn "],"places_ssim":["Lakeland (Fla.)--Climate"],"access_terms_ssm":["Permission to publish material from the Vaughn Woods Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453"],"acqinfo_ssim":["Based on Professor Thomas Mack's unpublished manuscript \"Documented History of the Florida Citrus Archives,\" the materials are presumed to have been donated by Janey Powell, daughter of Vaughn Woods, alongside the Wilson and Toomer Fertilizer Co. Records; however, it is unknown exactly when the materials in this collection were donated to the Citrus Archives. The Thomas B. Mack Citrus Archives were transferred to the Roux Library in 2005 then to the McKay Archives Center in 2009."],"access_subjects_ssim":["Woods, Vaughn E. (Vaughn Edmond), 1908-1999","Frost--Florida--Prevention","Citrus fruits--Florida--Effect of cold on","United States. Weather Bureau","Florida Citrus Commission","Florida Fruit and Vegetable Association","Meteorology, Agricultural--Florida","Reports"],"access_subjects_ssm":["Woods, Vaughn E. (Vaughn Edmond), 1908-1999","Frost--Florida--Prevention","Citrus fruits--Florida--Effect of cold on","United States. 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After Woods left Wilson and Toomer, he held a variety of roles: he opened Nepco Realty in Davenport and worked there for 30 years; he also became the owner of what was once known as the Pardee Groves in Davenport; and in the 1950s, he also served as the Mayor of Davenport. Woods retired in 1998 and passed away in 1999.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vaughn Edmond Woods (1908-1999) moved to Davenport, Florida in 1931, and in 1932, he established the V. Woods Laboratory in the city. In 1937, he became the Soil Chemist for the Wilson and Toomer Fertilizer Company, where he would work for about 35 years, taking over from W.L. Tait. After Woods left Wilson and Toomer, he held a variety of roles: he opened Nepco Realty in Davenport and worked there for 30 years; he also became the owner of what was once known as the Pardee Groves in Davenport; and in the 1950s, he also served as the Mayor of Davenport. Woods retired in 1998 and passed away in 1999."],"odd_html_tesm":["\u003cp\u003eVaughn Woods was the first cousin once removed of Col. Bayard F. Floyd, who also worked for the Wilson and Toomer Fertilizer Company. For more information on the company the two worked for, please see the Wilson and Toomer Fertilizer Company Records as well as the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company. See also the Holly Hill Grove and Fruit Company Photographs collection for photographs taken by the company for advertising purposes.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Vaughn Woods was the first cousin once removed of Col. Bayard F. Floyd, who also worked for the Wilson and Toomer Fertilizer Company. For more information on the company the two worked for, please see the Wilson and Toomer Fertilizer Company Records as well as the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company. See also the Holly Hill Grove and Fruit Company Photographs collection for photographs taken by the company for advertising purposes."],"scopecontent_html_tesm":["\u003cp\u003eThe Personal Materials series contains materials created or collected by the subject related to his personal interests. This series includes the Businesses sub-series, which contains materials from the businesses that Woods founded and owned. The series was arranged alphabetically based on subject. \u003c/p\u003e\n","\u003cp\u003eThe Reference Materials series contains materials collected by Vaughn Woods presumably to be used as reference materials through the course of his professional work and research. The series contains primarily bulletins, mostly from the University of Florida Agricultural Experiment Station, that cover a variety of agricultural topics from the 1920s to the 1960s. 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The series has been divided into subseries based on subject/topic (and subtopic if needed) and then has been arranged chronologically within each subseries. "],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Vaughn Woods Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Vaughn Woods Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453"],"names_ssim":["Thomas B. Mack Florida Citrus Archives","Woods, Vaughn "],"corpname_ssim":["Thomas B. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 3"],"_nest_path_":"/components#0/components#4","_nest_parent_":"e295a7a17057ba24504f07e8_aspace_5782","_root_":"e295a7a17057ba24504f07e8","_version_":1870842124169117696,"timestamp":"2026-07-16T03:54:43.869Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e295a7a17057ba24504f07e8","title_ssm":["Office of the President -- Dr. Helen Popovich"],"title_tesim":["Office of the President -- Dr. Helen Popovich"],"ead_ssi":"e295a7a17057ba24504f07e8","unitdate_ssm":["1983-1989","1983-1989"],"unitdate_bulk_ssim":["1983-1989"],"unitdate_inclusive_ssm":["1983-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00010","/repositories/2/resources/80"],"text":["UA00010","/repositories/2/resources/80","Office of the President -- Dr. Helen Popovich, 1983-1989, bulk 1983-1989","Florida Atlantic University -- History","University Archives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Chronological","Available Formats: Print and Digital","In 2010, Leslie Siegel and Victoria Thur processed this collection.","Dr. Helen Popovich, our third university president, the first woman to be FAU president, and the first woman to head a public university in Florida. Dr. Popovich graduated from the University of Texas-El Paso and received her doctorate in English from the University of Kansas. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 boxes","2.5 linear feet Linear Feet"],"extent_tesim":["5.00 boxes","2.5 linear feet Linear Feet"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"odd_html_tesm":["\u003cp\u003eAvailable Formats: Print and Digital\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["Available Formats: Print and Digital"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Leslie Siegel and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Leslie Siegel and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cblockquote\u003eDr. Helen Popovich, our third university president, the first woman to be FAU president, and the first woman to head a public university in Florida. Dr. Popovich graduated from the University of Texas-El Paso and received her doctorate in English from the University of Kansas. During her tenure, the population of Southeast Florida flourished, and the opportunity for FAU to expand and include first- and second-year students was well-timed. By late Fall of 1983, the Board of Regents approved the measure, and by the following year, the first class of freshmen started at FAU. Dr. Popovich worked to increase the enrollment of African American and Hispanic students. Serving the FAU community, she oversaw the Reuben O' D. Askew University Tower opening in downtown Fort Lauderdale, where students and faculty worked alongside business and industry executives. Dr. Popovich diversified the faculty and staff by supporting the appointment of women to professoriate and administrative roles. By 1986, the Women's Studies Certificate Program was created. In 1989, her last year in office, FAU reached the critical milestone of $10 million in sponsored research.   \n\nDr. Popovich's records reflect her internal and external University responsibilities as chief administrative officer of the University. The records include correspondence, memoranda, reports, minutes, agendas, clippings, photographs, publications, and other materials created and compiled by the Office of the President.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Dr. Helen Popovich, our third university president, the first woman to be FAU president, and the first woman to head a public university in Florida. Dr. Popovich graduated from the University of Texas-El Paso and received her doctorate in English from the University of Kansas. During her tenure, the population of Southeast Florida flourished, and the opportunity for FAU to expand and include first- and second-year students was well-timed. By late Fall of 1983, the Board of Regents approved the measure, and by the following year, the first class of freshmen started at FAU. Dr. Popovich worked to increase the enrollment of African American and Hispanic students. Serving the FAU community, she oversaw the Reuben O' D. Askew University Tower opening in downtown Fort Lauderdale, where students and faculty worked alongside business and industry executives. Dr. Popovich diversified the faculty and staff by supporting the appointment of women to professoriate and administrative roles. By 1986, the Women's Studies Certificate Program was created. In 1989, her last year in office, FAU reached the critical milestone of $10 million in sponsored research.   \n\nDr. Popovich's records reflect her internal and external University responsibilities as chief administrative officer of the University. The records include correspondence, memoranda, reports, minutes, agendas, clippings, photographs, publications, and other materials created and compiled by the Office of the President."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842124169117696,"_root_":"e295a7a17057ba24504f07e8","timestamp":"2026-07-16T03:54:43.869Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e295a7a17057ba24504f07e8_aspace_5885"}},{"id":"594bca4a1d2981fe4985bec3_aspace_83397","type":"Subseries","attributes":{"title":"Pell","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/594bca4a1d2981fe4985bec3_aspace_83397#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_83397","ref_ssm":["aspace_83397","aspace_83397"],"id":"594bca4a1d2981fe4985bec3_aspace_83397","title_filing_ssi":"Pell","title_ssm":["Pell"],"title_tesim":["Pell"],"normalized_title_ssm":["Pell"],"text":["Pell","David Hagberg collection, 1987-2021","Published Works","Sub-Series 9","/repositories/2/archival_objects/131552"],"component_level_isim":[2],"parent_ids_ssim":["594bca4a1d2981fe4985bec3","594bca4a1d2981fe4985bec3_aspace_82318"],"parent_unittitles_ssm":["David Hagberg collection, 1987-2021","Published Works"],"parent_unittitles_tesim":["David Hagberg collection, 1987-2021","Published Works"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 9","/repositories/2/archival_objects/131552"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["David Hagberg collection, 1987-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":555,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#6/components#8","_nest_parent_":"594bca4a1d2981fe4985bec3_aspace_82318","_root_":"594bca4a1d2981fe4985bec3","timestamp":"2026-07-08T05:17:40.806Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"594bca4a1d2981fe4985bec3","title_ssm":["David Hagberg collection"],"title_tesim":["David Hagberg collection"],"ead_ssi":"594bca4a1d2981fe4985bec3","unitdate_ssm":["1987-2021"],"unitdate_inclusive_ssm":["1987-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1987-02","/repositories/2/resources/554"],"text":["MS-1987-02","/repositories/2/resources/554","David Hagberg collection, 1987-2021","Middle East","Soviet Union","Crime -- Fiction","Authors, American -- Florida","Authors -- Correspondence","Authors, American -- 20th century","Espionage fiction","Additional materials added in 2010, 2014, and 2019.","This collection is arranged into eight (8) series: General, Correspondence, Publicity, Speaker's Connection, Early Writings, Unpublished Works, Published Works, and Oversized.","Hagberg's typewriter is also included as part of the collection, as are two documents held electronically: \"Notes on a conversation in New York with Boris Gindin\" and \"A Synopsis of Novel Burned.\"","A former Cryptographer with the United States Air Force, David Hagberg (1942-2019) worked as a news reporter and news desk editor before turning to freelance writing. He wrote hundreds of magazine articles across a variety of publications while he also published techno-thriller, spy, crime, and mystery novels. Many of Hagberg's works were published under the pseudonyms Sean Flannery, Nick Carter, David Bannerman, David James, Robert Pell, and Eric Ramsay. Hagberg has been nominated for The American Book Award, the Mystery Writers of America EdgarAllan Poe Award, and Mystery Scene Best American Mystery awards.","Note written by TT, 2019","The David Hagberg Manuscript Collection was donated to the University of South Florida Sarasota/New College of Library on March 5, 1987. The collection was subsequently transferred to the USF Tampa Library's Special Collections department in 1992.","The collection contains typescripts, correspondence, business files, publicity materials, and novels, which have been removed from the collection and cataloged separately.  Also includes Hagberg's typewriter, which may be found on a shelf adjacent to the collection.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Hagberg, David (1942-2019)","English"],"unitid_tesim":["MS-1987-02","/repositories/2/resources/554"],"normalized_date_ssm":["1987-2021"],"normalized_title_ssm":["David Hagberg collection, 1987-2021"],"collection_title_tesim":["David Hagberg collection, 1987-2021"],"collection_ssim":["David Hagberg collection, 1987-2021"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Middle East","Soviet Union"],"geogname_ssim":["Middle East","Soviet Union"],"creator_ssm":["Hagberg, David (1942-2019)"],"creator_ssim":["Hagberg, David (1942-2019)"],"creator_persname_ssim":["Hagberg, David (1942-2019)"],"creators_ssim":["Hagberg, David (1942-2019)"],"places_ssim":["Middle East","Soviet Union"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["David Hagberg","Original collection transferred from the University of South Florida Sarasota/New College Library."],"access_subjects_ssim":["Crime -- Fiction","Authors, American -- Florida","Authors -- Correspondence","Authors, American -- 20th century","Espionage fiction"],"access_subjects_ssm":["Crime -- Fiction","Authors, American -- Florida","Authors -- Correspondence","Authors, American -- 20th century","Espionage fiction"],"has_online_content_ssim":["false"],"extent_ssm":["51.23 Linear Feet","124 boxes"],"extent_tesim":["51.23 Linear Feet","124 boxes"],"genreform_ssim":["Espionage fiction"],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accruals_html_tesm":["\u003cp\u003eAdditional materials added in 2010, 2014, and 2019.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Additional materials added in 2010, 2014, and 2019."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into eight (8) series: General, Correspondence, Publicity, Speaker's Connection, Early Writings, Unpublished Works, Published Works, and Oversized.\u003c/p\u003e\n","\u003cp\u003eHagberg's typewriter is also included as part of the collection, as are two documents held electronically: \"Notes on a conversation in New York with Boris Gindin\" and \"A Synopsis of Novel Burned.\"\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into eight (8) series: General, Correspondence, Publicity, Speaker's Connection, Early Writings, Unpublished Works, Published Works, and Oversized.","Hagberg's typewriter is also included as part of the collection, as are two documents held electronically: \"Notes on a conversation in New York with Boris Gindin\" and \"A Synopsis of Novel Burned.\""],"bioghist_html_tesm":["\u003cp\u003eA former Cryptographer with the United States Air Force, David Hagberg (1942-2019) worked as a news reporter and news desk editor before turning to freelance writing. He wrote hundreds of magazine articles across a variety of publications while he also published techno-thriller, spy, crime, and mystery novels. Many of Hagberg's works were published under the pseudonyms Sean Flannery, Nick Carter, David Bannerman, David James, Robert Pell, and Eric Ramsay. Hagberg has been nominated for The American Book Award, the Mystery Writers of America EdgarAllan Poe Award, and Mystery Scene Best American Mystery awards.\u003c/p\u003e\n","\u003cp\u003eNote written by TT, 2019\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["A former Cryptographer with the United States Air Force, David Hagberg (1942-2019) worked as a news reporter and news desk editor before turning to freelance writing. He wrote hundreds of magazine articles across a variety of publications while he also published techno-thriller, spy, crime, and mystery novels. Many of Hagberg's works were published under the pseudonyms Sean Flannery, Nick Carter, David Bannerman, David James, Robert Pell, and Eric Ramsay. Hagberg has been nominated for The American Book Award, the Mystery Writers of America EdgarAllan Poe Award, and Mystery Scene Best American Mystery awards.","Note written by TT, 2019"],"custodhist_html_tesm":["\u003cp\u003eThe David Hagberg Manuscript Collection was donated to the University of South Florida Sarasota/New College of Library on March 5, 1987. The collection was subsequently transferred to the USF Tampa Library's Special Collections department in 1992.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The David Hagberg Manuscript Collection was donated to the University of South Florida Sarasota/New College of Library on March 5, 1987. The collection was subsequently transferred to the USF Tampa Library's Special Collections department in 1992."],"prefercite_html_tesm":["\u003cp\u003eDavid Hagberg collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["David Hagberg collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains typescripts, correspondence, business files, publicity materials, and novels, which have been removed from the collection and cataloged separately.\u0026#xA0; Also includes Hagberg's typewriter, which may be found on a shelf adjacent to the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains typescripts, correspondence, business files, publicity materials, and novels, which have been removed from the collection and cataloged separately.  Also includes Hagberg's typewriter, which may be found on a shelf adjacent to the collection."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Hagberg, David (1942-2019)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hagberg, David (1942-2019)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":963,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"594bca4a1d2981fe4985bec3","timestamp":"2026-07-08T05:17:40.806Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/594bca4a1d2981fe4985bec3_aspace_83397"}},{"id":"236a3c88b766327883b2e155_aspace_e4179b1502f793e9232e522365ebb20e","type":"Subseries","attributes":{"title":"Pen and Ink Illustrations","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_e4179b1502f793e9232e522365ebb20e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e4179b1502f793e9232e522365ebb20e","ref_ssm":["aspace_e4179b1502f793e9232e522365ebb20e","aspace_e4179b1502f793e9232e522365ebb20e"],"id":"236a3c88b766327883b2e155_aspace_e4179b1502f793e9232e522365ebb20e","title_filing_ssi":"Pen and Ink Illustrations","title_ssm":["Pen and Ink Illustrations"],"title_tesim":["Pen and Ink Illustrations"],"normalized_title_ssm":["Pen and Ink Illustrations"],"text":["Pen and Ink Illustrations","Joy Postle papers, 1910-2015","Art, 1921","/repositories/4/archival_objects/87667","/repositories/4/archival_objects/91133"],"component_level_isim":[2],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/87667","/repositories/4/archival_objects/91133"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":34,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#1","_nest_parent_":"236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_e4179b1502f793e9232e522365ebb20e"}},{"id":"236a3c88b766327883b2e155_aspace_ffe7f3896a4d5680968ec5be31266ffd","type":"Subseries","attributes":{"title":"Pencil Sketches","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_ffe7f3896a4d5680968ec5be31266ffd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ffe7f3896a4d5680968ec5be31266ffd","ref_ssm":["aspace_ffe7f3896a4d5680968ec5be31266ffd","aspace_ffe7f3896a4d5680968ec5be31266ffd"],"id":"236a3c88b766327883b2e155_aspace_ffe7f3896a4d5680968ec5be31266ffd","title_filing_ssi":"Pencil Sketches","title_ssm":["Pencil Sketches"],"title_tesim":["Pencil Sketches"],"normalized_title_ssm":["Pencil Sketches"],"text":["Pencil Sketches","Joy Postle papers, 1910-2015","Art, 1921","/repositories/4/archival_objects/87635","/repositories/4/archival_objects/91132"],"component_level_isim":[2],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/87635","/repositories/4/archival_objects/91132"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_ffe7f3896a4d5680968ec5be31266ffd"}},{"id":"a79c840ed87d42961e583cf1_aspace_85711","type":"Subseries","attributes":{"title":"Pennsylvania","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_85711#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_85711","ref_ssm":["aspace_85711","aspace_85711"],"id":"a79c840ed87d42961e583cf1_aspace_85711","title_filing_ssi":"Pennsylvania","title_ssm":["Pennsylvania"],"title_tesim":["Pennsylvania"],"normalized_title_ssm":["Pennsylvania"],"text":["Pennsylvania","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders","Sub-Series 144","/repositories/2/archival_objects/124677"],"component_level_isim":[2],"parent_ids_ssim":["a79c840ed87d42961e583cf1","a79c840ed87d42961e583cf1_aspace_7673"],"parent_unittitles_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_unittitles_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 144","/repositories/2/archival_objects/124677"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1651,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2/components#148","_nest_parent_":"a79c840ed87d42961e583cf1_aspace_7673","_root_":"a79c840ed87d42961e583cf1","_version_":1870863518701453312,"timestamp":"2026-07-16T09:34:47.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a79c840ed87d42961e583cf1","title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"ead_ssi":"a79c840ed87d42961e583cf1","unitdate_ssm":["1913-1989","Date acquired: 00/00/2006"],"unitdate_inclusive_ssm":["1913-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-10","/repositories/2/resources/535"],"text":["MS-2006-10","/repositories/2/resources/535","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Chemical engineering laboratories","The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides.","Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07","This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.","USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna","English"],"unitid_tesim":["MS-2006-10","/repositories/2/resources/535"],"normalized_date_ssm":["1913-1989, Date acquired: 00/00/2006"],"normalized_title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creators_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edna Rodgers","Donation."],"access_subjects_ssim":["Chemical engineering laboratories"],"access_subjects_ssm":["Chemical engineering laboratories"],"has_online_content_ssim":["false"],"extent_ssm":["177.00 Linear Feet","232 boxes"],"extent_tesim":["177.00 Linear Feet","232 boxes"],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe following are four ways in which the series were arranged.\u003c/p\u003e\n","\u003cp\u003eBy subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. \u003c/p\u003e\n","\u003cp\u003eFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003eMaterials are organized into folders by format, subject, and original folder number.\u0026#xA0; The subject headings of each folder are the headings applied to the original folders by the Kamlets.\u0026#xA0; (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.\u0026#xA0; Contents inside folders are organized chronologically when applicable.\u0026#xA0; Some folders contain the format denotation \"Notes to Users.\"\u0026#xA0; Folders with this title contain index cards that were often found attached to the original manila envelopes.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.\u0026#xA0; The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.\u0026#xA0; The index cards that are a part of this finding mechanism are organized alphabetically by subject.\u0026#xA0; Contact an archivist for assistance with this secondary finding aid.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eMaterials have been arranged with regards to their original order.\u0026#xA0; Organized by subject.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.\u0026#xA0; Contact an archivist for assistance with these supplemental guides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides."],"bioghist_html_tesm":["\u003cp\u003eJonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.\u0026#xA0; The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.\u0026#xA0; The laboratory also provided consultation services to a variety of businesses.\u0026#xA0; Edna Kamlet continued the laboratory's work following the death of her husband in 1960.\u0026#xA0; She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.\u003c/p\u003e\n","\u003cp\u003eMartin, D. \u0026amp; Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44\u003c/p\u003e\n","\u003cp\u003eUSF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf\u003c/p\u003e\n","\u003cp\u003eNote written by BMB 10/1/07\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07"],"prefercite_html_tesm":["\u003cp\u003eKamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  .\u003c/p\u003e"],"prefercite_tesim":["Kamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is a compilation of eight finding aids. Each finding aid represents a series.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003e1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.\u0026#xA0; A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.\u003c/p\u003e\n","\u003cp\u003e2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.\u0026#xA0; Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.\u003c/p\u003e\n","\u003cp\u003e4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003e5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.\u0026#xA0; The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u003c/p\u003e\n","\u003cp\u003e8.\u0026#xA0; \u0026#xA0;\u0026#xA0; Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f163370d009d8390608d15228d74d825\" label=\"Abstract\"\u003eThis collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks."],"names_ssim":["USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4072,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863518701453312,"_root_":"a79c840ed87d42961e583cf1","timestamp":"2026-07-16T09:34:47.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_85711"}},{"id":"a79c840ed87d42961e583cf1_aspace_82677","type":"Subseries","attributes":{"title":"Pentaerythritol","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_82677#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82677","ref_ssm":["aspace_82677","aspace_82677"],"id":"a79c840ed87d42961e583cf1_aspace_82677","title_filing_ssi":"Pentaerythritol","title_ssm":["Pentaerythritol"],"title_tesim":["Pentaerythritol"],"normalized_title_ssm":["Pentaerythritol"],"text":["Pentaerythritol","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders","Sub-Series 544","/repositories/2/archival_objects/122837"],"component_level_isim":[2],"parent_ids_ssim":["a79c840ed87d42961e583cf1","a79c840ed87d42961e583cf1_aspace_7673"],"parent_unittitles_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_unittitles_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 544","/repositories/2/archival_objects/122837"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":741,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2/components#45","_nest_parent_":"a79c840ed87d42961e583cf1_aspace_7673","_root_":"a79c840ed87d42961e583cf1","_version_":1870863518701453312,"timestamp":"2026-07-16T09:34:47.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a79c840ed87d42961e583cf1","title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"ead_ssi":"a79c840ed87d42961e583cf1","unitdate_ssm":["1913-1989","Date acquired: 00/00/2006"],"unitdate_inclusive_ssm":["1913-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-10","/repositories/2/resources/535"],"text":["MS-2006-10","/repositories/2/resources/535","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Chemical engineering laboratories","The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides.","Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07","This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.","USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna","English"],"unitid_tesim":["MS-2006-10","/repositories/2/resources/535"],"normalized_date_ssm":["1913-1989, Date acquired: 00/00/2006"],"normalized_title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creators_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edna Rodgers","Donation."],"access_subjects_ssim":["Chemical engineering laboratories"],"access_subjects_ssm":["Chemical engineering laboratories"],"has_online_content_ssim":["false"],"extent_ssm":["177.00 Linear Feet","232 boxes"],"extent_tesim":["177.00 Linear Feet","232 boxes"],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe following are four ways in which the series were arranged.\u003c/p\u003e\n","\u003cp\u003eBy subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. \u003c/p\u003e\n","\u003cp\u003eFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003eMaterials are organized into folders by format, subject, and original folder number.\u0026#xA0; The subject headings of each folder are the headings applied to the original folders by the Kamlets.\u0026#xA0; (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.\u0026#xA0; Contents inside folders are organized chronologically when applicable.\u0026#xA0; Some folders contain the format denotation \"Notes to Users.\"\u0026#xA0; Folders with this title contain index cards that were often found attached to the original manila envelopes.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.\u0026#xA0; The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.\u0026#xA0; The index cards that are a part of this finding mechanism are organized alphabetically by subject.\u0026#xA0; Contact an archivist for assistance with this secondary finding aid.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eMaterials have been arranged with regards to their original order.\u0026#xA0; Organized by subject.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.\u0026#xA0; Contact an archivist for assistance with these supplemental guides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides."],"bioghist_html_tesm":["\u003cp\u003eJonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.\u0026#xA0; The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.\u0026#xA0; The laboratory also provided consultation services to a variety of businesses.\u0026#xA0; Edna Kamlet continued the laboratory's work following the death of her husband in 1960.\u0026#xA0; She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.\u003c/p\u003e\n","\u003cp\u003eMartin, D. \u0026amp; Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44\u003c/p\u003e\n","\u003cp\u003eUSF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf\u003c/p\u003e\n","\u003cp\u003eNote written by BMB 10/1/07\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07"],"prefercite_html_tesm":["\u003cp\u003eKamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  .\u003c/p\u003e"],"prefercite_tesim":["Kamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is a compilation of eight finding aids. Each finding aid represents a series.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003e1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.\u0026#xA0; A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.\u003c/p\u003e\n","\u003cp\u003e2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.\u0026#xA0; Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.\u003c/p\u003e\n","\u003cp\u003e4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003e5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.\u0026#xA0; The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u003c/p\u003e\n","\u003cp\u003e8.\u0026#xA0; \u0026#xA0;\u0026#xA0; Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f163370d009d8390608d15228d74d825\" label=\"Abstract\"\u003eThis collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks."],"names_ssim":["USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4072,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863518701453312,"_root_":"a79c840ed87d42961e583cf1","timestamp":"2026-07-16T09:34:47.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_82677"}},{"id":"858c2b961d9f21b8a16c10c6_aspace_ccc7f6153ed44def3893f2a8e98f5505","type":"Subseries","attributes":{"title":"People","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/858c2b961d9f21b8a16c10c6_aspace_ccc7f6153ed44def3893f2a8e98f5505#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ccc7f6153ed44def3893f2a8e98f5505","ref_ssm":["aspace_ccc7f6153ed44def3893f2a8e98f5505","aspace_ccc7f6153ed44def3893f2a8e98f5505"],"id":"858c2b961d9f21b8a16c10c6_aspace_ccc7f6153ed44def3893f2a8e98f5505","title_filing_ssi":"People","title_ssm":["People"],"title_tesim":["People"],"normalized_title_ssm":["People"],"text":["People","Florida Photograph collection, bulk 1883-1977","Hillsborough County","Tampa","African Americans","/repositories/2/archival_objects/218377"],"component_level_isim":[4],"parent_ids_ssim":["858c2b961d9f21b8a16c10c6","858c2b961d9f21b8a16c10c6_aspace_dd414b101de05fad3c673facef509b5f","858c2b961d9f21b8a16c10c6_aspace_25a896596d6b82a3f666e720e20186fb","858c2b961d9f21b8a16c10c6_aspace_6a1aaed7becaa0017db6bb039f04f337"],"parent_unittitles_ssm":["Florida Photograph collection, bulk 1883-1977","Hillsborough County","Tampa","African Americans"],"parent_unittitles_tesim":["Florida Photograph collection, bulk 1883-1977","Hillsborough County","Tampa","African Americans"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/218377"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Photograph collection, bulk 1883-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":250,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#48/components#23/components#3/components#4","_nest_parent_":"858c2b961d9f21b8a16c10c6_aspace_6a1aaed7becaa0017db6bb039f04f337","_root_":"858c2b961d9f21b8a16c10c6","timestamp":"2026-06-06T03:16:59.251Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"858c2b961d9f21b8a16c10c6","title_ssm":["Florida Photograph collection"],"title_tesim":["Florida Photograph collection"],"ead_ssi":"858c2b961d9f21b8a16c10c6","unitdate_ssm":["1883-1977"],"unitdate_bulk_ssim":["1883-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2021-06","/repositories/2/resources/597"],"text":["MS-2021-06","/repositories/2/resources/597","Florida Photograph collection, bulk 1883-1977","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2021-06","/repositories/2/resources/597"],"normalized_date_ssm":["bulk 1883-1977"],"normalized_title_ssm":["Florida Photograph collection, bulk 1883-1977"],"collection_title_tesim":["Florida Photograph collection, bulk 1883-1977"],"collection_ssim":["Florida Photograph collection, bulk 1883-1977"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["8.78 Linear Feet","42 boxes"],"extent_tesim":["8.78 Linear Feet","42 boxes"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":978,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"858c2b961d9f21b8a16c10c6","timestamp":"2026-06-06T03:16:59.251Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/858c2b961d9f21b8a16c10c6_aspace_ccc7f6153ed44def3893f2a8e98f5505"}},{"id":"dae1f41d8191b0ca362e03b5_aspace_3df492ae7fddc47c9c2ef43f7b449e90","type":"Subseries","attributes":{"title":"People","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dae1f41d8191b0ca362e03b5_aspace_3df492ae7fddc47c9c2ef43f7b449e90#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3df492ae7fddc47c9c2ef43f7b449e90","ref_ssm":["aspace_3df492ae7fddc47c9c2ef43f7b449e90","aspace_3df492ae7fddc47c9c2ef43f7b449e90"],"id":"dae1f41d8191b0ca362e03b5_aspace_3df492ae7fddc47c9c2ef43f7b449e90","title_filing_ssi":"People","title_ssm":["People"],"title_tesim":["People"],"normalized_title_ssm":["People"],"text":["People","Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994","Photographs","/repositories/3/archival_objects/25287","box 7"],"component_level_isim":[2],"parent_ids_ssim":["dae1f41d8191b0ca362e03b5","dae1f41d8191b0ca362e03b5_aspace_0dbb98ab107fe4a4a22ce28a91f6067c"],"parent_unittitles_ssm":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994","Photographs"],"parent_unittitles_tesim":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994","Photographs"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/25287"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":52,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 7"],"_nest_path_":"/components#5/components#6","_nest_parent_":"dae1f41d8191b0ca362e03b5_aspace_0dbb98ab107fe4a4a22ce28a91f6067c","_root_":"dae1f41d8191b0ca362e03b5","timestamp":"2026-07-09T02:23:12.376Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dae1f41d8191b0ca362e03b5","title_ssm":["Gordon Smith Citrus and Vegetable Magazine Collection"],"title_tesim":["Gordon Smith Citrus and Vegetable Magazine Collection"],"ead_ssi":"dae1f41d8191b0ca362e03b5","unitdate_ssm":["1961-1994"],"unitdate_inclusive_ssm":["1961-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT6080","/repositories/3/resources/133"],"text":["CIT6080","/repositories/3/resources/133","Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994","Citrus industry--Florida--History","Pesticides--Application--History.","Agricultural pests--Control--Florida--History.","Citrus industry--Florida--Periodicals ","Agricultural industries--Florida--Periodicals","Photographs--Florida--History","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Gordon Smith was a publisher and editor for the Citrus and Vegetable Magazine as well as an independant author of citrus history.","This collection contains information relating to the Citrus and Vegetable Magazine.  It contains detailed industrial and research records on chemical pesticides belonging to the Rhône-Poulenc company, as well as newspaper articles featuring their products.  The collection also includes background information on citrus uses, grower advice, and marketing at the time.  The bulk of the collection is made up of photographs, ranging from agricultural machinery to profile shots of people connected with the industry.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT6080","/repositories/3/resources/133"],"normalized_date_ssm":["1961-1994"],"normalized_title_ssm":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"collection_title_tesim":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"collection_ssim":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated to Professor Thomas Mack, date unknown (prior to 2009)."],"access_subjects_ssim":["Citrus industry--Florida--History","Pesticides--Application--History.","Agricultural pests--Control--Florida--History.","Citrus industry--Florida--Periodicals ","Agricultural industries--Florida--Periodicals","Photographs--Florida--History"],"access_subjects_ssm":["Citrus industry--Florida--History","Pesticides--Application--History.","Agricultural pests--Control--Florida--History.","Citrus industry--Florida--Periodicals ","Agricultural industries--Florida--Periodicals","Photographs--Florida--History"],"has_online_content_ssim":["false"],"extent_ssm":["4.17 Linear Feet"],"extent_tesim":["4.17 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eGordon Smith was a publisher and editor for the Citrus and Vegetable Magazine as well as an independant author of citrus history.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Gordon Smith was a publisher and editor for the Citrus and Vegetable Magazine as well as an independant author of citrus history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information relating to the Citrus and Vegetable Magazine.  It contains detailed industrial and research records on chemical pesticides belonging to the Rh\u0026#xF4;ne-Poulenc company, as well as newspaper articles featuring their products.  The collection also includes background information on citrus uses, grower advice, and marketing at the time.  The bulk of the collection is made up of photographs, ranging from agricultural machinery to profile shots of people connected with the industry.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains information relating to the Citrus and Vegetable Magazine.  It contains detailed industrial and research records on chemical pesticides belonging to the Rhône-Poulenc company, as well as newspaper articles featuring their products.  The collection also includes background information on citrus uses, grower advice, and marketing at the time.  The bulk of the collection is made up of photographs, ranging from agricultural machinery to profile shots of people connected with the industry."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. 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