{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=77","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=76","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=78","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856"},"meta":{"pages":{"current_page":77,"next_page":78,"prev_page":76,"total_pages":856,"limit_value":10,"offset_value":760,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"63f85ee1ad3b0ea5b7bd3ffa_aspace_16af185e65a6e672b3569bb26909c9a6","type":"Series","attributes":{"title":"Art","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/63f85ee1ad3b0ea5b7bd3ffa_aspace_16af185e65a6e672b3569bb26909c9a6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16af185e65a6e672b3569bb26909c9a6","ref_ssm":["aspace_16af185e65a6e672b3569bb26909c9a6","aspace_16af185e65a6e672b3569bb26909c9a6"],"id":"63f85ee1ad3b0ea5b7bd3ffa_aspace_16af185e65a6e672b3569bb26909c9a6","title_filing_ssi":"Art","title_ssm":["Art"],"title_tesim":["Art"],"normalized_title_ssm":["Art"],"text":["Art","Library-In-Action Collection, Circa 1969-2002","/repositories/2/archival_objects/22019"],"component_level_isim":[1],"parent_ids_ssim":["63f85ee1ad3b0ea5b7bd3ffa"],"parent_unittitles_ssm":["Library-In-Action Collection, Circa 1969-2002"],"parent_unittitles_tesim":["Library-In-Action Collection, Circa 1969-2002"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/22019"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Library-In-Action Collection, Circa 1969-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":529,"parent_access_restrict_tesm":["The Library-In-Action Collection is open for research."],"_nest_path_":"/components#9","_nest_parent_":"63f85ee1ad3b0ea5b7bd3ffa","_root_":"63f85ee1ad3b0ea5b7bd3ffa","_version_":1876455833356730368,"timestamp":"2026-09-16T03:02:14.138Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"63f85ee1ad3b0ea5b7bd3ffa","title_filing_ssi":"Library-In-Action Collection","title_ssm":["Library-In-Action Collection"],"title_tesim":["Library-In-Action Collection"],"ead_ssi":"63f85ee1ad3b0ea5b7bd3ffa","unitdate_ssm":["Circa 1969-2002"],"unitdate_inclusive_ssm":["Circa 1969-2002"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2024.4","/repositories/2/resources/356"],"text":["AARLCC.2024.4","/repositories/2/resources/356","Library-In-Action Collection, Circa 1969-2002","Fort Lauderdale (Fla.)","Broward County (Fla.)","Libraries and Black people","Public libraries -- Florida -- Broward County","Literacy","Subsidies","Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates","The Library-In-Action Collection is open for research.","View a selection of digitized materials from the Library-In-Action Collection in the Broward County Library Digital Archives.","The collection is arranged into 11 series: Series I. Correspondence, Series II. Administrative Files, Series III. Photographs and Slides, Series IV. Programming, Series V. Printed Materials, Series VI. Sistrunk Historical Festival, Series VII. Awards and Proclamations, Series VIII. Objects, Series IX. Langston Hughes Library and Tyrone Bryant Papers, Series X. Art XI. Audio-Visual Materials.","Broward County Library created the Library-in-Action (LIA) initiative to address educational needs and increase access to libraries in historically underserved, primarily minority communities in Broward County. It started in 1975 as the Broward County Library \"Project for the Economically Disadvantaged\" but soon became internationally known as Library-in-Action Project. The project ran until 2002.","The Von D. Mizell Library in the historic Sistrunk neighborhood, which became part of the Broward County Library system in 1974, was the headquarters of Library-In-Action. As a result of LIA-authored grant funding, four additional libraries were opened: Dania Beach Library (Feb. 5, 1979), Collier City Library (1980), Rock Island Library (1980), and Carver Ranches Library (1982). Also in 1980, the Von D. Mizell Library moved to a new building with a larger collection. These five libraries provided youth and adults with free access to books, literacy classes, and tutoring services. They also created tailor-made services and programs based on community input.","Broward County Library's Assistant Director, Samuel Morrison, hired an administrative team to oversee the LIA program: Tyrone Bryant (Director), Janet Hansen (Assistant Director), and Tanya Simons-Oparah (Outreach Services Coordinator). The LIA team earned millions of dollars in grants, trained librarians and staff, and conducted programming. ","From 1977 to 1980, Library-In-Action staff canvassed neighborhoods and offered library resources to the Collier City community before the Collier City Library was built. The LIA's Homework Assistance program bussed children from elementary schools to the Collier City Library, where they received help with their homework and school projects, graduating more than 200 students in its early years. ","The LIA project also involved a Bookmobile and a Footmobile service - where staff went door-to-door promoting libraries and delivering books. Other notable programs included speakers such as Alex Haley (author of \"Roots\") in 1980, Elton Fox, and Tom Feelings. The Black Heritage program educated children on Africa, and an African hut was constructed in the Von D. Mizell Library as part of the programming.","LIA Director Tyrone Bryant coined the name \"Library-In-Action\". Tyrone Bryant (1942-1988) was a graduate of Florida Agriculture and Mechanical University. Prior to his directorship at the Langston Hughes Library he was the director of the Committee for the Corona-East Elmhurst Community Corp, where he began working in 1967. The Committee's activism ultimately formed the Langston Hughes Cultural Center and Library in the Corona neighborhood in New York City. Tyrone Bryant became the first Director of the Langston Hughes Library which opened April 26, 1969 and served the needs of inner-city residents. Bryant moved to Fort Lauderdale in 1975 to become the LIA Director. The many programs conducted during the BCL LIA project originated from Tyrone Byrant's experience with programs at the Langston Hughes Library, such as the Homework Assistance Program. In 1983 Bryant was named Assistant Director of the Broward County Library system in charge of Special Services while also retaining his position as Project Director of LIA. Bryant also served as the chairman of the Sistrunk Historical Festival from 1983 until 1988. He married Claudia Wright in 1986. Tyrone Bryant died on February 24, 1988 at age 45. The Rock Island Library was rededicated in his honor on April 20, 1988 as the Tyrone Bryant Library Branch.","The 1980 Sistrunk Historical Festival saw the dedication of the Von D. Mizell Center which housed the Von D. Mizell Branch Library.","The LIA program collaborated with the City of Fort Lauderdale to create the Sistrunk Historical Festival in 1979, celebrating the county's black pioneers. The festival began as a two-day event to initiate economic redevelopment and held programming on African American culture, and under Bryant's chairmanship grew to a month-long event drawing over 100,000 people by 1988.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Von D. Mizell Library Collection","The Library-In-Action Collection documents the Library-In-Action initiative started by the Broward County Library in 1975 to address literacy and access in underserved communities. The collection also documents the career of Tyrone Bryant from his tenure at the Langston Hughes Library through his directorship at Library-In-Action, as well as the Sistrunk Historical Festival.","Materials in the collection consist of correspondence, budgets, meeting minutes, staff files, grants, reports, photographs, slides, programs, newspaper clippings, newsletters, press releases, certificates, proclamations, audio-visual materials, and objects.","AARLCC Special Collections","Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)","Bryant, Tyrone, 1942-1988","English"],"unitid_tesim":["AARLCC.2024.4","/repositories/2/resources/356"],"normalized_date_ssm":["Circa 1969-2002"],"normalized_title_ssm":["Library-In-Action Collection, Circa 1969-2002"],"collection_title_tesim":["Library-In-Action Collection, Circa 1969-2002"],"collection_ssim":["Library-In-Action Collection, Circa 1969-2002"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["Libraries and Black people","Public libraries -- Florida -- Broward County","Literacy","Subsidies","Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates"],"access_subjects_ssm":["Libraries and Black people","Public libraries -- Florida -- Broward County","Literacy","Subsidies","Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","24.75 Linear Feet"],"extent_tesim":["45 Hollinger Boxes","24.75 Linear Feet"],"genreform_ssim":["Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe Library-In-Action Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Library-In-Action Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/libinaction/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Library-In-Action Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Library-In-Action Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 11 series: Series I. Correspondence, Series II. Administrative Files, Series III. Photographs and Slides, Series IV. Programming, Series V. Printed Materials, Series VI. Sistrunk Historical Festival, Series VII. Awards and Proclamations, Series VIII. Objects, Series IX. Langston Hughes Library and Tyrone Bryant Papers, Series X. Art XI. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 11 series: Series I. Correspondence, Series II. Administrative Files, Series III. Photographs and Slides, Series IV. Programming, Series V. Printed Materials, Series VI. Sistrunk Historical Festival, Series VII. Awards and Proclamations, Series VIII. Objects, Series IX. Langston Hughes Library and Tyrone Bryant Papers, Series X. Art XI. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eBroward County Library created the Library-in-Action (LIA) initiative to address educational needs and increase access to libraries in historically underserved, primarily minority communities in Broward County. It started in 1975 as the Broward County Library \"Project for the Economically Disadvantaged\" but soon became internationally known as Library-in-Action Project. The project ran until 2002.\u003c/p\u003e\n","\u003cp\u003eThe Von D. Mizell Library in the historic Sistrunk neighborhood, which became part of the Broward County Library system in 1974, was the headquarters of Library-In-Action. As a result of LIA-authored grant funding, four additional libraries were opened: Dania Beach Library (Feb. 5, 1979), Collier City Library (1980), Rock Island Library (1980), and Carver Ranches Library (1982). Also in 1980, the Von D. Mizell Library moved to a new building with a larger collection. These five libraries provided youth and adults with free access to books, literacy classes, and tutoring services. They also created tailor-made services and programs based on community input.\u003c/p\u003e\n","\u003cp\u003eBroward County Library's Assistant Director, Samuel Morrison, hired an administrative team to oversee the LIA program: Tyrone Bryant (Director), Janet Hansen (Assistant Director), and Tanya Simons-Oparah (Outreach Services Coordinator). The LIA team earned millions of dollars in grants, trained librarians and staff, and conducted programming. \u003c/p\u003e\n","\u003cp\u003eFrom 1977 to 1980, Library-In-Action staff canvassed neighborhoods and offered library resources to the Collier City community before the Collier City Library was built. The LIA's Homework Assistance program bussed children from elementary schools to the Collier City Library, where they received help with their homework and school projects, graduating more than 200 students in its early years. \u003c/p\u003e\n","\u003cp\u003eThe LIA project also involved a Bookmobile and a Footmobile service - where staff went door-to-door promoting libraries and delivering books. Other notable programs included speakers such as Alex Haley (author of \"Roots\") in 1980, Elton Fox, and Tom Feelings. The Black Heritage program educated children on Africa, and an African hut was constructed in the Von D. Mizell Library as part of the programming.\u003c/p\u003e\n","\u003cp\u003eLIA Director Tyrone Bryant coined the name \"Library-In-Action\". Tyrone Bryant (1942-1988) was a graduate of Florida Agriculture and Mechanical University. Prior to his directorship at the Langston Hughes Library he was the director of the Committee for the Corona-East Elmhurst Community Corp, where he began working in 1967. The Committee's activism ultimately formed the Langston Hughes Cultural Center and Library in the Corona neighborhood in New York City. Tyrone Bryant became the first Director of the Langston Hughes Library which opened April 26, 1969 and served the needs of inner-city residents. Bryant moved to Fort Lauderdale in 1975 to become the LIA Director. The many programs conducted during the BCL LIA project originated from Tyrone Byrant's experience with programs at the Langston Hughes Library, such as the Homework Assistance Program. In 1983 Bryant was named Assistant Director of the Broward County Library system in charge of Special Services while also retaining his position as Project Director of LIA. Bryant also served as the chairman of the Sistrunk Historical Festival from 1983 until 1988. He married Claudia Wright in 1986. Tyrone Bryant died on February 24, 1988 at age 45. The Rock Island Library was rededicated in his honor on April 20, 1988 as the Tyrone Bryant Library Branch.\u003c/p\u003e\n","\u003cp\u003eThe 1980 Sistrunk Historical Festival saw the dedication of the Von D. Mizell Center which housed the Von D. Mizell Branch Library.\u003c/p\u003e\n","\u003cp\u003eThe LIA program collaborated with the City of Fort Lauderdale to create the Sistrunk Historical Festival in 1979, celebrating the county's black pioneers. The festival began as a two-day event to initiate economic redevelopment and held programming on African American culture, and under Bryant's chairmanship grew to a month-long event drawing over 100,000 people by 1988.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Broward County Library created the Library-in-Action (LIA) initiative to address educational needs and increase access to libraries in historically underserved, primarily minority communities in Broward County. It started in 1975 as the Broward County Library \"Project for the Economically Disadvantaged\" but soon became internationally known as Library-in-Action Project. The project ran until 2002.","The Von D. Mizell Library in the historic Sistrunk neighborhood, which became part of the Broward County Library system in 1974, was the headquarters of Library-In-Action. As a result of LIA-authored grant funding, four additional libraries were opened: Dania Beach Library (Feb. 5, 1979), Collier City Library (1980), Rock Island Library (1980), and Carver Ranches Library (1982). Also in 1980, the Von D. Mizell Library moved to a new building with a larger collection. These five libraries provided youth and adults with free access to books, literacy classes, and tutoring services. They also created tailor-made services and programs based on community input.","Broward County Library's Assistant Director, Samuel Morrison, hired an administrative team to oversee the LIA program: Tyrone Bryant (Director), Janet Hansen (Assistant Director), and Tanya Simons-Oparah (Outreach Services Coordinator). The LIA team earned millions of dollars in grants, trained librarians and staff, and conducted programming. ","From 1977 to 1980, Library-In-Action staff canvassed neighborhoods and offered library resources to the Collier City community before the Collier City Library was built. The LIA's Homework Assistance program bussed children from elementary schools to the Collier City Library, where they received help with their homework and school projects, graduating more than 200 students in its early years. ","The LIA project also involved a Bookmobile and a Footmobile service - where staff went door-to-door promoting libraries and delivering books. Other notable programs included speakers such as Alex Haley (author of \"Roots\") in 1980, Elton Fox, and Tom Feelings. The Black Heritage program educated children on Africa, and an African hut was constructed in the Von D. Mizell Library as part of the programming.","LIA Director Tyrone Bryant coined the name \"Library-In-Action\". Tyrone Bryant (1942-1988) was a graduate of Florida Agriculture and Mechanical University. Prior to his directorship at the Langston Hughes Library he was the director of the Committee for the Corona-East Elmhurst Community Corp, where he began working in 1967. The Committee's activism ultimately formed the Langston Hughes Cultural Center and Library in the Corona neighborhood in New York City. Tyrone Bryant became the first Director of the Langston Hughes Library which opened April 26, 1969 and served the needs of inner-city residents. Bryant moved to Fort Lauderdale in 1975 to become the LIA Director. The many programs conducted during the BCL LIA project originated from Tyrone Byrant's experience with programs at the Langston Hughes Library, such as the Homework Assistance Program. In 1983 Bryant was named Assistant Director of the Broward County Library system in charge of Special Services while also retaining his position as Project Director of LIA. Bryant also served as the chairman of the Sistrunk Historical Festival from 1983 until 1988. He married Claudia Wright in 1986. Tyrone Bryant died on February 24, 1988 at age 45. The Rock Island Library was rededicated in his honor on April 20, 1988 as the Tyrone Bryant Library Branch.","The 1980 Sistrunk Historical Festival saw the dedication of the Von D. Mizell Center which housed the Von D. Mizell Branch Library.","The LIA program collaborated with the City of Fort Lauderdale to create the Sistrunk Historical Festival in 1979, celebrating the county's black pioneers. The festival began as a two-day event to initiate economic redevelopment and held programming on African American culture, and under Bryant's chairmanship grew to a month-long event drawing over 100,000 people by 1988."],"prefercite_html_tesm":["\u003cp\u003eLibrary-In-Action Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Library-In-Action Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.lyrasistechnology.org/repositories/2/resources/185\" target=\"_blank\"\u003eVon D. Mizell Library Collection\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Von D. Mizell Library Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Library-In-Action Collection documents the Library-In-Action initiative started by the Broward County Library in 1975 to address literacy and access in underserved communities. The collection also documents the career of Tyrone Bryant from his tenure at the Langston Hughes Library through his directorship at Library-In-Action, as well as the Sistrunk Historical Festival.\u003c/p\u003e\n","\u003cp\u003eMaterials in the collection consist of correspondence, budgets, meeting minutes, staff files, grants, reports, photographs, slides, programs, newspaper clippings, newsletters, press releases, certificates, proclamations, audio-visual materials, and objects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Library-In-Action Collection documents the Library-In-Action initiative started by the Broward County Library in 1975 to address literacy and access in underserved communities. The collection also documents the career of Tyrone Bryant from his tenure at the Langston Hughes Library through his directorship at Library-In-Action, as well as the Sistrunk Historical Festival.","Materials in the collection consist of correspondence, budgets, meeting minutes, staff files, grants, reports, photographs, slides, programs, newspaper clippings, newsletters, press releases, certificates, proclamations, audio-visual materials, and objects."],"names_coll_ssim":["Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)","Bryant, Tyrone, 1942-1988"],"names_ssim":["AARLCC Special Collections","Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)","Bryant, Tyrone, 1942-1988"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","Langston Hughes Community Library and Cultural Center. 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Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","ref_ssm":["aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14"],"id":"236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","title_filing_ssi":"Art","title_ssm":["Art"],"title_tesim":["Art"],"unitdate_inclusive_ssm":["1921"],"normalized_date_ssm":["1921"],"normalized_title_ssm":["Art, 1921"],"text":["Art, 1921","Joy Postle papers, 1910-2015","/repositories/4/archival_objects/87631","/repositories/4/archival_objects/91128","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals."],"component_level_isim":[1],"parent_ids_ssim":["236a3c88b766327883b2e155"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/87631","/repositories/4/archival_objects/91128"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1921],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals."],"_nest_path_":"/components#0","_nest_parent_":"236a3c88b766327883b2e155","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14"}},{"id":"f927b9df25ec0aef2ec17101_aspace_17b7973dd7c79a8501fd32f32a7c4a66","type":"Series","attributes":{"title":"Art and Posters","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_17b7973dd7c79a8501fd32f32a7c4a66#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17b7973dd7c79a8501fd32f32a7c4a66","ref_ssm":["aspace_17b7973dd7c79a8501fd32f32a7c4a66","aspace_17b7973dd7c79a8501fd32f32a7c4a66"],"id":"f927b9df25ec0aef2ec17101_aspace_17b7973dd7c79a8501fd32f32a7c4a66","title_filing_ssi":"Art and Posters","title_ssm":["Art and Posters"],"title_tesim":["Art and Posters"],"normalized_title_ssm":["Art and Posters"],"text":["Art and Posters","Ramiro Casañas Collection, 1805-2006","/repositories/2/archival_objects/83027"],"component_level_isim":[1],"parent_ids_ssim":["f927b9df25ec0aef2ec17101"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/83027"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"_nest_path_":"/components#0","_nest_parent_":"f927b9df25ec0aef2ec17101","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9026","/repositories/2/resources/123"],"normalized_date_ssm":["1805-2006"],"normalized_title_ssm":["Ramiro Casañas Collection, 1805-2006"],"collection_title_tesim":["Ramiro Casañas Collection, 1805-2006"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["69 boxes"],"extent_tesim":["69 boxes"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":966,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844517756698624,"_root_":"f927b9df25ec0aef2ec17101","timestamp":"2026-07-16T04:32:46.553Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_17b7973dd7c79a8501fd32f32a7c4a66"}},{"id":"0ad6384b9806d93261051d72_aspace_002db732c30be0ea8ffb206d97dbcdf8","type":"Series","attributes":{"title":"Art Exhibit","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0ad6384b9806d93261051d72_aspace_002db732c30be0ea8ffb206d97dbcdf8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_002db732c30be0ea8ffb206d97dbcdf8","ref_ssm":["aspace_002db732c30be0ea8ffb206d97dbcdf8","aspace_002db732c30be0ea8ffb206d97dbcdf8"],"id":"0ad6384b9806d93261051d72_aspace_002db732c30be0ea8ffb206d97dbcdf8","title_filing_ssi":"Art Exhibit","title_ssm":["Art Exhibit"],"title_tesim":["Art Exhibit"],"normalized_title_ssm":["Art Exhibit"],"text":["Art Exhibit","Distinguished Visitors, 1940-2020","/repositories/4/archival_objects/24166","box 1"],"component_level_isim":[1],"parent_ids_ssim":["0ad6384b9806d93261051d72"],"parent_unittitles_ssm":["Distinguished Visitors, 1940-2020"],"parent_unittitles_tesim":["Distinguished Visitors, 1940-2020"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/24166"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Distinguished Visitors, 1940-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research. 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","Please inquire if you have questions - archives@flsouthern.edu"],"containers_ssim":["box 1"],"_nest_path_":"/components#0","_nest_parent_":"0ad6384b9806d93261051d72","_root_":"0ad6384b9806d93261051d72","_version_":1870846305667907584,"timestamp":"2026-07-16T05:01:11.658Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0ad6384b9806d93261051d72","title_ssm":["Distinguished Visitors"],"title_tesim":["Distinguished Visitors"],"ead_ssi":"0ad6384b9806d93261051d72","unitdate_ssm":["1940-2020"],"unitdate_inclusive_ssm":["1940-2020"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA9050","/repositories/4/resources/123"],"text":["CA9050","/repositories/4/resources/123","Distinguished Visitors, 1940-2020","Universities and colleges--Florida--Lakeland--History.","College speakers--Florida--Lakeland--Archives.","Performing arts--Florida--Lakeland--History.","Art--Exhibitions--Florida--Lakeland--History. ","College students--Social life and customs--Florida--Lakeland--History. ","Florida Southern College--History.","Florida Southern College","Florida Southern College--Student life","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","Materials are arranged in series. Series headings are as follows: Art Exhibit; Convocation Speaker; Diamond Jubilee Guest; Honorary Alum; Lecture; Music Performance; Poetry Reading; and Speaker. Individual files are alphabetical by last name of guest.","Some of the most rewarding education happens outside of the classroom. Students and other members of the college community gain a better understanding of the world around them by meeting or listening to folks from a wide range of backgrounds, beliefs, and life experiences. Over the years, Florida Southern College has welcomed distinguished guests who, either through a talk or lecture, performance, or interaction with students and faculty, have contributed to the enhancement of the cultural and intellectual life of the college.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","The materials in this record group contain correspondence, photos, documents, and ephemera related to distinguished guests of the college who do not fall into the categories of Founders Day speaker or Honorary Chancellor, or who were not here as part of a larger program, such as the Festival of Fine Arts.","This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA9050","/repositories/4/resources/123"],"normalized_date_ssm":["1940-2020"],"normalized_title_ssm":["Distinguished Visitors, 1940-2020"],"collection_title_tesim":["Distinguished Visitors, 1940-2020"],"collection_ssim":["Distinguished Visitors, 1940-2020"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"geogname_ssm":["Universities and colleges--Florida--Lakeland--History.","College speakers--Florida--Lakeland--Archives.","Performing arts--Florida--Lakeland--History.","Art--Exhibitions--Florida--Lakeland--History. ","College students--Social life and customs--Florida--Lakeland--History. "],"geogname_ssim":["Universities and colleges--Florida--Lakeland--History.","College speakers--Florida--Lakeland--Archives.","Performing arts--Florida--Lakeland--History.","Art--Exhibitions--Florida--Lakeland--History. ","College students--Social life and customs--Florida--Lakeland--History. "],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"places_ssim":["Universities and colleges--Florida--Lakeland--History.","College speakers--Florida--Lakeland--Archives.","Performing arts--Florida--Lakeland--History.","Art--Exhibitions--Florida--Lakeland--History. ","College students--Social life and customs--Florida--Lakeland--History. "],"access_terms_ssm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["Florida Southern College--History.","Florida Southern College","Florida Southern College--Student life"],"access_subjects_ssm":["Florida Southern College--History.","Florida Southern College","Florida Southern College--Student life"],"has_online_content_ssim":["false"],"extent_ssm":[".83 Linear Feet 2 Five Inch Legal Standard Archival Containers"],"extent_tesim":[".83 Linear Feet 2 Five Inch Legal Standard Archival Containers"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged in series. Series headings are as follows: Art Exhibit; Convocation Speaker; Diamond Jubilee Guest; Honorary Alum; Lecture; Music Performance; Poetry Reading; and Speaker. Individual files are alphabetical by last name of guest.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged in series. Series headings are as follows: Art Exhibit; Convocation Speaker; Diamond Jubilee Guest; Honorary Alum; Lecture; Music Performance; Poetry Reading; and Speaker. Individual files are alphabetical by last name of guest."],"bioghist_html_tesm":["\u003cp\u003eSome of the most rewarding education happens outside of the classroom. Students and other members of the college community gain a better understanding of the world around them by meeting or listening to folks from a wide range of backgrounds, beliefs, and life experiences. Over the years, Florida Southern College has welcomed distinguished guests who, either through a talk or lecture, performance, or interaction with students and faculty, have contributed to the enhancement of the cultural and intellectual life of the college.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Some of the most rewarding education happens outside of the classroom. Students and other members of the college community gain a better understanding of the world around them by meeting or listening to folks from a wide range of backgrounds, beliefs, and life experiences. Over the years, Florida Southern College has welcomed distinguished guests who, either through a talk or lecture, performance, or interaction with students and faculty, have contributed to the enhancement of the cultural and intellectual life of the college."],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this record group contain correspondence, photos, documents, and ephemera related to distinguished guests of the college who do not fall into the categories of Founders Day speaker or Honorary Chancellor, or who were not here as part of a larger program, such as the Festival of Fine Arts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this record group contain correspondence, photos, documents, and ephemera related to distinguished guests of the college who do not fall into the categories of Founders Day speaker or Honorary Chancellor, or who were not here as part of a larger program, such as the Festival of Fine Arts."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). \u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":102,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846305667907584,"_root_":"0ad6384b9806d93261051d72","timestamp":"2026-07-16T05:01:11.658Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0ad6384b9806d93261051d72_aspace_002db732c30be0ea8ffb206d97dbcdf8"}},{"id":"6687dfa98fbe0404fe8ae3ff_aspace_3ae85fab8ecea0952698d4e50f4b9211","type":"Series","attributes":{"title":"Art Gallery Events, 2009 -","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6687dfa98fbe0404fe8ae3ff_aspace_3ae85fab8ecea0952698d4e50f4b9211#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3ae85fab8ecea0952698d4e50f4b9211","ref_ssm":["aspace_3ae85fab8ecea0952698d4e50f4b9211","aspace_3ae85fab8ecea0952698d4e50f4b9211"],"id":"6687dfa98fbe0404fe8ae3ff_aspace_3ae85fab8ecea0952698d4e50f4b9211","title_filing_ssi":"Art Gallery Events","title_ssm":["Art Gallery Events"],"title_tesim":["Art Gallery Events"],"unitdate_inclusive_ssm":["2009 -"],"normalized_date_ssm":["2009 -"],"normalized_title_ssm":["Art Gallery Events, 2009 -"],"text":["Art Gallery Events, 2009 -","Alumni Association, 2001-2021","/repositories/3/archival_objects/33531","FGCU Alumni Association"],"component_level_isim":[1],"parent_ids_ssim":["6687dfa98fbe0404fe8ae3ff"],"parent_unittitles_ssm":["Alumni Association, 2001-2021"],"parent_unittitles_tesim":["Alumni Association, 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Association"],"ead_ssi":"6687dfa98fbe0404fe8ae3ff","unitdate_ssm":["2001-2021"],"unitdate_inclusive_ssm":["2001-2021"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.04.02","/repositories/3/resources/78"],"text":["01.04.02","/repositories/3/resources/78","Alumni Association, 2001-2021","FGCU Alumni Association","The collection is open for research.","This collection contains primarily consists promotional materials and documents related to founding of FGCU's Alumni Association.","Florida Gulf Coast University Archives","Navarro, Priscila, DMA","English"],"unitid_tesim":["01.04.02","/repositories/3/resources/78"],"normalized_date_ssm":["2001-2021"],"normalized_title_ssm":["Alumni Association, 2001-2021"],"collection_title_tesim":["Alumni Association, 2001-2021"],"collection_ssim":["Alumni Association, 2001-2021"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"access_subjects_ssim":["FGCU Alumni Association"],"access_subjects_ssm":["FGCU Alumni Association"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet","93.01 Gigabytes"],"extent_tesim":["1 Linear Feet","93.01 Gigabytes"],"date_range_isim":[2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains primarily consists promotional materials and documents related to founding of FGCU's Alumni Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains primarily consists promotional materials and documents related to founding of FGCU's Alumni Association."],"names_ssim":["Florida Gulf Coast University Archives","Navarro, Priscila, DMA"],"corpname_ssim":["Florida Gulf Coast University Archives"],"persname_ssim":["Navarro, Priscila, DMA"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":159,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842623084724224,"_root_":"6687dfa98fbe0404fe8ae3ff","timestamp":"2026-07-16T04:02:39.672Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6687dfa98fbe0404fe8ae3ff_aspace_3ae85fab8ecea0952698d4e50f4b9211"}},{"id":"3cc68fd9754bfe94a966d6c2_aspace_d345794ace6f845f5279d70a97207e9a","type":"Series","attributes":{"title":"Art Hartman, bulk 1943-1946","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3cc68fd9754bfe94a966d6c2_aspace_d345794ace6f845f5279d70a97207e9a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d345794ace6f845f5279d70a97207e9a","ref_ssm":["aspace_d345794ace6f845f5279d70a97207e9a","aspace_d345794ace6f845f5279d70a97207e9a"],"id":"3cc68fd9754bfe94a966d6c2_aspace_d345794ace6f845f5279d70a97207e9a","title_filing_ssi":"Art Hartman","title_ssm":["Art Hartman"],"title_tesim":["Art Hartman"],"unitdate_bulk_ssim":["1943-1946"],"normalized_date_ssm":["bulk 1943-1946"],"normalized_title_ssm":["Art Hartman, bulk 1943-1946"],"text":["Art Hartman, bulk 1943-1946","Virginia Huber World War II Letters, 1943-1946","/repositories/2/archival_objects/67223","box 1","folder Unknown"],"component_level_isim":[1],"parent_ids_ssim":["3cc68fd9754bfe94a966d6c2"],"parent_unittitles_ssm":["Virginia Huber World War II Letters, 1943-1946"],"parent_unittitles_tesim":["Virginia Huber World War II Letters, 1943-1946"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/67223"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Virginia Huber World War II Letters, 1943-1946"],"has_online_content_ssim":["false"],"child_component_count_isi":19,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":46,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"date_range_isim":[1943,1944,1945,1946],"containers_ssim":["box 1","folder Unknown"],"_nest_path_":"/components#2","_nest_parent_":"3cc68fd9754bfe94a966d6c2","_root_":"3cc68fd9754bfe94a966d6c2","timestamp":"2026-04-21T17:28:47.357Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3cc68fd9754bfe94a966d6c2","title_ssm":["Virginia Huber World War II Letters"],"title_tesim":["Virginia Huber World War II Letters"],"ead_ssi":"3cc68fd9754bfe94a966d6c2","unitdate_ssm":["1943-1946"],"unitdate_inclusive_ssm":["1943-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00042","/repositories/2/resources/177"],"text":["SPC00042","/repositories/2/resources/177","Virginia Huber World War II Letters, 1943-1946","World War, 1939-1945"," Correspondence","Personal Narratives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less","This collection contains the correspondence of Virginia Huber (1927 – 2014) to and from six servicemen from the vicinity of her hometown in Forrest, Illinois during World War II.  The correspondence was carefully collected, arranged, and preserved by Virginia who was a senior in high school when she began writing to several of these young men. Virginia's letters to the servicemen were originally handwritten but she carefully typed and preserved a copy on onion skin paper which she housed in brown folders with each man's name, rank, and location.\nAfter graduating from high school, Virginia held the position of secretary to the Traffic Manager at Honnegers' Feeds located in Fairbury, Illinois. She was active in her local church and community, which she writes about in her letters. Because Virginia and the servicemen were united by geographic location, the letters represent a wide range of American military experience during World War II. The six men include: Norman Funk, a Naval airman from Roanoke, Illinois stationed in Jacksonville, FL; Roy Funk, an Army serviceman from Gridley, Illinois stationed in Camp Crowder and Camp Polk; Art Hartman, an Army serviceman from Strawn, Illinois stationed in Camp Lee, Virginia; Raymond Johnson, a Naval serviceman from Illinois; Howard Sauder, an Army sergeant from Roanoke, Illinois stationed in Aleutian Islands; Albert Steffen, a Naval serviceman from Elgin, Illinois stationed in Okinawa. This collection is remarkable for its inclusion of letters by Virginia, providing a complete picture of the correspondence between this woman and the soldiers of World War II.","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00042","/repositories/2/resources/177"],"normalized_date_ssm":["1943-1946"],"normalized_title_ssm":["Virginia Huber World War II Letters, 1943-1946"],"collection_title_tesim":["Virginia Huber World War II Letters, 1943-1946"],"collection_ssim":["Virginia Huber World War II Letters, 1943-1946"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_subjects_ssim":["World War, 1939-1945"," Correspondence","Personal Narratives"],"access_subjects_ssm":["World War, 1939-1945"," Correspondence","Personal Narratives"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"genreform_ssim":["Personal Narratives"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the correspondence of Virginia Huber (1927 \u0026#x2013; 2014) to and from six servicemen from the vicinity of her hometown in Forrest, Illinois during World War II.  The correspondence was carefully collected, arranged, and preserved by Virginia who was a senior in high school when she began writing to several of these young men. Virginia's letters to the servicemen were originally handwritten but she carefully typed and preserved a copy on onion skin paper which she housed in brown folders with each man's name, rank, and location.\nAfter graduating from high school, Virginia held the position of secretary to the Traffic Manager at Honnegers' Feeds located in Fairbury, Illinois. She was active in her local church and community, which she writes about in her letters. Because Virginia and the servicemen were united by geographic location, the letters represent a wide range of American military experience during World War II. The six men include: Norman Funk, a Naval airman from Roanoke, Illinois stationed in Jacksonville, FL; Roy Funk, an Army serviceman from Gridley, Illinois stationed in Camp Crowder and Camp Polk; Art Hartman, an Army serviceman from Strawn, Illinois stationed in Camp Lee, Virginia; Raymond Johnson, a Naval serviceman from Illinois; Howard Sauder, an Army sergeant from Roanoke, Illinois stationed in Aleutian Islands; Albert Steffen, a Naval serviceman from Elgin, Illinois stationed in Okinawa. This collection is remarkable for its inclusion of letters by Virginia, providing a complete picture of the correspondence between this woman and the soldiers of World War II.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the correspondence of Virginia Huber (1927 – 2014) to and from six servicemen from the vicinity of her hometown in Forrest, Illinois during World War II.  The correspondence was carefully collected, arranged, and preserved by Virginia who was a senior in high school when she began writing to several of these young men. Virginia's letters to the servicemen were originally handwritten but she carefully typed and preserved a copy on onion skin paper which she housed in brown folders with each man's name, rank, and location.\nAfter graduating from high school, Virginia held the position of secretary to the Traffic Manager at Honnegers' Feeds located in Fairbury, Illinois. She was active in her local church and community, which she writes about in her letters. Because Virginia and the servicemen were united by geographic location, the letters represent a wide range of American military experience during World War II. The six men include: Norman Funk, a Naval airman from Roanoke, Illinois stationed in Jacksonville, FL; Roy Funk, an Army serviceman from Gridley, Illinois stationed in Camp Crowder and Camp Polk; Art Hartman, an Army serviceman from Strawn, Illinois stationed in Camp Lee, Virginia; Raymond Johnson, a Naval serviceman from Illinois; Howard Sauder, an Army sergeant from Roanoke, Illinois stationed in Aleutian Islands; Albert Steffen, a Naval serviceman from Elgin, Illinois stationed in Okinawa. 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Users may access this collection at the Claude Pepper Library. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright in materials created by William S. Burroughs is managed by the Wylie Agency. https://www.wylieagency.com/permissions.html"],"_nest_path_":"/components#5","_nest_parent_":"ffe4b984238f20fad726becb","_root_":"ffe4b984238f20fad726becb","_version_":1871037854284513280,"timestamp":"2026-07-18T07:45:46.645Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ffe4b984238f20fad726becb","title_ssm":["Francois Bucher Papers"],"title_tesim":["Francois Bucher Papers"],"ead_ssi":"ffe4b984238f20fad726becb","unitdate_ssm":["1300, 1565, 1880-1996","Date acquired: 00/00/2014"],"unitdate_other_ssim":["1300, 1565, 1880-1996","Date acquired: 00/00/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2015-010","/repositories/10/resources/1173"],"text":["MSS 2015-010","/repositories/10/resources/1173","Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014","Architecture","Correspondence","Manuscripts","Photographs","This collection is open to all researchers. Users may access this collection at the Claude Pepper Library. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Professional and personal papers of Francois Bucher (1927-1999), professor of Art History (1978-1996), including correspondence, instructional materials, artwork, research materials, and scholarly works. Significant correspondents include William S. Burroughs, Brion Gysin, Paul Sharits, and Kurt Vonnegut. The collection includes works by Sinclair Beiles, Bucher and Burroughs.  Subjects include Bucher's academic career at University of Minnesota, Yale University, Brown University, State University of New York-Binghamton, and Florida State University; Junction B and the Nautilus Foundation in Lloyd, Florida; and Bucher's novel  Ein Strahlendes End  ( A Small Accident ).","Copyright in materials created by William S. Burroughs is managed by the Wylie Agency.  https://www.wylieagency.com/permissions.html","FSU Special Collections \u0026 Archives","Bucher, Francois","Burroughs, William S.","Burroughs, William S., 1914-1997","Sharits, Paul","Rilke, Rainer Maria, 1875-1926","Gysin, Brion","Beiles, Sinclair, 1930-2000","English"],"unitid_tesim":["MSS 2015-010","/repositories/10/resources/1173"],"normalized_date_ssm":["1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"normalized_title_ssm":["Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"collection_title_tesim":["Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"collection_ssim":["Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Bucher, Francois","Burroughs, William S."],"creator_ssim":["Bucher, Francois","Burroughs, William S."],"creator_persname_ssim":["Bucher, Francois","Burroughs, William S."],"creators_ssim":["Bucher, Francois","Burroughs, William S."],"access_terms_ssm":["Copyright in materials created by William S. Burroughs is managed by the Wylie Agency.  https://www.wylieagency.com/permissions.html"],"acqinfo_ssim":["FSU Department of English","Donation. Accruals from Fiona Hollier, 2014, and from FSU Art History Department, March 20, 2017."],"access_subjects_ssim":["Architecture","Correspondence","Manuscripts","Photographs"],"access_subjects_ssm":["Architecture","Correspondence","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["9.75 Linear Feet"],"extent_tesim":["9.75 Linear Feet"],"genreform_ssim":["Correspondence","Manuscripts","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection at the Claude Pepper Library. \u003c/p\u003e\n","\u003cp\u003ePortions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection at the Claude Pepper Library. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eFrancois Bucher Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2015-010\"\u003ehttp://purl.fcla.edu/fsu/MSS_2015-010\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Francois Bucher Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2015-010"],"scopecontent_html_tesm":["\u003cp\u003eProfessional and personal papers of Francois Bucher (1927-1999), professor of Art History (1978-1996), including correspondence, instructional materials, artwork, research materials, and scholarly works. Significant correspondents include William S. Burroughs, Brion Gysin, Paul Sharits, and Kurt Vonnegut. The collection includes works by Sinclair Beiles, Bucher and Burroughs.  Subjects include Bucher's academic career at University of Minnesota, Yale University, Brown University, State University of New York-Binghamton, and Florida State University; Junction B and the Nautilus Foundation in Lloyd, Florida; and Bucher's novel \u003cemph render=\"italic\"\u003eEin Strahlendes End\u003c/emph\u003e (\u003cemph render=\"italic\"\u003eA Small Accident\u003c/emph\u003e).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Professional and personal papers of Francois Bucher (1927-1999), professor of Art History (1978-1996), including correspondence, instructional materials, artwork, research materials, and scholarly works. Significant correspondents include William S. Burroughs, Brion Gysin, Paul Sharits, and Kurt Vonnegut. The collection includes works by Sinclair Beiles, Bucher and Burroughs.  Subjects include Bucher's academic career at University of Minnesota, Yale University, Brown University, State University of New York-Binghamton, and Florida State University; Junction B and the Nautilus Foundation in Lloyd, Florida; and Bucher's novel  Ein Strahlendes End  ( A Small Accident )."],"userestrict_html_tesm":["\u003cp\u003eCopyright in materials created by William S. Burroughs is managed by the Wylie Agency. \u003cextref href=\"https://www.wylieagency.com/permissions.html\"\u003ehttps://www.wylieagency.com/permissions.html\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright in materials created by William S. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \"fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#2","_nest_parent_":"1aded63055ea5256d98fec72","_root_":"1aded63055ea5256d98fec72","_version_":1870841967001206784,"timestamp":"2026-07-16T03:52:13.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1aded63055ea5256d98fec72","title_ssm":["Jaffe Family Archives"],"title_tesim":["Jaffe Family Archives"],"ead_ssi":"1aded63055ea5256d98fec72","unitdate_ssm":["1881-2012","1940-2012"],"unitdate_bulk_ssim":["1940-2012"],"unitdate_inclusive_ssm":["1881-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["JCBA0003","/repositories/2/resources/36"],"text":["JCBA0003","/repositories/2/resources/36","Jaffe Family Archives, 1881-2012, bulk 1940-2012","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Chronological","Arthur H. Jaffe was born and raised in Butler, Pennsylvania and graduated from Pennsylvania State University with a B.A. degree in Classical Studies. Arthur Jaffe has had several distinguished careers. From 1942-1946 he served in World War II as an Army captain in charge of a military intelligence unit. Following WWII, Mr. Jaffe went to Palestine, where he studied at the Hebrew University in Jerusalem. While there he began working as a Haganah officer, gathering information which was helpful in the formation of the new state of Israel. Mr. Jaffe then had a successful 30-year career as a partner in the family owned business, the House of Jaffe, a chain of department stores in western Pennsylvania, Ohio, and Michigan. After the death of his first wife, Lois, Jaffe moved to Pittsburgh where he began a new career as Director of Planning and Development for the Carnegie Institute. He soon became involved in fund-raising in the Jewish community of Pittsburgh, where his success brought him to the attention of the Jewish Community Foundation of South Palm Beach County.  In 1984, he and second wife Mata moved to Boca Raton where Arthur served as Founding Director of the Jewish Community Foundation of South Palm Beach County.","In 1998, Arthur and Mata established the Jaffe Center for the Book Arts at Florida Atlantic University (FAU). The Jaffe Collection has grown to include over 12,000 titles and is one of the largest and most varied of its kind in the United States. Arthur Jaffe was awarded an Honorary Doctorate of Humane Letters from FAU in 2011.","This finding aid documents the life and significant contributions of Arthur H. Jaffe.  It also includes information about his parents, five siblings, and two wives: Lois Silverstein and Mata Barack Loevner. The papers are organized by Arthur Jaffe's places of residence and then as much as possible chronologically.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \"fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Any subsequent use of a reproduction in excess of \"fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["33.00 Linear Feet"],"extent_tesim":["33.00 Linear Feet"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eArthur H. Jaffe was born and raised in Butler, Pennsylvania and graduated from Pennsylvania State University with a B.A. degree in Classical Studies. Arthur Jaffe has had several distinguished careers. From 1942-1946 he served in World War II as an Army captain in charge of a military intelligence unit. Following WWII, Mr. Jaffe went to Palestine, where he studied at the Hebrew University in Jerusalem. While there he began working as a Haganah officer, gathering information which was helpful in the formation of the new state of Israel. Mr. Jaffe then had a successful 30-year career as a partner in the family owned business, the House of Jaffe, a chain of department stores in western Pennsylvania, Ohio, and Michigan. After the death of his first wife, Lois, Jaffe moved to Pittsburgh where he began a new career as Director of Planning and Development for the Carnegie Institute. He soon became involved in fund-raising in the Jewish community of Pittsburgh, where his success brought him to the attention of the Jewish Community Foundation of South Palm Beach County.  In 1984, he and second wife Mata moved to Boca Raton where Arthur served as Founding Director of the Jewish Community Foundation of South Palm Beach County.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Arthur and Mata established the Jaffe Center for the Book Arts at Florida Atlantic University (FAU). The Jaffe Collection has grown to include over 12,000 titles and is one of the largest and most varied of its kind in the United States. Arthur Jaffe was awarded an Honorary Doctorate of Humane Letters from FAU in 2011.\u003c/p\u003e\n","\u003cp\u003eThis finding aid documents the life and significant contributions of Arthur H. Jaffe.  It also includes information about his parents, five siblings, and two wives: Lois Silverstein and Mata Barack Loevner. The papers are organized by Arthur Jaffe's places of residence and then as much as possible chronologically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Arthur H. Jaffe was born and raised in Butler, Pennsylvania and graduated from Pennsylvania State University with a B.A. degree in Classical Studies. Arthur Jaffe has had several distinguished careers. From 1942-1946 he served in World War II as an Army captain in charge of a military intelligence unit. Following WWII, Mr. Jaffe went to Palestine, where he studied at the Hebrew University in Jerusalem. While there he began working as a Haganah officer, gathering information which was helpful in the formation of the new state of Israel. Mr. Jaffe then had a successful 30-year career as a partner in the family owned business, the House of Jaffe, a chain of department stores in western Pennsylvania, Ohio, and Michigan. After the death of his first wife, Lois, Jaffe moved to Pittsburgh where he began a new career as Director of Planning and Development for the Carnegie Institute. He soon became involved in fund-raising in the Jewish community of Pittsburgh, where his success brought him to the attention of the Jewish Community Foundation of South Palm Beach County.  In 1984, he and second wife Mata moved to Boca Raton where Arthur served as Founding Director of the Jewish Community Foundation of South Palm Beach County.","In 1998, Arthur and Mata established the Jaffe Center for the Book Arts at Florida Atlantic University (FAU). The Jaffe Collection has grown to include over 12,000 titles and is one of the largest and most varied of its kind in the United States. Arthur Jaffe was awarded an Honorary Doctorate of Humane Letters from FAU in 2011.","This finding aid documents the life and significant contributions of Arthur H. Jaffe.  It also includes information about his parents, five siblings, and two wives: Lois Silverstein and Mata Barack Loevner. The papers are organized by Arthur Jaffe's places of residence and then as much as possible chronologically."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \"fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \"fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":541,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841967001206784,"_root_":"1aded63055ea5256d98fec72","timestamp":"2026-07-16T03:52:13.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1aded63055ea5256d98fec72_aspace_87682"}},{"id":"bc3b405ad7bffa4e6aa102a4_aspace_156196","type":"Series","attributes":{"title":"Arthur Tress","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4_aspace_156196#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_156196","ref_ssm":["aspace_156196","aspace_156196"],"id":"bc3b405ad7bffa4e6aa102a4_aspace_156196","title_filing_ssi":"Arthur Tress","title_ssm":["Arthur Tress"],"title_tesim":["Arthur Tress"],"normalized_title_ssm":["Arthur Tress"],"text":["Arthur Tress","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Photographs","Asians II, Pt. 2","4","/repositories/2/archival_objects/31081"],"component_level_isim":[3],"parent_ids_ssim":["bc3b405ad7bffa4e6aa102a4","bc3b405ad7bffa4e6aa102a4_aspace_155937","bc3b405ad7bffa4e6aa102a4_aspace_158812"],"parent_unittitles_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Photographs","Asians II, Pt. 2"],"parent_unittitles_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Photographs","Asians II, Pt. 2"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["4","/repositories/2/archival_objects/31081"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1293,"parent_access_restrict_tesm":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#5/components#3/components#3","_nest_parent_":"bc3b405ad7bffa4e6aa102a4_aspace_158812","_root_":"bc3b405ad7bffa4e6aa102a4","_version_":1876026433506115584,"timestamp":"2026-09-11T09:17:06.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bc3b405ad7bffa4e6aa102a4","title_ssm":["Asian male nude collection"],"title_tesim":["Asian male nude collection"],"ead_ssi":"bc3b405ad7bffa4e6aa102a4","unitdate_ssm":["1939-2014","Date acquired: 07/00/2013"],"unitdate_inclusive_ssm":["1939-2014"],"unitdate_other_ssim":["Date acquired: 07/00/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-01","/repositories/2/resources/199"],"text":["MS-2013-01","/repositories/2/resources/199","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies","Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.","Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.","USF Libraries - Tampa Special Collections","Anonymous","English"],"unitid_tesim":["MS-2013-01","/repositories/2/resources/199"],"normalized_date_ssm":["1939-2014, Date acquired: 07/00/2013"],"normalized_title_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_title_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anonymous"],"creator_ssim":["Anonymous"],"creator_persname_ssim":["Anonymous"],"creators_ssim":["Anonymous"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Anonymous","Donation"],"access_subjects_ssim":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"access_subjects_ssm":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["29.04 Linear Feet","67 boxes"],"extent_tesim":["29.04 Linear Feet","67 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eAge Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject."],"prefercite_html_tesm":["\u003cp\u003eAsian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Asian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eGay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  \u003c/p\u003e\n","\u003cp\u003eLGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6664ca4341de9df58678563f11c3afcb\" label=\"Abstract\"\u003eA collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.\u003c/abstract\u003e"],"abstract_tesim":["A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude."],"names_ssim":["USF Libraries - Tampa Special Collections","Anonymous"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Anonymous"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876026433506115584,"_root_":"bc3b405ad7bffa4e6aa102a4","timestamp":"2026-09-11T09:17:06.437Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4_aspace_156196"}},{"id":"0200b663aed4c94cd11405fb_aspace_c47b99229416aef593b536eda3d8ceef","type":"Series","attributes":{"title":"Article: \"Dr. James Hall (1760-1837)\" in The Journal of the Florida Medical Association, 1973-1974","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0200b663aed4c94cd11405fb_aspace_c47b99229416aef593b536eda3d8ceef#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c47b99229416aef593b536eda3d8ceef","ref_ssm":["aspace_c47b99229416aef593b536eda3d8ceef","aspace_c47b99229416aef593b536eda3d8ceef"],"id":"0200b663aed4c94cd11405fb_aspace_c47b99229416aef593b536eda3d8ceef","title_filing_ssi":"Article: \"Dr. James Hall (1760-1837)\" in The Journal of the Florida Medical Association \n","title_ssm":["Article: \"Dr. James Hall (1760-1837)\" in The Journal of the Florida Medical Association \n"],"title_tesim":["Article: \"Dr. James Hall (1760-1837)\" in The Journal of the Florida Medical Association \n"],"unitdate_inclusive_ssm":["1973-1974"],"normalized_date_ssm":["1973-1974"],"normalized_title_ssm":["Article: \"Dr. James Hall (1760-1837)\" in The Journal of the Florida Medical Association, 1973-1974"],"text":["Article: \"Dr. James Hall (1760-1837)\" in The Journal of the Florida Medical Association, 1973-1974","Dr. James Hall Collection, 1972-1984","/repositories/3/archival_objects/10684","box 1","box 1"],"component_level_isim":[1],"parent_ids_ssim":["0200b663aed4c94cd11405fb"],"parent_unittitles_ssm":["Dr. James Hall Collection, 1972-1984"],"parent_unittitles_tesim":["Dr. James Hall Collection, 1972-1984"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/10684"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. James Hall Collection, 1972-1984"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1973,1974],"containers_ssim":["box 1","box 1"],"_nest_path_":"/components#0","_nest_parent_":"0200b663aed4c94cd11405fb","_root_":"0200b663aed4c94cd11405fb","timestamp":"2026-04-21T03:30:49.837Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0200b663aed4c94cd11405fb","title_ssm":["Dr. James Hall Collection"],"title_tesim":["Dr. James Hall Collection"],"ead_ssi":"0200b663aed4c94cd11405fb","unitdate_ssm":["1972-1984"],"unitdate_inclusive_ssm":["1972-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2003.004","/repositories/3/resources/92"],"text":["2003.004","/repositories/3/resources/92","Dr. James Hall Collection, 1972-1984","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Dr. James Hall was the first known physician to practice in Duval County, Florida, and the first physician to practice in Florida following its annexation from Spain by the United States. Prior to this period, there were a number of physicians, mainly associated with the military, during the Spanish and British occupations of Florida.","James Hall was born October 8, 1760, in Keene, New Hampshire. After enlisting as a teenager with the Continental Army during the Revolutionary War, he fought to the end in Yorktown in 1781. The next known record reveals he received a Spanish land grant in East Florida in 1790 and settled near Cow Ford (now Jacksonville), Florida. His medical education is not known, but he played an active role in both medical and community affairs in the region and accumulated large parcels of land via grants and through his marriage to Eleanor Pritchard.","In 1810, for his participation in the Florida-Georgia Rebellion, Hall was exiled from East Florida by the Spanish and retreated to St. Marys, Georgia. He returned to Florida in 1813, and continued to practice medicine until his death at LaGrange, East Florida (now Mandarin, Florida) on December 25, 1837.","His grave, located on Scott Mill Road in Mandarin, Florida, is the only one in Duval County positively identified as that of a Revolutionary War Soldier. It was rediscovered in 1924, but the marker was later lost. Through the efforts of Dr. Webster Merritt and the Jacksonville Chapter of the Daughters of the American Revolution, the grave site was located again in 1944. On October 15, 1972, the Duval County Medical Society dedicated a restored tombstone in his memory. The Dr. James Hall Memorial site was relocated by the Society in 1978.","The collection includes documents pertaining to the biographical research about Dr. James Hall, and the efforts of several Jacksonville residents to recognized Dr. Hall and to publicize the historical importance of his burial site. The collection includes biographical materials, correspondence, newspaper clippings, research notes, minutes of meetings, maps, periodicals, presentationsand speeches by Dr. G. Dekle Taylor, and photographs. The majority of the correspondence, presentations, and documents pertain to Dr. Taylor's role and activities from  1972 to 1984, principal among them a 1974 co-authored article about Hall in the Journal of the Florida Medical Association.","The collection consists of six series:","Series 1: Article about Dr. James Hall, including edits and research.","Series 2: Duval County Medical Society information.","Series 3: Information about the Dr. James Hall Memorial and historic marker, including correspondence, committee minutes, information about the gravesite, invitation to the dedication, and newspaper articles about the dedication.","Series 4: Photographs including those of the Dr. James Hall memorial site and of Dr. G. Dekle Taylor speaking at the Civitan Club.","Series 5: Research materials including hand-drawn maps and genealogical research of Dr. James Hall.","Series 6: Speeches and other written materials.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2003.004","/repositories/3/resources/92"],"normalized_date_ssm":["1972-1984"],"normalized_title_ssm":["Dr. James Hall Collection, 1972-1984"],"collection_title_tesim":["Dr. James Hall Collection, 1972-1984"],"collection_ssim":["Dr. James Hall Collection, 1972-1984"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Dr. G. Dekle Taylor, a second generation Jacksonville physician and a leading participant in the effort to memorialize Dr. Hall."],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet One (1) flip-top document box"],"extent_tesim":["0.50 Linear Feet One (1) flip-top document box"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eDr. James Hall was the first known physician to practice in Duval County, Florida, and the first physician to practice in Florida following its annexation from Spain by the United States. Prior to this period, there were a number of physicians, mainly associated with the military, during the Spanish and British occupations of Florida.\u003c/p\u003e\n","\u003cp\u003eJames Hall was born October 8, 1760, in Keene, New Hampshire. After enlisting as a teenager with the Continental Army during the Revolutionary War, he fought to the end in Yorktown in 1781. The next known record reveals he received a Spanish land grant in East Florida in 1790 and settled near Cow Ford (now Jacksonville), Florida. His medical education is not known, but he played an active role in both medical and community affairs in the region and accumulated large parcels of land via grants and through his marriage to Eleanor Pritchard.\u003c/p\u003e\n","\u003cp\u003eIn 1810, for his participation in the Florida-Georgia Rebellion, Hall was exiled from East Florida by the Spanish and retreated to St. Marys, Georgia. He returned to Florida in 1813, and continued to practice medicine until his death at LaGrange, East Florida (now Mandarin, Florida) on December 25, 1837.\u003c/p\u003e\n","\u003cp\u003eHis grave, located on Scott Mill Road in Mandarin, Florida, is the only one in Duval County positively identified as that of a Revolutionary War Soldier. It was rediscovered in 1924, but the marker was later lost. Through the efforts of Dr. Webster Merritt and the Jacksonville Chapter of the Daughters of the American Revolution, the grave site was located again in 1944. On October 15, 1972, the Duval County Medical Society dedicated a restored tombstone in his memory. The Dr. James Hall Memorial site was relocated by the Society in 1978.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. James Hall was the first known physician to practice in Duval County, Florida, and the first physician to practice in Florida following its annexation from Spain by the United States. Prior to this period, there were a number of physicians, mainly associated with the military, during the Spanish and British occupations of Florida.","James Hall was born October 8, 1760, in Keene, New Hampshire. After enlisting as a teenager with the Continental Army during the Revolutionary War, he fought to the end in Yorktown in 1781. The next known record reveals he received a Spanish land grant in East Florida in 1790 and settled near Cow Ford (now Jacksonville), Florida. His medical education is not known, but he played an active role in both medical and community affairs in the region and accumulated large parcels of land via grants and through his marriage to Eleanor Pritchard.","In 1810, for his participation in the Florida-Georgia Rebellion, Hall was exiled from East Florida by the Spanish and retreated to St. Marys, Georgia. He returned to Florida in 1813, and continued to practice medicine until his death at LaGrange, East Florida (now Mandarin, Florida) on December 25, 1837.","His grave, located on Scott Mill Road in Mandarin, Florida, is the only one in Duval County positively identified as that of a Revolutionary War Soldier. It was rediscovered in 1924, but the marker was later lost. Through the efforts of Dr. Webster Merritt and the Jacksonville Chapter of the Daughters of the American Revolution, the grave site was located again in 1944. On October 15, 1972, the Duval County Medical Society dedicated a restored tombstone in his memory. The Dr. James Hall Memorial site was relocated by the Society in 1978."],"prefercite_html_tesm":["\u003cp\u003eDr. James Hall Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. James Hall Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes documents pertaining to the biographical research about Dr. James Hall, and the efforts of several Jacksonville residents to recognized Dr. Hall and to publicize the historical importance of his burial site. The collection includes biographical materials, correspondence, newspaper clippings, research notes, minutes of meetings, maps, periodicals, presentationsand speeches by Dr. G. Dekle Taylor, and photographs. The majority of the correspondence, presentations, and documents pertain to Dr. Taylor's role and activities from  1972 to 1984, principal among them a 1974 co-authored article about Hall in the Journal of the Florida Medical Association.\u003c/p\u003e\n","\u003cp\u003eThe collection consists of six series:\u003c/p\u003e\n","\u003cp\u003eSeries 1: Article about Dr. James Hall, including edits and research.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Duval County Medical Society information.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Information about the Dr. James Hall Memorial and historic marker, including correspondence, committee minutes, information about the gravesite, invitation to the dedication, and newspaper articles about the dedication.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs including those of the Dr. James Hall memorial site and of Dr. G. Dekle Taylor speaking at the Civitan Club.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Research materials including hand-drawn maps and genealogical research of Dr. James Hall.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Speeches and other written materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes documents pertaining to the biographical research about Dr. James Hall, and the efforts of several Jacksonville residents to recognized Dr. Hall and to publicize the historical importance of his burial site. The collection includes biographical materials, correspondence, newspaper clippings, research notes, minutes of meetings, maps, periodicals, presentationsand speeches by Dr. G. Dekle Taylor, and photographs. The majority of the correspondence, presentations, and documents pertain to Dr. Taylor's role and activities from  1972 to 1984, principal among them a 1974 co-authored article about Hall in the Journal of the Florida Medical Association.","The collection consists of six series:","Series 1: Article about Dr. James Hall, including edits and research.","Series 2: Duval County Medical Society information.","Series 3: Information about the Dr. James Hall Memorial and historic marker, including correspondence, committee minutes, information about the gravesite, invitation to the dedication, and newspaper articles about the dedication.","Series 4: Photographs including those of the Dr. James Hall memorial site and of Dr. G. Dekle Taylor speaking at the Civitan Club.","Series 5: Research materials including hand-drawn maps and genealogical research of Dr. James Hall.","Series 6: Speeches and other written materials."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0200b663aed4c94cd11405fb","timestamp":"2026-04-21T03:30:49.837Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0200b663aed4c94cd11405fb_aspace_c47b99229416aef593b536eda3d8ceef"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Congressman James A. Haley Collection, 1948-1977","value":"Congressman James A. 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