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Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013, Teresa Van Dyke and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, Teresa Van Dyke and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":209,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873831324939190272,"_root_":"f040fe41cc8fe77552113232","timestamp":"2026-08-18T03:46:47.867Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f040fe41cc8fe77552113232_aspace_64133"}},{"id":"0ee12974d6006d61b8bbca26_aspace_79327","type":"Subseries","attributes":{"title":"Color","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79327#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe color proof sheets depict scenes of the Kennedy Space Center, nature (flowers, rivers, lakes), animals (squirrels, ducks, birds, parrots, alligators), outdoor activities (canoeing, camping), figures in campus related activities, theatrical acts (Journey's End, The Beaux' Stratagem), gatherings, public events and portraits. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eThe color proof sheets depict scenes of the Kennedy Space Center, nature (flowers, rivers, lakes), animals (squirrels, ducks, birds, parrots, alligators), outdoor activities (canoeing, camping), figures in campus related activities, theatrical acts (Journey's End, The Beaux' Stratagem), gatherings, public events and portraits. However, there are missing proofs including #'s 35-36, 52-53, 63, 67, 69, 76-78, 82, 89, and 103.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The color proof sheets depict scenes of the Kennedy Space Center, nature (flowers, rivers, lakes), animals (squirrels, ducks, birds, parrots, alligators), outdoor activities (canoeing, camping), figures in campus related activities, theatrical acts (Journey's End, The Beaux' Stratagem), gatherings, public events and portraits. 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While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.","During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.","Collection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website.","Series I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.","Series II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","In the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Michael Berman gifted these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFU2015_46) and in 2016 (CFU2016_47)."],"access_subjects_ssim":["University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets"],"access_subjects_ssm":["University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes 3.75 Linear Feet"],"extent_tesim":["8 boxes 3.75 Linear Feet"],"genreform_ssim":["photographs","roll film transparencies","contact sheets"],"date_range_isim":[1970],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003ePrevious Collection Identifier: CFU2015_46\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Previous Collection Identifier: CFU2015_46"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries."],"bioghist_html_tesm":["\u003cp\u003eMichael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eMichael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.\u003c/p\u003e\n","\u003cp\u003eAfter the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.\u003c/p\u003e\n","\u003cp\u003eDuring his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.","Michael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.","After the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.","During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016."],"prefercite_html_tesm":["\u003cp\u003eMichael Berman Negatives and Contact Sheets, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael Berman Negatives and Contact Sheets, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.\u003c/p\u003e\n","\u003cp\u003eSeries II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.","Series II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71f4ba180e1b0da040415f27cf8c9a4e\" label=\"Abstract\"\u003eIn the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes.\u003c/abstract\u003e"],"abstract_tesim":["In the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes."],"names_coll_ssim":["University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida"],"persname_ssim":["Berman, Michael"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0ee12974d6006d61b8bbca26","timestamp":"2026-07-09T03:23:11.454Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79327"}},{"id":"0ee12974d6006d61b8bbca26_aspace_79375","type":"Subseries","attributes":{"title":"Color","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79375#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThere are several missing negative strips and proof sheets including #'s 12, 16-17, 21, 26, 35, 39, 42, 61, 63, 82, 89, and 100-122. There are also negative sheets that are assumed complete, however there is no proof sheet for comparison including #'s 36, 52-53, 67, 69, and 76-78.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79375#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_79375","ref_ssm":["aspace_79375","aspace_79375"],"id":"0ee12974d6006d61b8bbca26_aspace_79375","title_filing_ssi":"Color","title_ssm":["Color"],"title_tesim":["Color"],"normalized_title_ssm":["Color"],"text":["Color","Michael Berman Negatives and Contact Sheets, circa 1970s","Negatives, circa 1970s","Sub-Series 2","/repositories/2/archival_objects/16983","There are several missing negative strips and proof sheets including #'s 12, 16-17, 21, 26, 35, 39, 42, 61, 63, 82, 89, and 100-122. There are also negative sheets that are assumed complete, however there is no proof sheet for comparison including #'s 36, 52-53, 67, 69, and 76-78."],"component_level_isim":[2],"parent_ids_ssim":["0ee12974d6006d61b8bbca26","0ee12974d6006d61b8bbca26_aspace_79330"],"parent_unittitles_ssm":["Michael Berman Negatives and Contact Sheets, circa 1970s","Negatives, circa 1970s"],"parent_unittitles_tesim":["Michael Berman Negatives and Contact Sheets, circa 1970s","Negatives, circa 1970s"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 2","/repositories/2/archival_objects/16983"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":54,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eThere are several missing negative strips and proof sheets including #'s 12, 16-17, 21, 26, 35, 39, 42, 61, 63, 82, 89, and 100-122. There are also negative sheets that are assumed complete, however there is no proof sheet for comparison including #'s 36, 52-53, 67, 69, and 76-78.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["There are several missing negative strips and proof sheets including #'s 12, 16-17, 21, 26, 35, 39, 42, 61, 63, 82, 89, and 100-122. There are also negative sheets that are assumed complete, however there is no proof sheet for comparison including #'s 36, 52-53, 67, 69, and 76-78."],"_nest_path_":"/components#1/components#1","_nest_parent_":"0ee12974d6006d61b8bbca26_aspace_79330","_root_":"0ee12974d6006d61b8bbca26","timestamp":"2026-07-09T03:23:11.454Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0ee12974d6006d61b8bbca26","title_ssm":["Michael Berman Negatives and Contact Sheets"],"title_tesim":["Michael Berman Negatives and Contact Sheets"],"ead_ssi":"0ee12974d6006d61b8bbca26","unitdate_ssm":["circa 1970s"],"unitdate_inclusive_ssm":["circa 1970s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA23B","/repositories/2/resources/75"],"text":["UA23B","/repositories/2/resources/75","Michael Berman Negatives and Contact Sheets, circa 1970s","University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets","The entire collection is open for research.","Previous Collection Identifier: CFU2015_46","This collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries.","Michael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.","Michael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.","After the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.","During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.","Collection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website.","Series I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.","Series II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","In the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael","English"],"unitid_tesim":["UA23B","/repositories/2/resources/75"],"normalized_date_ssm":["circa 1970s"],"normalized_title_ssm":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"collection_title_tesim":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"collection_ssim":["Michael Berman Negatives and Contact Sheets, circa 1970s"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Berman, Michael"],"creator_ssim":["Berman, Michael"],"creator_persname_ssim":["Berman, Michael"],"creators_ssim":["Berman, Michael"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Michael Berman gifted these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFU2015_46) and in 2016 (CFU2016_47)."],"access_subjects_ssim":["University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets"],"access_subjects_ssm":["University of Central Florida -- History","Universities and colleges -- Florida","Florida Technological University -- History","photographs","roll film transparencies","contact sheets"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes 3.75 Linear Feet"],"extent_tesim":["8 boxes 3.75 Linear Feet"],"genreform_ssim":["photographs","roll film transparencies","contact sheets"],"date_range_isim":[1970],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003ePrevious Collection Identifier: CFU2015_46\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Previous Collection Identifier: CFU2015_46"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in two series: Proof Sheets and Negatives. Both series are broken down into two subseries: Black and White, and Color. All items are arranged in their original numerological order within the subseries."],"bioghist_html_tesm":["\u003cp\u003eMichael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eMichael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.\u003c/p\u003e\n","\u003cp\u003eAfter the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.\u003c/p\u003e\n","\u003cp\u003eDuring his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.","Michael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photos for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.","After the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the USA and Southeast Asia.","During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016."],"prefercite_html_tesm":["\u003cp\u003eMichael Berman Negatives and Contact Sheets, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael Berman Negatives and Contact Sheets, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Renata Nagy and Melody Green and finding aid prepared by Renata Nagy in 2017. Photographs and negative strips were placed into archival quality sleeves, which were put in acid-free folders in acid-free boxes. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.\u003c/p\u003e\n","\u003cp\u003eSeries II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Proof Sheets, c. 1970s, includes scanned images of negatives. It is divided into two subseries: black and white, and color.","Series II: Negatives, c. 1970s, includes negatives. It is divided into two subseries: black and white, and color."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71f4ba180e1b0da040415f27cf8c9a4e\" label=\"Abstract\"\u003eIn the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes.\u003c/abstract\u003e"],"abstract_tesim":["In the 1970s, Michael Berman was taking photographs for the Theatre Department of the Florida Technological University (now, University of Central Florida) and the campus newspaper, the Central Florida Future. Taken while attending and then working at the university, the collection contains black and white and color negatives that depict moments of the everyday life at the university, theatrical acts, various events both on and outside of campus, portraits, as well as nature scenes."],"names_coll_ssim":["University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida","Berman, Michael"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","Florida Technological University. Department of Theatre -- History","Florida Technological University","University of Central Florida"],"persname_ssim":["Berman, Michael"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0ee12974d6006d61b8bbca26","timestamp":"2026-07-09T03:23:11.454Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0ee12974d6006d61b8bbca26_aspace_79375"}},{"id":"4674dbbf638dff3316591cb2_aspace_52723","type":"Subseries","attributes":{"title":"Color, 1954-1982","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_52723#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_52723","ref_ssm":["aspace_52723","aspace_52723"],"id":"4674dbbf638dff3316591cb2_aspace_52723","title_filing_ssi":"Color","title_ssm":["Color"],"title_tesim":["Color"],"unitdate_inclusive_ssm":["1954-1982"],"normalized_date_ssm":["1954-1982"],"normalized_title_ssm":["Color, 1954-1982"],"text":["Color, 1954-1982","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Subject Files, 1880-2003.","Folder 8-10","/repositories/4/archival_objects/32944","box 48","folder 8-10"],"component_level_isim":[2],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_52621"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Subject Files, 1880-2003."],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Subject Files, 1880-2003."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 8-10","/repositories/4/archival_objects/32944"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1316,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"containers_ssim":["box 48","folder 8-10"],"_nest_path_":"/components#1/components#45","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_52621","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_52723"}},{"id":"236a3c88b766327883b2e155_aspace_d767d9cf4dee9ebd5e1004d662106b73","type":"Subseries","attributes":{"title":"Colorado","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_d767d9cf4dee9ebd5e1004d662106b73#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d767d9cf4dee9ebd5e1004d662106b73","ref_ssm":["aspace_d767d9cf4dee9ebd5e1004d662106b73","aspace_d767d9cf4dee9ebd5e1004d662106b73"],"id":"236a3c88b766327883b2e155_aspace_d767d9cf4dee9ebd5e1004d662106b73","title_filing_ssi":"Colorado","title_ssm":["Colorado"],"title_tesim":["Colorado"],"normalized_title_ssm":["Colorado"],"text":["Colorado","Joy Postle papers, 1910-2015","Art, 1921","Watercolors","/repositories/4/archival_objects/87743","/repositories/4/archival_objects/91180","box 2","folder 12"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_5ba98316e64b6229c924a90139478d14"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87743","/repositories/4/archival_objects/91180"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":118,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 2","folder 12"],"_nest_path_":"/components#0/components#2/components#3","_nest_parent_":"236a3c88b766327883b2e155_aspace_5ba98316e64b6229c924a90139478d14","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_d767d9cf4dee9ebd5e1004d662106b73"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":331},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","value":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jonas+and+Edna+Kamlet+%2F+Kamlet+Laboratories+records%2C+1913-1989%2C+Date+acquired%3A+00%2F00%2F2006\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"The Florida Citrus Mutual Minute Books, 1949-2011","value":"The Florida Citrus Mutual Minute Books, 1949-2011","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=The+Florida+Citrus+Mutual+Minute+Books%2C+1949-2011\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"FAU Student Newspapers Collection, 1964 - 2017","value":"FAU Student Newspapers Collection, 1964 - 2017","hits":121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=FAU+Student+Newspapers+Collection%2C+1964+-+2017\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Photograph collection, bulk 1883-1977","value":"Florida Photograph collection, bulk 1883-1977","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Photograph+collection%2C+bulk+1883-1977\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","value":"Florida Southern College Buildings \u0026 Grounds, 1922-2024","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Southern+College+Buildings+%26+Grounds%2C+1922-2024\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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