{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=368\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=367\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=369\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660\u0026view=compact"},"meta":{"pages":{"current_page":368,"next_page":369,"prev_page":367,"total_pages":660,"limit_value":10,"offset_value":3670,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"0c6450679382733623a42e56_aspace_71054","type":"Subseries","attributes":{"title":"Motion Picture","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56_aspace_71054#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71054","ref_ssm":["aspace_71054","aspace_71054"],"id":"0c6450679382733623a42e56_aspace_71054","title_filing_ssi":"Motion Picture","title_ssm":["Motion Picture"],"title_tesim":["Motion Picture"],"normalized_title_ssm":["Motion Picture"],"text":["Motion Picture","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo","Sub-Series 1.4","/repositories/2/archival_objects/1803"],"component_level_isim":[2],"parent_ids_ssim":["0c6450679382733623a42e56","0c6450679382733623a42e56_aspace_70310"],"parent_unittitles_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo"],"parent_unittitles_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1.4","/repositories/2/archival_objects/1803"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":27,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":733,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#0/components#3","_nest_parent_":"0c6450679382733623a42e56_aspace_70310","_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0c6450679382733623a42e56","title_ssm":["Derna DePamphilis Music Collection"],"title_tesim":["Derna DePamphilis Music Collection"],"ead_ssi":"0c6450679382733623a42e56","unitdate_ssm":["1885-1962","1935-1950"],"unitdate_bulk_ssim":["1935-1950"],"unitdate_inclusive_ssm":["1885-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00011","/repositories/2/resources/5"],"text":["PMC00011","/repositories/2/resources/5","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.","The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00011","/repositories/2/resources/5"],"normalized_date_ssm":["1885-1962, bulk 1935-1950"],"normalized_title_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_title_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["10.50 Linear Feet","20 boxes other_unmapped"],"extent_tesim":["10.50 Linear Feet","20 boxes other_unmapped"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1053,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56_aspace_71054"}},{"id":"858c2b961d9f21b8a16c10c6_aspace_594c72bcb298c95c137a636385e117c6","type":"Subseries","attributes":{"title":"Motor Vehicles","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/858c2b961d9f21b8a16c10c6_aspace_594c72bcb298c95c137a636385e117c6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_594c72bcb298c95c137a636385e117c6","ref_ssm":["aspace_594c72bcb298c95c137a636385e117c6","aspace_594c72bcb298c95c137a636385e117c6"],"id":"858c2b961d9f21b8a16c10c6_aspace_594c72bcb298c95c137a636385e117c6","title_filing_ssi":"Motor Vehicles","title_ssm":["Motor Vehicles"],"title_tesim":["Motor Vehicles"],"normalized_title_ssm":["Motor Vehicles"],"text":["Motor Vehicles","Florida Photograph collection, bulk 1883-1977","Hillsborough County","Tampa","/repositories/2/archival_objects/218472"],"component_level_isim":[3],"parent_ids_ssim":["858c2b961d9f21b8a16c10c6","858c2b961d9f21b8a16c10c6_aspace_dd414b101de05fad3c673facef509b5f","858c2b961d9f21b8a16c10c6_aspace_25a896596d6b82a3f666e720e20186fb"],"parent_unittitles_ssm":["Florida Photograph collection, bulk 1883-1977","Hillsborough County","Tampa"],"parent_unittitles_tesim":["Florida Photograph collection, bulk 1883-1977","Hillsborough County","Tampa"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/218472"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Photograph collection, bulk 1883-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":441,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#48/components#23/components#44","_nest_parent_":"858c2b961d9f21b8a16c10c6_aspace_25a896596d6b82a3f666e720e20186fb","_root_":"858c2b961d9f21b8a16c10c6","timestamp":"2026-06-06T03:16:59.251Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"858c2b961d9f21b8a16c10c6","title_ssm":["Florida Photograph collection"],"title_tesim":["Florida Photograph collection"],"ead_ssi":"858c2b961d9f21b8a16c10c6","unitdate_ssm":["1883-1977"],"unitdate_bulk_ssim":["1883-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2021-06","/repositories/2/resources/597"],"text":["MS-2021-06","/repositories/2/resources/597","Florida Photograph collection, bulk 1883-1977","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2021-06","/repositories/2/resources/597"],"normalized_date_ssm":["bulk 1883-1977"],"normalized_title_ssm":["Florida Photograph collection, bulk 1883-1977"],"collection_title_tesim":["Florida Photograph collection, bulk 1883-1977"],"collection_ssim":["Florida Photograph collection, bulk 1883-1977"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["8.78 Linear Feet","42 boxes"],"extent_tesim":["8.78 Linear Feet","42 boxes"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":978,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"858c2b961d9f21b8a16c10c6","timestamp":"2026-06-06T03:16:59.251Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/858c2b961d9f21b8a16c10c6_aspace_594c72bcb298c95c137a636385e117c6"}},{"id":"9b1a44caeacea9fdc5f72fbb_aspace_110196","type":"Subseries","attributes":{"title":"Movie Script","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_110196#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_110196","ref_ssm":["aspace_110196","aspace_110196"],"id":"9b1a44caeacea9fdc5f72fbb_aspace_110196","title_filing_ssi":"Movie Script","title_ssm":["Movie Script"],"title_tesim":["Movie Script"],"normalized_title_ssm":["Movie Script"],"text":["Movie Script","Theodore Pratt Collection, 1901-2025","Theodore Pratt Novels","Sub-Series 1.3","/repositories/2/archival_objects/55848"],"component_level_isim":[2],"parent_ids_ssim":["9b1a44caeacea9fdc5f72fbb","9b1a44caeacea9fdc5f72fbb_aspace_109957"],"parent_unittitles_ssm":["Theodore Pratt Collection, 1901-2025","Theodore Pratt Novels"],"parent_unittitles_tesim":["Theodore Pratt Collection, 1901-2025","Theodore Pratt Novels"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1.3","/repositories/2/archival_objects/55848"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":183,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#0/components#2","_nest_parent_":"9b1a44caeacea9fdc5f72fbb_aspace_109957","_root_":"9b1a44caeacea9fdc5f72fbb","_version_":1870841986919956480,"timestamp":"2026-07-16T03:52:32.760Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b1a44caeacea9fdc5f72fbb","title_ssm":["Theodore Pratt Collection"],"title_tesim":["Theodore Pratt Collection"],"ead_ssi":"9b1a44caeacea9fdc5f72fbb","unitdate_ssm":["1901-2025"],"unitdate_inclusive_ssm":["1901-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00022","/repositories/2/resources/154"],"text":["SPC00022","/repositories/2/resources/154","Theodore Pratt Collection, 1901-2025","Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood","English"],"unitid_tesim":["SPC00022","/repositories/2/resources/154"],"normalized_date_ssm":["1901-2025"],"normalized_title_ssm":["Theodore Pratt Collection, 1901-2025"],"collection_title_tesim":["Theodore Pratt Collection, 1901-2025"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Theodore Pratt","Taylor Hagood"],"creator_ssim":["Theodore Pratt","Taylor Hagood"],"creator_persname_ssim":["Theodore Pratt","Taylor Hagood"],"creators_ssim":["Theodore Pratt","Taylor Hagood"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney."],"scopecontent_html_tesm":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Theodore Pratt","Taylor Hagood"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4096,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841986919956480,"_root_":"9b1a44caeacea9fdc5f72fbb","timestamp":"2026-07-16T03:52:32.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_110196"}},{"id":"93f43fce44434e575b3ff5ab_aspace_157434","type":"Subseries","attributes":{"title":"Movie Scripts","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/93f43fce44434e575b3ff5ab_aspace_157434#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_157434","ref_ssm":["aspace_157434","aspace_157434"],"id":"93f43fce44434e575b3ff5ab_aspace_157434","title_filing_ssi":"Movie Scripts","title_ssm":["Movie Scripts"],"title_tesim":["Movie Scripts"],"normalized_title_ssm":["Movie Scripts"],"text":["Movie Scripts","Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010","Television \u0026 Film Collection","Sub-Series 6","/repositories/2/archival_objects/56632"],"component_level_isim":[2],"parent_ids_ssim":["93f43fce44434e575b3ff5ab","93f43fce44434e575b3ff5ab_aspace_157088"],"parent_unittitles_ssm":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010","Television \u0026 Film Collection"],"parent_unittitles_tesim":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010","Television \u0026 Film Collection"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 6","/repositories/2/archival_objects/56632"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":420,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#1/components#5","_nest_parent_":"93f43fce44434e575b3ff5ab_aspace_157088","_root_":"93f43fce44434e575b3ff5ab","timestamp":"2026-07-11T04:05:19.251Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"93f43fce44434e575b3ff5ab","title_ssm":["Michael Hirsh manuscript collection"],"title_tesim":["Michael Hirsh manuscript collection"],"ead_ssi":"93f43fce44434e575b3ff5ab","unitdate_ssm":["1970-2010","Date acquired: 00/00/2010"],"unitdate_inclusive_ssm":["1970-2010"],"unitdate_other_ssim":["Date acquired: 00/00/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-11","/repositories/2/resources/356"],"text":["MS-2006-11","/repositories/2/resources/356","Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010","Concentration camps -- Austria -- History -- 20th century","Concentration camps -- Germany -- History -- 20th century","World War, 1939-1945 -- Concentration camps -- Austria","World War, 1939-1945 -- Concentration camps -- Germany","World War, 1939-1945 -- Concentration camps -- Liberation","World War, 1939-1945 -- Personal Narratives","Soldiers -- United States -- Interviews","Holocaust, Jewish (1939-1945) -- Atrocities","World War, 1939-1945 -- Atrocities","Film and TV studies","Television","By type of material","Michael Hirsh is as a journalist, documentarian, and producer in radio and television. Over his 35 year career, he was the recipient of numerous awards, including several Emmy Awards, a Writers Guild Award, the DuPont-Columbia Citation, and the George Foster Peabody Award. He served as a combat correspondent with the U.S. Army's 25th Infantry Division in Vietnam, where he was also awarded the Combat Infantryman Badge. Hirsh is the author of several works of non-fiction, including The Liberators: America's Witnesses to the Holocaust (New York: Bantam Books, 2010).","Note written by Jean Mcallister, 2010","published","Concentration Camp Liberators Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","http://guides.lib.usf.edu/content.php?pid=49131\u0026sid=655659#","The Liberators: America's Witnesses to the Holocaust , by Michael Hirsh (New York: Bantam Books, 2010) . ","The collection consists of Michael Hirsh's original manuscripts, photographs, research, correspondence, and proofs related to the publication of  The Liberators: America's Witnesses to the Holocaust.  The second series in the collection consists of materials related to Hirsh's time as a television and film producer and writer, with a concentration on the series M*A*S*H. This series also contains materials related to the history of television, as well as assorted scripts and screenplays.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist.","USF Libraries - Tampa Special Collections","Hirsh, Michael (1943-)","English"],"unitid_tesim":["MS-2006-11","/repositories/2/resources/356"],"normalized_date_ssm":["1970-2010, Date acquired: 00/00/2010"],"normalized_title_ssm":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"collection_title_tesim":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"collection_ssim":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Hirsh, Michael (1943-)"],"creator_ssim":["Hirsh, Michael (1943-)"],"creator_persname_ssim":["Hirsh, Michael (1943-)"],"creators_ssim":["Hirsh, Michael (1943-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Michael Hirsh","Donation"],"access_subjects_ssim":["Concentration camps -- Austria -- History -- 20th century","Concentration camps -- Germany -- History -- 20th century","World War, 1939-1945 -- Concentration camps -- Austria","World War, 1939-1945 -- Concentration camps -- Germany","World War, 1939-1945 -- Concentration camps -- Liberation","World War, 1939-1945 -- Personal Narratives","Soldiers -- United States -- Interviews","Holocaust, Jewish (1939-1945) -- Atrocities","World War, 1939-1945 -- Atrocities","Film and TV studies","Television"],"access_subjects_ssm":["Concentration camps -- Austria -- History -- 20th century","Concentration camps -- Germany -- History -- 20th century","World War, 1939-1945 -- Concentration camps -- Austria","World War, 1939-1945 -- Concentration camps -- Germany","World War, 1939-1945 -- Concentration camps -- Liberation","World War, 1939-1945 -- Personal Narratives","Soldiers -- United States -- Interviews","Holocaust, Jewish (1939-1945) -- Atrocities","World War, 1939-1945 -- Atrocities","Film and TV studies","Television"],"has_online_content_ssim":["false"],"extent_ssm":["14.68 Linear Feet","34 boxes","1 items"],"extent_tesim":["14.68 Linear Feet","34 boxes","1 items"],"physfacet_tesim":["The item is at the end of the collection in its original, metal container."],"genreform_ssim":["Television"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"arrangement_html_tesm":["\u003cp\u003eBy type of material\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["By type of material"],"bioghist_html_tesm":["\u003cp\u003eMichael Hirsh is as a journalist, documentarian, and producer in radio and television. Over his 35 year career, he was the recipient of numerous awards, including several Emmy Awards, a Writers Guild Award, the DuPont-Columbia Citation, and the George Foster Peabody Award. He served as a combat correspondent with the U.S. Army's 25th Infantry Division in Vietnam, where he was also awarded the Combat Infantryman Badge. Hirsh is the author of several works of non-fiction, including The Liberators: America's Witnesses to the Holocaust (New York: Bantam Books, 2010).\u003c/p\u003e\n","\u003cp\u003eNote written by Jean Mcallister, 2010\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael Hirsh is as a journalist, documentarian, and producer in radio and television. Over his 35 year career, he was the recipient of numerous awards, including several Emmy Awards, a Writers Guild Award, the DuPont-Columbia Citation, and the George Foster Peabody Award. He served as a combat correspondent with the U.S. Army's 25th Infantry Division in Vietnam, where he was also awarded the Combat Infantryman Badge. Hirsh is the author of several works of non-fiction, including The Liberators: America's Witnesses to the Holocaust (New York: Bantam Books, 2010).","Note written by Jean Mcallister, 2010"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eMichael Hirsh Manuscript Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Michael Hirsh Manuscript Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eConcentration Camp Liberators Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003ehttp://guides.lib.usf.edu/content.php?pid=49131\u0026amp;sid=655659#\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eThe Liberators: America's Witnesses to the Holocaust\u003c/emph\u003e, by Michael Hirsh (New York: Bantam Books, 2010)\u003cemph render=\"italic\"\u003e. \u003c/emph\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Concentration Camp Liberators Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","http://guides.lib.usf.edu/content.php?pid=49131\u0026sid=655659#","The Liberators: America's Witnesses to the Holocaust , by Michael Hirsh (New York: Bantam Books, 2010) . "],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Michael Hirsh's original manuscripts, photographs, research, correspondence, and proofs related to the publication of \u003cemph render=\"italic\"\u003eThe Liberators: America's Witnesses to the Holocaust. \u003c/emph\u003eThe second series in the collection consists of materials related to Hirsh's time as a television and film producer and writer, with a concentration on the series M*A*S*H. This series also contains materials related to the history of television, as well as assorted scripts and screenplays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Michael Hirsh's original manuscripts, photographs, research, correspondence, and proofs related to the publication of  The Liberators: America's Witnesses to the Holocaust.  The second series in the collection consists of materials related to Hirsh's time as a television and film producer and writer, with a concentration on the series M*A*S*H. This series also contains materials related to the history of television, as well as assorted scripts and screenplays."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_31ef013010c053f46d7364bd837c53a5\" label=\"Abstract\"\u003eThis collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist."],"names_ssim":["USF Libraries - Tampa Special Collections","Hirsh, Michael (1943-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hirsh, Michael (1943-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":511,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"93f43fce44434e575b3ff5ab","timestamp":"2026-07-11T04:05:19.251Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/93f43fce44434e575b3ff5ab_aspace_157434"}},{"id":"432c034c3a931471a77cd947_aspace_185728","type":"Subseries","attributes":{"title":"Moving Images","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/432c034c3a931471a77cd947_aspace_185728#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_185728","ref_ssm":["aspace_185728","aspace_185728"],"id":"432c034c3a931471a77cd947_aspace_185728","title_filing_ssi":"Moving Images","title_ssm":["Moving Images"],"title_tesim":["Moving Images"],"normalized_title_ssm":["Moving Images"],"text":["Moving Images","Florida State University Tarpon Club Collection, 1931-1994, bulk 1931-1994","Tarpon Club Media, undated","1","/repositories/10/archival_objects/116224"],"component_level_isim":[2],"parent_ids_ssim":["432c034c3a931471a77cd947","432c034c3a931471a77cd947_aspace_124921"],"parent_unittitles_ssm":["Florida State University Tarpon Club Collection, 1931-1994, bulk 1931-1994","Tarpon Club Media, undated"],"parent_unittitles_tesim":["Florida State University Tarpon Club Collection, 1931-1994, bulk 1931-1994","Tarpon Club Media, undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["1","/repositories/10/archival_objects/116224"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Florida State University Tarpon Club Collection, 1931-1994, bulk 1931-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":57,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":357,"parent_access_restrict_tesm":["Collection has access restrictions. Please ask Special Collections staff for details. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"_nest_path_":"/components#7/components#0","_nest_parent_":"432c034c3a931471a77cd947_aspace_124921","_root_":"432c034c3a931471a77cd947","timestamp":"2026-07-09T10:15:30.509Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"432c034c3a931471a77cd947","title_ssm":["Florida State University Tarpon Club Collection"],"title_tesim":["Florida State University Tarpon Club Collection"],"ead_ssi":"432c034c3a931471a77cd947","unitdate_ssm":["1931-1994","1931-1994"],"unitdate_bulk_ssim":["1931-1994"],"unitdate_inclusive_ssm":["1931-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2005-011","/repositories/10/resources/723"],"text":["MSS 2005-011","/repositories/10/resources/723","Florida State University Tarpon Club Collection, 1931-1994, bulk 1931-1994","Montgomery Gymnasium","Wakulla Springs (Fla.)","Cypress Gardens (Polk County, Fla.)","Synchronized swimming.","Swimming.","Florida State College for Women--History","Awards","Athletic clubs","Sports for women","Student clubs and organizations","Constitutions.","Correspondence","Minutes","Motion pictures.","Photography Negatives","Clippings (Books, newspapers, etc.)","Notebooks.","Photographs","Posters.","Programs","Scrapbooks","Videocassettes.","Slides.","DVD-Video discs.","CD-ROMs","Collection has access restrictions. Please ask Special Collections staff for details. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Each subject is organized alphabetically and then chronologically. Because of the age of the records, storage issues, and changes in club administrations, some gaps in chronology are evident within the records.","The Tarpon Club began during the early 1920s as the Florida State College for Women (FSCW) Life Saving Corps. The Life Saving Corps began holding exhibitions in the Montgomery Gym indoor pool demonstrating aquatic skills during the 1930's. These exhibitions featured form swimming, figure swimming, speed swimming, lifesaving techniques, diving, and canoe handling. In the spring of 1937, members of the Corps under the direction of Betty Washburn formed the Tarpon Club, choosing the tarpon fish as its mascot due to its reputation of being an acrobat of Florida waters. The club presented its first \"water pageant\" in the fall of that year featuring swimming stroke demonstrations and floating patterns performed with musical accompaniment. ","In 1938, the Tarpons initiated its first group of \"Minnows,\" or first year members, and established the tradition of requiring Minnows to participate in the club and improve their skills until they were judged eligible to become full-fledged Tarpons. The Club continued to perform at least one production per year, with each show containing a central theme, until its disbandment in 1994. During its long existence, the Tarpon Club garnered a number of awards and received invitations to perform at national and international aquatic exhibitions. The International Academy of Aquatic Art and the National Institute for Creative Aquatics recognized the Tarpons' skill through the years with numerous awards, and the club also received an award for its performance in the United States Synchronized Swimming Collegiate National Championships.","Notable sports writer Grantland Rice featured the Tarpon Club three times in his \"Sportlight\" series of short films produced by Jack Eaton: \"Aqua Rhythm,\" filmed in Wakulla Springs in 1941, \"Campus Mermaids,\" also filmed there in 1945, and \"Water Symphony,\" filmed in both Wakulla Springs and Cypress Gardens in 1953. The Florida Department of Commerce filmed the Tarpon performance \"A Dip in Dixie\" in 1964 to promote tourism in the State of Florida. Some Life Saving Corps and Tarpon Alumni continued their film roles. Corps member Martha Dent Perry served as the character Jane's stunt double in \"Tarzan's Secret Treasure\" filmed at Wakulla Springs in 1941, and Tarpon member Jean Knapp served as Jane's stunt double in \"Tarzan's New York Adventure,\" also filmed at Wakulla Springs in 1942. Tarpon Nancy Tribble served as an underwater double for actress Anne Blythe in the 1953 film \"Mr. Peabody and the Mermaid,\" and designed the famous mermaid logo for the mermaid attraction at Weekiwachee Springs with Sis Myers, another Tarpon alumna. Tarpon member Sherry Brown also swam in the chorus of the 1953 Esther Williams film \"Easy to Love.\" Another notable Tarpon alumna, 1943 FSCW graduate Nancy Kulp, starred in several television shows, films, and theater productions. Also of note is Katherine Rawls, a swimmer in the 1936 Corps and a two-time Olympic swimmer and diver in the 1932 and 1936 summer games. Rawls would go on to be a member of the Women's Auxiliary Ferrying Squadron (WAFS) during World War II.","When the Club disbanded in 1994, it was the Nation's oldest continuously active collegiate swim group as well as the oldest club on the Florida State University campus.","Tarpon Club Media in Series 8 consists of reel-to-reel films and tapes that are being assessed for preservation issues and are not currently available to researchers. They are located in off-site cold storage.","Collection processed by Erin VanClay and Christine Bethke","The Florida State College for Women/Florida State University Tarpon Club Collection consists of club records documenting its administration and activities, such as minutes, constitutions, correspondence, and financial records; scripts; performance materials such as programs, publicity, and choreography notes; photographs; newspaper clippings, video recordings, scrapbooks, and club ephemera from its establishment to its disbandment, such as the first sketch for the Tarpon pin and 40th and 50th anniversary celebration guest books. ","The collection also contains materials from its founding group, the Florida State College for Women's Life Saving Corps (1931-1936), including programs from the first aquatic exhibitions put on by the Corps and materials documenting Montgomery Pool activities from 1932-1933.","The collection is valuable to researchers studying the history of U.S. synchronized swimming and collegiate synchronized swimming organizations, as well as the history of FSCW/FSU.","Photographs: Select photographs from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection. Film: Select films from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger A/V collection.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","The FSCW/FSU Tarpon Club Collection contains materials documenting the synchronized swimming team's activities and performances. Materials include club documents, photographs, choreography and scripts, newspaper clippings, video, alumni notes, as well as other ephemera documenting the organization's history.","FSU Special Collections \u0026 Archives","Florida State College for Women--Lifesaving Corps","Tarpon Club","Montgomery, Katherine W. (Katherine Williams), 1894-1958","Washburn, Betty","Rice, Grantland, 1880-1954","Eaton, Jack, -1968","Norwood, Mary Lou","Crew, Alicia","Henning, Linda","McHugh, Donna","Rodin, Mark","Seminole Productions","Stoner, Janet","English"],"unitid_tesim":["MSS 2005-011","/repositories/10/resources/723"],"normalized_date_ssm":["1931-1994, bulk 1931-1994"],"normalized_title_ssm":["Florida State University Tarpon Club Collection, 1931-1994, bulk 1931-1994"],"collection_title_tesim":["Florida State University Tarpon Club Collection, 1931-1994, bulk 1931-1994"],"collection_ssim":["Florida State University Tarpon Club Collection, 1931-1994, bulk 1931-1994"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Montgomery Gymnasium","Wakulla Springs (Fla.)","Cypress Gardens (Polk County, Fla.)"],"geogname_ssim":["Montgomery Gymnasium","Wakulla Springs (Fla.)","Cypress Gardens (Polk County, Fla.)"],"places_ssim":["Montgomery Gymnasium","Wakulla Springs (Fla.)","Cypress Gardens (Polk County, Fla.)"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Donated by Mary Lou Norwood and Alicia Crew."],"access_subjects_ssim":["Synchronized swimming.","Swimming.","Florida State College for Women--History","Awards","Athletic clubs","Sports for women","Student clubs and organizations","Constitutions.","Correspondence","Minutes","Motion pictures.","Photography Negatives","Clippings (Books, newspapers, etc.)","Notebooks.","Photographs","Posters.","Programs","Scrapbooks","Videocassettes.","Slides.","DVD-Video discs.","CD-ROMs"],"access_subjects_ssm":["Synchronized swimming.","Swimming.","Florida State College for Women--History","Awards","Athletic clubs","Sports for women","Student clubs and organizations","Constitutions.","Correspondence","Minutes","Motion pictures.","Photography Negatives","Clippings (Books, newspapers, etc.)","Notebooks.","Photographs","Posters.","Programs","Scrapbooks","Videocassettes.","Slides.","DVD-Video discs.","CD-ROMs"],"has_online_content_ssim":["false"],"extent_ssm":["37.52 Linear Feet"],"extent_tesim":["37.52 Linear Feet"],"genreform_ssim":["Constitutions.","Correspondence","Minutes","Motion pictures.","Photography Negatives","Clippings (Books, newspapers, etc.)","Notebooks.","Photographs","Posters.","Programs","Scrapbooks","Videocassettes.","Slides.","DVD-Video discs.","CD-ROMs"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eCollection has access restrictions. Please ask Special Collections staff for details. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection has access restrictions. Please ask Special Collections staff for details. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eEach subject is organized alphabetically and then chronologically. Because of the age of the records, storage issues, and changes in club administrations, some gaps in chronology are evident within the records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Each subject is organized alphabetically and then chronologically. Because of the age of the records, storage issues, and changes in club administrations, some gaps in chronology are evident within the records."],"bioghist_html_tesm":["\u003cp\u003eThe Tarpon Club began during the early 1920s as the Florida State College for Women (FSCW) Life Saving Corps. The Life Saving Corps began holding exhibitions in the Montgomery Gym indoor pool demonstrating aquatic skills during the 1930's. These exhibitions featured form swimming, figure swimming, speed swimming, lifesaving techniques, diving, and canoe handling. In the spring of 1937, members of the Corps under the direction of Betty Washburn formed the Tarpon Club, choosing the tarpon fish as its mascot due to its reputation of being an acrobat of Florida waters. The club presented its first \"water pageant\" in the fall of that year featuring swimming stroke demonstrations and floating patterns performed with musical accompaniment. \u003c/p\u003e\n","\u003cp\u003eIn 1938, the Tarpons initiated its first group of \"Minnows,\" or first year members, and established the tradition of requiring Minnows to participate in the club and improve their skills until they were judged eligible to become full-fledged Tarpons. The Club continued to perform at least one production per year, with each show containing a central theme, until its disbandment in 1994. During its long existence, the Tarpon Club garnered a number of awards and received invitations to perform at national and international aquatic exhibitions. The International Academy of Aquatic Art and the National Institute for Creative Aquatics recognized the Tarpons' skill through the years with numerous awards, and the club also received an award for its performance in the United States Synchronized Swimming Collegiate National Championships.\u003c/p\u003e\n","\u003cp\u003eNotable sports writer Grantland Rice featured the Tarpon Club three times in his \"Sportlight\" series of short films produced by Jack Eaton: \"Aqua Rhythm,\" filmed in Wakulla Springs in 1941, \"Campus Mermaids,\" also filmed there in 1945, and \"Water Symphony,\" filmed in both Wakulla Springs and Cypress Gardens in 1953. The Florida Department of Commerce filmed the Tarpon performance \"A Dip in Dixie\" in 1964 to promote tourism in the State of Florida. Some Life Saving Corps and Tarpon Alumni continued their film roles. Corps member Martha Dent Perry served as the character Jane's stunt double in \"Tarzan's Secret Treasure\" filmed at Wakulla Springs in 1941, and Tarpon member Jean Knapp served as Jane's stunt double in \"Tarzan's New York Adventure,\" also filmed at Wakulla Springs in 1942. Tarpon Nancy Tribble served as an underwater double for actress Anne Blythe in the 1953 film \"Mr. Peabody and the Mermaid,\" and designed the famous mermaid logo for the mermaid attraction at Weekiwachee Springs with Sis Myers, another Tarpon alumna. Tarpon member Sherry Brown also swam in the chorus of the 1953 Esther Williams film \"Easy to Love.\" Another notable Tarpon alumna, 1943 FSCW graduate Nancy Kulp, starred in several television shows, films, and theater productions. Also of note is Katherine Rawls, a swimmer in the 1936 Corps and a two-time Olympic swimmer and diver in the 1932 and 1936 summer games. Rawls would go on to be a member of the Women's Auxiliary Ferrying Squadron (WAFS) during World War II.\u003c/p\u003e\n","\u003cp\u003eWhen the Club disbanded in 1994, it was the Nation's oldest continuously active collegiate swim group as well as the oldest club on the Florida State University campus.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Tarpon Club began during the early 1920s as the Florida State College for Women (FSCW) Life Saving Corps. The Life Saving Corps began holding exhibitions in the Montgomery Gym indoor pool demonstrating aquatic skills during the 1930's. These exhibitions featured form swimming, figure swimming, speed swimming, lifesaving techniques, diving, and canoe handling. In the spring of 1937, members of the Corps under the direction of Betty Washburn formed the Tarpon Club, choosing the tarpon fish as its mascot due to its reputation of being an acrobat of Florida waters. The club presented its first \"water pageant\" in the fall of that year featuring swimming stroke demonstrations and floating patterns performed with musical accompaniment. ","In 1938, the Tarpons initiated its first group of \"Minnows,\" or first year members, and established the tradition of requiring Minnows to participate in the club and improve their skills until they were judged eligible to become full-fledged Tarpons. The Club continued to perform at least one production per year, with each show containing a central theme, until its disbandment in 1994. During its long existence, the Tarpon Club garnered a number of awards and received invitations to perform at national and international aquatic exhibitions. The International Academy of Aquatic Art and the National Institute for Creative Aquatics recognized the Tarpons' skill through the years with numerous awards, and the club also received an award for its performance in the United States Synchronized Swimming Collegiate National Championships.","Notable sports writer Grantland Rice featured the Tarpon Club three times in his \"Sportlight\" series of short films produced by Jack Eaton: \"Aqua Rhythm,\" filmed in Wakulla Springs in 1941, \"Campus Mermaids,\" also filmed there in 1945, and \"Water Symphony,\" filmed in both Wakulla Springs and Cypress Gardens in 1953. The Florida Department of Commerce filmed the Tarpon performance \"A Dip in Dixie\" in 1964 to promote tourism in the State of Florida. Some Life Saving Corps and Tarpon Alumni continued their film roles. Corps member Martha Dent Perry served as the character Jane's stunt double in \"Tarzan's Secret Treasure\" filmed at Wakulla Springs in 1941, and Tarpon member Jean Knapp served as Jane's stunt double in \"Tarzan's New York Adventure,\" also filmed at Wakulla Springs in 1942. Tarpon Nancy Tribble served as an underwater double for actress Anne Blythe in the 1953 film \"Mr. Peabody and the Mermaid,\" and designed the famous mermaid logo for the mermaid attraction at Weekiwachee Springs with Sis Myers, another Tarpon alumna. Tarpon member Sherry Brown also swam in the chorus of the 1953 Esther Williams film \"Easy to Love.\" Another notable Tarpon alumna, 1943 FSCW graduate Nancy Kulp, starred in several television shows, films, and theater productions. Also of note is Katherine Rawls, a swimmer in the 1936 Corps and a two-time Olympic swimmer and diver in the 1932 and 1936 summer games. Rawls would go on to be a member of the Women's Auxiliary Ferrying Squadron (WAFS) during World War II.","When the Club disbanded in 1994, it was the Nation's oldest continuously active collegiate swim group as well as the oldest club on the Florida State University campus."],"phystech_html_tesm":["\u003cp\u003eTarpon Club Media in Series 8 consists of reel-to-reel films and tapes that are being assessed for preservation issues and are not currently available to researchers. They are located in off-site cold storage.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements"],"phystech_tesim":["Tarpon Club Media in Series 8 consists of reel-to-reel films and tapes that are being assessed for preservation issues and are not currently available to researchers. They are located in off-site cold storage."],"prefercite_html_tesm":["\u003cp\u003eFlorida State University Tarpon Club Collection, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2005-011\"\u003ehttp://purl.fcla.edu/fsu/MSS_2005-011\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Florida State University Tarpon Club Collection, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2005-011"],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Erin VanClay and Christine Bethke\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Erin VanClay and Christine Bethke"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State College for Women/Florida State University Tarpon Club Collection consists of club records documenting its administration and activities, such as minutes, constitutions, correspondence, and financial records; scripts; performance materials such as programs, publicity, and choreography notes; photographs; newspaper clippings, video recordings, scrapbooks, and club ephemera from its establishment to its disbandment, such as the first sketch for the Tarpon pin and 40th and 50th anniversary celebration guest books. \u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials from its founding group, the Florida State College for Women's Life Saving Corps (1931-1936), including programs from the first aquatic exhibitions put on by the Corps and materials documenting Montgomery Pool activities from 1932-1933.\u003c/p\u003e\n","\u003cp\u003eThe collection is valuable to researchers studying the history of U.S. synchronized swimming and collegiate synchronized swimming organizations, as well as the history of FSCW/FSU.\u003c/p\u003e","\u003cp\u003e\u003cli\u003ePhotographs: Select photographs from this collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:huaphotographcollection\"\u003eFSU Digital Library\u003c/extref\u003e as part of a larger photograph collection.\u003c/li\u003e\n\u003cli\u003eFilm: Select films from this collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:hpuamultimedia\"\u003eFSU Digital Library\u003c/extref\u003e as part of a larger A/V collection.\u003c/li\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Florida State College for Women/Florida State University Tarpon Club Collection consists of club records documenting its administration and activities, such as minutes, constitutions, correspondence, and financial records; scripts; performance materials such as programs, publicity, and choreography notes; photographs; newspaper clippings, video recordings, scrapbooks, and club ephemera from its establishment to its disbandment, such as the first sketch for the Tarpon pin and 40th and 50th anniversary celebration guest books. ","The collection also contains materials from its founding group, the Florida State College for Women's Life Saving Corps (1931-1936), including programs from the first aquatic exhibitions put on by the Corps and materials documenting Montgomery Pool activities from 1932-1933.","The collection is valuable to researchers studying the history of U.S. synchronized swimming and collegiate synchronized swimming organizations, as well as the history of FSCW/FSU.","Photographs: Select photographs from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection. Film: Select films from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger A/V collection."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ca614cc6ba779161ff510f91552553bd\" label=\"Abstract\"\u003eThe FSCW/FSU Tarpon Club Collection contains materials documenting the synchronized swimming team's activities and performances. Materials include club documents, photographs, choreography and scripts, newspaper clippings, video, alumni notes, as well as other ephemera documenting the organization's history.\u003c/abstract\u003e"],"abstract_tesim":["The FSCW/FSU Tarpon Club Collection contains materials documenting the synchronized swimming team's activities and performances. Materials include club documents, photographs, choreography and scripts, newspaper clippings, video, alumni notes, as well as other ephemera documenting the organization's history."],"names_coll_ssim":["Florida State College for Women--Lifesaving Corps","Tarpon Club","Montgomery, Katherine W. (Katherine Williams), 1894-1958","Washburn, Betty","Rice, Grantland, 1880-1954","Eaton, Jack, -1968","Norwood, Mary Lou","Crew, Alicia","Henning, Linda","McHugh, Donna","Rodin, Mark","Seminole Productions","Stoner, Janet"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--Lifesaving Corps","Tarpon Club","Montgomery, Katherine W. (Katherine Williams), 1894-1958","Washburn, Betty","Rice, Grantland, 1880-1954","Eaton, Jack, -1968","Norwood, Mary Lou","Crew, Alicia","Henning, Linda","McHugh, Donna","Rodin, Mark","Seminole Productions","Stoner, Janet"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--Lifesaving Corps","Tarpon Club"],"persname_ssim":["Montgomery, Katherine W. (Katherine Williams), 1894-1958","Washburn, Betty","Rice, Grantland, 1880-1954","Eaton, Jack, -1968","Norwood, Mary Lou","Crew, Alicia","Henning, Linda","McHugh, Donna","Rodin, Mark","Seminole Productions","Stoner, Janet"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"432c034c3a931471a77cd947","timestamp":"2026-07-09T10:15:30.509Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/432c034c3a931471a77cd947_aspace_185728"}},{"id":"0871d5e63fb28340688342ac_aspace_14095","type":"Subseries","attributes":{"title":"MP3 Audio Files, 2005, Undated.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0871d5e63fb28340688342ac_aspace_14095#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14095","ref_ssm":["aspace_14095","aspace_14095"],"id":"0871d5e63fb28340688342ac_aspace_14095","title_filing_ssi":"MP3 Audio Files","title_ssm":["MP3 Audio Files"],"title_tesim":["MP3 Audio Files"],"unitdate_other_ssim":["2005, Undated."],"normalized_date_ssm":["2005, Undated."],"normalized_title_ssm":["MP3 Audio Files, 2005, Undated."],"text":["MP3 Audio Files, 2005, Undated.","Bob Kealing Tupperware Collection, 1940-2006","Interviews, 2005-2006, Undated.","2","/repositories/4/archival_objects/30818"],"component_level_isim":[2],"parent_ids_ssim":["0871d5e63fb28340688342ac","0871d5e63fb28340688342ac_aspace_14081"],"parent_unittitles_ssm":["Bob Kealing Tupperware Collection, 1940-2006","Interviews, 2005-2006, Undated."],"parent_unittitles_tesim":["Bob Kealing Tupperware Collection, 1940-2006","Interviews, 2005-2006, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["2","/repositories/4/archival_objects/30818"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Bob Kealing Tupperware Collection, 1940-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":14,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#1","_nest_parent_":"0871d5e63fb28340688342ac_aspace_14081","_root_":"0871d5e63fb28340688342ac","_version_":1870857631786074112,"timestamp":"2026-07-16T08:01:13.085Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0871d5e63fb28340688342ac","title_ssm":["Bob Kealing Tupperware Collection"],"title_tesim":["Bob Kealing Tupperware Collection"],"ead_ssi":"0871d5e63fb28340688342ac","unitdate_ssm":["1940-2006"],"unitdate_inclusive_ssm":["1940-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.087","/repositories/4/resources/135"],"text":["SC.087","/repositories/4/resources/135","Bob Kealing Tupperware Collection, 1940-2006","Orlando (Fla.)","Plastic container industry -- United States -- History","Plastic tableware -- United States -- History","The entire collection is open for research.","This collection is arranged into three separate series by format.","Bob Kealing is a three-time Emmy Award winning reporter for WESH 2 News in Orlando, Florida. He is the author the book Kerouac in Florida: Where the Road Ends and co-founder of the Jack Kerouac Writers in Residence Project of Orlando. His nonprofit charity raised funds to purchase and renovate the historic house in which Kerouac lived in a rented room during 1957-58. The College Park home has been converted into a writers' retreat that hosts four writers-in-residence annually. Research materials for Kerouac in Florida are also available in UCF's Special Collections.","\nMr. Kealing also authored a highly-acclaimed book about Gram Parsons entitled, Calling Me Home: Gram Parsons and the Roots of Country Rock, which was published by the University Press of Florida in 2012. He is currently at work on his fourth entitled, Elvis in Florida 1955-61.","Collection processed by John Venecek; finding aid prepared by Suphi Burak Ogreten. All materials were put into pH neutral folders, pictures were sleeved, and the materials were housed in acid free archival boxes.","Tupperware, Unsealed: Brownie Wise, Earl Tupper, and the Home Party Pioneers. The book may be found in the library  Online Catalog .","\nKerouac in Florida: Where the Road Ends. The book may be found in the library  Online Catalog .","\nCalling me home: Gram Parsons and the roots of country rock. The book may be found in the library  Online Catalog .","\nFor more information regarding the Writer in Residence Program or the Kerouac House please see their  web site .","\nSmithsonian National Museum of American History:  Brownie Wise Papers .","Series I: Interviews, 2005-2006, Undated. Contains interview notes of Fred Dewitt, Esther Dulbar, Don Hinton, Part Jordan, Jack Mccullum, Gary McDonald, Elsie Mortland, Tony Ponticelli, and Jerry Wise.","\nSeries II: Research Materials, 1940-2006, Undated. Consists of business files, correspondence, legal documents, manuscripts, news clippings, publications, and speeches.","\nSeries III: Photographs, 2005, Undated. Series contains original photographs of Correspondence written to and by Brownie Wise, Earl S. Tupper, Tupperware Dealers, and Inter-Office Memos.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Bob Kealing Tupperware Collection contains interviews, news clippings, letters, legal documents, photographs, audio tapes, and research notes related to Kealing's book Tupperware, Unsealed: Brownie Wise, Earl Tupper, and the Home Party Pioneers. The book may be found in the Online Catalog.","UCF Special Collections","Tupperware Corporation","Kealing, Bob","Tupper, Earl Silas","Wise, Brownie","English"],"unitid_tesim":["SC.087","/repositories/4/resources/135"],"normalized_date_ssm":["1940-2006"],"normalized_title_ssm":["Bob Kealing Tupperware Collection, 1940-2006"],"collection_title_tesim":["Bob Kealing Tupperware Collection, 1940-2006"],"collection_ssim":["Bob Kealing Tupperware Collection, 1940-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Orlando (Fla.)"],"geogname_ssim":["Orlando (Fla.)"],"creator_ssm":["Kealing, Bob"],"creator_ssim":["Kealing, Bob"],"creator_persname_ssim":["Kealing, Bob"],"creators_ssim":["Kealing, Bob"],"places_ssim":["Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Bob Kealing donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2010 (CFM2010_03)."],"access_subjects_ssim":["Plastic container industry -- United States -- History","Plastic tableware -- United States -- History"],"access_subjects_ssm":["Plastic container industry -- United States -- History","Plastic tableware -- United States -- History"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet 3 Boxes"],"extent_tesim":["1.25 Linear Feet 3 Boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three separate series by format.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into three separate series by format."],"bioghist_html_tesm":["\u003cp\u003eBob Kealing is a three-time Emmy Award winning reporter for WESH 2 News in Orlando, Florida. He is the author the book Kerouac in Florida: Where the Road Ends and co-founder of the Jack Kerouac Writers in Residence Project of Orlando. His nonprofit charity raised funds to purchase and renovate the historic house in which Kerouac lived in a rented room during 1957-58. The College Park home has been converted into a writers' retreat that hosts four writers-in-residence annually. Research materials for Kerouac in Florida are also available in UCF's Special Collections.\u003c/p\u003e\n","\u003cp\u003e\nMr. Kealing also authored a highly-acclaimed book about Gram Parsons entitled, Calling Me Home: Gram Parsons and the Roots of Country Rock, which was published by the University Press of Florida in 2012. He is currently at work on his fourth entitled, Elvis in Florida 1955-61.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Bob Kealing is a three-time Emmy Award winning reporter for WESH 2 News in Orlando, Florida. He is the author the book Kerouac in Florida: Where the Road Ends and co-founder of the Jack Kerouac Writers in Residence Project of Orlando. His nonprofit charity raised funds to purchase and renovate the historic house in which Kerouac lived in a rented room during 1957-58. The College Park home has been converted into a writers' retreat that hosts four writers-in-residence annually. Research materials for Kerouac in Florida are also available in UCF's Special Collections.","\nMr. Kealing also authored a highly-acclaimed book about Gram Parsons entitled, Calling Me Home: Gram Parsons and the Roots of Country Rock, which was published by the University Press of Florida in 2012. He is currently at work on his fourth entitled, Elvis in Florida 1955-61."],"prefercite_html_tesm":["\u003cp\u003eBob Kealing Tupperware Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bob Kealing Tupperware Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by John Venecek; finding aid prepared by Suphi Burak Ogreten. All materials were put into pH neutral folders, pictures were sleeved, and the materials were housed in acid free archival boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by John Venecek; finding aid prepared by Suphi Burak Ogreten. All materials were put into pH neutral folders, pictures were sleeved, and the materials were housed in acid free archival boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eTupperware, Unsealed: Brownie Wise, Earl Tupper, and the Home Party Pioneers. The book may be found in the library \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990212831960306596\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003e\nKerouac in Florida: Where the Road Ends. The book may be found in the library \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990351567300306596\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003e\nCalling me home: Gram Parsons and the roots of country rock. The book may be found in the library \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990307433690306596\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003e\nFor more information regarding the Writer in Residence Program or the Kerouac House please see their \u003cextref href=\"http://kerouacproject.org/\"\u003eweb site\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003e\nSmithsonian National Museum of American History: \u003cextref href=\"https://sova.si.edu/record/NMAH.AC.0509\"\u003eBrownie Wise Papers\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Tupperware, Unsealed: Brownie Wise, Earl Tupper, and the Home Party Pioneers. The book may be found in the library  Online Catalog .","\nKerouac in Florida: Where the Road Ends. The book may be found in the library  Online Catalog .","\nCalling me home: Gram Parsons and the roots of country rock. The book may be found in the library  Online Catalog .","\nFor more information regarding the Writer in Residence Program or the Kerouac House please see their  web site .","\nSmithsonian National Museum of American History:  Brownie Wise Papers ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Interviews, 2005-2006, Undated. Contains interview notes of Fred Dewitt, Esther Dulbar, Don Hinton, Part Jordan, Jack Mccullum, Gary McDonald, Elsie Mortland, Tony Ponticelli, and Jerry Wise.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Materials, 1940-2006, Undated. Consists of business files, correspondence, legal documents, manuscripts, news clippings, publications, and speeches.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, 2005, Undated. Series contains original photographs of Correspondence written to and by Brownie Wise, Earl S. Tupper, Tupperware Dealers, and Inter-Office Memos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Interviews, 2005-2006, Undated. Contains interview notes of Fred Dewitt, Esther Dulbar, Don Hinton, Part Jordan, Jack Mccullum, Gary McDonald, Elsie Mortland, Tony Ponticelli, and Jerry Wise.","\nSeries II: Research Materials, 1940-2006, Undated. Consists of business files, correspondence, legal documents, manuscripts, news clippings, publications, and speeches.","\nSeries III: Photographs, 2005, Undated. Series contains original photographs of Correspondence written to and by Brownie Wise, Earl S. Tupper, Tupperware Dealers, and Inter-Office Memos."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_07307e2faeaa6ca897408c182b2d7816\" label=\"Abstract\"\u003eThe Bob Kealing Tupperware Collection contains interviews, news clippings, letters, legal documents, photographs, audio tapes, and research notes related to Kealing's book Tupperware, Unsealed: Brownie Wise, Earl Tupper, and the Home Party Pioneers. The book may be found in the Online Catalog.\u003c/abstract\u003e"],"abstract_tesim":["The Bob Kealing Tupperware Collection contains interviews, news clippings, letters, legal documents, photographs, audio tapes, and research notes related to Kealing's book Tupperware, Unsealed: Brownie Wise, Earl Tupper, and the Home Party Pioneers. The book may be found in the Online Catalog."],"names_coll_ssim":["Tupperware Corporation","Tupper, Earl Silas","Wise, Brownie"],"names_ssim":["UCF Special Collections","Tupperware Corporation","Kealing, Bob","Tupper, Earl Silas","Wise, Brownie"],"corpname_ssim":["UCF Special Collections","Tupperware Corporation"],"persname_ssim":["Kealing, Bob","Tupper, Earl Silas","Wise, Brownie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":136,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857631786074112,"_root_":"0871d5e63fb28340688342ac","timestamp":"2026-07-16T08:01:13.085Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0871d5e63fb28340688342ac_aspace_14095"}},{"id":"aefc836666e464e90df34753_aspace_aeb847c7a092b77dac985d3dc768d35a","type":"Subseries","attributes":{"title":"Mrs. Francis P. Fleming (Florida Lydia), 1879-04-26-1909-04-08","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aefc836666e464e90df34753_aspace_aeb847c7a092b77dac985d3dc768d35a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_aeb847c7a092b77dac985d3dc768d35a","ref_ssm":["aspace_aeb847c7a092b77dac985d3dc768d35a","aspace_aeb847c7a092b77dac985d3dc768d35a"],"id":"aefc836666e464e90df34753_aspace_aeb847c7a092b77dac985d3dc768d35a","title_filing_ssi":"Mrs. Francis P. Fleming (Florida Lydia)","title_ssm":["Mrs. Francis P. Fleming (Florida Lydia)"],"title_tesim":["Mrs. Francis P. Fleming (Florida Lydia)"],"unitdate_inclusive_ssm":["1879-04-26-1909-04-08"],"normalized_date_ssm":["1879-04-26-1909-04-08"],"normalized_title_ssm":["Mrs. Francis P. Fleming (Florida Lydia), 1879-04-26-1909-04-08"],"text":["Mrs. Francis P. Fleming (Florida Lydia), 1879-04-26-1909-04-08","Fleming Family Papers, 1879-1930","Family Correspondence, 1879-1930","/repositories/3/archival_objects/8184","box 1","box 2"],"component_level_isim":[2],"parent_ids_ssim":["aefc836666e464e90df34753","aefc836666e464e90df34753_aspace_2cd9e2ebc89803f9aea2fd0663a1f8e2"],"parent_unittitles_ssm":["Fleming Family Papers, 1879-1930","Family Correspondence, 1879-1930"],"parent_unittitles_tesim":["Fleming Family Papers, 1879-1930","Family Correspondence, 1879-1930"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/8184"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Fleming Family Papers, 1879-1930"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":20,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909],"containers_ssim":["box 1","box 2"],"_nest_path_":"/components#0/components#2","_nest_parent_":"aefc836666e464e90df34753_aspace_2cd9e2ebc89803f9aea2fd0663a1f8e2","_root_":"aefc836666e464e90df34753","_version_":1870860528021143552,"timestamp":"2026-07-16T08:47:15.151Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aefc836666e464e90df34753","title_ssm":["Fleming Family Papers"],"title_tesim":["Fleming Family Papers"],"ead_ssi":"aefc836666e464e90df34753","unitdate_ssm":["1879-1930"],"unitdate_inclusive_ssm":["1879-1930"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2002.003","/repositories/3/resources/40"],"text":["2002.003","/repositories/3/resources/40","Fleming Family Papers, 1879-1930","Jacksonville (Fla.)--Social life and customs--20th century.","United States--History--Civil War, 1861-1865.","Fleming, Charles Seton, 1875-1937 -- Correspondence","Governors--Florida--Correspondence.","Landowners--Florida--History--19th century.","Plantations--Florida--Saint Augustine.","Fleming, Francis P. (Francis Philip), 1841-1908 -- Correspondence","Fleming, Elizabeth Legere, 1881-1941 -- Correspondence","Fleming, Francis P. (Francis Philip), Mrs., 1843-1932 -- Correspondence","Hamilton, Frank Percival, 1881-1943 -- Correspondence","Printed materials","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","The Fleming family were early Northeast Florida settlers. George Fleming came to Florida, via Charleston, South Carolina, from Ireland ca. 1785 and became a large landowner after receiving a number of grants of land from the Spanish government. ","In 1791, he married Sophia Fatio, daughter of a St. Johns River planter, Francis Fatio. The Fleming family grew to one daughter, Mary, and two sons, Lewis and George, Jr. They resided in St. Augustine and at their St. Johns River plantation, Hibernia, on Fleming Island.","Francis Philip Fleming, son of Lewis and his second wife Margaret Seton, was born in 1841 in Panama Park, Duval County. In 1861, he joined the Second Florida infantry and served in the Civil War armies of Gens. Magruder, Johnston, Hood, and Lee. After the war, he studied law, was admitted to the Florida Bar in 1868, and became a partner in the Jacksonville law firm, Fleming and Daniel (later Fleming and Fleming)","In 1871, Francis Fleming married Floride Lydia Pearson, daughter of Bird M. Pearson, justice of the Florida Supreme Court. They had two sons, Francis P. Jr. and Charles Seton Fleming, and one daughter, Elizabeth.","With law and politics as his primary interests, Fleming became a noted civic leader in Jacksonville, with increasing activities in state politics as a member of the Democratic executive committee. In 1888, after an arduous gubernatorial campaign during the Yellow Fever epidemic, he defeated the Republican candidate V. J. Shipman. Fleming served as Governor of Florida from 1889 until 1893, the single term then allowed by law.","Notable issues and developments during his gubernatorial tenure included the creation of a State Board of Health in 1889, the repeal of the Florida Railroad Commission, attempts at higher education reorganization, adjustment of state revenues, the Farmers' Alliance movement, and the 1891 re-election controversy regarding U.S. Senator Wilkinson Call.","After retiring from politics in 1893, Fleming continued to practice law in Jacksonville and developed a strong interest in Floridiana and local history. He edited a two volume work by Rowland Rerick, Memoirs of Florida, helped to incorporate the Florida Historical Society in 1905, contributed several articles to the Society's Quarterly, and became the Society's President in 1907.","After a long illness, Francis Philip Fleming died on December 20, 1908.","After their father's death, his sons, Francis P. Jr. and Charles Seton, continued the family's law practice. ","Charles and Elizabeth Fleming also became active in the Florida Historical Society. Charles Fleming contributed articles and served as the Society's Director and Vice-President in 1924-25.","The collection consists of the personal correspondence of Fleming Family members and other correspondents circa 1879-1930. ","Most of the letters are incoming correspondence from relatives and friends to the Francis Philip Fleming family members. The core of the collection are condolence letters sent to Mrs. Francis P. Fleming, wife of the Governor, after his death on December 20, 1908.","There are only two letters in the collection from the Governor, sent to his vacationing wife in 1881. These letters are included in Mrs. Fleming's correspondence. Other Fleming family members represented in the collection are daughter Elizabeth, son Seton, and son-in-law Frank P. Hamilton.","One letter written by Frank Hamilton in 1908 is of special interest for it's glimpse of life in Jacksonville in the early twentieth century. As a newcomer to Florida and recently hired associate of the Fleming law firm, Hamilton relates his personal observations of the Fleming Family and eyewitness accounts of the bustling activity and renewed vitality of the city, only seven years after the Great Jacksonville Fire of 1901. Hamilton later married Elizabeth Fleming, daughter of the Governor.","All items are originals. Most letters are legible, with the letters from the late 1800's partially fading. Typed transcriptions of selected letters available.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Fleming and Daniel (Firm)","English"],"unitid_tesim":["2002.003","/repositories/3/resources/40"],"normalized_date_ssm":["1879-1930"],"normalized_title_ssm":["Fleming Family Papers, 1879-1930"],"collection_title_tesim":["Fleming Family Papers, 1879-1930"],"collection_ssim":["Fleming Family Papers, 1879-1930"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Jacksonville (Fla.)--Social life and customs--20th century.","United States--History--Civil War, 1861-1865."],"geogname_ssim":["Jacksonville (Fla.)--Social life and customs--20th century.","United States--History--Civil War, 1861-1865."],"places_ssim":["Jacksonville (Fla.)--Social life and customs--20th century.","United States--History--Civil War, 1861-1865."],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The materials were acquired by UNF Library Special Collections and University Archives in 2002"],"access_subjects_ssim":["Fleming, Charles Seton, 1875-1937 -- Correspondence","Governors--Florida--Correspondence.","Landowners--Florida--History--19th century.","Plantations--Florida--Saint Augustine.","Fleming, Francis P. (Francis Philip), 1841-1908 -- Correspondence","Fleming, Elizabeth Legere, 1881-1941 -- Correspondence","Fleming, Francis P. (Francis Philip), Mrs., 1843-1932 -- Correspondence","Hamilton, Frank Percival, 1881-1943 -- Correspondence","Printed materials"],"access_subjects_ssm":["Fleming, Charles Seton, 1875-1937 -- Correspondence","Governors--Florida--Correspondence.","Landowners--Florida--History--19th century.","Plantations--Florida--Saint Augustine.","Fleming, Francis P. (Francis Philip), 1841-1908 -- Correspondence","Fleming, Elizabeth Legere, 1881-1941 -- Correspondence","Fleming, Francis P. 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Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThe Fleming family were early Northeast Florida settlers. George Fleming came to Florida, via Charleston, South Carolina, from Ireland ca. 1785 and became a large landowner after receiving a number of grants of land from the Spanish government. \u003c/p\u003e\n","\u003cp\u003eIn 1791, he married Sophia Fatio, daughter of a St. Johns River planter, Francis Fatio. The Fleming family grew to one daughter, Mary, and two sons, Lewis and George, Jr. They resided in St. Augustine and at their St. Johns River plantation, Hibernia, on Fleming Island.\u003c/p\u003e\n","\u003cp\u003eFrancis Philip Fleming, son of Lewis and his second wife Margaret Seton, was born in 1841 in Panama Park, Duval County. In 1861, he joined the Second Florida infantry and served in the Civil War armies of Gens. Magruder, Johnston, Hood, and Lee. After the war, he studied law, was admitted to the Florida Bar in 1868, and became a partner in the Jacksonville law firm, Fleming and Daniel (later Fleming and Fleming)\u003c/p\u003e\n","\u003cp\u003eIn 1871, Francis Fleming married Floride Lydia Pearson, daughter of Bird M. Pearson, justice of the Florida Supreme Court. They had two sons, Francis P. Jr. and Charles Seton Fleming, and one daughter, Elizabeth.\u003c/p\u003e\n","\u003cp\u003eWith law and politics as his primary interests, Fleming became a noted civic leader in Jacksonville, with increasing activities in state politics as a member of the Democratic executive committee. In 1888, after an arduous gubernatorial campaign during the Yellow Fever epidemic, he defeated the Republican candidate V. J. Shipman. Fleming served as Governor of Florida from 1889 until 1893, the single term then allowed by law.\u003c/p\u003e\n","\u003cp\u003eNotable issues and developments during his gubernatorial tenure included the creation of a State Board of Health in 1889, the repeal of the Florida Railroad Commission, attempts at higher education reorganization, adjustment of state revenues, the Farmers' Alliance movement, and the 1891 re-election controversy regarding U.S. Senator Wilkinson Call.\u003c/p\u003e\n","\u003cp\u003eAfter retiring from politics in 1893, Fleming continued to practice law in Jacksonville and developed a strong interest in Floridiana and local history. He edited a two volume work by Rowland Rerick, Memoirs of Florida, helped to incorporate the Florida Historical Society in 1905, contributed several articles to the Society's Quarterly, and became the Society's President in 1907.\u003c/p\u003e\n","\u003cp\u003eAfter a long illness, Francis Philip Fleming died on December 20, 1908.\u003c/p\u003e\n","\u003cp\u003eAfter their father's death, his sons, Francis P. Jr. and Charles Seton, continued the family's law practice. \u003c/p\u003e\n","\u003cp\u003eCharles and Elizabeth Fleming also became active in the Florida Historical Society. Charles Fleming contributed articles and served as the Society's Director and Vice-President in 1924-25.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Fleming family were early Northeast Florida settlers. George Fleming came to Florida, via Charleston, South Carolina, from Ireland ca. 1785 and became a large landowner after receiving a number of grants of land from the Spanish government. ","In 1791, he married Sophia Fatio, daughter of a St. Johns River planter, Francis Fatio. The Fleming family grew to one daughter, Mary, and two sons, Lewis and George, Jr. They resided in St. Augustine and at their St. Johns River plantation, Hibernia, on Fleming Island.","Francis Philip Fleming, son of Lewis and his second wife Margaret Seton, was born in 1841 in Panama Park, Duval County. In 1861, he joined the Second Florida infantry and served in the Civil War armies of Gens. Magruder, Johnston, Hood, and Lee. After the war, he studied law, was admitted to the Florida Bar in 1868, and became a partner in the Jacksonville law firm, Fleming and Daniel (later Fleming and Fleming)","In 1871, Francis Fleming married Floride Lydia Pearson, daughter of Bird M. Pearson, justice of the Florida Supreme Court. They had two sons, Francis P. Jr. and Charles Seton Fleming, and one daughter, Elizabeth.","With law and politics as his primary interests, Fleming became a noted civic leader in Jacksonville, with increasing activities in state politics as a member of the Democratic executive committee. In 1888, after an arduous gubernatorial campaign during the Yellow Fever epidemic, he defeated the Republican candidate V. J. Shipman. Fleming served as Governor of Florida from 1889 until 1893, the single term then allowed by law.","Notable issues and developments during his gubernatorial tenure included the creation of a State Board of Health in 1889, the repeal of the Florida Railroad Commission, attempts at higher education reorganization, adjustment of state revenues, the Farmers' Alliance movement, and the 1891 re-election controversy regarding U.S. Senator Wilkinson Call.","After retiring from politics in 1893, Fleming continued to practice law in Jacksonville and developed a strong interest in Floridiana and local history. He edited a two volume work by Rowland Rerick, Memoirs of Florida, helped to incorporate the Florida Historical Society in 1905, contributed several articles to the Society's Quarterly, and became the Society's President in 1907.","After a long illness, Francis Philip Fleming died on December 20, 1908.","After their father's death, his sons, Francis P. Jr. and Charles Seton, continued the family's law practice. ","Charles and Elizabeth Fleming also became active in the Florida Historical Society. Charles Fleming contributed articles and served as the Society's Director and Vice-President in 1924-25."],"prefercite_html_tesm":["\u003cp\u003eFleming Family Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida\u003c/p\u003e"],"prefercite_tesim":["Fleming Family Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of the personal correspondence of Fleming Family members and other correspondents circa 1879-1930. \u003c/p\u003e\n","\u003cp\u003eMost of the letters are incoming correspondence from relatives and friends to the Francis Philip Fleming family members. The core of the collection are condolence letters sent to Mrs. Francis P. Fleming, wife of the Governor, after his death on December 20, 1908.\u003c/p\u003e\n","\u003cp\u003eThere are only two letters in the collection from the Governor, sent to his vacationing wife in 1881. These letters are included in Mrs. Fleming's correspondence. Other Fleming family members represented in the collection are daughter Elizabeth, son Seton, and son-in-law Frank P. Hamilton.\u003c/p\u003e\n","\u003cp\u003eOne letter written by Frank Hamilton in 1908 is of special interest for it's glimpse of life in Jacksonville in the early twentieth century. As a newcomer to Florida and recently hired associate of the Fleming law firm, Hamilton relates his personal observations of the Fleming Family and eyewitness accounts of the bustling activity and renewed vitality of the city, only seven years after the Great Jacksonville Fire of 1901. Hamilton later married Elizabeth Fleming, daughter of the Governor.\u003c/p\u003e\n","\u003cp\u003eAll items are originals. Most letters are legible, with the letters from the late 1800's partially fading. Typed transcriptions of selected letters available.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of the personal correspondence of Fleming Family members and other correspondents circa 1879-1930. ","Most of the letters are incoming correspondence from relatives and friends to the Francis Philip Fleming family members. The core of the collection are condolence letters sent to Mrs. Francis P. Fleming, wife of the Governor, after his death on December 20, 1908.","There are only two letters in the collection from the Governor, sent to his vacationing wife in 1881. These letters are included in Mrs. Fleming's correspondence. Other Fleming family members represented in the collection are daughter Elizabeth, son Seton, and son-in-law Frank P. Hamilton.","One letter written by Frank Hamilton in 1908 is of special interest for it's glimpse of life in Jacksonville in the early twentieth century. As a newcomer to Florida and recently hired associate of the Fleming law firm, Hamilton relates his personal observations of the Fleming Family and eyewitness accounts of the bustling activity and renewed vitality of the city, only seven years after the Great Jacksonville Fire of 1901. Hamilton later married Elizabeth Fleming, daughter of the Governor.","All items are originals. Most letters are legible, with the letters from the late 1800's partially fading. Typed transcriptions of selected letters available."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_coll_ssim":["Fleming and Daniel (Firm)"],"names_ssim":["UNF Library Special Collections and University Archives","Fleming and Daniel (Firm)"],"corpname_ssim":["UNF Library Special Collections and University Archives","Fleming and Daniel (Firm)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860528021143552,"_root_":"aefc836666e464e90df34753","timestamp":"2026-07-16T08:47:15.151Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aefc836666e464e90df34753_aspace_aeb847c7a092b77dac985d3dc768d35a"}},{"id":"4fe09d962b75e83b95c3753b_aspace_37506","type":"Subseries","attributes":{"title":"Mrs. Fuller Warren's (maiden: Barbara Jean Manning) Files, 1948-1958","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4fe09d962b75e83b95c3753b_aspace_37506#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37506","ref_ssm":["aspace_37506","aspace_37506"],"id":"4fe09d962b75e83b95c3753b_aspace_37506","title_filing_ssi":"Mrs. Fuller Warren's (maiden: Barbara Jean Manning) Files","title_ssm":["Mrs. Fuller Warren's (maiden: Barbara Jean Manning) Files"],"title_tesim":["Mrs. Fuller Warren's (maiden: Barbara Jean Manning) Files"],"unitdate_other_ssim":["1948-1958"],"normalized_date_ssm":["1948-1958"],"normalized_title_ssm":["Mrs. Fuller Warren's (maiden: Barbara Jean Manning) Files, 1948-1958"],"text":["Mrs. Fuller Warren's (maiden: Barbara Jean Manning) Files, 1948-1958","Fuller Warren Papers, 1927-1973","Personal Papers, 1927-1969","Sub-Series 11","/repositories/10/archival_objects/123767","box 114"],"component_level_isim":[2],"parent_ids_ssim":["4fe09d962b75e83b95c3753b","4fe09d962b75e83b95c3753b_aspace_32951"],"parent_unittitles_ssm":["Fuller Warren Papers, 1927-1973","Personal Papers, 1927-1969"],"parent_unittitles_tesim":["Fuller Warren Papers, 1927-1973","Personal Papers, 1927-1969"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 11","/repositories/10/archival_objects/123767"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Fuller Warren Papers, 1927-1973"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1165,"parent_access_restrict_tesm":["Users may access this collection at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 114"],"_nest_path_":"/components#1/components#10","_nest_parent_":"4fe09d962b75e83b95c3753b_aspace_32951","_root_":"4fe09d962b75e83b95c3753b","_version_":1870859458195750912,"timestamp":"2026-07-16T08:30:14.868Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4fe09d962b75e83b95c3753b","title_ssm":["Fuller Warren Papers"],"title_tesim":["Fuller Warren Papers"],"ead_ssi":"4fe09d962b75e83b95c3753b","unitdate_ssm":["1927-1973"],"unitdate_inclusive_ssm":["1927-1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 0-257","/repositories/10/resources/749"],"text":["MSS 0-257","/repositories/10/resources/749","Fuller Warren Papers, 1927-1973","Contemporary Florida, 1960-","The Post War Florida, 1945-1960","Florida--Politics and government","Florida--Politics and government--1951-","Users may access this collection at the Claude Pepper Library.","The Fuller Warren Papers are divided into two series: Official Papers and Personal Papers. There are several subseries contained within the two series.","Fuller Warren, the thirtieth Governor of Florida (January 4, 1949-January 6, 1953), was born in Blountstown, 45 miles west of Tallahassee on October 3, 1905. He was the third of seven children of Charles and Grace (nee Fuller) Warren.\n The father's death and the family purse did not permit the pampering of any of the Warren youngsters. When Fuller was eight, he was hired out to a neighboring farmer as a cotton picker at 75 cents a week and room and board. Later, he drove a cart in a saw mill, \"hauling away enough sawdust to dam up the Mississippi River\", went to sea as a steward on a passenger ship, sold Bibles in the Alabama mountains, labored in a livery stable, toted chain in a survey party, dipped cattle, and grew two crops as a farmer.\n Fuller Warren developed an early interest in politics, running for his first office, that of a page in the State Legislature, at the age of thirteen. Warren attended the University of Florida where he helped earn his way by waiting on tables. He also found time to be a cheerleader, to serve as sophomore class president, and to participate actively in debating, 2 boxing, and writing for \"The Alligator\", the university newspaper. Still a student at the University of Florida, Warren was elected to the House of Representatives from Calhoun County, serving in the 1927 session at the age of 21. He was a junior and had to get a leave of absence from the University.\n Warren received his law degree from Cumberland University, Lebanon, Tennessee, in 1929, was admitted to the Florida bar, and began to practice law in Jacksonville. He served three terms in the Jacksonville City Council 1931-37, where he became known for his \"silver-tongued oratory\" and immaculate white suits. In 1939 he was elected to the House of Representatives. In 1940 at the age of 35 he ran unsuccessfully for Governor, coming in third after Spessard Holland and Francis Whitehair. During World War II, Warren served 26 months as a Navy gunnery officer in Italy and North Africa, crossing the Atlantic 20 times.\n Fuller Warren wrote three books,  Eruptions of Eloquence , 1932;  Speaking of Speaking , 1944; and  How to Win in Politics , 1949, with Allen Morris. He also wrote a weekly newspaper column \"Facts and Figures\" f'rom 1940 to 1948, and was a perpetual writer of letters-to-the-editor.\n The highlights of Fuller Warren's administration were: the passing of the fencing law - banning livestock from roaming Florida's highways; the passing of the \"taste-test\" citrus code which prevented unripe fruit from going on the market, damaging the reputation of Florida citrus; the initiation of a model reforestation program; and the preliminary planning for the Florida Turnpike. Warren's administration also got the Jacksonville Expressway system under way and arranged the financing and construction of the Sunshine Skyway at St. Petersburg.\n Governor Warren made speaking tours all over the United States and in Latin American nations to recruit tourists and to invite new industries to locate in Florida.\n After serving as Governor, Fuller Warren moved to Miami and practiced law there until his death, September 23, 1973. He ran again for Governor in 1956 and was thoroughly defeated, coming in fourth in a race led by LeRoy Collins. Though he did not hold public office after 1953, government and politics remained his primary interest until the very end.\n There were few state or national issues during his lifetime which failed to get a public going-over by Fuller Warren, through speeches, letters-to-the-editor, or press releasesÂ. His colorful and energetic prose could be pointed and courteous at the same time. One newspaper columnist, with whom Warren took issue, wrote, \"A chiding letter fromFuller Warren remains more eloquent than agreement from anybody else.\"\n Warren never ignored a charge or a slur by the press, however slight. His counter attacks were immediate and in the strongest language barring blasphemy. He was ever prepared to \"set the record straight.\" If a newspaper would not print his letters in full, he would publicize what he had to say by press release, paid advertisement, or printed handout.\n Always controversial, Fuller Warren had many friends and many enemies. The latter found fault with practically everything he did and referred to his \"Southern-fried inanities. \" His friends saw him as a \"big-hearted guy\", one of the fairest and most conscientious men in the world and believed that most of his difficulties stemmed from these admirable traits.\n It seems that everyone who knew Fuller Warren would agree that, whatever else he was, he was colorful: as a political figure and as a private person. Herb Rau, columnist for the  Miami News  said in 1973, \"Fuller is an off-the- cuff spellbinder, whose ad lib virtuosity cannot be matched even by Senator Sam the Bible-quoting maestro of the Watergate hearings.\"","Papers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida.","All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library.","FSU Special Collections \u0026 Archives","Warren, Fuller","Kefauver, Estes","English"],"unitid_tesim":["MSS 0-257","/repositories/10/resources/749"],"normalized_date_ssm":["1927-1973"],"normalized_title_ssm":["Fuller Warren Papers, 1927-1973"],"collection_title_tesim":["Fuller Warren Papers, 1927-1973"],"collection_ssim":["Fuller Warren Papers, 1927-1973"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Warren, Fuller","Kefauver, Estes"],"creator_ssim":["Warren, Fuller","Kefauver, Estes"],"creator_persname_ssim":["Warren, Fuller","Kefauver, Estes"],"creators_ssim":["Warren, Fuller","Kefauver, Estes"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Contemporary Florida, 1960-","The Post War Florida, 1945-1960","Florida--Politics and government","Florida--Politics and government--1951-"],"access_subjects_ssm":["Contemporary Florida, 1960-","The Post War Florida, 1945-1960","Florida--Politics and government","Florida--Politics and government--1951-"],"has_online_content_ssim":["false"],"extent_ssm":["60900.00 items"],"extent_tesim":["60900.00 items"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Users may access this collection at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eThe Fuller Warren Papers are divided into two series: Official Papers and Personal Papers. There are several subseries contained within the two series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Fuller Warren Papers are divided into two series: Official Papers and Personal Papers. There are several subseries contained within the two series."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Fuller Warren, the thirtieth Governor of Florida (January 4, 1949-January 6, 1953), was born in Blountstown, 45 miles west of Tallahassee on October 3, 1905. He was the third of seven children of Charles and Grace (nee Fuller) Warren.\n The father's death and the family purse did not permit the pampering of any of the Warren youngsters. When Fuller was eight, he was hired out to a neighboring farmer as a cotton picker at 75 cents a week and room and board. Later, he drove a cart in a saw mill, \"hauling away enough sawdust to dam up the Mississippi River\", went to sea as a steward on a passenger ship, sold Bibles in the Alabama mountains, labored in a livery stable, toted chain in a survey party, dipped cattle, and grew two crops as a farmer.\n Fuller Warren developed an early interest in politics, running for his first office, that of a page in the State Legislature, at the age of thirteen. Warren attended the University of Florida where he helped earn his way by waiting on tables. He also found time to be a cheerleader, to serve as sophomore class president, and to participate actively in debating, 2 boxing, and writing for \"The Alligator\", the university newspaper. Still a student at the University of Florida, Warren was elected to the House of Representatives from Calhoun County, serving in the 1927 session at the age of 21. He was a junior and had to get a leave of absence from the University.\n Warren received his law degree from Cumberland University, Lebanon, Tennessee, in 1929, was admitted to the Florida bar, and began to practice law in Jacksonville. He served three terms in the Jacksonville City Council 1931-37, where he became known for his \"silver-tongued oratory\" and immaculate white suits. In 1939 he was elected to the House of Representatives. In 1940 at the age of 35 he ran unsuccessfully for Governor, coming in third after Spessard Holland and Francis Whitehair. During World War II, Warren served 26 months as a Navy gunnery officer in Italy and North Africa, crossing the Atlantic 20 times.\n Fuller Warren wrote three books,  Eruptions of Eloquence , 1932;  Speaking of Speaking , 1944; and  How to Win in Politics , 1949, with Allen Morris. He also wrote a weekly newspaper column \"Facts and Figures\" f'rom 1940 to 1948, and was a perpetual writer of letters-to-the-editor.\n The highlights of Fuller Warren's administration were: the passing of the fencing law - banning livestock from roaming Florida's highways; the passing of the \"taste-test\" citrus code which prevented unripe fruit from going on the market, damaging the reputation of Florida citrus; the initiation of a model reforestation program; and the preliminary planning for the Florida Turnpike. Warren's administration also got the Jacksonville Expressway system under way and arranged the financing and construction of the Sunshine Skyway at St. Petersburg.\n Governor Warren made speaking tours all over the United States and in Latin American nations to recruit tourists and to invite new industries to locate in Florida.\n After serving as Governor, Fuller Warren moved to Miami and practiced law there until his death, September 23, 1973. He ran again for Governor in 1956 and was thoroughly defeated, coming in fourth in a race led by LeRoy Collins. Though he did not hold public office after 1953, government and politics remained his primary interest until the very end.\n There were few state or national issues during his lifetime which failed to get a public going-over by Fuller Warren, through speeches, letters-to-the-editor, or press releasesÂ. His colorful and energetic prose could be pointed and courteous at the same time. One newspaper columnist, with whom Warren took issue, wrote, \"A chiding letter fromFuller Warren remains more eloquent than agreement from anybody else.\"\n Warren never ignored a charge or a slur by the press, however slight. His counter attacks were immediate and in the strongest language barring blasphemy. He was ever prepared to \"set the record straight.\" If a newspaper would not print his letters in full, he would publicize what he had to say by press release, paid advertisement, or printed handout.\n Always controversial, Fuller Warren had many friends and many enemies. The latter found fault with practically everything he did and referred to his \"Southern-fried inanities. \" His friends saw him as a \"big-hearted guy\", one of the fairest and most conscientious men in the world and believed that most of his difficulties stemmed from these admirable traits.\n It seems that everyone who knew Fuller Warren would agree that, whatever else he was, he was colorful: as a political figure and as a private person. Herb Rau, columnist for the  Miami News  said in 1973, \"Fuller is an off-the- cuff spellbinder, whose ad lib virtuosity cannot be matched even by Senator Sam the Bible-quoting maestro of the Watergate hearings.\""],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Fuller Warren papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2004-001\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Fuller Warren papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2004-001"],"scopecontent_html_tesm":["\u003cp\u003ePapers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers, books, photographs, memorabilia, correspondence, speeches and scrapbooks. This collection consists mainly of papers connected with Fuller Warren's public life: his campaigns of 1948 and 1956, and particularly the four years he was Governor, from January 4, 1949, to January 6, 1953. One of the best documented areas in the collection deals with Warren's controversy with Senator Estes Kefauver over crime in Florida."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1767bfdb5b7d78379e7b18c213229740\"\u003eClaude Pepper Library.\u003c/physloc\u003e"],"physloc_tesim":["Claude Pepper Library."],"names_ssim":["FSU Special Collections \u0026 Archives","Warren, Fuller","Kefauver, Estes"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Warren, Fuller","Kefauver, Estes"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1500,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859458195750912,"_root_":"4fe09d962b75e83b95c3753b","timestamp":"2026-07-16T08:30:14.868Z","bioghist_html_tesm":["\u003cp\u003eFuller Warren, the thirtieth Governor of Florida (January 4, 1949-January 6, 1953), was born in Blountstown, 45 miles west of Tallahassee on October 3, 1905. He was the third of seven children of Charles and Grace (nee Fuller) Warren.\n\u003cbr\u003e\u003cbr\u003eThe father's death and the family purse did not permit the pampering of any of the Warren youngsters. When Fuller was eight, he was hired out to a neighboring farmer as a cotton picker at 75 cents a week and room and board. Later, he drove a cart in a saw mill, \"hauling away enough sawdust to dam up the Mississippi River\", went to sea as a steward on a passenger ship, sold Bibles in the Alabama mountains, labored in a livery stable, toted chain in a survey party, dipped cattle, and grew two crops as a farmer.\n\u003cbr\u003e\u003cbr\u003eFuller Warren developed an early interest in politics, running for his first office, that of a page in the State Legislature, at the age of thirteen. Warren attended the University of Florida where he helped earn his way by waiting on tables. He also found time to be a cheerleader, to serve as sophomore class president, and to participate actively in debating, 2 boxing, and writing for \"The Alligator\", the university newspaper. Still a student at the University of Florida, Warren was elected to the House of Representatives from Calhoun County, serving in the 1927 session at the age of 21. He was a junior and had to get a leave of absence from the University.\n\u003cbr\u003e\u003cbr\u003eWarren received his law degree from Cumberland University, Lebanon, Tennessee, in 1929, was admitted to the Florida bar, and began to practice law in Jacksonville. He served three terms in the Jacksonville City Council 1931-37, where he became known for his \"silver-tongued oratory\" and immaculate white suits. In 1939 he was elected to the House of Representatives. In 1940 at the age of 35 he ran unsuccessfully for Governor, coming in third after Spessard Holland and Francis Whitehair. During World War II, Warren served 26 months as a Navy gunnery officer in Italy and North Africa, crossing the Atlantic 20 times.\n\u003cbr\u003e\u003cbr\u003eFuller Warren wrote three books, \u003cemph render=\"underline\"\u003eEruptions of Eloquence\u003c/emph\u003e, 1932; \u003cemph render=\"underline\"\u003eSpeaking of Speaking\u003c/emph\u003e, 1944; and \u003cemph render=\"underline\"\u003eHow to Win in Politics\u003c/emph\u003e, 1949, with Allen Morris. He also wrote a weekly newspaper column \"Facts and Figures\" f'rom 1940 to 1948, and was a perpetual writer of letters-to-the-editor.\n\u003cbr\u003e\u003cbr\u003eThe highlights of Fuller Warren's administration were: the passing of the fencing law - banning livestock from roaming Florida's highways; the passing of the \"taste-test\" citrus code which prevented unripe fruit from going on the market, damaging the reputation of Florida citrus; the initiation of a model reforestation program; and the preliminary planning for the Florida Turnpike. Warren's administration also got the Jacksonville Expressway system under way and arranged the financing and construction of the Sunshine Skyway at St. Petersburg.\n\u003cbr\u003e\u003cbr\u003eGovernor Warren made speaking tours all over the United States and in Latin American nations to recruit tourists and to invite new industries to locate in Florida.\n\u003cbr\u003e\u003cbr\u003eAfter serving as Governor, Fuller Warren moved to Miami and practiced law there until his death, September 23, 1973. He ran again for Governor in 1956 and was thoroughly defeated, coming in fourth in a race led by LeRoy Collins. Though he did not hold public office after 1953, government and politics remained his primary interest until the very end.\n\u003cbr\u003e\u003cbr\u003eThere were few state or national issues during his lifetime which failed to get a public going-over by Fuller Warren, through speeches, letters-to-the-editor, or press releases\u0026#xC2;. His colorful and energetic prose could be pointed and courteous at the same time. One newspaper columnist, with whom Warren took issue, wrote, \"A chiding letter fromFuller Warren remains more eloquent than agreement from anybody else.\"\n\u003cbr\u003e\u003cbr\u003eWarren never ignored a charge or a slur by the press, however slight. His counter attacks were immediate and in the strongest language barring blasphemy. He was ever prepared to \"set the record straight.\" If a newspaper would not print his letters in full, he would publicize what he had to say by press release, paid advertisement, or printed handout.\n\u003cbr\u003e\u003cbr\u003eAlways controversial, Fuller Warren had many friends and many enemies. The latter found fault with practically everything he did and referred to his \"Southern-fried inanities. \" His friends saw him as a \"big-hearted guy\", one of the fairest and most conscientious men in the world and believed that most of his difficulties stemmed from these admirable traits.\n\u003cbr\u003e\u003cbr\u003eIt seems that everyone who knew Fuller Warren would agree that, whatever else he was, he was colorful: as a political figure and as a private person. Herb Rau, columnist for the \u003cemph render=\"underline\"\u003eMiami News\u003c/emph\u003e said in 1973, \"Fuller is an off-the- cuff spellbinder, whose ad lib virtuosity cannot be matched even by Senator Sam the Bible-quoting maestro of the Watergate hearings.\"\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4fe09d962b75e83b95c3753b_aspace_37506"}},{"id":"2326334e5e159c8d459e96a3_aspace_37720","type":"Subseries","attributes":{"title":"Mr. T-Bones, 1988-1992, Undated.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37720#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37720","ref_ssm":["aspace_37720","aspace_37720"],"id":"2326334e5e159c8d459e96a3_aspace_37720","title_filing_ssi":"Mr. T-Bones","title_ssm":["Mr. T-Bones"],"title_tesim":["Mr. T-Bones"],"unitdate_other_ssim":["1988-1992, Undated."],"normalized_date_ssm":["1988-1992, Undated."],"normalized_title_ssm":["Mr. T-Bones, 1988-1992, Undated."],"text":["Mr. T-Bones, 1988-1992, Undated.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","Sub-Series 7","/repositories/4/archival_objects/2484"],"component_level_isim":[3],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37102"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 7","/repositories/4/archival_objects/2484"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":579,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#0/components#6","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37102","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37720"}},{"id":"2326334e5e159c8d459e96a3_aspace_37764","type":"Subseries","attributes":{"title":"Mr. Tibs, 1988-1992.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37764#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37764","ref_ssm":["aspace_37764","aspace_37764"],"id":"2326334e5e159c8d459e96a3_aspace_37764","title_filing_ssi":"Mr. Tibs","title_ssm":["Mr. Tibs"],"title_tesim":["Mr. Tibs"],"unitdate_other_ssim":["1988-1992."],"normalized_date_ssm":["1988-1992."],"normalized_title_ssm":["Mr. Tibs, 1988-1992."],"text":["Mr. Tibs, 1988-1992.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","Sub-Series 8","/repositories/4/archival_objects/2545"],"component_level_isim":[3],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37102"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 8","/repositories/4/archival_objects/2545"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":616,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#0/components#7","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37102","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37764"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":331},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","value":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jonas+and+Edna+Kamlet+%2F+Kamlet+Laboratories+records%2C+1913-1989%2C+Date+acquired%3A+00%2F00%2F2006\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"The Florida Citrus Mutual Minute Books, 1949-2011","value":"The Florida Citrus Mutual Minute Books, 1949-2011","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=The+Florida+Citrus+Mutual+Minute+Books%2C+1949-2011\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"FAU Student Newspapers Collection, 1964 - 2017","value":"FAU Student Newspapers Collection, 1964 - 2017","hits":121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=FAU+Student+Newspapers+Collection%2C+1964+-+2017\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Florida Photograph collection, bulk 1883-1977","value":"Florida Photograph collection, bulk 1883-1977","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Photograph+collection%2C+bulk+1883-1977\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","value":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Southern+College+Buildings+%26+Grounds%2C+1922-2024\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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