{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=829","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=828","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=830","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856"},"meta":{"pages":{"current_page":829,"next_page":830,"prev_page":828,"total_pages":856,"limit_value":10,"offset_value":8280,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"bc3b405ad7bffa4e6aa102a4_aspace_156205","type":"Series","attributes":{"title":"Van Darkholme, a/k/a Hogan, a/k/a/ Tadashi","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4_aspace_156205#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_156205","ref_ssm":["aspace_156205","aspace_156205"],"id":"bc3b405ad7bffa4e6aa102a4_aspace_156205","title_filing_ssi":"Van Darkholme, a/k/a Hogan, a/k/a/ Tadashi","title_ssm":["Van Darkholme, a/k/a Hogan, a/k/a/ Tadashi"],"title_tesim":["Van Darkholme, a/k/a Hogan, a/k/a/ Tadashi"],"normalized_title_ssm":["Van Darkholme, a/k/a Hogan, a/k/a/ Tadashi"],"text":["Van Darkholme, a/k/a Hogan, a/k/a/ Tadashi","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Photographs","Asians II, Pt. 2","7","/repositories/2/archival_objects/31321"],"component_level_isim":[3],"parent_ids_ssim":["bc3b405ad7bffa4e6aa102a4","bc3b405ad7bffa4e6aa102a4_aspace_155937","bc3b405ad7bffa4e6aa102a4_aspace_158812"],"parent_unittitles_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Photographs","Asians II, Pt. 2"],"parent_unittitles_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Photographs","Asians II, Pt. 2"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["7","/repositories/2/archival_objects/31321"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1302,"parent_access_restrict_tesm":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#5/components#3/components#6","_nest_parent_":"bc3b405ad7bffa4e6aa102a4_aspace_158812","_root_":"bc3b405ad7bffa4e6aa102a4","_version_":1876026433506115584,"timestamp":"2026-09-11T09:17:06.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bc3b405ad7bffa4e6aa102a4","title_ssm":["Asian male nude collection"],"title_tesim":["Asian male nude collection"],"ead_ssi":"bc3b405ad7bffa4e6aa102a4","unitdate_ssm":["1939-2014","Date acquired: 07/00/2013"],"unitdate_inclusive_ssm":["1939-2014"],"unitdate_other_ssim":["Date acquired: 07/00/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-01","/repositories/2/resources/199"],"text":["MS-2013-01","/repositories/2/resources/199","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies","Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.","Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.","USF Libraries - Tampa Special Collections","Anonymous","English"],"unitid_tesim":["MS-2013-01","/repositories/2/resources/199"],"normalized_date_ssm":["1939-2014, Date acquired: 07/00/2013"],"normalized_title_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_title_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anonymous"],"creator_ssim":["Anonymous"],"creator_persname_ssim":["Anonymous"],"creators_ssim":["Anonymous"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Anonymous","Donation"],"access_subjects_ssim":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"access_subjects_ssm":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["29.04 Linear Feet","67 boxes"],"extent_tesim":["29.04 Linear Feet","67 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eAge Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject."],"prefercite_html_tesm":["\u003cp\u003eAsian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Asian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eGay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  \u003c/p\u003e\n","\u003cp\u003eLGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6664ca4341de9df58678563f11c3afcb\" label=\"Abstract\"\u003eA collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.\u003c/abstract\u003e"],"abstract_tesim":["A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude."],"names_ssim":["USF Libraries - Tampa Special Collections","Anonymous"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Anonymous"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876026433506115584,"_root_":"bc3b405ad7bffa4e6aa102a4","timestamp":"2026-09-11T09:17:06.437Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4_aspace_156205"}},{"id":"731b674a396f199a6d388d63_aspace_c11e87935ea9083bd14589964c10fd4a","type":"Series","attributes":{"title":"Van Wezel, Lewis","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/731b674a396f199a6d388d63_aspace_c11e87935ea9083bd14589964c10fd4a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c11e87935ea9083bd14589964c10fd4a","ref_ssm":["aspace_c11e87935ea9083bd14589964c10fd4a","aspace_c11e87935ea9083bd14589964c10fd4a"],"id":"731b674a396f199a6d388d63_aspace_c11e87935ea9083bd14589964c10fd4a","title_filing_ssi":"Van Wezel, Lewis","title_ssm":["Van Wezel, Lewis"],"title_tesim":["Van Wezel, Lewis"],"normalized_title_ssm":["Van Wezel, Lewis"],"text":["Van Wezel, Lewis","Congressman James A. Haley Collection, 1948-1977","U.S. Congressional Papers","/repositories/2/archival_objects/29437","box 305"],"component_level_isim":[2],"parent_ids_ssim":["731b674a396f199a6d388d63","731b674a396f199a6d388d63_aspace_5741d34efd25f269c0c7a777de774a22"],"parent_unittitles_ssm":["Congressman James A. Haley Collection, 1948-1977","U.S. Congressional Papers"],"parent_unittitles_tesim":["Congressman James A. Haley Collection, 1948-1977","U.S. Congressional Papers"],"parent_levels_ssm":["collection","Subgroup"],"unitid_ssm":["/repositories/2/archival_objects/29437"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Congressman James A. Haley Collection, 1948-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":3964,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052"],"containers_ssim":["box 305"],"_nest_path_":"/components#4/components#528","_nest_parent_":"731b674a396f199a6d388d63_aspace_5741d34efd25f269c0c7a777de774a22","_root_":"731b674a396f199a6d388d63","_version_":1875924461057736704,"timestamp":"2026-09-10T06:16:17.977Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"731b674a396f199a6d388d63","title_ssm":["Congressman James A. Haley Collection"],"title_tesim":["Congressman James A. Haley Collection"],"ead_ssi":"731b674a396f199a6d388d63","unitdate_ssm":["1948-1977"],"unitdate_inclusive_ssm":["1948-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1040","/repositories/2/resources/17"],"text":["MS1040","/repositories/2/resources/17","Congressman James A. Haley Collection, 1948-1977","Washington D.C.","Florida--Politics","Lakeland and Polk County Politics","United States. Congress","House of Representatives--Florida--State Legislature","Circus--management","Correspondence","Clippings","Speeches","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The materials in this collection were maintained by the subject's staff by issue and date. With some modifications allowing for clarity, they have been arranged in a similar fashion. However, you will find that individual issues may appear under multiple subject headings. For example, \"Watergate\" may\nappear under its own heading as well as under \"Richard Nixon\" or \"Nixon Administration.\" Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples.","James A. Haley, as chairman of the House Interior Committee during the 1970s, was instrumental in the creation of Big Cypress National Preserve. Franklin Adams lobbied for the establishment of the Big Cypress National Preserve along with many other environmental issues. The Franklin Adams Papers are housed at Florida International University. The Franklin Adams Collection, SPC9000, at Florida International University, Miami. ","James Andrew Haley (January 4, 1899 – August 6, 1981) was a U.S. Representative from Florida. Born in Jacksonville, Alabama, Haley attended the public schools and the University of Alabama. He served in the U.S. Army during World War I, and saw combat in France. He was an accountant in Sarasota, Florida, from 1920 to 1933 and served as general manager of the John Ringling estate from 1933 to 1943.\nOn December 4, 1942, Haley married Aubrey Ringling (née Aubrey Barlow Black), the widow of Richard T. Ringling who had died in 1931. Richard Ringling was the son of one of the original Ringling brothers. From 1943 to 1945, he was the first vice president of Ringling Circus and president and\ndirector of Ringling Brothers, Barnum \u0026 Bailey. In 1944, a fire broke out at a Ringling Circus show in Hartford, Connecticut that killed 169 persons. As a result of the fire he and five other circus officials pleaded no contest to charges of involuntary manslaughter and were sentenced to prison. He served\neight months and in 1945 was returned to Florida, where he received a pardon from Governor Millard F. Caldwell. Upon his release from prison, Haley again served as president and director for the Ringling Bros. and Barnum and Bailey Circus of Sarasota from 1946 to 1948. He engaged in newspaper publishing and\nlater in general printing business. He served as chairman of the Democratic Executive Committee of Sarasota County 1935–1952. He was elected and served as member of the Florida House of Representatives from 1949 to 1952. He was a delegate to the Democratic National Conventions in 1952, 1956, and 1960.\nHaley was elected as a Democrat to the Eighty-third and to the eleven succeeding Congresses (January 3, 1953 – January 3, 1977). He was a member of the Committee on Interior and Insular Affairs, the Hospital Subcommittee of the Veterans Affair Committee, and the Indian Affairs Subcommittee. He served as chairman of the Committee on Interior and Insular Affairs (Ninety-third\nand Ninety-fourth Congresses). Haley was not a candidate for reelection to the Ninety-fifth Congress in 1976.","Haley died in Sarasota on August 6, 1981 and was interred in Boca Raton Cemetery in Boca Raton,FL. The James A. Haley Veterans Hospital located in Tampa is named for him. ","Sources: U.S. House of Representatives Official Biography and Haley Papers biographical data, 2018","The James A. Haley Papers consist of his personal and political papers. Correspondence, clippings, newsletters, photographs, congressional reports, and awards from various civic and political organizations give insight into Haley's public interests. Photographs of his wife, the Circus and political\naffiliates uncover the many facets of Haley's life. A limited amount of biographical information, including news articles about his death, reflect on how this public figure kept his private life private. Of note is the\nseries about the Hartford Circus fire. ","The Papers are arranged in five collections: Personal, Hartford Circus Fire, Political, Florida House of Representatives, and U.S. Congressional.","The Personal papers, arranged alphabetically by format, consists of calendars, correspondence, newsletters, photographs, awards and other ephemera giving a broad look into Haley's life in and out of office. A limited amount of biographical information, including news articles about his death, is included.","Haley Papers\nCorrespondence, newsletters, and awards from various civic and political organizations show the range of Haley's public interests while the invitations he accepted give a sense of the social life of a congressman in the 1950s-1970s. Congratulatory messages may give insight into who he counted\namong his political allies. The correspondence in this series, 1940-1981, the bulk of which are letters from Haley's time in the U.S. House of Representative (1953-1976) is of a general nature and may not be of a specific topic, but often must still be viewed as official. Since Haley was a public figure, the materials in this series should be viewed in the context that public figures kept their private life private.","The ephemera is mostly three-dimensional objects from Haley's office. The photographs within this series are also generally of an official nature. They are arranged by subject. Of particular note are the\nphotographs of Haley with several U.S. Presidents. Please see a digital exhibit at\nhttp://www.flsouthern.edu/library/mckay-archives/digital-exhibits/haley-presidents.aspx.","The Hartford Circus Fire collection encompasses documentation of the burning of a tent at the Ringling Bros. and Barnum \u0026 Baily Circus in Hartford, Connecticut on July 6, 1944, the loss of 150 lives, and the resulting trial. As first vice president of the Company, James A. Haley took responsibility, was found\nguilty of manslaughter, and served time in a federal prison. The documentation is comprised of, but not limited to, correspondence, news clippings, financial documents and court records. Correspondence takes the form of letters and telegrams with topics between Haley and staff and Haley and lawyers about what happened in the fire and with the trial. There are also letters to Haley while he is in jail, mostly regarding his personal health and welfare. There are extensive newspaper clippings about the fire and the trial. Corporate information includes circus routes, minutes and by-laws. The financial documents are extensive and record the financial standing of the circus, while Court Records consist of trial scripts, pleas, and scripts from the parole hearing. Anyone searching for general understanding of the events of the fire should look at the newspapers, and then the letters and telegrams.","The Political Papers collection concerns Haley's campaigns and party work. As a member of the U.S. House of Representatives, Haley was up for reelection every two years. The Campaign Files sub-series contains correspondence, government records, news articles, and other documents related to the subject's political campaigns between 1952 and 1974. Of special interest are the endorsements which how where and from whom he received his political support from.","The Democratic Party sub-collection reflects the subject's involvement with his political party. He served as a delegate to several Democratic National Conventions over the course of his career. He also took an interest in other political races throughout Florida and the nation. This series contains correspondence and newspaper articles concerning elections not specific to the subject, as well as general party information for candidates and booklets produced for the conventions.","The Florida House of Representatives collection encompass Haley's career as the State Representative for Sarasota County in the Florida House of Representatives. Haley held this office from 1948-1952. The materials are arranged in as logical order as possible. There was no discernable order prior to processing as the materials had been housed and rehoused several times since they were donated to the college. Of special note are the materials related to the Haley Committee Investigating Crime, which investigated political corruption and organized crime in the state. The collection also includes materials concerning state issues of the day, as well as issues specific to Sarasota County. Additionally, there are reference materials used by the subject in the performance of his duties. The Haley Committee on Investigating Crime sub-series contains transcripts of hearings, proceedings,\ncorrespondence, and news articles related to this committee, while the Issues sub-series is arranged Haley Papers\nalphabetically and contains correspondence, legislation, news articles, and reference material related to the respective issue. The Reference sub-series contain Florida House and Senate Bill Summaries, Legislative calendars, House and Senate Journals, and roll call votes. And, the Sarasota District subseries contain correspondence, reference materials, and news articles related specifically to that district.","The U.S. Congressional Papers, the largest collection, comprise the political aspects of Haley's US congressional career. The materials are arranged in alphabetical order created by his office. Haley held a seat representing the southwest coast and heartland of Florida from 1953-1977. The materials in this\nseries contain correspondence, articles, government documents, and photographs; they cover nearly every major issue to confront the United States during the 1950s through the 1970s. Of special note is the constituent correspondence, which are letters from citizens to Haley asking for information or help on a variety of topics. Letters and telegrams sent to Haley by citizens in his district give a sense of the\nviews of the general public concerning the issues of the era. Haley's views are expressed in his replies. The materials are arranged alphabetically by issue and date. This arrangement closely corresponds to how they were filed in the subject's office. Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples. ","The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Haley, James A., Congressman ","English"],"unitid_tesim":["MS1040","/repositories/2/resources/17"],"normalized_date_ssm":["1948-1977"],"normalized_title_ssm":["Congressman James A. Haley Collection, 1948-1977"],"collection_title_tesim":["Congressman James A. Haley Collection, 1948-1977"],"collection_ssim":["Congressman James A. Haley Collection, 1948-1977"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"geogname_ssm":["Washington D.C."],"geogname_ssim":["Washington D.C."],"creator_ssm":["Haley, James A., Congressman "],"creator_ssim":["Haley, James A., Congressman "],"creator_persname_ssim":["Haley, James A., Congressman "],"creators_ssim":["Haley, James A., Congressman "],"places_ssim":["Washington D.C."],"access_terms_ssm":["The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052"],"access_subjects_ssim":["Florida--Politics","Lakeland and Polk County Politics","United States. Congress","House of Representatives--Florida--State Legislature","Circus--management","Correspondence","Clippings","Speeches"],"access_subjects_ssm":["Florida--Politics","Lakeland and Polk County Politics","United States. Congress","House of Representatives--Florida--State Legislature","Circus--management","Correspondence","Clippings","Speeches"],"has_online_content_ssim":["false"],"extent_ssm":["150 Linear Feet"],"extent_tesim":["150 Linear Feet"],"genreform_ssim":["Correspondence","Clippings","Speeches"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection were maintained by the subject's staff by issue and date. With some modifications allowing for clarity, they have been arranged in a similar fashion. However, you will find that individual issues may appear under multiple subject headings. For example, \"Watergate\" may\nappear under its own heading as well as under \"Richard Nixon\" or \"Nixon Administration.\" Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples.\u003c/p\u003e\n","\u003cp\u003eJames A. Haley, as chairman of the House Interior Committee during the 1970s, was instrumental in the creation of Big Cypress National Preserve. Franklin Adams lobbied for the establishment of the Big Cypress National Preserve along with many other environmental issues. The Franklin Adams Papers are housed at Florida International University. The Franklin Adams Collection, SPC9000, at Florida International University, Miami. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection were maintained by the subject's staff by issue and date. With some modifications allowing for clarity, they have been arranged in a similar fashion. However, you will find that individual issues may appear under multiple subject headings. For example, \"Watergate\" may\nappear under its own heading as well as under \"Richard Nixon\" or \"Nixon Administration.\" Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples.","James A. Haley, as chairman of the House Interior Committee during the 1970s, was instrumental in the creation of Big Cypress National Preserve. Franklin Adams lobbied for the establishment of the Big Cypress National Preserve along with many other environmental issues. The Franklin Adams Papers are housed at Florida International University. The Franklin Adams Collection, SPC9000, at Florida International University, Miami. "],"bioghist_html_tesm":["\u003cp\u003eJames Andrew Haley (January 4, 1899 \u0026#x2013; August 6, 1981) was a U.S. Representative from Florida. Born in Jacksonville, Alabama, Haley attended the public schools and the University of Alabama. He served in the U.S. Army during World War I, and saw combat in France. He was an accountant in Sarasota, Florida, from 1920 to 1933 and served as general manager of the John Ringling estate from 1933 to 1943.\nOn December 4, 1942, Haley married Aubrey Ringling (n\u0026#xE9;e Aubrey Barlow Black), the widow of Richard T. Ringling who had died in 1931. Richard Ringling was the son of one of the original Ringling brothers. From 1943 to 1945, he was the first vice president of Ringling Circus and president and\ndirector of Ringling Brothers, Barnum \u0026amp; Bailey. In 1944, a fire broke out at a Ringling Circus show in Hartford, Connecticut that killed 169 persons. As a result of the fire he and five other circus officials pleaded no contest to charges of involuntary manslaughter and were sentenced to prison. He served\neight months and in 1945 was returned to Florida, where he received a pardon from Governor Millard F. Caldwell. Upon his release from prison, Haley again served as president and director for the Ringling Bros. and Barnum and Bailey Circus of Sarasota from 1946 to 1948. He engaged in newspaper publishing and\nlater in general printing business. He served as chairman of the Democratic Executive Committee of Sarasota County 1935\u0026#x2013;1952. He was elected and served as member of the Florida House of Representatives from 1949 to 1952. He was a delegate to the Democratic National Conventions in 1952, 1956, and 1960.\nHaley was elected as a Democrat to the Eighty-third and to the eleven succeeding Congresses (January 3, 1953 \u0026#x2013; January 3, 1977). He was a member of the Committee on Interior and Insular Affairs, the Hospital Subcommittee of the Veterans Affair Committee, and the Indian Affairs Subcommittee. He served as chairman of the Committee on Interior and Insular Affairs (Ninety-third\nand Ninety-fourth Congresses). Haley was not a candidate for reelection to the Ninety-fifth Congress in 1976.\u003c/p\u003e\n","\u003cp\u003eHaley died in Sarasota on August 6, 1981 and was interred in Boca Raton Cemetery in Boca Raton,FL. The James A. Haley Veterans Hospital located in Tampa is named for him. \u003c/p\u003e\n","\u003cp\u003eSources: U.S. House of Representatives Official Biography and Haley Papers biographical data, 2018\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Andrew Haley (January 4, 1899 – August 6, 1981) was a U.S. Representative from Florida. Born in Jacksonville, Alabama, Haley attended the public schools and the University of Alabama. He served in the U.S. Army during World War I, and saw combat in France. He was an accountant in Sarasota, Florida, from 1920 to 1933 and served as general manager of the John Ringling estate from 1933 to 1943.\nOn December 4, 1942, Haley married Aubrey Ringling (née Aubrey Barlow Black), the widow of Richard T. Ringling who had died in 1931. Richard Ringling was the son of one of the original Ringling brothers. From 1943 to 1945, he was the first vice president of Ringling Circus and president and\ndirector of Ringling Brothers, Barnum \u0026 Bailey. In 1944, a fire broke out at a Ringling Circus show in Hartford, Connecticut that killed 169 persons. As a result of the fire he and five other circus officials pleaded no contest to charges of involuntary manslaughter and were sentenced to prison. He served\neight months and in 1945 was returned to Florida, where he received a pardon from Governor Millard F. Caldwell. Upon his release from prison, Haley again served as president and director for the Ringling Bros. and Barnum and Bailey Circus of Sarasota from 1946 to 1948. He engaged in newspaper publishing and\nlater in general printing business. He served as chairman of the Democratic Executive Committee of Sarasota County 1935–1952. He was elected and served as member of the Florida House of Representatives from 1949 to 1952. He was a delegate to the Democratic National Conventions in 1952, 1956, and 1960.\nHaley was elected as a Democrat to the Eighty-third and to the eleven succeeding Congresses (January 3, 1953 – January 3, 1977). He was a member of the Committee on Interior and Insular Affairs, the Hospital Subcommittee of the Veterans Affair Committee, and the Indian Affairs Subcommittee. He served as chairman of the Committee on Interior and Insular Affairs (Ninety-third\nand Ninety-fourth Congresses). Haley was not a candidate for reelection to the Ninety-fifth Congress in 1976.","Haley died in Sarasota on August 6, 1981 and was interred in Boca Raton Cemetery in Boca Raton,FL. The James A. Haley Veterans Hospital located in Tampa is named for him. ","Sources: U.S. House of Representatives Official Biography and Haley Papers biographical data, 2018"],"scopecontent_html_tesm":["\u003cp\u003eThe James A. Haley Papers consist of his personal and political papers. Correspondence, clippings, newsletters, photographs, congressional reports, and awards from various civic and political organizations give insight into Haley's public interests. Photographs of his wife, the Circus and political\naffiliates uncover the many facets of Haley's life. A limited amount of biographical information, including news articles about his death, reflect on how this public figure kept his private life private. Of note is the\nseries about the Hartford Circus fire. \u003c/p\u003e\n","\u003cp\u003eThe Papers are arranged in five collections: Personal, Hartford Circus Fire, Political, Florida House of Representatives, and U.S. Congressional.\u003c/p\u003e\n","\u003cp\u003eThe Personal papers, arranged alphabetically by format, consists of calendars, correspondence, newsletters, photographs, awards and other ephemera giving a broad look into Haley's life in and out of office. A limited amount of biographical information, including news articles about his death, is included.\u003c/p\u003e\n","\u003cp\u003eHaley Papers\nCorrespondence, newsletters, and awards from various civic and political organizations show the range of Haley's public interests while the invitations he accepted give a sense of the social life of a congressman in the 1950s-1970s. Congratulatory messages may give insight into who he counted\namong his political allies. The correspondence in this series, 1940-1981, the bulk of which are letters from Haley's time in the U.S. House of Representative (1953-1976) is of a general nature and may not be of a specific topic, but often must still be viewed as official. Since Haley was a public figure, the materials in this series should be viewed in the context that public figures kept their private life private.\u003c/p\u003e\n","\u003cp\u003eThe ephemera is mostly three-dimensional objects from Haley's office. The photographs within this series are also generally of an official nature. They are arranged by subject. Of particular note are the\nphotographs of Haley with several U.S. Presidents. Please see a digital exhibit at\nhttp://www.flsouthern.edu/library/mckay-archives/digital-exhibits/haley-presidents.aspx.\u003c/p\u003e\n","\u003cp\u003eThe Hartford Circus Fire collection encompasses documentation of the burning of a tent at the Ringling Bros. and Barnum \u0026amp; Baily Circus in Hartford, Connecticut on July 6, 1944, the loss of 150 lives, and the resulting trial. As first vice president of the Company, James A. Haley took responsibility, was found\nguilty of manslaughter, and served time in a federal prison. The documentation is comprised of, but not limited to, correspondence, news clippings, financial documents and court records. Correspondence takes the form of letters and telegrams with topics between Haley and staff and Haley and lawyers about what happened in the fire and with the trial. There are also letters to Haley while he is in jail, mostly regarding his personal health and welfare. There are extensive newspaper clippings about the fire and the trial. Corporate information includes circus routes, minutes and by-laws. The financial documents are extensive and record the financial standing of the circus, while Court Records consist of trial scripts, pleas, and scripts from the parole hearing. Anyone searching for general understanding of the events of the fire should look at the newspapers, and then the letters and telegrams.\u003c/p\u003e\n","\u003cp\u003eThe Political Papers collection concerns Haley's campaigns and party work. As a member of the U.S. House of Representatives, Haley was up for reelection every two years. The Campaign Files sub-series contains correspondence, government records, news articles, and other documents related to the subject's political campaigns between 1952 and 1974. Of special interest are the endorsements which how where and from whom he received his political support from.\u003c/p\u003e\n","\u003cp\u003eThe Democratic Party sub-collection reflects the subject's involvement with his political party. He served as a delegate to several Democratic National Conventions over the course of his career. He also took an interest in other political races throughout Florida and the nation. This series contains correspondence and newspaper articles concerning elections not specific to the subject, as well as general party information for candidates and booklets produced for the conventions.\u003c/p\u003e\n","\u003cp\u003eThe Florida House of Representatives collection encompass Haley's career as the State Representative for Sarasota County in the Florida House of Representatives. Haley held this office from 1948-1952. The materials are arranged in as logical order as possible. There was no discernable order prior to processing as the materials had been housed and rehoused several times since they were donated to the college. Of special note are the materials related to the Haley Committee Investigating Crime, which investigated political corruption and organized crime in the state. The collection also includes materials concerning state issues of the day, as well as issues specific to Sarasota County. Additionally, there are reference materials used by the subject in the performance of his duties. The Haley Committee on Investigating Crime sub-series contains transcripts of hearings, proceedings,\ncorrespondence, and news articles related to this committee, while the Issues sub-series is arranged Haley Papers\nalphabetically and contains correspondence, legislation, news articles, and reference material related to the respective issue. The Reference sub-series contain Florida House and Senate Bill Summaries, Legislative calendars, House and Senate Journals, and roll call votes. And, the Sarasota District subseries contain correspondence, reference materials, and news articles related specifically to that district.\u003c/p\u003e\n","\u003cp\u003eThe U.S. Congressional Papers, the largest collection, comprise the political aspects of Haley's US congressional career. The materials are arranged in alphabetical order created by his office. Haley held a seat representing the southwest coast and heartland of Florida from 1953-1977. The materials in this\nseries contain correspondence, articles, government documents, and photographs; they cover nearly every major issue to confront the United States during the 1950s through the 1970s. Of special note is the constituent correspondence, which are letters from citizens to Haley asking for information or help on a variety of topics. Letters and telegrams sent to Haley by citizens in his district give a sense of the\nviews of the general public concerning the issues of the era. Haley's views are expressed in his replies. The materials are arranged alphabetically by issue and date. This arrangement closely corresponds to how they were filed in the subject's office. Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The James A. Haley Papers consist of his personal and political papers. Correspondence, clippings, newsletters, photographs, congressional reports, and awards from various civic and political organizations give insight into Haley's public interests. Photographs of his wife, the Circus and political\naffiliates uncover the many facets of Haley's life. A limited amount of biographical information, including news articles about his death, reflect on how this public figure kept his private life private. Of note is the\nseries about the Hartford Circus fire. ","The Papers are arranged in five collections: Personal, Hartford Circus Fire, Political, Florida House of Representatives, and U.S. Congressional.","The Personal papers, arranged alphabetically by format, consists of calendars, correspondence, newsletters, photographs, awards and other ephemera giving a broad look into Haley's life in and out of office. A limited amount of biographical information, including news articles about his death, is included.","Haley Papers\nCorrespondence, newsletters, and awards from various civic and political organizations show the range of Haley's public interests while the invitations he accepted give a sense of the social life of a congressman in the 1950s-1970s. Congratulatory messages may give insight into who he counted\namong his political allies. The correspondence in this series, 1940-1981, the bulk of which are letters from Haley's time in the U.S. House of Representative (1953-1976) is of a general nature and may not be of a specific topic, but often must still be viewed as official. Since Haley was a public figure, the materials in this series should be viewed in the context that public figures kept their private life private.","The ephemera is mostly three-dimensional objects from Haley's office. The photographs within this series are also generally of an official nature. They are arranged by subject. Of particular note are the\nphotographs of Haley with several U.S. Presidents. Please see a digital exhibit at\nhttp://www.flsouthern.edu/library/mckay-archives/digital-exhibits/haley-presidents.aspx.","The Hartford Circus Fire collection encompasses documentation of the burning of a tent at the Ringling Bros. and Barnum \u0026 Baily Circus in Hartford, Connecticut on July 6, 1944, the loss of 150 lives, and the resulting trial. As first vice president of the Company, James A. Haley took responsibility, was found\nguilty of manslaughter, and served time in a federal prison. The documentation is comprised of, but not limited to, correspondence, news clippings, financial documents and court records. Correspondence takes the form of letters and telegrams with topics between Haley and staff and Haley and lawyers about what happened in the fire and with the trial. There are also letters to Haley while he is in jail, mostly regarding his personal health and welfare. There are extensive newspaper clippings about the fire and the trial. Corporate information includes circus routes, minutes and by-laws. The financial documents are extensive and record the financial standing of the circus, while Court Records consist of trial scripts, pleas, and scripts from the parole hearing. Anyone searching for general understanding of the events of the fire should look at the newspapers, and then the letters and telegrams.","The Political Papers collection concerns Haley's campaigns and party work. As a member of the U.S. House of Representatives, Haley was up for reelection every two years. The Campaign Files sub-series contains correspondence, government records, news articles, and other documents related to the subject's political campaigns between 1952 and 1974. Of special interest are the endorsements which how where and from whom he received his political support from.","The Democratic Party sub-collection reflects the subject's involvement with his political party. He served as a delegate to several Democratic National Conventions over the course of his career. He also took an interest in other political races throughout Florida and the nation. This series contains correspondence and newspaper articles concerning elections not specific to the subject, as well as general party information for candidates and booklets produced for the conventions.","The Florida House of Representatives collection encompass Haley's career as the State Representative for Sarasota County in the Florida House of Representatives. Haley held this office from 1948-1952. The materials are arranged in as logical order as possible. There was no discernable order prior to processing as the materials had been housed and rehoused several times since they were donated to the college. Of special note are the materials related to the Haley Committee Investigating Crime, which investigated political corruption and organized crime in the state. The collection also includes materials concerning state issues of the day, as well as issues specific to Sarasota County. Additionally, there are reference materials used by the subject in the performance of his duties. The Haley Committee on Investigating Crime sub-series contains transcripts of hearings, proceedings,\ncorrespondence, and news articles related to this committee, while the Issues sub-series is arranged Haley Papers\nalphabetically and contains correspondence, legislation, news articles, and reference material related to the respective issue. The Reference sub-series contain Florida House and Senate Bill Summaries, Legislative calendars, House and Senate Journals, and roll call votes. And, the Sarasota District subseries contain correspondence, reference materials, and news articles related specifically to that district.","The U.S. Congressional Papers, the largest collection, comprise the political aspects of Haley's US congressional career. The materials are arranged in alphabetical order created by his office. Haley held a seat representing the southwest coast and heartland of Florida from 1953-1977. The materials in this\nseries contain correspondence, articles, government documents, and photographs; they cover nearly every major issue to confront the United States during the 1950s through the 1970s. Of special note is the constituent correspondence, which are letters from citizens to Haley asking for information or help on a variety of topics. Letters and telegrams sent to Haley by citizens in his district give a sense of the\nviews of the general public concerning the issues of the era. Haley's views are expressed in his replies. The materials are arranged alphabetically by issue and date. This arrangement closely corresponds to how they were filed in the subject's office. Please note that even though the files are arranged by issue, some correspondence might also be located in \"catch-all\" categories such as \"Haley Bills: Master File: 83rd Congress: 1953-1954,\"\n\"Correspondence: 19XX,\" to use but two examples. "],"userestrict_html_tesm":["\u003cp\u003eThe Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. \u003c/p\u003e\n","\u003cp\u003eConstituent Correspondence files are restricted from publication until 2052\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Congressman James A. Haley Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by\nthe copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -\narchives@flsouthern.edu. ","Constituent Correspondence files are restricted from publication until 2052"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Haley, James A., Congressman "],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"persname_ssim":["Haley, James A., Congressman "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4376,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875924461057736704,"_root_":"731b674a396f199a6d388d63","timestamp":"2026-09-10T06:16:17.977Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/731b674a396f199a6d388d63_aspace_c11e87935ea9083bd14589964c10fd4a"}},{"id":"237e378719d8938417a3468e_aspace_14224","type":"Series","attributes":{"title":"Various composers","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/237e378719d8938417a3468e_aspace_14224#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14224","ref_ssm":["aspace_14224","aspace_14224"],"id":"237e378719d8938417a3468e_aspace_14224","title_filing_ssi":"Various composers","title_ssm":["Various composers"],"title_tesim":["Various composers"],"normalized_title_ssm":["Various composers"],"text":["Various composers","Miriam and Roman Waldman Music Collection, 1900-1940","Series 2","/repositories/2/archival_objects/41026"],"component_level_isim":[1],"parent_ids_ssim":["237e378719d8938417a3468e"],"parent_unittitles_ssm":["Miriam and Roman Waldman Music Collection, 1900-1940"],"parent_unittitles_tesim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 2","/repositories/2/archival_objects/41026"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":168,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#1","_nest_parent_":"237e378719d8938417a3468e","_root_":"237e378719d8938417a3468e","_version_":1870841646859419648,"timestamp":"2026-07-16T03:47:08.669Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"237e378719d8938417a3468e","title_ssm":["Miriam and Roman Waldman Music Collection"],"title_tesim":["Miriam and Roman Waldman Music Collection"],"ead_ssi":"237e378719d8938417a3468e","unitdate_ssm":["1900-1940"],"unitdate_inclusive_ssm":["1900-1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00004","/repositories/2/resources/113"],"text":["PMC00004","/repositories/2/resources/113","Miriam and Roman Waldman Music Collection, 1900-1940","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","By composer","In 2011, this collection was processed by Alexey Kuharskiy.","The Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00004","/repositories/2/resources/113"],"normalized_date_ssm":["1900-1940"],"normalized_title_ssm":["Miriam and Roman Waldman Music Collection, 1900-1940"],"collection_title_tesim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"collection_ssim":["Miriam and Roman Waldman Music Collection, 1900-1940"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["4.50 Linear Feet","9 boxes other_unmapped"],"extent_tesim":["4.50 Linear Feet","9 boxes other_unmapped"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eBy composer\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["By composer"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection was processed by Alexey Kuharskiy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection was processed by Alexey Kuharskiy."],"scopecontent_html_tesm":["\u003cp\u003eThe Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. The collection was donated by Miriam Mandell Waldman in 1995 after a scud missile destroyed the ceiling of a storage building at her home in Herzliah, Israel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Miriam and Roman Waldman Music Collection is a large collection of Russian and Polish scores. Mrs. Waldman was a mezzo soprano and the daughter of a cantor from Johannesburg, South Africa. She married Roman Waldman, a classical pianist, in Israel. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00006 ","/repositories/2/resources/214"],"normalized_date_ssm":["bulk 1962-2007"],"normalized_title_ssm":["Facilities Management, bulk 1962-2007"],"collection_title_tesim":["Facilities Management, bulk 1962-2007"],"collection_ssim":["Facilities Management, bulk 1962-2007"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. 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"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":726,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841886359420928,"_root_":"15012918ff98f34c66014167","timestamp":"2026-07-16T03:50:57.064Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/15012918ff98f34c66014167_aspace_96daae393bb0afeb02b026c05126f385"}},{"id":"05789e80367771603110469f_aspace_52439","type":"Series","attributes":{"title":"Various Papers","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05789e80367771603110469f_aspace_52439#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_52439","ref_ssm":["aspace_52439","aspace_52439"],"id":"05789e80367771603110469f_aspace_52439","title_filing_ssi":"Various Papers","title_ssm":["Various Papers"],"title_tesim":["Various Papers"],"normalized_title_ssm":["Various Papers"],"text":["Various Papers","Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012","Series 10","/repositories/2/archival_objects/14121","box 25"],"component_level_isim":[1],"parent_ids_ssim":["05789e80367771603110469f"],"parent_unittitles_ssm":["Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012"],"parent_unittitles_tesim":["Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 10","/repositories/2/archival_objects/14121"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":791,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011-2012, this collection was processed by Elizabeth Fairall, Justin Rust and Victoria Thur.","In 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.  Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Dr. Morton Gold","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["17.00 Linear Feet"],"extent_tesim":["17.00 Linear Feet"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011-2012, this collection was processed by Elizabeth Fairall, Justin Rust and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011-2012, this collection was processed by Elizabeth Fairall, Justin Rust and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eIn 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.\u0026#xA0; Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.  Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":840,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842003999162368,"_root_":"05789e80367771603110469f","timestamp":"2026-07-16T03:52:49.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05789e80367771603110469f_aspace_52439"}},{"id":"cfc95d7f733d790136ba73f5_aspace_13097","type":"Series","attributes":{"title":"Various Writings","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5_aspace_13097#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_13097","ref_ssm":["aspace_13097","aspace_13097"],"id":"cfc95d7f733d790136ba73f5_aspace_13097","title_filing_ssi":"Various Writings","title_ssm":["Various Writings"],"title_tesim":["Various Writings"],"normalized_title_ssm":["Various Writings"],"text":["Various Writings","Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","Books, Various Writings, and Short Stories","Series 2","/repositories/2/archival_objects/97583"],"component_level_isim":[2],"parent_ids_ssim":["cfc95d7f733d790136ba73f5","cfc95d7f733d790136ba73f5_aspace_3692"],"parent_unittitles_ssm":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","Books, Various Writings, and Short Stories"],"parent_unittitles_tesim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","Books, Various Writings, and Short Stories"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Series 2","/repositories/2/archival_objects/97583"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":73,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#12/components#1","_nest_parent_":"cfc95d7f733d790136ba73f5_aspace_3692","_root_":"cfc95d7f733d790136ba73f5","_version_":1870863117407223808,"timestamp":"2026-07-16T09:28:24.581Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfc95d7f733d790136ba73f5","title_ssm":["Harry Harrison collection"],"title_tesim":["Harry Harrison collection"],"ead_ssi":"cfc95d7f733d790136ba73f5","unitdate_ssm":["1964-2004","Date acquired: 00/00/2003"],"unitdate_inclusive_ssm":["1964-2004"],"unitdate_other_ssim":["Date acquired: 00/00/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2003-08","/repositories/2/resources/439"],"text":["MS-2003-08","/repositories/2/resources/439","Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","Science fiction -- American","Fantasy fiction -- American","Speculative fiction","The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.","Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by ","published","This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. ","USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)","English"],"unitid_tesim":["MS-2003-08","/repositories/2/resources/439"],"normalized_date_ssm":["1964-2004, Date acquired: 00/00/2003"],"normalized_title_ssm":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_title_tesim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_ssim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Harrison, Harry (1925-2012)"],"creator_ssim":["Harrison, Harry (1925-2012)"],"creator_persname_ssim":["Harrison, Harry (1925-2012)"],"creators_ssim":["Harrison, Harry (1925-2012)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Harry Harrison and David Merkler","Donation."],"access_subjects_ssim":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"access_subjects_ssm":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet","17 boxes"],"extent_tesim":["10.00 Linear Feet","17 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos."],"bioghist_html_tesm":["\u003cp\u003eHarry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.\u003c/p\u003e\n","\u003cp\u003eUpon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.\u003c/p\u003e\n","\u003cp\u003eHarrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.\u003c/p\u003e\n","\u003cp\u003eIn June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.\u003c/p\u003e\n","\u003cp\u003eDuring the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).\u003c/p\u003e\n","\u003cp\u003eIn the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.\u003c/p\u003e\n","\u003cp\u003eThroughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.\u003c/p\u003e\n","\u003cp\u003eA prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by "],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eHarry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Harry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0; Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.\u0026#xA0; Editorial notation is prevalent throughout the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c0cb274364750baf6307962fdbc5a1\"\u003eThe papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0;\u003c/abstract\u003e"],"abstract_tesim":["The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. "],"names_ssim":["USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Harrison, Harry (1925-2012)"],"persname_ssim":["Harrison, Harry (1925-2012)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":124,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863117407223808,"_root_":"cfc95d7f733d790136ba73f5","timestamp":"2026-07-16T09:28:24.581Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5_aspace_13097"}},{"id":"456875eab9536e3707a4b04f_aspace_6851889b1e4dc7a85a979bccb02291d5","type":"Series","attributes":{"title":"Vegetable","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_6851889b1e4dc7a85a979bccb02291d5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6851889b1e4dc7a85a979bccb02291d5","ref_ssm":["aspace_6851889b1e4dc7a85a979bccb02291d5","aspace_6851889b1e4dc7a85a979bccb02291d5"],"id":"456875eab9536e3707a4b04f_aspace_6851889b1e4dc7a85a979bccb02291d5","title_filing_ssi":"Vegetable","title_ssm":["Vegetable"],"title_tesim":["Vegetable"],"normalized_title_ssm":["Vegetable"],"text":["Vegetable","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","/repositories/3/archival_objects/45498","box 10"],"component_level_isim":[1],"parent_ids_ssim":["456875eab9536e3707a4b04f"],"parent_unittitles_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"parent_unittitles_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/45498"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":63,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":886,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 10"],"_nest_path_":"/components#5","_nest_parent_":"456875eab9536e3707a4b04f","_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"456875eab9536e3707a4b04f","title_ssm":["Tom Mack Citrus and Vegetable Label Collection"],"title_tesim":["Tom Mack Citrus and Vegetable Label Collection"],"ead_ssi":"456875eab9536e3707a4b04f","unitdate_ssm":["1900-1970"],"unitdate_inclusive_ssm":["1900-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000-1","/repositories/3/resources/145"],"text":["CIT1000-1","/repositories/3/resources/145","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia","Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.","In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.","The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. ","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000-1","/repositories/3/resources/145"],"normalized_date_ssm":["1900-1970"],"normalized_title_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_title_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_ssim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"geogname_ssm":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"geogname_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"places_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was created by Professor Tom Mack as part of his efforts to document the history of the citrus industry. It was transferred to the archives via the library upon his retirement."],"access_subjects_ssim":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"access_subjects_ssm":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["2.3 Linear Feet"],"extent_tesim":["2.3 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eCitrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name."],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.\u003c/p\u003e\n","\u003cp\u003eTo ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.\u003c/p\u003e\n","\u003cp\u003eWhile all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.\u003c/p\u003e\n","\u003cp\u003eCalifornia was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.\u003c/p\u003e\n","\u003cp\u003eBecause the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.\u003c/p\u003e\n","\u003cp\u003eFlorida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.\u003c/p\u003e\n","\u003cp\u003eCommon motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de Le\u0026#xF3;n and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.\u003c/p\u003e\n","\u003cp\u003eThe Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.\u003c/p\u003e\n","\u003cp\u003eTexas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything\u0026#x2014;including the marketing\u0026#x2014;was bigger and bolder in Texas.\u003c/p\u003e\n","\u003cp\u003erizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.\u003c/p\u003e\n","\u003cp\u003eArizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.\u003c/p\u003e\n","\u003cp\u003eBy the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e\n","\u003cp\u003eThis collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.\u003c/p\u003e\n","\u003cp\u003eAlso notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.\u003c/p\u003e\n","\u003cp\u003eMost labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_6851889b1e4dc7a85a979bccb02291d5"}},{"id":"c5c7a60ad1585ca3dbd593be_aspace_4d9185b6800ee3dbd7ad88cde123c238","type":"Series","attributes":{"title":"Vegetable","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c5c7a60ad1585ca3dbd593be_aspace_4d9185b6800ee3dbd7ad88cde123c238#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4d9185b6800ee3dbd7ad88cde123c238","ref_ssm":["aspace_4d9185b6800ee3dbd7ad88cde123c238","aspace_4d9185b6800ee3dbd7ad88cde123c238"],"id":"c5c7a60ad1585ca3dbd593be_aspace_4d9185b6800ee3dbd7ad88cde123c238","title_filing_ssi":"Vegetable","title_ssm":["Vegetable"],"title_tesim":["Vegetable"],"normalized_title_ssm":["Vegetable"],"text":["Vegetable","Thomas Mack Archives, 1910-2003","/repositories/3/archival_objects/38629","box 13"],"component_level_isim":[1],"parent_ids_ssim":["c5c7a60ad1585ca3dbd593be"],"parent_unittitles_ssm":["Thomas Mack Archives, 1910-2003"],"parent_unittitles_tesim":["Thomas Mack Archives, 1910-2003"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/38629"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":169,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 13"],"_nest_path_":"/components#21","_nest_parent_":"c5c7a60ad1585ca3dbd593be","_root_":"c5c7a60ad1585ca3dbd593be","_version_":1877193769379430400,"timestamp":"2026-09-24T06:31:24.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c5c7a60ad1585ca3dbd593be","title_ssm":["Thomas Mack Archives"],"title_tesim":["Thomas Mack Archives"],"ead_ssi":"c5c7a60ad1585ca3dbd593be","unitdate_ssm":["1910-2003"],"unitdate_inclusive_ssm":["1910-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000","/repositories/3/resources/137"],"text":["CIT1000","/repositories/3/resources/137","Thomas Mack Archives, 1910-2003","Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.","This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000","/repositories/3/resources/137"],"normalized_date_ssm":["1910-2003"],"normalized_title_ssm":["Thomas Mack Archives, 1910-2003"],"collection_title_tesim":["Thomas Mack Archives, 1910-2003"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was built by Professor Thomas Mack sometime prior to 2002."],"access_subjects_ssim":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"access_subjects_ssm":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"has_online_content_ssim":["false"],"extent_ssm":["3.45 Linear Feet"],"extent_tesim":["3.45 Linear Feet"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eThomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.\u003c/p\u003e\n","\u003cp\u003eMack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.\u003c/p\u003e\n","\u003cp\u003eMack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.\u003c/p\u003e\n","\u003cp\u003eMack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.\u003c/p\u003e\n","\u003cp\u003eIn 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.\u003c/p\u003e\n","\u003cp\u003eMack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.\u003c/p\u003e\n","\u003cp\u003eHis retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.\u003c/p\u003e\n","\u003cp\u003eMack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.\u003c/p\u003e\n","\u003cp\u003eMack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":194,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877193769379430400,"_root_":"c5c7a60ad1585ca3dbd593be","timestamp":"2026-09-24T06:31:24.773Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c5c7a60ad1585ca3dbd593be_aspace_4d9185b6800ee3dbd7ad88cde123c238"}},{"id":"34209a2f274bac05dbe7199a_aspace_39567","type":"Series","attributes":{"title":"Velezdy Papers, 1947-2000.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/34209a2f274bac05dbe7199a_aspace_39567#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis series holds the personal papers of the Velezdy couple as well as photographs, newsclippings, and selections of their music.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34209a2f274bac05dbe7199a_aspace_39567#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_39567","ref_ssm":["aspace_39567","aspace_39567"],"id":"34209a2f274bac05dbe7199a_aspace_39567","title_filing_ssi":"Velezdy Papers","title_ssm":["Velezdy Papers"],"title_tesim":["Velezdy Papers"],"unitdate_other_ssim":["1947-2000."],"normalized_date_ssm":["1947-2000."],"normalized_title_ssm":["Velezdy Papers, 1947-2000."],"text":["Velezdy Papers, 1947-2000.","Joseph and Mary Velezdy Papers, 1947-2000","1","/repositories/4/archival_objects/5721","This series holds the personal papers of the Velezdy couple as well as photographs, newsclippings, and selections of their music."],"component_level_isim":[1],"parent_ids_ssim":["34209a2f274bac05dbe7199a"],"parent_unittitles_ssm":["Joseph and Mary Velezdy Papers, 1947-2000"],"parent_unittitles_tesim":["Joseph and Mary Velezdy Papers, 1947-2000"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/4/archival_objects/5721"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joseph and Mary Velezdy Papers, 1947-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"scopecontent_html_tesm":["\u003cp\u003eThis series holds the personal papers of the Velezdy couple as well as photographs, newsclippings, and selections of their music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series holds the personal papers of the Velezdy couple as well as photographs, newsclippings, and selections of their music."],"_nest_path_":"/components#0","_nest_parent_":"34209a2f274bac05dbe7199a","_root_":"34209a2f274bac05dbe7199a","timestamp":"2026-07-10T03:17:36.220Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34209a2f274bac05dbe7199a","title_ssm":["Joseph and Mary Velezdy Papers"],"title_tesim":["Joseph and Mary Velezdy Papers"],"ead_ssi":"34209a2f274bac05dbe7199a","unitdate_ssm":["1947-2000"],"unitdate_inclusive_ssm":["1947-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 022","/repositories/4/resources/25"],"text":["SC 022","/repositories/4/resources/25","Joseph and Mary Velezdy Papers, 1947-2000","Composers -- Hungary -- Biography","Violin music","Composers","The entire collection is open for research.","The Joseph and Mary Velezdy Collection includes songs composed by Mr. Velezdy, copies of lyrics written by his wife Mary (some copies framed), correspondence, the copyright papers for his music, news clippings, and a photo album.","Joseph Velezdy was born in North Braddock, Pennsylvania on March 11, 1912. The son of a Hungarian violinist, Mr. Velezdy became a budding composer at a young age. Although, Mr. Velezdy pursued careers as a soccer player, housepainter, and barber, his passion for composing music, however, never diminished and in 1948 he returned to Hungary where he honed his skills as a violinist. His chief collaborator and lyricist was his wife Mary whom he married in 1952. They moved to Miami Beach where they focused on composing music before settling into retirement in Titusville, Florida. Together Joseph and Mary Velezdy composed many instrumental and classical works. When repeated attempts to have the music published failed, Mr. Velezdy joined the American Society of Composers, Authors, and Publishers and published the music himself in the 1960s. Mary Velezdy passed away in September of 1993. Mr. Velezdy continues in his efforts to create a lasting legacy of his and Mary's musical accomplishments.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","This collection was processed into acid free archival folders and stored in an acid free archival box.","Bryant West Indies Audio Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The Joseph and Mary Velezdy Collection includes songs composed by Mr. Velezdy, copies of lyrics written by his wife Mary (some copies framed), correspondence, the copyright papers for his music, news clippings, and a photo album.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder","The Joseph and Mary Velezdy Papers chronicles the musical lives of a violinist husband and his composer wife. The Velezdy's musical journey from Hungary to Miami Beach and eventually to Titusville, Florida is shown in this collection with pictures, songs, lyrics, sheet music, poems, and newsclippings.","UCF Special Collections","American Society of Composers, Authors and Publishers","Velezdy, Joseph","Velezdy, Mary","English"],"unitid_tesim":["SC 022","/repositories/4/resources/25"],"normalized_date_ssm":["1947-2000"],"normalized_title_ssm":["Joseph and Mary Velezdy Papers, 1947-2000"],"collection_title_tesim":["Joseph and Mary Velezdy Papers, 1947-2000"],"collection_ssim":["Joseph and Mary Velezdy Papers, 1947-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Velezdy, Joseph","Velezdy, Mary"],"creator_ssim":["Velezdy, Joseph","Velezdy, Mary"],"creator_persname_ssim":["Velezdy, Joseph","Velezdy, Mary"],"creators_ssim":["Velezdy, Joseph","Velezdy, Mary"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"acqinfo_ssim":["Mr. Velezdy donated these materials to the University of Central Florida Libraries, Special Collections and University Archives between the years 1993 (CFM1993_05) and 1999."],"access_subjects_ssim":["Composers -- Hungary -- Biography","Violin music","Composers"],"access_subjects_ssm":["Composers -- Hungary -- Biography","Violin music","Composers"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 Box"],"extent_tesim":["0.5 Linear Feet 1 Box"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Joseph and Mary Velezdy Collection includes songs composed by Mr. Velezdy, copies of lyrics written by his wife Mary (some copies framed), correspondence, the copyright papers for his music, news clippings, and a photo album.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Joseph and Mary Velezdy Collection includes songs composed by Mr. Velezdy, copies of lyrics written by his wife Mary (some copies framed), correspondence, the copyright papers for his music, news clippings, and a photo album."],"bioghist_html_tesm":["\u003cp\u003eJoseph Velezdy was born in North Braddock, Pennsylvania on March 11, 1912. The son of a Hungarian violinist, Mr. Velezdy became a budding composer at a young age. Although, Mr. Velezdy pursued careers as a soccer player, housepainter, and barber, his passion for composing music, however, never diminished and in 1948 he returned to Hungary where he honed his skills as a violinist. His chief collaborator and lyricist was his wife Mary whom he married in 1952. They moved to Miami Beach where they focused on composing music before settling into retirement in Titusville, Florida. Together Joseph and Mary Velezdy composed many instrumental and classical works. When repeated attempts to have the music published failed, Mr. Velezdy joined the American Society of Composers, Authors, and Publishers and published the music himself in the 1960s. Mary Velezdy passed away in September of 1993. Mr. Velezdy continues in his efforts to create a lasting legacy of his and Mary's musical accomplishments.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Joseph Velezdy was born in North Braddock, Pennsylvania on March 11, 1912. The son of a Hungarian violinist, Mr. Velezdy became a budding composer at a young age. Although, Mr. Velezdy pursued careers as a soccer player, housepainter, and barber, his passion for composing music, however, never diminished and in 1948 he returned to Hungary where he honed his skills as a violinist. His chief collaborator and lyricist was his wife Mary whom he married in 1952. They moved to Miami Beach where they focused on composing music before settling into retirement in Titusville, Florida. Together Joseph and Mary Velezdy composed many instrumental and classical works. When repeated attempts to have the music published failed, Mr. Velezdy joined the American Society of Composers, Authors, and Publishers and published the music himself in the 1960s. Mary Velezdy passed away in September of 1993. Mr. Velezdy continues in his efforts to create a lasting legacy of his and Mary's musical accomplishments."],"prefercite_html_tesm":["\u003cp\u003eThe Joseph and Mary Velezdy Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Joseph and Mary Velezdy Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e","\u003cp\u003eThis collection was processed into acid free archival folders and stored in an acid free archival box.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","This collection was processed into acid free archival folders and stored in an acid free archival box."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1972-01b\"\u003eBryant West Indies Audio Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bryant West Indies Audio Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Joseph and Mary Velezdy Collection includes songs composed by Mr. Velezdy, copies of lyrics written by his wife Mary (some copies framed), correspondence, the copyright papers for his music, news clippings, and a photo album.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Joseph and Mary Velezdy Collection includes songs composed by Mr. Velezdy, copies of lyrics written by his wife Mary (some copies framed), correspondence, the copyright papers for his music, news clippings, and a photo album."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"abstract_html_tesm":["\u003cabstract id=\"aspace_14474387d7623745f9cbd355b18740de\" label=\"Abstract\"\u003eThe Joseph and Mary Velezdy Papers chronicles the musical lives of a violinist husband and his composer wife. The Velezdy's musical journey from Hungary to Miami Beach and eventually to Titusville, Florida is shown in this collection with pictures, songs, lyrics, sheet music, poems, and newsclippings.\u003c/abstract\u003e"],"abstract_tesim":["The Joseph and Mary Velezdy Papers chronicles the musical lives of a violinist husband and his composer wife. The Velezdy's musical journey from Hungary to Miami Beach and eventually to Titusville, Florida is shown in this collection with pictures, songs, lyrics, sheet music, poems, and newsclippings."],"names_coll_ssim":["American Society of Composers, Authors and Publishers"],"names_ssim":["UCF Special Collections","American Society of Composers, Authors and Publishers","Velezdy, Joseph","Velezdy, Mary"],"corpname_ssim":["UCF Special Collections","American Society of Composers, Authors and Publishers"],"persname_ssim":["Velezdy, Joseph","Velezdy, Mary"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"34209a2f274bac05dbe7199a","timestamp":"2026-07-10T03:17:36.220Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34209a2f274bac05dbe7199a_aspace_39567"}},{"id":"09143a737e240dc7244f9e7a_aspace_6121f596b8ec2bd4592cf1ead64b4dd1","type":"Series","attributes":{"title":"Velma Cain Holliday","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/09143a737e240dc7244f9e7a_aspace_6121f596b8ec2bd4592cf1ead64b4dd1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6121f596b8ec2bd4592cf1ead64b4dd1","ref_ssm":["aspace_6121f596b8ec2bd4592cf1ead64b4dd1","aspace_6121f596b8ec2bd4592cf1ead64b4dd1"],"id":"09143a737e240dc7244f9e7a_aspace_6121f596b8ec2bd4592cf1ead64b4dd1","title_filing_ssi":"Velma Cain Holliday","title_ssm":["Velma Cain Holliday"],"title_tesim":["Velma Cain Holliday"],"normalized_title_ssm":["Velma Cain Holliday"],"text":["Velma Cain Holliday","Polly Holliday Materials, 1930-2011","/repositories/10/archival_objects/220166","box 5"],"component_level_isim":[1],"parent_ids_ssim":["09143a737e240dc7244f9e7a"],"parent_unittitles_ssm":["Polly Holliday Materials, 1930-2011"],"parent_unittitles_tesim":["Polly Holliday Materials, 1930-2011"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/220166"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Polly Holliday Materials, 1930-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":219,"parent_access_restrict_tesm":["This collection is open to all researchers.","See also Technical Access note below. 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Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 5"],"_nest_path_":"/components#12","_nest_parent_":"09143a737e240dc7244f9e7a","_root_":"09143a737e240dc7244f9e7a","_version_":1877651473520656384,"timestamp":"2026-09-29T07:46:25.456Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"09143a737e240dc7244f9e7a","title_ssm":["Polly Holliday Materials"],"title_tesim":["Polly Holliday Materials"],"ead_ssi":"09143a737e240dc7244f9e7a","unitdate_ssm":["1930-2011"],"unitdate_inclusive_ssm":["1930-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2021-040","/repositories/10/resources/1924"],"text":["HUA 2021-040","/repositories/10/resources/1924","Polly Holliday Materials, 1930-2011","This collection is open to all researchers.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Polly Holliday was born in Jasper, AL on July 2, 1937 and attended the Alabama State College for Women, now the University of Montevallo, from 1955-1959, graduating with a degree in piano and picking up experience with the school theater program. In 1960, Holliday graduated with a Master's in Music Education from Florida State University and proceeded to teach music in Sarasota, FL public schools. It was in Sarasota that she began her acting career,  joining the Asolo Theater Company and appearing in a variety of classic and contemporary works over ten years. Holliday continued her career in New York, landing a number of roles on and off Broadway, as well as supporting roles in films such as All the President's Men (1976). Later that year, she was cast in the TV sitcom Alice. Holliday was celebrated for her performance as the sassy southern diner waitress Flo Castleberry, earning her two Golden Globes and multiple Emmy nominations over the course of the show and its spinoff series Flo. Holliday returned to Broadway and regional theater earning critical acclaim, including a Tony nomination for her performance in \"Cat on a Hot Tin Roof\" (1990).","Date received: 2021/11/23\nDate accessioned: 2021/09/16","Extended inventory: G:\\Heritage\\Collection Administrative Files\\HUA 2021-040 Polly Holliday Collection","Content of audiovisual media may not be immediately accessible to researchers. 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Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2021-040","/repositories/10/resources/1924"],"normalized_date_ssm":["1930-2011"],"normalized_title_ssm":["Polly Holliday Materials, 1930-2011"],"collection_title_tesim":["Polly Holliday Materials, 1930-2011"],"collection_ssim":["Polly Holliday Materials, 1930-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Kathy Svec \u0026 Dorian Stripling"],"has_online_content_ssim":["false"],"extent_ssm":["5 boxes","21 items","2 items","11 Cassettes"],"extent_tesim":["5 boxes","21 items","2 items","11 Cassettes"],"physfacet_tesim":["CDs","5 audio cassettes, 6 VHS videocassettes"],"dimensions_tesim":["DVDs"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","See also Technical Access note below. ","This collection is in an offsite storage location. 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For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003ePolly Holliday Materials, HUA 2021-040, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2021-040\u003c/p\u003e"],"prefercite_tesim":["Polly Holliday Materials, HUA 2021-040, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2021-040"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains biographical information, childhood ephemera, personal and professional correspondence, awards and award nominations, diary pages, clippings, personal scripts and books, speeches, photographs, 1 large printed photograph, 1 large artistic sketch, 1 music box, 1 article of clothing, 1 audiobook on tape, 4 audio cassettes, 21 DVDs, 2 CDs, and 6 videotapes. 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