{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=709\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=711\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856\u0026view=compact"},"meta":{"pages":{"current_page":710,"next_page":711,"prev_page":709,"total_pages":856,"limit_value":10,"offset_value":7090,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"6e7f42ca5cc0dc4c15cdd844_aspace_b8f4a5e42ec9b33336a31a71dbb37915","type":"Series","attributes":{"title":"Series 1: Company of Products Cibils","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6e7f42ca5cc0dc4c15cdd844_aspace_b8f4a5e42ec9b33336a31a71dbb37915#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b8f4a5e42ec9b33336a31a71dbb37915","ref_ssm":["aspace_b8f4a5e42ec9b33336a31a71dbb37915","aspace_b8f4a5e42ec9b33336a31a71dbb37915"],"id":"6e7f42ca5cc0dc4c15cdd844_aspace_b8f4a5e42ec9b33336a31a71dbb37915","title_filing_ssi":"Series 1: Company of Products Cibils ","title_ssm":["Series 1: Company of Products Cibils "],"title_tesim":["Series 1: Company of Products Cibils "],"normalized_title_ssm":["Series 1: Company of Products Cibils"],"text":["Series 1: Company of Products Cibils","Advertising Trade Cards Collection, bulk 1870-1970","/repositories/2/archival_objects/73859"],"component_level_isim":[1],"parent_ids_ssim":["6e7f42ca5cc0dc4c15cdd844"],"parent_unittitles_ssm":["Advertising Trade Cards Collection, bulk 1870-1970"],"parent_unittitles_tesim":["Advertising Trade Cards Collection, bulk 1870-1970"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/73859"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Advertising Trade Cards Collection, bulk 1870-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ \nSpecial Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \nFor more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"6e7f42ca5cc0dc4c15cdd844","_root_":"6e7f42ca5cc0dc4c15cdd844","_version_":1870844393373564928,"timestamp":"2026-07-16T04:30:47.952Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6e7f42ca5cc0dc4c15cdd844","title_ssm":["Advertising Trade Cards Collection"],"title_tesim":["Advertising Trade Cards Collection"],"ead_ssi":"6e7f42ca5cc0dc4c15cdd844","unitdate_ssm":["1870-1970"],"unitdate_bulk_ssim":["1870-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8085","/repositories/2/resources/105"],"text":["SPC8085","/repositories/2/resources/105","Advertising Trade Cards Collection, bulk 1870-1970","Liebig's Extract of Meat Company","Advertising cards","Cuba--Social life and customs--Pictorial works","Sugar workers--Cuba","Tobacco--Harvesting--Cuba","Collection is open for research.","The collection is arranged in alphabetical order and organized in two Series. Series 1 is Company of Products Cibils and Series 2 is Liebig's Extract of Meat Company.","There were various companies in the late nineteenth century offering meat extract products on the European market. The Company of Products Cibils and Liebig's Extract of Meat Company were two of them. ","Bouillon Cibils was a broth made by stewing meat in water, promoted through advertising cards as a product for strength and energy. It can be found in its publicity that should be considered a complete diet in itself. A study on meat and bouillon extracts published in \"The Boston Medical and Surgical Journal\" from 1887 says that Cibils ranked first in tasting more like a beef soup in comparison to other brands. A common strategy at the time was to employ sales representatives, and Cibils had Van Geetruyen \u0026 Cie. as their general agent for sales in Belgium and Holland. The processing of the meat was done in South America, specifically in Descalvados, Brazil. While Liebig's Extract of Meat Company, did theirs in Fray Bentos, Uruguay. ","Justus von Liebig (1803-1873), a German chemist, known for producing beef broth on a commercial scale, gave its name to the Liebig's Extract of Meat Company. The idea of boiling beef to create a meat extract emerges to provide nutrition to the population suffering from food scarcity and the poor meat quality. Ever since this problem existed, many have gotten sick on a regular basis, and beef broth has piqued the interest of the medical community. The meat and bouillon extracts were highly valued products on the market at the time. It is worth considering that they were promoted as liquefied meat and rich in nutrition with healing properties.","Both companies executed advertising campaigns with trade cards that accompanied their products. These cards fulfilled different functions, such as business cards, to advertise products and reach customers, as well as collectibles. ","Related material to the Advertisement cards of Liebig's Extract of Meat Company may be found in the following repository. ","University of Miami Libraries, Cuban Heritage Collection.","https://digitalcollections.library.miami.edu/digital/collection/chc0364/id/278/rec/1 ","This collection consists of six advertising trade cards published by the Company of Products Cibils and six by the Liebig's Extract of Meat Company. The front of each card has a color illustration and a caption title in French or English. The titles are taken from the cards as they were, while those in French are translated for better access. The back of each card has the company's advertisement, additionally Liebig's includes in some their recipe and states to beware of imitations and require the signature J.v.LIEBIG in blue ink. The main subject of the images is Cuba, depicting tobacco plantations, the sugar cane industry, local markets, ports and ships. All of these made the island attractive for visitors and business people.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ \nSpecial Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \nFor more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English French"],"unitid_tesim":["SPC8085","/repositories/2/resources/105"],"normalized_date_ssm":["bulk 1870-1970"],"normalized_title_ssm":["Advertising Trade Cards Collection, bulk 1870-1970"],"collection_title_tesim":["Advertising Trade Cards Collection, bulk 1870-1970"],"collection_ssim":["Advertising Trade Cards Collection, bulk 1870-1970"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ \nSpecial Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \nFor more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["Liebig's Extract of Meat Company","Advertising cards","Cuba--Social life and customs--Pictorial works","Sugar workers--Cuba","Tobacco--Harvesting--Cuba"],"access_subjects_ssm":["Liebig's Extract of Meat Company","Advertising cards","Cuba--Social life and customs--Pictorial works","Sugar workers--Cuba","Tobacco--Harvesting--Cuba"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in alphabetical order and organized in two Series. Series 1 is Company of Products Cibils and Series 2 is Liebig's Extract of Meat Company.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in alphabetical order and organized in two Series. Series 1 is Company of Products Cibils and Series 2 is Liebig's Extract of Meat Company."],"bioghist_html_tesm":["\u003cp\u003eThere were various companies in the late nineteenth century offering meat extract products on the European market. The Company of Products Cibils and Liebig's Extract of Meat Company were two of them. \u003c/p\u003e\n","\u003cp\u003eBouillon Cibils was a broth made by stewing meat in water, promoted through advertising cards as a product for strength and energy. It can be found in its publicity that should be considered a complete diet in itself. A study on meat and bouillon extracts published in \"The Boston Medical and Surgical Journal\" from 1887 says that Cibils ranked first in tasting more like a beef soup in comparison to other brands. A common strategy at the time was to employ sales representatives, and Cibils had Van Geetruyen \u0026amp; Cie. as their general agent for sales in Belgium and Holland. The processing of the meat was done in South America, specifically in Descalvados, Brazil. While Liebig's Extract of Meat Company, did theirs in Fray Bentos, Uruguay. \u003c/p\u003e\n","\u003cp\u003eJustus von Liebig (1803-1873), a German chemist, known for producing beef broth on a commercial scale, gave its name to the Liebig's Extract of Meat Company. The idea of boiling beef to create a meat extract emerges to provide nutrition to the population suffering from food scarcity and the poor meat quality. Ever since this problem existed, many have gotten sick on a regular basis, and beef broth has piqued the interest of the medical community. The meat and bouillon extracts were highly valued products on the market at the time. It is worth considering that they were promoted as liquefied meat and rich in nutrition with healing properties.\u003c/p\u003e\n","\u003cp\u003eBoth companies executed advertising campaigns with trade cards that accompanied their products. These cards fulfilled different functions, such as business cards, to advertise products and reach customers, as well as collectibles. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["There were various companies in the late nineteenth century offering meat extract products on the European market. The Company of Products Cibils and Liebig's Extract of Meat Company were two of them. ","Bouillon Cibils was a broth made by stewing meat in water, promoted through advertising cards as a product for strength and energy. It can be found in its publicity that should be considered a complete diet in itself. A study on meat and bouillon extracts published in \"The Boston Medical and Surgical Journal\" from 1887 says that Cibils ranked first in tasting more like a beef soup in comparison to other brands. A common strategy at the time was to employ sales representatives, and Cibils had Van Geetruyen \u0026 Cie. as their general agent for sales in Belgium and Holland. The processing of the meat was done in South America, specifically in Descalvados, Brazil. While Liebig's Extract of Meat Company, did theirs in Fray Bentos, Uruguay. ","Justus von Liebig (1803-1873), a German chemist, known for producing beef broth on a commercial scale, gave its name to the Liebig's Extract of Meat Company. The idea of boiling beef to create a meat extract emerges to provide nutrition to the population suffering from food scarcity and the poor meat quality. Ever since this problem existed, many have gotten sick on a regular basis, and beef broth has piqued the interest of the medical community. The meat and bouillon extracts were highly valued products on the market at the time. It is worth considering that they were promoted as liquefied meat and rich in nutrition with healing properties.","Both companies executed advertising campaigns with trade cards that accompanied their products. These cards fulfilled different functions, such as business cards, to advertise products and reach customers, as well as collectibles. "],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the Advertisement cards of Liebig's Extract of Meat Company may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Cuban Heritage Collection.\u003c/p\u003e\n","\u003cp\u003ehttps://digitalcollections.library.miami.edu/digital/collection/chc0364/id/278/rec/1 \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the Advertisement cards of Liebig's Extract of Meat Company may be found in the following repository. ","University of Miami Libraries, Cuban Heritage Collection.","https://digitalcollections.library.miami.edu/digital/collection/chc0364/id/278/rec/1 "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of six advertising trade cards published by the Company of Products Cibils and six by the Liebig's Extract of Meat Company. The front of each card has a color illustration and a caption title in French or English. The titles are taken from the cards as they were, while those in French are translated for better access. The back of each card has the company's advertisement, additionally Liebig's includes in some their recipe and states to beware of imitations and require the signature J.v.LIEBIG in blue ink. The main subject of the images is Cuba, depicting tobacco plantations, the sugar cane industry, local markets, ports and ships. All of these made the island attractive for visitors and business people.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of six advertising trade cards published by the Company of Products Cibils and six by the Liebig's Extract of Meat Company. The front of each card has a color illustration and a caption title in French or English. The titles are taken from the cards as they were, while those in French are translated for better access. The back of each card has the company's advertisement, additionally Liebig's includes in some their recipe and states to beware of imitations and require the signature J.v.LIEBIG in blue ink. The main subject of the images is Cuba, depicting tobacco plantations, the sugar cane industry, local markets, ports and ships. All of these made the island attractive for visitors and business people."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ \nSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \nFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/ \nSpecial Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \nFor more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844393373564928,"_root_":"6e7f42ca5cc0dc4c15cdd844","timestamp":"2026-07-16T04:30:47.952Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6e7f42ca5cc0dc4c15cdd844_aspace_b8f4a5e42ec9b33336a31a71dbb37915"}},{"id":"07e83d7fe9b8feb6c0518c05_aspace_59700","type":"Series","attributes":{"title":"Series 1: Graphic Materials","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/07e83d7fe9b8feb6c0518c05_aspace_59700#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_59700","ref_ssm":["aspace_59700","aspace_59700"],"id":"07e83d7fe9b8feb6c0518c05_aspace_59700","title_filing_ssi":"Series 1: Graphic Materials","title_ssm":["Series 1: Graphic Materials"],"title_tesim":["Series 1: Graphic Materials"],"normalized_title_ssm":["Series 1: Graphic Materials"],"text":["Series 1: Graphic Materials","Mana-Zucca Collection, 1912-1989","Series 1","/repositories/2/archival_objects/58616"],"component_level_isim":[1],"parent_ids_ssim":["07e83d7fe9b8feb6c0518c05"],"parent_unittitles_ssm":["Mana-Zucca Collection, 1912-1989"],"parent_unittitles_tesim":["Mana-Zucca Collection, 1912-1989"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/58616"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"07e83d7fe9b8feb6c0518c05","_root_":"07e83d7fe9b8feb6c0518c05","_version_":1881447998180818944,"timestamp":"2026-11-10T05:30:33.488Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"07e83d7fe9b8feb6c0518c05","title_ssm":["Mana-Zucca Collection"],"title_tesim":["Mana-Zucca Collection"],"ead_ssi":"07e83d7fe9b8feb6c0518c05","unitdate_ssm":["1912-1989"],"unitdate_inclusive_ssm":["1912-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7005","/repositories/2/resources/69"],"text":["SPC7005","/repositories/2/resources/69","Mana-Zucca Collection, 1912-1989","The collection is open for research.","Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","FIU Special Collections","Mana-Zucca","Cassel, Leslie","English"],"unitid_tesim":["SPC7005","/repositories/2/resources/69"],"normalized_date_ssm":["1912-1989"],"normalized_title_ssm":["Mana-Zucca Collection, 1912-1989"],"collection_title_tesim":["Mana-Zucca Collection, 1912-1989"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mana-Zucca","Cassel, Leslie"],"creator_ssim":["Mana-Zucca","Cassel, Leslie"],"creator_persname_ssim":["Mana-Zucca","Cassel, Leslie"],"creators_ssim":["Mana-Zucca","Cassel, Leslie"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["102 boxes"],"extent_tesim":["102 boxes"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions of Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eManna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981."],"scopecontent_html_tesm":["\u003cp\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7a0b994c99b6770a2303aa33bd8e3db\" label=\"Abstract\"\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/abstract\u003e"],"abstract_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"names_ssim":["FIU Special Collections","Mana-Zucca","Cassel, Leslie"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Cassel, Leslie"],"persname_ssim":["Mana-Zucca","Cassel, Leslie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":745,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881447998180818944,"_root_":"07e83d7fe9b8feb6c0518c05","timestamp":"2026-11-10T05:30:33.488Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/07e83d7fe9b8feb6c0518c05_aspace_59700"}},{"id":"66a00e997110cd95191ba94b_aspace_deea7916323a06d33025d103ca99fa1d","type":"Series","attributes":{"title":"Series 1: Letters and paper objects, 2025","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/66a00e997110cd95191ba94b_aspace_deea7916323a06d33025d103ca99fa1d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_deea7916323a06d33025d103ca99fa1d","ref_ssm":["aspace_deea7916323a06d33025d103ca99fa1d","aspace_deea7916323a06d33025d103ca99fa1d"],"id":"66a00e997110cd95191ba94b_aspace_deea7916323a06d33025d103ca99fa1d","title_filing_ssi":"Series 1: Letters and paper objects","title_ssm":["Series 1: Letters and paper objects"],"title_tesim":["Series 1: Letters and paper objects"],"unitdate_other_ssim":["2025"],"normalized_date_ssm":["2025"],"normalized_title_ssm":["Series 1: Letters and paper objects, 2025"],"text":["Series 1: Letters and paper objects, 2025","April 17, 2025 Memorial and Remembrance Collection, 2025","/repositories/10/archival_objects/253517"],"component_level_isim":[1],"parent_ids_ssim":["66a00e997110cd95191ba94b"],"parent_unittitles_ssm":["April 17, 2025 Memorial and Remembrance Collection, 2025"],"parent_unittitles_tesim":["April 17, 2025 Memorial and Remembrance Collection, 2025"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/253517"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["April 17, 2025 Memorial and Remembrance Collection, 2025"],"has_online_content_ssim":["false"],"child_component_count_isi":414,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Access to this collection is restricted pending further processing for preservation and safe handling. Contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu for further information or to request access."],"parent_access_terms_tesm":["Works in this collection may be protected by copyright. Re-use or copying of these works beyond Fair Use may require permission from rights-holders."],"_nest_path_":"/components#0","_nest_parent_":"66a00e997110cd95191ba94b","_root_":"66a00e997110cd95191ba94b","_version_":1874480540471525376,"timestamp":"2026-08-25T07:45:47.967Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"66a00e997110cd95191ba94b","title_filing_ssi":"April 17, 2025 Memorial and Remembrance Collection","title_ssm":["April 17, 2025 Memorial and Remembrance Collection"],"title_tesim":["April 17, 2025 Memorial and Remembrance Collection"],"ead_ssi":"66a00e997110cd95191ba94b","unitdate_ssm":["2025"],"unitdate_other_ssim":["2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SCA 2025-005","/repositories/10/resources/2689"],"text":["SCA 2025-005","/repositories/10/resources/2689","April 17, 2025 Memorial and Remembrance Collection, 2025","Access to this collection is restricted pending further processing for preservation and safe handling. Contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu for further information or to request access.","Candles, toy animals, artificial flowers, handwritten notes, collaborative banners, works of art, and merchandise left at memorial sites on the FSU Tallahassee campus by students, staff, and community members following a mass shooting on April 17, 2025.","Access to this collection is restricted, pending further processing for preservation and safe handling. Processing work will continue in Summer 2025 and beyond. Contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu for further information or to request access to this collection.","Works in this collection may be protected by copyright. Re-use or copying of these works beyond Fair Use may require permission from rights-holders.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["SCA 2025-005","/repositories/10/resources/2689"],"normalized_date_ssm":["2025"],"normalized_title_ssm":["April 17, 2025 Memorial and Remembrance Collection, 2025"],"collection_title_tesim":["April 17, 2025 Memorial and Remembrance Collection, 2025"],"collection_ssim":["April 17, 2025 Memorial and Remembrance Collection, 2025"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Works in this collection may be protected by copyright. Re-use or copying of these works beyond Fair Use may require permission from rights-holders."],"acqinfo_ssim":["Selected by Special Collections \u0026 Archives staff from campus memorial sites on April 25 and 27, 2025, with smaller accessions from these sites on later dates.","Includes materials transported from Office of Campus Sustainability on May 28, 2025 and materials received from Counseling \u0026 Psychological Services on June 13, 2025."],"has_online_content_ssim":["false"],"extent_ssm":["55 Linear Feet 47 boxes; uncounted artifacts"],"extent_tesim":["55 Linear Feet 47 boxes; uncounted artifacts"],"physfacet_tesim":["total collection extent"],"date_range_isim":[2025],"accessrestrict_html_tesm":["\u003cp\u003eAccess to this collection is restricted pending further processing for preservation and safe handling. Contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu for further information or to request access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access to this collection is restricted pending further processing for preservation and safe handling. Contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu for further information or to request access."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], April 17, 2025 Memorial and Remembrance Collection, SCA 2025-005, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/SCA-2025-005\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], April 17, 2025 Memorial and Remembrance Collection, SCA 2025-005, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/SCA-2025-005"],"scopecontent_html_tesm":["\u003cp\u003eCandles, toy animals, artificial flowers, handwritten notes, collaborative banners, works of art, and merchandise left at memorial sites on the FSU Tallahassee campus by students, staff, and community members following a mass shooting on April 17, 2025.\u003c/p\u003e","\u003cp\u003eAccess to this collection is restricted, pending further processing for preservation and safe handling. Processing work will continue in Summer 2025 and beyond. Contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu for further information or to request access to this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","ACCESS RESTRICTIONS"],"scopecontent_tesim":["Candles, toy animals, artificial flowers, handwritten notes, collaborative banners, works of art, and merchandise left at memorial sites on the FSU Tallahassee campus by students, staff, and community members following a mass shooting on April 17, 2025.","Access to this collection is restricted, pending further processing for preservation and safe handling. Processing work will continue in Summer 2025 and beyond. Contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu for further information or to request access to this collection."],"userestrict_html_tesm":["\u003cp\u003eWorks in this collection may be protected by copyright. Re-use or copying of these works beyond Fair Use may require permission from rights-holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Works in this collection may be protected by copyright. Re-use or copying of these works beyond Fair Use may require permission from rights-holders."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874480540471525376,"_root_":"66a00e997110cd95191ba94b","timestamp":"2026-08-25T07:45:47.967Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/66a00e997110cd95191ba94b_aspace_deea7916323a06d33025d103ca99fa1d"}},{"id":"03e12f0b210afaf691bd49d9_aspace_3bc99c6b3b57464c456bab28d6e96f2d","type":"Series","attributes":{"title":"Series 1 Papers","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/03e12f0b210afaf691bd49d9_aspace_3bc99c6b3b57464c456bab28d6e96f2d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3bc99c6b3b57464c456bab28d6e96f2d","ref_ssm":["aspace_3bc99c6b3b57464c456bab28d6e96f2d","aspace_3bc99c6b3b57464c456bab28d6e96f2d"],"id":"03e12f0b210afaf691bd49d9_aspace_3bc99c6b3b57464c456bab28d6e96f2d","title_filing_ssi":"Series 1 Papers","title_ssm":["Series 1 Papers"],"title_tesim":["Series 1 Papers"],"normalized_title_ssm":["Series 1 Papers"],"text":["Series 1 Papers","Cesar Becerra Logging Industry Collection, 1971-1994","Box 1","Series 1","/repositories/2/archival_objects/73510","Franklin B. Adams"],"component_level_isim":[2],"parent_ids_ssim":["03e12f0b210afaf691bd49d9","03e12f0b210afaf691bd49d9_aspace_c734fee04167c79e10aecabd027822cf"],"parent_unittitles_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994","Box 1"],"parent_unittitles_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994","Box 1"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/73510"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":50,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["Franklin B. Adams"],"persname_ssim":["Franklin B. Adams"],"_nest_path_":"/components#0/components#0","_nest_parent_":"03e12f0b210afaf691bd49d9_aspace_c734fee04167c79e10aecabd027822cf","_root_":"03e12f0b210afaf691bd49d9","_version_":1870844426720378880,"timestamp":"2026-07-16T04:31:19.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"03e12f0b210afaf691bd49d9","title_ssm":["Cesar Becerra Logging Industry Collection"],"title_tesim":["Cesar Becerra Logging Industry Collection"],"ead_ssi":"03e12f0b210afaf691bd49d9","unitdate_ssm":["1971-1994"],"unitdate_inclusive_ssm":["1971-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8075","/repositories/2/resources/103"],"text":["SPC8075","/repositories/2/resources/103","Cesar Becerra Logging Industry Collection, 1971-1994","Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)","Conservation","Environmental policy","Environmental justice","Florida panther","Logging","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel","You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.","The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. ","This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.","The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Franklin B. Adams","English"],"unitid_tesim":["SPC8075","/repositories/2/resources/103"],"normalized_date_ssm":["1971-1994"],"normalized_title_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_title_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"geogname_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"places_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"access_terms_ssm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Cesar Becerra"],"access_subjects_ssim":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"access_subjects_ssm":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"has_online_content_ssim":["false"],"extent_ssm":["8.31 Linear Feet"],"extent_tesim":["8.31 Linear Feet"],"physfacet_tesim":["5 Banker Boxes\n1 Small, flat box\n1 Large, flat box\n2 Slide Carousel boxes"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series':\u003c/p\u003e\n","\u003cp\u003eSeries 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel"],"bioghist_html_tesm":["\u003cp\u003eYou would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers."],"odd_html_tesm":["\u003cp\u003eThe materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. \u003c/p\u003e\n","\u003cp\u003eAdditionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. \u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. "],"scopecontent_html_tesm":["\u003cp\u003eThis little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts."],"userestrict_html_tesm":["\u003cp\u003eThe Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Franklin B. Adams"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Franklin B. Adams"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":238,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426720378880,"_root_":"03e12f0b210afaf691bd49d9","timestamp":"2026-07-16T04:31:19.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/03e12f0b210afaf691bd49d9_aspace_3bc99c6b3b57464c456bab28d6e96f2d"}},{"id":"03e12f0b210afaf691bd49d9_aspace_09ebcbeb7b9c3e8a43901b2d0dfef558","type":"Series","attributes":{"title":"Series 1 Papers, cont","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/03e12f0b210afaf691bd49d9_aspace_09ebcbeb7b9c3e8a43901b2d0dfef558#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_09ebcbeb7b9c3e8a43901b2d0dfef558","ref_ssm":["aspace_09ebcbeb7b9c3e8a43901b2d0dfef558","aspace_09ebcbeb7b9c3e8a43901b2d0dfef558"],"id":"03e12f0b210afaf691bd49d9_aspace_09ebcbeb7b9c3e8a43901b2d0dfef558","title_filing_ssi":"Series 1 Papers, cont","title_ssm":["Series 1 Papers, cont"],"title_tesim":["Series 1 Papers, cont"],"normalized_title_ssm":["Series 1 Papers, cont"],"text":["Series 1 Papers, cont","Cesar Becerra Logging Industry Collection, 1971-1994","Box 2","/repositories/2/archival_objects/77157"],"component_level_isim":[2],"parent_ids_ssim":["03e12f0b210afaf691bd49d9","03e12f0b210afaf691bd49d9_aspace_933d63a5bfd3097af4e93c674ee99162"],"parent_unittitles_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994","Box 2"],"parent_unittitles_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994","Box 2"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["/repositories/2/archival_objects/77157"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":57,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":54,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#1/components#0","_nest_parent_":"03e12f0b210afaf691bd49d9_aspace_933d63a5bfd3097af4e93c674ee99162","_root_":"03e12f0b210afaf691bd49d9","_version_":1870844426720378880,"timestamp":"2026-07-16T04:31:19.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"03e12f0b210afaf691bd49d9","title_ssm":["Cesar Becerra Logging Industry Collection"],"title_tesim":["Cesar Becerra Logging Industry Collection"],"ead_ssi":"03e12f0b210afaf691bd49d9","unitdate_ssm":["1971-1994"],"unitdate_inclusive_ssm":["1971-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8075","/repositories/2/resources/103"],"text":["SPC8075","/repositories/2/resources/103","Cesar Becerra Logging Industry Collection, 1971-1994","Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)","Conservation","Environmental policy","Environmental justice","Florida panther","Logging","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel","You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.","The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. ","This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.","The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Franklin B. Adams","English"],"unitid_tesim":["SPC8075","/repositories/2/resources/103"],"normalized_date_ssm":["1971-1994"],"normalized_title_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_title_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"geogname_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"places_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"access_terms_ssm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Cesar Becerra"],"access_subjects_ssim":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"access_subjects_ssm":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"has_online_content_ssim":["false"],"extent_ssm":["8.31 Linear Feet"],"extent_tesim":["8.31 Linear Feet"],"physfacet_tesim":["5 Banker Boxes\n1 Small, flat box\n1 Large, flat box\n2 Slide Carousel boxes"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series':\u003c/p\u003e\n","\u003cp\u003eSeries 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel"],"bioghist_html_tesm":["\u003cp\u003eYou would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers."],"odd_html_tesm":["\u003cp\u003eThe materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. \u003c/p\u003e\n","\u003cp\u003eAdditionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. \u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. "],"scopecontent_html_tesm":["\u003cp\u003eThis little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts."],"userestrict_html_tesm":["\u003cp\u003eThe Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Franklin B. Adams"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Franklin B. Adams"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":238,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426720378880,"_root_":"03e12f0b210afaf691bd49d9","timestamp":"2026-07-16T04:31:19.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/03e12f0b210afaf691bd49d9_aspace_09ebcbeb7b9c3e8a43901b2d0dfef558"}},{"id":"fbf633f326a970bc04506713_aspace_4484ebf5760f5f94751310fe8679f9d8","type":"Series","attributes":{"title":"Series 1: Photographs, 1920, 1936-2006","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_4484ebf5760f5f94751310fe8679f9d8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4484ebf5760f5f94751310fe8679f9d8","ref_ssm":["aspace_4484ebf5760f5f94751310fe8679f9d8","aspace_4484ebf5760f5f94751310fe8679f9d8"],"id":"fbf633f326a970bc04506713_aspace_4484ebf5760f5f94751310fe8679f9d8","title_filing_ssi":"Series 1: Photographs","title_ssm":["Series 1: Photographs"],"title_tesim":["Series 1: Photographs"],"unitdate_inclusive_ssm":["1920, 1936-2006"],"normalized_date_ssm":["1920, 1936-2006"],"normalized_title_ssm":["Series 1: Photographs, 1920, 1936-2006"],"text":["Series 1: Photographs, 1920, 1936-2006","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","/repositories/10/archival_objects/234487"],"component_level_isim":[1],"parent_ids_ssim":["fbf633f326a970bc04506713"],"parent_unittitles_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"parent_unittitles_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/234487"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":370,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"_nest_path_":"/components#0","_nest_parent_":"fbf633f326a970bc04506713","_root_":"fbf633f326a970bc04506713","_version_":1880459939778920448,"timestamp":"2026-10-30T07:45:47.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbf633f326a970bc04506713","title_ssm":["FSU School of Dance Records"],"title_tesim":["FSU School of Dance Records"],"ead_ssi":"fbf633f326a970bc04506713","unitdate_ssm":["1911-1912, 1920, 1927-2006, 2011-2012","1960-2000"],"unitdate_bulk_ssim":["1960-2000"],"unitdate_inclusive_ssm":["1911-1912, 1920, 1927-2006, 2011-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2013-009","/repositories/10/resources/1929"],"text":["HP 2013-009","/repositories/10/resources/1929","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Dance","Modern dance","Choreography","This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library .","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond","English"],"unitid_tesim":["HP 2013-009","/repositories/10/resources/1929"],"normalized_date_ssm":["1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"normalized_title_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_title_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_ssim":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_persname_ssim":["Dickinson, Nellie-Bond"],"creator_corpname_ssim":["Florida State University. School of Dance","Florida State University. School of Dance"],"creators_ssim":["Dickinson, Nellie-Bond","Florida State University. School of Dance","Florida State University. School of Dance"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Accessioned May 2, 2013"],"access_subjects_ssim":["Dance","Modern dance","Choreography"],"access_subjects_ssm":["Dance","Modern dance","Choreography"],"has_online_content_ssim":["false"],"extent_ssm":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"extent_tesim":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. \u003c/p\u003e\n","\u003cp\u003eIn 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.\u003c/p\u003e\n","\u003cp\u003eThe core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.\u003c/p\u003e\n","\u003cp\u003eThe School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.\u003c/p\u003e","\u003cp\u003eNellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. \u003c/p\u003e\n","\u003cp\u003eDickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Nellie-Bond Dickinson"],"bioghist_tesim":["The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.\u003c/p\u003e","\u003cp\u003eSelect materials from the FSU School of Dance Records have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/School%20of%20Dance?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Online Copies Available "],"scopecontent_tesim":["The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State University. School of Dance","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women"],"persname_ssim":["Dickinson, Nellie-Bond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":549,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880459939778920448,"_root_":"fbf633f326a970bc04506713","timestamp":"2026-10-30T07:45:47.591Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fbf633f326a970bc04506713_aspace_4484ebf5760f5f94751310fe8679f9d8"}},{"id":"d331ed22985bd548fd56cca6_aspace_57712","type":"Series","attributes":{"title":"Series 1: Photographs and Slides","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_57712#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis series includes photographs of Lamarque at work and teaching his seminars and workshops; Lamarque with friends, artists, and personalities including Ernesto García Cabral, Jorge Mañach, Conrado Massaguer, Xavier Xugat and others; and Lamarque's magic show performances at the Society of Illustrators annual Christmas show and the Society of American Magicians. Also found are photographs and slides of advertisements, cards, slogans, and logos designed by Lamarque.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_57712#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_57712","ref_ssm":["aspace_57712","aspace_57712"],"id":"d331ed22985bd548fd56cca6_aspace_57712","title_filing_ssi":"Series 1: Photographs and Slides","title_ssm":["Series 1: Photographs and Slides"],"title_tesim":["Series 1: Photographs and Slides"],"normalized_title_ssm":["Series 1: Photographs and Slides"],"text":["Series 1: Photographs and Slides","Abril Lamarque Collection, 1883-2001","Series 1","/repositories/2/archival_objects/59645","This series includes photographs of Lamarque at work and teaching his seminars and workshops; Lamarque with friends, artists, and personalities including Ernesto García Cabral, Jorge Mañach, Conrado Massaguer, Xavier Xugat and others; and Lamarque's magic show performances at the Society of Illustrators annual Christmas show and the Society of American Magicians. Also found are photographs and slides of advertisements, cards, slogans, and logos designed by Lamarque."],"component_level_isim":[1],"parent_ids_ssim":["d331ed22985bd548fd56cca6"],"parent_unittitles_ssm":["Abril Lamarque Collection, 1883-2001"],"parent_unittitles_tesim":["Abril Lamarque Collection, 1883-2001"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/59645"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"scopecontent_html_tesm":["\u003cp\u003eThis series includes photographs of Lamarque at work and teaching his seminars and workshops; Lamarque with friends, artists, and personalities including Ernesto Garc\u0026#xED;a Cabral, Jorge Ma\u0026#xF1;ach, Conrado Massaguer, Xavier Xugat and others; and Lamarque's magic show performances at the Society of Illustrators annual Christmas show and the Society of American Magicians. Also found are photographs and slides of advertisements, cards, slogans, and logos designed by Lamarque.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series includes photographs of Lamarque at work and teaching his seminars and workshops; Lamarque with friends, artists, and personalities including Ernesto García Cabral, Jorge Mañach, Conrado Massaguer, Xavier Xugat and others; and Lamarque's magic show performances at the Society of Illustrators annual Christmas show and the Society of American Magicians. Also found are photographs and slides of advertisements, cards, slogans, and logos designed by Lamarque."],"_nest_path_":"/components#0","_nest_parent_":"d331ed22985bd548fd56cca6","_root_":"d331ed22985bd548fd56cca6","_version_":1870844705641594880,"timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6_aspace_57712"}},{"id":"92cae14ddf8b8b2b398c1c91_aspace_64048ad8228bd3139c77ef7a10aa8fef","type":"Series","attributes":{"title":"Series 1 - Physical Materials","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/92cae14ddf8b8b2b398c1c91_aspace_64048ad8228bd3139c77ef7a10aa8fef#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_64048ad8228bd3139c77ef7a10aa8fef","ref_ssm":["aspace_64048ad8228bd3139c77ef7a10aa8fef","aspace_64048ad8228bd3139c77ef7a10aa8fef"],"id":"92cae14ddf8b8b2b398c1c91_aspace_64048ad8228bd3139c77ef7a10aa8fef","title_filing_ssi":"Series 1 - Physical Materials","title_ssm":["Series 1 - Physical Materials"],"title_tesim":["Series 1 - Physical Materials"],"normalized_title_ssm":["Series 1 - Physical Materials"],"text":["Series 1 - Physical Materials","FGCU Faculty Senate, 1997-2018","/repositories/3/archival_objects/30455"],"component_level_isim":[1],"parent_ids_ssim":["92cae14ddf8b8b2b398c1c91"],"parent_unittitles_ssm":["FGCU Faculty Senate, 1997-2018"],"parent_unittitles_tesim":["FGCU Faculty Senate, 1997-2018"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/30455"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["FGCU Faculty Senate, 1997-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":28,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research use."],"_nest_path_":"/components#0","_nest_parent_":"92cae14ddf8b8b2b398c1c91","_root_":"92cae14ddf8b8b2b398c1c91","_version_":1878996249889210368,"timestamp":"2026-10-14T04:01:04.128Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"92cae14ddf8b8b2b398c1c91","title_ssm":["FGCU Faculty Senate"],"title_tesim":["FGCU Faculty Senate"],"ead_ssi":"92cae14ddf8b8b2b398c1c91","unitdate_ssm":["1997-2018"],"unitdate_inclusive_ssm":["1997-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.06.01","/repositories/3/resources/43"],"text":["01.06.01","/repositories/3/resources/43","FGCU Faculty Senate, 1997-2018","Universities and colleges -- United States -- Faculty","Faculty Senate","This collection is open for research use.","This collection is arranged in two series: Physical Materials and Digital Objects. Both series are arranged alphabetically by topic/commitee and chronologically therein.","This collection consists of documents, photographs, and ephemera regarding the developement and organization of Faculty Senate, 1993 - current. Each series is arranged alphabetically by subject and chronologically therein.","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.06.01","/repositories/3/resources/43"],"normalized_date_ssm":["1997-2018"],"normalized_title_ssm":["FGCU Faculty Senate, 1997-2018"],"collection_title_tesim":["FGCU Faculty Senate, 1997-2018"],"collection_ssim":["FGCU Faculty Senate, 1997-2018"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"access_subjects_ssim":["Universities and colleges -- United States -- Faculty","Faculty Senate"],"access_subjects_ssm":["Universities and colleges -- United States -- Faculty","Faculty Senate"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series: Physical Materials and Digital Objects. Both series are arranged alphabetically by topic/commitee and chronologically therein.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series: Physical Materials and Digital Objects. Both series are arranged alphabetically by topic/commitee and chronologically therein."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of documents, photographs, and ephemera regarding the developement and organization of Faculty Senate, 1993 - current.\u0026#xA0;Each series is arranged alphabetically by subject and chronologically therein.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of documents, photographs, and ephemera regarding the developement and organization of Faculty Senate, 1993 - current. Each series is arranged alphabetically by subject and chronologically therein."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":706,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878996249889210368,"_root_":"92cae14ddf8b8b2b398c1c91","timestamp":"2026-10-14T04:01:04.128Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/92cae14ddf8b8b2b398c1c91_aspace_64048ad8228bd3139c77ef7a10aa8fef"}},{"id":"6c8b68b416b3f3ec053ccdfc_aspace_a4ddb9534ee69947eb4eae97a90344b4","type":"Series","attributes":{"title":"Series 1: Publications and Works","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6c8b68b416b3f3ec053ccdfc_aspace_a4ddb9534ee69947eb4eae97a90344b4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a4ddb9534ee69947eb4eae97a90344b4","ref_ssm":["aspace_a4ddb9534ee69947eb4eae97a90344b4","aspace_a4ddb9534ee69947eb4eae97a90344b4"],"id":"6c8b68b416b3f3ec053ccdfc_aspace_a4ddb9534ee69947eb4eae97a90344b4","title_filing_ssi":"Series 1: Publications and Works","title_ssm":["Series 1: Publications and Works"],"title_tesim":["Series 1: Publications and Works"],"normalized_title_ssm":["Series 1: Publications and Works"],"text":["Series 1: Publications and Works","Antonio Jorge Collection, 1968-2015","1","/repositories/2/archival_objects/86863","Spanish; Castilian English"],"component_level_isim":[1],"parent_ids_ssim":["6c8b68b416b3f3ec053ccdfc"],"parent_unittitles_ssm":["Antonio Jorge Collection, 1968-2015"],"parent_unittitles_tesim":["Antonio Jorge Collection, 1968-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/86863"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Antonio Jorge Collection, 1968-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":18,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"language_ssim":["Spanish; Castilian English"],"_nest_path_":"/components#0","_nest_parent_":"6c8b68b416b3f3ec053ccdfc","_root_":"6c8b68b416b3f3ec053ccdfc","timestamp":"2026-05-21T02:01:04.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6c8b68b416b3f3ec053ccdfc","title_ssm":["Antonio Jorge Collection"],"title_tesim":["Antonio Jorge Collection"],"ead_ssi":"6c8b68b416b3f3ec053ccdfc","unitdate_ssm":["1968-2015"],"unitdate_inclusive_ssm":["1968-2015"],"level_ssm":["collection"],"level_ssim":["Other level","Collection"],"unitid_ssm":["SPC9045","/repositories/2/resources/133"],"text":["SPC9045","/repositories/2/resources/133","Antonio Jorge Collection, 1968-2015","Cuba","Authors, Cuban--20th century","Cuba -- Economic conditions","Florida International University","Autores, Cubano -- Siglo 20","Concertación Cívica Cubana","Cuba -- Condiciones económicas","The collection is open for research.","Antonio Jorge was born in Havana, Cuba, on September 28, 1931, and completed his schooling at the Colegio de Belén in Marianao. After graduating with honors from the University of Santo Tomás de Villanueva in 1952 with a Bachelor of Arts in Economics, he pursued advanced studies, earning his Master's degree and a Doctorate in Economic Sciences in 1956, becoming the first graduate of a doctoral program in economics in Cuba. During this time, he began his teaching career at the university, eventually becoming a Professor in both the Economics Department at the University of Villanueva and the University of Havana's Institute of Higher Economics. Additionally, he held prominent roles in the private and public sectors, including Director of the Department of Economics at the National Association of Industrialists of Cuba and the Ministry of Finance.","In 1962, Jorge was forced to leave Cuba due to political upheaval and settled in the United States. He quickly resumed his academic career, first as an Assistant Professor at Merrimac College in Massachusetts, where he became a full professor by 1972. He later moved to Miami, where he continued his academic work at Biscayne College and Miami Dade Community College. In 1974, he joined the University of Miami, where he taught economics and coordinated Spanish-language programs, while also leading the university's \"Continuing Education\" programs for Cuban professionals. He furthered his impact in academia by becoming a key administrator at various institutions, including serving as Provost at Biscayne College and Executive Vice President at Florida International University (FIU).","Jorge has been a prolific writer and consultant, publishing over twenty books and hundreds of articles on topics such as economic theory, Latin American development, foreign investment, and Cuban economics. His expertise has been sought after by both public and private organizations, and he is currently the Dean of the College of Economists of Cuba, a position he held prior to leaving Cuba. Beyond academia, Jorge has been actively involved in community affairs, especially related to the Cuban-American population in Miami, serving in various government and civic roles, including the first Director of the State Commission for Hispanic Affairs in Florida. His dedication to the cause of Cuban liberation and his extensive work in educating the Cuban exile community continues to make him a key figure in both academic and civic circles.","\nAntonio Jorge nació en La Habana, Cuba, el 28 de septiembre de 1931, y completó sus estudios en el Colegio de Belén en Marianao. Después de graduarse con honores de la Universidad de Santo Tomás de Villanueva en 1952 con una \"Bachelor of Arts\" en Economía, continuó sus estudios avanzados, obteniendo su Maestría y Doctorado en Ciencias Económicas en 1956, convirtiéndose en el primer graduado de un programa doctoral en economía en Cuba. Durante este tiempo, comenzó su carrera docente en la universidad, llegando a ser Profesor en el Departamento de Economía de la Universidad de Villanueva y en el Instituto Superior de Economía de la Universidad de La Habana. Además, ocupó roles destacados en los sectores privado y público, incluyendo Director del Departamento de Economía de la Asociación Nacional de Industriales de Cuba y del Ministerio de Hacienda.","En 1962, Jorge se vio obligado a abandonar Cuba debido a los cambios políticos y se estableció en los Estados Unidos. Rápidamente reanudó su carrera académica, primero como Profesor Asistente en el Merrimac College de Massachusetts, donde llegó a ser profesor titular en 1972. Más tarde se trasladó a Miami, donde continuó su labor docente en el Biscayne College y en el Miami Dade Community College. En 1974, se incorporó a la Universidad de Miami, donde enseñó economía y coordinó los programas en español, además de dirigir los programas de \"Educación Continua\" para profesionales cubanos. Amplió su influencia en el ámbito académico convirtiéndose en un importante administrador en varias instituciones, como Provost en Biscayne College y Vicepresidente Ejecutivo en la Universidad Internacional de la Florida (FIU).","Jorge ha sido un escritor prolífico y consultor, publicando más de veinte libros y cientos de artículos sobre temas como teoría económica, desarrollo de América Latina, inversión extranjera y economía cubana. Su experiencia ha sido solicitada tanto por organizaciones públicas como privadas, y actualmente es Decano del Colegio de Economistas de Cuba, cargo que ocupó antes de salir de Cuba. Más allá de la academia, Jorge ha estado activamente involucrado en los asuntos comunitarios, especialmente en los relacionados con la población cubanoamericana en Miami, desempeñando diversos roles gubernamentales y cívicos, entre ellos, el de primer Director de la Comisión Estatal para los Asuntos Hispanos en Florida. Su dedicación a la causa de la liberación de Cuba y su extenso trabajo en la educación de la comunidad cubana en el exilio lo han convertido en una figura clave tanto en el ámbito académico como en el cívico.","The Antonio Jorge Collection offers documentation of the long-life academic career of Dr. Antonio Jorge, a known Cuban economist, scholar, and leader of the Cuban-American communities. This collection encompasses his academic journey, professional achievements, personal documents, correspondences, publications and significant contributions towards people of his community. This not only display's his educational background but his role as a professor and educator. This collection covers his involvement with his academic career in various colleges and universities like Merrimac College, Biscayne College, University of Miami, and Florida International University. Not only does this collection document his dedication and involvement in public service and community advocacy, especially his work towards Cubans and Cuban-Americans. His leadership in Miami displays his role on activism and becoming the first Director of the State Commission for Hispanic Affairs in Florida, his work and contributions towards founding \"Concertacion Civica Cubana\" in 1995. Being a member of the State Post-Secondary Education Commission, Community Relations Board, Mental Health Boards of Dade and Broward counties, Long-Term Economic Planning Committee, and United Way Board of Trustees, all in Dade County. Furthermore, this collection highlights his scholarly input on numerous books and articles that concern with Latin American development and Cuban politics and economics. Featuring his works as consultant for national and international organizations, his civic and governmental duties. This provides insight into Antonio Jorge's dedication towards academia, the Cuban community, and all political and economic issues that Cuba faces. ","La Colección Antonio Jorge ofrece documentación sobre la larga carrera académica del Dr. Antonio Jorge, un reconocido economista cubano, académico y líder de las comunidades cubano-estadounidenses. Esta colección abarca su trayectoria académica, logros profesionales, documentos personales, correspondencia, publicaciones y contribuciones significativas hacia su comunidad. No solo muestra su formación educativa, sino también su papel como profesor y educador. Esta colección cubre su participación en su carrera académica en diversas universidades y colegios como el Merrimac College, Biscayne College, la Universidad de Miami y la Universidad Internacional de la Florida. Esta colección también documenta su dedicación e involucramiento en el servicio público y la defensa comunitaria, especialmente su trabajo hacia los cubanos y cubano-estadounidenses. Su liderazgo en Miami refleja su rol en el activismo y su papel como el primer director de la Comisión Estatal para los Asuntos Hispanoamericanos de Florida, así como sus contribuciones hacia la fundación de la \"Concertación Cívica Cubana\" en 1995. Fue miembro de la Comision de Educacion pos-secundaria del estado, de la Junta de Relaciones Comunitarias, de las Junta de Salud Mental de los condados de Dade y Broward, del Comité de Planificación Económica a largo plazo y de la \"United Way Board of Trustees\", todas en el condado de Dade. Además, esta colección resalta su aporte académico en numerosos libros y artículos que abordan el desarrollo de América Latina y la política y economía cubanas. Incluye también sus trabajos como consultor para organizaciones nacionales e internacionales y sus deberes cívicos y gubernamentales. Esto proporciona una visión del compromiso de Antonio Jorge con la academia, la comunidad cubana y todos los problemas políticos y económicos que enfrenta Cuba.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","The Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9045","/repositories/2/resources/133"],"normalized_date_ssm":["1968-2015"],"normalized_title_ssm":["Antonio Jorge Collection, 1968-2015"],"collection_title_tesim":["Antonio Jorge Collection, 1968-2015"],"collection_ssim":["Antonio Jorge Collection, 1968-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["Authors, Cuban--20th century","Cuba -- Economic conditions","Florida International University","Autores, Cubano -- Siglo 20","Concertación Cívica Cubana","Cuba -- Condiciones económicas"],"access_subjects_ssm":["Authors, Cuban--20th century","Cuba -- Economic conditions","Florida International University","Autores, Cubano -- Siglo 20","Concertación Cívica Cubana","Cuba -- Condiciones económicas"],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes"],"extent_tesim":["10 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eAntonio Jorge was born in Havana, Cuba, on September 28, 1931, and completed his schooling at the Colegio de Bel\u0026#xE9;n in Marianao. After graduating with honors from the University of Santo Tom\u0026#xE1;s de Villanueva in 1952 with a Bachelor of Arts in Economics, he pursued advanced studies, earning his Master's degree and a Doctorate in Economic Sciences in 1956, becoming the first graduate of a doctoral program in economics in Cuba. During this time, he began his teaching career at the university, eventually becoming a Professor in both the Economics Department at the University of Villanueva and the University of Havana's Institute of Higher Economics. Additionally, he held prominent roles in the private and public sectors, including Director of the Department of Economics at the National Association of Industrialists of Cuba and the Ministry of Finance.\u003c/p\u003e\n","\u003cp\u003eIn 1962, Jorge was forced to leave Cuba due to political upheaval and settled in the United States. He quickly resumed his academic career, first as an Assistant Professor at Merrimac College in Massachusetts, where he became a full professor by 1972. He later moved to Miami, where he continued his academic work at Biscayne College and Miami Dade Community College. In 1974, he joined the University of Miami, where he taught economics and coordinated Spanish-language programs, while also leading the university's \"Continuing Education\" programs for Cuban professionals. He furthered his impact in academia by becoming a key administrator at various institutions, including serving as Provost at Biscayne College and Executive Vice President at Florida International University (FIU).\u003c/p\u003e\n","\u003cp\u003eJorge has been a prolific writer and consultant, publishing over twenty books and hundreds of articles on topics such as economic theory, Latin American development, foreign investment, and Cuban economics. His expertise has been sought after by both public and private organizations, and he is currently the Dean of the College of Economists of Cuba, a position he held prior to leaving Cuba. Beyond academia, Jorge has been actively involved in community affairs, especially related to the Cuban-American population in Miami, serving in various government and civic roles, including the first Director of the State Commission for Hispanic Affairs in Florida. His dedication to the cause of Cuban liberation and his extensive work in educating the Cuban exile community continues to make him a key figure in both academic and civic circles.\u003c/p\u003e\n","\u003cp\u003e\nAntonio Jorge naci\u0026#xF3; en La Habana, Cuba, el 28 de septiembre de 1931, y complet\u0026#xF3; sus estudios en el Colegio de Bel\u0026#xE9;n en Marianao. Despu\u0026#xE9;s de graduarse con honores de la Universidad de Santo Tom\u0026#xE1;s de Villanueva en 1952 con una \"Bachelor of Arts\" en Econom\u0026#xED;a, continu\u0026#xF3; sus estudios avanzados, obteniendo su Maestr\u0026#xED;a y Doctorado en Ciencias Econ\u0026#xF3;micas en 1956, convirti\u0026#xE9;ndose en el primer graduado de un programa doctoral en econom\u0026#xED;a en Cuba. Durante este tiempo, comenz\u0026#xF3; su carrera docente en la universidad, llegando a ser Profesor en el Departamento de Econom\u0026#xED;a de la Universidad de Villanueva y en el Instituto Superior de Econom\u0026#xED;a de la Universidad de La Habana. Adem\u0026#xE1;s, ocup\u0026#xF3; roles destacados en los sectores privado y p\u0026#xFA;blico, incluyendo Director del Departamento de Econom\u0026#xED;a de la Asociaci\u0026#xF3;n Nacional de Industriales de Cuba y del Ministerio de Hacienda.\u003c/p\u003e\n","\u003cp\u003eEn 1962, Jorge se vio obligado a abandonar Cuba debido a los cambios pol\u0026#xED;ticos y se estableci\u0026#xF3; en los Estados Unidos. R\u0026#xE1;pidamente reanud\u0026#xF3; su carrera acad\u0026#xE9;mica, primero como Profesor Asistente en el Merrimac College de Massachusetts, donde lleg\u0026#xF3; a ser profesor titular en 1972. M\u0026#xE1;s tarde se traslad\u0026#xF3; a Miami, donde continu\u0026#xF3; su labor docente en el Biscayne College y en el Miami Dade Community College. En 1974, se incorpor\u0026#xF3; a la Universidad de Miami, donde ense\u0026#xF1;\u0026#xF3; econom\u0026#xED;a y coordin\u0026#xF3; los programas en espa\u0026#xF1;ol, adem\u0026#xE1;s de dirigir los programas de \"Educaci\u0026#xF3;n Continua\" para profesionales cubanos. Ampli\u0026#xF3; su influencia en el \u0026#xE1;mbito acad\u0026#xE9;mico convirti\u0026#xE9;ndose en un importante administrador en varias instituciones, como Provost en Biscayne College y Vicepresidente Ejecutivo en la Universidad Internacional de la Florida (FIU).\u003c/p\u003e\n","\u003cp\u003eJorge ha sido un escritor prol\u0026#xED;fico y consultor, publicando m\u0026#xE1;s de veinte libros y cientos de art\u0026#xED;culos sobre temas como teor\u0026#xED;a econ\u0026#xF3;mica, desarrollo de Am\u0026#xE9;rica Latina, inversi\u0026#xF3;n extranjera y econom\u0026#xED;a cubana. Su experiencia ha sido solicitada tanto por organizaciones p\u0026#xFA;blicas como privadas, y actualmente es Decano del Colegio de Economistas de Cuba, cargo que ocup\u0026#xF3; antes de salir de Cuba. M\u0026#xE1;s all\u0026#xE1; de la academia, Jorge ha estado activamente involucrado en los asuntos comunitarios, especialmente en los relacionados con la poblaci\u0026#xF3;n cubanoamericana en Miami, desempe\u0026#xF1;ando diversos roles gubernamentales y c\u0026#xED;vicos, entre ellos, el de primer Director de la Comisi\u0026#xF3;n Estatal para los Asuntos Hispanos en Florida. Su dedicaci\u0026#xF3;n a la causa de la liberaci\u0026#xF3;n de Cuba y su extenso trabajo en la educaci\u0026#xF3;n de la comunidad cubana en el exilio lo han convertido en una figura clave tanto en el \u0026#xE1;mbito acad\u0026#xE9;mico como en el c\u0026#xED;vico.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Antonio Jorge was born in Havana, Cuba, on September 28, 1931, and completed his schooling at the Colegio de Belén in Marianao. After graduating with honors from the University of Santo Tomás de Villanueva in 1952 with a Bachelor of Arts in Economics, he pursued advanced studies, earning his Master's degree and a Doctorate in Economic Sciences in 1956, becoming the first graduate of a doctoral program in economics in Cuba. During this time, he began his teaching career at the university, eventually becoming a Professor in both the Economics Department at the University of Villanueva and the University of Havana's Institute of Higher Economics. Additionally, he held prominent roles in the private and public sectors, including Director of the Department of Economics at the National Association of Industrialists of Cuba and the Ministry of Finance.","In 1962, Jorge was forced to leave Cuba due to political upheaval and settled in the United States. He quickly resumed his academic career, first as an Assistant Professor at Merrimac College in Massachusetts, where he became a full professor by 1972. He later moved to Miami, where he continued his academic work at Biscayne College and Miami Dade Community College. In 1974, he joined the University of Miami, where he taught economics and coordinated Spanish-language programs, while also leading the university's \"Continuing Education\" programs for Cuban professionals. He furthered his impact in academia by becoming a key administrator at various institutions, including serving as Provost at Biscayne College and Executive Vice President at Florida International University (FIU).","Jorge has been a prolific writer and consultant, publishing over twenty books and hundreds of articles on topics such as economic theory, Latin American development, foreign investment, and Cuban economics. His expertise has been sought after by both public and private organizations, and he is currently the Dean of the College of Economists of Cuba, a position he held prior to leaving Cuba. Beyond academia, Jorge has been actively involved in community affairs, especially related to the Cuban-American population in Miami, serving in various government and civic roles, including the first Director of the State Commission for Hispanic Affairs in Florida. His dedication to the cause of Cuban liberation and his extensive work in educating the Cuban exile community continues to make him a key figure in both academic and civic circles.","\nAntonio Jorge nació en La Habana, Cuba, el 28 de septiembre de 1931, y completó sus estudios en el Colegio de Belén en Marianao. Después de graduarse con honores de la Universidad de Santo Tomás de Villanueva en 1952 con una \"Bachelor of Arts\" en Economía, continuó sus estudios avanzados, obteniendo su Maestría y Doctorado en Ciencias Económicas en 1956, convirtiéndose en el primer graduado de un programa doctoral en economía en Cuba. Durante este tiempo, comenzó su carrera docente en la universidad, llegando a ser Profesor en el Departamento de Economía de la Universidad de Villanueva y en el Instituto Superior de Economía de la Universidad de La Habana. Además, ocupó roles destacados en los sectores privado y público, incluyendo Director del Departamento de Economía de la Asociación Nacional de Industriales de Cuba y del Ministerio de Hacienda.","En 1962, Jorge se vio obligado a abandonar Cuba debido a los cambios políticos y se estableció en los Estados Unidos. Rápidamente reanudó su carrera académica, primero como Profesor Asistente en el Merrimac College de Massachusetts, donde llegó a ser profesor titular en 1972. Más tarde se trasladó a Miami, donde continuó su labor docente en el Biscayne College y en el Miami Dade Community College. En 1974, se incorporó a la Universidad de Miami, donde enseñó economía y coordinó los programas en español, además de dirigir los programas de \"Educación Continua\" para profesionales cubanos. Amplió su influencia en el ámbito académico convirtiéndose en un importante administrador en varias instituciones, como Provost en Biscayne College y Vicepresidente Ejecutivo en la Universidad Internacional de la Florida (FIU).","Jorge ha sido un escritor prolífico y consultor, publicando más de veinte libros y cientos de artículos sobre temas como teoría económica, desarrollo de América Latina, inversión extranjera y economía cubana. Su experiencia ha sido solicitada tanto por organizaciones públicas como privadas, y actualmente es Decano del Colegio de Economistas de Cuba, cargo que ocupó antes de salir de Cuba. Más allá de la academia, Jorge ha estado activamente involucrado en los asuntos comunitarios, especialmente en los relacionados con la población cubanoamericana en Miami, desempeñando diversos roles gubernamentales y cívicos, entre ellos, el de primer Director de la Comisión Estatal para los Asuntos Hispanos en Florida. Su dedicación a la causa de la liberación de Cuba y su extenso trabajo en la educación de la comunidad cubana en el exilio lo han convertido en una figura clave tanto en el ámbito académico como en el cívico."],"scopecontent_html_tesm":["\u003cp\u003eThe Antonio Jorge Collection offers documentation of the long-life academic career of Dr. Antonio Jorge, a known Cuban economist, scholar, and leader of the Cuban-American communities. This collection encompasses his academic journey, professional achievements, personal documents, correspondences, publications and significant contributions towards people of his community. This not only display's his educational background but his role as a professor and educator. This collection covers his involvement with his academic career in various colleges and universities like Merrimac College, Biscayne College, University of Miami, and Florida International University. Not only does this collection document his dedication and involvement in public service and community advocacy, especially his work towards Cubans and Cuban-Americans. His leadership in Miami displays his role on activism and becoming the first Director of the State Commission for Hispanic Affairs in Florida, his work and contributions towards founding \"Concertacion Civica Cubana\" in 1995. Being a member of the State Post-Secondary Education Commission, Community Relations Board, Mental Health Boards of Dade and Broward counties, Long-Term Economic Planning Committee, and United Way Board of Trustees, all in Dade County. Furthermore, this collection highlights his scholarly input on numerous books and articles that concern with Latin American development and Cuban politics and economics. Featuring his works as consultant for national and international organizations, his civic and governmental duties. This provides insight into Antonio Jorge's dedication towards academia, the Cuban community, and all political and economic issues that Cuba faces. \u003c/p\u003e\n","\u003cp\u003eLa Colecci\u0026#xF3;n Antonio Jorge ofrece documentaci\u0026#xF3;n sobre la larga carrera acad\u0026#xE9;mica del Dr. Antonio Jorge, un reconocido economista cubano, acad\u0026#xE9;mico y l\u0026#xED;der de las comunidades cubano-estadounidenses. Esta colecci\u0026#xF3;n abarca su trayectoria acad\u0026#xE9;mica, logros profesionales, documentos personales, correspondencia, publicaciones y contribuciones significativas hacia su comunidad. No solo muestra su formaci\u0026#xF3;n educativa, sino tambi\u0026#xE9;n su papel como profesor y educador. Esta colecci\u0026#xF3;n cubre su participaci\u0026#xF3;n en su carrera acad\u0026#xE9;mica en diversas universidades y colegios como el Merrimac College, Biscayne College, la Universidad de Miami y la Universidad Internacional de la Florida. Esta colecci\u0026#xF3;n tambi\u0026#xE9;n documenta su dedicaci\u0026#xF3;n e involucramiento en el servicio p\u0026#xFA;blico y la defensa comunitaria, especialmente su trabajo hacia los cubanos y cubano-estadounidenses. Su liderazgo en Miami refleja su rol en el activismo y su papel como el primer director de la Comisi\u0026#xF3;n Estatal para los Asuntos Hispanoamericanos de Florida, as\u0026#xED; como sus contribuciones hacia la fundaci\u0026#xF3;n de la \"Concertaci\u0026#xF3;n C\u0026#xED;vica Cubana\" en 1995. Fue miembro de la Comision de Educacion pos-secundaria del estado, de la Junta de Relaciones Comunitarias, de las Junta de Salud Mental de los condados de Dade y Broward, del Comit\u0026#xE9; de Planificaci\u0026#xF3;n Econ\u0026#xF3;mica a largo plazo y de la \"United Way Board of Trustees\", todas en el condado de Dade. Adem\u0026#xE1;s, esta colecci\u0026#xF3;n resalta su aporte acad\u0026#xE9;mico en numerosos libros y art\u0026#xED;culos que abordan el desarrollo de Am\u0026#xE9;rica Latina y la pol\u0026#xED;tica y econom\u0026#xED;a cubanas. Incluye tambi\u0026#xE9;n sus trabajos como consultor para organizaciones nacionales e internacionales y sus deberes c\u0026#xED;vicos y gubernamentales. Esto proporciona una visi\u0026#xF3;n del compromiso de Antonio Jorge con la academia, la comunidad cubana y todos los problemas pol\u0026#xED;ticos y econ\u0026#xF3;micos que enfrenta Cuba.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Antonio Jorge Collection offers documentation of the long-life academic career of Dr. Antonio Jorge, a known Cuban economist, scholar, and leader of the Cuban-American communities. This collection encompasses his academic journey, professional achievements, personal documents, correspondences, publications and significant contributions towards people of his community. This not only display's his educational background but his role as a professor and educator. This collection covers his involvement with his academic career in various colleges and universities like Merrimac College, Biscayne College, University of Miami, and Florida International University. Not only does this collection document his dedication and involvement in public service and community advocacy, especially his work towards Cubans and Cuban-Americans. His leadership in Miami displays his role on activism and becoming the first Director of the State Commission for Hispanic Affairs in Florida, his work and contributions towards founding \"Concertacion Civica Cubana\" in 1995. Being a member of the State Post-Secondary Education Commission, Community Relations Board, Mental Health Boards of Dade and Broward counties, Long-Term Economic Planning Committee, and United Way Board of Trustees, all in Dade County. Furthermore, this collection highlights his scholarly input on numerous books and articles that concern with Latin American development and Cuban politics and economics. Featuring his works as consultant for national and international organizations, his civic and governmental duties. This provides insight into Antonio Jorge's dedication towards academia, the Cuban community, and all political and economic issues that Cuba faces. ","La Colección Antonio Jorge ofrece documentación sobre la larga carrera académica del Dr. Antonio Jorge, un reconocido economista cubano, académico y líder de las comunidades cubano-estadounidenses. Esta colección abarca su trayectoria académica, logros profesionales, documentos personales, correspondencia, publicaciones y contribuciones significativas hacia su comunidad. No solo muestra su formación educativa, sino también su papel como profesor y educador. Esta colección cubre su participación en su carrera académica en diversas universidades y colegios como el Merrimac College, Biscayne College, la Universidad de Miami y la Universidad Internacional de la Florida. Esta colección también documenta su dedicación e involucramiento en el servicio público y la defensa comunitaria, especialmente su trabajo hacia los cubanos y cubano-estadounidenses. Su liderazgo en Miami refleja su rol en el activismo y su papel como el primer director de la Comisión Estatal para los Asuntos Hispanoamericanos de Florida, así como sus contribuciones hacia la fundación de la \"Concertación Cívica Cubana\" en 1995. Fue miembro de la Comision de Educacion pos-secundaria del estado, de la Junta de Relaciones Comunitarias, de las Junta de Salud Mental de los condados de Dade y Broward, del Comité de Planificación Económica a largo plazo y de la \"United Way Board of Trustees\", todas en el condado de Dade. Además, esta colección resalta su aporte académico en numerosos libros y artículos que abordan el desarrollo de América Latina y la política y economía cubanas. Incluye también sus trabajos como consultor para organizaciones nacionales e internacionales y sus deberes cívicos y gubernamentales. Esto proporciona una visión del compromiso de Antonio Jorge con la academia, la comunidad cubana y todos los problemas políticos y económicos que enfrenta Cuba."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections and University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"abstract_html_tesm":["\u003cabstract id=\"aspace_adf636b7bc31c753a49cf01d9f55d41c\"\u003eThe Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues.\u003c/abstract\u003e"],"abstract_tesim":["The Antonio Jorge Collection documents the extensive academic career, professional achievements, personal records, publications, and community contributions of Dr. Antonio Jorge, a prominent Cuban economist, scholar, and leader, highlighting his work in education, public service, and his significant contributions to Cuban and Cuban-American issues."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6c8b68b416b3f3ec053ccdfc","timestamp":"2026-05-21T02:01:04.955Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6c8b68b416b3f3ec053ccdfc_aspace_a4ddb9534ee69947eb4eae97a90344b4"}},{"id":"a62b266ca8a0c4c6e9a227d3_aspace_bc4f13a8aa2c8f96f713984790418d10","type":"Series","attributes":{"title":"Series 1: Visual Material","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_bc4f13a8aa2c8f96f713984790418d10#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bc4f13a8aa2c8f96f713984790418d10","ref_ssm":["aspace_bc4f13a8aa2c8f96f713984790418d10","aspace_bc4f13a8aa2c8f96f713984790418d10"],"id":"a62b266ca8a0c4c6e9a227d3_aspace_bc4f13a8aa2c8f96f713984790418d10","title_filing_ssi":"Series 1: Visual Material","title_ssm":["Series 1: Visual Material"],"title_tesim":["Series 1: Visual Material"],"normalized_title_ssm":["Series 1: Visual Material"],"text":["Series 1: Visual Material","Rob Boyte Collection, bulk date unknown","1","/repositories/2/archival_objects/83778","Access is available only by permission of the Special Collections staff.","This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content.","The collection contains photographs of identifiable individuals. Researchers are responsible for respecting individual privacy and applicable laws when using or publishing materials from the collection. No names may be published unless their permission has been obtained."],"component_level_isim":[1],"parent_ids_ssim":["a62b266ca8a0c4c6e9a227d3"],"parent_unittitles_ssm":["Rob Boyte Collection, bulk date unknown"],"parent_unittitles_tesim":["Rob Boyte Collection, bulk date unknown"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/83778"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"accessrestrict_html_tesm":["\u003cp\u003eAccess is available only by permission of the Special Collections staff.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access is available only by permission of the Special Collections staff."],"odd_html_tesm":["\u003cp\u003eThis collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content.\u003c/p\u003e","\u003cp\u003eThe collection contains photographs of identifiable individuals. Researchers are responsible for respecting individual privacy and applicable laws when using or publishing materials from the collection. No names may be published unless their permission has been obtained.\u003c/p\u003e"],"odd_heading_ssm":["Content Note","Privacy Note"],"odd_tesim":["This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content.","The collection contains photographs of identifiable individuals. Researchers are responsible for respecting individual privacy and applicable laws when using or publishing materials from the collection. No names may be published unless their permission has been obtained."],"_nest_path_":"/components#0","_nest_parent_":"a62b266ca8a0c4c6e9a227d3","_root_":"a62b266ca8a0c4c6e9a227d3","_version_":1876642586161053696,"timestamp":"2026-09-18T04:30:35.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a62b266ca8a0c4c6e9a227d3","title_ssm":["Rob Boyte Collection"],"title_tesim":["Rob Boyte Collection"],"ead_ssi":"a62b266ca8a0c4c6e9a227d3","unitdate_ssm":["date unknown"],"unitdate_bulk_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8030","/repositories/2/resources/12"],"text":["SPC8030","/repositories/2/resources/12","Rob Boyte Collection, bulk date unknown","Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.","Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte","The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Boyte, Robert Alan","English"],"unitid_tesim":["SPC8030","/repositories/2/resources/12"],"normalized_date_ssm":["bulk date unknown"],"normalized_title_ssm":["Rob Boyte Collection, bulk date unknown"],"collection_title_tesim":["Rob Boyte Collection, bulk date unknown"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Boyte, Robert Alan"],"creator_ssim":["Boyte, Robert Alan"],"creator_persname_ssim":["Boyte, Robert Alan"],"creators_ssim":["Boyte, Robert Alan"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Donated by Rob Boyte"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 boxes"],"extent_tesim":["6.00 boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eRestrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"bioghist_html_tesm":["\u003cp\u003eRob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.\u0026#xA0; His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.\u0026#xA0; His interests as an adolescent in high school were Art, Biology and Writing.\u0026#xA0; Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"\u003c/p\u003e\n","\u003cp\u003eDuring childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. \u003c/p\u003e\n","\u003cp\u003eRob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.\u0026#xA0; His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.\u0026#xA0; After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.\u0026#xA0; That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).\u003c/p\u003e\n","\u003cp\u003eRob was never goal oriented and never selected a career other than gravitating to human services work.\u0026#xA0; In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. \u003c/p\u003e\n","\u003cp\u003eWhile in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.\u0026#xA0; While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. \u003c/p\u003e\n","\u003cp\u003eRob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.\u0026#xA0;\u0026#xA0; Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.\u0026#xA0; They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.\u0026#xA0; Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.\u003c/p\u003e\n","\u003cp\u003eDuring the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.\u0026#xA0; He also wrote a column for Naturist publications called \u003cemph render=\"italic\"\u003eNude Attitude\u003c/emph\u003e, which he later compiled into a small, self-published book of the same title.\u003c/p\u003e\n","\u003cp\u003eRob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.\u0026#xA0; Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. \u003c/p\u003e\n","\u003cp\u003eFrom 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.\u0026#xA0; During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.\u0026#xA0; In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eWhile living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.\u0026#xA0; Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.\u0026#xA0; Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.\u0026#xA0; Brenda worked at Alachua General Hospital.\u003c/p\u003e\n","\u003cp\u003eRob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.\u0026#xA0; Rob and Brenda got divorced in 1998. \u003c/p\u003e\n","\u003cp\u003eIn November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eNote written by Robert Alan Boyte\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte"],"scopecontent_html_tesm":["\u003cp\u003eThe Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Boyte, Robert Alan"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Boyte, Robert Alan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":74,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876642586161053696,"_root_":"a62b266ca8a0c4c6e9a227d3","timestamp":"2026-09-18T04:30:35.495Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_bc4f13a8aa2c8f96f713984790418d10"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Congressman James A. Haley Collection, 1948-1977","value":"Congressman James A. Haley Collection, 1948-1977","hits":588},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Congressman+James+A.+Haley+Collection%2C+1948-1977\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"William R. Jones Papers, 1953-2009","value":"William R. Jones Papers, 1953-2009","hits":569},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+R.+Jones+Papers%2C+1953-2009\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","value":"Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","hits":306},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Bruce+Means+Papers%2C+1941-1965%2C+Date+acquired%3A+07%2F06%2F2018\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Senator Lee Constantine papers, 1990-2019","value":"Senator Lee Constantine papers, 1990-2019","hits":250},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Senator+Lee+Constantine+papers%2C+1990-2019\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":123},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":99},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Special Events, 1995-2022","value":"Special Events, 1995-2022","hits":94},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Special+Events%2C+1995-2022\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"David Bien Papers, Date acquired: 09/28/2017","value":"David Bien Papers, Date acquired: 09/28/2017","hits":75},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=David+Bien+Papers%2C+Date+acquired%3A+09%2F28%2F2017\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","value":"Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","hits":72},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Photographic+lantern+slide+collection%2C+1902-1929%2C+Date+acquired%3A+00%2F00%2F1995\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","value":"Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","hits":67},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Asian+male+nude+collection%2C+1939-2014%2C+Date+acquired%3A+07%2F00%2F2013\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Letson, Arthur (Sethuel Arthur), 1921-1995","value":"Letson, Arthur (Sethuel Arthur), 1921-1995","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Letson%2C+Arthur+%28Sethuel+Arthur%29%2C+1921-1995\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Martin, Michael V., Ph.D.","value":"Martin, Michael V., Ph.D.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Martin%2C+Michael+V.%2C+Ph.D.\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Byers, Billy, 1927-1996","value":"Byers, Billy, 1927-1996","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Byers%2C+Billy%2C+1927-1996\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"F Club","value":"F Club","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=F+Club\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Florida State University College of Social Work","value":"Florida State University College of Social Work","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Florida+State+University+College+of+Social+Work\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"McHugh, Donna","value":"McHugh, Donna","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=McHugh%2C+Donna\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Mittan, J. Barry","value":"Mittan, J. Barry","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Mittan%2C+J.+Barry\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Southwest Florida Regional Planning Council","value":"Southwest Florida Regional Planning Council","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Southwest+Florida+Regional+Planning+Council\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1994","value":"1994","hits":310},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1986","value":"1986","hits":309},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1985","value":"1985","hits":308},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1980","value":"1980","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1987","value":"1987","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1988","value":"1988","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1997","value":"1997","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1993","value":"1993","hits":306},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1993\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1981","value":"1981","hits":305},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1990","value":"1990","hits":305},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1995","value":"1995","hits":305},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1989","value":"1989","hits":304},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1979","value":"1979","hits":303},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1984","value":"1984","hits":303},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1984\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1992","value":"1992","hits":303},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1983","value":"1983","hits":300},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1996","value":"1996","hits":300},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1982","value":"1982","hits":298},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1991","value":"1991","hits":298},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1978","value":"1978","hits":294},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1976","value":"1976","hits":293},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1998","value":"1998","hits":293},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1977","value":"1977","hits":291},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1975","value":"1975","hits":284},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2000","value":"2000","hits":284},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1999","value":"1999","hits":281},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1999\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1974","value":"1974","hits":278},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1973","value":"1973","hits":270},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2001","value":"2001","hits":267},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1970","value":"1970","hits":264},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1970\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1971","value":"1971","hits":263},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1972","value":"1972","hits":262},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1969","value":"1969","hits":249},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2002","value":"2002","hits":249},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1968","value":"1968","hits":242},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1967","value":"1967","hits":238},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2003","value":"2003","hits":232},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1966","value":"1966","hits":230},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2005","value":"2005","hits":230},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1965","value":"1965","hits":229},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2004","value":"2004","hits":225},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1964","value":"1964","hits":223},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2006","value":"2006","hits":220},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1949","value":"1949","hits":215},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1950","value":"1950","hits":215},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1950\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1947","value":"1947","hits":214},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1948","value":"1948","hits":213},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1953","value":"1953","hits":213},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1946","value":"1946","hits":212},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1954","value":"1954","hits":212},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1954\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1963","value":"1963","hits":212},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1963\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1952","value":"1952","hits":211},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1960","value":"1960","hits":210},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1945","value":"1945","hits":209},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1945\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1955","value":"1955","hits":209},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2007","value":"2007","hits":209},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1951","value":"1951","hits":207},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1944","value":"1944","hits":205},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1962","value":"1962","hits":204},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1959","value":"1959","hits":203},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1956","value":"1956","hits":202},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1957","value":"1957","hits":202},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1957\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1958","value":"1958","hits":202},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1958\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1943","value":"1943","hits":199},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1943\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1961","value":"1961","hits":198},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1942","value":"1942","hits":196},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1941","value":"1941","hits":192},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2008","value":"2008","hits":188},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1940","value":"1940","hits":187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1938","value":"1938","hits":185},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1939","value":"1939","hits":183},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1937","value":"1937","hits":181},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1936","value":"1936","hits":178},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1935","value":"1935","hits":175},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1935\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1934","value":"1934","hits":172},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2009","value":"2009","hits":169},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1933","value":"1933","hits":168},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1930","value":"1930","hits":166},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1930\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1932","value":"1932","hits":166},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1926","value":"1926","hits":163},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1926\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1931","value":"1931","hits":163},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1931\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1928","value":"1928","hits":161},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1927","value":"1927","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1927\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1929","value":"1929","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2010","value":"2010","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1925","value":"1925","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2011","value":"2011","hits":157},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1924","value":"1924","hits":155},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1923","value":"1923","hits":152},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1920","value":"1920","hits":151},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1920\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1921","value":"1921","hits":151},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1922","value":"1922","hits":151},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1922\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2012","value":"2012","hits":151},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2013","value":"2013","hits":138},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1918","value":"1918","hits":133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1919","value":"1919","hits":133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1919\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1917","value":"1917","hits":129},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1916","value":"1916","hits":128},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1915","value":"1915","hits":126},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1914","value":"1914","hits":124},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1914\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Series","value":"Series","hits":8556},"links":{"remove":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Booth Theatre (New York, N.Y.)","value":"Booth Theatre (New York, N.Y.)","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Booth+Theatre+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Shubert Theatre (Organization : New York, N.Y.)","value":"Shubert Theatre (Organization : New York, N.Y.)","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Shubert+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Imperial Theatre (Organization : New York, N.Y.)","value":"Imperial Theatre (Organization : New York, N.Y.)","hits":11},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Imperial+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Martin Beck Theatre (New York, N.Y.)","value":"Martin Beck Theatre (New York, N.Y.)","hits":11},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Martin+Beck+Theatre+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Majestic Theatre (Organization : New York, N.Y.)","value":"Majestic Theatre (Organization : New York, N.Y.)","hits":10},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Majestic+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Plymouth Theatre Corporation (New York, N.Y.)","value":"Plymouth Theatre Corporation (New York, N.Y.)","hits":10},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Plymouth+Theatre+Corporation+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Broadhurst Theatre (Organization : New York, N.Y.)","value":"Broadhurst Theatre (Organization : New York, N.Y.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Broadhurst+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Broadway Theatre (Organization : New York, N.Y.)","value":"Broadway Theatre (Organization : New York, N.Y.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Broadway+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Morosco Theatre (Organization : New York, N.Y.)","value":"Morosco Theatre (Organization : New York, N.Y.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Morosco+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Music Box Theater (New York, N.Y.)","value":"Music Box Theater (New York, N.Y.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Music+Box+Theater+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Barrymore Theatre Corporation","value":"Barrymore Theatre Corporation","hits":8},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Barrymore+Theatre+Corporation\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":2757},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=compact"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":1123},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=compact"}},{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":795},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections\u0026view=compact"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":762},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=UCF+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":559},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=compact"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":372},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=FIU+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Thomas B. Mack Florida Citrus Archives","value":"Thomas B. Mack Florida Citrus Archives","hits":348},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Thomas+B.+Mack+Florida+Citrus+Archives\u0026view=compact"}},{"attributes":{"label":"UCF University Archives","value":"UCF University Archives","hits":332},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=UCF+University+Archives\u0026view=compact"}},{"attributes":{"label":"Florida Gulf Coast University Archives","value":"Florida Gulf Coast University Archives","hits":287},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Archives\u0026view=compact"}},{"attributes":{"label":"UNF Library Special Collections and University Archives","value":"UNF Library Special Collections and University Archives","hits":280},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=UNF+Library+Special+Collections+and+University+Archives\u0026view=compact"}},{"attributes":{"label":"Broward County Historical Archives","value":"Broward County Historical Archives","hits":223},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Broward+County+Historical+Archives\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Community organization.","value":"Community organization.","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Community+organization.\u0026view=compact"}},{"attributes":{"label":"Vero Beach (Fla.)","value":"Vero Beach (Fla.)","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Vero+Beach+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Zines.","value":"Zines.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Zines.\u0026view=compact"}},{"attributes":{"label":"20th Anniversary -- Florida Gulf Coast University","value":"20th Anniversary -- Florida Gulf Coast University","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=20th+Anniversary+--+Florida+Gulf+Coast+University\u0026view=compact"}},{"attributes":{"label":"Art.","value":"Art.","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Art.\u0026view=compact"}},{"attributes":{"label":"Bahia Mar Yachting Center","value":"Bahia Mar Yachting Center","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Bahia+Mar+Yachting+Center\u0026view=compact"}},{"attributes":{"label":"COVID-19 (Disease)--Social aspects.","value":"COVID-19 (Disease)--Social aspects.","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=COVID-19+%28Disease%29--Social+aspects.\u0026view=compact"}},{"attributes":{"label":"Captiva Island (Fla.)","value":"Captiva Island (Fla.)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Captiva+Island+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Charlotte County (Fla.)","value":"Charlotte County (Fla.)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Charlotte+County+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Collier County (Fla.)","value":"Collier County (Fla.)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Collier+County+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Commencement ceremonies","value":"Commencement ceremonies","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Commencement+ceremonies\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"FGCU Alumni Association","value":"FGCU Alumni Association","hits":14},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=FGCU+Alumni+Association\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"American Association of University Women","value":"American Association of University Women","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=American+Association+of+University+Women\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Oral history","value":"Oral history","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Oral+history\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"25th Anniversary -- Florida Gulf Coast University","value":"25th Anniversary -- Florida Gulf Coast University","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=25th+Anniversary+--+Florida+Gulf+Coast+University\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Athletics","value":"Athletics","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Athletics\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Maps","value":"Maps","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Maps\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Water--Management.","value":"Water--Management.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Water--Management.\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Alico Arena","value":"Alico Arena","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Alico+Arena\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Architecture -- Florida -- Tampa","value":"Architecture -- Florida -- Tampa","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Florida+--+Tampa\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Architecture, Domestic -- Designs and plans","value":"Architecture, Domestic -- Designs and plans","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture%2C+Domestic+--+Designs+and+plans\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Beach integration","value":"Beach integration","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Beach+integration\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=710\u0026sort=title_sort+desc\u0026view=compact"}}]}