{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=798","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=797","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=799","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856"},"meta":{"pages":{"current_page":798,"next_page":799,"prev_page":797,"total_pages":856,"limit_value":10,"offset_value":7970,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"83f92d0a0a882d51dcaee274_aspace_9ba1109c108ec39ebbaa9e257737c229","type":"Series","attributes":{"title":"Transportation","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83f92d0a0a882d51dcaee274_aspace_9ba1109c108ec39ebbaa9e257737c229#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9ba1109c108ec39ebbaa9e257737c229","ref_ssm":["aspace_9ba1109c108ec39ebbaa9e257737c229","aspace_9ba1109c108ec39ebbaa9e257737c229"],"id":"83f92d0a0a882d51dcaee274_aspace_9ba1109c108ec39ebbaa9e257737c229","title_filing_ssi":"Transportation","title_ssm":["Transportation"],"title_tesim":["Transportation"],"normalized_title_ssm":["Transportation"],"text":["Transportation","Southwest Florida Regional Planning Council Collection, 1920-2020","/repositories/2/archival_objects/42036"],"component_level_isim":[1],"parent_ids_ssim":["83f92d0a0a882d51dcaee274"],"parent_unittitles_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"parent_unittitles_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/42036"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":4548,"parent_access_restrict_tesm":["The collection is open for use by the public."],"_nest_path_":"/components#99","_nest_parent_":"83f92d0a0a882d51dcaee274","_root_":"83f92d0a0a882d51dcaee274","_version_":1879903291767259136,"timestamp":"2026-10-24T04:18:06.636Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"83f92d0a0a882d51dcaee274","title_ssm":["Southwest Florida Regional Planning Council Collection"],"title_tesim":["Southwest Florida Regional Planning Council Collection"],"ead_ssi":"83f92d0a0a882d51dcaee274","unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02.03.11","/repositories/2/resources/69"],"text":["02.03.11","/repositories/2/resources/69","Southwest Florida Regional Planning Council Collection, 1920-2020","Urban Planning","Environmental planning","The collection is open for use by the public.","Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection .","Southwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. 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Congress. House--History.","United States. Congress. House--Committees.","Lakeland (Fla.). 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","Andrew Poysell (Andy) Ireland was born in Cincinnati, Ohio on August 23, 1930. His father was a prominent local businessman, and Andy attended private schools in Cincinnati as well as Phillips Academy in Andover, Massachusetts. Ireland graduated with a degree in business from Yale University in 1952 and completed graduate studies at Columbia University in New York in 1954.\nImmediately after graduating from Columbia, Andy Ireland relocated to Jacksonville, Florida, where secured employment with Barnett National Bank. At Barnett, Ireland worked in lending before getting the opportunity to travel the state as a representative of the bank, where he was able to meet many other people in Florida's business and banking communities. In the fall of 1961 he was offered a job as a senior vice-president of a bank in Fort Lauderdale. Shortly after this, he was presented with an opportunity to buy into the American National Bank in Winter Haven. He became president of the bank, and was active in the Winter Haven community. He was responsible for convincing the Boston Red Sox to use Winter Haven as their spring training home. He was elected to the Winter Haven City Commission in 1966. From 1968-70, Ireland served as a member of the Federal Reserve Bank , Jacksonville branch. In 1972 Andy Ireland ran in a special election for the Florida Senate, but was defeated in the runoff by Curtis Peterson. In 1976, U.S. Congressman James A. Haley (D-FL), of the 8th Congressional District, announced that he was retiring after serving in congress for twentythree years. Andy Ireland entered the Democratic primary for this open seat and was subsequently elected. Andy Ireland assumed office in January, 1977 and was assigned to the House International Relations Committee. He had initially been chosen to serve on the Banking Committee, but wanted to broaden his experience and not give the impression that he hadbeen elected to help banks. Ireland was a friend of House Speaker Thomas P. \"Tip\" O'Neil, and was appointed as a Democratic Whip. In subsequent years, Congressman Ireland served on the House Armed Services Committee and House Select Committee on Intelligence. In 1984 Andy Ireland announced that he would run for reelection as a member of the Republican Party. He was a conservative Democrat and no longer felt that the party\naccurately reflected his views. He served the remainder of his time in congress as a Republican. In 1992, Andy Ireland decided not to seek reelection. He retired from the congress and has since worked as a consultant.","Please Note that Congressman Ireland's staff changed \"Press Clippings\" to \"Media Reports\" in August of 1986. A Media Report contains newspaper clippings with additional analysis. Please refer to Boxes 69-76 for the subsequent Media Reports. Please note that files found in the State/National Issues should in some cases be crossreferenced with the District series (ex. \"Interstate 75\").\nPlease note that the Invitations Accepted series contains social and official invitations. Official invitations can and often include committee hearings and meetings as well as pertinent background information related to said hearings and meetings. This is especially relevant tothe House Armed Services Committee.","The materials in the Andy Ireland Congressional papers primarily relate to the subject's career in the U.S. House of Representatives.\nState of Florida and National Issues, 1977-1993 series provides information on issues that faced the United States as well as the state of Florida during this time period. Contained within are documents such as bills, reports, news articles, and correspondence. The correspondence is limited to communication between Congressman Ireland and other government officials. Very little correspondence exists between Congressman Ireland and hisconstituents, with the exception of letter standards that he used to respond to various inquiries. The arrangement of the collection, wherever possible, reflects the arrangement set up by Ireland's staff. Of special note is the information in the Defense section dealing with the A-12 Avenger project and defense spending. The district section contains documents, correspondence, newsletters, and news articles relating to specific counties within the subject's congressional district. The legislation Box Folder File Name  section contains bill summaries, the congressman's individual voting records, and legislative activity guides. Videos are arranged alphabetically by subject and relate to specific issues (i.e. defense), general interest, and politics. The press section contains newspaper articles denoted as either media reports or press clippings. Photographs document the subject's career in the congress. Other sections contain information about the Congressional Classroom program, Andy Ireland's I-Team, and personal invitations.","The Congressman Andrew P. \"Andy\" Ireland Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Ireland, Andrew P. \"Andy\", Congressman ","English"],"unitid_tesim":["MS1045","/repositories/2/resources/18"],"normalized_date_ssm":["1977-1993"],"normalized_title_ssm":["Congressman Andrew P. \"Andy\" Ireland Papers, 1977-1993"],"collection_title_tesim":["Congressman Andrew P. \"Andy\" Ireland Papers, 1977-1993"],"collection_ssim":["Congressman Andrew P. \"Andy\" Ireland Papers, 1977-1993"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. 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For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"acqinfo_ssim":["Materials were donated by Andy Ireland in 1993 to the FSC Library and stored there until they were transferred to the newly built McKay Archives in 2009."],"access_subjects_ssim":["United States. Congress. House--History.","United States. Congress. House--Committees.","Lakeland (Fla.). 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eAndrew Poysell (Andy) Ireland was born in Cincinnati, Ohio on August 23, 1930. His father was a prominent local businessman, and Andy attended private schools in Cincinnati as well as Phillips Academy in Andover, Massachusetts. Ireland graduated with a degree in business from Yale University in 1952 and completed graduate studies at Columbia University in New York in 1954.\nImmediately after graduating from Columbia, Andy Ireland relocated to Jacksonville, Florida, where secured employment with Barnett National Bank. At Barnett, Ireland worked in lending before getting the opportunity to travel the state as a representative of the bank, where he was able to meet many other people in Florida's business and banking communities. In the fall of 1961 he was offered a job as a senior vice-president of a bank in Fort Lauderdale. Shortly after this, he was presented with an opportunity to buy into the American National Bank in Winter Haven. He became president of the bank, and was active in the Winter Haven community. He was responsible for convincing the Boston Red Sox to use Winter Haven as their spring training home. He was elected to the Winter Haven City Commission in 1966. From 1968-70, Ireland served as a member of the Federal Reserve Bank , Jacksonville branch. In 1972 Andy Ireland ran in a special election for the Florida Senate, but was defeated in the runoff by Curtis Peterson. In 1976, U.S. Congressman James A. Haley (D-FL), of the 8th Congressional District, announced that he was retiring after serving in congress for twentythree years. Andy Ireland entered the Democratic primary for this open seat and was subsequently elected. Andy Ireland assumed office in January, 1977 and was assigned to the House International Relations Committee. He had initially been chosen to serve on the Banking Committee, but wanted to broaden his experience and not give the impression that he hadbeen elected to help banks. Ireland was a friend of House Speaker Thomas P. \"Tip\" O'Neil, and was appointed as a Democratic Whip. In subsequent years, Congressman Ireland served on the House Armed Services Committee and House Select Committee on Intelligence. In 1984 Andy Ireland announced that he would run for reelection as a member of the Republican Party. He was a conservative Democrat and no longer felt that the party\naccurately reflected his views. He served the remainder of his time in congress as a Republican. In 1992, Andy Ireland decided not to seek reelection. He retired from the congress and has since worked as a consultant.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Andrew Poysell (Andy) Ireland was born in Cincinnati, Ohio on August 23, 1930. His father was a prominent local businessman, and Andy attended private schools in Cincinnati as well as Phillips Academy in Andover, Massachusetts. Ireland graduated with a degree in business from Yale University in 1952 and completed graduate studies at Columbia University in New York in 1954.\nImmediately after graduating from Columbia, Andy Ireland relocated to Jacksonville, Florida, where secured employment with Barnett National Bank. At Barnett, Ireland worked in lending before getting the opportunity to travel the state as a representative of the bank, where he was able to meet many other people in Florida's business and banking communities. In the fall of 1961 he was offered a job as a senior vice-president of a bank in Fort Lauderdale. Shortly after this, he was presented with an opportunity to buy into the American National Bank in Winter Haven. He became president of the bank, and was active in the Winter Haven community. He was responsible for convincing the Boston Red Sox to use Winter Haven as their spring training home. He was elected to the Winter Haven City Commission in 1966. From 1968-70, Ireland served as a member of the Federal Reserve Bank , Jacksonville branch. In 1972 Andy Ireland ran in a special election for the Florida Senate, but was defeated in the runoff by Curtis Peterson. In 1976, U.S. Congressman James A. Haley (D-FL), of the 8th Congressional District, announced that he was retiring after serving in congress for twentythree years. Andy Ireland entered the Democratic primary for this open seat and was subsequently elected. Andy Ireland assumed office in January, 1977 and was assigned to the House International Relations Committee. He had initially been chosen to serve on the Banking Committee, but wanted to broaden his experience and not give the impression that he hadbeen elected to help banks. Ireland was a friend of House Speaker Thomas P. \"Tip\" O'Neil, and was appointed as a Democratic Whip. In subsequent years, Congressman Ireland served on the House Armed Services Committee and House Select Committee on Intelligence. In 1984 Andy Ireland announced that he would run for reelection as a member of the Republican Party. He was a conservative Democrat and no longer felt that the party\naccurately reflected his views. He served the remainder of his time in congress as a Republican. In 1992, Andy Ireland decided not to seek reelection. He retired from the congress and has since worked as a consultant."],"odd_html_tesm":["\u003cp\u003ePlease Note that Congressman Ireland's staff changed \"Press Clippings\" to \"Media Reports\" in August of 1986. A Media Report contains newspaper clippings with additional analysis. Please refer to Boxes 69-76 for the subsequent Media Reports. Please note that files found in the State/National Issues should in some cases be crossreferenced with the District series (ex. \"Interstate 75\").\nPlease note that the Invitations Accepted series contains social and official invitations. Official invitations can and often include committee hearings and meetings as well as pertinent background information related to said hearings and meetings. This is especially relevant tothe House Armed Services Committee.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Please Note that Congressman Ireland's staff changed \"Press Clippings\" to \"Media Reports\" in August of 1986. A Media Report contains newspaper clippings with additional analysis. Please refer to Boxes 69-76 for the subsequent Media Reports. Please note that files found in the State/National Issues should in some cases be crossreferenced with the District series (ex. \"Interstate 75\").\nPlease note that the Invitations Accepted series contains social and official invitations. Official invitations can and often include committee hearings and meetings as well as pertinent background information related to said hearings and meetings. This is especially relevant tothe House Armed Services Committee."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in the Andy Ireland Congressional papers primarily relate to the subject's career in the U.S. House of Representatives.\nState of Florida and National Issues, 1977-1993 series provides information on issues that faced the United States as well as the state of Florida during this time period. Contained within are documents such as bills, reports, news articles, and correspondence. The correspondence is limited to communication between Congressman Ireland and other government officials. Very little correspondence exists between Congressman Ireland and hisconstituents, with the exception of letter standards that he used to respond to various inquiries. The arrangement of the collection, wherever possible, reflects the arrangement set up by Ireland's staff. Of special note is the information in the Defense section dealing with the A-12 Avenger project and defense spending. The district section contains documents, correspondence, newsletters, and news articles relating to specific counties within the subject's congressional district. The legislation Box Folder File Name  section contains bill summaries, the congressman's individual voting records, and legislative activity guides. Videos are arranged alphabetically by subject and relate to specific issues (i.e. defense), general interest, and politics. The press section contains newspaper articles denoted as either media reports or press clippings. Photographs document the subject's career in the congress. Other sections contain information about the Congressional Classroom program, Andy Ireland's I-Team, and personal invitations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in the Andy Ireland Congressional papers primarily relate to the subject's career in the U.S. House of Representatives.\nState of Florida and National Issues, 1977-1993 series provides information on issues that faced the United States as well as the state of Florida during this time period. Contained within are documents such as bills, reports, news articles, and correspondence. The correspondence is limited to communication between Congressman Ireland and other government officials. Very little correspondence exists between Congressman Ireland and hisconstituents, with the exception of letter standards that he used to respond to various inquiries. The arrangement of the collection, wherever possible, reflects the arrangement set up by Ireland's staff. Of special note is the information in the Defense section dealing with the A-12 Avenger project and defense spending. The district section contains documents, correspondence, newsletters, and news articles relating to specific counties within the subject's congressional district. The legislation Box Folder File Name  section contains bill summaries, the congressman's individual voting records, and legislative activity guides. Videos are arranged alphabetically by subject and relate to specific issues (i.e. defense), general interest, and politics. The press section contains newspaper articles denoted as either media reports or press clippings. Photographs document the subject's career in the congress. Other sections contain information about the Congressional Classroom program, Andy Ireland's I-Team, and personal invitations."],"userestrict_html_tesm":["\u003cp\u003eThe Congressman Andrew P. \"Andy\" Ireland Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Congressman Andrew P. \"Andy\" Ireland Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"names_ssim":["The Sarah D. and L. 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In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan, \u003cemph render=\"italic\"\u003eWe Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II\u003c/emph\u003e (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries","Heather Frazer"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Heather Frazer"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2918,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842163975159808,"_root_":"2868ee54af3563fe2f0377c1","timestamp":"2026-07-16T03:55:21.784Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_125725"}},{"id":"1aded63055ea5256d98fec72_aspace_88039","type":"Series","attributes":{"title":"Travel","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1aded63055ea5256d98fec72_aspace_88039#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_88039","ref_ssm":["aspace_88039","aspace_88039"],"id":"1aded63055ea5256d98fec72_aspace_88039","title_filing_ssi":"Travel","title_ssm":["Travel"],"title_tesim":["Travel"],"normalized_title_ssm":["Travel"],"text":["Travel","Jaffe Family Archives, 1881-2012, bulk 1940-2012","Series 11","/repositories/2/archival_objects/13311"],"component_level_isim":[1],"parent_ids_ssim":["1aded63055ea5256d98fec72"],"parent_unittitles_ssm":["Jaffe Family Archives, 1881-2012, bulk 1940-2012"],"parent_unittitles_tesim":["Jaffe Family Archives, 1881-2012, bulk 1940-2012"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 11","/repositories/2/archival_objects/13311"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Jaffe Family Archives, 1881-2012, bulk 1940-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":396,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \"fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#10","_nest_parent_":"1aded63055ea5256d98fec72","_root_":"1aded63055ea5256d98fec72","_version_":1870841967001206784,"timestamp":"2026-07-16T03:52:13.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1aded63055ea5256d98fec72","title_ssm":["Jaffe Family Archives"],"title_tesim":["Jaffe Family Archives"],"ead_ssi":"1aded63055ea5256d98fec72","unitdate_ssm":["1881-2012","1940-2012"],"unitdate_bulk_ssim":["1940-2012"],"unitdate_inclusive_ssm":["1881-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["JCBA0003","/repositories/2/resources/36"],"text":["JCBA0003","/repositories/2/resources/36","Jaffe Family Archives, 1881-2012, bulk 1940-2012","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Chronological","Arthur H. Jaffe was born and raised in Butler, Pennsylvania and graduated from Pennsylvania State University with a B.A. degree in Classical Studies. Arthur Jaffe has had several distinguished careers. From 1942-1946 he served in World War II as an Army captain in charge of a military intelligence unit. Following WWII, Mr. Jaffe went to Palestine, where he studied at the Hebrew University in Jerusalem. While there he began working as a Haganah officer, gathering information which was helpful in the formation of the new state of Israel. Mr. Jaffe then had a successful 30-year career as a partner in the family owned business, the House of Jaffe, a chain of department stores in western Pennsylvania, Ohio, and Michigan. After the death of his first wife, Lois, Jaffe moved to Pittsburgh where he began a new career as Director of Planning and Development for the Carnegie Institute. He soon became involved in fund-raising in the Jewish community of Pittsburgh, where his success brought him to the attention of the Jewish Community Foundation of South Palm Beach County.  In 1984, he and second wife Mata moved to Boca Raton where Arthur served as Founding Director of the Jewish Community Foundation of South Palm Beach County.","In 1998, Arthur and Mata established the Jaffe Center for the Book Arts at Florida Atlantic University (FAU). The Jaffe Collection has grown to include over 12,000 titles and is one of the largest and most varied of its kind in the United States. Arthur Jaffe was awarded an Honorary Doctorate of Humane Letters from FAU in 2011.","This finding aid documents the life and significant contributions of Arthur H. Jaffe.  It also includes information about his parents, five siblings, and two wives: Lois Silverstein and Mata Barack Loevner. The papers are organized by Arthur Jaffe's places of residence and then as much as possible chronologically.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \"fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["JCBA0003","/repositories/2/resources/36"],"normalized_date_ssm":["1881-2012, bulk 1940-2012"],"normalized_title_ssm":["Jaffe Family Archives, 1881-2012, bulk 1940-2012"],"collection_title_tesim":["Jaffe Family Archives, 1881-2012, bulk 1940-2012"],"collection_ssim":["Jaffe Family Archives, 1881-2012, bulk 1940-2012"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \"fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["33.00 Linear Feet"],"extent_tesim":["33.00 Linear Feet"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eArthur H. Jaffe was born and raised in Butler, Pennsylvania and graduated from Pennsylvania State University with a B.A. degree in Classical Studies. Arthur Jaffe has had several distinguished careers. From 1942-1946 he served in World War II as an Army captain in charge of a military intelligence unit. Following WWII, Mr. Jaffe went to Palestine, where he studied at the Hebrew University in Jerusalem. While there he began working as a Haganah officer, gathering information which was helpful in the formation of the new state of Israel. Mr. Jaffe then had a successful 30-year career as a partner in the family owned business, the House of Jaffe, a chain of department stores in western Pennsylvania, Ohio, and Michigan. After the death of his first wife, Lois, Jaffe moved to Pittsburgh where he began a new career as Director of Planning and Development for the Carnegie Institute. He soon became involved in fund-raising in the Jewish community of Pittsburgh, where his success brought him to the attention of the Jewish Community Foundation of South Palm Beach County.  In 1984, he and second wife Mata moved to Boca Raton where Arthur served as Founding Director of the Jewish Community Foundation of South Palm Beach County.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Arthur and Mata established the Jaffe Center for the Book Arts at Florida Atlantic University (FAU). The Jaffe Collection has grown to include over 12,000 titles and is one of the largest and most varied of its kind in the United States. Arthur Jaffe was awarded an Honorary Doctorate of Humane Letters from FAU in 2011.\u003c/p\u003e\n","\u003cp\u003eThis finding aid documents the life and significant contributions of Arthur H. Jaffe.  It also includes information about his parents, five siblings, and two wives: Lois Silverstein and Mata Barack Loevner. The papers are organized by Arthur Jaffe's places of residence and then as much as possible chronologically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Arthur H. Jaffe was born and raised in Butler, Pennsylvania and graduated from Pennsylvania State University with a B.A. degree in Classical Studies. Arthur Jaffe has had several distinguished careers. From 1942-1946 he served in World War II as an Army captain in charge of a military intelligence unit. Following WWII, Mr. Jaffe went to Palestine, where he studied at the Hebrew University in Jerusalem. While there he began working as a Haganah officer, gathering information which was helpful in the formation of the new state of Israel. Mr. Jaffe then had a successful 30-year career as a partner in the family owned business, the House of Jaffe, a chain of department stores in western Pennsylvania, Ohio, and Michigan. After the death of his first wife, Lois, Jaffe moved to Pittsburgh where he began a new career as Director of Planning and Development for the Carnegie Institute. He soon became involved in fund-raising in the Jewish community of Pittsburgh, where his success brought him to the attention of the Jewish Community Foundation of South Palm Beach County.  In 1984, he and second wife Mata moved to Boca Raton where Arthur served as Founding Director of the Jewish Community Foundation of South Palm Beach County.","In 1998, Arthur and Mata established the Jaffe Center for the Book Arts at Florida Atlantic University (FAU). The Jaffe Collection has grown to include over 12,000 titles and is one of the largest and most varied of its kind in the United States. Arthur Jaffe was awarded an Honorary Doctorate of Humane Letters from FAU in 2011.","This finding aid documents the life and significant contributions of Arthur H. Jaffe.  It also includes information about his parents, five siblings, and two wives: Lois Silverstein and Mata Barack Loevner. The papers are organized by Arthur Jaffe's places of residence and then as much as possible chronologically."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \"fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":541,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841967001206784,"_root_":"1aded63055ea5256d98fec72","timestamp":"2026-07-16T03:52:13.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1aded63055ea5256d98fec72_aspace_88039"}},{"id":"ed77e536ae81cc85363cc55a_aspace_4795","type":"Series","attributes":{"title":"Travel, 1960-1997","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ed77e536ae81cc85363cc55a_aspace_4795#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eAssorted Materials, Travel Diaries, Ephemera related to numerous trips to Cuba.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ed77e536ae81cc85363cc55a_aspace_4795#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4795","ref_ssm":["aspace_4795","aspace_4795"],"id":"ed77e536ae81cc85363cc55a_aspace_4795","title_filing_ssi":"Travel","title_ssm":["Travel"],"title_tesim":["Travel"],"unitdate_other_ssim":["1960-1997"],"normalized_date_ssm":["1960-1997"],"normalized_title_ssm":["Travel, 1960-1997"],"text":["Travel, 1960-1997","Jane Wittman Van De Bogart collection, 1958-2001, Date acquired: 00/00/2008, bulk 1960-1997","Series 1","/repositories/2/archival_objects/110279","Assorted Materials, Travel Diaries, Ephemera related to numerous trips to Cuba."],"component_level_isim":[1],"parent_ids_ssim":["ed77e536ae81cc85363cc55a"],"parent_unittitles_ssm":["Jane Wittman Van De Bogart collection, 1958-2001, Date acquired: 00/00/2008, bulk 1960-1997"],"parent_unittitles_tesim":["Jane Wittman Van De Bogart collection, 1958-2001, Date acquired: 00/00/2008, bulk 1960-1997"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/110279"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jane Wittman Van De Bogart collection, 1958-2001, Date acquired: 00/00/2008, bulk 1960-1997"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eAssorted Materials, Travel Diaries, Ephemera related to numerous trips to Cuba.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Assorted Materials, Travel Diaries, Ephemera related to numerous trips to Cuba."],"_nest_path_":"/components#0","_nest_parent_":"ed77e536ae81cc85363cc55a","_root_":"ed77e536ae81cc85363cc55a","_version_":1870863168147816448,"timestamp":"2026-07-16T09:29:12.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ed77e536ae81cc85363cc55a","title_ssm":["Jane Wittman Van De Bogart collection"],"title_tesim":["Jane Wittman Van De Bogart collection"],"ead_ssi":"ed77e536ae81cc85363cc55a","unitdate_ssm":["1958-2001","1960-1997","Date acquired: 00/00/2008"],"unitdate_bulk_ssim":["1960-1997"],"unitdate_inclusive_ssm":["1958-2001"],"unitdate_other_ssim":["Date acquired: 00/00/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2008-13","/repositories/2/resources/477"],"text":["MS-2008-13","/repositories/2/resources/477","Jane Wittman Van De Bogart collection, 1958-2001, Date acquired: 00/00/2008, bulk 1960-1997","Cuba","Cuba -- History -- 1959-1990","Cuba -- History -- Invasion, 1961","United States -- Foreign relations -- Cuba","Cuba -- Foreign relations -- United States","Travel restrictions - United States","Cuban Missile Crisis, 1962","AIDS (disease) - Cuba","Public health - Cuba","Economic sanctions, American - Cuba","NAMES Project AIDS Memorial Quilt","Education - Cuba","HIV/AIDS","Organized into the following series. \n1) Travel\n2) Research Materials\n3) Correspondence\n4) Oversized\nMost items within each of the identified series are arranged alphabetically or chronologically.","Jane Wittman Van De Bogart (1941-2008), daughter of Walter and Jeanette Wittman, Paramus, New Jersey.","Jane Wittman Van De Bogart's interest in Cuba began in the early 1960s when she and other students of Antioch College (Ohio) traveled to the country to study its educational system. Over the years, Van De Bogart made four additional trips to Cuba, often in defiance of the U.S. government's travel ban. One such trip, taken in 1964, prompted the U.S. State Department to demand that she turn in her passport.  She fought the revocation of her passport in court and her case wound through the justice system to the United States District Court of Appeals.  The Court of Appeals ultimately affirmed the State Department's revocation of Van De Bogart's passport unless she complied to the Secretary of State's condition to refrain from traveling to restricted areas. Van De Bogart's final trip to Cuba coincided with the first unveiling of the NAMES Project AIDS Quilt in Havana (1997), a cause for which she became an advocate, both in the US and Cuba, after her brother's death in 1986.","In later years, Van De Bogart became an advocate for many causes and was heavily involved in Woodstock, New York's local politics, serving as Councilwoman, member and President of the Woodstock Library Board of Trustees, Assistant to the town assessor, and Secretary to the Town Planning Board.  In addition, she advocated for many causes, including the Caribbean-Latin America Support Project (CLASP), Woodstock Women in Black, Veterans for Peace, Saugerties Committee for Peace and Social Justice, and Quilters for Peace.","Lynd v. Rusk, 389 F.2d 940 (D.C. App. Ct. 1967). Retrieved February 6, 2009, from","Westlaw Campus Research database.","Wind, K. (February 19, 2008). \"Community mourns the death of an activist.\" Retrieved","December 10, 2008 from: http://www.dailyfreeman.com/articles/2008/02/19/regional%20news/19308407.txt","Printed materials, correspondence, photographs, and slides related to Van De Bogart's travels to and lifelong interest in Cuba.  The collection also includes an official US State Department letter and other documents related to Van De Bogart's efforts to retain her passport.","A number of publications that came with the collection have been catalogued separately.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Van De Bogart, Jane (1941-2008)","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","English"],"unitid_tesim":["MS-2008-13","/repositories/2/resources/477"],"normalized_date_ssm":["1958-2001, Date acquired: 00/00/2008, bulk 1960-1997"],"normalized_title_ssm":["Jane Wittman Van De Bogart collection, 1958-2001, Date acquired: 00/00/2008, bulk 1960-1997"],"collection_title_tesim":["Jane Wittman Van De Bogart collection, 1958-2001, Date acquired: 00/00/2008, bulk 1960-1997"],"collection_ssim":["Jane Wittman Van De Bogart collection, 1958-2001, Date acquired: 00/00/2008, bulk 1960-1997"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- 1959-1990","Cuba -- History -- Invasion, 1961","United States -- Foreign relations -- Cuba","Cuba -- Foreign relations -- United States"],"geogname_ssim":["Cuba","Cuba -- History -- 1959-1990","Cuba -- History -- Invasion, 1961","United States -- Foreign relations -- Cuba","Cuba -- Foreign relations -- United States"],"creator_ssm":["Van De Bogart, Jane (1941-2008)"],"creator_ssim":["Van De Bogart, Jane (1941-2008)"],"creator_persname_ssim":["Van De Bogart, Jane (1941-2008)"],"creators_ssim":["Van De Bogart, Jane (1941-2008)"],"places_ssim":["Cuba","Cuba -- History -- 1959-1990","Cuba -- History -- Invasion, 1961","United States -- Foreign relations -- Cuba","Cuba -- Foreign relations -- United States"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Estate of Jane Van De Bogart","Received in 2008 from Margaret Johnston, courtesy of the Van De Bogart estate."],"access_subjects_ssim":["Travel restrictions - United States","Cuban Missile Crisis, 1962","AIDS (disease) - Cuba","Public health - Cuba","Economic sanctions, American - Cuba","NAMES Project AIDS Memorial Quilt","Education - Cuba","HIV/AIDS"],"access_subjects_ssm":["Travel restrictions - United States","Cuban Missile Crisis, 1962","AIDS (disease) - Cuba","Public health - Cuba","Economic sanctions, American - Cuba","NAMES Project AIDS Memorial Quilt","Education - Cuba","HIV/AIDS"],"has_online_content_ssim":["false"],"extent_ssm":["5.02 Linear Feet","9 boxes"],"extent_tesim":["5.02 Linear Feet","9 boxes"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"arrangement_html_tesm":["\u003cp\u003eOrganized into the following series. \n1) Travel\n2) Research Materials\n3) Correspondence\n4) Oversized\nMost items within each of the identified series are arranged alphabetically or chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized into the following series. \n1) Travel\n2) Research Materials\n3) Correspondence\n4) Oversized\nMost items within each of the identified series are arranged alphabetically or chronologically."],"bioghist_html_tesm":["\u003cp\u003eJane Wittman Van De Bogart (1941-2008), daughter of Walter and Jeanette Wittman, Paramus, New Jersey.\u003c/p\u003e\n","\u003cp\u003eJane Wittman Van De Bogart's interest in Cuba began in the early 1960s when she and other students of Antioch College (Ohio) traveled to the country to study its educational system. Over the years, Van De Bogart made four additional trips to Cuba, often in defiance of the U.S. government's travel ban. One such trip, taken in 1964, prompted the U.S. State Department to demand that she turn in her passport.\u0026#xA0; She fought the revocation of her passport in court and her case wound through the justice system to the United States District Court of Appeals.\u0026#xA0; The Court of Appeals ultimately affirmed the State Department's revocation of Van De Bogart's passport unless she complied to the Secretary of State's condition to refrain from traveling to restricted areas. Van De Bogart's final trip to Cuba coincided with the first unveiling of the NAMES Project AIDS Quilt in Havana (1997), a cause for which she became an advocate, both in the US and Cuba, after her brother's death in 1986.\u003c/p\u003e\n","\u003cp\u003eIn later years, Van De Bogart became an advocate for many causes and was heavily involved in Woodstock, New York's local politics, serving as Councilwoman, member and President of the Woodstock Library Board of Trustees, Assistant to the town assessor, and Secretary to the Town Planning Board.\u0026#xA0; In addition, she advocated for many causes, including the Caribbean-Latin America Support Project (CLASP), Woodstock Women in Black, Veterans for Peace, Saugerties Committee for Peace and Social Justice, and Quilters for Peace.\u003c/p\u003e\n","\u003cp\u003eLynd v. Rusk, 389 F.2d 940 (D.C. App. Ct. 1967). Retrieved February 6, 2009, from\u003c/p\u003e\n","\u003cp\u003eWestlaw Campus Research database.\u003c/p\u003e\n","\u003cp\u003eWind, K. (February 19, 2008). \"Community mourns the death of an activist.\" Retrieved\u003c/p\u003e\n","\u003cp\u003eDecember 10, 2008 from: http://www.dailyfreeman.com/articles/2008/02/19/regional%20news/19308407.txt\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jane Wittman Van De Bogart (1941-2008), daughter of Walter and Jeanette Wittman, Paramus, New Jersey.","Jane Wittman Van De Bogart's interest in Cuba began in the early 1960s when she and other students of Antioch College (Ohio) traveled to the country to study its educational system. Over the years, Van De Bogart made four additional trips to Cuba, often in defiance of the U.S. government's travel ban. One such trip, taken in 1964, prompted the U.S. State Department to demand that she turn in her passport.  She fought the revocation of her passport in court and her case wound through the justice system to the United States District Court of Appeals.  The Court of Appeals ultimately affirmed the State Department's revocation of Van De Bogart's passport unless she complied to the Secretary of State's condition to refrain from traveling to restricted areas. Van De Bogart's final trip to Cuba coincided with the first unveiling of the NAMES Project AIDS Quilt in Havana (1997), a cause for which she became an advocate, both in the US and Cuba, after her brother's death in 1986.","In later years, Van De Bogart became an advocate for many causes and was heavily involved in Woodstock, New York's local politics, serving as Councilwoman, member and President of the Woodstock Library Board of Trustees, Assistant to the town assessor, and Secretary to the Town Planning Board.  In addition, she advocated for many causes, including the Caribbean-Latin America Support Project (CLASP), Woodstock Women in Black, Veterans for Peace, Saugerties Committee for Peace and Social Justice, and Quilters for Peace.","Lynd v. Rusk, 389 F.2d 940 (D.C. App. Ct. 1967). Retrieved February 6, 2009, from","Westlaw Campus Research database.","Wind, K. (February 19, 2008). \"Community mourns the death of an activist.\" Retrieved","December 10, 2008 from: http://www.dailyfreeman.com/articles/2008/02/19/regional%20news/19308407.txt"],"prefercite_html_tesm":["\u003cp\u003eJane Wittman Van De Bogart collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Jane Wittman Van De Bogart collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003ePrinted materials, correspondence, photographs, and slides related to Van De Bogart's travels to and lifelong interest in Cuba.\u0026#xA0; The collection also includes an official US State Department letter and other documents related to Van De Bogart's efforts to retain her passport.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Printed materials, correspondence, photographs, and slides related to Van De Bogart's travels to and lifelong interest in Cuba.  The collection also includes an official US State Department letter and other documents related to Van De Bogart's efforts to retain her passport."],"separatedmaterial_html_tesm":["\u003cp\u003eA number of publications that came with the collection have been catalogued separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A number of publications that came with the collection have been catalogued separately."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Van De Bogart, Jane (1941-2008)","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Van De Bogart, Jane (1941-2008)","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016"],"persname_ssim":["Van De Bogart, Jane (1941-2008)","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":75,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863168147816448,"_root_":"ed77e536ae81cc85363cc55a","timestamp":"2026-07-16T09:29:12.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ed77e536ae81cc85363cc55a_aspace_4795"}},{"id":"d20aa889e8ea8129c93e6502_aspace_c0fee1ab2566c8a63b93403105bf9849","type":"Series","attributes":{"title":"Travel, 1992-2016-05","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_c0fee1ab2566c8a63b93403105bf9849#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c0fee1ab2566c8a63b93403105bf9849","ref_ssm":["aspace_c0fee1ab2566c8a63b93403105bf9849","aspace_c0fee1ab2566c8a63b93403105bf9849"],"id":"d20aa889e8ea8129c93e6502_aspace_c0fee1ab2566c8a63b93403105bf9849","title_filing_ssi":"Travel","title_ssm":["Travel"],"title_tesim":["Travel"],"unitdate_inclusive_ssm":["1992-2016-05"],"normalized_date_ssm":["1992-2016-05"],"normalized_title_ssm":["Travel, 1992-2016-05"],"text":["Travel, 1992-2016-05","Nola Perez Papers, 1969-2022","/repositories/3/archival_objects/9243"],"component_level_isim":[1],"parent_ids_ssim":["d20aa889e8ea8129c93e6502"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9243"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":226,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"_nest_path_":"/components#11","_nest_parent_":"d20aa889e8ea8129c93e6502","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_c0fee1ab2566c8a63b93403105bf9849"}},{"id":"9295ab59f6671b5f8925101a_aspace_73498","type":"Series","attributes":{"title":"Travel and Leisure Photograph Collection","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73498#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_73498","ref_ssm":["aspace_73498","aspace_73498"],"id":"9295ab59f6671b5f8925101a_aspace_73498","title_filing_ssi":"Travel and Leisure Photograph Collection","title_ssm":["Travel and Leisure Photograph Collection"],"title_tesim":["Travel and Leisure Photograph Collection"],"normalized_title_ssm":["Travel and Leisure Photograph Collection"],"text":["Travel and Leisure Photograph Collection","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Series 4","/repositories/2/archival_objects/49657"],"component_level_isim":[1],"parent_ids_ssim":["9295ab59f6671b5f8925101a"],"parent_unittitles_ssm":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"parent_unittitles_tesim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 4","/repositories/2/archival_objects/49657"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":711,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#3","_nest_parent_":"9295ab59f6671b5f8925101a","_root_":"9295ab59f6671b5f8925101a","_version_":1870841756013035520,"timestamp":"2026-07-16T03:48:52.675Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9295ab59f6671b5f8925101a","title_ssm":["Marion Rinhart Photographs Collection"],"title_tesim":["Marion Rinhart Photographs Collection"],"ead_ssi":"9295ab59f6671b5f8925101a","unitdate_ssm":["1860-1952","1875-1934"],"unitdate_bulk_ssim":["1875-1934"],"unitdate_inclusive_ssm":["1860-1952"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00026","/repositories/2/resources/146"],"text":["SPC00026","/repositories/2/resources/146","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Leslie Siegel processed this collection.","This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Marion Rinhart","English"],"unitid_tesim":["SPC00026","/repositories/2/resources/146"],"normalized_date_ssm":["1860-1952, bulk 1875-1934"],"normalized_title_ssm":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"collection_title_tesim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"collection_ssim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Marion Rinhart"],"creator_ssim":["Marion Rinhart"],"creator_persname_ssim":["Marion Rinhart"],"creators_ssim":["Marion Rinhart"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"extent_tesim":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Leslie Siegel processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Leslie Siegel processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.\u0026#xA0; The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami, \u003cextref href=\"http://proust.library.miami.edu/favicon.ico\"\u003eOtto Richter Library\u003c/extref\u003e in Coral Gables, Florida.\u003c/p\u003e\n","\u003cp\u003eThe Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Marion Rinhart"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Marion Rinhart"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841756013035520,"_root_":"9295ab59f6671b5f8925101a","timestamp":"2026-07-16T03:48:52.675Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73498"}},{"id":"9b0c54a43599a9f74641fdb9_aspace_727ad8de66773017ebed87486156a04c","type":"Series","attributes":{"title":"Travel Brochures, 1940-1955","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9b0c54a43599a9f74641fdb9_aspace_727ad8de66773017ebed87486156a04c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_727ad8de66773017ebed87486156a04c","ref_ssm":["aspace_727ad8de66773017ebed87486156a04c","aspace_727ad8de66773017ebed87486156a04c"],"id":"9b0c54a43599a9f74641fdb9_aspace_727ad8de66773017ebed87486156a04c","title_filing_ssi":"Travel Brochures","title_ssm":["Travel Brochures"],"title_tesim":["Travel Brochures"],"unitdate_inclusive_ssm":["1940-1955"],"normalized_date_ssm":["1940-1955"],"normalized_title_ssm":["Travel Brochures, 1940-1955"],"text":["Travel Brochures, 1940-1955","Travel Brochures of the 20th century from 1940-1955., bulk 1940-1955","MS005/01","/repositories/2/archival_objects/1","Usina, Frederick Charles, Jr., 1903-1966","Drysdale, W. I. ","box 1"],"component_level_isim":[1],"parent_ids_ssim":["9b0c54a43599a9f74641fdb9"],"parent_unittitles_ssm":["Travel Brochures of the 20th century from 1940-1955., bulk 1940-1955"],"parent_unittitles_tesim":["Travel Brochures of the 20th century from 1940-1955., bulk 1940-1955"],"parent_levels_ssm":["collection"],"unitid_ssm":["MS005/01","/repositories/2/archival_objects/1"],"repository_ssim":["Broward College Archives and Special Collections"],"collection_ssim":["Travel Brochures of the 20th century from 1940-1955., bulk 1940-1955"],"has_online_content_ssim":["false"],"child_component_count_isi":32,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_terms_tesm":["Since there are no restrictions on this collection, it is open to research. However, please contact Broward College Archives and Special Collections, University/College Library at Broward College Central Campus in advance to schedule an appointment."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"names_ssim":["Usina, Frederick Charles, Jr., 1903-1966","Drysdale, W. I. "],"persname_ssim":["Usina, Frederick Charles, Jr., 1903-1966","Drysdale, W. I. "],"containers_ssim":["box 1"],"_nest_path_":"/components#0","_nest_parent_":"9b0c54a43599a9f74641fdb9","_root_":"9b0c54a43599a9f74641fdb9","_version_":1877179583299584000,"timestamp":"2026-09-24T02:45:55.875Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b0c54a43599a9f74641fdb9","title_ssm":["Travel Brochures of the 20th century from 1940-1955."],"title_tesim":["Travel Brochures of the 20th century from 1940-1955."],"ead_ssi":"9b0c54a43599a9f74641fdb9","unitdate_ssm":["1940-1955"],"unitdate_bulk_ssim":["1940-1955"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS005","/repositories/2/resources/1"],"text":["MS005","/repositories/2/resources/1","Travel Brochures of the 20th century from 1940-1955., bulk 1940-1955","Special Collections","Leaflets","32 files. Arranged by File #.","Anonymous gift to Special Collections, June 2010.","Following years of despair during the Great Depression of the 1930s and war in the 1940s, Americans sought greater leisure after their victories in Europe and in the Pacific during World War II. In the 1950s, tourism increased across the United States, bringing in more revenue for attractions and more money for state parks. Cheaper air travel made it possible for Americans to visit more places than ever before. New airplane parts developed during World War II made the price of an airline ticket comparable to the price of a train ticket. President Dwight D. Eisenhower's creation of an Interstate Highway System in 1956 also resulted in increased tourism as these highways linked the nation via high speed, limited access highways. This collection of travel guides from the 1950's is a historical snapshot of life after World War II.","Processed in 2010 by Christina Foresman.","This collection includes travel brochures, information guides, and other tourist-related advertisements from 1940-1955. However, the majority of items are from 1952-1953. This collection is useful for researchers who want to focus on the travel industry in the 1950s. Brochures focus on parks and monuments throughout the United States.","Since there are no restrictions on this collection, it is open to research. However, please contact Broward College Archives and Special Collections, University/College Library at Broward College Central Campus in advance to schedule an appointment.","Broward College Archives and Special Collections ","Usina, Frederick Charles, Jr., 1903-1966","Drysdale, W. I. ","English"],"unitid_tesim":["MS005","/repositories/2/resources/1"],"normalized_date_ssm":["bulk 1940-1955"],"normalized_title_ssm":["Travel Brochures of the 20th century from 1940-1955., bulk 1940-1955"],"collection_title_tesim":["Travel Brochures of the 20th century from 1940-1955., bulk 1940-1955"],"collection_ssim":["Travel Brochures of the 20th century from 1940-1955., bulk 1940-1955"],"repository_ssm":["Broward College Archives and Special Collections"],"repository_ssim":["Broward College Archives and Special Collections"],"access_terms_ssm":["Since there are no restrictions on this collection, it is open to research. However, please contact Broward College Archives and Special Collections, University/College Library at Broward College Central Campus in advance to schedule an appointment."],"access_subjects_ssim":["Special Collections","Leaflets"],"access_subjects_ssm":["Special Collections","Leaflets"],"has_online_content_ssim":["false"],"extent_ssm":["0.3 Linear Feet This collection includes a series of travel brochures\ndepicting the travel industry and various attractions throughout the\nUnited States. The materials are from 1940-1955, but a few brochures\ndo not have a listed date."],"extent_tesim":["0.3 Linear Feet This collection includes a series of travel brochures\ndepicting the travel industry and various attractions throughout the\nUnited States. The materials are from 1940-1955, but a few brochures\ndo not have a listed date."],"genreform_ssim":["Leaflets"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"arrangement_html_tesm":["\u003cp\u003e32 files. Arranged by File #.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["32 files. Arranged by File #."],"custodhist_html_tesm":["\u003cp\u003eAnonymous gift to Special Collections, June 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Anonymous gift to Special Collections, June 2010."],"odd_html_tesm":["\u003cp\u003eFollowing years of despair during the Great Depression of the 1930s and war in the 1940s, Americans sought greater leisure after their victories in Europe and in the Pacific during World War II. In the 1950s, tourism increased across the United States, bringing in more revenue for attractions and more money for state parks. Cheaper air travel made it possible for Americans to visit more places than ever before. New airplane parts developed during World War II made the price of an airline ticket comparable to the price of a train ticket. President Dwight D. Eisenhower's creation of an Interstate Highway System in 1956 also resulted in increased tourism as these highways linked the nation via high speed, limited access highways. This collection of travel guides from the 1950's is a historical snapshot of life after World War II.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Following years of despair during the Great Depression of the 1930s and war in the 1940s, Americans sought greater leisure after their victories in Europe and in the Pacific during World War II. In the 1950s, tourism increased across the United States, bringing in more revenue for attractions and more money for state parks. Cheaper air travel made it possible for Americans to visit more places than ever before. New airplane parts developed during World War II made the price of an airline ticket comparable to the price of a train ticket. President Dwight D. Eisenhower's creation of an Interstate Highway System in 1956 also resulted in increased tourism as these highways linked the nation via high speed, limited access highways. This collection of travel guides from the 1950's is a historical snapshot of life after World War II."],"prefercite_html_tesm":["\u003cp\u003eMS005, Travel Brochures 1940-1955, Broward College Archives and Special Collections, University/College Library at Broward College Central Campus.\u003c/p\u003e"],"prefercite_tesim":["MS005, Travel Brochures 1940-1955, Broward College Archives and Special Collections, University/College Library at Broward College Central Campus."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2010 by Christina Foresman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2010 by Christina Foresman."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes travel brochures, information guides, and other tourist-related advertisements from 1940-1955. However, the majority of items are from 1952-1953. This collection is useful for researchers who want to focus on the travel industry in the 1950s. Brochures focus on parks and monuments throughout the United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes travel brochures, information guides, and other tourist-related advertisements from 1940-1955. However, the majority of items are from 1952-1953. This collection is useful for researchers who want to focus on the travel industry in the 1950s. Brochures focus on parks and monuments throughout the United States."],"userestrict_html_tesm":["\u003cp\u003eSince there are no restrictions on this collection, it is open to research. However, please contact Broward College Archives and Special Collections, University/College Library at Broward College Central Campus in advance to schedule an appointment.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Since there are no restrictions on this collection, it is open to research. However, please contact Broward College Archives and Special Collections, University/College Library at Broward College Central Campus in advance to schedule an appointment."],"names_ssim":["Broward College Archives and Special Collections ","Usina, Frederick Charles, Jr., 1903-1966","Drysdale, W. I. "],"corpname_ssim":["Broward College Archives and Special Collections "],"persname_ssim":["Usina, Frederick Charles, Jr., 1903-1966","Drysdale, W. I. "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":33,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877179583299584000,"_root_":"9b0c54a43599a9f74641fdb9","timestamp":"2026-09-24T02:45:55.875Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b0c54a43599a9f74641fdb9_aspace_727ad8de66773017ebed87486156a04c"}},{"id":"18ce43a3c782b797db9fa781_aspace_178530","type":"Series","attributes":{"title":"Travel - Canada","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178530#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178530","ref_ssm":["aspace_178530","aspace_178530"],"id":"18ce43a3c782b797db9fa781_aspace_178530","title_filing_ssi":"Travel - Canada","title_ssm":["Travel - Canada"],"title_tesim":["Travel - Canada"],"normalized_title_ssm":["Travel - Canada"],"text":["Travel - Canada","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Series 2","/repositories/2/archival_objects/81697"],"component_level_isim":[2],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179828"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Series 2","/repositories/2/archival_objects/81697"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":49,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1350,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#24/components#1","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179828","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178530"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Congressman James A. 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