{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=37\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=36\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=38\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660\u0026view=compact"},"meta":{"pages":{"current_page":37,"next_page":38,"prev_page":36,"total_pages":660,"limit_value":10,"offset_value":360,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"b3e4025e67698b63bebebf69_aspace_8e45ce666d51ea42fb22b6f7961746fb","type":"Subseries","attributes":{"title":"Arab American Institute, 1986-2008","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_8e45ce666d51ea42fb22b6f7961746fb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8e45ce666d51ea42fb22b6f7961746fb","ref_ssm":["aspace_8e45ce666d51ea42fb22b6f7961746fb","aspace_8e45ce666d51ea42fb22b6f7961746fb"],"id":"b3e4025e67698b63bebebf69_aspace_8e45ce666d51ea42fb22b6f7961746fb","title_filing_ssi":"Arab American Institute","title_ssm":["Arab American Institute"],"title_tesim":["Arab American Institute"],"unitdate_inclusive_ssm":["1986-2008"],"normalized_date_ssm":["1986-2008"],"normalized_title_ssm":["Arab American Institute, 1986-2008"],"text":["Arab American Institute, 1986-2008","Dr. Edna Louise Saffy Papers, 1962-2013","Arab Affairs; Arab American Institute; American-Arab Anti-Discrimination Committee; Miscellaneous, 1981-2008","/repositories/3/archival_objects/7413","box 47"],"component_level_isim":[2],"parent_ids_ssim":["b3e4025e67698b63bebebf69","b3e4025e67698b63bebebf69_aspace_b985c2135bd2caa43de221c0caed6bc5"],"parent_unittitles_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013","Arab Affairs; Arab American Institute; American-Arab Anti-Discrimination Committee; Miscellaneous, 1981-2008"],"parent_unittitles_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013","Arab Affairs; Arab American Institute; American-Arab Anti-Discrimination Committee; Miscellaneous, 1981-2008"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/7413"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":471,"parent_access_restrict_tesm":["The collection is open for research by appointment only. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#1/components#35","_nest_parent_":"59327c0abe5aee857a5586d7_aspace_bf16fb2111a42ce7ac9d68ac44b15411","_root_":"59327c0abe5aee857a5586d7","_version_":1870858054322356224,"timestamp":"2026-07-16T08:07:55.983Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"59327c0abe5aee857a5586d7","title_ssm":["Harrison \"Buzz\" Price papers"],"title_tesim":["Harrison \"Buzz\" Price papers"],"ead_ssi":"59327c0abe5aee857a5586d7","unitdate_ssm":["1948-2006"],"unitdate_inclusive_ssm":["1948-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 047","/repositories/4/resources/299"],"text":["SC 047","/repositories/4/resources/299","Harrison \"Buzz\" Price papers, 1948-2006","Disneyland (Calif.)","Walt Disney World (Fla.)","Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)","The entire collection is open for research.","Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection .","The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000","Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. ","Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.","Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.","UCF Special Collections","Harrison Price Company","Price, Harrison","English"],"unitid_tesim":["SC 047","/repositories/4/resources/299"],"normalized_date_ssm":["1948-2006"],"normalized_title_ssm":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_title_tesim":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Price, Harrison"],"creator_ssim":["Price, Harrison"],"creator_persname_ssim":["Price, Harrison"],"creators_ssim":["Price, Harrison"],"places_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Harrison A. Price in 2003 (Accession no. CFM2003_12). Additional materials were donated in July 2005 (Accession no. CFM2005_19)."],"access_subjects_ssim":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"access_subjects_ssm":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["178.9 Linear Feet 357 boxes, 8 flat files"],"extent_tesim":["178.9 Linear Feet 357 boxes, 8 flat files"],"genreform_ssim":["photographs","official reports","proposals","research (documents)","speeches (documents)"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eSome reports have been made available online via the \u003cextref href=\"https://stars.library.ucf.edu/buzzprice/\"\u003eHarrison \"Buzz\" Price Digital Collection\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies "],"altformavail_tesim":["Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: \n\u003cul style=\"list-style-type: none\"\u003e\n\u003cli\u003eI. Reports, 1952-2003 \u003c/li\u003e\n\u003cli\u003eII. Proposals, 1978-2001\u003c/li\u003e\n\u003cli\u003eIII. Speeches, 1966-2006\u003c/li\u003e \n\u003cli\u003eIV. World's Fairs, 1974-1989\u003c/li\u003e\n\u003cli\u003eV. Images, 1964-1997\u003c/li\u003e \n\u003cli\u003eVI. Subject Research Materials, 1960-1995\u003c/li\u003e \n\u003cli\u003eVII. Project Research Materials, 1948-2005\u003c/li\u003e \n\u003cli\u003eVIII. Price Company Files, 1963-2000\u003c/li\u003e \n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note "],"arrangement_tesim":["The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000"],"bioghist_html_tesm":["\u003cp\u003eHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information "],"bioghist_tesim":["Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":["Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01FALSC_UCF:UCF\u0026amp;tab=Everything\u0026amp;docid=alma990223015270306596\"\u003eWalt's revolution! : by the numbers.\u003c/extref\u003e\u003c/emph\u003e Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004."],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   \u003c/p\u003e\n","\u003cp\u003eThis collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \u003c/p\u003e\n","\u003cp\u003eSeries I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. \u003c/p\u003e\n","\u003cp\u003eSeries II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. \u003c/p\u003e\n","\u003cp\u003eSeries IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  \u003c/p\u003e\n","\u003cp\u003eSeries VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  \u003c/p\u003e\n","\u003cp\u003eSeries VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. \u003c/p\u003e\n","\u003cp\u003eSeries VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f301b4d6cd4750973558e5e365ab2d20\" label=\"Abstract \"\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.\u003c/abstract\u003e"],"abstract_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89."],"names_coll_ssim":["Harrison Price Company"],"names_ssim":["UCF Special Collections","Harrison Price Company","Price, Harrison"],"corpname_ssim":["UCF Special Collections","Harrison Price Company"],"persname_ssim":["Price, Harrison"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4991,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858054322356224,"_root_":"59327c0abe5aee857a5586d7","timestamp":"2026-07-16T08:07:55.983Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_0265f2bc1cf6c2a5c332cf281b943757"}},{"id":"237e378719d8938417a3468e_aspace_14021","type":"Subseries","attributes":{"title":"Arensky, Anton Stepanovich 1861-1906","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/237e378719d8938417a3468e_aspace_14021#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14021","ref_ssm":["aspace_14021","aspace_14021"],"id":"237e378719d8938417a3468e_aspace_14021","title_filing_ssi":"Arensky, Anton Stepanovich 1861-1906","title_ssm":["Arensky, Anton Stepanovich 1861-1906"],"title_tesim":["Arensky, Anton Stepanovich 1861-1906"],"normalized_title_ssm":["Arensky, Anton Stepanovich 1861-1906"],"text":["Arensky, Anton Stepanovich 1861-1906","Miriam and Roman Waldman Music Collection, 1900-1940","Russian Scores","Sub-Series 1.1","/repositories/2/archival_objects/41034","box 1"],"component_level_isim":[2],"parent_ids_ssim":["237e378719d8938417a3468e","237e378719d8938417a3468e_aspace_14020"],"parent_unittitles_ssm":["Miriam and Roman Waldman Music Collection, 1900-1940","Russian Scores"],"parent_unittitles_tesim":["Miriam and Roman Waldman Music Collection, 1900-1940","Russian Scores"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1.1","/repositories/2/archival_objects/41034"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"237e378719d8938417a3468e_aspace_14020","_root_":"237e378719d8938417a3468e","_version_":1870841646859419648,"timestamp":"2026-07-16T03:47:08.669Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"237e378719d8938417a3468e","title_ssm":["Miriam and Roman Waldman Music Collection"],"title_tesim":["Miriam and Roman Waldman Music Collection"],"ead_ssi":"237e378719d8938417a3468e","unitdate_ssm":["1900-1940"],"unitdate_inclusive_ssm":["1900-1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00004","/repositories/2/resources/113"],"text":["PMC00004","/repositories/2/resources/113","Miriam and Roman Waldman Music Collection, 1900-1940","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","By composer","In 2011, this collection was processed by Alexey Kuharskiy.","The Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00004","/repositories/2/resources/113"],"normalized_date_ssm":["1900-1940"],"normalized_title_ssm":["Miriam and Roman Waldman Music Collection, 1900-1940"],"collection_title_tesim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"collection_ssim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["4.50 Linear Feet","9 boxes other_unmapped"],"extent_tesim":["4.50 Linear Feet","9 boxes other_unmapped"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eBy composer\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["By composer"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection was processed by Alexey Kuharskiy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection was processed by Alexey Kuharskiy."],"scopecontent_html_tesm":["\u003cp\u003eThe Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":233,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841646859419648,"_root_":"237e378719d8938417a3468e","timestamp":"2026-07-16T03:47:08.669Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/237e378719d8938417a3468e_aspace_14021"}},{"id":"0c6450679382733623a42e56_aspace_70909","type":"Subseries","attributes":{"title":"Aria","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56_aspace_70909#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70909","ref_ssm":["aspace_70909","aspace_70909"],"id":"0c6450679382733623a42e56_aspace_70909","title_filing_ssi":"Aria","title_ssm":["Aria"],"title_tesim":["Aria"],"normalized_title_ssm":["Aria"],"text":["Aria","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo","Sub-Series 1.3","/repositories/2/archival_objects/1788"],"component_level_isim":[2],"parent_ids_ssim":["0c6450679382733623a42e56","0c6450679382733623a42e56_aspace_70310"],"parent_unittitles_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo"],"parent_unittitles_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1.3","/repositories/2/archival_objects/1788"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":125,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":591,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#0/components#2","_nest_parent_":"0c6450679382733623a42e56_aspace_70310","_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0c6450679382733623a42e56","title_ssm":["Derna DePamphilis Music Collection"],"title_tesim":["Derna DePamphilis Music Collection"],"ead_ssi":"0c6450679382733623a42e56","unitdate_ssm":["1885-1962","1935-1950"],"unitdate_bulk_ssim":["1935-1950"],"unitdate_inclusive_ssm":["1885-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00011","/repositories/2/resources/5"],"text":["PMC00011","/repositories/2/resources/5","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.","The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00011","/repositories/2/resources/5"],"normalized_date_ssm":["1885-1962, bulk 1935-1950"],"normalized_title_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_title_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["10.50 Linear Feet","20 boxes other_unmapped"],"extent_tesim":["10.50 Linear Feet","20 boxes other_unmapped"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1053,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56_aspace_70909"}},{"id":"0c6450679382733623a42e56_aspace_71244","type":"Subseries","attributes":{"title":"Aria","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56_aspace_71244#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71244","ref_ssm":["aspace_71244","aspace_71244"],"id":"0c6450679382733623a42e56_aspace_71244","title_filing_ssi":"Aria","title_ssm":["Aria"],"title_tesim":["Aria"],"normalized_title_ssm":["Aria"],"text":["Aria","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Ensemble","Sub-Series 2.3","/repositories/2/archival_objects/1804","box 16"],"component_level_isim":[2],"parent_ids_ssim":["0c6450679382733623a42e56","0c6450679382733623a42e56_aspace_71158"],"parent_unittitles_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Ensemble"],"parent_unittitles_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Ensemble"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 2.3","/repositories/2/archival_objects/1804"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":916,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 16"],"_nest_path_":"/components#1/components#2","_nest_parent_":"0c6450679382733623a42e56_aspace_71158","_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0c6450679382733623a42e56","title_ssm":["Derna DePamphilis Music Collection"],"title_tesim":["Derna DePamphilis Music Collection"],"ead_ssi":"0c6450679382733623a42e56","unitdate_ssm":["1885-1962","1935-1950"],"unitdate_bulk_ssim":["1935-1950"],"unitdate_inclusive_ssm":["1885-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00011","/repositories/2/resources/5"],"text":["PMC00011","/repositories/2/resources/5","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.","The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00011","/repositories/2/resources/5"],"normalized_date_ssm":["1885-1962, bulk 1935-1950"],"normalized_title_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_title_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["10.50 Linear Feet","20 boxes other_unmapped"],"extent_tesim":["10.50 Linear Feet","20 boxes other_unmapped"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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It also contains three boxes of photographs, which largely feature members of the organization.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection encompasses various materials produced by or written on the Florida Citrus Mutual organization.  It has a wide date range, with files beginning in the 1930s, and ending in the early 2000s.  It includes records of legal issues, including tariffs and regulatory laws.  It also includes several business files, from meeting accounts to associate records to statistics reports to marketing materials.  It has the 1987-2002 Market News Bulletin for the organization.  It also contains three boxes of photographs, which largely feature members of the organization."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":93,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852031839731712,"_root_":"dde59887df80392325f2a53e","timestamp":"2026-07-16T06:32:12.561Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dde59887df80392325f2a53e_aspace_d8a916c2c0f08864a33e7664aab0524a"}},{"id":"236a3c88b766327883b2e155_aspace_51e0bf21b58df1296819e8fbe9b0b212","type":"Subseries","attributes":{"title":"Arizona","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_51e0bf21b58df1296819e8fbe9b0b212#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_51e0bf21b58df1296819e8fbe9b0b212","ref_ssm":["aspace_51e0bf21b58df1296819e8fbe9b0b212","aspace_51e0bf21b58df1296819e8fbe9b0b212"],"id":"236a3c88b766327883b2e155_aspace_51e0bf21b58df1296819e8fbe9b0b212","title_filing_ssi":"Arizona","title_ssm":["Arizona"],"title_tesim":["Arizona"],"normalized_title_ssm":["Arizona"],"text":["Arizona","Joy Postle papers, 1910-2015","Art, 1921","Watercolors","/repositories/4/archival_objects/87741","/repositories/4/archival_objects/91178"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_5ba98316e64b6229c924a90139478d14"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87741","/repositories/4/archival_objects/91178"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":103,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#2/components#1","_nest_parent_":"236a3c88b766327883b2e155_aspace_5ba98316e64b6229c924a90139478d14","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_51e0bf21b58df1296819e8fbe9b0b212"}},{"id":"236a3c88b766327883b2e155_aspace_ab07cb5612f022be18faf834e420e6e3","type":"Subseries","attributes":{"title":"Arkansas","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_ab07cb5612f022be18faf834e420e6e3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ab07cb5612f022be18faf834e420e6e3","ref_ssm":["aspace_ab07cb5612f022be18faf834e420e6e3","aspace_ab07cb5612f022be18faf834e420e6e3"],"id":"236a3c88b766327883b2e155_aspace_ab07cb5612f022be18faf834e420e6e3","title_filing_ssi":"Arkansas","title_ssm":["Arkansas"],"title_tesim":["Arkansas"],"normalized_title_ssm":["Arkansas"],"text":["Arkansas","Joy Postle papers, 1910-2015","Art, 1921","Watercolors","/repositories/4/archival_objects/87742","/repositories/4/archival_objects/91179","box 2","folder 11"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_5ba98316e64b6229c924a90139478d14"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87742","/repositories/4/archival_objects/91179"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":116,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 2","folder 11"],"_nest_path_":"/components#0/components#2/components#2","_nest_parent_":"236a3c88b766327883b2e155_aspace_5ba98316e64b6229c924a90139478d14","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_ab07cb5612f022be18faf834e420e6e3"}},{"id":"05176a8238a411947dafe2de_aspace_16547","type":"Subseries","attributes":{"title":"Arlington, 1975-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16547#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16547","ref_ssm":["aspace_16547","aspace_16547"],"id":"05176a8238a411947dafe2de_aspace_16547","title_filing_ssi":"Arlington","title_ssm":["Arlington"],"title_tesim":["Arlington"],"unitdate_inclusive_ssm":["1975-2003"],"normalized_date_ssm":["1975-2003"],"normalized_title_ssm":["Arlington, 1975-2003"],"text":["Arlington, 1975-2003","George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","Texas, 1975-2003","Sub-Series 3","/repositories/4/archival_objects/36921"],"component_level_isim":[4],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16275","05176a8238a411947dafe2de_aspace_16376","05176a8238a411947dafe2de_aspace_16534"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","Texas, 1975-2003"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","Texas, 1975-2003"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Sub-Series 3","/repositories/4/archival_objects/36921"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":26,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":209,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#0/components#2/components#9/components#4","_nest_parent_":"05176a8238a411947dafe2de_aspace_16534","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16547"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":331},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","value":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jonas+and+Edna+Kamlet+%2F+Kamlet+Laboratories+records%2C+1913-1989%2C+Date+acquired%3A+00%2F00%2F2006\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"The Florida Citrus Mutual Minute Books, 1949-2011","value":"The Florida Citrus Mutual Minute Books, 1949-2011","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=The+Florida+Citrus+Mutual+Minute+Books%2C+1949-2011\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"FAU Student Newspapers Collection, 1964 - 2017","value":"FAU Student Newspapers Collection, 1964 - 2017","hits":121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=FAU+Student+Newspapers+Collection%2C+1964+-+2017\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Florida Photograph collection, bulk 1883-1977","value":"Florida Photograph collection, bulk 1883-1977","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Photograph+collection%2C+bulk+1883-1977\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","value":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Southern+College+Buildings+%26+Grounds%2C+1922-2024\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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