{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=94\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=93\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=95\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856\u0026view=compact"},"meta":{"pages":{"current_page":94,"next_page":95,"prev_page":93,"total_pages":856,"limit_value":10,"offset_value":930,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"3590e990d26f42a3d9da5878_aspace_71771","type":"Series","attributes":{"title":"Audiovisuals, 1979-1994 \u0026 undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878_aspace_71771#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe series contains material such as reel-to-reel audiotapes and audiocassette tapes .The subject of the tapes include the audio recordings of the 1986 WUCF-FM radio Shakespeare course series \"Channels of Reality,\" and the 1979 UCF Shakespeare Institute. The Channels of Reality radio shows 8, 27, 36 as well as the first side of shows 7, 9, 13, 14, 19, 23, 24 and 30 are missing from the collection.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878_aspace_71771#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71771","ref_ssm":["aspace_71771","aspace_71771"],"id":"3590e990d26f42a3d9da5878_aspace_71771","title_filing_ssi":"Audiovisuals","title_ssm":["Audiovisuals"],"title_tesim":["Audiovisuals"],"unitdate_other_ssim":["1979-1994 \u0026 undated"],"normalized_date_ssm":["1979-1994 \u0026 undated"],"normalized_title_ssm":["Audiovisuals, 1979-1994 \u0026 undated"],"text":["Audiovisuals, 1979-1994 \u0026 undated","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Series 3","/repositories/2/archival_objects/5740","The series contains material such as reel-to-reel audiotapes and audiocassette tapes .The subject of the tapes include the audio recordings of the 1986 WUCF-FM radio Shakespeare course series \"Channels of Reality,\" and the 1979 UCF Shakespeare Institute. The Channels of Reality radio shows 8, 27, 36 as well as the first side of shows 7, 9, 13, 14, 19, 23, 24 and 30 are missing from the collection."],"component_level_isim":[1],"parent_ids_ssim":["3590e990d26f42a3d9da5878"],"parent_unittitles_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"parent_unittitles_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/2/archival_objects/5740"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":16,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":113,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eThe series contains material such as reel-to-reel audiotapes and audiocassette tapes .The subject of the tapes include the audio recordings of the 1986 WUCF-FM radio Shakespeare course series \"Channels of Reality,\" and the 1979 UCF Shakespeare Institute. The Channels of Reality radio shows 8, 27, 36 as well as the first side of shows 7, 9, 13, 14, 19, 23, 24 and 30 are missing from the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The series contains material such as reel-to-reel audiotapes and audiocassette tapes .The subject of the tapes include the audio recordings of the 1986 WUCF-FM radio Shakespeare course series \"Channels of Reality,\" and the 1979 UCF Shakespeare Institute. The Channels of Reality radio shows 8, 27, 36 as well as the first side of shows 7, 9, 13, 14, 19, 23, 24 and 30 are missing from the collection."],"_nest_path_":"/components#2","_nest_parent_":"3590e990d26f42a3d9da5878","_root_":"3590e990d26f42a3d9da5878","_version_":1870858696351809536,"timestamp":"2026-07-16T08:18:08.333Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878_aspace_71771"}},{"id":"44c08036102c8e8f97ad1e05_aspace_fb47777ca1b8152f67157d49b9e5f5a8","type":"Series","attributes":{"title":"Audio Visual - Scrapbook","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/44c08036102c8e8f97ad1e05_aspace_fb47777ca1b8152f67157d49b9e5f5a8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fb47777ca1b8152f67157d49b9e5f5a8","ref_ssm":["aspace_fb47777ca1b8152f67157d49b9e5f5a8","aspace_fb47777ca1b8152f67157d49b9e5f5a8"],"id":"44c08036102c8e8f97ad1e05_aspace_fb47777ca1b8152f67157d49b9e5f5a8","title_filing_ssi":"Audio Visual - Scrapbook","title_ssm":["Audio Visual - Scrapbook"],"title_tesim":["Audio Visual - Scrapbook"],"normalized_title_ssm":["Audio Visual - Scrapbook"],"text":["Audio Visual - Scrapbook","Waverly Growers Association Collection, 1921-1994, 2000","Box 9","/repositories/3/archival_objects/13969"],"component_level_isim":[2],"parent_ids_ssim":["44c08036102c8e8f97ad1e05","44c08036102c8e8f97ad1e05_aspace_1f639c5880af8eb443f0fd9f7c8d321e"],"parent_unittitles_ssm":["Waverly Growers Association Collection, 1921-1994, 2000","Box 9"],"parent_unittitles_tesim":["Waverly Growers Association Collection, 1921-1994, 2000","Box 9"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/3/archival_objects/13969"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Waverly Growers Association Collection, 1921-1994, 2000"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":195,"parent_access_restrict_tesm":["There are no restrictions on this collection. It is available for research."],"parent_access_terms_tesm":["Copyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions."],"_nest_path_":"/components#8/components#0","_nest_parent_":"44c08036102c8e8f97ad1e05_aspace_1f639c5880af8eb443f0fd9f7c8d321e","_root_":"44c08036102c8e8f97ad1e05","timestamp":"2026-07-11T02:35:14.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"44c08036102c8e8f97ad1e05","title_ssm":["Waverly Growers Association Collection"],"title_tesim":["Waverly Growers Association Collection"],"ead_ssi":"44c08036102c8e8f97ad1e05","unitdate_ssm":["1921-1994","2000"],"unitdate_inclusive_ssm":["1921-1994"],"unitdate_other_ssim":["2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT3065","/repositories/3/resources/76"],"text":["CIT3065","/repositories/3/resources/76","Waverly Growers Association Collection, 1921-1994, 2000","Citrus fruit industry--Florida--History--20th century","Agricultural cooperatives--Florida--History.","Citrus growers--Florida--History.","Packinghouses--Florida--History.","Citrus fruits--Marketing--History.","World War, 1939-1945--Economic aspects--Florida.","Pedersen, W. L. (W. C. \"Bill\")--Archives.","Morton, James C.--Archives.","Photographs.","Scrapbooks.","There are no restrictions on this collection. It is available for research.","Waverly Growers Association was an agriculturally based cooperative. It was a grower-owned\nfresh citrus cooperative offering members grove care, harvesting, packing services, and\nmarketing.\nFounded in 1914 by a group of local growers led by Charles Hillery Walker and Danish\nimmigrant W.L. Pedersen, the cooperative was originally called Waverly Citrus Growers'\nAssociation until the name was changed in 1936 to Waverly Growers Cooperative. It was in\ncontinuous operation between 1915 and 2005 and managed by grower-members. This\nincluded fertilizing, cultivating, spraying, irrigating, picking, trimming, and replacing trees.\nWaverly began operation in 1915 in Waverly, Florida and shipped citrus fruit to markets in the\nUnited States and Canada under brands including Waverly, Waverly Famous, Huntsman,\nPepper, and Seald-Pep. In 2005 it closed its packinghouse and merged into Florida Natural.","The Waverly records include Office Files about day-to-day business mostly between 1930\nand 1950's. Of special note are the files from the WWII years discussing rationed items.\nJames C. Morton (JCM) was an operations director, and his files date mostly in the 1950's\nand are about fruit. Operations and Supply files include documents about running and\nsupplying the Waverly complex. The Membership newsletters are dated 1937 and 1938, then\njump to 1957 and run until 1977. Files from Audio-Visual materials include scrapbooks,\nphotographs, and negatives. The first scrapbook includes images for a retirement party for\nW.C. \"Bill\" Pedersen. Bill Pedersen created the Waverly Welcome House (photographs), a rest\narea and spot for tourists to learn about citrus growing, while purchasing fruit. The Welcome\nHouse was located between Cypress Gardens and Bok Singing Tower, along Route No. 540 in\ncentral Florida. The second scrapbook, includes, clippings, documents and photographs of\npeople and places around the compound","Copyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions.","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT3065","/repositories/3/resources/76"],"normalized_date_ssm":["1921-1994, 2000"],"normalized_title_ssm":["Waverly Growers Association Collection, 1921-1994, 2000"],"collection_title_tesim":["Waverly Growers Association Collection, 1921-1994, 2000"],"collection_ssim":["Waverly Growers Association Collection, 1921-1994, 2000"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["Copyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions."],"acqinfo_ssim":["N. Perry Hansen, Executive Vice President for Waverly Growers Cooperative donated the\nrecords to the Citrus Institute of Florida Southern College (Professor Tom Mack) in 1995. They\nwere transferred to the McKay Archives in 2009."],"access_subjects_ssim":["Citrus fruit industry--Florida--History--20th century","Agricultural cooperatives--Florida--History.","Citrus growers--Florida--History.","Packinghouses--Florida--History.","Citrus fruits--Marketing--History.","World War, 1939-1945--Economic aspects--Florida.","Pedersen, W. L. (W. C. \"Bill\")--Archives.","Morton, James C.--Archives.","Photographs.","Scrapbooks."],"access_subjects_ssm":["Citrus fruit industry--Florida--History--20th century","Agricultural cooperatives--Florida--History.","Citrus growers--Florida--History.","Packinghouses--Florida--History.","Citrus fruits--Marketing--History.","World War, 1939-1945--Economic aspects--Florida.","Pedersen, W. L. (W. C. \"Bill\")--Archives.","Morton, James C.--Archives.","Photographs.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"genreform_ssim":["Photographs.","Scrapbooks."],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,2000],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on this collection. It is available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on this collection. It is available for research."],"bioghist_html_tesm":["\u003cp\u003eWaverly Growers Association was an agriculturally based cooperative. It was a grower-owned\nfresh citrus cooperative offering members grove care, harvesting, packing services, and\nmarketing.\nFounded in 1914 by a group of local growers led by Charles Hillery Walker and Danish\nimmigrant W.L. Pedersen, the cooperative was originally called Waverly Citrus Growers'\nAssociation until the name was changed in 1936 to Waverly Growers Cooperative. It was in\ncontinuous operation between 1915 and 2005 and managed by grower-members. This\nincluded fertilizing, cultivating, spraying, irrigating, picking, trimming, and replacing trees.\nWaverly began operation in 1915 in Waverly, Florida and shipped citrus fruit to markets in the\nUnited States and Canada under brands including Waverly, Waverly Famous, Huntsman,\nPepper, and Seald-Pep. In 2005 it closed its packinghouse and merged into Florida Natural.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Waverly Growers Association was an agriculturally based cooperative. It was a grower-owned\nfresh citrus cooperative offering members grove care, harvesting, packing services, and\nmarketing.\nFounded in 1914 by a group of local growers led by Charles Hillery Walker and Danish\nimmigrant W.L. Pedersen, the cooperative was originally called Waverly Citrus Growers'\nAssociation until the name was changed in 1936 to Waverly Growers Cooperative. It was in\ncontinuous operation between 1915 and 2005 and managed by grower-members. This\nincluded fertilizing, cultivating, spraying, irrigating, picking, trimming, and replacing trees.\nWaverly began operation in 1915 in Waverly, Florida and shipped citrus fruit to markets in the\nUnited States and Canada under brands including Waverly, Waverly Famous, Huntsman,\nPepper, and Seald-Pep. In 2005 it closed its packinghouse and merged into Florida Natural."],"scopecontent_html_tesm":["\u003cp\u003eThe Waverly records include Office Files about day-to-day business mostly between 1930\nand 1950's. Of special note are the files from the WWII years discussing rationed items.\nJames C. Morton (JCM) was an operations director, and his files date mostly in the 1950's\nand are about fruit. Operations and Supply files include documents about running and\nsupplying the Waverly complex. The Membership newsletters are dated 1937 and 1938, then\njump to 1957 and run until 1977. Files from Audio-Visual materials include scrapbooks,\nphotographs, and negatives. The first scrapbook includes images for a retirement party for\nW.C. \"Bill\" Pedersen. Bill Pedersen created the Waverly Welcome House (photographs), a rest\narea and spot for tourists to learn about citrus growing, while purchasing fruit. The Welcome\nHouse was located between Cypress Gardens and Bok Singing Tower, along Route No. 540 in\ncentral Florida. The second scrapbook, includes, clippings, documents and photographs of\npeople and places around the compound\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Waverly records include Office Files about day-to-day business mostly between 1930\nand 1950's. Of special note are the files from the WWII years discussing rationed items.\nJames C. Morton (JCM) was an operations director, and his files date mostly in the 1950's\nand are about fruit. Operations and Supply files include documents about running and\nsupplying the Waverly complex. The Membership newsletters are dated 1937 and 1938, then\njump to 1957 and run until 1977. Files from Audio-Visual materials include scrapbooks,\nphotographs, and negatives. The first scrapbook includes images for a retirement party for\nW.C. \"Bill\" Pedersen. Bill Pedersen created the Waverly Welcome House (photographs), a rest\narea and spot for tourists to learn about citrus growing, while purchasing fruit. The Welcome\nHouse was located between Cypress Gardens and Bok Singing Tower, along Route No. 540 in\ncentral Florida. The second scrapbook, includes, clippings, documents and photographs of\npeople and places around the compound"],"userestrict_html_tesm":["\u003cp\u003eCopyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has been transferred to the college. Permission to publish material must be obtained\nfrom Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder.\nPlease inquire if you have questions."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":279,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"44c08036102c8e8f97ad1e05","timestamp":"2026-07-11T02:35:14.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/44c08036102c8e8f97ad1e05_aspace_fb47777ca1b8152f67157d49b9e5f5a8"}},{"id":"c92534bd2688ff541b587f5f_aspace_470e1c1c23661a6003ad041d8ebdb440","type":"Series","attributes":{"title":"Audit, 2008, 2013","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c92534bd2688ff541b587f5f_aspace_470e1c1c23661a6003ad041d8ebdb440#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_470e1c1c23661a6003ad041d8ebdb440","ref_ssm":["aspace_470e1c1c23661a6003ad041d8ebdb440","aspace_470e1c1c23661a6003ad041d8ebdb440"],"id":"c92534bd2688ff541b587f5f_aspace_470e1c1c23661a6003ad041d8ebdb440","title_filing_ssi":"Audit","title_ssm":["Audit"],"title_tesim":["Audit"],"unitdate_inclusive_ssm":["2008, 2013"],"normalized_date_ssm":["2008, 2013"],"normalized_title_ssm":["Audit, 2008, 2013"],"text":["Audit, 2008, 2013","English Department Records, 1970-2013","/repositories/10/archival_objects/228840","Box 4"],"component_level_isim":[1],"parent_ids_ssim":["c92534bd2688ff541b587f5f"],"parent_unittitles_ssm":["English Department Records, 1970-2013"],"parent_unittitles_tesim":["English Department Records, 1970-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/228840"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["English Department Records, 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":19,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["Box 4"],"_nest_path_":"/components#18","_nest_parent_":"c92534bd2688ff541b587f5f","_root_":"c92534bd2688ff541b587f5f","_version_":1870857979687862272,"timestamp":"2026-07-16T08:06:44.871Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c92534bd2688ff541b587f5f","title_ssm":["English Department Records"],"title_tesim":["English Department Records"],"ead_ssi":"c92534bd2688ff541b587f5f","unitdate_ssm":["1970-2013"],"unitdate_inclusive_ssm":["1970-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2019-009","/repositories/10/resources/2086"],"text":["HUA 2019-009","/repositories/10/resources/2086","English Department Records, 1970-2013","This collection is open to all researchers.","Date accessioned: 2019/01/30","Box: HTDs Box: HTDs Box: HTDs Box 1: Course Evaluation Statistics (1980s, 1990s, 1999-2003), salary information, Sheila Taylor-Ortiz vita, Dennis Moore file, Grant Application: National Endowment for the Humanities (1988), Guidelines for Disciplinary Action Box 2: ROPA Correspondence, Kate Meehan file, '80s committee activities, Jennifer Wells file, Andrew Reynolds file, Department Award Accounts, Review materials, salary increases/summer salary, faculty achievements (1980-1996), Miscellaneous 1992-1993, Miscellaneous 1988-1989, Miscellaneous 1987-1988, Memoranda-Phi Beta Kappa Box 3: Fred Standley files Box 4: Audit (2008/2013), workers comp/injury info, speakers 2005-2006 Box 5: Graduate Assistant/Fellowship Policies Box 6: Academic Honor Code violations (2004/2005) Box 7: publicity, English Dept. newsletters, notary public info, MLA membership Box 8: Bryan Hall Learning Community brochure, Booklets with bookmarks: Story Quarterly 2/3, Konglomerati Focus on Florida, The Florida Review Volume XII No. 1 Winter 1984, The Panhandler Florida Poets Issue Summer 1983; Creative Writing Program, Honors Committee, FSU Purchasing Card, Linda Saladin-Adams travel grant application, Jocelyn Walker file, Applications/New Hire Box 9: PhD student files (2004-2007) Box 10: PhD student files Box 11: LIT honors program Box 12: Faculty appointments and budget info (1990s) Box 13: Mostly faculty email correspondence about audits/SACS report (1990s-2000s) Box 14: Seems to be a mixture of comps, applications for graduate studies, and faculty appointments/applications Box 15: student drops, Academic Honor Code violations, Summer 2008 contracts/budget, Outside Activity Reports (2008-2009), Faculty Leave Audits (Fall 2004), Academic Year 2009-2010, summer 2009, Appleton Endowment, summer 2010, Academic Year 2012-2013, summer 2011, Outside Activity Reports (2009-2010), honors thesis proposals (late 1990s/early 2000s) Box 16: Various faculty papers and grade appeals (1990s-2000s) Box 17: Faculty memos, correspondence, reports, reviews, and evaluations (1970s, 1990s, 2000s)","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2019-009","/repositories/10/resources/2086"],"normalized_date_ssm":["1970-2013"],"normalized_title_ssm":["English Department Records, 1970-2013"],"collection_title_tesim":["English Department Records, 1970-2013"],"collection_ssim":["English Department Records, 1970-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["FSU Department of English"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2019/01/30\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2019/01/30"],"prefercite_html_tesm":["\u003cp\u003eEnglish Department Records, HUA 2019-009, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2019-009\u003c/p\u003e"],"prefercite_tesim":["English Department Records, HUA 2019-009, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2019-009"],"scopecontent_html_tesm":["\u003cp\u003eBox: HTDs Box: HTDs Box: HTDs Box 1: Course Evaluation Statistics (1980s, 1990s, 1999-2003), salary information, Sheila Taylor-Ortiz vita, Dennis Moore file, Grant Application: National Endowment for the Humanities (1988), Guidelines for Disciplinary Action Box 2: ROPA Correspondence, Kate Meehan file, '80s committee activities, Jennifer Wells file, Andrew Reynolds file, Department Award Accounts, Review materials, salary increases/summer salary, faculty achievements (1980-1996), Miscellaneous 1992-1993, Miscellaneous 1988-1989, Miscellaneous 1987-1988, Memoranda-Phi Beta Kappa Box 3: Fred Standley files Box 4: Audit (2008/2013), workers comp/injury info, speakers 2005-2006 Box 5: Graduate Assistant/Fellowship Policies Box 6: Academic Honor Code violations (2004/2005) Box 7: publicity, English Dept. newsletters, notary public info, MLA membership Box 8: Bryan Hall Learning Community brochure, Booklets with bookmarks: Story Quarterly 2/3, Konglomerati Focus on Florida, The Florida Review Volume XII No. 1 Winter 1984, The Panhandler Florida Poets Issue Summer 1983; Creative Writing Program, Honors Committee, FSU Purchasing Card, Linda Saladin-Adams travel grant application, Jocelyn Walker file, Applications/New Hire Box 9: PhD student files (2004-2007) Box 10: PhD student files Box 11: LIT honors program Box 12: Faculty appointments and budget info (1990s) Box 13: Mostly faculty email correspondence about audits/SACS report (1990s-2000s) Box 14: Seems to be a mixture of comps, applications for graduate studies, and faculty appointments/applications Box 15: student drops, Academic Honor Code violations, Summer 2008 contracts/budget, Outside Activity Reports (2008-2009), Faculty Leave Audits (Fall 2004), Academic Year 2009-2010, summer 2009, Appleton Endowment, summer 2010, Academic Year 2012-2013, summer 2011, Outside Activity Reports (2009-2010), honors thesis proposals (late 1990s/early 2000s) Box 16: Various faculty papers and grade appeals (1990s-2000s) Box 17: Faculty memos, correspondence, reports, reviews, and evaluations (1970s, 1990s, 2000s)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Box: HTDs Box: HTDs Box: HTDs Box 1: Course Evaluation Statistics (1980s, 1990s, 1999-2003), salary information, Sheila Taylor-Ortiz vita, Dennis Moore file, Grant Application: National Endowment for the Humanities (1988), Guidelines for Disciplinary Action Box 2: ROPA Correspondence, Kate Meehan file, '80s committee activities, Jennifer Wells file, Andrew Reynolds file, Department Award Accounts, Review materials, salary increases/summer salary, faculty achievements (1980-1996), Miscellaneous 1992-1993, Miscellaneous 1988-1989, Miscellaneous 1987-1988, Memoranda-Phi Beta Kappa Box 3: Fred Standley files Box 4: Audit (2008/2013), workers comp/injury info, speakers 2005-2006 Box 5: Graduate Assistant/Fellowship Policies Box 6: Academic Honor Code violations (2004/2005) Box 7: publicity, English Dept. newsletters, notary public info, MLA membership Box 8: Bryan Hall Learning Community brochure, Booklets with bookmarks: Story Quarterly 2/3, Konglomerati Focus on Florida, The Florida Review Volume XII No. 1 Winter 1984, The Panhandler Florida Poets Issue Summer 1983; Creative Writing Program, Honors Committee, FSU Purchasing Card, Linda Saladin-Adams travel grant application, Jocelyn Walker file, Applications/New Hire Box 9: PhD student files (2004-2007) Box 10: PhD student files Box 11: LIT honors program Box 12: Faculty appointments and budget info (1990s) Box 13: Mostly faculty email correspondence about audits/SACS report (1990s-2000s) Box 14: Seems to be a mixture of comps, applications for graduate studies, and faculty appointments/applications Box 15: student drops, Academic Honor Code violations, Summer 2008 contracts/budget, Outside Activity Reports (2008-2009), Faculty Leave Audits (Fall 2004), Academic Year 2009-2010, summer 2009, Appleton Endowment, summer 2010, Academic Year 2012-2013, summer 2011, Outside Activity Reports (2009-2010), honors thesis proposals (late 1990s/early 2000s) Box 16: Various faculty papers and grade appeals (1990s-2000s) Box 17: Faculty memos, correspondence, reports, reviews, and evaluations (1970s, 1990s, 2000s)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"odd_html_tesm":["\u003cp\u003eUnknown\u003c/p\u003e"],"odd_heading_ssm":["Creator"],"odd_tesim":["Unknown"],"_nest_path_":"/components#2","_nest_parent_":"9295ab59f6671b5f8925101a","_root_":"9295ab59f6671b5f8925101a","_version_":1870841756013035520,"timestamp":"2026-07-16T03:48:52.675Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9295ab59f6671b5f8925101a","title_ssm":["Marion Rinhart Photographs Collection"],"title_tesim":["Marion Rinhart Photographs Collection"],"ead_ssi":"9295ab59f6671b5f8925101a","unitdate_ssm":["1860-1952","1875-1934"],"unitdate_bulk_ssim":["1875-1934"],"unitdate_inclusive_ssm":["1860-1952"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00026","/repositories/2/resources/146"],"text":["SPC00026","/repositories/2/resources/146","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Leslie Siegel processed this collection.","This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"extent_tesim":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Leslie Siegel processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Leslie Siegel processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.\u0026#xA0; The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami, \u003cextref href=\"http://proust.library.miami.edu/favicon.ico\"\u003eOtto Richter Library\u003c/extref\u003e in Coral Gables, Florida.\u003c/p\u003e\n","\u003cp\u003eThe Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Marion Rinhart"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Marion Rinhart"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841756013035520,"_root_":"9295ab59f6671b5f8925101a","timestamp":"2026-07-16T03:48:52.675Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73314"}},{"id":"31b2b8188273d57943cd6b2d_aspace_944fb99c39e58106718c6fb72d91d34c","type":"Series","attributes":{"title":"Auffenberg, Walter Florida State Museum, 1968-1984","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/31b2b8188273d57943cd6b2d_aspace_944fb99c39e58106718c6fb72d91d34c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_944fb99c39e58106718c6fb72d91d34c","ref_ssm":["aspace_944fb99c39e58106718c6fb72d91d34c","aspace_944fb99c39e58106718c6fb72d91d34c"],"id":"31b2b8188273d57943cd6b2d_aspace_944fb99c39e58106718c6fb72d91d34c","title_filing_ssi":"Auffenberg, Walter Florida State Museum","title_ssm":["Auffenberg, Walter Florida State Museum"],"title_tesim":["Auffenberg, Walter Florida State Museum"],"unitdate_inclusive_ssm":["1968-1984"],"normalized_date_ssm":["1968-1984"],"normalized_title_ssm":["Auffenberg, Walter Florida State Museum, 1968-1984"],"text":["Auffenberg, Walter Florida State Museum, 1968-1984","Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","Correspondence","9","/repositories/10/archival_objects/233950","box 8"],"component_level_isim":[2],"parent_ids_ssim":["31b2b8188273d57943cd6b2d","31b2b8188273d57943cd6b2d_aspace_5177a1904afce5f5a63bb06b4d0838a9"],"parent_unittitles_ssm":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","Correspondence"],"parent_unittitles_tesim":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["9","/repositories/10/archival_objects/233950"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":101,"parent_access_restrict_tesm":["Access to personal journals, unpublished articles, and unpublished monographs by D. Bruce Means is restricted. These materials may be accessed with written permission from D. Bruce Means.","All other materials are open to all researchers. ","Some of this collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 8"],"_nest_path_":"/components#4/components#8","_nest_parent_":"31b2b8188273d57943cd6b2d_aspace_5177a1904afce5f5a63bb06b4d0838a9","_root_":"31b2b8188273d57943cd6b2d","_version_":1870858680245682176,"timestamp":"2026-07-16T08:17:52.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"31b2b8188273d57943cd6b2d","title_filing_ssi":"Means, Bruce Papers","title_ssm":["Bruce Means Papers"],"title_tesim":["Bruce Means Papers"],"ead_ssi":"31b2b8188273d57943cd6b2d","unitdate_ssm":["1941-1965","Date acquired: 07/06/2018"],"unitdate_other_ssim":["1941-1965","Date acquired: 07/06/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2018-004","/repositories/10/resources/307"],"text":["MSS 2018-004","/repositories/10/resources/307","Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","Access to personal journals, unpublished articles, and unpublished monographs by D. Bruce Means is restricted. These materials may be accessed with written permission from D. Bruce Means.","All other materials are open to all researchers. ","Some of this collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","unarranged","Dr. Bruce Means is a research ecologist, author, and consultant. His research includes ecosystems of the southeastern United States, fire ecology, the natural history of South American tepuis, biogeography, conservation, endangered species, and the evolution and natural history of amphibians and reptiles.","Donald Bruce Means was born March 9, 1941, in Los Angeles, California. ","Means recieved a Bachelor of Science in Biology from Florida State University (FSU) in 1968. He earned a Master of Science in Ecology in 1972 and a PhD in Ecology in 1975. He served as a teaching assistant at FSU from 1968-1970, and Adjunct Professor in Biological Science at FSU starting in 1976.","Means's field experience as a research ecologist includes the Florida Panhandle, Southeastern United States, Alaska, South America, Mexico, and the Caribbean Sea.","His publications include scientific articles, technical reports, and popular articles in National Wildlife, International Wildlife, Natural History, BBC Wildlife, National Geographic, Fauna, South American Explorer, and other magazines. His books include two on the ecology of Florida and \"Herpetophilia, Love of Creeping, Crawling Things.\" He has featured in documentary films for National Geographic Television, BBC Television, and PBS.","Means is Founder and President Emeritus of the Coastal Plains Institute, Tallahassee, Florida.","Sources \nD. Bruce Means PhD.  http://www.brucemeans.com/ \nCoastal Plains Institute. \"About Us.\"  https://www.coastalplains.org/main/about-us/","Motion picture content may not be available upon request. For more information on this collection please contact Special Collections \u0026 Archives staff at 850-644-3271 or lib-specialcollections@fsu.edu.","Field notes, biological and ecological data, journals, subject files, and audiovisual recordings documenting the research, professional output, and personal life of Bruce Means.","https://repository.lib.fsu.edu/islandora/object/fsu:meanspapers","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2018-004","/repositories/10/resources/307"],"normalized_date_ssm":["1941-1965, Date acquired: 07/06/2018"],"normalized_title_ssm":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018"],"collection_title_tesim":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018"],"collection_ssim":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Donated by Bruce Means between July 2018 and November 2019. Deed of Gift for family films executed in 2018."],"has_online_content_ssim":["false"],"extent_ssm":["8.00 Linear Feet 7 boxes, 20 reels","32 Reels","22.4 Gigabytes"],"extent_tesim":["8.00 Linear Feet 7 boxes, 20 reels","32 Reels","22.4 Gigabytes"],"physfacet_tesim":["paper documents and audiovisual media","8 mm film reels","3,427 Files, 124 Folders"],"accessrestrict_html_tesm":["\u003cp\u003eAccess to personal journals, unpublished articles, and unpublished monographs by D. Bruce Means is restricted. These materials may be accessed with written permission from D. Bruce Means.\u003c/p\u003e\n","\u003cp\u003eAll other materials are open to all researchers. \u003c/p\u003e\n","\u003cp\u003eSome of this collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access to personal journals, unpublished articles, and unpublished monographs by D. Bruce Means is restricted. These materials may be accessed with written permission from D. Bruce Means.","All other materials are open to all researchers. ","Some of this collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eunarranged\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["unarranged"],"bioghist_html_tesm":["\u003cp\u003eDr. Bruce Means is a research ecologist, author, and consultant. His research includes ecosystems of the southeastern United States, fire ecology, the natural history of South American tepuis, biogeography, conservation, endangered species, and the evolution and natural history of amphibians and reptiles.\u003c/p\u003e\n","\u003cp\u003eDonald Bruce Means was born March 9, 1941, in Los Angeles, California. \u003c/p\u003e\n","\u003cp\u003eMeans recieved a Bachelor of Science in Biology from Florida State University (FSU) in 1968. He earned a Master of Science in Ecology in 1972 and a PhD in Ecology in 1975. He served as a teaching assistant at FSU from 1968-1970, and Adjunct Professor in Biological Science at FSU starting in 1976.\u003c/p\u003e\n","\u003cp\u003eMeans's field experience as a research ecologist includes the Florida Panhandle, Southeastern United States, Alaska, South America, Mexico, and the Caribbean Sea.\u003c/p\u003e\n","\u003cp\u003eHis publications include scientific articles, technical reports, and popular articles in National Wildlife, International Wildlife, Natural History, BBC Wildlife, National Geographic, Fauna, South American Explorer, and other magazines. His books include two on the ecology of Florida and \"Herpetophilia, Love of Creeping, Crawling Things.\" He has featured in documentary films for National Geographic Television, BBC Television, and PBS.\u003c/p\u003e\n","\u003cp\u003eMeans is Founder and President Emeritus of the Coastal Plains Institute, Tallahassee, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSources\u003c/emph\u003e\nD. Bruce Means PhD. \u003cextref href=\"http://www.brucemeans.com/\"\u003ehttp://www.brucemeans.com/\u003c/extref\u003e\nCoastal Plains Institute. \"About Us.\" \u003cextref href=\"https://www.coastalplains.org/main/about-us/\"\u003ehttps://www.coastalplains.org/main/about-us/\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dr. Bruce Means is a research ecologist, author, and consultant. His research includes ecosystems of the southeastern United States, fire ecology, the natural history of South American tepuis, biogeography, conservation, endangered species, and the evolution and natural history of amphibians and reptiles.","Donald Bruce Means was born March 9, 1941, in Los Angeles, California. ","Means recieved a Bachelor of Science in Biology from Florida State University (FSU) in 1968. He earned a Master of Science in Ecology in 1972 and a PhD in Ecology in 1975. He served as a teaching assistant at FSU from 1968-1970, and Adjunct Professor in Biological Science at FSU starting in 1976.","Means's field experience as a research ecologist includes the Florida Panhandle, Southeastern United States, Alaska, South America, Mexico, and the Caribbean Sea.","His publications include scientific articles, technical reports, and popular articles in National Wildlife, International Wildlife, Natural History, BBC Wildlife, National Geographic, Fauna, South American Explorer, and other magazines. His books include two on the ecology of Florida and \"Herpetophilia, Love of Creeping, Crawling Things.\" He has featured in documentary films for National Geographic Television, BBC Television, and PBS.","Means is Founder and President Emeritus of the Coastal Plains Institute, Tallahassee, Florida.","Sources \nD. Bruce Means PhD.  http://www.brucemeans.com/ \nCoastal Plains Institute. \"About Us.\"  https://www.coastalplains.org/main/about-us/"],"phystech_html_tesm":["\u003cp\u003eMotion picture content may not be available upon request. For more information on this collection please contact Special Collections \u0026amp; Archives staff at 850-644-3271 or lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access Requirements"],"phystech_tesim":["Motion picture content may not be available upon request. For more information on this collection please contact Special Collections \u0026 Archives staff at 850-644-3271 or lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eBruce Means Papers, MSS 2018-004, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2018-004\"\u003ehttp://purl.fcla.edu/fsu/MSS_2018-004\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Bruce Means Papers, MSS 2018-004, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2018-004"],"scopecontent_html_tesm":["\u003cp\u003eField notes, biological and ecological data, journals, subject files, and audiovisual recordings documenting the research, professional output, and personal life of Bruce Means.\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:meanspapers\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:meanspapers\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["Field notes, biological and ecological data, journals, subject files, and audiovisual recordings documenting the research, professional output, and personal life of Bruce Means.","https://repository.lib.fsu.edu/islandora/object/fsu:meanspapers"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":393,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858680245682176,"_root_":"31b2b8188273d57943cd6b2d","timestamp":"2026-07-16T08:17:52.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/31b2b8188273d57943cd6b2d_aspace_944fb99c39e58106718c6fb72d91d34c"}},{"id":"456875eab9536e3707a4b04f_aspace_064e255f5a4a2a13a96f9b2479b198ed","type":"Series","attributes":{"title":"Australia","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_064e255f5a4a2a13a96f9b2479b198ed#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_064e255f5a4a2a13a96f9b2479b198ed","ref_ssm":["aspace_064e255f5a4a2a13a96f9b2479b198ed","aspace_064e255f5a4a2a13a96f9b2479b198ed"],"id":"456875eab9536e3707a4b04f_aspace_064e255f5a4a2a13a96f9b2479b198ed","title_filing_ssi":"Australia","title_ssm":["Australia"],"title_tesim":["Australia"],"normalized_title_ssm":["Australia"],"text":["Australia","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","/repositories/3/archival_objects/44625","box 1"],"component_level_isim":[1],"parent_ids_ssim":["456875eab9536e3707a4b04f"],"parent_unittitles_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"parent_unittitles_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/44625"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":13,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 1"],"_nest_path_":"/components#1","_nest_parent_":"456875eab9536e3707a4b04f","_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"456875eab9536e3707a4b04f","title_ssm":["Tom Mack Citrus and Vegetable Label Collection"],"title_tesim":["Tom Mack Citrus and Vegetable Label Collection"],"ead_ssi":"456875eab9536e3707a4b04f","unitdate_ssm":["1900-1970"],"unitdate_inclusive_ssm":["1900-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000-1","/repositories/3/resources/145"],"text":["CIT1000-1","/repositories/3/resources/145","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia","Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.","In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.","The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. ","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. 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Mack Florida Citrus Archives"],"geogname_ssm":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"geogname_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"places_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was created by Professor Tom Mack as part of his efforts to document the history of the citrus industry. It was transferred to the archives via the library upon his retirement."],"access_subjects_ssim":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"access_subjects_ssm":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["2.3 Linear Feet"],"extent_tesim":["2.3 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eCitrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name."],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.\u003c/p\u003e\n","\u003cp\u003eTo ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.\u003c/p\u003e\n","\u003cp\u003eWhile all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.\u003c/p\u003e\n","\u003cp\u003eCalifornia was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.\u003c/p\u003e\n","\u003cp\u003eBecause the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.\u003c/p\u003e\n","\u003cp\u003eFlorida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.\u003c/p\u003e\n","\u003cp\u003eCommon motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de Le\u0026#xF3;n and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.\u003c/p\u003e\n","\u003cp\u003eThe Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.\u003c/p\u003e\n","\u003cp\u003eTexas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything\u0026#x2014;including the marketing\u0026#x2014;was bigger and bolder in Texas.\u003c/p\u003e\n","\u003cp\u003erizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.\u003c/p\u003e\n","\u003cp\u003eArizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.\u003c/p\u003e\n","\u003cp\u003eBy the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e\n","\u003cp\u003eThis collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.\u003c/p\u003e\n","\u003cp\u003eAlso notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.\u003c/p\u003e\n","\u003cp\u003eMost labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_064e255f5a4a2a13a96f9b2479b198ed"}},{"id":"3018d7acc866cce1e2f00be2_aspace_d199442a7db1e848f2655670656e398b","type":"Series","attributes":{"title":"Australian Arts","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_d199442a7db1e848f2655670656e398b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d199442a7db1e848f2655670656e398b","ref_ssm":["aspace_d199442a7db1e848f2655670656e398b","aspace_d199442a7db1e848f2655670656e398b"],"id":"3018d7acc866cce1e2f00be2_aspace_d199442a7db1e848f2655670656e398b","title_filing_ssi":"Australian Arts","title_ssm":["Australian Arts"],"title_tesim":["Australian Arts"],"normalized_title_ssm":["Australian Arts"],"text":["Australian Arts","Mickey Wolfson Theater Collection, 1946-2015","Box 1","/repositories/2/archival_objects/73893"],"component_level_isim":[2],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_e70783644d67d373951b0bc123a575f4"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 1"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 1"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["/repositories/2/archival_objects/73893"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0/components#0","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_e70783644d67d373951b0bc123a575f4","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mickey Wolfson"],"access_subjects_ssim":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"access_subjects_ssm":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["18.33 Linear Feet"],"extent_tesim":["18.33 Linear Feet"],"physfacet_tesim":["44 5\" document cases"],"genreform_ssim":["Playbills"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. \u003c/p\u003e\n","\u003cp\u003eThere is one sub-series under U.S. Arts entitled Arts in Florida.\u003c/p\u003e\n","\u003cp\u003eMaterials are in alphabetical and date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. \u003c/p\u003e\n","\u003cp\u003eCollector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. \u003c/p\u003e\n","\u003cp\u003eIn 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. \u003c/p\u003e\n","\u003cp\u003e\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_7e877df1254b1c8344c609e6bb627e19\"\u003eLanguage of materials is in English unless otherwise noted.\u003c/materialspec\u003e"],"materialspec_tesim":["Language of materials is in English unless otherwise noted."],"names_ssim":["FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"language_ssim":["Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1292,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_d199442a7db1e848f2655670656e398b"}},{"id":"cff9b14c5a99a9dd532f3b54_aspace_32794fade7b84910aae130636468d738","type":"Series","attributes":{"title":"Austria","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cff9b14c5a99a9dd532f3b54_aspace_32794fade7b84910aae130636468d738#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_32794fade7b84910aae130636468d738","ref_ssm":["aspace_32794fade7b84910aae130636468d738","aspace_32794fade7b84910aae130636468d738"],"id":"cff9b14c5a99a9dd532f3b54_aspace_32794fade7b84910aae130636468d738","title_filing_ssi":"Austria","title_ssm":["Austria"],"title_tesim":["Austria"],"normalized_title_ssm":["Austria"],"text":["Austria","David Bien Papers, Date acquired: 09/28/2017","Notecards by Topic","/repositories/10/archival_objects/244759","box 17"],"component_level_isim":[2],"parent_ids_ssim":["cff9b14c5a99a9dd532f3b54","cff9b14c5a99a9dd532f3b54_aspace_132c2bf8aa08ea64088fc5e9497458e6"],"parent_unittitles_ssm":["David Bien Papers, Date acquired: 09/28/2017","Notecards by Topic"],"parent_unittitles_tesim":["David Bien Papers, Date acquired: 09/28/2017","Notecards by Topic"],"parent_levels_ssm":["collection","Container"],"unitid_ssm":["/repositories/10/archival_objects/244759"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["David Bien Papers, Date acquired: 09/28/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":319,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"containers_ssim":["box 17"],"_nest_path_":"/components#308/components#2","_nest_parent_":"cff9b14c5a99a9dd532f3b54_aspace_132c2bf8aa08ea64088fc5e9497458e6","_root_":"cff9b14c5a99a9dd532f3b54","_version_":1870858733102301184,"timestamp":"2026-07-16T08:18:43.378Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cff9b14c5a99a9dd532f3b54","title_ssm":["David Bien Papers"],"title_tesim":["David Bien Papers"],"ead_ssi":"cff9b14c5a99a9dd532f3b54","unitdate_ssm":["Date acquired: 09/28/2017"],"unitdate_other_ssim":["Date acquired: 09/28/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2017-005","/repositories/10/resources/352"],"text":["MSS 2017-005","/repositories/10/resources/352","David Bien Papers, Date acquired: 09/28/2017","French Revolution","This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","David Duckworth Bien was born to David William Bien and Cecile Marie (Dubois) Bien on April 2, 1930 in Baltimore, Maryland.\n Bien earned an A.B. degree from Washington and Lee University (1951) and M.A. and Ph.D. degrees in History from Harvard University (1956). Bien taught at Weseleyan University (1958-1959), Princeton University (1959-1967), and the University of Michigan (1967-1996). At the latter institution Bien also served as Chair of the Department of History and was appointed Professor Emeritus of French History upon retirement.\n Bien's research and scholarship on eighteenth century France, the ancien régime, and the origins of the French Revolution are acknowledged as globally influential in the field of French History. Bien was twice awarded the William Koren Prize by the Society for French Historical Studies (1958, 1978).","Bien passed away September 25, 2015 in Ann Arbor, Michigan after a lengthy illness.\n","Sources David D. Bien (September 27, 2015).  Ann Arbor News .  http://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390 Gail Bossenga.  In Memoriam: David D. Bien (1930-2015) .  http://www.h-france.net/Salon/Salon8BienInMemoriam.pdf","Note written by R. Grennan","Materials were shipped to FSU History Department from Ann Arbor, MI by Prof. Rafe Blaufarb in late 2016. Transferred to Strozier Library from History Department in August 2017. Deed of Gift executed in September 2017.","David D. Bien (1960).  The Calas Affair . Princeton, NJ: Princeton University Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595","Robert M. Schwartz \u0026 Robert A. Schneider (Eds.). (2003). \"Publications of David D. Bien,\" in  Tocqueville and Beyond: Essays On the Old Regime In Honor Of David D. Bien . Newark: University of Delware Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363","Rafe Blaufarb et al. (Eds.). (2014).  Interpreting the Ancien Régime: David Bien . Oxford: Voltaire Foundation.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888","Correspondence, research materials, publications, and original scholarship collected by David Bien, documenting research on the French Revolution and the  ancien régime .","The following volume was removed to the French Revolution and Napoleon book collection:\n Marc Venard (1957).  Bourgeois et Paysans au XVIIe si ècle.  Paris: SEVPEN.","FSU Special Collections \u0026 Archives","English French"],"unitid_tesim":["MSS 2017-005","/repositories/10/resources/352"],"normalized_date_ssm":["Date acquired: 09/28/2017"],"normalized_title_ssm":["David Bien Papers, Date acquired: 09/28/2017"],"collection_title_tesim":["David Bien Papers, Date acquired: 09/28/2017"],"collection_ssim":["David Bien Papers, Date acquired: 09/28/2017"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"acqinfo_ssim":["Margaret C. Bien","Deed of Gift"],"access_subjects_ssim":["French Revolution"],"access_subjects_ssm":["French Revolution"],"has_online_content_ssim":["false"],"extent_ssm":["26.00 boxes 26 Boxes","24.75 Linear Feet"],"extent_tesim":["26.00 boxes 26 Boxes","24.75 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eDavid Duckworth Bien was born to David William Bien and Cecile Marie (Dubois) Bien on April 2, 1930 in Baltimore, Maryland.\n\u003cbr\u003e\u003cbr\u003eBien earned an A.B. degree from Washington and Lee University (1951) and M.A. and Ph.D. degrees in History from Harvard University (1956). Bien taught at Weseleyan University (1958-1959), Princeton University (1959-1967), and the University of Michigan (1967-1996). At the latter institution Bien also served as Chair of the Department of History and was appointed Professor Emeritus of French History upon retirement.\n\u003cbr\u003e\u003cbr\u003eBien's research and scholarship on eighteenth century France, the ancien r\u0026#xE9;gime, and the origins of the French Revolution are acknowledged as globally influential in the field of French History. Bien was twice awarded the William Koren Prize by the Society for French Historical Studies (1958, 1978).\u003c/p\u003e\n","\u003cp\u003eBien passed away September 25, 2015 in Ann Arbor, Michigan after a lengthy illness.\n\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003eSources\u003c/emph\u003e\n\u003cbr\u003e\u003cbr\u003eDavid D. Bien (September 27, 2015). \u003cemph render=\"italic\"\u003eAnn Arbor News\u003c/emph\u003e. \u003cextref href=\"http://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390\"\u003ehttp://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390\u003c/extref\u003e\n\u003cbr\u003e\u003cbr\u003eGail Bossenga. \u003cemph render=\"italic\"\u003eIn Memoriam: David D. Bien (1930-2015)\u003c/emph\u003e. \u003cextref href=\"http://www.h-france.net/Salon/Salon8BienInMemoriam.pdf\"\u003ehttp://www.h-france.net/Salon/Salon8BienInMemoriam.pdf\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eNote written by R. Grennan\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["David Duckworth Bien was born to David William Bien and Cecile Marie (Dubois) Bien on April 2, 1930 in Baltimore, Maryland.\n Bien earned an A.B. degree from Washington and Lee University (1951) and M.A. and Ph.D. degrees in History from Harvard University (1956). Bien taught at Weseleyan University (1958-1959), Princeton University (1959-1967), and the University of Michigan (1967-1996). At the latter institution Bien also served as Chair of the Department of History and was appointed Professor Emeritus of French History upon retirement.\n Bien's research and scholarship on eighteenth century France, the ancien régime, and the origins of the French Revolution are acknowledged as globally influential in the field of French History. Bien was twice awarded the William Koren Prize by the Society for French Historical Studies (1958, 1978).","Bien passed away September 25, 2015 in Ann Arbor, Michigan after a lengthy illness.\n","Sources David D. Bien (September 27, 2015).  Ann Arbor News .  http://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390 Gail Bossenga.  In Memoriam: David D. Bien (1930-2015) .  http://www.h-france.net/Salon/Salon8BienInMemoriam.pdf","Note written by R. Grennan"],"custodhist_html_tesm":["\u003cp\u003eMaterials were shipped to FSU History Department from Ann Arbor, MI by Prof. Rafe Blaufarb in late 2016. Transferred to Strozier Library from History Department in August 2017. Deed of Gift executed in September 2017.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Materials were shipped to FSU History Department from Ann Arbor, MI by Prof. Rafe Blaufarb in late 2016. Transferred to Strozier Library from History Department in August 2017. 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Schwartz \u0026amp; Robert A. Schneider (Eds.). (2003). \"Publications of David D. Bien,\" in \u003cemph render=\"italic\"\u003eTocqueville and Beyond: Essays On the Old Regime In Honor Of David D. Bien\u003c/emph\u003e. Newark: University of Delware Press. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363\u003c/extref\u003e\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eRafe Blaufarb et al. (Eds.). (2014). \u003cemph render=\"italic\"\u003eInterpreting the Ancien R\u0026#xE9;gime: David Bien\u003c/emph\u003e. Oxford: Voltaire Foundation. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["David D. Bien (1960).  The Calas Affair . Princeton, NJ: Princeton University Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595","Robert M. Schwartz \u0026 Robert A. Schneider (Eds.). (2003). \"Publications of David D. Bien,\" in  Tocqueville and Beyond: Essays On the Old Regime In Honor Of David D. Bien . Newark: University of Delware Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363","Rafe Blaufarb et al. (Eds.). (2014).  Interpreting the Ancien Régime: David Bien . 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