{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=186\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=185\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=187\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=660\u0026view=compact"},"meta":{"pages":{"current_page":186,"next_page":187,"prev_page":185,"total_pages":660,"limit_value":10,"offset_value":1850,"total_count":6594,"first_page?":false,"last_page?":false}},"data":[{"id":"2973af21683c370c5ba9f524_aspace_718c397bb270c41ed735b61bfca8ca7a","type":"Subseries","attributes":{"title":"D. Other, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2973af21683c370c5ba9f524_aspace_718c397bb270c41ed735b61bfca8ca7a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_718c397bb270c41ed735b61bfca8ca7a","ref_ssm":["aspace_718c397bb270c41ed735b61bfca8ca7a","aspace_718c397bb270c41ed735b61bfca8ca7a"],"id":"2973af21683c370c5ba9f524_aspace_718c397bb270c41ed735b61bfca8ca7a","title_filing_ssi":"D. Other","title_ssm":["D. Other"],"title_tesim":["D. Other"],"unitdate_other_ssim":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["D. Other, undated"],"text":["D. Other, undated","Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated, 1817, 1850-1880, 1920-2011, undated","III.  Photographs, 1925-1992, undated","/repositories/4/archival_objects/10008"],"component_level_isim":[2],"parent_ids_ssim":["2973af21683c370c5ba9f524","2973af21683c370c5ba9f524_aspace_12889883b94aad69c47559eb0098df5f"],"parent_unittitles_ssm":["Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated, 1817, 1850-1880, 1920-2011, undated","III.  Photographs, 1925-1992, undated"],"parent_unittitles_tesim":["Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated, 1817, 1850-1880, 1920-2011, undated","III.  Photographs, 1925-1992, undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/10008"],"repository_ssim":["Allen Lastinger Center for Florida History"],"collection_ssim":["Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated, 1817, 1850-1880, 1920-2011, undated"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":305,"parent_access_restrict_tesm":["The copies of oral histories in box 42 are restricted; permission from the State Archives of Florida must be received before access can be granted. The rest of the collection is open for use."],"_nest_path_":"/components#2/components#3","_nest_parent_":"2973af21683c370c5ba9f524_aspace_12889883b94aad69c47559eb0098df5f","_root_":"2973af21683c370c5ba9f524","timestamp":"2026-05-01T03:02:12.563Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2973af21683c370c5ba9f524","title_ssm":["Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated"],"title_tesim":["Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated"],"ead_ssi":"2973af21683c370c5ba9f524","unitdate_ssm":["1817, 1850-1880, 1920-2011, undated"],"unitdate_inclusive_ssm":["1817, 1850-1880, 1920-2011, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2","/repositories/4/resources/87"],"text":["MSS 2","/repositories/4/resources/87","Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated, 1817, 1850-1880, 1920-2011, undated","Banks and banking--Florida--History.","Banks and banking","Jacksonville (Fla.)--History.","The copies of oral histories in box 42 are restricted; permission from the State Archives of Florida must be received before access can be granted. The rest of the collection is open for use.","I. Administrative Records Meetings and Meeting Minutes Reports Speeches and Presentations Other","II. Marketing and Publications Records Newsletters Advertisements Other","III. Photographs Personal Names Groups Places Other","\nIV. Awards and Honors\n\nV. Other\n\nVI. Barnett Bank Historic Preservation Foundation","Barnett Bank Alumni. \"Home\". Accessed 13 March 2025.  http://barnettbankalumni.org/.","Foley, Bill. \"Bank rooted in city's past, present.\" Florida Times Union, 14 Sept. 1997, p. B-1. Gale Business: Insights, link.gale.com/apps/doc/A57468647/GBIB?u=jack91990\u0026sid=bookmark-GBIB\u0026xid=0b45e5dc. Accessed 3 Apr. 2025.","Ginzl, David J.  Images of America: Barnett Bank . Arcadia Publishing, 2000.","Ginzl, David J. \"William B. Barnett and Sons: Florida Banking Pioneers.\"  The Florida Historical Quarterly  79, no. 1 (2000): 26–46.","Ginzl, David J.  Barnett: The Story of \"Florida's Bank\" . University of Tampa Press, 2001.","Wikipedia contributors, \"Barnett Bank,\" Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Barnett_Bank\u0026oldid=1282646517 (accessed April 2, 2025).","Barnett Bank was founded by William B. Barnett (1824-1903) on May 7, 1877, as the Bank of Jacksonville, in Jacksonville, Florida. It was a slow start, until 1881, when the state of Florida's depository accounts were moved to the Bank of Jacksonville.  As a result, all state warrants were stamped \"Payable at the Bank of Jacksonville\", which was good for both advertising and business (Ginzl, William B, 36).  In May 1888, the bank was renamed the National Bank of Jacksonville (Ginzl, William B, 37). In 1903, bank president and founder William B. Barnett died, and his son Bion took over as president, and other son, William D., became vice president.  William D.'s son, Harlow, took his grandfather's spot on the board of directors (Ginzl, William B. 42-45).","In 1908, the bank became Barnett National Bank, after receiving a national bank charter (Ginzl, Images 7-8). In 1930, the Barnett National Securities Corporation was created as a subsidiary of the bank, as a way for Barnett to expand outside of Jacksonville, starting with DeLand, Cocoa, Avon Park, and St. Augustine (Ginzl, Images 32).  In 1963, Guy W. Botts was elected bank preseident, and oversaw an \"aggresssive acquisition program that by 1979 had transformed the company into a $3.6 billion multi-bank powerhouse with 120 offices in counties contaning more than 85% of Florida's population\" (Ginzl, Images 8).  This included purchasing 34 banks, and obtaining new banking charters to open 19 more within a decade.  In 1969, the Barnett National Securities Corporation became Barnett Banks of Florida, Inc. (BBFI), and received an exclusive state-wide license to operate the BankAmericard (now Visa).  By the end of the year, over 1,000,000 Floridians had the card (Ginzl, Images 67-68).  On December 17, 1979, Barnett Bank was listed on the New York Stock Exchange (Ginzl, The Story, 377).","In 1979, Charlie Rice became bank president, a position he would hold for 18 years.  During this time, the bank formed a lobbying committee, Barnett People for Better Government, to lobby state and national officials for the passage of beneficial banking industry legislation.  In 1996, Barnett was able to successfully challenge a state ruling before the Supreme Court, that sought to prevent it from selling insurance (Ginzl, Images 113-114).  In 1990, Allen Lastinger became president and chief operating officer of the bank (Ginzl, The Story, 300).  In 1997, Barnett Bank was sold to NationsBank,  with the merger finalized on January 9, 1998 (Ginzl, Images 114). At the time of the sale, Barnett's annual payroll was $225,000,000 for 6,800 employees (Foley).  Later that same year, NationsBank merged with Bank America Corporation, becoming Bank of America (Wikipedia).","The Barnett Historic Preservation Foundation, Inc., was founded in December 1997, with the goal of preserving the historical legacy of Barnett Bank. The Foundation's mission was to \"collect records, photographs, and memorabilia and give these materials to the Florida State Archives in Tallahassee where they will become a valuable resource for future historians and researchers\" (Barnett Bank Alumni).  It is unclear when the Foundation was disbanded. ","Items were removed from frames and three ring binders, and placed in acid free folders.  Archival sleeves were used as needed.  Items with customers' personal identifying information were removed from the collection and disposed of per state records guidelines, or were redacted.","The Barnett Banks collection contains records by or about Barnett Banks. While the majority of the collection was created by Barnett Bank during the course of business, some of the materials are about or by people involved in the bank.  Researchers should note that these records are not comprehensive.  This collection has been divided into six series.","Series I. Administrative Records  contains records created by or for the executive management team during the course of daily business.  It has been divided into four subseries.   Subseries A. Meetings and Meeting  Minutes  contains meeting notices and meeting minutes.  Subseries B. Reports  contains annual reports and one-off reports.   Subseries C. Speeches and Presentations  contains speeches and presentations made by various executives.   Subseries D. Other  contains chronologies of the bank, Barnett Credit Services, Inc. records, resolutions, correspondence, and plans.","Series II. Marketing and Publication Records  contains material created by the marketing, publications, or related departments.  This series has been divided into three subseries.   Subseries A. Newsletters  contains the Barnett Banks newsletters: Banaba; BFN Action; Action; Barnett Action; Barnett Action Advantage; Barnett Economic Health; Barnett Point of Interest; and Point of Interest.  Subseries B. Advertisements  contains items such as broadsides, and promotional and branded items given away with the bank advertised on them.","Series III. Photographs  contains photographs of people and places.  It should be noted that a number of the photographs are reproductions.  This series has been divided into four subseries.   Subseries A. Personal Name  contains photographs that have been arranged by the name of the individual featured in them.  These are arranged alphabetically by last name.   Subseries B. Groups  contains photographs of groups of people.  Places   contains interior and exterior photographs of the banks.  Also included are images of window and lobby displays.  The images in box five are reproductions that were glued to a board for an exhibit in the Thomas G. Carpenter Library at one point.  The items were imaged in their frames before the frames were removed.   Subseries D. Other  contains a mounted reproduction of an annual report cover page.","Series IV. Awards and Honors  contains awards, honors, and commendations given to Barnett Banks.","Series V. Other  contains miscellaneous items such as examples of customer checks and account books; items from the bank's historic currency collection; notes from Allen Lastinger; and training tapes.","Series VI.  Barnett Bank Historic Preservation Foundation  contains items compiled by the foundation.  It includes postcards of banks, genealogy of the Barnett family, paintings, and oral histories.","Allen Lastinger Center for Florida History","Barnett Banks, Inc","English"],"unitid_tesim":["MSS 2","/repositories/4/resources/87"],"normalized_date_ssm":["1817, 1850-1880, 1920-2011, undated"],"normalized_title_ssm":["Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated, 1817, 1850-1880, 1920-2011, undated"],"collection_title_tesim":["Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated, 1817, 1850-1880, 1920-2011, undated"],"collection_ssim":["Barnett Banks Collection, 1817, 1850-1880, 1920-2011, undated, 1817, 1850-1880, 1920-2011, undated"],"repository_ssm":["Allen Lastinger Center for Florida History"],"repository_ssim":["Allen Lastinger Center for Florida History"],"creator_ssm":["Barnett Banks, Inc"],"creator_ssim":["Barnett Banks, Inc"],"creator_corpname_ssim":["Barnett Banks, Inc"],"creators_ssim":["Barnett Banks, Inc"],"acqinfo_ssim":["The material in boxes one to 23, and the two paintings on canvas were donated by David Ginzl on behalf of Barnett Historic Preservation Foundation, Inc., to the University of North Florida's Special Collections and University Archives on February 10, 1999 (Acc 1999.001).  It was previously cataloged as  M99-1 .  Three binders of material, now in box 16 folders 4 to 13, and box 17 were donated by Gwen S. Broughton to the University of North Florida's Special Collections and University Archives on May 25, 2021 (Acc 2021.002). It is unclear if the photographic reproductions in box five are part of Acc 1999.001, or arrived at a later date.  It is also unclear who donated the newspaper clippings dated 2000-2010. Four VHS tapes in box 37, were donated by Ilene A. Seide on July 1, 2024 (Acc 2024.001).  The rest of the material was donated by Allen Lastinger on February 22, 2024 (Acc 2023.002). ","Bound print materials were moved to the Allen Lastinger Center for Florida History's print collection and can be found by searching the online catalog."],"access_subjects_ssim":["Banks and banking--Florida--History.","Banks and banking","Jacksonville (Fla.)--History."],"access_subjects_ssm":["Banks and banking--Florida--History.","Banks and banking","Jacksonville (Fla.)--History."],"has_online_content_ssim":["false"],"extent_ssm":["39.93 Linear Feet 45 boxes, 2 hanging items"],"extent_tesim":["39.93 Linear Feet 45 boxes, 2 hanging items"],"accessrestrict_html_tesm":["\u003cp\u003eThe copies of oral histories in box 42 are restricted; permission from the State Archives of Florida must be received before access can be granted. The rest of the collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The copies of oral histories in box 42 are restricted; permission from the State Archives of Florida must be received before access can be granted. The rest of the collection is open for use."],"arrangement_html_tesm":["\u003clist numeration=\"upperalpha\" type=\"ordered\"\u003e\n      \u003chead\u003eI. Administrative Records\u003c/head\u003e\n      \u003citem\u003eMeetings and Meeting Minutes\u003c/item\u003e\n      \u003citem\u003eReports\u003c/item\u003e\n      \u003citem\u003eSpeeches and Presentations\u003c/item\u003e\n      \u003citem\u003eOther\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"upperalpha\" type=\"ordered\"\u003e\n      \u003chead\u003eII. Marketing and Publications Records\u003c/head\u003e\n      \u003citem\u003eNewsletters\u003c/item\u003e\n      \u003citem\u003eAdvertisements\u003c/item\u003e\n      \u003citem\u003eOther\u003c/item\u003e\n    \u003c/list\u003e","\u003clist numeration=\"upperalpha\" type=\"ordered\"\u003e\n      \u003chead\u003eIII. Photographs\u003c/head\u003e\n      \u003citem\u003ePersonal Names\u003c/item\u003e\n      \u003citem\u003eGroups\u003c/item\u003e\n      \u003citem\u003ePlaces\u003c/item\u003e\n      \u003citem\u003eOther\u003c/item\u003e\n    \u003c/list\u003e","\u003cemph render=\"bold\"\u003e\nIV. Awards and Honors\n\nV. Other\n\nVI. Barnett Bank Historic Preservation Foundation\u003c/emph\u003e"],"arrangement_heading_ssm":["Series List"],"arrangement_tesim":["I. Administrative Records Meetings and Meeting Minutes Reports Speeches and Presentations Other","II. Marketing and Publications Records Newsletters Advertisements Other","III. Photographs Personal Names Groups Places Other","\nIV. Awards and Honors\n\nV. Other\n\nVI. Barnett Bank Historic Preservation Foundation"],"bibliography_html_tesm":["\u003cp\u003eBarnett Bank Alumni. \"Home\". Accessed 13 March 2025.  http://barnettbankalumni.org/.\u003c/p\u003e\n","\u003cp\u003eFoley, Bill. \"Bank rooted in city's past, present.\" Florida Times Union, 14 Sept. 1997, p. B-1. Gale Business: Insights, link.gale.com/apps/doc/A57468647/GBIB?u=jack91990\u0026amp;sid=bookmark-GBIB\u0026amp;xid=0b45e5dc. Accessed 3 Apr. 2025.\u003c/p\u003e\n","\u003cp\u003eGinzl, David J. \u003cemph render=\"italic\"\u003eImages of America: Barnett Bank\u003c/emph\u003e. Arcadia Publishing, 2000.\u003c/p\u003e\n","\u003cp\u003eGinzl, David J. \"William B. Barnett and Sons: Florida Banking Pioneers.\" \u003cemph render=\"italic\"\u003eThe Florida Historical Quarterly\u003c/emph\u003e 79, no. 1 (2000): 26\u0026#x2013;46.\u003c/p\u003e\n","\u003cp\u003eGinzl, David J. \u003cemph render=\"italic\"\u003eBarnett: The Story of \"Florida's Bank\"\u003c/emph\u003e. University of Tampa Press, 2001.\u003c/p\u003e\n","\u003cp\u003eWikipedia contributors, \"Barnett Bank,\" Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Barnett_Bank\u0026amp;oldid=1282646517 (accessed April 2, 2025).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Barnett Bank Alumni. \"Home\". Accessed 13 March 2025.  http://barnettbankalumni.org/.","Foley, Bill. \"Bank rooted in city's past, present.\" Florida Times Union, 14 Sept. 1997, p. B-1. Gale Business: Insights, link.gale.com/apps/doc/A57468647/GBIB?u=jack91990\u0026sid=bookmark-GBIB\u0026xid=0b45e5dc. Accessed 3 Apr. 2025.","Ginzl, David J.  Images of America: Barnett Bank . Arcadia Publishing, 2000.","Ginzl, David J. \"William B. Barnett and Sons: Florida Banking Pioneers.\"  The Florida Historical Quarterly  79, no. 1 (2000): 26–46.","Ginzl, David J.  Barnett: The Story of \"Florida's Bank\" . University of Tampa Press, 2001.","Wikipedia contributors, \"Barnett Bank,\" Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Barnett_Bank\u0026oldid=1282646517 (accessed April 2, 2025)."],"bioghist_html_tesm":["\u003cp\u003eBarnett Bank was founded by William B. Barnett (1824-1903) on May 7, 1877, as the Bank of Jacksonville, in Jacksonville, Florida. It was a slow start, until 1881, when the state of Florida's depository accounts were moved to the Bank of Jacksonville.  As a result, all state warrants were stamped \"Payable at the Bank of Jacksonville\", which was good for both advertising and business (Ginzl, William B, 36).  In May 1888, the bank was renamed the National Bank of Jacksonville (Ginzl, William B, 37). In 1903, bank president and founder William B. Barnett died, and his son Bion took over as president, and other son, William D., became vice president.  William D.'s son, Harlow, took his grandfather's spot on the board of directors (Ginzl, William B. 42-45).\u003c/p\u003e\n","\u003cp\u003eIn 1908, the bank became Barnett National Bank, after receiving a national bank charter (Ginzl, Images 7-8). In 1930, the Barnett National Securities Corporation was created as a subsidiary of the bank, as a way for Barnett to expand outside of Jacksonville, starting with DeLand, Cocoa, Avon Park, and St. Augustine (Ginzl, Images 32).  In 1963, Guy W. Botts was elected bank preseident, and oversaw an \"aggresssive acquisition program that by 1979 had transformed the company into a $3.6 billion multi-bank powerhouse with 120 offices in counties contaning more than 85% of Florida's population\" (Ginzl, Images 8).  This included purchasing 34 banks, and obtaining new banking charters to open 19 more within a decade.  In 1969, the Barnett National Securities Corporation became Barnett Banks of Florida, Inc. (BBFI), and received an exclusive state-wide license to operate the BankAmericard (now Visa).  By the end of the year, over 1,000,000 Floridians had the card (Ginzl, Images 67-68).  On December 17, 1979, Barnett Bank was listed on the New York Stock Exchange (Ginzl, The Story, 377).\u003c/p\u003e\n","\u003cp\u003eIn 1979, Charlie Rice became bank president, a position he would hold for 18 years.  During this time, the bank formed a lobbying committee, Barnett People for Better Government, to lobby state and national officials for the passage of beneficial banking industry legislation.  In 1996, Barnett was able to successfully challenge a state ruling before the Supreme Court, that sought to prevent it from selling insurance (Ginzl, Images 113-114).  In 1990, Allen Lastinger became president and chief operating officer of the bank (Ginzl, The Story, 300).  In 1997, Barnett Bank was sold to NationsBank,  with the merger finalized on January 9, 1998 (Ginzl, Images 114). At the time of the sale, Barnett's annual payroll was $225,000,000 for 6,800 employees (Foley).  Later that same year, NationsBank merged with Bank America Corporation, becoming Bank of America (Wikipedia).\u003c/p\u003e\n","\u003cp\u003eThe Barnett Historic Preservation Foundation, Inc., was founded in December 1997, with the goal of preserving the historical legacy of Barnett Bank. The Foundation's mission was to \"collect records, photographs, and memorabilia and give these materials to the Florida State Archives in Tallahassee where they will become a valuable resource for future historians and researchers\" (Barnett Bank Alumni).  It is unclear when the Foundation was disbanded. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Barnett Bank was founded by William B. Barnett (1824-1903) on May 7, 1877, as the Bank of Jacksonville, in Jacksonville, Florida. It was a slow start, until 1881, when the state of Florida's depository accounts were moved to the Bank of Jacksonville.  As a result, all state warrants were stamped \"Payable at the Bank of Jacksonville\", which was good for both advertising and business (Ginzl, William B, 36).  In May 1888, the bank was renamed the National Bank of Jacksonville (Ginzl, William B, 37). In 1903, bank president and founder William B. Barnett died, and his son Bion took over as president, and other son, William D., became vice president.  William D.'s son, Harlow, took his grandfather's spot on the board of directors (Ginzl, William B. 42-45).","In 1908, the bank became Barnett National Bank, after receiving a national bank charter (Ginzl, Images 7-8). In 1930, the Barnett National Securities Corporation was created as a subsidiary of the bank, as a way for Barnett to expand outside of Jacksonville, starting with DeLand, Cocoa, Avon Park, and St. Augustine (Ginzl, Images 32).  In 1963, Guy W. Botts was elected bank preseident, and oversaw an \"aggresssive acquisition program that by 1979 had transformed the company into a $3.6 billion multi-bank powerhouse with 120 offices in counties contaning more than 85% of Florida's population\" (Ginzl, Images 8).  This included purchasing 34 banks, and obtaining new banking charters to open 19 more within a decade.  In 1969, the Barnett National Securities Corporation became Barnett Banks of Florida, Inc. (BBFI), and received an exclusive state-wide license to operate the BankAmericard (now Visa).  By the end of the year, over 1,000,000 Floridians had the card (Ginzl, Images 67-68).  On December 17, 1979, Barnett Bank was listed on the New York Stock Exchange (Ginzl, The Story, 377).","In 1979, Charlie Rice became bank president, a position he would hold for 18 years.  During this time, the bank formed a lobbying committee, Barnett People for Better Government, to lobby state and national officials for the passage of beneficial banking industry legislation.  In 1996, Barnett was able to successfully challenge a state ruling before the Supreme Court, that sought to prevent it from selling insurance (Ginzl, Images 113-114).  In 1990, Allen Lastinger became president and chief operating officer of the bank (Ginzl, The Story, 300).  In 1997, Barnett Bank was sold to NationsBank,  with the merger finalized on January 9, 1998 (Ginzl, Images 114). At the time of the sale, Barnett's annual payroll was $225,000,000 for 6,800 employees (Foley).  Later that same year, NationsBank merged with Bank America Corporation, becoming Bank of America (Wikipedia).","The Barnett Historic Preservation Foundation, Inc., was founded in December 1997, with the goal of preserving the historical legacy of Barnett Bank. The Foundation's mission was to \"collect records, photographs, and memorabilia and give these materials to the Florida State Archives in Tallahassee where they will become a valuable resource for future historians and researchers\" (Barnett Bank Alumni).  It is unclear when the Foundation was disbanded. "],"otherfindaid_html_tesm":["\u003cp\u003eBarnett Bank of Avon Park records, 1930-1955. State Archives of Florida. Accessed 11 April 2025. http://archivescatalog.info.florida.gov/default.asp?IDCFile=/fsa/detailsS.IDC,SPECIFIC=2930,DATABASE=SERIES,\u003c/p\u003e\n","\u003cp\u003eBarnett National Bank of DeLand minutes, 1929-1947. State Archives of Florida. Accessed 11 April 2025. http://archivescatalog.info.florida.gov/default.asp?IDCFile=/fsa/detailsS.IDC,SPECIFIC=2933,DATABASE=SERIES,\u003c/p\u003e\n","\u003cp\u003eBarnett Bank of Jacksonville Records, 1877-1998.  State Archives of Florida.  Accessed 11 April 2025. http://archivescatalog.info.florida.gov/default.asp?IDCFile=/fsa/detailsS.IDC,SPECIFIC=2920,DATABASE=SERIES,\u003c/p\u003e\n","\u003cp\u003eMadeleine L'Engle papers, Sophia Smith Collection, SSC-MS-00801, Smith College Special Collections, Northampton, Massachusetts. https://findingaids.smith.edu/repositories/2/resources/1618 Accessed April 11, 2025.\u003c/p\u003e\n","\u003cp\u003eRecords of Allen L. Lastinger, Jr., President and COO, 1973-1998.  State Archives of Florida.  Accessed 11 April 2025. http://archivescatalog.info.florida.gov/default.asp?IDCFile=/fsa/detailsS.IDC,SPECIFIC=2946,DATABASE=SERIES,\u003c/p\u003e"],"otherfindaid_heading_ssm":["Related Archival Materials"],"otherfindaid_tesim":["Barnett Bank of Avon Park records, 1930-1955. State Archives of Florida. Accessed 11 April 2025. http://archivescatalog.info.florida.gov/default.asp?IDCFile=/fsa/detailsS.IDC,SPECIFIC=2930,DATABASE=SERIES,","Barnett National Bank of DeLand minutes, 1929-1947. State Archives of Florida. Accessed 11 April 2025. http://archivescatalog.info.florida.gov/default.asp?IDCFile=/fsa/detailsS.IDC,SPECIFIC=2933,DATABASE=SERIES,","Barnett Bank of Jacksonville Records, 1877-1998.  State Archives of Florida.  Accessed 11 April 2025. http://archivescatalog.info.florida.gov/default.asp?IDCFile=/fsa/detailsS.IDC,SPECIFIC=2920,DATABASE=SERIES,","Madeleine L'Engle papers, Sophia Smith Collection, SSC-MS-00801, Smith College Special Collections, Northampton, Massachusetts. https://findingaids.smith.edu/repositories/2/resources/1618 Accessed April 11, 2025.","Records of Allen L. Lastinger, Jr., President and COO, 1973-1998.  State Archives of Florida.  Accessed 11 April 2025. http://archivescatalog.info.florida.gov/default.asp?IDCFile=/fsa/detailsS.IDC,SPECIFIC=2946,DATABASE=SERIES,"],"prefercite_html_tesm":["\u003cp\u003eFor permission to publish from this collection, please contact lib-alcfh@unf.edu.\u003c/p\u003e","\u003cp\u003eBarnett Banks Collection, MSS 2.  Courtesy of Allen Lastinger Center for Florida History, Thomas G. Carpenter Library, University of North Florida.\u003c/p\u003e"],"prefercite_tesim":["For permission to publish from this collection, please contact lib-alcfh@unf.edu.","Barnett Banks Collection, MSS 2.  Courtesy of Allen Lastinger Center for Florida History, Thomas G. Carpenter Library, University of North Florida."],"processinfo_html_tesm":["\u003cp\u003eItems were removed from frames and three ring binders, and placed in acid free folders.  Archival sleeves were used as needed.  Items with customers' personal identifying information were removed from the collection and disposed of per state records guidelines, or were redacted.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Items were removed from frames and three ring binders, and placed in acid free folders.  Archival sleeves were used as needed.  Items with customers' personal identifying information were removed from the collection and disposed of per state records guidelines, or were redacted."],"scopecontent_html_tesm":["\u003cp\u003eThe Barnett Banks collection contains records by or about Barnett Banks. While the majority of the collection was created by Barnett Bank during the course of business, some of the materials are about or by people involved in the bank.  Researchers should note that these records are not comprehensive.  This collection has been divided into six series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I. Administrative Records\u003c/emph\u003e contains records created by or for the executive management team during the course of daily business.  It has been divided into four subseries.  \u003cemph render=\"bold\"\u003eSubseries A. Meetings and Meeting  Minutes\u003c/emph\u003e contains meeting notices and meeting minutes. \u003cemph render=\"bold\"\u003eSubseries B. Reports\u003c/emph\u003e contains annual reports and one-off reports.  \u003cemph render=\"bold\"\u003eSubseries C. Speeches and Presentations\u003c/emph\u003e contains speeches and presentations made by various executives.  \u003cemph render=\"bold\"\u003eSubseries D. Other\u003c/emph\u003e contains chronologies of the bank, Barnett Credit Services, Inc. records, resolutions, correspondence, and plans.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II. Marketing and Publication Records\u003c/emph\u003e contains material created by the marketing, publications, or related departments.  This series has been divided into three subseries.  \u003cemph render=\"bold\"\u003eSubseries A. Newsletters\u003c/emph\u003e contains the Barnett Banks newsletters: Banaba; BFN Action; Action; Barnett Action; Barnett Action Advantage; Barnett Economic Health; Barnett Point of Interest; and Point of Interest. \u003cemph render=\"bold\"\u003eSubseries B. Advertisements\u003c/emph\u003e contains items such as broadsides, and promotional and branded items given away with the bank advertised on them.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III. Photographs\u003c/emph\u003e contains photographs of people and places.  It should be noted that a number of the photographs are reproductions.  This series has been divided into four subseries.  \u003cemph render=\"bold\"\u003eSubseries A. Personal Name\u003c/emph\u003e contains photographs that have been arranged by the name of the individual featured in them.  These are arranged alphabetically by last name.  \u003cemph render=\"bold\"\u003eSubseries B. Groups\u003c/emph\u003e contains photographs of groups of people. \u003cemph render=\"bold\"\u003ePlaces\u003c/emph\u003e  contains interior and exterior photographs of the banks.  Also included are images of window and lobby displays.  The images in box five are reproductions that were glued to a board for an exhibit in the Thomas G. Carpenter Library at one point.  The items were imaged in their frames before the frames were removed.  \u003cemph render=\"bold\"\u003eSubseries D. Other\u003c/emph\u003e contains a mounted reproduction of an annual report cover page.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV. Awards and Honors\u003c/emph\u003e contains awards, honors, and commendations given to Barnett Banks.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V. Other\u003c/emph\u003e contains miscellaneous items such as examples of customer checks and account books; items from the bank's historic currency collection; notes from Allen Lastinger; and training tapes.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VI.  Barnett Bank Historic Preservation Foundation\u003c/emph\u003e contains items compiled by the foundation.  It includes postcards of banks, genealogy of the Barnett family, paintings, and oral histories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Barnett Banks collection contains records by or about Barnett Banks. While the majority of the collection was created by Barnett Bank during the course of business, some of the materials are about or by people involved in the bank.  Researchers should note that these records are not comprehensive.  This collection has been divided into six series.","Series I. Administrative Records  contains records created by or for the executive management team during the course of daily business.  It has been divided into four subseries.   Subseries A. Meetings and Meeting  Minutes  contains meeting notices and meeting minutes.  Subseries B. Reports  contains annual reports and one-off reports.   Subseries C. Speeches and Presentations  contains speeches and presentations made by various executives.   Subseries D. Other  contains chronologies of the bank, Barnett Credit Services, Inc. records, resolutions, correspondence, and plans.","Series II. Marketing and Publication Records  contains material created by the marketing, publications, or related departments.  This series has been divided into three subseries.   Subseries A. Newsletters  contains the Barnett Banks newsletters: Banaba; BFN Action; Action; Barnett Action; Barnett Action Advantage; Barnett Economic Health; Barnett Point of Interest; and Point of Interest.  Subseries B. Advertisements  contains items such as broadsides, and promotional and branded items given away with the bank advertised on them.","Series III. Photographs  contains photographs of people and places.  It should be noted that a number of the photographs are reproductions.  This series has been divided into four subseries.   Subseries A. Personal Name  contains photographs that have been arranged by the name of the individual featured in them.  These are arranged alphabetically by last name.   Subseries B. Groups  contains photographs of groups of people.  Places   contains interior and exterior photographs of the banks.  Also included are images of window and lobby displays.  The images in box five are reproductions that were glued to a board for an exhibit in the Thomas G. Carpenter Library at one point.  The items were imaged in their frames before the frames were removed.   Subseries D. Other  contains a mounted reproduction of an annual report cover page.","Series IV. Awards and Honors  contains awards, honors, and commendations given to Barnett Banks.","Series V. Other  contains miscellaneous items such as examples of customer checks and account books; items from the bank's historic currency collection; notes from Allen Lastinger; and training tapes.","Series VI.  Barnett Bank Historic Preservation Foundation  contains items compiled by the foundation.  It includes postcards of banks, genealogy of the Barnett family, paintings, and oral histories."],"names_ssim":["Allen Lastinger Center for Florida History","Barnett Banks, Inc"],"corpname_ssim":["Allen Lastinger Center for Florida History","Barnett Banks, Inc"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":353,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2973af21683c370c5ba9f524","timestamp":"2026-05-01T03:02:12.563Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2973af21683c370c5ba9f524_aspace_718c397bb270c41ed735b61bfca8ca7a"}},{"id":"a79c840ed87d42961e583cf1_aspace_82643","type":"Subseries","attributes":{"title":"Dow Chemical Company, Letters and Agendas","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_82643#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82643","ref_ssm":["aspace_82643","aspace_82643"],"id":"a79c840ed87d42961e583cf1_aspace_82643","title_filing_ssi":"Dow Chemical Company, Letters and Agendas","title_ssm":["Dow Chemical Company, Letters and Agendas"],"title_tesim":["Dow Chemical Company, Letters and Agendas"],"normalized_title_ssm":["Dow Chemical Company, Letters and Agendas"],"text":["Dow Chemical Company, Letters and Agendas","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders","Sub-Series 11","/repositories/2/archival_objects/120836"],"component_level_isim":[2],"parent_ids_ssim":["a79c840ed87d42961e583cf1","a79c840ed87d42961e583cf1_aspace_7673"],"parent_unittitles_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_unittitles_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Kamlet: RM Folders"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 11","/repositories/2/archival_objects/120836"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":274,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2/components#10","_nest_parent_":"a79c840ed87d42961e583cf1_aspace_7673","_root_":"a79c840ed87d42961e583cf1","_version_":1870863518701453312,"timestamp":"2026-07-16T09:34:47.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a79c840ed87d42961e583cf1","title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"ead_ssi":"a79c840ed87d42961e583cf1","unitdate_ssm":["1913-1989","Date acquired: 00/00/2006"],"unitdate_inclusive_ssm":["1913-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-10","/repositories/2/resources/535"],"text":["MS-2006-10","/repositories/2/resources/535","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Chemical engineering laboratories","The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides.","Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07","This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.","USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna","English"],"unitid_tesim":["MS-2006-10","/repositories/2/resources/535"],"normalized_date_ssm":["1913-1989, Date acquired: 00/00/2006"],"normalized_title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creators_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edna Rodgers","Donation."],"access_subjects_ssim":["Chemical engineering laboratories"],"access_subjects_ssm":["Chemical engineering laboratories"],"has_online_content_ssim":["false"],"extent_ssm":["177.00 Linear Feet","232 boxes"],"extent_tesim":["177.00 Linear Feet","232 boxes"],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe following are four ways in which the series were arranged.\u003c/p\u003e\n","\u003cp\u003eBy subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. \u003c/p\u003e\n","\u003cp\u003eFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003eMaterials are organized into folders by format, subject, and original folder number.\u0026#xA0; The subject headings of each folder are the headings applied to the original folders by the Kamlets.\u0026#xA0; (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.\u0026#xA0; Contents inside folders are organized chronologically when applicable.\u0026#xA0; Some folders contain the format denotation \"Notes to Users.\"\u0026#xA0; Folders with this title contain index cards that were often found attached to the original manila envelopes.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.\u0026#xA0; The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.\u0026#xA0; The index cards that are a part of this finding mechanism are organized alphabetically by subject.\u0026#xA0; Contact an archivist for assistance with this secondary finding aid.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eMaterials have been arranged with regards to their original order.\u0026#xA0; Organized by subject.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.\u0026#xA0; Contact an archivist for assistance with these supplemental guides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides."],"bioghist_html_tesm":["\u003cp\u003eJonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.\u0026#xA0; The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.\u0026#xA0; The laboratory also provided consultation services to a variety of businesses.\u0026#xA0; Edna Kamlet continued the laboratory's work following the death of her husband in 1960.\u0026#xA0; She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.\u003c/p\u003e\n","\u003cp\u003eMartin, D. \u0026amp; Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44\u003c/p\u003e\n","\u003cp\u003eUSF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf\u003c/p\u003e\n","\u003cp\u003eNote written by BMB 10/1/07\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07"],"prefercite_html_tesm":["\u003cp\u003eKamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  .\u003c/p\u003e"],"prefercite_tesim":["Kamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is a compilation of eight finding aids. Each finding aid represents a series.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003e1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.\u0026#xA0; A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.\u003c/p\u003e\n","\u003cp\u003e2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.\u0026#xA0; Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.\u003c/p\u003e\n","\u003cp\u003e4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003e5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.\u0026#xA0; The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u003c/p\u003e\n","\u003cp\u003e8.\u0026#xA0; \u0026#xA0;\u0026#xA0; Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f163370d009d8390608d15228d74d825\" label=\"Abstract\"\u003eThis collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks."],"names_ssim":["USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4072,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863518701453312,"_root_":"a79c840ed87d42961e583cf1","timestamp":"2026-07-16T09:34:47.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_82643"}},{"id":"cf5e72a3f4650ee7fbb9231f_aspace_79666","type":"Subseries","attributes":{"title":"Downtown Center, 1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf5e72a3f4650ee7fbb9231f_aspace_79666#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_79666","ref_ssm":["aspace_79666","aspace_79666"],"id":"cf5e72a3f4650ee7fbb9231f_aspace_79666","title_filing_ssi":"Downtown Center","title_ssm":["Downtown Center"],"title_tesim":["Downtown Center"],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["Downtown Center, 1990"],"text":["Downtown Center, 1990","University of Central Florida Faculty Senate Papers, 1968-2008, bulk 1990-2003","Chronological Files, 1968-2008","Strategic Planning Council, 1987-1991","Sub-Series 4","/repositories/2/archival_objects/19884"],"component_level_isim":[3],"parent_ids_ssim":["cf5e72a3f4650ee7fbb9231f","cf5e72a3f4650ee7fbb9231f_aspace_79614","cf5e72a3f4650ee7fbb9231f_aspace_79655"],"parent_unittitles_ssm":["University of Central Florida Faculty Senate Papers, 1968-2008, bulk 1990-2003","Chronological Files, 1968-2008","Strategic Planning Council, 1987-1991"],"parent_unittitles_tesim":["University of Central Florida Faculty Senate Papers, 1968-2008, bulk 1990-2003","Chronological Files, 1968-2008","Strategic Planning Council, 1987-1991"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 4","/repositories/2/archival_objects/19884"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Faculty Senate Papers, 1968-2008, bulk 1990-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":51,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#32/components#11","_nest_parent_":"cf5e72a3f4650ee7fbb9231f_aspace_79655","_root_":"cf5e72a3f4650ee7fbb9231f","_version_":1870858801629888512,"timestamp":"2026-07-16T08:19:48.735Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf5e72a3f4650ee7fbb9231f","title_ssm":["University of Central Florida Faculty Senate Papers"],"title_tesim":["University of Central Florida Faculty Senate Papers"],"ead_ssi":"cf5e72a3f4650ee7fbb9231f","unitdate_ssm":["1968-2008","1990-2003"],"unitdate_bulk_ssim":["1990-2003"],"unitdate_inclusive_ssm":["1968-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA20C","/repositories/2/resources/87"],"text":["UA20C","/repositories/2/resources/87","University of Central Florida Faculty Senate Papers, 1968-2008, bulk 1990-2003","Universities and colleges -- Florida","Universities and colleges -- Florida -- Orlando -- Faculty","Teacher participation in administration -- Florida -- Orlando","Strategic Planning","The entire collection is open for research.","Previous Collection Identifier: CFU2004_03; Additions: CFU2014_33, CFU1992_02","This collection is arranged chronologically by individual folder and then by committee, followed by digital media.","As per the Faculty Senate website, the University of Central Florida (previously Florida Technological University) Faculty Senate was established in 1969 when the senate election took place during the 1969-1970 academic year. The first faculty constitution was created in 1971 and established a set of fundamental rules and values by which the senate will thereon govern the university. The senate is composed of three classes of committees including: operational committees, curricular committees and councils, and joint committees and councils. These committees and subcommittees determine important academic and administrative university wide changes.","For example, the Strategic Planning Council is a reporting committee of the Faculty Senate who assesses areas of the university that need improvement and report on the best way to act upon these areas. The recommendations they provide are sent to the University President and deal with all strategic planning issues, including academic planning, institutional effectiveness, accountability, budget planning, and student services.","According to the constitution, the UCF Faculty Senate members are elected by members of the general faculty within their academic units. The selected members then serve a two year term within a specific committee or subcommittee. The faculty constitution determines the laws by which the senate governs the university and is ratified as needed throughout each academic year.","Collection processed by and finding aid prepared by Nadeen Kiwan in 2015. Replaced all metal paper clips, staples, and rubber bands with plastic paper clips. Placed all newspaper clippings between archival paper. Removed documents from three ring binders and placed them in acid free folders and then in acid free boxes. All digital items have been copied and added to the collection. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 2, by Mary Rubin in 2015. The materials relating to the Strategic Planning Council was initially processed as an individual collection by Jeffrey Baumiller in 2008 before being added into this collection in 2018. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 3.","For further information regarding the university archives please consult our  website . Further information about this collection can be found in the catalog, which include Visions of Distinction: Strategic Planning for the year 2000 with the catalog record found  here ; Library Strategic Plan, Phase II with the catalog record found  here ; UCF College of Arts and Sciences Strategic Plan: Phase II Report with the catalog record found  here ; and UCF College of Engineering Strategic Planning Committee Final Report with the catalog record found  here . For addition information regarding the University of Central Florida's Faculty Senate please consult their  website .","Series I: Chronological Files, 1968-2008 contains the files created by the UCF Faculty Senate including documents such as meeting minutes, correspondence, senate elections, constitutional revisions, and more.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection is organized in one chronological series and seven subseries that includes items such as constitutional revisions, meeting minutes, surveys, analyses, reports and correspondence as well as many other miscellaneous senate documents.","UCF University Archives","University of Central Florida. Faculty Senate","University of Central Florida","Florida Technological University","Florida Technological University. Faculty Senate","English"],"unitid_tesim":["UA20C","/repositories/2/resources/87"],"normalized_date_ssm":["1968-2008, bulk 1990-2003"],"normalized_title_ssm":["University of Central Florida Faculty Senate Papers, 1968-2008, bulk 1990-2003"],"collection_title_tesim":["University of Central Florida Faculty Senate Papers, 1968-2008, bulk 1990-2003"],"collection_ssim":["University of Central Florida Faculty Senate Papers, 1968-2008, bulk 1990-2003"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Faculty Senate"],"creator_ssim":["University of Central Florida. Faculty Senate"],"creator_corpname_ssim":["University of Central Florida. Faculty Senate"],"creators_ssim":["University of Central Florida. Faculty Senate"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Elizabeth Killingsworth transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2004 (CFU2004_03). Christie Wolf transferred additional materials in 2014 (CFU2014_33). Strategic Planning Council transferred additional materials in 1992 (CFU1992_02)."],"access_subjects_ssim":["Universities and colleges -- Florida","Universities and colleges -- Florida -- Orlando -- Faculty","Teacher participation in administration -- Florida -- Orlando","Strategic Planning"],"access_subjects_ssm":["Universities and colleges -- Florida","Universities and colleges -- Florida -- Orlando -- Faculty","Teacher participation in administration -- Florida -- Orlando","Strategic Planning"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 4.25 Linear Feet"],"extent_tesim":["6 boxes 4.25 Linear Feet"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003ePrevious Collection Identifier: CFU2004_03; Additions: CFU2014_33, CFU1992_02\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Previous Collection Identifier: CFU2004_03; Additions: CFU2014_33, CFU1992_02"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically by individual folder and then by committee, followed by digital media.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged chronologically by individual folder and then by committee, followed by digital media."],"bioghist_html_tesm":["\u003cp\u003eAs per the Faculty Senate website, the University of Central Florida (previously Florida Technological University) Faculty Senate was established in 1969 when the senate election took place during the 1969-1970 academic year. The first faculty constitution was created in 1971 and established a set of fundamental rules and values by which the senate will thereon govern the university. The senate is composed of three classes of committees including: operational committees, curricular committees and councils, and joint committees and councils. These committees and subcommittees determine important academic and administrative university wide changes.\u003c/p\u003e\n","\u003cp\u003eFor example, the Strategic Planning Council is a reporting committee of the Faculty Senate who assesses areas of the university that need improvement and report on the best way to act upon these areas. The recommendations they provide are sent to the University President and deal with all strategic planning issues, including academic planning, institutional effectiveness, accountability, budget planning, and student services.\u003c/p\u003e\n","\u003cp\u003eAccording to the constitution, the UCF Faculty Senate members are elected by members of the general faculty within their academic units. The selected members then serve a two year term within a specific committee or subcommittee. The faculty constitution determines the laws by which the senate governs the university and is ratified as needed throughout each academic year.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["As per the Faculty Senate website, the University of Central Florida (previously Florida Technological University) Faculty Senate was established in 1969 when the senate election took place during the 1969-1970 academic year. The first faculty constitution was created in 1971 and established a set of fundamental rules and values by which the senate will thereon govern the university. The senate is composed of three classes of committees including: operational committees, curricular committees and councils, and joint committees and councils. These committees and subcommittees determine important academic and administrative university wide changes.","For example, the Strategic Planning Council is a reporting committee of the Faculty Senate who assesses areas of the university that need improvement and report on the best way to act upon these areas. The recommendations they provide are sent to the University President and deal with all strategic planning issues, including academic planning, institutional effectiveness, accountability, budget planning, and student services.","According to the constitution, the UCF Faculty Senate members are elected by members of the general faculty within their academic units. The selected members then serve a two year term within a specific committee or subcommittee. The faculty constitution determines the laws by which the senate governs the university and is ratified as needed throughout each academic year."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Faculty Senate Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Faculty Senate Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Nadeen Kiwan in 2015. Replaced all metal paper clips, staples, and rubber bands with plastic paper clips. Placed all newspaper clippings between archival paper. Removed documents from three ring binders and placed them in acid free folders and then in acid free boxes. All digital items have been copied and added to the collection. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 2, by Mary Rubin in 2015. The materials relating to the Strategic Planning Council was initially processed as an individual collection by Jeffrey Baumiller in 2008 before being added into this collection in 2018. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 3.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Nadeen Kiwan in 2015. Replaced all metal paper clips, staples, and rubber bands with plastic paper clips. Placed all newspaper clippings between archival paper. Removed documents from three ring binders and placed them in acid free folders and then in acid free boxes. All digital items have been copied and added to the collection. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 2, by Mary Rubin in 2015. The materials relating to the Strategic Planning Council was initially processed as an individual collection by Jeffrey Baumiller in 2008 before being added into this collection in 2018. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 3."],"relatedmaterial_html_tesm":["\u003cp\u003eFor further information regarding the university archives please consult our \u003cextref href=\"http://library.ucf.edu/SpecialCollections/\"\u003ewebsite\u003c/extref\u003e. Further information about this collection can be found in the catalog, which include Visions of Distinction: Strategic Planning for the year 2000 with the catalog record found \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF029093324\"\u003ehere\u003c/extref\u003e; Library Strategic Plan, Phase II with the catalog record found \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF029493522\"\u003ehere\u003c/extref\u003e; UCF College of Arts and Sciences Strategic Plan: Phase II Report with the catalog record found \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF022851510\"\u003ehere\u003c/extref\u003e; and UCF College of Engineering Strategic Planning Committee Final Report with the catalog record found \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF030617879\"\u003ehere\u003c/extref\u003e. For addition information regarding the University of Central Florida's Faculty Senate please consult their \u003cextref href=\"http://facultysenate.ucf.edu/\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For further information regarding the university archives please consult our  website . Further information about this collection can be found in the catalog, which include Visions of Distinction: Strategic Planning for the year 2000 with the catalog record found  here ; Library Strategic Plan, Phase II with the catalog record found  here ; UCF College of Arts and Sciences Strategic Plan: Phase II Report with the catalog record found  here ; and UCF College of Engineering Strategic Planning Committee Final Report with the catalog record found  here . For addition information regarding the University of Central Florida's Faculty Senate please consult their  website ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Chronological Files, 1968-2008 contains the files created by the UCF Faculty Senate including documents such as meeting minutes, correspondence, senate elections, constitutional revisions, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Chronological Files, 1968-2008 contains the files created by the UCF Faculty Senate including documents such as meeting minutes, correspondence, senate elections, constitutional revisions, and more."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6a44b4374f55376497e9639fd180eefb\" label=\"Abstract\"\u003eThis collection is organized in one chronological series and seven subseries that includes items such as constitutional revisions, meeting minutes, surveys, analyses, reports and correspondence as well as many other miscellaneous senate documents.\u003c/abstract\u003e"],"abstract_tesim":["This collection is organized in one chronological series and seven subseries that includes items such as constitutional revisions, meeting minutes, surveys, analyses, reports and correspondence as well as many other miscellaneous senate documents."],"names_coll_ssim":["University of Central Florida. Faculty Senate","University of Central Florida","Florida Technological University","Florida Technological University. Faculty Senate"],"names_ssim":["UCF University Archives","University of Central Florida. Faculty Senate","University of Central Florida","Florida Technological University","Florida Technological University. Faculty Senate"],"corpname_ssim":["UCF University Archives","University of Central Florida. Faculty Senate","University of Central Florida","Florida Technological University","Florida Technological University. Faculty Senate"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858801629888512,"_root_":"cf5e72a3f4650ee7fbb9231f","timestamp":"2026-07-16T08:19:48.735Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf5e72a3f4650ee7fbb9231f_aspace_79666"}},{"id":"0f3ff22ed6c6664bd88a5adc_aspace_131513","type":"Subseries","attributes":{"title":"Drafts","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc_aspace_131513#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_131513","ref_ssm":["aspace_131513","aspace_131513"],"id":"0f3ff22ed6c6664bd88a5adc_aspace_131513","title_filing_ssi":"Drafts","title_ssm":["Drafts"],"title_tesim":["Drafts"],"normalized_title_ssm":["Drafts"],"text":["Drafts","Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","Poetry","Sub-Series 3.2","/repositories/2/archival_objects/14939","box 22"],"component_level_isim":[2],"parent_ids_ssim":["0f3ff22ed6c6664bd88a5adc","0f3ff22ed6c6664bd88a5adc_aspace_131452"],"parent_unittitles_ssm":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","Poetry"],"parent_unittitles_tesim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","Poetry"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 3.2","/repositories/2/archival_objects/14939"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":444,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 22"],"_nest_path_":"/components#2/components#1","_nest_parent_":"0f3ff22ed6c6664bd88a5adc_aspace_131452","_root_":"0f3ff22ed6c6664bd88a5adc","_version_":1870842130979618816,"timestamp":"2026-07-16T03:54:50.079Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0f3ff22ed6c6664bd88a5adc","title_ssm":["Virginia Snyder Collection"],"title_tesim":["Virginia Snyder Collection"],"ead_ssi":"0f3ff22ed6c6664bd88a5adc","unitdate_ssm":["1890-2011","1970-1990","Date acquired: 07/15/2011"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1890-2011"],"unitdate_other_ssim":["Date acquired: 07/15/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00024","/repositories/2/resources/40"],"text":["SPC00024","/repositories/2/resources/40","Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.","Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00024","/repositories/2/resources/40"],"normalized_date_ssm":["1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"normalized_title_ssm":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_title_tesim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_ssim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["43.00 Linear Feet","83 boxes other_unmapped"],"extent_tesim":["43.00 Linear Feet","83 boxes other_unmapped"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2783,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130979618816,"_root_":"0f3ff22ed6c6664bd88a5adc","timestamp":"2026-07-16T03:54:50.079Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc_aspace_131513"}},{"id":"6410fc91f685a85c0880b92e_aspace_68575","type":"Subseries","attributes":{"title":"Drafts, 1999-2001","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6410fc91f685a85c0880b92e_aspace_68575#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_68575","ref_ssm":["aspace_68575","aspace_68575"],"id":"6410fc91f685a85c0880b92e_aspace_68575","title_filing_ssi":"Drafts","title_ssm":["Drafts"],"title_tesim":["Drafts"],"unitdate_other_ssim":["1999-2001"],"normalized_date_ssm":["1999-2001"],"normalized_title_ssm":["Drafts, 1999-2001"],"text":["Drafts, 1999-2001","University of Central Florida Sociology Department: Dr. James Wright Papers, 1949-2015, bulk 1995-2010","Publications, 1949-2015","Fixin' to Git, 1949-2009","Sub-Series 1","/repositories/2/archival_objects/406"],"component_level_isim":[3],"parent_ids_ssim":["6410fc91f685a85c0880b92e","6410fc91f685a85c0880b92e_aspace_68547","6410fc91f685a85c0880b92e_aspace_68549"],"parent_unittitles_ssm":["University of Central Florida Sociology Department: Dr. James Wright Papers, 1949-2015, bulk 1995-2010","Publications, 1949-2015","Fixin' to Git, 1949-2009"],"parent_unittitles_tesim":["University of Central Florida Sociology Department: Dr. James Wright Papers, 1949-2015, bulk 1995-2010","Publications, 1949-2015","Fixin' to Git, 1949-2009"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 1","/repositories/2/archival_objects/406"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Sociology Department: Dr. James Wright Papers, 1949-2015, bulk 1995-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":25,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#0/components#1","_nest_parent_":"6410fc91f685a85c0880b92e_aspace_68549","_root_":"6410fc91f685a85c0880b92e","_version_":1870858759684751360,"timestamp":"2026-07-16T08:19:08.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6410fc91f685a85c0880b92e","title_ssm":["University of Central Florida Sociology Department: Dr. James Wright Papers"],"title_tesim":["University of Central Florida Sociology Department: Dr. James Wright Papers"],"ead_ssi":"6410fc91f685a85c0880b92e","unitdate_ssm":["1949-2015","1995-2010"],"unitdate_bulk_ssim":["1995-2010"],"unitdate_inclusive_ssm":["1949-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21B","/repositories/2/resources/4"],"text":["UA21B","/repositories/2/resources/4","University of Central Florida Sociology Department: Dr. James Wright Papers, 1949-2015, bulk 1995-2010","Universities and colleges -- Florida","Central Florida","Sociology","Poverty","Homelessness","Applied Sociology","The entire collection is open for research.","Collection Identifier: CFU2015_29","This collection is arranged in three series: Publications, Community Agency Papers, and University Papers. 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One of his more recent publications, Poor and Homeless in the Sunshine State: Down and Out in Theme Park Nation, addresses the issue of poverty in Central Florida in great detail.","Collection processed by and finding aid prepared by Jay Aguilar in 2017. Staples and paperclips were removed from documents and replaced with plastic clips. All material were placed into acid free folders and boxes. Newspaper clippings were placed between acid free papers. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Since his arrival at the University of Central Florida in 2001, Dr. James Wright worked on several publications, was directly involved in community organizations, and worked on the development of the University of Central Florida Sociology department. This collection of his papers contains documents related to these subjects.","UCF University Archives","University of Central Florida","Florida Technological University","American Sociological Association","Wright, James D. 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He has used his research projects in order to make a positive difference in various communities. His research on homelessness, poverty, substance abuse, and inequality have been used for public education, governmental advising, and the establishment and maintenance of public works efforts. Dr. Wright has served on the Board of Directors of the Coalition for the Homeless of Central Florida and the Board of Directors of the Orlando Area Trust for the Homeless (OATH). One of his more recent publications, Poor and Homeless in the Sunshine State: Down and Out in Theme Park Nation, addresses the issue of poverty in Central Florida in great detail.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. James Wright is a writer, educator, and serves as the Provost's distinguished research professor in the University of Central Florida Department of Sociology, where he has taught undergraduate and graduate level courses. Dr. James Wright earned his doctoral degree from the University of Wisconsin in 1973 and taught at the University of Massachusetts, University of Amherst, and Tulane University before moving to the University of Central Florida in 2001. Throughout his career, Dr. Wright has published over 20 books and over 300 journal articles, book chapters, essays, and reviews.","The professor's research interests include issues such as homelessness, poverty, inequality, applied and evaluation methods, and survey methods. He has published books on issues about American politics, poverty, homelessness, guns, and NASCAR. Dr. Wright grew up in Missouri where he would watch his father race on a dirt track during the 1950s. He is a self-proclaimed NASCAR fan who took the opportunity of a sabbatical in 1999 in order to attend seven races of the Winston Cup. He based his book, Fixin to Git , on this experience. A wealth of information regarding Dr. Wright's NASCAR publication makes up a decent portion of this collection.","Dr. Wright has also been profoundly involved in community works in Central Florida. He has used his research projects in order to make a positive difference in various communities. His research on homelessness, poverty, substance abuse, and inequality have been used for public education, governmental advising, and the establishment and maintenance of public works efforts. Dr. Wright has served on the Board of Directors of the Coalition for the Homeless of Central Florida and the Board of Directors of the Orlando Area Trust for the Homeless (OATH). One of his more recent publications, Poor and Homeless in the Sunshine State: Down and Out in Theme Park Nation, addresses the issue of poverty in Central Florida in great detail."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Sociology Department: Dr. James Wright Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Sociology Department: Dr. James Wright Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Jay Aguilar in 2017. Staples and paperclips were removed from documents and replaced with plastic clips. All material were placed into acid free folders and boxes. Newspaper clippings were placed between acid free papers. Redactions were made where necessary.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Jay Aguilar in 2017. Staples and paperclips were removed from documents and replaced with plastic clips. All material were placed into acid free folders and boxes. Newspaper clippings were placed between acid free papers. Redactions were made where necessary."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Publications, 1949-2015 includes planning research, drafts, correspondence, and publisher documents regarding the publications that Dr. James Wright worked on during his time as a professor at the University of Central Florida.\u003c/p\u003e","\u003cp\u003eSeries II: Community Agency Papers, 1992-2012 includes correspondence, budgets, minutes, agendas, and research presentations that took place during Dr. Wright's involvement with community agencies and non-profit organizations of the Orlando area.\u003c/p\u003e","\u003cp\u003eSeries III: University of Central Florida Papers, 1967-2008 contains documents regarding Dr. Wright's research conducted at the University of Central Florida and his involvement in developing the Sociology Program at the University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Publications, 1949-2015 includes planning research, drafts, correspondence, and publisher documents regarding the publications that Dr. James Wright worked on during his time as a professor at the University of Central Florida.","Series II: Community Agency Papers, 1992-2012 includes correspondence, budgets, minutes, agendas, and research presentations that took place during Dr. Wright's involvement with community agencies and non-profit organizations of the Orlando area.","Series III: University of Central Florida Papers, 1967-2008 contains documents regarding Dr. Wright's research conducted at the University of Central Florida and his involvement in developing the Sociology Program at the University."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_655884cf1c8034b5b2bd06595189ca69\" label=\"Abstract\"\u003eSince his arrival at the University of Central Florida in 2001, Dr. James Wright worked on several publications, was directly involved in community organizations, and worked on the development of the University of Central Florida Sociology department. This collection of his papers contains documents related to these subjects.\u003c/abstract\u003e"],"abstract_tesim":["Since his arrival at the University of Central Florida in 2001, Dr. James Wright worked on several publications, was directly involved in community organizations, and worked on the development of the University of Central Florida Sociology department. This collection of his papers contains documents related to these subjects."],"names_coll_ssim":["University of Central Florida","Florida Technological University","American Sociological Association"],"names_ssim":["UCF University Archives","University of Central Florida","Florida Technological University","American Sociological Association","Wright, James D. (1947-2019)"],"corpname_ssim":["UCF University Archives","University of Central Florida","Florida Technological University","American Sociological Association"],"persname_ssim":["Wright, James D. (1947-2019)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":148,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858759684751360,"_root_":"6410fc91f685a85c0880b92e","timestamp":"2026-07-16T08:19:08.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6410fc91f685a85c0880b92e_aspace_68575"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72853","type":"Subseries","attributes":{"title":"Drawing, 1986.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72853#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72853","ref_ssm":["aspace_72853","aspace_72853"],"id":"f3a395395ce4b16d754d4a5b_aspace_72853","title_filing_ssi":"Drawing","title_ssm":["Drawing"],"title_tesim":["Drawing"],"unitdate_other_ssim":["1986."],"normalized_date_ssm":["1986."],"normalized_title_ssm":["Drawing, 1986."],"text":["Drawing, 1986.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Lucky Forest, 1986.","Sub-Series 1","/repositories/4/archival_objects/8380"],"component_level_isim":[3],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72852"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Lucky Forest, 1986."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Lucky Forest, 1986."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 1","/repositories/4/archival_objects/8380"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":3,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#0/components#0","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72852","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection"],"ead_ssi":"f3a395395ce4b16d754d4a5b","unitdate_ssm":["1973-2018","1973-1991"],"unitdate_bulk_ssim":["1973-1991"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.109","/repositories/4/resources/43"],"text":["SC.109","/repositories/4/resources/43","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"geogname_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"places_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Thomas E. Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72853"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_f462b13aa2e07a261f7466d58bdbbb2d","type":"Subseries","attributes":{"title":"Drawings, 1881-2006, Undated.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_f462b13aa2e07a261f7466d58bdbbb2d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f462b13aa2e07a261f7466d58bdbbb2d","ref_ssm":["aspace_f462b13aa2e07a261f7466d58bdbbb2d","aspace_f462b13aa2e07a261f7466d58bdbbb2d"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_f462b13aa2e07a261f7466d58bdbbb2d","title_filing_ssi":"Drawings","title_ssm":["Drawings"],"title_tesim":["Drawings"],"unitdate_inclusive_ssm":["1881-2006, Undated."],"normalized_date_ssm":["1881-2006, Undated."],"normalized_title_ssm":["Drawings, 1881-2006, Undated."],"text":["Drawings, 1881-2006, Undated.","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Artwork, 1881-2006, Undated.","Sub-Series 1","/repositories/4/archival_objects/56616"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesI"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Artwork, 1881-2006, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Artwork, 1881-2006, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1","/repositories/4/archival_objects/56616"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":75,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"_nest_path_":"/components#0/components#0","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesI","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_f462b13aa2e07a261f7466d58bdbbb2d"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72859","type":"Subseries","attributes":{"title":"Drawings, 1973-1991, Undated.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72859#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72859","ref_ssm":["aspace_72859","aspace_72859"],"id":"f3a395395ce4b16d754d4a5b_aspace_72859","title_filing_ssi":"Drawings","title_ssm":["Drawings"],"title_tesim":["Drawings"],"unitdate_other_ssim":["1973-1991, Undated."],"normalized_date_ssm":["1973-1991, Undated."],"normalized_title_ssm":["Drawings, 1973-1991, Undated."],"text":["Drawings, 1973-1991, Undated.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Sub-Series 1","/repositories/4/archival_objects/8383"],"component_level_isim":[3],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72858"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 1","/repositories/4/archival_objects/8383"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":24,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":8,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#1/components#0","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72858","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection"],"ead_ssi":"f3a395395ce4b16d754d4a5b","unitdate_ssm":["1973-2018","1973-1991"],"unitdate_bulk_ssim":["1973-1991"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.109","/repositories/4/resources/43"],"text":["SC.109","/repositories/4/resources/43","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. 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Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72859"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72927","type":"Subseries","attributes":{"title":"Drawings, 1980-1987.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72927#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72927","ref_ssm":["aspace_72927","aspace_72927"],"id":"f3a395395ce4b16d754d4a5b_aspace_72927","title_filing_ssi":"Drawings","title_ssm":["Drawings"],"title_tesim":["Drawings"],"unitdate_other_ssim":["1980-1987."],"normalized_date_ssm":["1980-1987."],"normalized_title_ssm":["Drawings, 1980-1987."],"text":["Drawings, 1980-1987.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Silver Springs, 1980-1989.","Sub-Series 1","/repositories/4/archival_objects/8386"],"component_level_isim":[3],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72926"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Silver Springs, 1980-1989."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Silver Springs, 1980-1989."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 1","/repositories/4/archival_objects/8386"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":69,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#0/components#2/components#0","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72926","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. 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Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. 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The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72927"}},{"id":"2d920f17dde733c1cf36099d_aspace_45755","type":"Subseries","attributes":{"title":"Drawings, 1995, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_45755#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_45755","ref_ssm":["aspace_45755","aspace_45755"],"id":"2d920f17dde733c1cf36099d_aspace_45755","title_filing_ssi":"Drawings","title_ssm":["Drawings"],"title_tesim":["Drawings"],"unitdate_other_ssim":["1995, Undated"],"normalized_date_ssm":["1995, Undated"],"normalized_title_ssm":["Drawings, 1995, Undated"],"text":["Drawings, 1995, Undated","Bromeliad Society International (BSI) Archive, 1911-2018","Memorabilia, 1980-2004, Undated","Sub-Series 1","/repositories/4/archival_objects/17195"],"component_level_isim":[2],"parent_ids_ssim":["2d920f17dde733c1cf36099d","2d920f17dde733c1cf36099d_aspace_45754"],"parent_unittitles_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018","Memorabilia, 1980-2004, Undated"],"parent_unittitles_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018","Memorabilia, 1980-2004, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 1","/repositories/4/archival_objects/17195"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":977,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1995],"_nest_path_":"/components#4/components#0","_nest_parent_":"2d920f17dde733c1cf36099d_aspace_45754","_root_":"2d920f17dde733c1cf36099d","_version_":1870858035398705152,"timestamp":"2026-07-16T08:07:37.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2d920f17dde733c1cf36099d","title_ssm":["Bromeliad Society International (BSI) Archive"],"title_tesim":["Bromeliad Society International (BSI) Archive"],"ead_ssi":"2d920f17dde733c1cf36099d","unitdate_ssm":["1911-2018"],"unitdate_inclusive_ssm":["1911-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.097","/repositories/4/resources/78"],"text":["SC.097","/repositories/4/resources/78","Bromeliad Society International (BSI) Archive, 1911-2018","Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)","Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)","The entire collection is open for research.","For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\"","Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.","The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies","Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.","UCF Special Collections","Bromeliad Society International","English"],"unitid_tesim":["SC.097","/repositories/4/resources/78"],"normalized_date_ssm":["1911-2018"],"normalized_title_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_title_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"geogname_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"places_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department acquired these materials from Jay Thurrott in 2014 (CFM2014_04). Additional materials were donated in 2015 (CFM2015_08), 2016 (CFM2016_06), 2018 (CFM2018_11) and 2022 (CFM2022_17)."],"access_subjects_ssim":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"access_subjects_ssm":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"extent_tesim":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"genreform_ssim":["Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eFor many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.\u003c/p\u003e\n","\u003cp\u003eOther adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.\u003c/p\u003e\n","\u003cp\u003eThe September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.\u003c/p\u003e\n","\u003cp\u003eThis meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.\u003c/p\u003e\n","\u003cp\u003eIn November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.\u003c/p\u003e\n","\u003cp\u003eIn the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.\u003c/p\u003e\n","\u003cp\u003eIn the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.\u003c/p\u003e\n","\u003cp\u003eList of past Bromeliad World Conferences:\u003c/p\u003e\n","\u003cp\u003e\n1972 Houston, Texas - First acknowledged Bromeliad Conference\u003c/p\u003e\n","\u003cp\u003e\n1975 25th Anniversary Celebration, Buena Park, California\u003c/p\u003e\n","\u003cp\u003e\n1977 New Orleans, Louisiana\u003c/p\u003e\n","\u003cp\u003e\n1980 Orlando, Florida - 30th Birthday celebration\u003c/p\u003e\n","\u003cp\u003e\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"\u003c/p\u003e\n","\u003cp\u003e\n1984 Los Angeles, California - \"Bromelympics\"\u003c/p\u003e\n","\u003cp\u003e\n1986 New Orleans, Louisiana - \"One Mo' Time\"\u003c/p\u003e\n","\u003cp\u003e\n1988 Miami, Florida - \"Miami Magic\"\u003c/p\u003e\n","\u003cp\u003e\n1990 Houston, Texas - Bromeliads in Space\"\u003c/p\u003e\n","\u003cp\u003e\n1992 Tampa, Florida - \"Bromeliad Safari\"\u003c/p\u003e\n","\u003cp\u003e\n1994 San Diego, California - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n1996 Orlando, Florida - \"Orlandiana '96\"\u003c/p\u003e\n","\u003cp\u003e\n1998 Houston, Texas - \"Bromeliad Roundup\"\u003c/p\u003e\n","\u003cp\u003e\n2000 San Francisco, California - \"50th Birthday Celebration\"\u003c/p\u003e\n","\u003cp\u003e\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"\u003c/p\u003e\n","\u003cp\u003e\n2004 Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003e\n2006 San Diego, California - \"Bromeliads on the Border\"\u003c/p\u003e\n","\u003cp\u003e\n2008 Cairns, Australia - \"Bromeliads Down Under\"\u003c/p\u003e\n","\u003cp\u003e\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"\u003c/p\u003e\n","\u003cp\u003e2012 Orlando, Florida - \"Orlandiana '12\"\u003c/p\u003e\n","\u003cp\u003e\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n2018 San Diego, California - \"Fiesta de las Bromelias\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\""],"prefercite_html_tesm":["\u003cp\u003eBromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eThe Michael A. Spencer Bromeliad Research Collection\u003c/extref\u003e. Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eThe Michael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e. Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e. These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e. Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn\u003c/extref\u003e. These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/new/\"\u003eBromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/bsi_info/affiliates/?bylocation\"\u003eAffiliated Societies of Bromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.fcbs.org\"\u003eFlorida Council of Affiliated Societies\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026amp; symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026amp; standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9ae065e663a8566449eee07dbeca3db9\" label=\"Abstract\"\u003eThe Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.\u003c/abstract\u003e"],"abstract_tesim":["The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. 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