{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=372","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=371","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=373","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660"},"meta":{"pages":{"current_page":372,"next_page":373,"prev_page":371,"total_pages":660,"limit_value":10,"offset_value":3710,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"71b8a757b0f138dee122db24_aspace_2c9ec04b10aaebe4bec8fdaa8aae3f55","type":"Subseries","attributes":{"title":"Music Lists","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_2c9ec04b10aaebe4bec8fdaa8aae3f55#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2c9ec04b10aaebe4bec8fdaa8aae3f55","ref_ssm":["aspace_2c9ec04b10aaebe4bec8fdaa8aae3f55","aspace_2c9ec04b10aaebe4bec8fdaa8aae3f55"],"id":"71b8a757b0f138dee122db24_aspace_2c9ec04b10aaebe4bec8fdaa8aae3f55","title_filing_ssi":"Music Lists","title_ssm":["Music Lists"],"title_tesim":["Music Lists"],"normalized_title_ssm":["Music Lists"],"text":["Music Lists","Florida Bandmasters Association Records, 1936-2010","Contests and Other Events","/repositories/2/archival_objects/41505","box 68"],"component_level_isim":[2],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Contests and Other Events"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Contests and Other Events"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/41505"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":23,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1371,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"containers_ssim":["box 68"],"_nest_path_":"/components#2/components#3","_nest_parent_":"71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. 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A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11_aspace_131273"}},{"id":"4ad50bfd693bba5a202c3c11_aspace_131276","type":"Subseries","attributes":{"title":"Music Record Book, 1921-1922 through 1924-1925","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11_aspace_131276#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_131276","ref_ssm":["aspace_131276","aspace_131276"],"id":"4ad50bfd693bba5a202c3c11_aspace_131276","title_filing_ssi":"Music Record Book","title_ssm":["Music Record Book"],"title_tesim":["Music Record Book"],"unitdate_other_ssim":["1921-1922 through 1924-1925"],"normalized_date_ssm":["1921-1922 through 1924-1925"],"normalized_title_ssm":["Music Record Book, 1921-1922 through 1924-1925"],"text":["Music Record Book, 1921-1922 through 1924-1925","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944","Sub-Series 2","/repositories/10/archival_objects/122946","box OS2"],"component_level_isim":[2],"parent_ids_ssim":["4ad50bfd693bba5a202c3c11","4ad50bfd693bba5a202c3c11_aspace_131270"],"parent_unittitles_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944"],"parent_unittitles_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 2","/repositories/10/archival_objects/122946"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":292,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"containers_ssim":["box OS2"],"_nest_path_":"/components#5/components#1","_nest_parent_":"4ad50bfd693bba5a202c3c11_aspace_131270","_root_":"4ad50bfd693bba5a202c3c11","_version_":1870859392320012288,"timestamp":"2026-07-16T08:29:11.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11_aspace_131276"}},{"id":"4ad50bfd693bba5a202c3c11_aspace_131282","type":"Subseries","attributes":{"title":"Music Record Book, 1924-1939","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11_aspace_131282#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_131282","ref_ssm":["aspace_131282","aspace_131282"],"id":"4ad50bfd693bba5a202c3c11_aspace_131282","title_filing_ssi":"Music Record Book","title_ssm":["Music Record Book"],"title_tesim":["Music Record Book"],"unitdate_other_ssim":["1924-1939"],"normalized_date_ssm":["1924-1939"],"normalized_title_ssm":["Music Record Book, 1924-1939"],"text":["Music Record Book, 1924-1939","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944","Sub-Series 4","/repositories/10/archival_objects/122952","box OS4"],"component_level_isim":[2],"parent_ids_ssim":["4ad50bfd693bba5a202c3c11","4ad50bfd693bba5a202c3c11_aspace_131270"],"parent_unittitles_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944"],"parent_unittitles_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 4","/repositories/10/archival_objects/122952"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":296,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"containers_ssim":["box OS4"],"_nest_path_":"/components#5/components#3","_nest_parent_":"4ad50bfd693bba5a202c3c11_aspace_131270","_root_":"4ad50bfd693bba5a202c3c11","_version_":1870859392320012288,"timestamp":"2026-07-16T08:29:11.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11_aspace_131282"}},{"id":"4ad50bfd693bba5a202c3c11_aspace_131279","type":"Subseries","attributes":{"title":"Music Record Book, 1925-1926 through Summer 1931","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11_aspace_131279#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_131279","ref_ssm":["aspace_131279","aspace_131279"],"id":"4ad50bfd693bba5a202c3c11_aspace_131279","title_filing_ssi":"Music Record Book","title_ssm":["Music Record Book"],"title_tesim":["Music Record Book"],"unitdate_other_ssim":["1925-1926 through Summer 1931"],"normalized_date_ssm":["1925-1926 through Summer 1931"],"normalized_title_ssm":["Music Record Book, 1925-1926 through Summer 1931"],"text":["Music Record Book, 1925-1926 through Summer 1931","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944","Sub-Series 3","/repositories/10/archival_objects/122950","box OS3"],"component_level_isim":[2],"parent_ids_ssim":["4ad50bfd693bba5a202c3c11","4ad50bfd693bba5a202c3c11_aspace_131270"],"parent_unittitles_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944"],"parent_unittitles_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 3","/repositories/10/archival_objects/122950"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":294,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"containers_ssim":["box OS3"],"_nest_path_":"/components#5/components#2","_nest_parent_":"4ad50bfd693bba5a202c3c11_aspace_131270","_root_":"4ad50bfd693bba5a202c3c11","_version_":1870859392320012288,"timestamp":"2026-07-16T08:29:11.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11_aspace_131279"}},{"id":"4ad50bfd693bba5a202c3c11_aspace_131285","type":"Subseries","attributes":{"title":"Music Record Book, September 1939-September 1944","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11_aspace_131285#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_131285","ref_ssm":["aspace_131285","aspace_131285"],"id":"4ad50bfd693bba5a202c3c11_aspace_131285","title_filing_ssi":"Music Record Book","title_ssm":["Music Record Book"],"title_tesim":["Music Record Book"],"unitdate_other_ssim":["September 1939-September 1944"],"normalized_date_ssm":["September 1939-September 1944"],"normalized_title_ssm":["Music Record Book, September 1939-September 1944"],"text":["Music Record Book, September 1939-September 1944","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944","Sub-Series 5","/repositories/10/archival_objects/122968","box OS5"],"component_level_isim":[2],"parent_ids_ssim":["4ad50bfd693bba5a202c3c11","4ad50bfd693bba5a202c3c11_aspace_131270"],"parent_unittitles_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944"],"parent_unittitles_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Music Record Books, 1911-1944"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 5","/repositories/10/archival_objects/122968"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":298,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"containers_ssim":["box OS5"],"_nest_path_":"/components#5/components#4","_nest_parent_":"4ad50bfd693bba5a202c3c11_aspace_131270","_root_":"4ad50bfd693bba5a202c3c11","_version_":1870859392320012288,"timestamp":"2026-07-16T08:29:11.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ad50bfd693bba5a202c3c11","title_ssm":["Ella Scoble Opperman Papers"],"title_tesim":["Ella Scoble Opperman Papers"],"ead_ssi":"4ad50bfd693bba5a202c3c11","unitdate_ssm":["1719-1963","1900-1963"],"unitdate_bulk_ssim":["1900-1963"],"unitdate_inclusive_ssm":["1719-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1969-196","/repositories/10/resources/738"],"text":["MSS 1969-196","/repositories/10/resources/738","Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963","Florida State College for Women--History","Music--Instruction and Study.","Musicians--Correspondence.","Piano.","Organ--History.","Teaching--Certification.","Account books","Genealogy","Clippings (Books, newspapers, etc.)","Correspondence","Diplomas","Drawing","Lecture notes","Legal documents.","Notebooks.","Photographs","Programs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.","The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.","The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.","FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion","English"],"unitid_tesim":["MSS 1969-196","/repositories/10/resources/738"],"normalized_date_ssm":["1719-1963, bulk 1900-1963"],"normalized_title_ssm":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_title_tesim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"collection_ssim":["Ella Scoble Opperman Papers, 1719-1963, bulk 1900-1963"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eElla Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n\u003cbr\u003e\u003cbr\u003ePrior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n\u003cbr\u003e\u003cbr\u003eOpperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n\u003cbr\u003e\u003cbr\u003eUnder Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n\u003cbr\u003e\u003cbr\u003eOpperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ella Scoble Opperman, Dean of the Florida State College for Women (FSCW) School of Music, was born October 27, 1873 in New Haven, Ohio. Her parents were Frederic Opperman, born in France, and Mary Scoble, born in Cincinnati, Ohio of English parents. Opperman began the study of piano at the age of five under her aunt, Laura H. Scoble, who was her teacher until she entered college. An accomplished pupil, she made her first public appearance as a pianist at the age of eight when she played at the Seymour, Indiana, opera house. A graduate of Aurora, Indiana High School, she received her diploma in piano and A.B. degree from Wesleyan College in Cincinnati at the age of 16. Later she received an artist diploma in piano and the Master of Music degree from the Cincinnati Conservatory of Music. She studied in Berlin in 1900-1901 as a private piano pupil of the Russian pianist-teacher Ernest Jedliczka. From 1907-1909, she studied piano in Paris with classical music composer Moritz Moszkowski and organ with Felix Alexandre Guilmant. After returning to this country in 1909, she studied in master classes conducted by Leopold Godowsky, Rudolph Ganz, Isador Phillip, and Guy Maier. She studied organ under Harold Gleason at the Eastman School of Music. In addition, she gave several piano and organ recitals in Indiana and at the Cincinnati Conservatory, from which she received an honorary Doctor of Pedagogy degree in 1943.\n Prior to her appointment at FSCW, Opperman taught two years at the Birmingham (Ohio) Seminary, one year at Knickerbocker Hall, in Indianapolis, and five years at Wesleyan College, in Macon, Georgia, where the president credited her with developing advanced curriculum standards. Opperman was appointed director of the FSCW School of Music in 1911, which at that time had a teaching faculty of six, and became its first dean in 1920, a post she held until her retirement in 1944. That year, she was named Dean Emeritus. The College became Florida State University (FSU) three years later. After her retirement, she wrote the Annals of the School of Music.\n Opperman held several national offices in organizations related to her field. In 1961 she was honored at the golden anniversary concert of the FSU Woman's Glee Club, a 60-member choral group which she was instrumental in organizing.\n Under Opperman's direction, the FSU School of Music instituted courses leading to the Bachelor's degree in piano, voice, organ, violoncello, composition, and public school music. In 1930, the School of Music became a member of the National Association of Schools of Music, only a few years after the organization was founded, and it was the first state school in the South to be accepted and accredited by the National Association. Opperman Music Hall, located on the FSU campus, was named for her. In that hall is a painting of Dean Opperman by Marie Goth, a member of one of the artist colonies in Brown County, Indiana, who is known for her paintings of General Douglas MacArthur, James Whitcomb Riley, and others.\n Opperman died in Tallahassee, Florida on March 11, 1969. Her biography has appeared in Who's Who in America, Who's Who in American Education, Who's Who in Florida, Who's Who in Music, Who's Who Among Women, Principal Women of America, American Women, and the Biographical Encyclopedia."],"prefercite_html_tesm":["\u003cp\u003eElla Scoble Opperman Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196\u003c/p\u003e"],"prefercite_tesim":["Ella Scoble Opperman Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1969-196"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in October 1969. Additional materials were processed in 1990 and 1997, and the finding aid was updated in May 2006 by Burt Altman. Finding aid encoded by Emily Gaskin."],"scopecontent_html_tesm":["\u003cp\u003eThe Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n\u003cbr\u003e\u003cbr\u003eThe collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ella Scoble Opperman Papers document the personal and professional life of this accomplished musician and first Dean of the Florida State College for Women (FSCW) School of Music. The collection includes correspondence, articles, speech materials, notebooks, daybooks, music record books, memorabilia, photographs, biographical material. In addition, there are certificates and diplomas received by her sister, Katie Marie Opperman, correspondence from Ella Opperman to her parents, and correspondence between other Opperman family members. Subjects covered include the Cincinnati Conservatory of Music, Wesleyan Female College, the pianoforte, Cincinnati Wesleyan College, teacher certification, and the dedication of Opperman Music Hall on the Florida State University campus. Correspondents include Ernest Jedliczka, Felix Alexandre Guilmant, Moritz Moszkowski, and Percy Grainger, a noted composer and pianist.\n The collection is significant to scholars studying 19th and 20th Century piano and organ music and musicians. It is also a significant resource for those studying the history of music education in colleges and universities during the 20th Century and the evolution of the FSCW School of Music."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5679f793022ba9471da8b041c3038756\" label=\"Abstract\"\u003eCorrespondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, articles, speech material, notebooks, daybooks, music record books, photographs, memorabilia, and legal records documenting the personal and professional life of Ella Scoble Opperman, the first Dean of the Florida State College for Women School of Music. Includes Opperman family papers."],"names_coll_ssim":["Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )","Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--School of Music","Wesleyan Female College (Cincinnati, Ohio)","Cincinnati Conservatory of Music","Republican Party (U.S. : 1854- )"],"persname_ssim":["Bonnet, Joseph, 1884-1944","Grainger, Percy, 1882-1961","Guilmant, Alexandre, 1837-1911","Jedliczka, Ernest, 1855-1904","Moszkowski, Moritz, 1854-1925","Opperman, Ella Scoble, 1873-1969","Opperman, Katie Marie","Andrews, Frank Marion"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859392320012288,"_root_":"4ad50bfd693bba5a202c3c11","timestamp":"2026-07-16T08:29:11.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ad50bfd693bba5a202c3c11_aspace_131285"}},{"id":"02b86159ea5177b67ea5b1e8_aspace_98055","type":"Subseries","attributes":{"title":"Music Scores","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02b86159ea5177b67ea5b1e8_aspace_98055#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_98055","ref_ssm":["aspace_98055","aspace_98055"],"id":"02b86159ea5177b67ea5b1e8_aspace_98055","title_filing_ssi":"Music Scores","title_ssm":["Music Scores"],"title_tesim":["Music Scores"],"normalized_title_ssm":["Music Scores"],"text":["Music Scores","Cantor Stuart Kansas Collection, 1919-1988, bulk 1919-1988","Series 1","Sub-Series 1.1","/repositories/2/archival_objects/62235"],"component_level_isim":[2],"parent_ids_ssim":["02b86159ea5177b67ea5b1e8","02b86159ea5177b67ea5b1e8_aspace_98054"],"parent_unittitles_ssm":["Cantor Stuart Kansas Collection, 1919-1988, bulk 1919-1988","Series 1"],"parent_unittitles_tesim":["Cantor Stuart Kansas Collection, 1919-1988, bulk 1919-1988","Series 1"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1.1","/repositories/2/archival_objects/62235"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Cantor Stuart Kansas Collection, 1919-1988, bulk 1919-1988"],"has_online_content_ssim":["false"],"child_component_count_isi":976,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1305,"parent_access_restrict_tesm":["Access Policies","Collections are available for supervised use in the University Archives during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","\nPhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user"],"_nest_path_":"/components#0/components#1005","_nest_parent_":"02b86159ea5177b67ea5b1e8_aspace_98054","_root_":"02b86159ea5177b67ea5b1e8","_version_":1870932216379342848,"timestamp":"2026-07-17T03:46:42.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02b86159ea5177b67ea5b1e8","title_ssm":["Cantor Stuart Kansas Collection"],"title_tesim":["Cantor Stuart Kansas Collection"],"ead_ssi":"02b86159ea5177b67ea5b1e8","unitdate_ssm":["1919-1988","1919-1988"],"unitdate_bulk_ssim":["1919-1988"],"unitdate_inclusive_ssm":["1919-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00021","/repositories/2/resources/157"],"text":["PMC00021","/repositories/2/resources/157","Cantor Stuart Kansas Collection, 1919-1988, bulk 1919-1988","Access Policies","Collections are available for supervised use in the University Archives during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","\nPhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM.","James Drayton processed this collection in 2017.","The collection of Cantor Stuart Kanas mainly consists of manuscript music and print sheet music relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Kanas studied at the famed Hebrew Union College in New York. Not only remembered for being a great Cantor in both Pennsylvania and New York,  Cantor Stuart Kanas is also remembered for a legal decision that helped define the Cantor as a co-officiate in Jewish services of worship when it comes to draft deferment (1967). Cantor Stuart Kanas passed away on September 28, 2002.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00021","/repositories/2/resources/157"],"normalized_date_ssm":["1919-1988, bulk 1919-1988"],"normalized_title_ssm":["Cantor Stuart Kansas Collection, 1919-1988, bulk 1919-1988"],"collection_title_tesim":["Cantor Stuart Kansas Collection, 1919-1988, bulk 1919-1988"],"collection_ssim":["Cantor Stuart Kansas Collection, 1919-1988, bulk 1919-1988"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eAccess Policies\u003c/p\u003e\n","\u003cp\u003eCollections are available for supervised use in the University Archives during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003e\nPhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access Policies","Collections are available for supervised use in the University Archives during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","\nPhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eJames Drayton processed this collection in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["James Drayton processed this collection in 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Cantor Stuart Kanas mainly consists of manuscript music and print sheet music relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Kanas studied at the famed Hebrew Union College in New York. Not only remembered for being a great Cantor in both Pennsylvania and New York,  Cantor Stuart Kanas is also remembered for a legal decision that helped define the Cantor as a co-officiate in Jewish services of worship when it comes to draft deferment (1967). Cantor Stuart Kanas passed away on September 28, 2002.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection of Cantor Stuart Kanas mainly consists of manuscript music and print sheet music relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Kanas studied at the famed Hebrew Union College in New York. Not only remembered for being a great Cantor in both Pennsylvania and New York,  Cantor Stuart Kanas is also remembered for a legal decision that helped define the Cantor as a co-officiate in Jewish services of worship when it comes to draft deferment (1967). Cantor Stuart Kanas passed away on September 28, 2002."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user"],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870932216379342848,"_root_":"02b86159ea5177b67ea5b1e8","timestamp":"2026-07-17T03:46:42.437Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02b86159ea5177b67ea5b1e8_aspace_98055"}},{"id":"71b8a757b0f138dee122db24_aspace_5b2b12b7475f00794dbe9ec350a4afff","type":"Subseries","attributes":{"title":"Music Scores","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_5b2b12b7475f00794dbe9ec350a4afff#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5b2b12b7475f00794dbe9ec350a4afff","ref_ssm":["aspace_5b2b12b7475f00794dbe9ec350a4afff","aspace_5b2b12b7475f00794dbe9ec350a4afff"],"id":"71b8a757b0f138dee122db24_aspace_5b2b12b7475f00794dbe9ec350a4afff","title_filing_ssi":"Music Scores","title_ssm":["Music Scores"],"title_tesim":["Music Scores"],"normalized_title_ssm":["Music Scores"],"text":["Music Scores","Florida Bandmasters Association Records, 1936-2010","Contests and Other Events","/repositories/2/archival_objects/41506","box 70"],"component_level_isim":[2],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Contests and Other Events"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Contests and Other Events"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/41506"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1395,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"containers_ssim":["box 70"],"_nest_path_":"/components#2/components#4","_nest_parent_":"71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_5b2b12b7475f00794dbe9ec350a4afff"}},{"id":"67ebe54fb98d30a72fd90a98_aspace_92147","type":"Subseries","attributes":{"title":"Music Scores by Others, Part 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/67ebe54fb98d30a72fd90a98_aspace_92147#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_92147","ref_ssm":["aspace_92147","aspace_92147"],"id":"67ebe54fb98d30a72fd90a98_aspace_92147","title_filing_ssi":"Music Scores by Others, Part 1","title_ssm":["Music Scores by Others, Part 1"],"title_tesim":["Music Scores by Others, Part 1"],"normalized_title_ssm":["Music Scores by Others, Part 1"],"text":["Music Scores by Others, Part 1","Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001","Music Scores for Performance and Study","Sub-Series 1","/repositories/2/archival_objects/85752"],"component_level_isim":[2],"parent_ids_ssim":["67ebe54fb98d30a72fd90a98","67ebe54fb98d30a72fd90a98_aspace_91848"],"parent_unittitles_ssm":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001","Music Scores for Performance and Study"],"parent_unittitles_tesim":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001","Music Scores for Performance and Study"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1","/repositories/2/archival_objects/85752"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":331,"parent_access_restrict_tesm":["There is one box containing restricted documents (Series 1: Biographical Materials; Sub-series 5: Restricted documents)."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#8/components#0","_nest_parent_":"67ebe54fb98d30a72fd90a98_aspace_91848","_root_":"67ebe54fb98d30a72fd90a98","timestamp":"2026-05-21T03:19:12.119Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"67ebe54fb98d30a72fd90a98","title_ssm":["Robert Helps collection"],"title_tesim":["Robert Helps collection"],"ead_ssi":"67ebe54fb98d30a72fd90a98","unitdate_ssm":["1928-2001","1938-2001","Date acquired: 10/07/2002"],"unitdate_bulk_ssim":["1938-2001"],"unitdate_inclusive_ssm":["1928-2001"],"unitdate_other_ssim":["Date acquired: 10/07/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2002-03","/repositories/2/resources/402"],"text":["MS-2002-03","/repositories/2/resources/402","Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001","Music--United States--20th century","Composers","There is one box containing restricted documents (Series 1: Biographical Materials; Sub-series 5: Restricted documents).","The collection is arranged by type of material within the following series: biographical materials, concert programs, publicity materials, correspondence, teaching materials and notes, sketches, manuscript scores, published scores, scores for performance and study, and audio and video recordings.","Robert Helps (1928-2001) was an American pianist and composer. He studied under Abby Whiteside, piano, and Roger Sessions, composition. Helps served as Professor of Piano at the New England Conservatory, the San Francisco Conservatory, Princeton University, Stanford University, the University of California at Berkeley, and the Manhattan School of Music. He was Professor of Music at the University of South Florida in Tampa, Florida from 1980 until his death at 72 in 2001. He performed internationally as a soloist and chamber musician. He composed piano, chamber, and symphonic works. Most of them were published by C. F. Peters, Associated Music Publishers, E. B. Marks, and the American Composers Edition. His music was recorded and released by CRI, Decca, Gramaphone, etc. In 1996, Robert Helps received an Honorary Doctorate of Humane Letters from the University of St. Thomas in St. Paul, Minnesota.","Note written by Mahn-Hee Kang","published","Special arrangements can be made to access reel to reel tapes, LP's, digital audio tapes, cassette tapes, VHS and Beta tapes due to the need of special playback equipments.","processed","Flemm, Eugene W.  The Solo Piano Music of Robert Helps . , 1990. Print.","Gillen, Tracie W.  Motivic Development: A Cohesive Process As It Appears in Selected Compositions by Robert Helps . , 1992. Print.","This collection primarily consists of sketches, manuscripts, and printed scores composed by Robert Helps. Scores published by other composers (predominantly piano) also make up a significant portion of the collection. The Helps music scores span from the early 1950s to 2001, and include sketches, manuscript scores, proof copies, corrections, published scores, and additional corrections on Helps' own performance copies. There are unpublished works in the collection, in addition to numerous performance programs, newspaper articles, and performance reviews. The performances included were recorded on reel to reel tapes, cassette tapes, LPs, and digital audio tapes as well as VHS and Beta video tapes. Professional and personal correspondence, the bulk of which dates from the 1930s to 2000, is also present, in addition to professional and personal photographs.","Restrictions on reproduction of published scores and audio recordings due to copyright.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the papers of compose Robert Helps.","USF Libraries - Tampa Special Collections","Helps, Robert E. (Robert Eugene), 1928-2001","English"],"unitid_tesim":["MS-2002-03","/repositories/2/resources/402"],"normalized_date_ssm":["1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"normalized_title_ssm":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"collection_title_tesim":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"collection_ssim":["Robert Helps collection, 1928-2001, Date acquired: 10/07/2002, bulk 1938-2001"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Helps, Robert E. (Robert Eugene), 1928-2001"],"creator_ssim":["Helps, Robert E. (Robert Eugene), 1928-2001"],"creator_persname_ssim":["Helps, Robert E. (Robert Eugene), 1928-2001"],"creators_ssim":["Helps, Robert E. (Robert Eugene), 1928-2001"],"access_terms_ssm":["Restrictions on reproduction of published scores and audio recordings due to copyright.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Robert Helps Music Trust","Donation."],"access_subjects_ssim":["Music--United States--20th century","Composers"],"access_subjects_ssm":["Music--United States--20th century","Composers"],"has_online_content_ssim":["false"],"extent_ssm":["84.74 Linear Feet","96 boxes"],"extent_tesim":["84.74 Linear Feet","96 boxes"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere is one box containing restricted documents (Series 1: Biographical Materials; Sub-series 5: Restricted documents).\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There is one box containing restricted documents (Series 1: Biographical Materials; Sub-series 5: Restricted documents)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material within the following series: biographical materials, concert programs, publicity materials, correspondence, teaching materials and notes, sketches, manuscript scores, published scores, scores for performance and study, and audio and video recordings.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by type of material within the following series: biographical materials, concert programs, publicity materials, correspondence, teaching materials and notes, sketches, manuscript scores, published scores, scores for performance and study, and audio and video recordings."],"bioghist_html_tesm":["\u003cp\u003eRobert Helps (1928-2001) was an American pianist and composer. He studied under Abby Whiteside, piano, and Roger Sessions, composition. Helps served as Professor of Piano at the New England Conservatory, the San Francisco Conservatory, Princeton University, Stanford University, the University of California at Berkeley, and the Manhattan School of Music. He was Professor of Music at the University of South Florida in Tampa, Florida from 1980 until his death at 72 in 2001. He performed internationally as a soloist and chamber musician. He composed piano, chamber, and symphonic works. Most of them were published by C. F. Peters, Associated Music Publishers, E. B. Marks, and the American Composers Edition. His music was recorded and released by CRI, Decca, Gramaphone, etc. In 1996, Robert Helps received an Honorary Doctorate of Humane Letters from the University of St. Thomas in St. Paul, Minnesota.\u003c/p\u003e\n","\u003cp\u003eNote written by Mahn-Hee Kang\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Robert Helps (1928-2001) was an American pianist and composer. He studied under Abby Whiteside, piano, and Roger Sessions, composition. Helps served as Professor of Piano at the New England Conservatory, the San Francisco Conservatory, Princeton University, Stanford University, the University of California at Berkeley, and the Manhattan School of Music. He was Professor of Music at the University of South Florida in Tampa, Florida from 1980 until his death at 72 in 2001. He performed internationally as a soloist and chamber musician. He composed piano, chamber, and symphonic works. Most of them were published by C. F. Peters, Associated Music Publishers, E. B. Marks, and the American Composers Edition. His music was recorded and released by CRI, Decca, Gramaphone, etc. In 1996, Robert Helps received an Honorary Doctorate of Humane Letters from the University of St. Thomas in St. Paul, Minnesota.","Note written by Mahn-Hee Kang"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"phystech_html_tesm":["\u003cp\u003eSpecial arrangements can be made to access reel to reel tapes, LP's, digital audio tapes, cassette tapes, VHS and Beta tapes due to the need of special playback equipments.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access Requirements"],"phystech_tesim":["Special arrangements can be made to access reel to reel tapes, LP's, digital audio tapes, cassette tapes, VHS and Beta tapes due to the need of special playback equipments."],"prefercite_html_tesm":["\u003cp\u003eRobert Helps Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Robert Helps Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"relatedmaterial_html_tesm":["\u003cp\u003eFlemm, Eugene W. \u003cemph render=\"italic\"\u003eThe Solo Piano Music of Robert Helps\u003c/emph\u003e. , 1990. Print.\u003c/p\u003e\n","\u003cp\u003eGillen, Tracie W. \u003cemph render=\"italic\"\u003eMotivic Development: A Cohesive Process As It Appears in Selected Compositions by Robert Helps\u003c/emph\u003e. , 1992. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["Flemm, Eugene W.  The Solo Piano Music of Robert Helps . , 1990. Print.","Gillen, Tracie W.  Motivic Development: A Cohesive Process As It Appears in Selected Compositions by Robert Helps . , 1992. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily consists of sketches, manuscripts, and printed scores composed by Robert Helps. Scores published by other composers (predominantly piano) also make up a significant portion of the collection. The Helps music scores span from the early 1950s to 2001, and include sketches, manuscript scores, proof copies, corrections, published scores, and additional corrections on Helps' own performance copies. There are unpublished works in the collection, in addition to numerous performance programs, newspaper articles, and performance reviews. The performances included were recorded on reel to reel tapes, cassette tapes, LPs, and digital audio tapes as well as VHS and Beta video tapes. Professional and personal correspondence, the bulk of which dates from the 1930s to 2000, is also present, in addition to professional and personal photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily consists of sketches, manuscripts, and printed scores composed by Robert Helps. Scores published by other composers (predominantly piano) also make up a significant portion of the collection. The Helps music scores span from the early 1950s to 2001, and include sketches, manuscript scores, proof copies, corrections, published scores, and additional corrections on Helps' own performance copies. There are unpublished works in the collection, in addition to numerous performance programs, newspaper articles, and performance reviews. The performances included were recorded on reel to reel tapes, cassette tapes, LPs, and digital audio tapes as well as VHS and Beta video tapes. Professional and personal correspondence, the bulk of which dates from the 1930s to 2000, is also present, in addition to professional and personal photographs."],"userestrict_html_tesm":["\u003cp\u003eRestrictions on reproduction of published scores and audio recordings due to copyright.\u003c/p\u003e","\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Restrictions on reproduction of published scores and audio recordings due to copyright.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3afee50b05cfa18048205d91fc8404c8\" label=\"Abstract\"\u003eThis collection consists of the papers of compose Robert Helps.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the papers of compose Robert Helps."],"names_ssim":["USF Libraries - Tampa Special Collections","Helps, Robert E. (Robert Eugene), 1928-2001"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Helps, Robert E. (Robert Eugene), 1928-2001"],"persname_ssim":["Helps, Robert E. 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He studied under Abby Whiteside, piano, and Roger Sessions, composition. Helps served as Professor of Piano at the New England Conservatory, the San Francisco Conservatory, Princeton University, Stanford University, the University of California at Berkeley, and the Manhattan School of Music. He was Professor of Music at the University of South Florida in Tampa, Florida from 1980 until his death at 72 in 2001. He performed internationally as a soloist and chamber musician. He composed piano, chamber, and symphonic works. Most of them were published by C. F. Peters, Associated Music Publishers, E. B. Marks, and the American Composers Edition. His music was recorded and released by CRI, Decca, Gramaphone, etc. In 1996, Robert Helps received an Honorary Doctorate of Humane Letters from the University of St. Thomas in St. Paul, Minnesota.","Note written by Mahn-Hee Kang","published","Special arrangements can be made to access reel to reel tapes, LP's, digital audio tapes, cassette tapes, VHS and Beta tapes due to the need of special playback equipments.","processed","Flemm, Eugene W.  The Solo Piano Music of Robert Helps . , 1990. Print.","Gillen, Tracie W.  Motivic Development: A Cohesive Process As It Appears in Selected Compositions by Robert Helps . , 1992. Print.","This collection primarily consists of sketches, manuscripts, and printed scores composed by Robert Helps. Scores published by other composers (predominantly piano) also make up a significant portion of the collection. The Helps music scores span from the early 1950s to 2001, and include sketches, manuscript scores, proof copies, corrections, published scores, and additional corrections on Helps' own performance copies. There are unpublished works in the collection, in addition to numerous performance programs, newspaper articles, and performance reviews. The performances included were recorded on reel to reel tapes, cassette tapes, LPs, and digital audio tapes as well as VHS and Beta video tapes. Professional and personal correspondence, the bulk of which dates from the 1930s to 2000, is also present, in addition to professional and personal photographs.","Restrictions on reproduction of published scores and audio recordings due to copyright.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the papers of compose Robert Helps.","USF Libraries - Tampa Special Collections","Helps, Robert E. 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He studied under Abby Whiteside, piano, and Roger Sessions, composition. Helps served as Professor of Piano at the New England Conservatory, the San Francisco Conservatory, Princeton University, Stanford University, the University of California at Berkeley, and the Manhattan School of Music. He was Professor of Music at the University of South Florida in Tampa, Florida from 1980 until his death at 72 in 2001. He performed internationally as a soloist and chamber musician. He composed piano, chamber, and symphonic works. Most of them were published by C. F. Peters, Associated Music Publishers, E. B. Marks, and the American Composers Edition. 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There are unpublished works in the collection, in addition to numerous performance programs, newspaper articles, and performance reviews. The performances included were recorded on reel to reel tapes, cassette tapes, LPs, and digital audio tapes as well as VHS and Beta video tapes. Professional and personal correspondence, the bulk of which dates from the 1930s to 2000, is also present, in addition to professional and personal photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily consists of sketches, manuscripts, and printed scores composed by Robert Helps. Scores published by other composers (predominantly piano) also make up a significant portion of the collection. The Helps music scores span from the early 1950s to 2001, and include sketches, manuscript scores, proof copies, corrections, published scores, and additional corrections on Helps' own performance copies. There are unpublished works in the collection, in addition to numerous performance programs, newspaper articles, and performance reviews. The performances included were recorded on reel to reel tapes, cassette tapes, LPs, and digital audio tapes as well as VHS and Beta video tapes. 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