{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=712\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=711\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=713\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856\u0026view=compact"},"meta":{"pages":{"current_page":712,"next_page":713,"prev_page":711,"total_pages":856,"limit_value":10,"offset_value":7110,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"03e12f0b210afaf691bd49d9_aspace_cf88b6eae346c27f5f504d3b84e53474","type":"Series","attributes":{"title":"Series 2 Photographs","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/03e12f0b210afaf691bd49d9_aspace_cf88b6eae346c27f5f504d3b84e53474#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cf88b6eae346c27f5f504d3b84e53474","ref_ssm":["aspace_cf88b6eae346c27f5f504d3b84e53474","aspace_cf88b6eae346c27f5f504d3b84e53474"],"id":"03e12f0b210afaf691bd49d9_aspace_cf88b6eae346c27f5f504d3b84e53474","title_filing_ssi":"Series 2 Photographs","title_ssm":["Series 2 Photographs"],"title_tesim":["Series 2 Photographs"],"normalized_title_ssm":["Series 2 Photographs"],"text":["Series 2 Photographs","Cesar Becerra Logging Industry Collection, 1971-1994","Box 3","Series 2","/repositories/2/archival_objects/73511"],"component_level_isim":[2],"parent_ids_ssim":["03e12f0b210afaf691bd49d9","03e12f0b210afaf691bd49d9_aspace_158518183132e895cc405a3b04bc3d0e"],"parent_unittitles_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994","Box 3"],"parent_unittitles_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994","Box 3"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Series 2","/repositories/2/archival_objects/73511"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":37,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":113,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#2/components#0","_nest_parent_":"03e12f0b210afaf691bd49d9_aspace_158518183132e895cc405a3b04bc3d0e","_root_":"03e12f0b210afaf691bd49d9","_version_":1870844426720378880,"timestamp":"2026-07-16T04:31:19.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"03e12f0b210afaf691bd49d9","title_ssm":["Cesar Becerra Logging Industry Collection"],"title_tesim":["Cesar Becerra Logging Industry Collection"],"ead_ssi":"03e12f0b210afaf691bd49d9","unitdate_ssm":["1971-1994"],"unitdate_inclusive_ssm":["1971-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8075","/repositories/2/resources/103"],"text":["SPC8075","/repositories/2/resources/103","Cesar Becerra Logging Industry Collection, 1971-1994","Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)","Conservation","Environmental policy","Environmental justice","Florida panther","Logging","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel","You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.","The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. ","This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.","The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Franklin B. Adams","English"],"unitid_tesim":["SPC8075","/repositories/2/resources/103"],"normalized_date_ssm":["1971-1994"],"normalized_title_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_title_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"geogname_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"places_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"access_terms_ssm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Cesar Becerra"],"access_subjects_ssim":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"access_subjects_ssm":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"has_online_content_ssim":["false"],"extent_ssm":["8.31 Linear Feet"],"extent_tesim":["8.31 Linear Feet"],"physfacet_tesim":["5 Banker Boxes\n1 Small, flat box\n1 Large, flat box\n2 Slide Carousel boxes"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series':\u003c/p\u003e\n","\u003cp\u003eSeries 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel"],"bioghist_html_tesm":["\u003cp\u003eYou would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers."],"odd_html_tesm":["\u003cp\u003eThe materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. \u003c/p\u003e\n","\u003cp\u003eAdditionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. \u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. "],"scopecontent_html_tesm":["\u003cp\u003eThis little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts."],"userestrict_html_tesm":["\u003cp\u003eThe Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Franklin B. Adams"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Franklin B. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["Johnson, Clara C."],"persname_ssim":["Johnson, Clara C."],"_nest_path_":"/components#1","_nest_parent_":"3979aec100209112f713fca5","_root_":"3979aec100209112f713fca5","timestamp":"2026-05-30T02:46:10.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3979aec100209112f713fca5","title_ssm":["Alumni Association Collection"],"title_tesim":["Alumni Association Collection"],"ead_ssi":"3979aec100209112f713fca5","unitdate_ssm":["1906-2011","1921-1983"],"unitdate_bulk_ssim":["1921-1983"],"unitdate_inclusive_ssm":["1906-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2007-0AG","/repositories/10/resources/851"],"text":["HP 2007-0AG","/repositories/10/resources/851","Alumni Association Collection, 1906-2011, bulk 1921-1983","Rowena Longmire Building (Tallahassee, Fla.)","Football.","Florida State University--Anniversaries, etc.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Materials arranged into six series and alphabetically thereunder.","In May 1909, twenty graduates from the newly established Florida State College for Women founded the FSCW Alumni Association. In 1920, the first Alumni Club was created in New York City. Later, alumnae across Florida formed local \"Flastacowo\" clubs, laying the groundwork for the current Seminole Club network, whose mission is to unite alumni and friends of FSU in certain geographic areas. With the establishment of Florida State University in 1947 as a co-educational institution, new athletic teams were introduced. In response, the Alumni Association created Seminole Boosters, Inc. in 1950 to support the Athletic Department, which remained part of the Alumni Association until 1974. Initially located in the Longmire Alumni Building, named after the first executive director, Miss Rowena Longmire, the Alumni Association expanded as FSU grew, launching initiatives like the Seminole Club network, Emeriti Society, and 50-year class reunions. In February 1997, the Association moved to the University Center, and in 2004, it relocated to a new Alumni Center in a renovated Colonial-style home near campus on West Tennessee Street.","The F Club was a student organization founded on March 16, 1913 at the Florida State College for Women. The motto of the club was \"femina perfecta,\" meaning \"the perfect woman.\" The purpose of the F Club was to cooperate with the divisions of women's intramurals and varsity athletics in promoting women's athletic activities, to contribute to the development of high ideals and university spirit among the students on campus, and to award the \"F\" as a sign of outstanding athletic ability. In coordination with the Odd and Even teams, F Club membership required participation and a varsity letter \"F.\"","In 1928, Miss Mitchell created the Emblem which was an F with six stars. The requirements for the Emblem changed over time. Early in the club's history, it was awarded to a member who received seven all-stars (i.e., made varsity) in seven different sports on campus. Later, the requirement was to make an all-star in every sports season beginning freshman year.","New members in F Club were called \"goat edge,\" and the initiation process was called \"goating.\" This idea was borrowed from the sororities who called their pledges \"goats.\" Goats were required to sing original songs, perform skits, and generally entertain F Club members. During Field Day, members dressed up as babies and had a parade as well as a chariot race. They also participated in athletic events and scavenger hunts.","The Femina Perfecta VHS tape, CDs, and DVDs require playback equipment to view.","This collection was previously organized into the following separate collections:","Florida State University Alumni Association Seminole Club Out of State Newsletters (MSS 2007-044),\nAlumni Association Football Collection (HP 2007-0AP),\nAlumni Association Records (HP 2007-0AR),\nAlumni Association Miscellaneous Photograph Collection (HP 2007-0AG),\nAlumni Association F Club Collection (HP 2007-067),\nAlumni Association Materials (HUA 2016-0344),\nHistoric Alumni Association Records (HUA 2016-097),\nAlumni Association Scrapbook (HUA 2016-123),\nAlumni Association 100th Anniversary Coins (HUA 2022-023),\nNASA Frame and FSU Memorabilia (HUA 2022-024),\nFSU Housing and Athletics Materials (HPUA 2015-072),\nFSU Memorabilia \u0026 Commemorative Items (HUA 2015-062)","Alumni Association Flying High Circus Collection (HP 2007-0AF), http://purl.fcla.edu/fsu/HP-2007-0AF","The Florida State University Alumni Association Collection consists of materials created or collected by the FSU Alumni Association from 1906 to 2011. Its contents are divided into six series. ","Series 1: Alumni Association Records documents the administrative activities of the Alumni Association since its founding as the Florida State College for Women (FSCW) Alumni Association. The series includes correspondence, budgets, presidential and treasurer's reports, manuals, Award of Honor records, class lists, reunion records, histories FSCW, FSU, and of the Alumni Association, and records documenting the furnishings and history of the Longmire Alumni Building. ","Series 2: Photographs and Scrapbooks contains photographs collected by the Alumni Association. Particularly well represented are photographs of the FSCW era and photographs of the kickoff celebration for the 150th anniversary of FSU in 2001. The series also includes a scrapbook made by Clara C. Johnson documenting FSCW and the Alumni Association and a scrapbook of newspaper clippings regarding sports and other events at FSCW. ","Series 3: F Club Materials contains records documenting the F Club from 1929 to the reunion in 2011 collected by the FSU Alumni Association. It includes handmade F Club song books, notebooks, correspondence, constitutions, histories of the organization, member lists, personnel documents, president's minutes and reports, event programs, photographs, and wooden \"F\" carvings and other handmade wooden objects. ","Series 4: Publications includes football programs, other event programs, news clippings, Alumni Magazine, Seminole Club Out of State Newsletters from 1992-1996, and an Eppes Family History. ","Series 5: Memorabilia and Realia contains commemorative coins, buttons, and pins commemorating events such as FSU's 150th anniversary. It also includes a license plate, a pennant flag, a hat, a sugar bowl, paperweights, a vest with FSU colors and a tribal pattern, and a collage documenting the STS-71/MIS-19 mission signed by the crew. ","Series 6: Audiovisual Materials contains a Femina Perfecta VHS tape, CDs titled \"Seminoles of FSU,\" \"Championship Highlights,\" and \"A Little Garnet, a Lot of Gold,\" and a Tommy Wright FSU Songbook DVD. ","Select materials from this collection have been digitized and are available through the  FSU Photograph Collection  and the  Alumni Association Collection  in the FSU Digital Library.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University","Florida State College for Women","Johnson, Clara C.","English"],"unitid_tesim":["HP 2007-0AG","/repositories/10/resources/851"],"normalized_date_ssm":["1906-2011, bulk 1921-1983"],"normalized_title_ssm":["Alumni Association Collection, 1906-2011, bulk 1921-1983"],"collection_title_tesim":["Alumni Association Collection, 1906-2011, bulk 1921-1983"],"collection_ssim":["Alumni Association Collection, 1906-2011, bulk 1921-1983"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Rowena Longmire Building (Tallahassee, Fla.)"],"geogname_ssim":["Rowena Longmire Building (Tallahassee, Fla.)"],"creator_ssm":["Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University"],"creator_ssim":["Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University"],"creator_corpname_ssim":["Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University"],"creators_ssim":["Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University"],"places_ssim":["Rowena Longmire Building (Tallahassee, Fla.)"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Transported from the FSU Alumni Association to FSU Libraries in 2007, 2015, and 2022. Clara Johnson Scrapbook, Alumni Association records, and other materials transferred from Commonwealth in 2016."],"access_subjects_ssim":["Football.","Florida State University--Anniversaries, etc."],"access_subjects_ssm":["Football.","Florida State University--Anniversaries, etc."],"has_online_content_ssim":["false"],"extent_ssm":["15.25 Linear Feet 6 record storage boxes, 5 oversize boxes, one small custom box"],"extent_tesim":["15.25 Linear Feet 6 record storage boxes, 5 oversize boxes, one small custom box"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eMaterials arranged into six series and alphabetically thereunder.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials arranged into six series and alphabetically thereunder."],"bioghist_html_tesm":["\u003cp\u003eIn May 1909, twenty graduates from the newly established Florida State College for Women founded the FSCW Alumni Association. In 1920, the first Alumni Club was created in New York City. Later, alumnae across Florida formed local \"Flastacowo\" clubs, laying the groundwork for the current Seminole Club network, whose mission is to unite alumni and friends of FSU in certain geographic areas. With the establishment of Florida State University in 1947 as a co-educational institution, new athletic teams were introduced. In response, the Alumni Association created Seminole Boosters, Inc. in 1950 to support the Athletic Department, which remained part of the Alumni Association until 1974. Initially located in the Longmire Alumni Building, named after the first executive director, Miss Rowena Longmire, the Alumni Association expanded as FSU grew, launching initiatives like the Seminole Club network, Emeriti Society, and 50-year class reunions. In February 1997, the Association moved to the University Center, and in 2004, it relocated to a new Alumni Center in a renovated Colonial-style home near campus on West Tennessee Street.\u003c/p\u003e","\u003cp\u003eThe F Club was a student organization founded on March 16, 1913 at the Florida State College for Women. The motto of the club was \"femina perfecta,\" meaning \"the perfect woman.\" The purpose of the F Club was to cooperate with the divisions of women's intramurals and varsity athletics in promoting women's athletic activities, to contribute to the development of high ideals and university spirit among the students on campus, and to award the \"F\" as a sign of outstanding athletic ability. In coordination with the Odd and Even teams, F Club membership required participation and a varsity letter \"F.\"\u003c/p\u003e\n","\u003cp\u003eIn 1928, Miss Mitchell created the Emblem which was an F with six stars. The requirements for the Emblem changed over time. Early in the club's history, it was awarded to a member who received seven all-stars (i.e., made varsity) in seven different sports on campus. Later, the requirement was to make an all-star in every sports season beginning freshman year.\u003c/p\u003e\n","\u003cp\u003eNew members in F Club were called \"goat edge,\" and the initiation process was called \"goating.\" This idea was borrowed from the sororities who called their pledges \"goats.\" Goats were required to sing original songs, perform skits, and generally entertain F Club members. During Field Day, members dressed up as babies and had a parade as well as a chariot race. They also participated in athletic events and scavenger hunts.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","F Club History"],"bioghist_tesim":["In May 1909, twenty graduates from the newly established Florida State College for Women founded the FSCW Alumni Association. In 1920, the first Alumni Club was created in New York City. Later, alumnae across Florida formed local \"Flastacowo\" clubs, laying the groundwork for the current Seminole Club network, whose mission is to unite alumni and friends of FSU in certain geographic areas. With the establishment of Florida State University in 1947 as a co-educational institution, new athletic teams were introduced. In response, the Alumni Association created Seminole Boosters, Inc. in 1950 to support the Athletic Department, which remained part of the Alumni Association until 1974. Initially located in the Longmire Alumni Building, named after the first executive director, Miss Rowena Longmire, the Alumni Association expanded as FSU grew, launching initiatives like the Seminole Club network, Emeriti Society, and 50-year class reunions. In February 1997, the Association moved to the University Center, and in 2004, it relocated to a new Alumni Center in a renovated Colonial-style home near campus on West Tennessee Street.","The F Club was a student organization founded on March 16, 1913 at the Florida State College for Women. The motto of the club was \"femina perfecta,\" meaning \"the perfect woman.\" The purpose of the F Club was to cooperate with the divisions of women's intramurals and varsity athletics in promoting women's athletic activities, to contribute to the development of high ideals and university spirit among the students on campus, and to award the \"F\" as a sign of outstanding athletic ability. In coordination with the Odd and Even teams, F Club membership required participation and a varsity letter \"F.\"","In 1928, Miss Mitchell created the Emblem which was an F with six stars. The requirements for the Emblem changed over time. Early in the club's history, it was awarded to a member who received seven all-stars (i.e., made varsity) in seven different sports on campus. Later, the requirement was to make an all-star in every sports season beginning freshman year.","New members in F Club were called \"goat edge,\" and the initiation process was called \"goating.\" This idea was borrowed from the sororities who called their pledges \"goats.\" Goats were required to sing original songs, perform skits, and generally entertain F Club members. During Field Day, members dressed up as babies and had a parade as well as a chariot race. They also participated in athletic events and scavenger hunts."],"phystech_html_tesm":["\u003cp\u003eThe Femina Perfecta VHS tape, CDs, and DVDs require playback equipment to view.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Femina Perfecta VHS tape, CDs, and DVDs require playback equipment to view."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Alumni Association Collection, HP 2007-0AG, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. http://purl.fcla.edu/fsu/HP-2007-0AG.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Alumni Association Collection, HP 2007-0AG, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. http://purl.fcla.edu/fsu/HP-2007-0AG."],"processinfo_html_tesm":["\u003cp\u003eThis collection was previously organized into the following separate collections:\u003c/p\u003e","\u003cp\u003eFlorida State University Alumni Association Seminole Club Out of State Newsletters (MSS 2007-044),\nAlumni Association Football Collection (HP 2007-0AP),\nAlumni Association Records (HP 2007-0AR),\nAlumni Association Miscellaneous Photograph Collection (HP 2007-0AG),\nAlumni Association F Club Collection (HP 2007-067),\nAlumni Association Materials (HUA 2016-0344),\nHistoric Alumni Association Records (HUA 2016-097),\nAlumni Association Scrapbook (HUA 2016-123),\nAlumni Association 100th Anniversary Coins (HUA 2022-023),\nNASA Frame and FSU Memorabilia (HUA 2022-024),\nFSU Housing and Athletics Materials (HPUA 2015-072),\nFSU Memorabilia \u0026amp; Commemorative Items (HUA 2015-062)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was previously organized into the following separate collections:","Florida State University Alumni Association Seminole Club Out of State Newsletters (MSS 2007-044),\nAlumni Association Football Collection (HP 2007-0AP),\nAlumni Association Records (HP 2007-0AR),\nAlumni Association Miscellaneous Photograph Collection (HP 2007-0AG),\nAlumni Association F Club Collection (HP 2007-067),\nAlumni Association Materials (HUA 2016-0344),\nHistoric Alumni Association Records (HUA 2016-097),\nAlumni Association Scrapbook (HUA 2016-123),\nAlumni Association 100th Anniversary Coins (HUA 2022-023),\nNASA Frame and FSU Memorabilia (HUA 2022-024),\nFSU Housing and Athletics Materials (HPUA 2015-072),\nFSU Memorabilia \u0026 Commemorative Items (HUA 2015-062)"],"relatedmaterial_html_tesm":["\u003cp\u003eAlumni Association Flying High Circus Collection (HP 2007-0AF), http://purl.fcla.edu/fsu/HP-2007-0AF\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alumni Association Flying High Circus Collection (HP 2007-0AF), http://purl.fcla.edu/fsu/HP-2007-0AF"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University Alumni Association Collection consists of materials created or collected by the FSU Alumni Association from 1906 to 2011. Its contents are divided into six series. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Alumni Association Records documents the administrative activities of the Alumni Association since its founding as the Florida State College for Women (FSCW) Alumni Association. The series includes correspondence, budgets, presidential and treasurer's reports, manuals, Award of Honor records, class lists, reunion records, histories FSCW, FSU, and of the Alumni Association, and records documenting the furnishings and history of the Longmire Alumni Building. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographs and Scrapbooks contains photographs collected by the Alumni Association. Particularly well represented are photographs of the FSCW era and photographs of the kickoff celebration for the 150th anniversary of FSU in 2001. The series also includes a scrapbook made by Clara C. Johnson documenting FSCW and the Alumni Association and a scrapbook of newspaper clippings regarding sports and other events at FSCW. \u003c/p\u003e\n","\u003cp\u003eSeries 3: F Club Materials contains records documenting the F Club from 1929 to the reunion in 2011 collected by the FSU Alumni Association. It includes handmade F Club song books, notebooks, correspondence, constitutions, histories of the organization, member lists, personnel documents, president's minutes and reports, event programs, photographs, and wooden \"F\" carvings and other handmade wooden objects. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Publications includes football programs, other event programs, news clippings, Alumni Magazine, Seminole Club Out of State Newsletters from 1992-1996, and an Eppes Family History. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Memorabilia and Realia contains commemorative coins, buttons, and pins commemorating events such as FSU's 150th anniversary. It also includes a license plate, a pennant flag, a hat, a sugar bowl, paperweights, a vest with FSU colors and a tribal pattern, and a collage documenting the STS-71/MIS-19 mission signed by the crew. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Audiovisual Materials contains a Femina Perfecta VHS tape, CDs titled \"Seminoles of FSU,\" \"Championship Highlights,\" and \"A Little Garnet, a Lot of Gold,\" and a Tommy Wright FSU Songbook DVD. \u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized and are available through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huaphotographcollection\"\u003eFSU Photograph Collection\u003c/extref\u003e and the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huaalumniassoccoll\"\u003eAlumni Association Collection\u003c/extref\u003e in the FSU Digital Library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Florida State University Alumni Association Collection consists of materials created or collected by the FSU Alumni Association from 1906 to 2011. Its contents are divided into six series. ","Series 1: Alumni Association Records documents the administrative activities of the Alumni Association since its founding as the Florida State College for Women (FSCW) Alumni Association. The series includes correspondence, budgets, presidential and treasurer's reports, manuals, Award of Honor records, class lists, reunion records, histories FSCW, FSU, and of the Alumni Association, and records documenting the furnishings and history of the Longmire Alumni Building. ","Series 2: Photographs and Scrapbooks contains photographs collected by the Alumni Association. Particularly well represented are photographs of the FSCW era and photographs of the kickoff celebration for the 150th anniversary of FSU in 2001. The series also includes a scrapbook made by Clara C. Johnson documenting FSCW and the Alumni Association and a scrapbook of newspaper clippings regarding sports and other events at FSCW. ","Series 3: F Club Materials contains records documenting the F Club from 1929 to the reunion in 2011 collected by the FSU Alumni Association. It includes handmade F Club song books, notebooks, correspondence, constitutions, histories of the organization, member lists, personnel documents, president's minutes and reports, event programs, photographs, and wooden \"F\" carvings and other handmade wooden objects. ","Series 4: Publications includes football programs, other event programs, news clippings, Alumni Magazine, Seminole Club Out of State Newsletters from 1992-1996, and an Eppes Family History. ","Series 5: Memorabilia and Realia contains commemorative coins, buttons, and pins commemorating events such as FSU's 150th anniversary. It also includes a license plate, a pennant flag, a hat, a sugar bowl, paperweights, a vest with FSU colors and a tribal pattern, and a collage documenting the STS-71/MIS-19 mission signed by the crew. ","Series 6: Audiovisual Materials contains a Femina Perfecta VHS tape, CDs titled \"Seminoles of FSU,\" \"Championship Highlights,\" and \"A Little Garnet, a Lot of Gold,\" and a Tommy Wright FSU Songbook DVD. ","Select materials from this collection have been digitized and are available through the  FSU Photograph Collection  and the  Alumni Association Collection  in the FSU Digital Library."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State College for Women","Florida State University","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University","Florida State College for Women","Johnson, Clara C."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University","Florida State College for Women"],"persname_ssim":["Johnson, Clara C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1030,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3979aec100209112f713fca5","timestamp":"2026-05-30T02:46:10.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3979aec100209112f713fca5_aspace_5adba491522eeeba9cd2c8c8af7946e8"}},{"id":"a62b266ca8a0c4c6e9a227d3_aspace_81a880101ad4cc445d514f243dd7caf2","type":"Series","attributes":{"title":"Series 2: Printed Material and Correspondence","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_81a880101ad4cc445d514f243dd7caf2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_81a880101ad4cc445d514f243dd7caf2","ref_ssm":["aspace_81a880101ad4cc445d514f243dd7caf2","aspace_81a880101ad4cc445d514f243dd7caf2"],"id":"a62b266ca8a0c4c6e9a227d3_aspace_81a880101ad4cc445d514f243dd7caf2","title_filing_ssi":"Series 2: Printed Material and Correspondence","title_ssm":["Series 2: Printed Material and Correspondence"],"title_tesim":["Series 2: Printed Material and Correspondence"],"normalized_title_ssm":["Series 2: Printed Material and Correspondence"],"text":["Series 2: Printed Material and Correspondence","Rob Boyte Collection, bulk date unknown","2","/repositories/2/archival_objects/83781"],"component_level_isim":[1],"parent_ids_ssim":["a62b266ca8a0c4c6e9a227d3"],"parent_unittitles_ssm":["Rob Boyte Collection, bulk date unknown"],"parent_unittitles_tesim":["Rob Boyte Collection, bulk date unknown"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/2/archival_objects/83781"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"has_online_content_ssim":["false"],"child_component_count_isi":21,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":45,"parent_access_restrict_tesm":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#1","_nest_parent_":"a62b266ca8a0c4c6e9a227d3","_root_":"a62b266ca8a0c4c6e9a227d3","_version_":1876642586161053696,"timestamp":"2026-09-18T04:30:35.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a62b266ca8a0c4c6e9a227d3","title_ssm":["Rob Boyte Collection"],"title_tesim":["Rob Boyte Collection"],"ead_ssi":"a62b266ca8a0c4c6e9a227d3","unitdate_ssm":["date unknown"],"unitdate_bulk_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8030","/repositories/2/resources/12"],"text":["SPC8030","/repositories/2/resources/12","Rob Boyte Collection, bulk date unknown","Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.","Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte","The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Boyte, Robert Alan","English"],"unitid_tesim":["SPC8030","/repositories/2/resources/12"],"normalized_date_ssm":["bulk date unknown"],"normalized_title_ssm":["Rob Boyte Collection, bulk date unknown"],"collection_title_tesim":["Rob Boyte Collection, bulk date unknown"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Boyte, Robert Alan"],"creator_ssim":["Boyte, Robert Alan"],"creator_persname_ssim":["Boyte, Robert Alan"],"creators_ssim":["Boyte, Robert Alan"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Donated by Rob Boyte"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 boxes"],"extent_tesim":["6.00 boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eRestrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"bioghist_html_tesm":["\u003cp\u003eRob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.\u0026#xA0; His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.\u0026#xA0; His interests as an adolescent in high school were Art, Biology and Writing.\u0026#xA0; Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"\u003c/p\u003e\n","\u003cp\u003eDuring childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. \u003c/p\u003e\n","\u003cp\u003eRob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.\u0026#xA0; His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.\u0026#xA0; After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.\u0026#xA0; That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).\u003c/p\u003e\n","\u003cp\u003eRob was never goal oriented and never selected a career other than gravitating to human services work.\u0026#xA0; In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. \u003c/p\u003e\n","\u003cp\u003eWhile in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.\u0026#xA0; While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. \u003c/p\u003e\n","\u003cp\u003eRob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.\u0026#xA0;\u0026#xA0; Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.\u0026#xA0; They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.\u0026#xA0; Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.\u003c/p\u003e\n","\u003cp\u003eDuring the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.\u0026#xA0; He also wrote a column for Naturist publications called \u003cemph render=\"italic\"\u003eNude Attitude\u003c/emph\u003e, which he later compiled into a small, self-published book of the same title.\u003c/p\u003e\n","\u003cp\u003eRob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.\u0026#xA0; Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. \u003c/p\u003e\n","\u003cp\u003eFrom 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.\u0026#xA0; During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.\u0026#xA0; In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eWhile living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.\u0026#xA0; Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.\u0026#xA0; Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.\u0026#xA0; Brenda worked at Alachua General Hospital.\u003c/p\u003e\n","\u003cp\u003eRob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.\u0026#xA0; Rob and Brenda got divorced in 1998. \u003c/p\u003e\n","\u003cp\u003eIn November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eNote written by Robert Alan Boyte\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte"],"scopecontent_html_tesm":["\u003cp\u003eThe Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Boyte, Robert Alan"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Boyte, Robert Alan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":74,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876642586161053696,"_root_":"a62b266ca8a0c4c6e9a227d3","timestamp":"2026-09-18T04:30:35.495Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_81a880101ad4cc445d514f243dd7caf2"}},{"id":"fbf633f326a970bc04506713_aspace_5710cbc656e9959b60ac3d065e07f1a2","type":"Series","attributes":{"title":"Series 2: Promotional Materials, Publicity, and Administrative Records, 1911-1912, 1927-2006, 2011-2012","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_5710cbc656e9959b60ac3d065e07f1a2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5710cbc656e9959b60ac3d065e07f1a2","ref_ssm":["aspace_5710cbc656e9959b60ac3d065e07f1a2","aspace_5710cbc656e9959b60ac3d065e07f1a2"],"id":"fbf633f326a970bc04506713_aspace_5710cbc656e9959b60ac3d065e07f1a2","title_filing_ssi":"Series 2: Promotional Materials, Publicity, and Administrative Records","title_ssm":["Series 2: Promotional Materials, Publicity, and Administrative Records"],"title_tesim":["Series 2: Promotional Materials, Publicity, and Administrative Records"],"unitdate_inclusive_ssm":["1911-1912, 1927-2006, 2011-2012"],"normalized_date_ssm":["1911-1912, 1927-2006, 2011-2012"],"normalized_title_ssm":["Series 2: Promotional Materials, Publicity, and Administrative Records, 1911-1912, 1927-2006, 2011-2012"],"text":["Series 2: Promotional Materials, Publicity, and Administrative Records, 1911-1912, 1927-2006, 2011-2012","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","/repositories/10/archival_objects/234860"],"component_level_isim":[1],"parent_ids_ssim":["fbf633f326a970bc04506713"],"parent_unittitles_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"parent_unittitles_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/234860"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":62,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":375,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"_nest_path_":"/components#1","_nest_parent_":"fbf633f326a970bc04506713","_root_":"fbf633f326a970bc04506713","_version_":1880459939778920448,"timestamp":"2026-10-30T07:45:47.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbf633f326a970bc04506713","title_ssm":["FSU School of Dance Records"],"title_tesim":["FSU School of Dance Records"],"ead_ssi":"fbf633f326a970bc04506713","unitdate_ssm":["1911-1912, 1920, 1927-2006, 2011-2012","1960-2000"],"unitdate_bulk_ssim":["1960-2000"],"unitdate_inclusive_ssm":["1911-1912, 1920, 1927-2006, 2011-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2013-009","/repositories/10/resources/1929"],"text":["HP 2013-009","/repositories/10/resources/1929","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Dance","Modern dance","Choreography","This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library .","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond","English"],"unitid_tesim":["HP 2013-009","/repositories/10/resources/1929"],"normalized_date_ssm":["1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"normalized_title_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_title_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_ssim":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_persname_ssim":["Dickinson, Nellie-Bond"],"creator_corpname_ssim":["Florida State University. School of Dance","Florida State University. School of Dance"],"creators_ssim":["Dickinson, Nellie-Bond","Florida State University. School of Dance","Florida State University. School of Dance"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Accessioned May 2, 2013"],"access_subjects_ssim":["Dance","Modern dance","Choreography"],"access_subjects_ssm":["Dance","Modern dance","Choreography"],"has_online_content_ssim":["false"],"extent_ssm":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"extent_tesim":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. \u003c/p\u003e\n","\u003cp\u003eIn 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.\u003c/p\u003e\n","\u003cp\u003eThe core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.\u003c/p\u003e\n","\u003cp\u003eThe School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.\u003c/p\u003e","\u003cp\u003eNellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. \u003c/p\u003e\n","\u003cp\u003eDickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Nellie-Bond Dickinson"],"bioghist_tesim":["The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.\u003c/p\u003e","\u003cp\u003eSelect materials from the FSU School of Dance Records have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/School%20of%20Dance?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Online Copies Available "],"scopecontent_tesim":["The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State University. School of Dance","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women"],"persname_ssim":["Dickinson, Nellie-Bond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":549,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880459939778920448,"_root_":"fbf633f326a970bc04506713","timestamp":"2026-10-30T07:45:47.591Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_5710cbc656e9959b60ac3d065e07f1a2"}},{"id":"3d6d26c8cdf7f2f9e18c1e59_aspace_59585","type":"Series","attributes":{"title":"Series 3","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3d6d26c8cdf7f2f9e18c1e59_aspace_59585#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_59585","ref_ssm":["aspace_59585","aspace_59585"],"id":"3d6d26c8cdf7f2f9e18c1e59_aspace_59585","title_filing_ssi":"Series 3","title_ssm":["Series 3"],"title_tesim":["Series 3"],"normalized_title_ssm":["Series 3"],"text":["Series 3","Isle of Pines Collection, Date acquired: 00/00/2014","Series 3","/repositories/2/archival_objects/56171"],"component_level_isim":[1],"parent_ids_ssim":["3d6d26c8cdf7f2f9e18c1e59"],"parent_unittitles_ssm":["Isle of Pines Collection, Date acquired: 00/00/2014"],"parent_unittitles_tesim":["Isle of Pines Collection, Date acquired: 00/00/2014"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/2/archival_objects/56171"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Isle of Pines Collection, Date acquired: 00/00/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":30,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":69,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#2","_nest_parent_":"3d6d26c8cdf7f2f9e18c1e59","_root_":"3d6d26c8cdf7f2f9e18c1e59","_version_":1870844678699483136,"timestamp":"2026-07-16T04:35:20.059Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3d6d26c8cdf7f2f9e18c1e59","title_ssm":["Isle of Pines Collection"],"title_tesim":["Isle of Pines Collection"],"ead_ssi":"3d6d26c8cdf7f2f9e18c1e59","unitdate_ssm":["Date acquired: 00/00/2014"],"unitdate_other_ssim":["Date acquired: 00/00/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6080","/repositories/2/resources/64"],"text":["SPC6080","/repositories/2/resources/64","Isle of Pines Collection, Date acquired: 00/00/2014","Cuba--Relations--United States","Cuba -- Foreign relations -- United States.","United States -- Foreign relations -- Cuba.","This collection is open for research.","Isle of Pines (Isla de la Juventud) is the second-largest Cuban island and lies almost directly south of Havana and Pinar del Río.","At the end of the Spanish–American War under the terms of the Treaty of Paris (1898), Spain relinquished all claims to Cuba. The sixth article of the Platt Amendment, which defined the independent Cuba's boundaries left the ownership of the Isle of Pines undetermined. This resulted in competing claims to the island by the United States and Cuba.","The U.S. Hay-Quesada Treaty, signed in 1904, recognized Cuban ownership of the island. In 1907, the U.S. Supreme Court decided, in Pearcy v. Stranahan, that control of the island was a political decision, not a judicial one.","Finally the Hay-Quesada Treaty was ratified by the U.S. Senate in 1925 over the objections of the small colony of American planters and traders on the island.","\tThe Isle of Pines Collection deals with the correspondence between the US residents on the island and congressional and legislative representatives in the United States regarding the ratification of the treaty.","\tAlthea (Vicki) Silvera","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC6080","/repositories/2/resources/64"],"normalized_date_ssm":["Date acquired: 00/00/2014"],"normalized_title_ssm":["Isle of Pines Collection, Date acquired: 00/00/2014"],"collection_title_tesim":["Isle of Pines Collection, Date acquired: 00/00/2014"],"collection_ssim":["Isle of Pines Collection, Date acquired: 00/00/2014"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Purchased."],"access_subjects_ssim":["Cuba--Relations--United States","Cuba -- Foreign relations -- United States.","United States -- Foreign relations -- Cuba."],"access_subjects_ssm":["Cuba--Relations--United States","Cuba -- Foreign relations -- United States.","United States -- Foreign relations -- Cuba."],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eIsle of Pines (Isla de la Juventud) is the second-largest Cuban island and lies almost directly south of Havana and Pinar del R\u0026#xED;o.\u003c/p\u003e\n","\u003cp\u003eAt the end of the Spanish\u0026#x2013;American War under the terms of the Treaty of Paris (1898), Spain relinquished all claims to Cuba. The sixth article of the Platt Amendment, which defined the independent Cuba's boundaries left the ownership of the Isle of Pines undetermined. This resulted in competing claims to the island by the United States and Cuba.\u003c/p\u003e\n","\u003cp\u003eThe U.S. Hay-Quesada Treaty, signed in 1904, recognized Cuban ownership of the island. In 1907, the U.S. Supreme Court decided, in Pearcy v. Stranahan, that control of the island was a political decision, not a judicial one.\u003c/p\u003e\n","\u003cp\u003eFinally the Hay-Quesada Treaty was ratified by the U.S. Senate in 1925 over the objections of the small colony of American planters and traders on the island.\u003c/p\u003e\n","\u003cp\u003e\tThe Isle of Pines Collection deals with the correspondence between the US residents on the island and congressional and legislative representatives in the United States regarding the ratification of the treaty.\u003c/p\u003e\n","\u003cp\u003e\tAlthea (Vicki) Silvera\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Isle of Pines (Isla de la Juventud) is the second-largest Cuban island and lies almost directly south of Havana and Pinar del Río.","At the end of the Spanish–American War under the terms of the Treaty of Paris (1898), Spain relinquished all claims to Cuba. The sixth article of the Platt Amendment, which defined the independent Cuba's boundaries left the ownership of the Isle of Pines undetermined. This resulted in competing claims to the island by the United States and Cuba.","The U.S. Hay-Quesada Treaty, signed in 1904, recognized Cuban ownership of the island. In 1907, the U.S. Supreme Court decided, in Pearcy v. Stranahan, that control of the island was a political decision, not a judicial one.","Finally the Hay-Quesada Treaty was ratified by the U.S. Senate in 1925 over the objections of the small colony of American planters and traders on the island.","\tThe Isle of Pines Collection deals with the correspondence between the US residents on the island and congressional and legislative representatives in the United States regarding the ratification of the treaty.","\tAlthea (Vicki) Silvera"],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":104,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844678699483136,"_root_":"3d6d26c8cdf7f2f9e18c1e59","timestamp":"2026-07-16T04:35:20.059Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3d6d26c8cdf7f2f9e18c1e59_aspace_59585"}},{"id":"98ff5eee275a3aba6d1d8b92_aspace_147176","type":"Series","attributes":{"title":"Series 3","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/98ff5eee275a3aba6d1d8b92_aspace_147176#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_147176","ref_ssm":["aspace_147176","aspace_147176"],"id":"98ff5eee275a3aba6d1d8b92_aspace_147176","title_filing_ssi":"Series 3","title_ssm":["Series 3"],"title_tesim":["Series 3"],"normalized_title_ssm":["Series 3"],"text":["Series 3","The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950","Series 3","/repositories/2/archival_objects/3872"],"component_level_isim":[1],"parent_ids_ssim":["98ff5eee275a3aba6d1d8b92"],"parent_unittitles_ssm":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"parent_unittitles_tesim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/2/archival_objects/3872"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":2225,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2","_nest_parent_":"98ff5eee275a3aba6d1d8b92","_root_":"98ff5eee275a3aba6d1d8b92","_version_":1870863090338234368,"timestamp":"2026-07-16T09:27:58.578Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"98ff5eee275a3aba6d1d8b92","title_filing_ssi":"Pugh Collection of Amateur Periodicals, The","title_ssm":["The Pugh Collection of Amateur Periodicals"],"title_tesim":["The Pugh Collection of Amateur Periodicals"],"ead_ssi":"98ff5eee275a3aba6d1d8b92","unitdate_ssm":["1930-1982","1930-1950","Date acquired: 10/00/1997"],"unitdate_bulk_ssim":["1930-1950"],"unitdate_inclusive_ssm":["1930-1982"],"unitdate_other_ssim":["Date acquired: 10/00/1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1997-05","/repositories/2/resources/39"],"text":["MS-1997-05","/repositories/2/resources/39","The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950","Science fiction -- American","amateur press periodicals","alphabetical order by series","Mary L. Pugh (1918-2005) was born in Scotland, Maryland. She was the sister of Joseph F. Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.","Note written by Yahaira Cruz Castro","Processed","The Pugh Hobby Printing Collection","The collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org","USF Libraries - Tampa Special Collections","Pugh, Mary L. (1918-2005)","English"],"unitid_tesim":["MS-1997-05","/repositories/2/resources/39"],"normalized_date_ssm":["1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"normalized_title_ssm":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"collection_title_tesim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"collection_ssim":["The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Pugh, Mary L. (1918-2005)"],"creator_ssim":["Pugh, Mary L. (1918-2005)"],"creator_persname_ssim":["Pugh, Mary L. (1918-2005)"],"creators_ssim":["Pugh, Mary L. (1918-2005)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mary L. Pugh","unknown"],"access_subjects_ssim":["Science fiction -- American","amateur press periodicals"],"access_subjects_ssm":["Science fiction -- American","amateur press periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["16.68 Linear Feet","42 boxes"],"extent_tesim":["16.68 Linear Feet","42 boxes"],"genreform_ssim":["amateur press periodicals"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003ealphabetical order by series\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["alphabetical order by series"],"bioghist_html_tesm":["\u003cp\u003eMary L. Pugh (1918-2005) was born in Scotland, Maryland. She was the sister of Joseph F. Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.\u003c/p\u003e\n","\u003cp\u003eNote written by Yahaira Cruz Castro\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mary L. Pugh (1918-2005) was born in Scotland, Maryland. She was the sister of Joseph F. Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.","Note written by Yahaira Cruz Castro"],"prefercite_html_tesm":["\u003cp\u003eThe Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Pugh Hobby Printing Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Pugh Hobby Printing Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the \u003cemph render=\"italic\"\u003eArtis\u003c/emph\u003e which included essays and news regarding current NAPA members and the \u003cemph render=\"italic\"\u003eDenver Dingbat\u003c/emph\u003e that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA)."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a882cc3b6f79b003a1786492dd4b6619\" label=\"Abstract\"\u003eAmateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org\u003c/abstract\u003e"],"abstract_tesim":["Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org"],"names_ssim":["USF Libraries - Tampa Special Collections","Pugh, Mary L. (1918-2005)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Pugh, Mary L. (1918-2005)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2329,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863090338234368,"_root_":"98ff5eee275a3aba6d1d8b92","timestamp":"2026-07-16T09:27:58.578Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/98ff5eee275a3aba6d1d8b92_aspace_147176"}},{"id":"d331ed22985bd548fd56cca6_aspace_74367","type":"Series","attributes":{"title":"Series 3: Artifacts","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_74367#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_74367","ref_ssm":["aspace_74367","aspace_74367"],"id":"d331ed22985bd548fd56cca6_aspace_74367","title_filing_ssi":"Series 3: Artifacts","title_ssm":["Series 3: Artifacts"],"title_tesim":["Series 3: Artifacts"],"normalized_title_ssm":["Series 3: Artifacts"],"text":["Series 3: Artifacts","Abril Lamarque Collection, 1883-2001","/repositories/2/archival_objects/59657"],"component_level_isim":[1],"parent_ids_ssim":["d331ed22985bd548fd56cca6"],"parent_unittitles_ssm":["Abril Lamarque Collection, 1883-2001"],"parent_unittitles_tesim":["Abril Lamarque Collection, 1883-2001"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/59657"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":242,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"_nest_path_":"/components#2","_nest_parent_":"d331ed22985bd548fd56cca6","_root_":"d331ed22985bd548fd56cca6","_version_":1870844705641594880,"timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_74367"}},{"id":"fbf633f326a970bc04506713_aspace_6e4db966808c121c2a78e987de8beebc","type":"Series","attributes":{"title":"Series 3: Biographical Files, 1937-2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_6e4db966808c121c2a78e987de8beebc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6e4db966808c121c2a78e987de8beebc","ref_ssm":["aspace_6e4db966808c121c2a78e987de8beebc","aspace_6e4db966808c121c2a78e987de8beebc"],"id":"fbf633f326a970bc04506713_aspace_6e4db966808c121c2a78e987de8beebc","title_filing_ssi":"Series 3: Biographical Files","title_ssm":["Series 3: Biographical Files"],"title_tesim":["Series 3: Biographical Files"],"unitdate_inclusive_ssm":["1937-2000"],"normalized_date_ssm":["1937-2000"],"normalized_title_ssm":["Series 3: Biographical Files, 1937-2000"],"text":["Series 3: Biographical Files, 1937-2000","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","/repositories/10/archival_objects/234923"],"component_level_isim":[1],"parent_ids_ssim":["fbf633f326a970bc04506713"],"parent_unittitles_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"parent_unittitles_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/234923"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":438,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"_nest_path_":"/components#2","_nest_parent_":"fbf633f326a970bc04506713","_root_":"fbf633f326a970bc04506713","_version_":1880459939778920448,"timestamp":"2026-10-30T07:45:47.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbf633f326a970bc04506713","title_ssm":["FSU School of Dance Records"],"title_tesim":["FSU School of Dance Records"],"ead_ssi":"fbf633f326a970bc04506713","unitdate_ssm":["1911-1912, 1920, 1927-2006, 2011-2012","1960-2000"],"unitdate_bulk_ssim":["1960-2000"],"unitdate_inclusive_ssm":["1911-1912, 1920, 1927-2006, 2011-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2013-009","/repositories/10/resources/1929"],"text":["HP 2013-009","/repositories/10/resources/1929","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Dance","Modern dance","Choreography","This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library .","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond","English"],"unitid_tesim":["HP 2013-009","/repositories/10/resources/1929"],"normalized_date_ssm":["1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"normalized_title_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_title_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_ssim":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_persname_ssim":["Dickinson, Nellie-Bond"],"creator_corpname_ssim":["Florida State University. School of Dance","Florida State University. School of Dance"],"creators_ssim":["Dickinson, Nellie-Bond","Florida State University. School of Dance","Florida State University. School of Dance"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Accessioned May 2, 2013"],"access_subjects_ssim":["Dance","Modern dance","Choreography"],"access_subjects_ssm":["Dance","Modern dance","Choreography"],"has_online_content_ssim":["false"],"extent_ssm":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"extent_tesim":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. \u003c/p\u003e\n","\u003cp\u003eIn 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.\u003c/p\u003e\n","\u003cp\u003eThe core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.\u003c/p\u003e\n","\u003cp\u003eThe School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.\u003c/p\u003e","\u003cp\u003eNellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. \u003c/p\u003e\n","\u003cp\u003eDickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Nellie-Bond Dickinson"],"bioghist_tesim":["The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.\u003c/p\u003e","\u003cp\u003eSelect materials from the FSU School of Dance Records have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/School%20of%20Dance?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Online Copies Available "],"scopecontent_tesim":["The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State University. School of Dance","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women"],"persname_ssim":["Dickinson, Nellie-Bond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":549,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880459939778920448,"_root_":"fbf633f326a970bc04506713","timestamp":"2026-10-30T07:45:47.591Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_6e4db966808c121c2a78e987de8beebc"}},{"id":"3979aec100209112f713fca5_aspace_7af874363c9f9e25d3876b4c3d7f3b94","type":"Series","attributes":{"title":"Series 3: F Club Materials, 1915, 1921-1984, 1995, 2000-2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3979aec100209112f713fca5_aspace_7af874363c9f9e25d3876b4c3d7f3b94#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSelect materials from this series have been digitized and are available through the \u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huaalumniassoccoll\" target=\"_blank\" class=\"external-link\"\u003eAlumni Association Collection\u003c/a\u003e in the FSU Digital Library.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3979aec100209112f713fca5_aspace_7af874363c9f9e25d3876b4c3d7f3b94#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7af874363c9f9e25d3876b4c3d7f3b94","ref_ssm":["aspace_7af874363c9f9e25d3876b4c3d7f3b94","aspace_7af874363c9f9e25d3876b4c3d7f3b94"],"id":"3979aec100209112f713fca5_aspace_7af874363c9f9e25d3876b4c3d7f3b94","title_filing_ssi":"Series 3: F Club Materials","title_ssm":["Series 3: F Club Materials"],"title_tesim":["Series 3: F Club Materials"],"unitdate_inclusive_ssm":["1915, 1921-1984, 1995, 2000-2001"],"normalized_date_ssm":["1915, 1921-1984, 1995, 2000-2001"],"normalized_title_ssm":["Series 3: F Club Materials, 1915, 1921-1984, 1995, 2000-2001"],"text":["Series 3: F Club Materials, 1915, 1921-1984, 1995, 2000-2001","Alumni Association Collection, 1906-2011, bulk 1921-1983","/repositories/10/archival_objects/242831","F Club","The F Club was a student organization founded on March 16, 1913 at the Florida State College for Women. The motto of the club was \"femina perfecta,\" meaning \"the perfect woman.\" The purpose of the F Club was to cooperate with the divisions of women's intramurals and varsity athletics in promoting women's athletic activities, to contribute to the development of high ideals and university spirit among the students on campus, and to award the \"F\" as a sign of outstanding athletic ability. In coordination with the Odd and Even teams, F Club membership required participation and a varsity letter \"F.\"","In 1928, Miss Mitchell created the Emblem which was an F with six stars. The requirements for the Emblem changed over time. Early in the club's history, it was awarded to a member who received seven all-stars (i.e., made varsity) in seven different sports on campus. Later, the requirement was to make an all-star in every sports season beginning freshman year.","New members in F Club were called \"goat edge,\" and the initiation process was called \"goating.\" This idea was borrowed from the sororities who called their pledges \"goats.\" Goats were required to sing original songs, perform skits, and generally entertain F Club members. During Field Day, members dressed up as babies and had a parade as well as a chariot race. They also participated in athletic events and scavenger hunts.","Select materials from this series have been digitized and are available through the  Alumni Association Collection  in the FSU Digital Library."],"component_level_isim":[1],"parent_ids_ssim":["3979aec100209112f713fca5"],"parent_unittitles_ssm":["Alumni Association Collection, 1906-2011, bulk 1921-1983"],"parent_unittitles_tesim":["Alumni Association Collection, 1906-2011, bulk 1921-1983"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/242831"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Alumni Association Collection, 1906-2011, bulk 1921-1983"],"creator_ssim":["F Club"],"has_online_content_ssim":["false"],"child_component_count_isi":44,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":849,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["F Club"],"corpname_ssim":["F Club"],"bioghist_html_tesm":["\u003cp\u003eThe F Club was a student organization founded on March 16, 1913 at the Florida State College for Women. The motto of the club was \"femina perfecta,\" meaning \"the perfect woman.\" The purpose of the F Club was to cooperate with the divisions of women's intramurals and varsity athletics in promoting women's athletic activities, to contribute to the development of high ideals and university spirit among the students on campus, and to award the \"F\" as a sign of outstanding athletic ability. In coordination with the Odd and Even teams, F Club membership required participation and a varsity letter \"F.\"\u003c/p\u003e","\u003cp\u003eIn 1928, Miss Mitchell created the Emblem which was an F with six stars. The requirements for the Emblem changed over time. Early in the club's history, it was awarded to a member who received seven all-stars (i.e., made varsity) in seven different sports on campus. Later, the requirement was to make an all-star in every sports season beginning freshman year.\u003c/p\u003e","\u003cp\u003eNew members in F Club were called \"goat edge,\" and the initiation process was called \"goating.\" This idea was borrowed from the sororities who called their pledges \"goats.\" Goats were required to sing original songs, perform skits, and generally entertain F Club members. During Field Day, members dressed up as babies and had a parade as well as a chariot race. They also participated in athletic events and scavenger hunts.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The F Club was a student organization founded on March 16, 1913 at the Florida State College for Women. The motto of the club was \"femina perfecta,\" meaning \"the perfect woman.\" The purpose of the F Club was to cooperate with the divisions of women's intramurals and varsity athletics in promoting women's athletic activities, to contribute to the development of high ideals and university spirit among the students on campus, and to award the \"F\" as a sign of outstanding athletic ability. In coordination with the Odd and Even teams, F Club membership required participation and a varsity letter \"F.\"","In 1928, Miss Mitchell created the Emblem which was an F with six stars. The requirements for the Emblem changed over time. Early in the club's history, it was awarded to a member who received seven all-stars (i.e., made varsity) in seven different sports on campus. Later, the requirement was to make an all-star in every sports season beginning freshman year.","New members in F Club were called \"goat edge,\" and the initiation process was called \"goating.\" This idea was borrowed from the sororities who called their pledges \"goats.\" Goats were required to sing original songs, perform skits, and generally entertain F Club members. During Field Day, members dressed up as babies and had a parade as well as a chariot race. They also participated in athletic events and scavenger hunts."],"scopecontent_html_tesm":["\u003cp\u003eSelect materials from this series have been digitized and are available through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huaalumniassoccoll\"\u003eAlumni Association Collection\u003c/extref\u003e in the FSU Digital Library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Online Copies Available"],"scopecontent_tesim":["Select materials from this series have been digitized and are available through the  Alumni Association Collection  in the FSU Digital Library."],"_nest_path_":"/components#2","_nest_parent_":"3979aec100209112f713fca5","_root_":"3979aec100209112f713fca5","timestamp":"2026-05-30T02:46:10.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3979aec100209112f713fca5","title_ssm":["Alumni Association Collection"],"title_tesim":["Alumni Association Collection"],"ead_ssi":"3979aec100209112f713fca5","unitdate_ssm":["1906-2011","1921-1983"],"unitdate_bulk_ssim":["1921-1983"],"unitdate_inclusive_ssm":["1906-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2007-0AG","/repositories/10/resources/851"],"text":["HP 2007-0AG","/repositories/10/resources/851","Alumni Association Collection, 1906-2011, bulk 1921-1983","Rowena Longmire Building (Tallahassee, Fla.)","Football.","Florida State University--Anniversaries, etc.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Materials arranged into six series and alphabetically thereunder.","In May 1909, twenty graduates from the newly established Florida State College for Women founded the FSCW Alumni Association. In 1920, the first Alumni Club was created in New York City. Later, alumnae across Florida formed local \"Flastacowo\" clubs, laying the groundwork for the current Seminole Club network, whose mission is to unite alumni and friends of FSU in certain geographic areas. With the establishment of Florida State University in 1947 as a co-educational institution, new athletic teams were introduced. In response, the Alumni Association created Seminole Boosters, Inc. in 1950 to support the Athletic Department, which remained part of the Alumni Association until 1974. Initially located in the Longmire Alumni Building, named after the first executive director, Miss Rowena Longmire, the Alumni Association expanded as FSU grew, launching initiatives like the Seminole Club network, Emeriti Society, and 50-year class reunions. In February 1997, the Association moved to the University Center, and in 2004, it relocated to a new Alumni Center in a renovated Colonial-style home near campus on West Tennessee Street.","The F Club was a student organization founded on March 16, 1913 at the Florida State College for Women. The motto of the club was \"femina perfecta,\" meaning \"the perfect woman.\" The purpose of the F Club was to cooperate with the divisions of women's intramurals and varsity athletics in promoting women's athletic activities, to contribute to the development of high ideals and university spirit among the students on campus, and to award the \"F\" as a sign of outstanding athletic ability. In coordination with the Odd and Even teams, F Club membership required participation and a varsity letter \"F.\"","In 1928, Miss Mitchell created the Emblem which was an F with six stars. The requirements for the Emblem changed over time. Early in the club's history, it was awarded to a member who received seven all-stars (i.e., made varsity) in seven different sports on campus. Later, the requirement was to make an all-star in every sports season beginning freshman year.","New members in F Club were called \"goat edge,\" and the initiation process was called \"goating.\" This idea was borrowed from the sororities who called their pledges \"goats.\" Goats were required to sing original songs, perform skits, and generally entertain F Club members. During Field Day, members dressed up as babies and had a parade as well as a chariot race. They also participated in athletic events and scavenger hunts.","The Femina Perfecta VHS tape, CDs, and DVDs require playback equipment to view.","This collection was previously organized into the following separate collections:","Florida State University Alumni Association Seminole Club Out of State Newsletters (MSS 2007-044),\nAlumni Association Football Collection (HP 2007-0AP),\nAlumni Association Records (HP 2007-0AR),\nAlumni Association Miscellaneous Photograph Collection (HP 2007-0AG),\nAlumni Association F Club Collection (HP 2007-067),\nAlumni Association Materials (HUA 2016-0344),\nHistoric Alumni Association Records (HUA 2016-097),\nAlumni Association Scrapbook (HUA 2016-123),\nAlumni Association 100th Anniversary Coins (HUA 2022-023),\nNASA Frame and FSU Memorabilia (HUA 2022-024),\nFSU Housing and Athletics Materials (HPUA 2015-072),\nFSU Memorabilia \u0026 Commemorative Items (HUA 2015-062)","Alumni Association Flying High Circus Collection (HP 2007-0AF), http://purl.fcla.edu/fsu/HP-2007-0AF","The Florida State University Alumni Association Collection consists of materials created or collected by the FSU Alumni Association from 1906 to 2011. Its contents are divided into six series. ","Series 1: Alumni Association Records documents the administrative activities of the Alumni Association since its founding as the Florida State College for Women (FSCW) Alumni Association. The series includes correspondence, budgets, presidential and treasurer's reports, manuals, Award of Honor records, class lists, reunion records, histories FSCW, FSU, and of the Alumni Association, and records documenting the furnishings and history of the Longmire Alumni Building. ","Series 2: Photographs and Scrapbooks contains photographs collected by the Alumni Association. Particularly well represented are photographs of the FSCW era and photographs of the kickoff celebration for the 150th anniversary of FSU in 2001. The series also includes a scrapbook made by Clara C. Johnson documenting FSCW and the Alumni Association and a scrapbook of newspaper clippings regarding sports and other events at FSCW. ","Series 3: F Club Materials contains records documenting the F Club from 1929 to the reunion in 2011 collected by the FSU Alumni Association. It includes handmade F Club song books, notebooks, correspondence, constitutions, histories of the organization, member lists, personnel documents, president's minutes and reports, event programs, photographs, and wooden \"F\" carvings and other handmade wooden objects. ","Series 4: Publications includes football programs, other event programs, news clippings, Alumni Magazine, Seminole Club Out of State Newsletters from 1992-1996, and an Eppes Family History. ","Series 5: Memorabilia and Realia contains commemorative coins, buttons, and pins commemorating events such as FSU's 150th anniversary. It also includes a license plate, a pennant flag, a hat, a sugar bowl, paperweights, a vest with FSU colors and a tribal pattern, and a collage documenting the STS-71/MIS-19 mission signed by the crew. ","Series 6: Audiovisual Materials contains a Femina Perfecta VHS tape, CDs titled \"Seminoles of FSU,\" \"Championship Highlights,\" and \"A Little Garnet, a Lot of Gold,\" and a Tommy Wright FSU Songbook DVD. ","Select materials from this collection have been digitized and are available through the  FSU Photograph Collection  and the  Alumni Association Collection  in the FSU Digital Library.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University","Florida State College for Women","Johnson, Clara C.","English"],"unitid_tesim":["HP 2007-0AG","/repositories/10/resources/851"],"normalized_date_ssm":["1906-2011, bulk 1921-1983"],"normalized_title_ssm":["Alumni Association Collection, 1906-2011, bulk 1921-1983"],"collection_title_tesim":["Alumni Association Collection, 1906-2011, bulk 1921-1983"],"collection_ssim":["Alumni Association Collection, 1906-2011, bulk 1921-1983"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Rowena Longmire Building (Tallahassee, Fla.)"],"geogname_ssim":["Rowena Longmire Building (Tallahassee, Fla.)"],"creator_ssm":["Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University"],"creator_ssim":["Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University"],"creator_corpname_ssim":["Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University"],"creators_ssim":["Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University"],"places_ssim":["Rowena Longmire Building (Tallahassee, Fla.)"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Transported from the FSU Alumni Association to FSU Libraries in 2007, 2015, and 2022. Clara Johnson Scrapbook, Alumni Association records, and other materials transferred from Commonwealth in 2016."],"access_subjects_ssim":["Football.","Florida State University--Anniversaries, etc."],"access_subjects_ssm":["Football.","Florida State University--Anniversaries, etc."],"has_online_content_ssim":["false"],"extent_ssm":["15.25 Linear Feet 6 record storage boxes, 5 oversize boxes, one small custom box"],"extent_tesim":["15.25 Linear Feet 6 record storage boxes, 5 oversize boxes, one small custom box"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eMaterials arranged into six series and alphabetically thereunder.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials arranged into six series and alphabetically thereunder."],"bioghist_html_tesm":["\u003cp\u003eIn May 1909, twenty graduates from the newly established Florida State College for Women founded the FSCW Alumni Association. In 1920, the first Alumni Club was created in New York City. Later, alumnae across Florida formed local \"Flastacowo\" clubs, laying the groundwork for the current Seminole Club network, whose mission is to unite alumni and friends of FSU in certain geographic areas. With the establishment of Florida State University in 1947 as a co-educational institution, new athletic teams were introduced. In response, the Alumni Association created Seminole Boosters, Inc. in 1950 to support the Athletic Department, which remained part of the Alumni Association until 1974. Initially located in the Longmire Alumni Building, named after the first executive director, Miss Rowena Longmire, the Alumni Association expanded as FSU grew, launching initiatives like the Seminole Club network, Emeriti Society, and 50-year class reunions. In February 1997, the Association moved to the University Center, and in 2004, it relocated to a new Alumni Center in a renovated Colonial-style home near campus on West Tennessee Street.\u003c/p\u003e","\u003cp\u003eThe F Club was a student organization founded on March 16, 1913 at the Florida State College for Women. The motto of the club was \"femina perfecta,\" meaning \"the perfect woman.\" The purpose of the F Club was to cooperate with the divisions of women's intramurals and varsity athletics in promoting women's athletic activities, to contribute to the development of high ideals and university spirit among the students on campus, and to award the \"F\" as a sign of outstanding athletic ability. In coordination with the Odd and Even teams, F Club membership required participation and a varsity letter \"F.\"\u003c/p\u003e\n","\u003cp\u003eIn 1928, Miss Mitchell created the Emblem which was an F with six stars. The requirements for the Emblem changed over time. Early in the club's history, it was awarded to a member who received seven all-stars (i.e., made varsity) in seven different sports on campus. Later, the requirement was to make an all-star in every sports season beginning freshman year.\u003c/p\u003e\n","\u003cp\u003eNew members in F Club were called \"goat edge,\" and the initiation process was called \"goating.\" This idea was borrowed from the sororities who called their pledges \"goats.\" Goats were required to sing original songs, perform skits, and generally entertain F Club members. During Field Day, members dressed up as babies and had a parade as well as a chariot race. They also participated in athletic events and scavenger hunts.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","F Club History"],"bioghist_tesim":["In May 1909, twenty graduates from the newly established Florida State College for Women founded the FSCW Alumni Association. In 1920, the first Alumni Club was created in New York City. Later, alumnae across Florida formed local \"Flastacowo\" clubs, laying the groundwork for the current Seminole Club network, whose mission is to unite alumni and friends of FSU in certain geographic areas. With the establishment of Florida State University in 1947 as a co-educational institution, new athletic teams were introduced. In response, the Alumni Association created Seminole Boosters, Inc. in 1950 to support the Athletic Department, which remained part of the Alumni Association until 1974. Initially located in the Longmire Alumni Building, named after the first executive director, Miss Rowena Longmire, the Alumni Association expanded as FSU grew, launching initiatives like the Seminole Club network, Emeriti Society, and 50-year class reunions. In February 1997, the Association moved to the University Center, and in 2004, it relocated to a new Alumni Center in a renovated Colonial-style home near campus on West Tennessee Street.","The F Club was a student organization founded on March 16, 1913 at the Florida State College for Women. The motto of the club was \"femina perfecta,\" meaning \"the perfect woman.\" The purpose of the F Club was to cooperate with the divisions of women's intramurals and varsity athletics in promoting women's athletic activities, to contribute to the development of high ideals and university spirit among the students on campus, and to award the \"F\" as a sign of outstanding athletic ability. In coordination with the Odd and Even teams, F Club membership required participation and a varsity letter \"F.\"","In 1928, Miss Mitchell created the Emblem which was an F with six stars. The requirements for the Emblem changed over time. Early in the club's history, it was awarded to a member who received seven all-stars (i.e., made varsity) in seven different sports on campus. Later, the requirement was to make an all-star in every sports season beginning freshman year.","New members in F Club were called \"goat edge,\" and the initiation process was called \"goating.\" This idea was borrowed from the sororities who called their pledges \"goats.\" Goats were required to sing original songs, perform skits, and generally entertain F Club members. During Field Day, members dressed up as babies and had a parade as well as a chariot race. They also participated in athletic events and scavenger hunts."],"phystech_html_tesm":["\u003cp\u003eThe Femina Perfecta VHS tape, CDs, and DVDs require playback equipment to view.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Femina Perfecta VHS tape, CDs, and DVDs require playback equipment to view."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Alumni Association Collection, HP 2007-0AG, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. http://purl.fcla.edu/fsu/HP-2007-0AG.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Alumni Association Collection, HP 2007-0AG, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. http://purl.fcla.edu/fsu/HP-2007-0AG."],"processinfo_html_tesm":["\u003cp\u003eThis collection was previously organized into the following separate collections:\u003c/p\u003e","\u003cp\u003eFlorida State University Alumni Association Seminole Club Out of State Newsletters (MSS 2007-044),\nAlumni Association Football Collection (HP 2007-0AP),\nAlumni Association Records (HP 2007-0AR),\nAlumni Association Miscellaneous Photograph Collection (HP 2007-0AG),\nAlumni Association F Club Collection (HP 2007-067),\nAlumni Association Materials (HUA 2016-0344),\nHistoric Alumni Association Records (HUA 2016-097),\nAlumni Association Scrapbook (HUA 2016-123),\nAlumni Association 100th Anniversary Coins (HUA 2022-023),\nNASA Frame and FSU Memorabilia (HUA 2022-024),\nFSU Housing and Athletics Materials (HPUA 2015-072),\nFSU Memorabilia \u0026amp; Commemorative Items (HUA 2015-062)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was previously organized into the following separate collections:","Florida State University Alumni Association Seminole Club Out of State Newsletters (MSS 2007-044),\nAlumni Association Football Collection (HP 2007-0AP),\nAlumni Association Records (HP 2007-0AR),\nAlumni Association Miscellaneous Photograph Collection (HP 2007-0AG),\nAlumni Association F Club Collection (HP 2007-067),\nAlumni Association Materials (HUA 2016-0344),\nHistoric Alumni Association Records (HUA 2016-097),\nAlumni Association Scrapbook (HUA 2016-123),\nAlumni Association 100th Anniversary Coins (HUA 2022-023),\nNASA Frame and FSU Memorabilia (HUA 2022-024),\nFSU Housing and Athletics Materials (HPUA 2015-072),\nFSU Memorabilia \u0026 Commemorative Items (HUA 2015-062)"],"relatedmaterial_html_tesm":["\u003cp\u003eAlumni Association Flying High Circus Collection (HP 2007-0AF), http://purl.fcla.edu/fsu/HP-2007-0AF\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alumni Association Flying High Circus Collection (HP 2007-0AF), http://purl.fcla.edu/fsu/HP-2007-0AF"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University Alumni Association Collection consists of materials created or collected by the FSU Alumni Association from 1906 to 2011. Its contents are divided into six series. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Alumni Association Records documents the administrative activities of the Alumni Association since its founding as the Florida State College for Women (FSCW) Alumni Association. The series includes correspondence, budgets, presidential and treasurer's reports, manuals, Award of Honor records, class lists, reunion records, histories FSCW, FSU, and of the Alumni Association, and records documenting the furnishings and history of the Longmire Alumni Building. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographs and Scrapbooks contains photographs collected by the Alumni Association. Particularly well represented are photographs of the FSCW era and photographs of the kickoff celebration for the 150th anniversary of FSU in 2001. The series also includes a scrapbook made by Clara C. Johnson documenting FSCW and the Alumni Association and a scrapbook of newspaper clippings regarding sports and other events at FSCW. \u003c/p\u003e\n","\u003cp\u003eSeries 3: F Club Materials contains records documenting the F Club from 1929 to the reunion in 2011 collected by the FSU Alumni Association. It includes handmade F Club song books, notebooks, correspondence, constitutions, histories of the organization, member lists, personnel documents, president's minutes and reports, event programs, photographs, and wooden \"F\" carvings and other handmade wooden objects. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Publications includes football programs, other event programs, news clippings, Alumni Magazine, Seminole Club Out of State Newsletters from 1992-1996, and an Eppes Family History. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Memorabilia and Realia contains commemorative coins, buttons, and pins commemorating events such as FSU's 150th anniversary. It also includes a license plate, a pennant flag, a hat, a sugar bowl, paperweights, a vest with FSU colors and a tribal pattern, and a collage documenting the STS-71/MIS-19 mission signed by the crew. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Audiovisual Materials contains a Femina Perfecta VHS tape, CDs titled \"Seminoles of FSU,\" \"Championship Highlights,\" and \"A Little Garnet, a Lot of Gold,\" and a Tommy Wright FSU Songbook DVD. \u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized and are available through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huaphotographcollection\"\u003eFSU Photograph Collection\u003c/extref\u003e and the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huaalumniassoccoll\"\u003eAlumni Association Collection\u003c/extref\u003e in the FSU Digital Library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Florida State University Alumni Association Collection consists of materials created or collected by the FSU Alumni Association from 1906 to 2011. Its contents are divided into six series. ","Series 1: Alumni Association Records documents the administrative activities of the Alumni Association since its founding as the Florida State College for Women (FSCW) Alumni Association. The series includes correspondence, budgets, presidential and treasurer's reports, manuals, Award of Honor records, class lists, reunion records, histories FSCW, FSU, and of the Alumni Association, and records documenting the furnishings and history of the Longmire Alumni Building. ","Series 2: Photographs and Scrapbooks contains photographs collected by the Alumni Association. Particularly well represented are photographs of the FSCW era and photographs of the kickoff celebration for the 150th anniversary of FSU in 2001. The series also includes a scrapbook made by Clara C. Johnson documenting FSCW and the Alumni Association and a scrapbook of newspaper clippings regarding sports and other events at FSCW. ","Series 3: F Club Materials contains records documenting the F Club from 1929 to the reunion in 2011 collected by the FSU Alumni Association. It includes handmade F Club song books, notebooks, correspondence, constitutions, histories of the organization, member lists, personnel documents, president's minutes and reports, event programs, photographs, and wooden \"F\" carvings and other handmade wooden objects. ","Series 4: Publications includes football programs, other event programs, news clippings, Alumni Magazine, Seminole Club Out of State Newsletters from 1992-1996, and an Eppes Family History. ","Series 5: Memorabilia and Realia contains commemorative coins, buttons, and pins commemorating events such as FSU's 150th anniversary. It also includes a license plate, a pennant flag, a hat, a sugar bowl, paperweights, a vest with FSU colors and a tribal pattern, and a collage documenting the STS-71/MIS-19 mission signed by the crew. ","Series 6: Audiovisual Materials contains a Femina Perfecta VHS tape, CDs titled \"Seminoles of FSU,\" \"Championship Highlights,\" and \"A Little Garnet, a Lot of Gold,\" and a Tommy Wright FSU Songbook DVD. ","Select materials from this collection have been digitized and are available through the  FSU Photograph Collection  and the  Alumni Association Collection  in the FSU Digital Library."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State College for Women","Florida State University","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University","Florida State College for Women","Johnson, Clara C."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. Alumni Association","Florida State College for Women. Alumnae Association","F Club","Florida State University","Florida State College for Women"],"persname_ssim":["Johnson, Clara C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1030,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3979aec100209112f713fca5","timestamp":"2026-05-30T02:46:10.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3979aec100209112f713fca5_aspace_7af874363c9f9e25d3876b4c3d7f3b94"}},{"id":"a62b266ca8a0c4c6e9a227d3_aspace_5bf916fa475e48113943ae11d018806d","type":"Series","attributes":{"title":"Series 3: Journals and Movie Reviews","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_5bf916fa475e48113943ae11d018806d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5bf916fa475e48113943ae11d018806d","ref_ssm":["aspace_5bf916fa475e48113943ae11d018806d","aspace_5bf916fa475e48113943ae11d018806d"],"id":"a62b266ca8a0c4c6e9a227d3_aspace_5bf916fa475e48113943ae11d018806d","title_filing_ssi":"Series 3: Journals and Movie Reviews","title_ssm":["Series 3: Journals and Movie Reviews"],"title_tesim":["Series 3: Journals and Movie Reviews"],"normalized_title_ssm":["Series 3: Journals and Movie Reviews"],"text":["Series 3: Journals and Movie Reviews","Rob Boyte Collection, bulk date unknown","3","/repositories/2/archival_objects/83782"],"component_level_isim":[1],"parent_ids_ssim":["a62b266ca8a0c4c6e9a227d3"],"parent_unittitles_ssm":["Rob Boyte Collection, bulk date unknown"],"parent_unittitles_tesim":["Rob Boyte Collection, bulk date unknown"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/2/archival_objects/83782"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":67,"parent_access_restrict_tesm":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#2","_nest_parent_":"a62b266ca8a0c4c6e9a227d3","_root_":"a62b266ca8a0c4c6e9a227d3","_version_":1876642586161053696,"timestamp":"2026-09-18T04:30:35.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a62b266ca8a0c4c6e9a227d3","title_ssm":["Rob Boyte Collection"],"title_tesim":["Rob Boyte Collection"],"ead_ssi":"a62b266ca8a0c4c6e9a227d3","unitdate_ssm":["date unknown"],"unitdate_bulk_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8030","/repositories/2/resources/12"],"text":["SPC8030","/repositories/2/resources/12","Rob Boyte Collection, bulk date unknown","Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.","Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte","The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Boyte, Robert Alan","English"],"unitid_tesim":["SPC8030","/repositories/2/resources/12"],"normalized_date_ssm":["bulk date unknown"],"normalized_title_ssm":["Rob Boyte Collection, bulk date unknown"],"collection_title_tesim":["Rob Boyte Collection, bulk date unknown"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Boyte, Robert Alan"],"creator_ssim":["Boyte, Robert Alan"],"creator_persname_ssim":["Boyte, Robert Alan"],"creators_ssim":["Boyte, Robert Alan"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Donated by Rob Boyte"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 boxes"],"extent_tesim":["6.00 boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eRestrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"bioghist_html_tesm":["\u003cp\u003eRob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.\u0026#xA0; His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.\u0026#xA0; His interests as an adolescent in high school were Art, Biology and Writing.\u0026#xA0; Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"\u003c/p\u003e\n","\u003cp\u003eDuring childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. \u003c/p\u003e\n","\u003cp\u003eRob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.\u0026#xA0; His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.\u0026#xA0; After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.\u0026#xA0; That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).\u003c/p\u003e\n","\u003cp\u003eRob was never goal oriented and never selected a career other than gravitating to human services work.\u0026#xA0; In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. \u003c/p\u003e\n","\u003cp\u003eWhile in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.\u0026#xA0; While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. \u003c/p\u003e\n","\u003cp\u003eRob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.\u0026#xA0;\u0026#xA0; Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.\u0026#xA0; They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.\u0026#xA0; Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.\u003c/p\u003e\n","\u003cp\u003eDuring the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.\u0026#xA0; He also wrote a column for Naturist publications called \u003cemph render=\"italic\"\u003eNude Attitude\u003c/emph\u003e, which he later compiled into a small, self-published book of the same title.\u003c/p\u003e\n","\u003cp\u003eRob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.\u0026#xA0; Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. \u003c/p\u003e\n","\u003cp\u003eFrom 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.\u0026#xA0; During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.\u0026#xA0; In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eWhile living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.\u0026#xA0; Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.\u0026#xA0; Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.\u0026#xA0; Brenda worked at Alachua General Hospital.\u003c/p\u003e\n","\u003cp\u003eRob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.\u0026#xA0; Rob and Brenda got divorced in 1998. \u003c/p\u003e\n","\u003cp\u003eIn November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eNote written by Robert Alan Boyte\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte"],"scopecontent_html_tesm":["\u003cp\u003eThe Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Boyte, Robert Alan"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Boyte, Robert Alan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":74,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876642586161053696,"_root_":"a62b266ca8a0c4c6e9a227d3","timestamp":"2026-09-18T04:30:35.495Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_5bf916fa475e48113943ae11d018806d"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Congressman James A. Haley Collection, 1948-1977","value":"Congressman James A. 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