{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=370","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=369","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=371","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660"},"meta":{"pages":{"current_page":370,"next_page":371,"prev_page":369,"total_pages":660,"limit_value":10,"offset_value":3690,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"f3a395395ce4b16d754d4a5b_aspace_72933","type":"Subseries","attributes":{"title":"Multimedia Files, 1985-1987, Undated.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72933#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72933","ref_ssm":["aspace_72933","aspace_72933"],"id":"f3a395395ce4b16d754d4a5b_aspace_72933","title_filing_ssi":"Multimedia Files","title_ssm":["Multimedia Files"],"title_tesim":["Multimedia Files"],"unitdate_other_ssim":["1985-1987, Undated."],"normalized_date_ssm":["1985-1987, Undated."],"normalized_title_ssm":["Multimedia Files, 1985-1987, Undated."],"text":["Multimedia Files, 1985-1987, Undated.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Silver Springs, 1980-1989.","Sub-Series 2","/repositories/4/archival_objects/8410"],"component_level_isim":[3],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72926"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Silver Springs, 1980-1989."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Silver Springs, 1980-1989."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 2","/repositories/4/archival_objects/8410"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":75,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#2/components#1","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72926","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection"],"ead_ssi":"f3a395395ce4b16d754d4a5b","unitdate_ssm":["1973-2018","1973-1991"],"unitdate_bulk_ssim":["1973-1991"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.109","/repositories/4/resources/43"],"text":["SC.109","/repositories/4/resources/43","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"geogname_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"places_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Thomas E. Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72933"}},{"id":"ccf3505ef9ddf4f3a6ba31ec_aspace_84300","type":"Subseries","attributes":{"title":"Mundo Sinagogal Liturgico","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ccf3505ef9ddf4f3a6ba31ec_aspace_84300#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_84300","ref_ssm":["aspace_84300","aspace_84300"],"id":"ccf3505ef9ddf4f3a6ba31ec_aspace_84300","title_filing_ssi":"Mundo Sinagogal Liturgico","title_ssm":["Mundo Sinagogal Liturgico"],"title_tesim":["Mundo Sinagogal Liturgico"],"normalized_title_ssm":["Mundo Sinagogal Liturgico"],"text":["Mundo Sinagogal Liturgico","Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990","Personal Papers","Sub-Series 5.01","/repositories/2/archival_objects/4145","box 06"],"component_level_isim":[2],"parent_ids_ssim":["ccf3505ef9ddf4f3a6ba31ec","ccf3505ef9ddf4f3a6ba31ec_aspace_84299"],"parent_unittitles_ssm":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990","Personal Papers"],"parent_unittitles_tesim":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990","Personal Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 5.01","/repositories/2/archival_objects/4145"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":310,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 06"],"_nest_path_":"/components#4/components#0","_nest_parent_":"ccf3505ef9ddf4f3a6ba31ec_aspace_84299","_root_":"ccf3505ef9ddf4f3a6ba31ec","_version_":1870841739142496256,"timestamp":"2026-07-16T03:48:36.671Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ccf3505ef9ddf4f3a6ba31ec","title_ssm":["Cantor Zvi Aroni Music Collection"],"title_tesim":["Cantor Zvi Aroni Music Collection"],"ead_ssi":"ccf3505ef9ddf4f3a6ba31ec","unitdate_ssm":["1890-1991","1970-1990","Date acquired: 00/00/1991"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1890-1991"],"unitdate_other_ssim":["Date acquired: 00/00/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00001","/repositories/2/resources/15"],"text":["PMC00001","/repositories/2/resources/15","Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, Elizabeth Fairall, Anand Daibee, and Victoria Thur processed this collection.","In 1991, the family of Zvi Aroni [neé Shalom Zvee Aronowitz] donated his collection of print music, music manuscripts, personal songbooks, pictures, programs, and video recordings relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Aroni studied voice with Cantor Samuel Kavetsky and had a close relationship with the composer, Reuven Kosakoff. Many of their manuscripts can be found in the Collection. Cantor Aroni came to America in 1947 where he served as cantor in synagogues in Philadelphia and New York City. From 1964-1968 he served as Cantor of the Beth Emeth Bais Yehuda Synagogue in Toronto, Canada. It was here that he was able to realize his dream of reviving the boy choir and integrating it into the service. From 1968-1979 Cantor Aroni lived and sang in NYC. He was Cantor at Beth Torah in North Miami Beach until his death in 1990.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00001","/repositories/2/resources/15"],"normalized_date_ssm":["1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"normalized_title_ssm":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"collection_title_tesim":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"collection_ssim":["Cantor Zvi Aroni Music Collection, 1890-1991, Date acquired: 00/00/1991, bulk 1970-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Hedva Aroni and Vivian Serota","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["7.50 Linear Feet"],"extent_tesim":["7.50 Linear Feet"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, Elizabeth Fairall, Anand Daibee, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, Elizabeth Fairall, Anand Daibee, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eIn 1991, the family of Zvi Aroni [ne\u0026#xE9; Shalom Zvee Aronowitz] donated his collection of print music, music manuscripts, personal songbooks, pictures, programs, and video recordings relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Aroni studied voice with Cantor Samuel Kavetsky and had a close relationship with the composer, Reuven Kosakoff. Many of their manuscripts can be found in the Collection. Cantor Aroni came to America in 1947 where he served as cantor in synagogues in Philadelphia and New York City. From 1964-1968 he served as Cantor of the Beth Emeth Bais Yehuda Synagogue in Toronto, Canada. It was here that he was able to realize his dream of reviving the boy choir and integrating it into the service. From 1968-1979 Cantor Aroni lived and sang in NYC. He was Cantor at Beth Torah in North Miami Beach until his death in 1990.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 1991, the family of Zvi Aroni [neé Shalom Zvee Aronowitz] donated his collection of print music, music manuscripts, personal songbooks, pictures, programs, and video recordings relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Aroni studied voice with Cantor Samuel Kavetsky and had a close relationship with the composer, Reuven Kosakoff. Many of their manuscripts can be found in the Collection. Cantor Aroni came to America in 1947 where he served as cantor in synagogues in Philadelphia and New York City. From 1964-1968 he served as Cantor of the Beth Emeth Bais Yehuda Synagogue in Toronto, Canada. It was here that he was able to realize his dream of reviving the boy choir and integrating it into the service. From 1968-1979 Cantor Aroni lived and sang in NYC. He was Cantor at Beth Torah in North Miami Beach until his death in 1990."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":451,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841739142496256,"_root_":"ccf3505ef9ddf4f3a6ba31ec","timestamp":"2026-07-16T03:48:36.671Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ccf3505ef9ddf4f3a6ba31ec_aspace_84300"}},{"id":"eccf200246c0c0801ef714fb_aspace_47084","type":"Subseries","attributes":{"title":"Munich Academy Years, 1953-1958","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47084#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_47084","ref_ssm":["aspace_47084","aspace_47084"],"id":"eccf200246c0c0801ef714fb_aspace_47084","title_filing_ssi":"Munich Academy Years","title_ssm":["Munich Academy Years"],"title_tesim":["Munich Academy Years"],"unitdate_inclusive_ssm":["1953-1958"],"normalized_date_ssm":["1953-1958"],"normalized_title_ssm":["Munich Academy Years, 1953-1958"],"text":["Munich Academy Years, 1953-1958","Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Sub-Series 41","/repositories/4/archival_objects/20185"],"component_level_isim":[2],"parent_ids_ssim":["eccf200246c0c0801ef714fb","eccf200246c0c0801ef714fb_aspace_46856"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 41","/repositories/4/archival_objects/20185"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":228,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1953,1954,1955,1956,1957,1958],"_nest_path_":"/components#2/components#40","_nest_parent_":"eccf200246c0c0801ef714fb_aspace_46856","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47084"}},{"id":"237e378719d8938417a3468e_aspace_14106","type":"Subseries","attributes":{"title":"Muralev, Alexey Alexeyevich","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/237e378719d8938417a3468e_aspace_14106#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14106","ref_ssm":["aspace_14106","aspace_14106"],"id":"237e378719d8938417a3468e_aspace_14106","title_filing_ssi":"Muralev, Alexey Alexeyevich","title_ssm":["Muralev, Alexey Alexeyevich"],"title_tesim":["Muralev, Alexey Alexeyevich"],"normalized_title_ssm":["Muralev, Alexey Alexeyevich"],"text":["Muralev, Alexey Alexeyevich","Miriam and Roman Waldman Music Collection, 1900-1940","Russian Scores","Sub-Series 1.19","/repositories/2/archival_objects/41151","box 3"],"component_level_isim":[2],"parent_ids_ssim":["237e378719d8938417a3468e","237e378719d8938417a3468e_aspace_14020"],"parent_unittitles_ssm":["Miriam and Roman Waldman Music Collection, 1900-1940","Russian Scores"],"parent_unittitles_tesim":["Miriam and Roman Waldman Music Collection, 1900-1940","Russian Scores"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1.19","/repositories/2/archival_objects/41151"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":69,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 3"],"_nest_path_":"/components#0/components#18","_nest_parent_":"237e378719d8938417a3468e_aspace_14020","_root_":"237e378719d8938417a3468e","_version_":1870841646859419648,"timestamp":"2026-07-16T03:47:08.669Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"237e378719d8938417a3468e","title_ssm":["Miriam and Roman Waldman Music Collection"],"title_tesim":["Miriam and Roman Waldman Music Collection"],"ead_ssi":"237e378719d8938417a3468e","unitdate_ssm":["1900-1940"],"unitdate_inclusive_ssm":["1900-1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00004","/repositories/2/resources/113"],"text":["PMC00004","/repositories/2/resources/113","Miriam and Roman Waldman Music Collection, 1900-1940","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","By composer","In 2011, this collection was processed by Alexey Kuharskiy.","The Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00004","/repositories/2/resources/113"],"normalized_date_ssm":["1900-1940"],"normalized_title_ssm":["Miriam and Roman Waldman Music Collection, 1900-1940"],"collection_title_tesim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"collection_ssim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["4.50 Linear Feet","9 boxes other_unmapped"],"extent_tesim":["4.50 Linear Feet","9 boxes other_unmapped"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eBy composer\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["By composer"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection was processed by Alexey Kuharskiy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection was processed by Alexey Kuharskiy."],"scopecontent_html_tesm":["\u003cp\u003eThe Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":233,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841646859419648,"_root_":"237e378719d8938417a3468e","timestamp":"2026-07-16T03:47:08.669Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/237e378719d8938417a3468e_aspace_14106"}},{"id":"236a3c88b766327883b2e155_aspace_08f3110ad379bff8cf59f71a5c7ed093","type":"Subseries","attributes":{"title":"Murals","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_08f3110ad379bff8cf59f71a5c7ed093#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_08f3110ad379bff8cf59f71a5c7ed093","ref_ssm":["aspace_08f3110ad379bff8cf59f71a5c7ed093","aspace_08f3110ad379bff8cf59f71a5c7ed093"],"id":"236a3c88b766327883b2e155_aspace_08f3110ad379bff8cf59f71a5c7ed093","title_filing_ssi":"Murals","title_ssm":["Murals"],"title_tesim":["Murals"],"normalized_title_ssm":["Murals"],"text":["Murals","Joy Postle papers, 1910-2015","Art, 1921","/repositories/4/archival_objects/87675","/repositories/4/archival_objects/91141"],"component_level_isim":[2],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/87675","/repositories/4/archival_objects/91141"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":340,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#9","_nest_parent_":"236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_08f3110ad379bff8cf59f71a5c7ed093"}},{"id":"236a3c88b766327883b2e155_aspace_342e30e7514f4acc3b1dbc2c7be64f4b","type":"Subseries","attributes":{"title":"Murals","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_342e30e7514f4acc3b1dbc2c7be64f4b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_342e30e7514f4acc3b1dbc2c7be64f4b","ref_ssm":["aspace_342e30e7514f4acc3b1dbc2c7be64f4b","aspace_342e30e7514f4acc3b1dbc2c7be64f4b"],"id":"236a3c88b766327883b2e155_aspace_342e30e7514f4acc3b1dbc2c7be64f4b","title_filing_ssi":"Murals","title_ssm":["Murals"],"title_tesim":["Murals"],"normalized_title_ssm":["Murals"],"text":["Murals","Joy Postle papers, 1910-2015","Photographs, 1912–1988","Artwork","/repositories/4/archival_objects/87922","/repositories/4/archival_objects/91272"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_e211d01548256ebc408dbfbc8027a912","236a3c88b766327883b2e155_aspace_74e0d00524dd278828683d1cd80d226b"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","Artwork"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","Artwork"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87922","/repositories/4/archival_objects/91272"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":376,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#2/components#4/components#2","_nest_parent_":"236a3c88b766327883b2e155_aspace_74e0d00524dd278828683d1cd80d226b","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_342e30e7514f4acc3b1dbc2c7be64f4b"}},{"id":"327a719ef39dc0daf945bfe2_aspace_24bbf2835e4914001a31028cb1bddbdf","type":"Subseries","attributes":{"title":"Muroc Photographs., 1946-1989, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/327a719ef39dc0daf945bfe2_aspace_24bbf2835e4914001a31028cb1bddbdf#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24bbf2835e4914001a31028cb1bddbdf","ref_ssm":["aspace_24bbf2835e4914001a31028cb1bddbdf","aspace_24bbf2835e4914001a31028cb1bddbdf"],"id":"327a719ef39dc0daf945bfe2_aspace_24bbf2835e4914001a31028cb1bddbdf","title_filing_ssi":"Muroc Photographs.","title_ssm":["Muroc Photographs."],"title_tesim":["Muroc Photographs."],"unitdate_other_ssim":["1946-1989, Undated"],"normalized_date_ssm":["1946-1989, Undated"],"normalized_title_ssm":["Muroc Photographs., 1946-1989, Undated"],"text":["Muroc Photographs., 1946-1989, Undated","Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955","Photographs, 1942-1995, undated","Sub-Series 4","/repositories/4/archival_objects/55149"],"component_level_isim":[2],"parent_ids_ssim":["327a719ef39dc0daf945bfe2","327a719ef39dc0daf945bfe2_aspace_seriesIII"],"parent_unittitles_ssm":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955","Photographs, 1942-1995, undated"],"parent_unittitles_tesim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955","Photographs, 1942-1995, undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 4","/repositories/4/archival_objects/55149"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"has_online_content_ssim":["false"],"child_component_count_isi":78,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":241,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#2/components#3","_nest_parent_":"327a719ef39dc0daf945bfe2_aspace_seriesIII","_root_":"327a719ef39dc0daf945bfe2","_version_":1878014774349922304,"timestamp":"2026-10-03T08:00:56.124Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"327a719ef39dc0daf945bfe2","title_ssm":["Into the Unknown: The X-1 Story Research files"],"title_tesim":["Into the Unknown: The X-1 Story Research files"],"ead_ssi":"327a719ef39dc0daf945bfe2","unitdate_ssm":["1942-2013","1942-1955"],"unitdate_bulk_ssim":["1942-1955"],"unitdate_inclusive_ssm":["1942-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC116","/repositories/4/resources/216"],"text":["SC116","/repositories/4/resources/216","Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955","High-speed aeronautics","Bell X-1 (Supersonic plane)","Supersonic planes","manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS","The entire collection is open for research.","This collection is arranged by material type.","Louis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.","Processed and finding aid prepared by Alexander S. Jerome. Finding aid revised for consistency by Chloe Lanham in 2026.","For more information on Special Collections \u0026 University Archives, please see our  website .","This collection contains the files that Louis Rotundo used for the research of his book,  Into the Unknown: The X-1 Story . The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.","Series I: Manuscripts, 1989-1991, undated contains 11 manuscripts including  Forgotten Dawn  and  Into the Unknown . ","Series II: Research files, 1943-2013, undated contains 73 research files used by the author when writing Into the Unknown. Research files include reports, interview notes and transcripts, and news clippings.  ","Series III: Photographs, 1942-1995, undated contains 302 photographs, broken up into 8 subseries, including photographs of the Pinecastle Army Airfield tests and Muroc tests. Photographs also depict Bell company employees and aircrafts. ","Series IV: Multimedia files, 1946-2003, undated contains 27 multimedia, including VHS tapes, audio cassettes, floppy disks, and film. Media contains documentaries on the X-1 and other X-Planes, and interviews with individuals that worked on the X-1 project. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection contains the files that Louis Rotundo used for the research of his book, Into the Unknown: The X-1 Story. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\n\nLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.","UCF Special Collections","United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration","Rotundo, Louis C.","English"],"unitid_tesim":["SC116","/repositories/4/resources/216"],"normalized_date_ssm":["1942-2013, bulk 1942-1955"],"normalized_title_ssm":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"collection_title_tesim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"collection_ssim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Rotundo, Louis C."],"creator_ssim":["Rotundo, Louis C."],"creator_persname_ssim":["Rotundo, Louis C."],"creators_ssim":["Rotundo, Louis C."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated by Louis C. Rotundo in 2019 (Accession no. CFM2019_08)."],"access_subjects_ssim":["High-speed aeronautics","Bell X-1 (Supersonic plane)","Supersonic planes","manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS"],"access_subjects_ssm":["High-speed aeronautics","Bell X-1 (Supersonic plane)","Supersonic planes","manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS"],"has_online_content_ssim":["false"],"extent_ssm":["8.25 Linear Feet 15 Boxes"],"extent_tesim":["8.25 Linear Feet 15 Boxes"],"genreform_ssim":["manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Louis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Into the Unknown: The X-1 Story Research files, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Into the Unknown: The X-1 Story Research files, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid prepared by Alexander S. Jerome. Finding aid revised for consistency by Chloe Lanham in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid prepared by Alexander S. Jerome. Finding aid revised for consistency by Chloe Lanham in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the files that Louis Rotundo used for the research of his book, \u003cemph render=\"italic\"\u003eInto the Unknown: The X-1 Story\u003c/emph\u003e. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\u003c/p\u003e\n","\u003cp\u003eSeries I: Manuscripts, 1989-1991, undated contains 11 manuscripts including \u003cemph render=\"italic\"\u003eForgotten Dawn\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eInto the Unknown\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eSeries II: Research files, 1943-2013, undated contains 73 research files used by the author when writing Into the Unknown. Research files include reports, interview notes and transcripts, and news clippings.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1942-1995, undated contains 302 photographs, broken up into 8 subseries, including photographs of the Pinecastle Army Airfield tests and Muroc tests. Photographs also depict Bell company employees and aircrafts. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Multimedia files, 1946-2003, undated contains 27 multimedia, including VHS tapes, audio cassettes, floppy disks, and film. Media contains documentaries on the X-1 and other X-Planes, and interviews with individuals that worked on the X-1 project. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the files that Louis Rotundo used for the research of his book,  Into the Unknown: The X-1 Story . The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.","Series I: Manuscripts, 1989-1991, undated contains 11 manuscripts including  Forgotten Dawn  and  Into the Unknown . ","Series II: Research files, 1943-2013, undated contains 73 research files used by the author when writing Into the Unknown. Research files include reports, interview notes and transcripts, and news clippings.  ","Series III: Photographs, 1942-1995, undated contains 302 photographs, broken up into 8 subseries, including photographs of the Pinecastle Army Airfield tests and Muroc tests. Photographs also depict Bell company employees and aircrafts. ","Series IV: Multimedia files, 1946-2003, undated contains 27 multimedia, including VHS tapes, audio cassettes, floppy disks, and film. Media contains documentaries on the X-1 and other X-Planes, and interviews with individuals that worked on the X-1 project. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_712b66cac3d836f1c027b0b6c1fbb1e4\" label=\"Abstract\"\u003eThis collection contains the files that Louis Rotundo used for the research of his book, Into the Unknown: The X-1 Story. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\n\nLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the files that Louis Rotundo used for the research of his book, Into the Unknown: The X-1 Story. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\n\nLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting."],"names_coll_ssim":["United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration"],"names_ssim":["UCF Special Collections","United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration","Rotundo, Louis C."],"corpname_ssim":["UCF Special Collections","United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration"],"persname_ssim":["Rotundo, Louis C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":437,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878014774349922304,"_root_":"327a719ef39dc0daf945bfe2","timestamp":"2026-10-03T08:00:56.124Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/327a719ef39dc0daf945bfe2_aspace_24bbf2835e4914001a31028cb1bddbdf"}},{"id":"0f3ff22ed6c6664bd88a5adc_aspace_132649","type":"Subseries","attributes":{"title":"Museum","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc_aspace_132649#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_132649","ref_ssm":["aspace_132649","aspace_132649"],"id":"0f3ff22ed6c6664bd88a5adc_aspace_132649","title_filing_ssi":"Museum","title_ssm":["Museum"],"title_tesim":["Museum"],"normalized_title_ssm":["Museum"],"text":["Museum","Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","George Morikami","Sub-Series 9.4","/repositories/2/archival_objects/15124","box 61"],"component_level_isim":[2],"parent_ids_ssim":["0f3ff22ed6c6664bd88a5adc","0f3ff22ed6c6664bd88a5adc_aspace_132569"],"parent_unittitles_ssm":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","George Morikami"],"parent_unittitles_tesim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","George Morikami"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 9.4","/repositories/2/archival_objects/15124"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":40,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1522,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 61"],"_nest_path_":"/components#8/components#3","_nest_parent_":"0f3ff22ed6c6664bd88a5adc_aspace_132569","_root_":"0f3ff22ed6c6664bd88a5adc","_version_":1870842130979618816,"timestamp":"2026-07-16T03:54:50.079Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0f3ff22ed6c6664bd88a5adc","title_ssm":["Virginia Snyder Collection"],"title_tesim":["Virginia Snyder Collection"],"ead_ssi":"0f3ff22ed6c6664bd88a5adc","unitdate_ssm":["1890-2011","1970-1990","Date acquired: 07/15/2011"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1890-2011"],"unitdate_other_ssim":["Date acquired: 07/15/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00024","/repositories/2/resources/40"],"text":["SPC00024","/repositories/2/resources/40","Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.","Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00024","/repositories/2/resources/40"],"normalized_date_ssm":["1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"normalized_title_ssm":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_title_tesim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_ssim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["43.00 Linear Feet","83 boxes other_unmapped"],"extent_tesim":["43.00 Linear Feet","83 boxes other_unmapped"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2783,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130979618816,"_root_":"0f3ff22ed6c6664bd88a5adc","timestamp":"2026-07-16T03:54:50.079Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc_aspace_132649"}},{"id":"59327c0abe5aee857a5586d7_aspace_1ad98c2687b025f0c447b820315e9aa5","type":"Subseries","attributes":{"title":"Museum Districts., 1987-1989","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_1ad98c2687b025f0c447b820315e9aa5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1ad98c2687b025f0c447b820315e9aa5","ref_ssm":["aspace_1ad98c2687b025f0c447b820315e9aa5","aspace_1ad98c2687b025f0c447b820315e9aa5"],"id":"59327c0abe5aee857a5586d7_aspace_1ad98c2687b025f0c447b820315e9aa5","title_filing_ssi":"Museum Districts.","title_ssm":["Museum Districts."],"title_tesim":["Museum Districts."],"unitdate_inclusive_ssm":["1987-1989"],"normalized_date_ssm":["1987-1989"],"normalized_title_ssm":["Museum Districts., 1987-1989"],"text":["Museum Districts., 1987-1989","Harrison \"Buzz\" Price papers, 1948-2006","Proposals, 1976-2001","/repositories/4/archival_objects/69986"],"component_level_isim":[2],"parent_ids_ssim":["59327c0abe5aee857a5586d7","59327c0abe5aee857a5586d7_aspace_bf16fb2111a42ce7ac9d68ac44b15411"],"parent_unittitles_ssm":["Harrison \"Buzz\" Price papers, 1948-2006","Proposals, 1976-2001"],"parent_unittitles_tesim":["Harrison \"Buzz\" Price papers, 1948-2006","Proposals, 1976-2001"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/69986"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1882,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#1/components#32","_nest_parent_":"59327c0abe5aee857a5586d7_aspace_bf16fb2111a42ce7ac9d68ac44b15411","_root_":"59327c0abe5aee857a5586d7","_version_":1870858054322356224,"timestamp":"2026-07-16T08:07:55.983Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"59327c0abe5aee857a5586d7","title_ssm":["Harrison \"Buzz\" Price papers"],"title_tesim":["Harrison \"Buzz\" Price papers"],"ead_ssi":"59327c0abe5aee857a5586d7","unitdate_ssm":["1948-2006"],"unitdate_inclusive_ssm":["1948-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 047","/repositories/4/resources/299"],"text":["SC 047","/repositories/4/resources/299","Harrison \"Buzz\" Price papers, 1948-2006","Disneyland (Calif.)","Walt Disney World (Fla.)","Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)","The entire collection is open for research.","Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection .","The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000","Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. ","Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.","Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.","UCF Special Collections","Harrison Price Company","Price, Harrison","English"],"unitid_tesim":["SC 047","/repositories/4/resources/299"],"normalized_date_ssm":["1948-2006"],"normalized_title_ssm":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_title_tesim":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Price, Harrison"],"creator_ssim":["Price, Harrison"],"creator_persname_ssim":["Price, Harrison"],"creators_ssim":["Price, Harrison"],"places_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Harrison A. Price in 2003 (Accession no. CFM2003_12). Additional materials were donated in July 2005 (Accession no. CFM2005_19)."],"access_subjects_ssim":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"access_subjects_ssm":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["178.9 Linear Feet 357 boxes, 8 flat files"],"extent_tesim":["178.9 Linear Feet 357 boxes, 8 flat files"],"genreform_ssim":["photographs","official reports","proposals","research (documents)","speeches (documents)"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eSome reports have been made available online via the \u003cextref href=\"https://stars.library.ucf.edu/buzzprice/\"\u003eHarrison \"Buzz\" Price Digital Collection\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies "],"altformavail_tesim":["Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: \n\u003cul style=\"list-style-type: none\"\u003e\n\u003cli\u003eI. Reports, 1952-2003 \u003c/li\u003e\n\u003cli\u003eII. Proposals, 1978-2001\u003c/li\u003e\n\u003cli\u003eIII. Speeches, 1966-2006\u003c/li\u003e \n\u003cli\u003eIV. World's Fairs, 1974-1989\u003c/li\u003e\n\u003cli\u003eV. Images, 1964-1997\u003c/li\u003e \n\u003cli\u003eVI. Subject Research Materials, 1960-1995\u003c/li\u003e \n\u003cli\u003eVII. Project Research Materials, 1948-2005\u003c/li\u003e \n\u003cli\u003eVIII. Price Company Files, 1963-2000\u003c/li\u003e \n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note "],"arrangement_tesim":["The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000"],"bioghist_html_tesm":["\u003cp\u003eHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information "],"bioghist_tesim":["Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":["Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01FALSC_UCF:UCF\u0026amp;tab=Everything\u0026amp;docid=alma990223015270306596\"\u003eWalt's revolution! : by the numbers.\u003c/extref\u003e\u003c/emph\u003e Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004."],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   \u003c/p\u003e\n","\u003cp\u003eThis collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \u003c/p\u003e\n","\u003cp\u003eSeries I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. \u003c/p\u003e\n","\u003cp\u003eSeries II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. \u003c/p\u003e\n","\u003cp\u003eSeries IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  \u003c/p\u003e\n","\u003cp\u003eSeries VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  \u003c/p\u003e\n","\u003cp\u003eSeries VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. \u003c/p\u003e\n","\u003cp\u003eSeries VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f301b4d6cd4750973558e5e365ab2d20\" label=\"Abstract \"\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.\u003c/abstract\u003e"],"abstract_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89."],"names_coll_ssim":["Harrison Price Company"],"names_ssim":["UCF Special Collections","Harrison Price Company","Price, Harrison"],"corpname_ssim":["UCF Special Collections","Harrison Price Company"],"persname_ssim":["Price, Harrison"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4991,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858054322356224,"_root_":"59327c0abe5aee857a5586d7","timestamp":"2026-07-16T08:07:55.983Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_1ad98c2687b025f0c447b820315e9aa5"}},{"id":"eccf200246c0c0801ef714fb_aspace_47093","type":"Subseries","attributes":{"title":"Museum on the Moon, 1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47093#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_47093","ref_ssm":["aspace_47093","aspace_47093"],"id":"eccf200246c0c0801ef714fb_aspace_47093","title_filing_ssi":"Museum on the Moon","title_ssm":["Museum on the Moon"],"title_tesim":["Museum on the Moon"],"unitdate_other_ssim":["1995"],"normalized_date_ssm":["1995"],"normalized_title_ssm":["Museum on the Moon, 1995"],"text":["Museum on the Moon, 1995","Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Sub-Series 42","/repositories/4/archival_objects/20186"],"component_level_isim":[2],"parent_ids_ssim":["eccf200246c0c0801ef714fb","eccf200246c0c0801ef714fb_aspace_46856"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 42","/repositories/4/archival_objects/20186"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":236,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1995],"_nest_path_":"/components#2/components#41","_nest_parent_":"eccf200246c0c0801ef714fb_aspace_46856","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47093"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":331},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","value":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jonas+and+Edna+Kamlet+%2F+Kamlet+Laboratories+records%2C+1913-1989%2C+Date+acquired%3A+00%2F00%2F2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"The Florida Citrus Mutual Minute Books, 1949-2011","value":"The Florida Citrus Mutual Minute Books, 1949-2011","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=The+Florida+Citrus+Mutual+Minute+Books%2C+1949-2011\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"FAU Student Newspapers Collection, 1964 - 2017","value":"FAU Student Newspapers Collection, 1964 - 2017","hits":121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=FAU+Student+Newspapers+Collection%2C+1964+-+2017\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Photograph collection, bulk 1883-1977","value":"Florida Photograph collection, bulk 1883-1977","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Photograph+collection%2C+bulk+1883-1977\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","value":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Southern+College+Buildings+%26+Grounds%2C+1922-2024\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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