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Many of their manuscripts can be found in the Collection. Cantor Aroni came to America in 1947 where he served as cantor in synagogues in Philadelphia and New York City. From 1964-1968 he served as Cantor of the Beth Emeth Bais Yehuda Synagogue in Toronto, Canada. It was here that he was able to realize his dream of reviving the boy choir and integrating it into the service. From 1968-1979 Cantor Aroni lived and sang in NYC. He was Cantor at Beth Torah in North Miami Beach until his death in 1990.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":549,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842099745685504,"_root_":"ac1fdfd302702d7c750004d6","timestamp":"2026-07-16T03:54:20.569Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ac1fdfd302702d7c750004d6_aspace_57385"}},{"id":"e46a929ce5d56bf3bf0e5228_aspace_23b819a13f3f1b9e6a87efaffb2ffda4","type":"Series","attributes":{"title":"Sheet Music","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e46a929ce5d56bf3bf0e5228_aspace_23b819a13f3f1b9e6a87efaffb2ffda4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_23b819a13f3f1b9e6a87efaffb2ffda4","ref_ssm":["aspace_23b819a13f3f1b9e6a87efaffb2ffda4","aspace_23b819a13f3f1b9e6a87efaffb2ffda4"],"id":"e46a929ce5d56bf3bf0e5228_aspace_23b819a13f3f1b9e6a87efaffb2ffda4","title_filing_ssi":"Sheet Music","title_ssm":["Sheet Music"],"title_tesim":["Sheet Music"],"normalized_title_ssm":["Sheet Music"],"text":["Sheet Music","Anne Roselle Collection, 1898-1989","Box 2","/repositories/2/archival_objects/8781"],"component_level_isim":[2],"parent_ids_ssim":["e46a929ce5d56bf3bf0e5228","e46a929ce5d56bf3bf0e5228_aspace_447e3106e879fb0af5de85bc950c3c3d"],"parent_unittitles_ssm":["Anne Roselle Collection, 1898-1989","Box 2"],"parent_unittitles_tesim":["Anne Roselle Collection, 1898-1989","Box 2"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/8781"],"repository_ssim":["The Sarah D. and L. 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","Please inquire if you have questions - archives@flsouthern.edu"],"_nest_path_":"/components#1/components#0","_nest_parent_":"e46a929ce5d56bf3bf0e5228_aspace_447e3106e879fb0af5de85bc950c3c3d","_root_":"e46a929ce5d56bf3bf0e5228","_version_":1870851077531762688,"timestamp":"2026-07-16T06:17:02.454Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e46a929ce5d56bf3bf0e5228","title_ssm":["Anne Roselle Collection"],"title_tesim":["Anne Roselle Collection"],"ead_ssi":"e46a929ce5d56bf3bf0e5228","unitdate_ssm":["1898-1989"],"unitdate_inclusive_ssm":["1898-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS2000","/repositories/2/resources/55"],"text":["MS2000","/repositories/2/resources/55","Anne Roselle Collection, 1898-1989","Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks.","This collection is open for research. 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Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)","This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.","The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Roselle, Anne","English"],"unitid_tesim":["MS2000","/repositories/2/resources/55"],"normalized_date_ssm":["1898-1989"],"normalized_title_ssm":["Anne Roselle Collection, 1898-1989"],"collection_title_tesim":["Anne Roselle Collection, 1898-1989"],"collection_ssim":["Anne Roselle Collection, 1898-1989"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Roselle, Anne"],"creator_ssim":["Roselle, Anne"],"creator_persname_ssim":["Roselle, Anne"],"creators_ssim":["Roselle, Anne"],"access_terms_ssm":["The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. 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","Please inquire if you have questions - archives@flsouthern.edu"],"_nest_path_":"/components#2/components#0","_nest_parent_":"e46a929ce5d56bf3bf0e5228_aspace_dba34535af5e1b03ae31742ad11c0d19","_root_":"e46a929ce5d56bf3bf0e5228","_version_":1870851077531762688,"timestamp":"2026-07-16T06:17:02.454Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e46a929ce5d56bf3bf0e5228","title_ssm":["Anne Roselle Collection"],"title_tesim":["Anne Roselle Collection"],"ead_ssi":"e46a929ce5d56bf3bf0e5228","unitdate_ssm":["1898-1989"],"unitdate_inclusive_ssm":["1898-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS2000","/repositories/2/resources/55"],"text":["MS2000","/repositories/2/resources/55","Anne Roselle Collection, 1898-1989","Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks.","This collection is open for research. 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Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)","This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. 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","Please inquire if you have questions - archives@flsouthern.edu"],"_nest_path_":"/components#1/components#0","_nest_parent_":"3377105218ae906b27d105d2_aspace_c5216f97acc3815ba0dfb3d40c5fca8d","_root_":"3377105218ae906b27d105d2","_version_":1870851072683147264,"timestamp":"2026-07-16T06:16:57.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3377105218ae906b27d105d2","title_ssm":["Robert \u0026 Ingrid MacDonald Collectoon"],"title_tesim":["Robert \u0026 Ingrid MacDonald Collectoon"],"ead_ssi":"3377105218ae906b27d105d2","unitdate_ssm":["1970-2010"],"unitdate_inclusive_ssm":["1970-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS2015","/repositories/2/resources/54"],"text":["MS2015","/repositories/2/resources/54","Robert \u0026 Ingrid MacDonald Collectoon, 1970-2010","MacDonald, Robert","MacDonald, Ingrid","Musicians--Florida--Biography","Music teachers--Florida--Biography","Conductors (Music)--Florida--Biography","Pianists--Florida--Biography","Composers--Florida--Biography","Music--Performance","Orchestral music--20th century","Piano music--20th century","Classical music--20th century--History and criticism","Toscanini, Arturo, 1867-1957","Rubinstein, Arthur, 1887-1982","Florida Southern College--Faculty.","Sheet music","Musical scores","Concert programs","This collection is open for research. 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"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes sheet music, programs, biographical information, photographs, and news articles related to the MacDonalds' tenure at Florida Southern College.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes sheet music, programs, biographical information, photographs, and news articles related to the MacDonalds' tenure at Florida Southern College."],"userestrict_html_tesm":["\u003cp\u003eThe Robert and Ingrid MacDonald collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM.","The collection is arranged into series and subseries","In 2015 this collection was processed by Charlotte Barna","In 2012, Cantor Murray Yavneh donated his collection of nearly 200 pieces of print music, music manuscripts, song books, and periodicals to Florida Atlantic University. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into series and subseries\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into series and subseries"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2015 this collection was processed by Charlotte Barna\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2015 this collection was processed by Charlotte Barna"],"scopecontent_html_tesm":["\u003cp\u003eIn 2012, Cantor Murray Yavneh donated his collection of nearly 200 pieces of print music, music manuscripts, song books, and periodicals to Florida Atlantic University. 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Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2331,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841847466688512,"_root_":"a207ddea636c3864254a8f78","timestamp":"2026-07-16T03:50:19.862Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a207ddea636c3864254a8f78_aspace_74859"}},{"id":"8a61542c8fc573c0fcf1e829_aspace_60799","type":"Series","attributes":{"title":"Sheet Music","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a61542c8fc573c0fcf1e829_aspace_60799#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_60799","ref_ssm":["aspace_60799","aspace_60799"],"id":"8a61542c8fc573c0fcf1e829_aspace_60799","title_filing_ssi":"Sheet Music","title_ssm":["Sheet Music"],"title_tesim":["Sheet Music"],"normalized_title_ssm":["Sheet Music"],"text":["Sheet Music","Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958","Series 2","/repositories/2/archival_objects/27289"],"component_level_isim":[1],"parent_ids_ssim":["8a61542c8fc573c0fcf1e829"],"parent_unittitles_ssm":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"parent_unittitles_tesim":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 2","/repositories/2/archival_objects/27289"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":496,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#1","_nest_parent_":"8a61542c8fc573c0fcf1e829","_root_":"8a61542c8fc573c0fcf1e829","_version_":1870842153000763392,"timestamp":"2026-07-16T03:55:11.275Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a61542c8fc573c0fcf1e829","title_ssm":["Rabbi Abraham J. Rose Music Collection"],"title_tesim":["Rabbi Abraham J. Rose Music Collection"],"ead_ssi":"8a61542c8fc573c0fcf1e829","unitdate_ssm":["1887-1988","1921-1958"],"unitdate_bulk_ssim":["1921-1958"],"unitdate_inclusive_ssm":["1887-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00014","/repositories/2/resources/73"],"text":["PMC00014","/repositories/2/resources/73","Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2013 this collection was processed by Elizabeth Fairall and Victoria Thur.","The collection of Rabbi Abraham J. Rose consists of manuscript music, print music, and personal papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Rabbi Rose (1901-1987) was born in Berezhany in what is modern-day Ukraine. He came to the United States with his family in 1910. He was trained as a cantor before becoming rabbi of Congregation Kneseth Israel in Elgin, Illinois. He served as their rabbi for 25 years before moving to South Florida. Rabbi Rose also served as the first president of the Cantors Assembly and the Department of Music of the United Synagogue of America. Both of his sons Emanuel Rose and David Hillel Rose, followed in their father's footsteps and became rabbis.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00014","/repositories/2/resources/73"],"normalized_date_ssm":["1887-1988, bulk 1921-1958"],"normalized_title_ssm":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"collection_title_tesim":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"collection_ssim":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet"],"extent_tesim":["8.50 Linear Feet"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013 this collection was processed by Elizabeth Fairall and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013 this collection was processed by Elizabeth Fairall and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Rabbi Abraham J. Rose consists of manuscript music, print music, and personal papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Rabbi Rose (1901-1987) was born in Berezhany in what is modern-day Ukraine. He came to the United States with his family in 1910. He was trained as a cantor before becoming rabbi of Congregation Kneseth Israel in Elgin, Illinois. He served as their rabbi for 25 years before moving to South Florida. Rabbi Rose also served as the first president of the Cantors Assembly and the Department of Music of the United Synagogue of America. Both of his sons Emanuel Rose and David Hillel Rose, followed in their father's footsteps and became rabbis.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection of Rabbi Abraham J. Rose consists of manuscript music, print music, and personal papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Rabbi Rose (1901-1987) was born in Berezhany in what is modern-day Ukraine. He came to the United States with his family in 1910. He was trained as a cantor before becoming rabbi of Congregation Kneseth Israel in Elgin, Illinois. He served as their rabbi for 25 years before moving to South Florida. Rabbi Rose also served as the first president of the Cantors Assembly and the Department of Music of the United Synagogue of America. Both of his sons Emanuel Rose and David Hillel Rose, followed in their father's footsteps and became rabbis."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":888,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842153000763392,"_root_":"8a61542c8fc573c0fcf1e829","timestamp":"2026-07-16T03:55:11.275Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a61542c8fc573c0fcf1e829_aspace_60799"}},{"id":"6fb6b27850de62e5c1e768a0_aspace_15752","type":"Series","attributes":{"title":"Sheet Music","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6fb6b27850de62e5c1e768a0_aspace_15752#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is compiled of sheet music collected by the Special Collections, arranged alphebetically by composer's last names.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6fb6b27850de62e5c1e768a0_aspace_15752#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_15752","ref_ssm":["aspace_15752","aspace_15752"],"id":"6fb6b27850de62e5c1e768a0_aspace_15752","title_filing_ssi":"Sheet Music","title_ssm":["Sheet Music"],"title_tesim":["Sheet Music"],"normalized_title_ssm":["Sheet Music"],"text":["Sheet Music","Music Collection, bulk 1900-1990","Series 1","/repositories/2/archival_objects/2651","This collection is compiled of sheet music collected by the Special Collections, arranged alphebetically by composer's last names."],"component_level_isim":[1],"parent_ids_ssim":["6fb6b27850de62e5c1e768a0"],"parent_unittitles_ssm":["Music Collection, bulk 1900-1990"],"parent_unittitles_tesim":["Music Collection, bulk 1900-1990"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/2651"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Music Collection, bulk 1900-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":325,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is compiled of sheet music collected by the Special Collections, arranged alphebetically by composer's last names.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is compiled of sheet music collected by the Special Collections, arranged alphebetically by composer's last names."],"_nest_path_":"/components#0","_nest_parent_":"6fb6b27850de62e5c1e768a0","_root_":"6fb6b27850de62e5c1e768a0","_version_":1880265583097806848,"timestamp":"2026-10-28T04:16:34.611Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6fb6b27850de62e5c1e768a0","title_ssm":["Music Collection"],"title_tesim":["Music Collection"],"ead_ssi":"6fb6b27850de62e5c1e768a0","unitdate_ssm":["1900-1990"],"unitdate_bulk_ssim":["1900-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/43","/repositories/2/resources/4"],"text":["02/01/43","/repositories/2/resources/4","Music Collection, bulk 1900-1990","Sheet music.","Music.","Composers","The collection is open for research.","Organized in two series: Series 1, Sheet Music is arranged alphabetically by composer's last name; Series 2, Opera Scores is arranged on shelves in Library of Congress Classification order.","The music collection contains two series that hold hundreds of different composer's sheet music that spans across centuries. 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The sheet music is arranged according to the composer who wrote the music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The music collection contains two series that hold hundreds of different composer's sheet music that spans across centuries. 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Mélanie Edwards Collection, 1910-1988","/repositories/3/archival_objects/9247"],"component_level_isim":[1],"parent_ids_ssim":["2d94fe877ac9ba8d0513782c"],"parent_unittitles_ssm":["K. Mélanie Edwards Collection, 1910-1988"],"parent_unittitles_tesim":["K. Mélanie Edwards Collection, 1910-1988"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9247"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["K. Mélanie Edwards Collection, 1910-1988"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":33,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1934],"_nest_path_":"/components#3","_nest_parent_":"2d94fe877ac9ba8d0513782c","_root_":"2d94fe877ac9ba8d0513782c","_version_":1870860571755151360,"timestamp":"2026-07-16T08:47:56.859Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2d94fe877ac9ba8d0513782c","title_ssm":["K. Mélanie Edwards Collection"],"title_tesim":["K. Mélanie Edwards Collection"],"ead_ssi":"2d94fe877ac9ba8d0513782c","unitdate_ssm":["1910-1988"],"unitdate_inclusive_ssm":["1910-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2015.001","/repositories/3/resources/75"],"text":["2015.001","/repositories/3/resources/75","K. Mélanie Edwards Collection, 1910-1988","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","K. Mélanie Edwards is the only child of Mildred and Hedley Vivian Edwards. Her mother, Mildred Edwards née Johnson, was the only child of John Rosamond and Nora Floyd Johnson. John Rosamond Johnson and his brother James Weldon Johnston were born in Jacksonville, Florida. They were both composers and educators and are known for their collaborative anthem \"Lift Every Voice and Sing.\" ","Mélanie's mother Mildred was born in Jacksonville in 1914, and grew up in New York City. Mildred attended the Ethical Culture and Fieldston Schools and upon graduation, attended the Ethical Culture School's Teacher Training Department. As the first African American graduate of the program, Mildred met resistance when seeking a teaching position. In 1934, at the age of twenty, Mildred founded her own private school in New York City, The Modern School, to fill the gap of educational opportunities afforded to the African American community. ","Mélanie also graduated from the Ethical Culture and Fieldston Schools. She worked with her mother at The Modern School where she taught and served as the Director of Curriculum Development. During her 40-year career as an educator, Mélanie also worked at Fordham University, the Schomburg Library, and the East Harlem Council for Community Improvement.","This collection consists of family materials collected by Mildred Edwards née Johnson. The collection is divided into four series:","Series 1 – Ephemera includes a J. 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