{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=218\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=217\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=219\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660\u0026view=compact"},"meta":{"pages":{"current_page":218,"next_page":219,"prev_page":217,"total_pages":660,"limit_value":10,"offset_value":2170,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"594bca4a1d2981fe4985bec3_aspace_60c25f0815061557e273eb281c909805","type":"Subseries","attributes":{"title":"Flash Points, 2018","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/594bca4a1d2981fe4985bec3_aspace_60c25f0815061557e273eb281c909805#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_60c25f0815061557e273eb281c909805","ref_ssm":["aspace_60c25f0815061557e273eb281c909805","aspace_60c25f0815061557e273eb281c909805"],"id":"594bca4a1d2981fe4985bec3_aspace_60c25f0815061557e273eb281c909805","title_filing_ssi":"Flash Points","title_ssm":["Flash Points"],"title_tesim":["Flash Points"],"unitdate_other_ssim":["2018"],"normalized_date_ssm":["2018"],"normalized_title_ssm":["Flash Points, 2018"],"text":["Flash Points, 2018","David Hagberg collection, 1987-2021","Added Materials, 2020","Sub-Series 9","/repositories/2/archival_objects/137151"],"component_level_isim":[2],"parent_ids_ssim":["594bca4a1d2981fe4985bec3","594bca4a1d2981fe4985bec3_aspace_86fce003ed330feeccf82f63acac8c0a"],"parent_unittitles_ssm":["David Hagberg collection, 1987-2021","Added Materials, 2020"],"parent_unittitles_tesim":["David Hagberg collection, 1987-2021","Added Materials, 2020"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 9","/repositories/2/archival_objects/137151"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["David Hagberg collection, 1987-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":840,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#9/components#8","_nest_parent_":"594bca4a1d2981fe4985bec3_aspace_86fce003ed330feeccf82f63acac8c0a","_root_":"594bca4a1d2981fe4985bec3","timestamp":"2026-07-08T05:17:40.806Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"594bca4a1d2981fe4985bec3","title_ssm":["David Hagberg collection"],"title_tesim":["David Hagberg collection"],"ead_ssi":"594bca4a1d2981fe4985bec3","unitdate_ssm":["1987-2021"],"unitdate_inclusive_ssm":["1987-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1987-02","/repositories/2/resources/554"],"text":["MS-1987-02","/repositories/2/resources/554","David Hagberg collection, 1987-2021","Middle East","Soviet Union","Crime -- Fiction","Authors, American -- Florida","Authors -- Correspondence","Authors, American -- 20th century","Espionage fiction","Additional materials added in 2010, 2014, and 2019.","This collection is arranged into eight (8) series: General, Correspondence, Publicity, Speaker's Connection, Early Writings, Unpublished Works, Published Works, and Oversized.","Hagberg's typewriter is also included as part of the collection, as are two documents held electronically: \"Notes on a conversation in New York with Boris Gindin\" and \"A Synopsis of Novel Burned.\"","A former Cryptographer with the United States Air Force, David Hagberg (1942-2019) worked as a news reporter and news desk editor before turning to freelance writing. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 2"],"_nest_path_":"/components#0/components#8","_nest_parent_":"237e378719d8938417a3468e_aspace_14020","_root_":"237e378719d8938417a3468e","_version_":1870841646859419648,"timestamp":"2026-07-16T03:47:08.669Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"237e378719d8938417a3468e","title_ssm":["Miriam and Roman Waldman Music Collection"],"title_tesim":["Miriam and Roman Waldman Music Collection"],"ead_ssi":"237e378719d8938417a3468e","unitdate_ssm":["1900-1940"],"unitdate_inclusive_ssm":["1900-1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00004","/repositories/2/resources/113"],"text":["PMC00004","/repositories/2/resources/113","Miriam and Roman Waldman Music Collection, 1900-1940","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","By composer","In 2011, this collection was processed by Alexey Kuharskiy.","The Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00004","/repositories/2/resources/113"],"normalized_date_ssm":["1900-1940"],"normalized_title_ssm":["Miriam and Roman Waldman Music Collection, 1900-1940"],"collection_title_tesim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"collection_ssim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["4.50 Linear Feet","9 boxes other_unmapped"],"extent_tesim":["4.50 Linear Feet","9 boxes other_unmapped"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eBy composer\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["By composer"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection was processed by Alexey Kuharskiy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection was processed by Alexey Kuharskiy."],"scopecontent_html_tesm":["\u003cp\u003eThe Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":233,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841646859419648,"_root_":"237e378719d8938417a3468e","timestamp":"2026-07-16T03:47:08.669Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/237e378719d8938417a3468e_aspace_14056"}},{"id":"6bc22408d7fb9b28495c9a3f_aspace_82264","type":"Subseries","attributes":{"title":"Fleming Hall","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6bc22408d7fb9b28495c9a3f_aspace_82264#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82264","ref_ssm":["aspace_82264","aspace_82264"],"id":"6bc22408d7fb9b28495c9a3f_aspace_82264","title_filing_ssi":"Fleming Hall","title_ssm":["Fleming Hall"],"title_tesim":["Fleming Hall"],"normalized_title_ssm":["Fleming Hall"],"text":["Fleming Hall","Office of the President -- Dr. Glenwood L. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 3"],"_nest_path_":"/components#0/components#5","_nest_parent_":"6bc22408d7fb9b28495c9a3f_aspace_82181","_root_":"6bc22408d7fb9b28495c9a3f","_version_":1870841911314481152,"timestamp":"2026-07-16T03:51:20.874Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6bc22408d7fb9b28495c9a3f","title_ssm":["Office of the President -- Dr. Glenwood L. Creech"],"title_tesim":["Office of the President -- Dr. Glenwood L. Creech"],"ead_ssi":"6bc22408d7fb9b28495c9a3f","unitdate_ssm":["1973-1983","1973-1983"],"unitdate_bulk_ssim":["1973-1983"],"unitdate_inclusive_ssm":["1973-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00009","/repositories/2/resources/26"],"text":["UA00009","/repositories/2/resources/26","Office of the President -- Dr. Glenwood L. Creech, 1973-1983, bulk 1973-1983","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Chronological","Available Formats: Print and Digital","Annaleah Morse updated this collection in 2016. In 2010, Leslie Siegel and Victoria Thur processed this collection.","In 1973, Dr. Glenwood L. Creech became Florida Atlantic University's second president.  The new president hailed from the University of Kentucky, where he had been vice president of university relations. Dr. Creech was ideally suited to tackle the urgent challenge of increasing financial support for FAU. To encourage substantial private donations, the state had introduced a program that would match every gift of $600,000 made to endow an Eminent Scholar Chair with $400,000 in state funds, boosting the value of the donation to $1 million. Dr. Creech used this leveraging tool with great success, and FAU soon became the state leader in the procurement of these endowed chairs. ","Dr. Creech's records reflect his internal and external University responsibilities as chief administrative officer of the University. The records include correspondence, memoranda, reports, minutes, agendas, clippings, photographs, publications, and other materials created and compiled by the Office of the President.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00009","/repositories/2/resources/26"],"normalized_date_ssm":["1973-1983, bulk 1973-1983"],"normalized_title_ssm":["Office of the President -- Dr. Glenwood L. Creech, 1973-1983, bulk 1973-1983"],"collection_title_tesim":["Office of the President -- Dr. Glenwood L. Creech, 1973-1983, bulk 1973-1983"],"collection_ssim":["Office of the President -- Dr. Glenwood L. Creech, 1973-1983, bulk 1973-1983"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["4.00 boxes","2 linear feet other_unmapped"],"extent_tesim":["4.00 boxes","2 linear feet other_unmapped"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"odd_html_tesm":["\u003cp\u003eAvailable Formats: Print and Digital\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["Available Formats: Print and Digital"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eAnnaleah Morse updated this collection in 2016. In 2010, Leslie Siegel and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Annaleah Morse updated this collection in 2016. In 2010, Leslie Siegel and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eIn 1973, Dr. Glenwood L. Creech became Florida Atlantic University's second president.\u0026#xA0; The new president hailed from the University of Kentucky, where he had been vice president of university relations. Dr. Creech was ideally suited to tackle the urgent challenge of increasing financial support for FAU. To encourage substantial private donations, the state had introduced a program that would match every gift of $600,000 made to endow an Eminent Scholar Chair with $400,000 in state funds, boosting the value of the donation to $1 million. Dr. Creech used this leveraging tool with great success, and FAU soon became the state leader in the procurement of these endowed chairs. \u003c/p\u003e\n","\u003cp\u003eDr. Creech's records reflect his internal and external University responsibilities as chief administrative officer of the University. The records include correspondence, memoranda, reports, minutes, agendas, clippings, photographs, publications, and other materials created and compiled by the Office of the President.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 1973, Dr. Glenwood L. Creech became Florida Atlantic University's second president.  The new president hailed from the University of Kentucky, where he had been vice president of university relations. Dr. Creech was ideally suited to tackle the urgent challenge of increasing financial support for FAU. To encourage substantial private donations, the state had introduced a program that would match every gift of $600,000 made to endow an Eminent Scholar Chair with $400,000 in state funds, boosting the value of the donation to $1 million. Dr. Creech used this leveraging tool with great success, and FAU soon became the state leader in the procurement of these endowed chairs. ","Dr. Creech's records reflect his internal and external University responsibilities as chief administrative officer of the University. The records include correspondence, memoranda, reports, minutes, agendas, clippings, photographs, publications, and other materials created and compiled by the Office of the President."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":147,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841911314481152,"_root_":"6bc22408d7fb9b28495c9a3f","timestamp":"2026-07-16T03:51:20.874Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6bc22408d7fb9b28495c9a3f_aspace_82264"}},{"id":"a79c840ed87d42961e583cf1_aspace_82648","type":"Subseries","attributes":{"title":"Floor Waxes, Paraffin Waxes","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_82648#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82648","ref_ssm":["aspace_82648","aspace_82648"],"id":"a79c840ed87d42961e583cf1_aspace_82648","title_filing_ssi":"Floor Waxes, Paraffin Waxes","title_ssm":["Floor Waxes, Paraffin Waxes"],"title_tesim":["Floor Waxes, Paraffin Waxes"],"normalized_title_ssm":["Floor Waxes, Paraffin Waxes"],"text":["Floor Waxes, Paraffin Waxes","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders","Sub-Series 15","/repositories/2/archival_objects/121144"],"component_level_isim":[2],"parent_ids_ssim":["a79c840ed87d42961e583cf1","a79c840ed87d42961e583cf1_aspace_7673"],"parent_unittitles_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_unittitles_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 15","/repositories/2/archival_objects/121144"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":322,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2/components#14","_nest_parent_":"a79c840ed87d42961e583cf1_aspace_7673","_root_":"a79c840ed87d42961e583cf1","_version_":1870863518701453312,"timestamp":"2026-07-16T09:34:47.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a79c840ed87d42961e583cf1","title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"ead_ssi":"a79c840ed87d42961e583cf1","unitdate_ssm":["1913-1989","Date acquired: 00/00/2006"],"unitdate_inclusive_ssm":["1913-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-10","/repositories/2/resources/535"],"text":["MS-2006-10","/repositories/2/resources/535","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Chemical engineering laboratories","The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides.","Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07","This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.","USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna","English"],"unitid_tesim":["MS-2006-10","/repositories/2/resources/535"],"normalized_date_ssm":["1913-1989, Date acquired: 00/00/2006"],"normalized_title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creators_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edna Rodgers","Donation."],"access_subjects_ssim":["Chemical engineering laboratories"],"access_subjects_ssm":["Chemical engineering laboratories"],"has_online_content_ssim":["false"],"extent_ssm":["177.00 Linear Feet","232 boxes"],"extent_tesim":["177.00 Linear Feet","232 boxes"],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe following are four ways in which the series were arranged.\u003c/p\u003e\n","\u003cp\u003eBy subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. \u003c/p\u003e\n","\u003cp\u003eFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003eMaterials are organized into folders by format, subject, and original folder number.\u0026#xA0; The subject headings of each folder are the headings applied to the original folders by the Kamlets.\u0026#xA0; (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.\u0026#xA0; Contents inside folders are organized chronologically when applicable.\u0026#xA0; Some folders contain the format denotation \"Notes to Users.\"\u0026#xA0; Folders with this title contain index cards that were often found attached to the original manila envelopes.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.\u0026#xA0; The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.\u0026#xA0; The index cards that are a part of this finding mechanism are organized alphabetically by subject.\u0026#xA0; Contact an archivist for assistance with this secondary finding aid.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eMaterials have been arranged with regards to their original order.\u0026#xA0; Organized by subject.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.\u0026#xA0; Contact an archivist for assistance with these supplemental guides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides."],"bioghist_html_tesm":["\u003cp\u003eJonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.\u0026#xA0; The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.\u0026#xA0; The laboratory also provided consultation services to a variety of businesses.\u0026#xA0; Edna Kamlet continued the laboratory's work following the death of her husband in 1960.\u0026#xA0; She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.\u003c/p\u003e\n","\u003cp\u003eMartin, D. \u0026amp; Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44\u003c/p\u003e\n","\u003cp\u003eUSF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf\u003c/p\u003e\n","\u003cp\u003eNote written by BMB 10/1/07\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07"],"prefercite_html_tesm":["\u003cp\u003eKamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  .\u003c/p\u003e"],"prefercite_tesim":["Kamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is a compilation of eight finding aids. Each finding aid represents a series.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003e1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.\u0026#xA0; A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.\u003c/p\u003e\n","\u003cp\u003e2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.\u0026#xA0; Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.\u003c/p\u003e\n","\u003cp\u003e4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003e5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.\u0026#xA0; The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u003c/p\u003e\n","\u003cp\u003e8.\u0026#xA0; \u0026#xA0;\u0026#xA0; Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f163370d009d8390608d15228d74d825\" label=\"Abstract\"\u003eThis collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks."],"names_ssim":["USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4072,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863518701453312,"_root_":"a79c840ed87d42961e583cf1","timestamp":"2026-07-16T09:34:47.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_82648"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72891","type":"Subseries","attributes":{"title":"Floppy Disks, 1982.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72891#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72891","ref_ssm":["aspace_72891","aspace_72891"],"id":"f3a395395ce4b16d754d4a5b_aspace_72891","title_filing_ssi":"Floppy Disks","title_ssm":["Floppy Disks"],"title_tesim":["Floppy Disks"],"unitdate_other_ssim":["1982."],"normalized_date_ssm":["1982."],"normalized_title_ssm":["Floppy Disks, 1982."],"text":["Floppy Disks, 1982.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Sub-Series 2","/repositories/4/archival_objects/8412"],"component_level_isim":[4],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72858","f3a395395ce4b16d754d4a5b_aspace_72886"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Sub-Series 2","/repositories/4/archival_objects/8412"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":40,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#1/components#2/components#1","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72886","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection"],"ead_ssi":"f3a395395ce4b16d754d4a5b","unitdate_ssm":["1973-2018","1973-1991"],"unitdate_bulk_ssim":["1973-1991"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.109","/repositories/4/resources/43"],"text":["SC.109","/repositories/4/resources/43","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"geogname_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"places_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Thomas E. Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72891"}},{"id":"236a3c88b766327883b2e155_aspace_ee4672089f3c25f83abc25e42b5f1487","type":"Subseries","attributes":{"title":"Flora","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_ee4672089f3c25f83abc25e42b5f1487#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ee4672089f3c25f83abc25e42b5f1487","ref_ssm":["aspace_ee4672089f3c25f83abc25e42b5f1487","aspace_ee4672089f3c25f83abc25e42b5f1487"],"id":"236a3c88b766327883b2e155_aspace_ee4672089f3c25f83abc25e42b5f1487","title_filing_ssi":"Flora","title_ssm":["Flora"],"title_tesim":["Flora"],"normalized_title_ssm":["Flora"],"text":["Flora","Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings","/repositories/4/archival_objects/87838","/repositories/4/archival_objects/91194"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_3303cbe5b1b51a02ba6be97aa8f0f912"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87838","/repositories/4/archival_objects/91194"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":247,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#4/components#2","_nest_parent_":"236a3c88b766327883b2e155_aspace_3303cbe5b1b51a02ba6be97aa8f0f912","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_ee4672089f3c25f83abc25e42b5f1487"}},{"id":"9295ab59f6671b5f8925101a_aspace_73486","type":"Subseries","attributes":{"title":"Florida","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73486#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_73486","ref_ssm":["aspace_73486","aspace_73486"],"id":"9295ab59f6671b5f8925101a_aspace_73486","title_filing_ssi":"Florida","title_ssm":["Florida"],"title_tesim":["Florida"],"normalized_title_ssm":["Florida"],"text":["Florida","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Audrey Howell Photograph Collection","Sub-Series 6","/repositories/2/archival_objects/49779","box 15"],"component_level_isim":[2],"parent_ids_ssim":["9295ab59f6671b5f8925101a","9295ab59f6671b5f8925101a_aspace_73314"],"parent_unittitles_ssm":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Audrey Howell Photograph Collection"],"parent_unittitles_tesim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Audrey Howell Photograph Collection"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 6","/repositories/2/archival_objects/49779"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":700,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 15"],"_nest_path_":"/components#2/components#5","_nest_parent_":"9295ab59f6671b5f8925101a_aspace_73314","_root_":"9295ab59f6671b5f8925101a","_version_":1870841756013035520,"timestamp":"2026-07-16T03:48:52.675Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9295ab59f6671b5f8925101a","title_ssm":["Marion Rinhart Photographs Collection"],"title_tesim":["Marion Rinhart Photographs Collection"],"ead_ssi":"9295ab59f6671b5f8925101a","unitdate_ssm":["1860-1952","1875-1934"],"unitdate_bulk_ssim":["1875-1934"],"unitdate_inclusive_ssm":["1860-1952"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00026","/repositories/2/resources/146"],"text":["SPC00026","/repositories/2/resources/146","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Leslie Siegel processed this collection.","This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Marion Rinhart","English"],"unitid_tesim":["SPC00026","/repositories/2/resources/146"],"normalized_date_ssm":["1860-1952, bulk 1875-1934"],"normalized_title_ssm":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"collection_title_tesim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"collection_ssim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Marion Rinhart"],"creator_ssim":["Marion Rinhart"],"creator_persname_ssim":["Marion Rinhart"],"creators_ssim":["Marion Rinhart"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"extent_tesim":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Leslie Siegel processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Leslie Siegel processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.\u0026#xA0; The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami, \u003cextref href=\"http://proust.library.miami.edu/favicon.ico\"\u003eOtto Richter Library\u003c/extref\u003e in Coral Gables, Florida.\u003c/p\u003e\n","\u003cp\u003eThe Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Marion Rinhart"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Marion Rinhart"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841756013035520,"_root_":"9295ab59f6671b5f8925101a","timestamp":"2026-07-16T03:48:52.675Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73486"}},{"id":"9295ab59f6671b5f8925101a_aspace_73580","type":"Subseries","attributes":{"title":"Florida","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73580#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_73580","ref_ssm":["aspace_73580","aspace_73580"],"id":"9295ab59f6671b5f8925101a_aspace_73580","title_filing_ssi":"Florida","title_ssm":["Florida"],"title_tesim":["Florida"],"normalized_title_ssm":["Florida"],"text":["Florida","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Travel and Leisure Photograph Collection","Sub-Series 6","/repositories/2/archival_objects/49751","box 16"],"component_level_isim":[2],"parent_ids_ssim":["9295ab59f6671b5f8925101a","9295ab59f6671b5f8925101a_aspace_73498"],"parent_unittitles_ssm":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Travel and Leisure Photograph Collection"],"parent_unittitles_tesim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Travel and Leisure Photograph Collection"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 6","/repositories/2/archival_objects/49751"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":788,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 16"],"_nest_path_":"/components#3/components#5","_nest_parent_":"9295ab59f6671b5f8925101a_aspace_73498","_root_":"9295ab59f6671b5f8925101a","_version_":1870841756013035520,"timestamp":"2026-07-16T03:48:52.675Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9295ab59f6671b5f8925101a","title_ssm":["Marion Rinhart Photographs Collection"],"title_tesim":["Marion Rinhart Photographs Collection"],"ead_ssi":"9295ab59f6671b5f8925101a","unitdate_ssm":["1860-1952","1875-1934"],"unitdate_bulk_ssim":["1875-1934"],"unitdate_inclusive_ssm":["1860-1952"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00026","/repositories/2/resources/146"],"text":["SPC00026","/repositories/2/resources/146","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Leslie Siegel processed this collection.","This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Marion Rinhart","English"],"unitid_tesim":["SPC00026","/repositories/2/resources/146"],"normalized_date_ssm":["1860-1952, bulk 1875-1934"],"normalized_title_ssm":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"collection_title_tesim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"collection_ssim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Marion Rinhart"],"creator_ssim":["Marion Rinhart"],"creator_persname_ssim":["Marion Rinhart"],"creators_ssim":["Marion Rinhart"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"extent_tesim":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Leslie Siegel processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Leslie Siegel processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.\u0026#xA0; The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami, \u003cextref href=\"http://proust.library.miami.edu/favicon.ico\"\u003eOtto Richter Library\u003c/extref\u003e in Coral Gables, Florida.\u003c/p\u003e\n","\u003cp\u003eThe Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Marion Rinhart"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Marion Rinhart"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841756013035520,"_root_":"9295ab59f6671b5f8925101a","timestamp":"2026-07-16T03:48:52.675Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73580"}},{"id":"736d7f706c8659e077e0657e_aspace_b1fc2661952947eab4b747db495748af","type":"Subseries","attributes":{"title":"Florida","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/736d7f706c8659e077e0657e_aspace_b1fc2661952947eab4b747db495748af#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b1fc2661952947eab4b747db495748af","ref_ssm":["aspace_b1fc2661952947eab4b747db495748af","aspace_b1fc2661952947eab4b747db495748af"],"id":"736d7f706c8659e077e0657e_aspace_b1fc2661952947eab4b747db495748af","title_filing_ssi":"Florida","title_ssm":["Florida"],"title_tesim":["Florida"],"normalized_title_ssm":["Florida"],"text":["Florida","Southwest Florida Map Collection, 1925-2017","Southwest Florida Regional Planning Council Map Collection, 1920-2020","/repositories/2/archival_objects/56490","Maps","Case [case] 15","drawer [drawer] 02"],"component_level_isim":[2],"parent_ids_ssim":["736d7f706c8659e077e0657e","736d7f706c8659e077e0657e_aspace_f08cd93fdec84db48232866a700bff50"],"parent_unittitles_ssm":["Southwest Florida Map Collection, 1925-2017","Southwest Florida Regional Planning Council Map Collection, 1920-2020"],"parent_unittitles_tesim":["Southwest Florida Map Collection, 1925-2017","Southwest Florida Regional Planning Council Map Collection, 1920-2020"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/56490"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Southwest Florida Map Collection, 1925-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":45,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":4132,"parent_access_restrict_tesm":["The collection is open for research."],"access_subjects_ssim":["Maps"],"access_subjects_ssm":["Maps"],"containers_ssim":["Case [case] 15","drawer [drawer] 02"],"_nest_path_":"/components#0/components#20","_nest_parent_":"736d7f706c8659e077e0657e_aspace_f08cd93fdec84db48232866a700bff50","_root_":"736d7f706c8659e077e0657e","_version_":1870843606641672192,"timestamp":"2026-07-16T04:18:17.623Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"736d7f706c8659e077e0657e","title_filing_ssi":"Southwest Florida Map Collection","title_ssm":["Southwest Florida Map Collection"],"title_tesim":["Southwest Florida Map Collection"],"ead_ssi":"736d7f706c8659e077e0657e","unitdate_ssm":["1925-2017"],"unitdate_inclusive_ssm":["1925-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02","/repositories/2/resources/101"],"text":["02","/repositories/2/resources/101","Southwest Florida Map Collection, 1925-2017","Aerial photography","Maps","The collection is open for research.","The Southwest Florida Map Collection is arranged alphabetically by the collections from which the maps originate.","The Southwest Florida Map Collection is a format-based collection that compiles maps and map-related ephemera from across our collections. The maps within the collection largely document the social, environmental, and ecological change of Southwest Florida from the early 20th century into the 21st. The collection contains topographic maps, hand-drawn maps, and aerial photography. Of particular note is the selection of material that depicts the Southwest Florida coast south of Tampa Bay.","Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council","English"],"unitid_tesim":["02","/repositories/2/resources/101"],"normalized_date_ssm":["1925-2017"],"normalized_title_ssm":["Southwest Florida Map Collection, 1925-2017"],"collection_title_tesim":["Southwest Florida Map Collection, 1925-2017"],"collection_ssim":["Southwest Florida Map Collection, 1925-2017"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"creator_ssm":["Southwest Florida Regional Planning Council"],"creator_ssim":["Southwest Florida Regional Planning Council"],"creator_corpname_ssim":["Southwest Florida Regional Planning Council"],"creators_ssim":["Southwest Florida Regional Planning Council"],"access_subjects_ssim":["Aerial photography","Maps"],"access_subjects_ssm":["Aerial photography","Maps"],"has_online_content_ssim":["false"],"extent_ssm":["22 Cubic Feet archival boxes","61 Cubic Feet flat file cabinets"],"extent_tesim":["22 Cubic Feet archival boxes","61 Cubic Feet flat file cabinets"],"dimensions_tesim":["16.25 in x 13 in x 10.5 in","Each drawer is 32 in x 44 in x 3 in."],"genreform_ssim":["Maps"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Southwest Florida Map Collection is arranged alphabetically by the collections from which the maps originate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Southwest Florida Map Collection is arranged alphabetically by the collections from which the maps originate."],"otherfindaid_html_tesm":["\u003cp\u003eOther finding aids related to the collection include, but are not limited to the \u003ca href=\"https://archives.fgcu.edu/resources/__020620\"\u003eKevin Erwin Ecological Collection\u003c/a\u003e, the \u003ca href=\"https://archives.fgcu.edu/resources/__020129\"\u003eFloridiana Collection\u003c/a\u003e, the \u003ca href=\"https://archives.fgcu.edu/resources/01-01-01\"\u003eUniversity Site Selection and Development Collection\u003c/a\u003e, and the  \u003ca href=\"https://archives.fgcu.edu/resources/02-03-11\"\u003eSouthwest Florida Regional Planning Council Collection\u003c/a\u003e.\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["Other finding aids related to the collection include, but are not limited to the  Kevin Erwin Ecological Collection , the  Floridiana Collection , the  University Site Selection and Development Collection , and the   Southwest Florida Regional Planning Council Collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Southwest Florida Map Collection is a format-based collection that compiles maps and map-related ephemera from across our collections. The maps within the collection largely document the social, environmental, and ecological change of Southwest Florida from the early 20th century into the 21st. The collection contains topographic maps, hand-drawn maps, and aerial photography. Of particular note is the selection of material that depicts the Southwest Florida coast south of Tampa Bay.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Southwest Florida Map Collection is a format-based collection that compiles maps and map-related ephemera from across our collections. The maps within the collection largely document the social, environmental, and ecological change of Southwest Florida from the early 20th century into the 21st. The collection contains topographic maps, hand-drawn maps, and aerial photography. Of particular note is the selection of material that depicts the Southwest Florida coast south of Tampa Bay."],"names_coll_ssim":["Southwest Florida Regional Planning Council"],"names_ssim":["Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council"],"corpname_ssim":["Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843606641672192,"_root_":"736d7f706c8659e077e0657e","timestamp":"2026-07-16T04:18:17.623Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/736d7f706c8659e077e0657e_aspace_b1fc2661952947eab4b747db495748af"}},{"id":"9b1a44caeacea9fdc5f72fbb_aspace_112472","type":"Subseries","attributes":{"title":"Florida","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_112472#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_112472","ref_ssm":["aspace_112472","aspace_112472"],"id":"9b1a44caeacea9fdc5f72fbb_aspace_112472","title_filing_ssi":"Florida","title_ssm":["Florida"],"title_tesim":["Florida"],"normalized_title_ssm":["Florida"],"text":["Florida","Theodore Pratt Collection, 1901-2025","Research Materials","Sub-Series 6.1","/repositories/2/archival_objects/55914"],"component_level_isim":[2],"parent_ids_ssim":["9b1a44caeacea9fdc5f72fbb","9b1a44caeacea9fdc5f72fbb_aspace_112471"],"parent_unittitles_ssm":["Theodore Pratt Collection, 1901-2025","Research Materials"],"parent_unittitles_tesim":["Theodore Pratt Collection, 1901-2025","Research Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 6.1","/repositories/2/archival_objects/55914"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":55,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2388,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#5/components#0","_nest_parent_":"9b1a44caeacea9fdc5f72fbb_aspace_112471","_root_":"9b1a44caeacea9fdc5f72fbb","_version_":1870841986919956480,"timestamp":"2026-07-16T03:52:32.760Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b1a44caeacea9fdc5f72fbb","title_ssm":["Theodore Pratt Collection"],"title_tesim":["Theodore Pratt Collection"],"ead_ssi":"9b1a44caeacea9fdc5f72fbb","unitdate_ssm":["1901-2025"],"unitdate_inclusive_ssm":["1901-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00022","/repositories/2/resources/154"],"text":["SPC00022","/repositories/2/resources/154","Theodore Pratt Collection, 1901-2025","Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood","English"],"unitid_tesim":["SPC00022","/repositories/2/resources/154"],"normalized_date_ssm":["1901-2025"],"normalized_title_ssm":["Theodore Pratt Collection, 1901-2025"],"collection_title_tesim":["Theodore Pratt Collection, 1901-2025"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Theodore Pratt","Taylor Hagood"],"creator_ssim":["Theodore Pratt","Taylor Hagood"],"creator_persname_ssim":["Theodore Pratt","Taylor Hagood"],"creators_ssim":["Theodore Pratt","Taylor Hagood"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney."],"scopecontent_html_tesm":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Theodore Pratt","Taylor Hagood"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4096,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841986919956480,"_root_":"9b1a44caeacea9fdc5f72fbb","timestamp":"2026-07-16T03:52:32.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_112472"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":331},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","value":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jonas+and+Edna+Kamlet+%2F+Kamlet+Laboratories+records%2C+1913-1989%2C+Date+acquired%3A+00%2F00%2F2006\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"The Florida Citrus Mutual Minute Books, 1949-2011","value":"The Florida Citrus Mutual Minute Books, 1949-2011","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=The+Florida+Citrus+Mutual+Minute+Books%2C+1949-2011\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"FAU Student Newspapers Collection, 1964 - 2017","value":"FAU Student Newspapers Collection, 1964 - 2017","hits":121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=FAU+Student+Newspapers+Collection%2C+1964+-+2017\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Florida Photograph collection, bulk 1883-1977","value":"Florida Photograph collection, bulk 1883-1977","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Photograph+collection%2C+bulk+1883-1977\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","value":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Southern+College+Buildings+%26+Grounds%2C+1922-2024\u0026f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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