{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=310","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=309","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=311","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660"},"meta":{"pages":{"current_page":310,"next_page":311,"prev_page":309,"total_pages":660,"limit_value":10,"offset_value":3090,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"4da6d40eddef744c0b5ec721_aspace_82235","type":"Subseries","attributes":{"title":"Landscape Planting Plans","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4da6d40eddef744c0b5ec721_aspace_82235#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82235","ref_ssm":["aspace_82235","aspace_82235"],"id":"4da6d40eddef744c0b5ec721_aspace_82235","title_filing_ssi":"Landscape Planting Plans","title_ssm":["Landscape Planting Plans"],"title_tesim":["Landscape Planting Plans"],"normalized_title_ssm":["Landscape Planting Plans"],"text":["Landscape Planting Plans","Jack O. Holmes collection, 1926-1978, Date acquired: 03/00/1999","Oversized","Sub-Series 1","/repositories/2/archival_objects/113992"],"component_level_isim":[2],"parent_ids_ssim":["4da6d40eddef744c0b5ec721","4da6d40eddef744c0b5ec721_aspace_82233"],"parent_unittitles_ssm":["Jack O. Holmes collection, 1926-1978, Date acquired: 03/00/1999","Oversized"],"parent_unittitles_tesim":["Jack O. Holmes collection, 1926-1978, Date acquired: 03/00/1999","Oversized"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1","/repositories/2/archival_objects/113992"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jack O. Holmes collection, 1926-1978, Date acquired: 03/00/1999"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":125,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#3/components#0","_nest_parent_":"4da6d40eddef744c0b5ec721_aspace_82233","_root_":"4da6d40eddef744c0b5ec721","_version_":1870863265248051200,"timestamp":"2026-07-16T09:30:45.572Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4da6d40eddef744c0b5ec721","title_ssm":["Jack O. Holmes collection"],"title_tesim":["Jack O. Holmes collection"],"ead_ssi":"4da6d40eddef744c0b5ec721","unitdate_ssm":["1926-1978","Date acquired: 03/00/1999"],"unitdate_inclusive_ssm":["1926-1978"],"unitdate_other_ssim":["Date acquired: 03/00/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1999-03","/repositories/2/resources/509"],"text":["MS-1999-03","/repositories/2/resources/509","Jack O. Holmes collection, 1926-1978, Date acquired: 03/00/1999","Hillsborough County (Fla.)","Florida","Landscaping industry","Landscape gardening","Landscape architects","Organized into the following series: records, landscape planting plans, photographs, oversized, and slides. The flat boxes contain mounted photographs, schematic designs/specifications, and landscaping plans too large to fit in a document box.","Jack Oliver Holmes was born in Sistersville, West Virginia in 1905. He came to Florida in 1923, starting as a nurseryman in the landscape industry. From 1923-1928 he worked as architect in charge of landscapes for William F. Knull. In 1928, Holmes purchased Knull's landscape business and opened an office in Tampa, which he maintained until 1934. He played a large role in the development of Florida's landscaping industry. His collection of rare plants covered 30 acres, incorporated into a business in 1932 as Holmes Nursery. Holmes' career spanned from the Florida land boom of the 1920s to the 1990s.","Jack Holmes studied plants and landscaping on trips around the world, always looking for rare plants. He is known for introducing various types of azaleas, philodendrons, double yellow hibiscus, red bougainvillea, and orchids to Florida. He designed landscaping for many prominent Florida attractions and businesses such as the University of South Florida's original landscaping, Busch Gardens, Cypress Gardens, the Tampa Electric Building, the Hillsborough County Court House, the WTVT building in Tampa, St. Leo College, the People's Bank in Lakeland, and many more. Holmes played an active role in his profession and the community until his death in 1996.","Complete; The Landmark Motor Lodge folder contains photographs of a palm tree that Holmes persistently argued to obtain. In the end, he won and planted the grouping of palms at the landmark motor lodge.","The collection contains materials documenting the career of Florida landscape architect Jack O. Holmes and consists of business records, landscape planting plans, photographs and slides of Holmes' work, schematic designs and specifications. The collection primarily consists of photographs divided into businesses and residences. Some of the photographs are mounted. Many of the photographs include hand written notes.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Holmes, Jack O. (Jack Oliver) (1905-1996)","English"],"unitid_tesim":["MS-1999-03","/repositories/2/resources/509"],"normalized_date_ssm":["1926-1978, Date acquired: 03/00/1999"],"normalized_title_ssm":["Jack O. Holmes collection, 1926-1978, Date acquired: 03/00/1999"],"collection_title_tesim":["Jack O. Holmes collection, 1926-1978, Date acquired: 03/00/1999"],"collection_ssim":["Jack O. Holmes collection, 1926-1978, Date acquired: 03/00/1999"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.)","Florida"],"geogname_ssim":["Hillsborough County (Fla.)","Florida"],"creator_ssm":["Holmes, Jack O. (Jack Oliver) (1905-1996)"],"creator_ssim":["Holmes, Jack O. (Jack Oliver) (1905-1996)"],"creator_persname_ssim":["Holmes, Jack O. (Jack Oliver) (1905-1996)"],"creators_ssim":["Holmes, Jack O. (Jack Oliver) (1905-1996)"],"places_ssim":["Hillsborough County (Fla.)","Florida"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Estate of Jack O. Holmes","Donated by Mary Fisher Holmes, widow of Jack Oliver Holmes."],"access_subjects_ssim":["Landscaping industry","Landscape gardening","Landscape architects"],"access_subjects_ssm":["Landscaping industry","Landscape gardening","Landscape architects"],"has_online_content_ssim":["false"],"extent_ssm":["6.28 Linear Feet","9 boxes"],"extent_tesim":["6.28 Linear Feet","9 boxes"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"arrangement_html_tesm":["\u003cp\u003eOrganized into the following series: records, landscape planting plans, photographs, oversized, and slides. The flat boxes contain mounted photographs, schematic designs/specifications, and landscaping plans too large to fit in a document box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized into the following series: records, landscape planting plans, photographs, oversized, and slides. The flat boxes contain mounted photographs, schematic designs/specifications, and landscaping plans too large to fit in a document box."],"bioghist_html_tesm":["\u003cp\u003eJack Oliver Holmes was born in Sistersville, West Virginia in 1905. He came to Florida in 1923, starting as a nurseryman in the landscape industry. From 1923-1928 he worked as architect in charge of landscapes for William F. Knull. In 1928, Holmes purchased Knull's landscape business and opened an office in Tampa, which he maintained until 1934. He played a large role in the development of Florida's landscaping industry. His collection of rare plants covered 30 acres, incorporated into a business in 1932 as Holmes Nursery. Holmes' career spanned from the Florida land boom of the 1920s to the 1990s.\u003c/p\u003e\n","\u003cp\u003eJack Holmes studied plants and landscaping on trips around the world, always looking for rare plants. He is known for introducing various types of azaleas, philodendrons, double yellow hibiscus, red bougainvillea, and orchids to Florida. He designed landscaping for many prominent Florida attractions and businesses such as the University of South Florida's original landscaping, Busch Gardens, Cypress Gardens, the Tampa Electric Building, the Hillsborough County Court House, the WTVT building in Tampa, St. Leo College, the People's Bank in Lakeland, and many more. Holmes played an active role in his profession and the community until his death in 1996.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jack Oliver Holmes was born in Sistersville, West Virginia in 1905. He came to Florida in 1923, starting as a nurseryman in the landscape industry. From 1923-1928 he worked as architect in charge of landscapes for William F. Knull. In 1928, Holmes purchased Knull's landscape business and opened an office in Tampa, which he maintained until 1934. He played a large role in the development of Florida's landscaping industry. His collection of rare plants covered 30 acres, incorporated into a business in 1932 as Holmes Nursery. Holmes' career spanned from the Florida land boom of the 1920s to the 1990s.","Jack Holmes studied plants and landscaping on trips around the world, always looking for rare plants. He is known for introducing various types of azaleas, philodendrons, double yellow hibiscus, red bougainvillea, and orchids to Florida. He designed landscaping for many prominent Florida attractions and businesses such as the University of South Florida's original landscaping, Busch Gardens, Cypress Gardens, the Tampa Electric Building, the Hillsborough County Court House, the WTVT building in Tampa, St. Leo College, the People's Bank in Lakeland, and many more. Holmes played an active role in his profession and the community until his death in 1996."],"prefercite_html_tesm":["\u003cp\u003eJack O. Holmes collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Jack O. Holmes collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eComplete; The Landmark Motor Lodge folder contains photographs of a palm tree that Holmes persistently argued to obtain. In the end, he won and planted the grouping of palms at the landmark motor lodge.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Complete; The Landmark Motor Lodge folder contains photographs of a palm tree that Holmes persistently argued to obtain. In the end, he won and planted the grouping of palms at the landmark motor lodge."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials documenting the career of Florida landscape architect Jack O. Holmes and consists of business records, landscape planting plans, photographs and slides of Holmes' work, schematic designs and specifications. The collection primarily consists of photographs divided into businesses and residences. Some of the photographs are mounted. Many of the photographs include hand written notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials documenting the career of Florida landscape architect Jack O. Holmes and consists of business records, landscape planting plans, photographs and slides of Holmes' work, schematic designs and specifications. The collection primarily consists of photographs divided into businesses and residences. Some of the photographs are mounted. Many of the photographs include hand written notes."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Holmes, Jack O. (Jack Oliver) (1905-1996)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Holmes, Jack O. (Jack Oliver) (1905-1996)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":198,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863265248051200,"_root_":"4da6d40eddef744c0b5ec721","timestamp":"2026-07-16T09:30:45.572Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4da6d40eddef744c0b5ec721_aspace_82235"}},{"id":"9e27db691aadf101ca3f5e37_aspace_7453fe3d1d0966e5f4cc00f5f9d7cc47","type":"Subseries","attributes":{"title":"Landscapes","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9e27db691aadf101ca3f5e37_aspace_7453fe3d1d0966e5f4cc00f5f9d7cc47#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7453fe3d1d0966e5f4cc00f5f9d7cc47","ref_ssm":["aspace_7453fe3d1d0966e5f4cc00f5f9d7cc47","aspace_7453fe3d1d0966e5f4cc00f5f9d7cc47"],"id":"9e27db691aadf101ca3f5e37_aspace_7453fe3d1d0966e5f4cc00f5f9d7cc47","title_filing_ssi":"Landscapes","title_ssm":["Landscapes"],"title_tesim":["Landscapes"],"normalized_title_ssm":["Landscapes"],"text":["Landscapes","Holly Hill Grove and Fruit Company Photographs, 1920-1939","Box 1","Photographs","/repositories/3/archival_objects/10008"],"component_level_isim":[3],"parent_ids_ssim":["9e27db691aadf101ca3f5e37","9e27db691aadf101ca3f5e37_aspace_9d9e6e888f7457b31e3736879053377e","9e27db691aadf101ca3f5e37_aspace_315d03180d345df17b145746b86d0c3a"],"parent_unittitles_ssm":["Holly Hill Grove and Fruit Company Photographs, 1920-1939","Box 1","Photographs"],"parent_unittitles_tesim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939","Box 1","Photographs"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["/repositories/3/archival_objects/10008"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":30,"parent_access_terms_tesm":["Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453."],"_nest_path_":"/components#0/components#0/components#2","_nest_parent_":"9e27db691aadf101ca3f5e37_aspace_315d03180d345df17b145746b86d0c3a","_root_":"9e27db691aadf101ca3f5e37","_version_":1870852062237949952,"timestamp":"2026-07-16T06:32:41.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9e27db691aadf101ca3f5e37","title_ssm":["Holly Hill Grove and Fruit Company Photographs"],"title_tesim":["Holly Hill Grove and Fruit Company Photographs"],"ead_ssi":"9e27db691aadf101ca3f5e37","unitdate_ssm":["1920-1939"],"unitdate_inclusive_ssm":["1920-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT3015","/repositories/3/resources/36"],"text":["CIT3015","/repositories/3/resources/36","Holly Hill Grove and Fruit Company Photographs, 1920-1939","Davenport (Fla.)--Pictorial works","Holly Hill Grove and Fruit Company","Photographs--Florida--History","Land development--Florida--History--Pictorial works","Citrus groves--Florida--Pictorial works","Advertising--Citrus industry--Florida","Florida--Social life and customs--20th century--Pictorial works","The development of Holly Hill near Davenport, Florida began in December 1919 as part of the Holly Hill Grove and Fruit Company, a subsidiary of the Wilson and Toomer Fertilizer Company. Like other Florida land development companies during the 1920s, the Holly Hill Grove and Fruit Company packaged together the sale of house lots with citrus grove lots. Soon, the deal shifted to if someone bought a grove lot, they would receive a lot in town. Holly Hill Grove and Fruit Company also built multiple amenities in Davenport including the Holly Hill Inn in 1920 as well as the Holly Hill Golf and Country Club in the mid-1920s. In 1927, the Holly Hill Grove and Fruit Company formed Holly Hill Fruit Products, Inc., and soon after its creation, Holly Hill Fruit Products, Inc. bought its business as a citrus fruit marketing company and its trademarks from Holly Hill Grove and Fruit Company. However, Holly Hill Citrus Growers Association started selling citrus as an agent of Holly Hill Grove and\nFruit Company, thus violating the agreement and causing Holly Hill Fruit Products, Inc. to file a successful lawsuit against Holly Hill Grove and Fruit Company. Due to the lawsuit, the effects of the Great Depression, and other economic and ecological disasters in Florida, Holly Hill Grove and Fruit Company faced foreclosure in the 1930s and was bought out by Wilson and\nToomer. The country club that had been built also closed in the 1930s and was turned into housing and citrus groves. In contrast, Holly Hill Fruit Products, Inc. flourished despite these same issues and continues to exist to this day.","Additional Sources:\nHetherington, M.F. History of Polk County Florida: Narrative and Biographical. St. Augustine, Florida: The Record\nCompany, 1928. https://digitalcommons.usf.edu/regional_ebooks/11.\n\"Holly Hill Fruit Products Co. Inc.\" Florida Department of State, Division of Corporations.\nhttps://search.sunbiz.org/Inquiry/CorporationSearch/ByName.\nHolly Hill Growers' Ass'n et al. v. Holly Hill Fruit Products, Inc., no. 7367, Circuit Court of Appeals, 5th Circuit, 1935. ","The original order was unable to be determined because there is little documentation from the original accessioning. Furthermore, the date range for the collection is an approximation based on the few dated photographs as well as company history. For more information on the Wilson and Toomer Fertilizer Company, the parent company of Holly Hill Grove and Fruit Company, please see the Wilson and Toomer Fertilizer Company Records. For more information on Vaughn Woods, who was a soil chemist for the Wilson and Toomer Company, please see the Vaughn Woods Papers. See also the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company.","The collection has been divided into two main series: Photographs and Textual Materials. The Photographs series is divided into sub-series based on subject: Building and Structures, Davenport Locales, Landscapes, and People. The Textual Materials series contains Advertising and Marketing materials as well as Correspondence. All materials in this collection were organized alphabetically due to few dated materials.","Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453.","Thomas B. Mack Florida Citrus Archives","Holly Hill Grove and Fruit Company","English"],"unitid_tesim":["CIT3015","/repositories/3/resources/36"],"normalized_date_ssm":["1920-1939"],"normalized_title_ssm":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"collection_title_tesim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"collection_ssim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"geogname_ssm":["Davenport (Fla.)--Pictorial works"],"geogname_ssim":["Davenport (Fla.)--Pictorial works"],"creator_ssm":["Holly Hill Grove and Fruit Company"],"creator_ssim":["Holly Hill Grove and Fruit Company"],"creator_corpname_ssim":["Holly Hill Grove and Fruit Company"],"creators_ssim":["Holly Hill Grove and Fruit Company"],"places_ssim":["Davenport (Fla.)--Pictorial works"],"access_terms_ssm":["Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453."],"acqinfo_ssim":["Based on Professor Thomas Mack's unpublished manuscript \"Documented History of the Florida Citrus Archives,\" the materials are presumed to have been donated by Robin Hooker, a graduate from Florida Southern College's Citrus Institute, who had found the materials as he went through his father Glenn Hooker's citrus memorabilia. However, it is unknown exactly when the materials in this collection were donated to the Citrus Archives. The Thomas B. Mack Citrus Archives were transferred to the Roux Library in 2005 then to the McKay Archives Center in 2009."],"access_subjects_ssim":["Holly Hill Grove and Fruit Company","Photographs--Florida--History","Land development--Florida--History--Pictorial works","Citrus groves--Florida--Pictorial works","Advertising--Citrus industry--Florida","Florida--Social life and customs--20th century--Pictorial works"],"access_subjects_ssm":["Holly Hill Grove and Fruit Company","Photographs--Florida--History","Land development--Florida--History--Pictorial works","Citrus groves--Florida--Pictorial works","Advertising--Citrus industry--Florida","Florida--Social life and customs--20th century--Pictorial works"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet"],"extent_tesim":["1.25 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"bioghist_html_tesm":["\u003cp\u003eThe development of Holly Hill near Davenport, Florida began in December 1919 as part of the Holly Hill Grove and Fruit Company, a subsidiary of the Wilson and Toomer Fertilizer Company. Like other Florida land development companies during the 1920s, the Holly Hill Grove and Fruit Company packaged together the sale of house lots with citrus grove lots. Soon, the deal shifted to if someone bought a grove lot, they would receive a lot in town. Holly Hill Grove and Fruit Company also built multiple amenities in Davenport including the Holly Hill Inn in 1920 as well as the Holly Hill Golf and Country Club in the mid-1920s. In 1927, the Holly Hill Grove and Fruit Company formed Holly Hill Fruit Products, Inc., and soon after its creation, Holly Hill Fruit Products, Inc. bought its business as a citrus fruit marketing company and its trademarks from Holly Hill Grove and Fruit Company. However, Holly Hill Citrus Growers Association started selling citrus as an agent of Holly Hill Grove and\nFruit Company, thus violating the agreement and causing Holly Hill Fruit Products, Inc. to file a successful lawsuit against Holly Hill Grove and Fruit Company. Due to the lawsuit, the effects of the Great Depression, and other economic and ecological disasters in Florida, Holly Hill Grove and Fruit Company faced foreclosure in the 1930s and was bought out by Wilson and\nToomer. The country club that had been built also closed in the 1930s and was turned into housing and citrus groves. In contrast, Holly Hill Fruit Products, Inc. flourished despite these same issues and continues to exist to this day.\u003c/p\u003e\n","\u003cp\u003eAdditional Sources:\nHetherington, M.F. History of Polk County Florida: Narrative and Biographical. St. Augustine, Florida: The Record\nCompany, 1928. https://digitalcommons.usf.edu/regional_ebooks/11.\n\"Holly Hill Fruit Products Co. Inc.\" Florida Department of State, Division of Corporations.\nhttps://search.sunbiz.org/Inquiry/CorporationSearch/ByName.\nHolly Hill Growers' Ass'n et al. v. Holly Hill Fruit Products, Inc., no. 7367, Circuit Court of Appeals, 5th Circuit, 1935. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The development of Holly Hill near Davenport, Florida began in December 1919 as part of the Holly Hill Grove and Fruit Company, a subsidiary of the Wilson and Toomer Fertilizer Company. Like other Florida land development companies during the 1920s, the Holly Hill Grove and Fruit Company packaged together the sale of house lots with citrus grove lots. Soon, the deal shifted to if someone bought a grove lot, they would receive a lot in town. Holly Hill Grove and Fruit Company also built multiple amenities in Davenport including the Holly Hill Inn in 1920 as well as the Holly Hill Golf and Country Club in the mid-1920s. In 1927, the Holly Hill Grove and Fruit Company formed Holly Hill Fruit Products, Inc., and soon after its creation, Holly Hill Fruit Products, Inc. bought its business as a citrus fruit marketing company and its trademarks from Holly Hill Grove and Fruit Company. However, Holly Hill Citrus Growers Association started selling citrus as an agent of Holly Hill Grove and\nFruit Company, thus violating the agreement and causing Holly Hill Fruit Products, Inc. to file a successful lawsuit against Holly Hill Grove and Fruit Company. Due to the lawsuit, the effects of the Great Depression, and other economic and ecological disasters in Florida, Holly Hill Grove and Fruit Company faced foreclosure in the 1930s and was bought out by Wilson and\nToomer. The country club that had been built also closed in the 1930s and was turned into housing and citrus groves. In contrast, Holly Hill Fruit Products, Inc. flourished despite these same issues and continues to exist to this day.","Additional Sources:\nHetherington, M.F. History of Polk County Florida: Narrative and Biographical. St. Augustine, Florida: The Record\nCompany, 1928. https://digitalcommons.usf.edu/regional_ebooks/11.\n\"Holly Hill Fruit Products Co. Inc.\" Florida Department of State, Division of Corporations.\nhttps://search.sunbiz.org/Inquiry/CorporationSearch/ByName.\nHolly Hill Growers' Ass'n et al. v. Holly Hill Fruit Products, Inc., no. 7367, Circuit Court of Appeals, 5th Circuit, 1935. "],"odd_html_tesm":["\u003cp\u003eThe original order was unable to be determined because there is little documentation from the original accessioning. Furthermore, the date range for the collection is an approximation based on the few dated photographs as well as company history. For more information on the Wilson and Toomer Fertilizer Company, the parent company of Holly Hill Grove and Fruit Company, please see the Wilson and Toomer Fertilizer Company Records. For more information on Vaughn Woods, who was a soil chemist for the Wilson and Toomer Company, please see the Vaughn Woods Papers. See also the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The original order was unable to be determined because there is little documentation from the original accessioning. Furthermore, the date range for the collection is an approximation based on the few dated photographs as well as company history. For more information on the Wilson and Toomer Fertilizer Company, the parent company of Holly Hill Grove and Fruit Company, please see the Wilson and Toomer Fertilizer Company Records. For more information on Vaughn Woods, who was a soil chemist for the Wilson and Toomer Company, please see the Vaughn Woods Papers. See also the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company."],"scopecontent_html_tesm":["\u003cp\u003eThe collection has been divided into two main series: Photographs and Textual Materials. The Photographs series is divided into sub-series based on subject: Building and Structures, Davenport Locales, Landscapes, and People. The Textual Materials series contains Advertising and Marketing materials as well as Correspondence. All materials in this collection were organized alphabetically due to few dated materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection has been divided into two main series: Photographs and Textual Materials. The Photographs series is divided into sub-series based on subject: Building and Structures, Davenport Locales, Landscapes, and People. The Textual Materials series contains Advertising and Marketing materials as well as Correspondence. All materials in this collection were organized alphabetically due to few dated materials."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453."],"names_ssim":["Thomas B. Mack Florida Citrus Archives","Holly Hill Grove and Fruit Company"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives","Holly Hill Grove and Fruit Company"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852062237949952,"_root_":"9e27db691aadf101ca3f5e37","timestamp":"2026-07-16T06:32:41.551Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9e27db691aadf101ca3f5e37_aspace_7453fe3d1d0966e5f4cc00f5f9d7cc47"}},{"id":"9e27db691aadf101ca3f5e37_aspace_4701d971351cf67e7bd5ae58af05f39b","type":"Subseries","attributes":{"title":"Landscapes","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9e27db691aadf101ca3f5e37_aspace_4701d971351cf67e7bd5ae58af05f39b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4701d971351cf67e7bd5ae58af05f39b","ref_ssm":["aspace_4701d971351cf67e7bd5ae58af05f39b","aspace_4701d971351cf67e7bd5ae58af05f39b"],"id":"9e27db691aadf101ca3f5e37_aspace_4701d971351cf67e7bd5ae58af05f39b","title_filing_ssi":"Landscapes","title_ssm":["Landscapes"],"title_tesim":["Landscapes"],"normalized_title_ssm":["Landscapes"],"text":["Landscapes","Holly Hill Grove and Fruit Company Photographs, 1920-1939","Box 2","Photographs","/repositories/3/archival_objects/10015"],"component_level_isim":[3],"parent_ids_ssim":["9e27db691aadf101ca3f5e37","9e27db691aadf101ca3f5e37_aspace_fb70625d3c9baf3643272c274ba02721","9e27db691aadf101ca3f5e37_aspace_630093919d0f97b8a9cf9f09d1f47abc"],"parent_unittitles_ssm":["Holly Hill Grove and Fruit Company Photographs, 1920-1939","Box 2","Photographs"],"parent_unittitles_tesim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939","Box 2","Photographs"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["/repositories/3/archival_objects/10015"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":36,"parent_access_terms_tesm":["Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453."],"_nest_path_":"/components#1/components#0/components#0","_nest_parent_":"9e27db691aadf101ca3f5e37_aspace_630093919d0f97b8a9cf9f09d1f47abc","_root_":"9e27db691aadf101ca3f5e37","_version_":1870852062237949952,"timestamp":"2026-07-16T06:32:41.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9e27db691aadf101ca3f5e37","title_ssm":["Holly Hill Grove and Fruit Company Photographs"],"title_tesim":["Holly Hill Grove and Fruit Company Photographs"],"ead_ssi":"9e27db691aadf101ca3f5e37","unitdate_ssm":["1920-1939"],"unitdate_inclusive_ssm":["1920-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT3015","/repositories/3/resources/36"],"text":["CIT3015","/repositories/3/resources/36","Holly Hill Grove and Fruit Company Photographs, 1920-1939","Davenport (Fla.)--Pictorial works","Holly Hill Grove and Fruit Company","Photographs--Florida--History","Land development--Florida--History--Pictorial works","Citrus groves--Florida--Pictorial works","Advertising--Citrus industry--Florida","Florida--Social life and customs--20th century--Pictorial works","The development of Holly Hill near Davenport, Florida began in December 1919 as part of the Holly Hill Grove and Fruit Company, a subsidiary of the Wilson and Toomer Fertilizer Company. Like other Florida land development companies during the 1920s, the Holly Hill Grove and Fruit Company packaged together the sale of house lots with citrus grove lots. Soon, the deal shifted to if someone bought a grove lot, they would receive a lot in town. Holly Hill Grove and Fruit Company also built multiple amenities in Davenport including the Holly Hill Inn in 1920 as well as the Holly Hill Golf and Country Club in the mid-1920s. In 1927, the Holly Hill Grove and Fruit Company formed Holly Hill Fruit Products, Inc., and soon after its creation, Holly Hill Fruit Products, Inc. bought its business as a citrus fruit marketing company and its trademarks from Holly Hill Grove and Fruit Company. However, Holly Hill Citrus Growers Association started selling citrus as an agent of Holly Hill Grove and\nFruit Company, thus violating the agreement and causing Holly Hill Fruit Products, Inc. to file a successful lawsuit against Holly Hill Grove and Fruit Company. Due to the lawsuit, the effects of the Great Depression, and other economic and ecological disasters in Florida, Holly Hill Grove and Fruit Company faced foreclosure in the 1930s and was bought out by Wilson and\nToomer. The country club that had been built also closed in the 1930s and was turned into housing and citrus groves. In contrast, Holly Hill Fruit Products, Inc. flourished despite these same issues and continues to exist to this day.","Additional Sources:\nHetherington, M.F. History of Polk County Florida: Narrative and Biographical. St. Augustine, Florida: The Record\nCompany, 1928. https://digitalcommons.usf.edu/regional_ebooks/11.\n\"Holly Hill Fruit Products Co. Inc.\" Florida Department of State, Division of Corporations.\nhttps://search.sunbiz.org/Inquiry/CorporationSearch/ByName.\nHolly Hill Growers' Ass'n et al. v. Holly Hill Fruit Products, Inc., no. 7367, Circuit Court of Appeals, 5th Circuit, 1935. ","The original order was unable to be determined because there is little documentation from the original accessioning. Furthermore, the date range for the collection is an approximation based on the few dated photographs as well as company history. For more information on the Wilson and Toomer Fertilizer Company, the parent company of Holly Hill Grove and Fruit Company, please see the Wilson and Toomer Fertilizer Company Records. For more information on Vaughn Woods, who was a soil chemist for the Wilson and Toomer Company, please see the Vaughn Woods Papers. See also the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company.","The collection has been divided into two main series: Photographs and Textual Materials. The Photographs series is divided into sub-series based on subject: Building and Structures, Davenport Locales, Landscapes, and People. The Textual Materials series contains Advertising and Marketing materials as well as Correspondence. All materials in this collection were organized alphabetically due to few dated materials.","Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453.","Thomas B. Mack Florida Citrus Archives","Holly Hill Grove and Fruit Company","English"],"unitid_tesim":["CIT3015","/repositories/3/resources/36"],"normalized_date_ssm":["1920-1939"],"normalized_title_ssm":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"collection_title_tesim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"collection_ssim":["Holly Hill Grove and Fruit Company Photographs, 1920-1939"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"geogname_ssm":["Davenport (Fla.)--Pictorial works"],"geogname_ssim":["Davenport (Fla.)--Pictorial works"],"creator_ssm":["Holly Hill Grove and Fruit Company"],"creator_ssim":["Holly Hill Grove and Fruit Company"],"creator_corpname_ssim":["Holly Hill Grove and Fruit Company"],"creators_ssim":["Holly Hill Grove and Fruit Company"],"places_ssim":["Davenport (Fla.)--Pictorial works"],"access_terms_ssm":["Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453."],"acqinfo_ssim":["Based on Professor Thomas Mack's unpublished manuscript \"Documented History of the Florida Citrus Archives,\" the materials are presumed to have been donated by Robin Hooker, a graduate from Florida Southern College's Citrus Institute, who had found the materials as he went through his father Glenn Hooker's citrus memorabilia. However, it is unknown exactly when the materials in this collection were donated to the Citrus Archives. The Thomas B. Mack Citrus Archives were transferred to the Roux Library in 2005 then to the McKay Archives Center in 2009."],"access_subjects_ssim":["Holly Hill Grove and Fruit Company","Photographs--Florida--History","Land development--Florida--History--Pictorial works","Citrus groves--Florida--Pictorial works","Advertising--Citrus industry--Florida","Florida--Social life and customs--20th century--Pictorial works"],"access_subjects_ssm":["Holly Hill Grove and Fruit Company","Photographs--Florida--History","Land development--Florida--History--Pictorial works","Citrus groves--Florida--Pictorial works","Advertising--Citrus industry--Florida","Florida--Social life and customs--20th century--Pictorial works"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet"],"extent_tesim":["1.25 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"bioghist_html_tesm":["\u003cp\u003eThe development of Holly Hill near Davenport, Florida began in December 1919 as part of the Holly Hill Grove and Fruit Company, a subsidiary of the Wilson and Toomer Fertilizer Company. Like other Florida land development companies during the 1920s, the Holly Hill Grove and Fruit Company packaged together the sale of house lots with citrus grove lots. Soon, the deal shifted to if someone bought a grove lot, they would receive a lot in town. Holly Hill Grove and Fruit Company also built multiple amenities in Davenport including the Holly Hill Inn in 1920 as well as the Holly Hill Golf and Country Club in the mid-1920s. In 1927, the Holly Hill Grove and Fruit Company formed Holly Hill Fruit Products, Inc., and soon after its creation, Holly Hill Fruit Products, Inc. bought its business as a citrus fruit marketing company and its trademarks from Holly Hill Grove and Fruit Company. However, Holly Hill Citrus Growers Association started selling citrus as an agent of Holly Hill Grove and\nFruit Company, thus violating the agreement and causing Holly Hill Fruit Products, Inc. to file a successful lawsuit against Holly Hill Grove and Fruit Company. Due to the lawsuit, the effects of the Great Depression, and other economic and ecological disasters in Florida, Holly Hill Grove and Fruit Company faced foreclosure in the 1930s and was bought out by Wilson and\nToomer. The country club that had been built also closed in the 1930s and was turned into housing and citrus groves. In contrast, Holly Hill Fruit Products, Inc. flourished despite these same issues and continues to exist to this day.\u003c/p\u003e\n","\u003cp\u003eAdditional Sources:\nHetherington, M.F. History of Polk County Florida: Narrative and Biographical. St. Augustine, Florida: The Record\nCompany, 1928. https://digitalcommons.usf.edu/regional_ebooks/11.\n\"Holly Hill Fruit Products Co. Inc.\" Florida Department of State, Division of Corporations.\nhttps://search.sunbiz.org/Inquiry/CorporationSearch/ByName.\nHolly Hill Growers' Ass'n et al. v. Holly Hill Fruit Products, Inc., no. 7367, Circuit Court of Appeals, 5th Circuit, 1935. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The development of Holly Hill near Davenport, Florida began in December 1919 as part of the Holly Hill Grove and Fruit Company, a subsidiary of the Wilson and Toomer Fertilizer Company. Like other Florida land development companies during the 1920s, the Holly Hill Grove and Fruit Company packaged together the sale of house lots with citrus grove lots. Soon, the deal shifted to if someone bought a grove lot, they would receive a lot in town. Holly Hill Grove and Fruit Company also built multiple amenities in Davenport including the Holly Hill Inn in 1920 as well as the Holly Hill Golf and Country Club in the mid-1920s. In 1927, the Holly Hill Grove and Fruit Company formed Holly Hill Fruit Products, Inc., and soon after its creation, Holly Hill Fruit Products, Inc. bought its business as a citrus fruit marketing company and its trademarks from Holly Hill Grove and Fruit Company. However, Holly Hill Citrus Growers Association started selling citrus as an agent of Holly Hill Grove and\nFruit Company, thus violating the agreement and causing Holly Hill Fruit Products, Inc. to file a successful lawsuit against Holly Hill Grove and Fruit Company. Due to the lawsuit, the effects of the Great Depression, and other economic and ecological disasters in Florida, Holly Hill Grove and Fruit Company faced foreclosure in the 1930s and was bought out by Wilson and\nToomer. The country club that had been built also closed in the 1930s and was turned into housing and citrus groves. In contrast, Holly Hill Fruit Products, Inc. flourished despite these same issues and continues to exist to this day.","Additional Sources:\nHetherington, M.F. History of Polk County Florida: Narrative and Biographical. St. Augustine, Florida: The Record\nCompany, 1928. https://digitalcommons.usf.edu/regional_ebooks/11.\n\"Holly Hill Fruit Products Co. Inc.\" Florida Department of State, Division of Corporations.\nhttps://search.sunbiz.org/Inquiry/CorporationSearch/ByName.\nHolly Hill Growers' Ass'n et al. v. Holly Hill Fruit Products, Inc., no. 7367, Circuit Court of Appeals, 5th Circuit, 1935. "],"odd_html_tesm":["\u003cp\u003eThe original order was unable to be determined because there is little documentation from the original accessioning. Furthermore, the date range for the collection is an approximation based on the few dated photographs as well as company history. For more information on the Wilson and Toomer Fertilizer Company, the parent company of Holly Hill Grove and Fruit Company, please see the Wilson and Toomer Fertilizer Company Records. For more information on Vaughn Woods, who was a soil chemist for the Wilson and Toomer Company, please see the Vaughn Woods Papers. See also the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The original order was unable to be determined because there is little documentation from the original accessioning. Furthermore, the date range for the collection is an approximation based on the few dated photographs as well as company history. For more information on the Wilson and Toomer Fertilizer Company, the parent company of Holly Hill Grove and Fruit Company, please see the Wilson and Toomer Fertilizer Company Records. For more information on Vaughn Woods, who was a soil chemist for the Wilson and Toomer Company, please see the Vaughn Woods Papers. See also the Col. Bayard F. Floyd Papers, who was a horticulturalist and Vice President of the company."],"scopecontent_html_tesm":["\u003cp\u003eThe collection has been divided into two main series: Photographs and Textual Materials. The Photographs series is divided into sub-series based on subject: Building and Structures, Davenport Locales, Landscapes, and People. The Textual Materials series contains Advertising and Marketing materials as well as Correspondence. All materials in this collection were organized alphabetically due to few dated materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection has been divided into two main series: Photographs and Textual Materials. The Photographs series is divided into sub-series based on subject: Building and Structures, Davenport Locales, Landscapes, and People. The Textual Materials series contains Advertising and Marketing materials as well as Correspondence. All materials in this collection were organized alphabetically due to few dated materials."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Holly Hill Grove and Fruit Company Photographs must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions at 863-680-4453."],"names_ssim":["Thomas B. Mack Florida Citrus Archives","Holly Hill Grove and Fruit Company"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives","Holly Hill Grove and Fruit Company"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852062237949952,"_root_":"9e27db691aadf101ca3f5e37","timestamp":"2026-07-16T06:32:41.551Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9e27db691aadf101ca3f5e37_aspace_4701d971351cf67e7bd5ae58af05f39b"}},{"id":"236a3c88b766327883b2e155_aspace_b5a238643d466812a8c8845dd00221ab","type":"Subseries","attributes":{"title":"Landscapes","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_b5a238643d466812a8c8845dd00221ab#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b5a238643d466812a8c8845dd00221ab","ref_ssm":["aspace_b5a238643d466812a8c8845dd00221ab","aspace_b5a238643d466812a8c8845dd00221ab"],"id":"236a3c88b766327883b2e155_aspace_b5a238643d466812a8c8845dd00221ab","title_filing_ssi":"Landscapes","title_ssm":["Landscapes"],"title_tesim":["Landscapes"],"normalized_title_ssm":["Landscapes"],"text":["Landscapes","Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings","/repositories/4/archival_objects/87839","/repositories/4/archival_objects/91195"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_3303cbe5b1b51a02ba6be97aa8f0f912"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87839","/repositories/4/archival_objects/91195"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":255,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#4/components#3","_nest_parent_":"236a3c88b766327883b2e155_aspace_3303cbe5b1b51a02ba6be97aa8f0f912","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_b5a238643d466812a8c8845dd00221ab"}},{"id":"4d7cae626c9c3b6d0c3d55d0_aspace_fe5f4220049666e4e3e72a71996b2fe7","type":"Subseries","attributes":{"title":"Langford-Kingston Home","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4d7cae626c9c3b6d0c3d55d0_aspace_fe5f4220049666e4e3e72a71996b2fe7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fe5f4220049666e4e3e72a71996b2fe7","ref_ssm":["aspace_fe5f4220049666e4e3e72a71996b2fe7","aspace_fe5f4220049666e4e3e72a71996b2fe7"],"id":"4d7cae626c9c3b6d0c3d55d0_aspace_fe5f4220049666e4e3e72a71996b2fe7","title_filing_ssi":"Langford-Kingston Home ","title_ssm":["Langford-Kingston Home "],"title_tesim":["Langford-Kingston Home "],"normalized_title_ssm":["Langford-Kingston Home"],"text":["Langford-Kingston Home","First United Methodist Church of Fort Myers, bulk 1872-2016","Community","/repositories/2/archival_objects/21292"],"component_level_isim":[2],"parent_ids_ssim":["4d7cae626c9c3b6d0c3d55d0","4d7cae626c9c3b6d0c3d55d0_aspace_5c88bd373f3c4f18c3e3521b9ff7eb14"],"parent_unittitles_ssm":["First United Methodist Church of Fort Myers, bulk 1872-2016","Community"],"parent_unittitles_tesim":["First United Methodist Church of Fort Myers, bulk 1872-2016","Community"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/21292"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["First United Methodist Church of Fort Myers, bulk 1872-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":52,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":78,"parent_access_restrict_tesm":["The collection is open and available for research."],"_nest_path_":"/components#1/components#0","_nest_parent_":"4d7cae626c9c3b6d0c3d55d0_aspace_5c88bd373f3c4f18c3e3521b9ff7eb14","_root_":"4d7cae626c9c3b6d0c3d55d0","_version_":1880356200447475712,"timestamp":"2026-10-29T04:16:54.055Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4d7cae626c9c3b6d0c3d55d0","title_filing_ssi":"First United Methodist Church of Fort Myers","title_ssm":["First United Methodist Church of Fort Myers"],"title_tesim":["First United Methodist Church of Fort Myers"],"ead_ssi":"4d7cae626c9c3b6d0c3d55d0","unitdate_ssm":["1872-2016"],"unitdate_bulk_ssim":["1872-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/02/19","/repositories/2/resources/26"],"text":["02/02/19","/repositories/2/resources/26","First United Methodist Church of Fort Myers, bulk 1872-2016","Religion.","Administration","Social science.","The collection is open and available for research.","The collection is arranged in four different series: Series 1, Church History; Series 2, Community; Series 3, Administration; Series 4, Ephemera and Large Items.","This collection consists of documents, photographs, and ephemera belonging to the First United Methodist Church of Fort Myers, located in Downtown Fort Myers, Florida. This collections documents the history, evolution, and eventual conclusion of this church, from the time it was first established in 1872 until its conclusion in 2016.","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["02/02/19","/repositories/2/resources/26"],"normalized_date_ssm":["bulk 1872-2016"],"normalized_title_ssm":["First United Methodist Church of Fort Myers, bulk 1872-2016"],"collection_title_tesim":["First United Methodist Church of Fort Myers, bulk 1872-2016"],"collection_ssim":["First United Methodist Church of Fort Myers, bulk 1872-2016"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Religion."],"geogname_ssim":["Religion."],"places_ssim":["Religion."],"access_subjects_ssim":["Administration","Social science."],"access_subjects_ssm":["Administration","Social science."],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet"],"extent_tesim":["16.5 Linear Feet"],"genreform_ssim":["Social science."],"date_range_isim":[1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four different series: Series 1, Church History; Series 2, Community; Series 3, Administration; Series 4, Ephemera and Large Items.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in four different series: Series 1, Church History; Series 2, Community; Series 3, Administration; Series 4, Ephemera and Large Items."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of documents, photographs, and ephemera belonging to the First United Methodist Church of Fort Myers, located in Downtown Fort Myers, Florida. This collections documents the history, evolution, and eventual conclusion of this church, from the time it was first established in 1872 until its conclusion in 2016.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of documents, photographs, and ephemera belonging to the First United Methodist Church of Fort Myers, located in Downtown Fort Myers, Florida. This collections documents the history, evolution, and eventual conclusion of this church, from the time it was first established in 1872 until its conclusion in 2016."],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":402,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880356200447475712,"_root_":"4d7cae626c9c3b6d0c3d55d0","timestamp":"2026-10-29T04:16:54.055Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4d7cae626c9c3b6d0c3d55d0_aspace_fe5f4220049666e4e3e72a71996b2fe7"}},{"id":"725898a1a41349eb30ec365d_aspace_17f05f31373623db49e8c212d79851c1","type":"Subseries","attributes":{"title":"Language, 1938-2011, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_17f05f31373623db49e8c212d79851c1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17f05f31373623db49e8c212d79851c1","ref_ssm":["aspace_17f05f31373623db49e8c212d79851c1","aspace_17f05f31373623db49e8c212d79851c1"],"id":"725898a1a41349eb30ec365d_aspace_17f05f31373623db49e8c212d79851c1","title_filing_ssi":"Language","title_ssm":["Language"],"title_tesim":["Language"],"unitdate_inclusive_ssm":["1938-2011, Undated"],"normalized_date_ssm":["1938-2011, Undated"],"normalized_title_ssm":["Language, 1938-2011, Undated"],"text":["Language, 1938-2011, Undated","José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Subseries 1","/repositories/4/archival_objects/53876"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Subseries 1","/repositories/4/archival_objects/53876"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":22,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"_nest_path_":"/components#0/components#0","_nest_parent_":"725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_17f05f31373623db49e8c212d79851c1"}},{"id":"7a810d7561261a3999010a98_aspace_835ba00a6238e44124c4ef0b7f4ef556","type":"Subseries","attributes":{"title":"Lanyards","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7a810d7561261a3999010a98_aspace_835ba00a6238e44124c4ef0b7f4ef556#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_835ba00a6238e44124c4ef0b7f4ef556","ref_ssm":["aspace_835ba00a6238e44124c4ef0b7f4ef556","aspace_835ba00a6238e44124c4ef0b7f4ef556"],"id":"7a810d7561261a3999010a98_aspace_835ba00a6238e44124c4ef0b7f4ef556","title_filing_ssi":"Lanyards","title_ssm":["Lanyards"],"title_tesim":["Lanyards"],"normalized_title_ssm":["Lanyards"],"text":["Lanyards","Jacksonville [FL] Jazz Festival Collection, 1981-2014","Souvenirs and Memorabilia","/repositories/3/archival_objects/8472","box 5"],"component_level_isim":[2],"parent_ids_ssim":["7a810d7561261a3999010a98","7a810d7561261a3999010a98_aspace_f51879e645dcfce3833c038221914655"],"parent_unittitles_ssm":["Jacksonville [FL] Jazz Festival Collection, 1981-2014","Souvenirs and Memorabilia"],"parent_unittitles_tesim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014","Souvenirs and Memorabilia"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/8472"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":202,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"containers_ssim":["box 5"],"_nest_path_":"/components#12/components#4","_nest_parent_":"7a810d7561261a3999010a98_aspace_f51879e645dcfce3833c038221914655","_root_":"7a810d7561261a3999010a98","_version_":1870860570070089728,"timestamp":"2026-07-16T08:47:55.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7a810d7561261a3999010a98","title_ssm":["Jacksonville [FL] Jazz Festival Collection"],"title_tesim":["Jacksonville [FL] Jazz Festival Collection"],"ead_ssi":"7a810d7561261a3999010a98","unitdate_ssm":["1981-2014"],"unitdate_inclusive_ssm":["1981-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2007.001","/repositories/3/resources/52"],"text":["2007.001","/repositories/3/resources/52","Jacksonville [FL] Jazz Festival Collection, 1981-2014","Mayport and All That Jazz Festival (1981 : Jacksonville, Fla.)","Jazz--Florida--Jacksonville","Jazz festivals--Florida--Jacksonville","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","The Jacksonville Jazz Festival is a popular musical event held annually in Jacksonville, Florida that has grown into a major event with attendance in excess of 10,000. The Festival has featured a variety of local, national, and international performers over the years including jazz legends Dizzy Gillespie (1981), Miles Davis (1986), Tony Bennett (2003), Natalie Cole (2011), Patti Austin (2012), and Sonny Rollins (2012). ","The first Festival, Mayport and all that Jazz, was held in 1980, named after the fishing village of Mayport near Jacksonville Beach. It was a one-day celebration featuring music and seafood, and sponsored by the City of Jacksonville. After its second year, the venue was moved to Metropolitan Park in downtown Jacksonville and was co-sponsored by the local public broadcasting affiliate WJCT. In 1983, the Great American Jazz Piano Competition was added as the Festival's opening event. After the 1984 concert the Festival was solely produced by WJCT and became known officially as the Jacksonville Jazz Festival. After a hiatus in 2001 and 2002 the City of Jacksonville once again sponsored the Festival in 2003 and has continued since. Over the years the event has included a piano competition, 5 km run, educational activities, talks, jazz jams, and multi-location concerts at various downtown venues. In 2020, due to the COVID-19 pandemic, the Festival was canceled.\n   ","The collection consists of the following series: ","Brochures/fliers, including promotional pamphlets, booklets, and flyers.","General Admission tickets.","Invitations to events during the Jacksonville Jazz Festival.","Media packets which include schedules, musician biographies, and musician photographs.","Newspaper articles/supplements about the Jacksonville Jazz Festival.","Official Stationery of the Jacksonville Jazz Festival with the logo.","Parking Passes for the Jacksonville Jazz Festival.","Photographs of events at the Jacksonville Jazz Festival.","Postcards with images from the commemorative posters.","Posters including the official commemorative posters and promotional posters with musician and venue information.","Programs, which are divided into two subseries: the Offical Programs with schedules and musician information, and the annual Jazz Piano Competion Programs.","Souvenirs and memorabilia, which are divided into subseries: Apparel (tee shirts and hats), Buttons/Pins, Cups/Cup Holders, Gift Bags, and   Lanyards (some with attached admission passes).","The series are arranged alphabetically; chronologically within each series/folder. ","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Jacksonville Jazz Festival","English"],"unitid_tesim":["2007.001","/repositories/3/resources/52"],"normalized_date_ssm":["1981-2014"],"normalized_title_ssm":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"collection_title_tesim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"collection_ssim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["Jacksonville Jazz Festival"],"creator_ssim":["Jacksonville Jazz Festival"],"creator_corpname_ssim":["Jacksonville Jazz Festival"],"creators_ssim":["Jacksonville Jazz Festival"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Jacksonville Jazz Festival sponsors, WJCT, and City of Jacksonville beginning in 1981"],"access_subjects_ssim":["Mayport and All That Jazz Festival (1981 : Jacksonville, Fla.)","Jazz--Florida--Jacksonville","Jazz festivals--Florida--Jacksonville"],"access_subjects_ssm":["Mayport and All That Jazz Festival (1981 : Jacksonville, Fla.)","Jazz--Florida--Jacksonville","Jazz festivals--Florida--Jacksonville"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThe Jacksonville Jazz Festival is a popular musical event held annually in Jacksonville, Florida that has grown into a major event with attendance in excess of 10,000. The Festival has featured a variety of local, national, and international performers over the years including jazz legends Dizzy Gillespie (1981), Miles Davis (1986), Tony Bennett (2003), Natalie Cole (2011), Patti Austin (2012), and Sonny Rollins (2012). \u003c/p\u003e\n","\u003cp\u003eThe first Festival, Mayport and all that Jazz, was held in 1980, named after the fishing village of Mayport near Jacksonville Beach. It was a one-day celebration featuring music and seafood, and sponsored by the City of Jacksonville. After its second year, the venue was moved to Metropolitan Park in downtown Jacksonville and was co-sponsored by the local public broadcasting affiliate WJCT. In 1983, the Great American Jazz Piano Competition was added as the Festival's opening event. After the 1984 concert the Festival was solely produced by WJCT and became known officially as the Jacksonville Jazz Festival. After a hiatus in 2001 and 2002 the City of Jacksonville once again sponsored the Festival in 2003 and has continued since. Over the years the event has included a piano competition, 5 km run, educational activities, talks, jazz jams, and multi-location concerts at various downtown venues. In 2020, due to the COVID-19 pandemic, the Festival was canceled.\n   \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Jacksonville Jazz Festival is a popular musical event held annually in Jacksonville, Florida that has grown into a major event with attendance in excess of 10,000. The Festival has featured a variety of local, national, and international performers over the years including jazz legends Dizzy Gillespie (1981), Miles Davis (1986), Tony Bennett (2003), Natalie Cole (2011), Patti Austin (2012), and Sonny Rollins (2012). ","The first Festival, Mayport and all that Jazz, was held in 1980, named after the fishing village of Mayport near Jacksonville Beach. It was a one-day celebration featuring music and seafood, and sponsored by the City of Jacksonville. After its second year, the venue was moved to Metropolitan Park in downtown Jacksonville and was co-sponsored by the local public broadcasting affiliate WJCT. In 1983, the Great American Jazz Piano Competition was added as the Festival's opening event. After the 1984 concert the Festival was solely produced by WJCT and became known officially as the Jacksonville Jazz Festival. After a hiatus in 2001 and 2002 the City of Jacksonville once again sponsored the Festival in 2003 and has continued since. Over the years the event has included a piano competition, 5 km run, educational activities, talks, jazz jams, and multi-location concerts at various downtown venues. In 2020, due to the COVID-19 pandemic, the Festival was canceled.\n   "],"prefercite_html_tesm":["\u003cp\u003eJacksonville Jazz Festival Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Jacksonville Jazz Festival Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of the following series: \u003c/p\u003e\n","\u003cp\u003eBrochures/fliers, including promotional pamphlets, booklets, and flyers.\u003c/p\u003e\n","\u003cp\u003eGeneral Admission tickets.\u003c/p\u003e\n","\u003cp\u003eInvitations to events during the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003eMedia packets which include schedules, musician biographies, and musician photographs.\u003c/p\u003e\n","\u003cp\u003eNewspaper articles/supplements about the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003eOfficial Stationery of the Jacksonville Jazz Festival with the logo.\u003c/p\u003e\n","\u003cp\u003eParking Passes for the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003ePhotographs of events at the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003ePostcards with images from the commemorative posters.\u003c/p\u003e\n","\u003cp\u003ePosters including the official commemorative posters and promotional posters with musician and venue information.\u003c/p\u003e\n","\u003cp\u003ePrograms, which are divided into two subseries: the Offical Programs with schedules and musician information, and the annual Jazz Piano Competion Programs.\u003c/p\u003e\n","\u003cp\u003eSouvenirs and memorabilia, which are divided into subseries: Apparel (tee shirts and hats), Buttons/Pins, Cups/Cup Holders, Gift Bags, and   Lanyards (some with attached admission passes).\u003c/p\u003e\n","\u003cp\u003eThe series are arranged alphabetically; chronologically within each series/folder. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of the following series: ","Brochures/fliers, including promotional pamphlets, booklets, and flyers.","General Admission tickets.","Invitations to events during the Jacksonville Jazz Festival.","Media packets which include schedules, musician biographies, and musician photographs.","Newspaper articles/supplements about the Jacksonville Jazz Festival.","Official Stationery of the Jacksonville Jazz Festival with the logo.","Parking Passes for the Jacksonville Jazz Festival.","Photographs of events at the Jacksonville Jazz Festival.","Postcards with images from the commemorative posters.","Posters including the official commemorative posters and promotional posters with musician and venue information.","Programs, which are divided into two subseries: the Offical Programs with schedules and musician information, and the annual Jazz Piano Competion Programs.","Souvenirs and memorabilia, which are divided into subseries: Apparel (tee shirts and hats), Buttons/Pins, Cups/Cup Holders, Gift Bags, and   Lanyards (some with attached admission passes).","The series are arranged alphabetically; chronologically within each series/folder. "],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives","Jacksonville Jazz Festival"],"corpname_ssim":["UNF Library Special Collections and University Archives","Jacksonville Jazz Festival"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":209,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860570070089728,"_root_":"7a810d7561261a3999010a98","timestamp":"2026-07-16T08:47:55.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7a810d7561261a3999010a98_aspace_835ba00a6238e44124c4ef0b7f4ef556"}},{"id":"2326334e5e159c8d459e96a3_aspace_37326","type":"Subseries","attributes":{"title":"La Prensa, 2000-2008.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37326#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37326","ref_ssm":["aspace_37326","aspace_37326"],"id":"2326334e5e159c8d459e96a3_aspace_37326","title_filing_ssi":"La Prensa","title_ssm":["La Prensa"],"title_tesim":["La Prensa"],"unitdate_other_ssim":["2000-2008."],"normalized_date_ssm":["2000-2008."],"normalized_title_ssm":["La Prensa, 2000-2008."],"text":["La Prensa, 2000-2008.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","Sub-Series 6","/repositories/4/archival_objects/2312"],"component_level_isim":[3],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37102"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 6","/repositories/4/archival_objects/2312"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":201,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#0/components#5","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37102","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37326"}},{"id":"61657dca6e05f30cb549ce7a_aspace_87e0128ba8b75138e917ca968487213f","type":"Subseries","attributes":{"title":"L.A. Raulerson Seminar Building","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_87e0128ba8b75138e917ca968487213f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_87e0128ba8b75138e917ca968487213f","ref_ssm":["aspace_87e0128ba8b75138e917ca968487213f","aspace_87e0128ba8b75138e917ca968487213f"],"id":"61657dca6e05f30cb549ce7a_aspace_87e0128ba8b75138e917ca968487213f","title_filing_ssi":"L.A. Raulerson Seminar Building","title_ssm":["L.A. Raulerson Seminar Building"],"title_tesim":["L.A. Raulerson Seminar Building"],"normalized_title_ssm":["L.A. Raulerson Seminar Building"],"text":["L.A. Raulerson Seminar Building","Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 4","Administrative Buildings","/repositories/4/archival_objects/949"],"component_level_isim":[3],"parent_ids_ssim":["61657dca6e05f30cb549ce7a","61657dca6e05f30cb549ce7a_aspace_aae1c407801943ed7efdf602f48432af","61657dca6e05f30cb549ce7a_aspace_f498abc4ffb7457ae8d815d85cb67748"],"parent_unittitles_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 4","Administrative Buildings"],"parent_unittitles_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 4","Administrative Buildings"],"parent_levels_ssm":["collection","Box ","Series"],"unitid_ssm":["/repositories/4/archival_objects/949"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":138,"parent_access_restrict_tesm":["This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material"],"parent_access_terms_tesm":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"_nest_path_":"/components#3/components#1/components#2","_nest_parent_":"61657dca6e05f30cb549ce7a_aspace_f498abc4ffb7457ae8d815d85cb67748","_root_":"61657dca6e05f30cb549ce7a","_version_":1873201808878338048,"timestamp":"2026-08-11T05:00:54.566Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"61657dca6e05f30cb549ce7a","title_ssm":["Florida Southern College Buildings \u0026 Grounds"],"title_tesim":["Florida Southern College Buildings \u0026 Grounds"],"ead_ssi":"61657dca6e05f30cb549ce7a","unitdate_ssm":["1922-2024"],"unitdate_inclusive_ssm":["1922-2024"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA6000","/repositories/4/resources/39"],"text":["CA6000","/repositories/4/resources/39","Florida Southern College Buildings \u0026 Grounds, 1922-2024","College buildings—Florida—Lakeland","Florida Southern College--History.","Frank Lloyd Wright—Influence","Campus planning—Florida—Lakeland","Architectural drawings","This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material","The files in this collection are arranged in the following series. Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.","\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary.","Former Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format.","The files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland.","This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA6000","/repositories/4/resources/39"],"normalized_date_ssm":["1922-2024"],"normalized_title_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_title_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"access_subjects_ssim":["College buildings—Florida—Lakeland","Florida Southern College--History.","Frank Lloyd Wright—Influence","Campus planning—Florida—Lakeland","Architectural drawings"],"access_subjects_ssm":["College buildings—Florida—Lakeland","Florida Southern College--History.","Frank Lloyd Wright—Influence","Campus planning—Florida—Lakeland","Architectural drawings"],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet"],"extent_tesim":["6.25 Linear Feet"],"genreform_ssim":["Architectural drawings"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material"],"arrangement_html_tesm":["\u003cp\u003eThe files in this collection are arranged in the following series. Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.\u003c/p\u003e\n","\u003cp\u003e\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The files in this collection are arranged in the following series. Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.","\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary."],"odd_html_tesm":["\u003cp\u003eFormer Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Former Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format."],"scopecontent_html_tesm":["\u003cp\u003eThe files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":565,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873201808878338048,"_root_":"61657dca6e05f30cb549ce7a","timestamp":"2026-08-11T05:00:54.566Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_87e0128ba8b75138e917ca968487213f"}},{"id":"59327c0abe5aee857a5586d7_aspace_e038f0cfb954d6d31093de9fb4c8ab28","type":"Subseries","attributes":{"title":"Large Format Films., 1994, 1996, 1998-2001, Undated.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_e038f0cfb954d6d31093de9fb4c8ab28#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e038f0cfb954d6d31093de9fb4c8ab28","ref_ssm":["aspace_e038f0cfb954d6d31093de9fb4c8ab28","aspace_e038f0cfb954d6d31093de9fb4c8ab28"],"id":"59327c0abe5aee857a5586d7_aspace_e038f0cfb954d6d31093de9fb4c8ab28","title_filing_ssi":"Large Format Films.","title_ssm":["Large Format Films."],"title_tesim":["Large Format Films."],"unitdate_inclusive_ssm":["1994, 1996, 1998-2001, Undated."],"normalized_date_ssm":["1994, 1996, 1998-2001, Undated."],"normalized_title_ssm":["Large Format Films., 1994, 1996, 1998-2001, Undated."],"text":["Large Format Films., 1994, 1996, 1998-2001, Undated.","Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005.","/repositories/4/archival_objects/71404"],"component_level_isim":[3],"parent_ids_ssim":["59327c0abe5aee857a5586d7","59327c0abe5aee857a5586d7_aspace_75fd1a9aac41d2150339e31aea23f6f5","59327c0abe5aee857a5586d7_aspace_a7a22ae08c63f53e06d590e86c5ed46a"],"parent_unittitles_ssm":["Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005."],"parent_unittitles_tesim":["Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/71404"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":3839,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#6/components#0/components#200","_nest_parent_":"59327c0abe5aee857a5586d7_aspace_a7a22ae08c63f53e06d590e86c5ed46a","_root_":"59327c0abe5aee857a5586d7","_version_":1870858054322356224,"timestamp":"2026-07-16T08:07:55.983Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"59327c0abe5aee857a5586d7","title_ssm":["Harrison \"Buzz\" Price papers"],"title_tesim":["Harrison \"Buzz\" Price papers"],"ead_ssi":"59327c0abe5aee857a5586d7","unitdate_ssm":["1948-2006"],"unitdate_inclusive_ssm":["1948-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 047","/repositories/4/resources/299"],"text":["SC 047","/repositories/4/resources/299","Harrison \"Buzz\" Price papers, 1948-2006","Disneyland (Calif.)","Walt Disney World (Fla.)","Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)","The entire collection is open for research.","Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection .","The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000","Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. ","Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.","Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.","UCF Special Collections","Harrison Price Company","Price, Harrison","English"],"unitid_tesim":["SC 047","/repositories/4/resources/299"],"normalized_date_ssm":["1948-2006"],"normalized_title_ssm":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_title_tesim":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Price, Harrison"],"creator_ssim":["Price, Harrison"],"creator_persname_ssim":["Price, Harrison"],"creators_ssim":["Price, Harrison"],"places_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Harrison A. Price in 2003 (Accession no. CFM2003_12). Additional materials were donated in July 2005 (Accession no. CFM2005_19)."],"access_subjects_ssim":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"access_subjects_ssm":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["178.9 Linear Feet 357 boxes, 8 flat files"],"extent_tesim":["178.9 Linear Feet 357 boxes, 8 flat files"],"genreform_ssim":["photographs","official reports","proposals","research (documents)","speeches (documents)"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eSome reports have been made available online via the \u003cextref href=\"https://stars.library.ucf.edu/buzzprice/\"\u003eHarrison \"Buzz\" Price Digital Collection\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies "],"altformavail_tesim":["Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: \n\u003cul style=\"list-style-type: none\"\u003e\n\u003cli\u003eI. Reports, 1952-2003 \u003c/li\u003e\n\u003cli\u003eII. Proposals, 1978-2001\u003c/li\u003e\n\u003cli\u003eIII. Speeches, 1966-2006\u003c/li\u003e \n\u003cli\u003eIV. World's Fairs, 1974-1989\u003c/li\u003e\n\u003cli\u003eV. Images, 1964-1997\u003c/li\u003e \n\u003cli\u003eVI. Subject Research Materials, 1960-1995\u003c/li\u003e \n\u003cli\u003eVII. Project Research Materials, 1948-2005\u003c/li\u003e \n\u003cli\u003eVIII. Price Company Files, 1963-2000\u003c/li\u003e \n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note "],"arrangement_tesim":["The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000"],"bioghist_html_tesm":["\u003cp\u003eHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information "],"bioghist_tesim":["Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":["Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01FALSC_UCF:UCF\u0026amp;tab=Everything\u0026amp;docid=alma990223015270306596\"\u003eWalt's revolution! : by the numbers.\u003c/extref\u003e\u003c/emph\u003e Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004."],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   \u003c/p\u003e\n","\u003cp\u003eThis collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \u003c/p\u003e\n","\u003cp\u003eSeries I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. \u003c/p\u003e\n","\u003cp\u003eSeries II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. \u003c/p\u003e\n","\u003cp\u003eSeries IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  \u003c/p\u003e\n","\u003cp\u003eSeries VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  \u003c/p\u003e\n","\u003cp\u003eSeries VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. \u003c/p\u003e\n","\u003cp\u003eSeries VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f301b4d6cd4750973558e5e365ab2d20\" label=\"Abstract \"\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.\u003c/abstract\u003e"],"abstract_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89."],"names_coll_ssim":["Harrison Price Company"],"names_ssim":["UCF Special Collections","Harrison Price Company","Price, Harrison"],"corpname_ssim":["UCF Special Collections","Harrison Price Company"],"persname_ssim":["Price, Harrison"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4991,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858054322356224,"_root_":"59327c0abe5aee857a5586d7","timestamp":"2026-07-16T08:07:55.983Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_e038f0cfb954d6d31093de9fb4c8ab28"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":331},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","value":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jonas+and+Edna+Kamlet+%2F+Kamlet+Laboratories+records%2C+1913-1989%2C+Date+acquired%3A+00%2F00%2F2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"The Florida Citrus Mutual Minute Books, 1949-2011","value":"The Florida Citrus Mutual Minute Books, 1949-2011","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=The+Florida+Citrus+Mutual+Minute+Books%2C+1949-2011\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"FAU Student Newspapers Collection, 1964 - 2017","value":"FAU Student Newspapers Collection, 1964 - 2017","hits":121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=FAU+Student+Newspapers+Collection%2C+1964+-+2017\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Photograph collection, bulk 1883-1977","value":"Florida Photograph collection, bulk 1883-1977","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Photograph+collection%2C+bulk+1883-1977\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","value":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Southern+College+Buildings+%26+Grounds%2C+1922-2024\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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