{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=637\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=636\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=638\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856\u0026view=compact"},"meta":{"pages":{"current_page":637,"next_page":638,"prev_page":636,"total_pages":856,"limit_value":10,"offset_value":6360,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"cac9c2743a91b0bd0493ee34_aspace_1396","type":"Series","attributes":{"title":"Publicity","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cac9c2743a91b0bd0493ee34_aspace_1396#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe serie contains articles written about Jorge Mas Canosa\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cac9c2743a91b0bd0493ee34_aspace_1396#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1396","ref_ssm":["aspace_1396","aspace_1396"],"id":"cac9c2743a91b0bd0493ee34_aspace_1396","title_filing_ssi":"Publicity","title_ssm":["Publicity"],"title_tesim":["Publicity"],"normalized_title_ssm":["Publicity"],"text":["Publicity","The New Republic/Jorge Mas Canosa Collection, 1979-1996, Date acquired: 00/00/2009","Series 4","/repositories/2/archival_objects/10507","The serie contains articles written about Jorge Mas Canosa"],"component_level_isim":[1],"parent_ids_ssim":["cac9c2743a91b0bd0493ee34"],"parent_unittitles_ssm":["The New Republic/Jorge Mas Canosa Collection, 1979-1996, Date acquired: 00/00/2009"],"parent_unittitles_tesim":["The New Republic/Jorge Mas Canosa Collection, 1979-1996, Date acquired: 00/00/2009"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 4","/repositories/2/archival_objects/10507"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["The New Republic/Jorge Mas Canosa Collection, 1979-1996, Date acquired: 00/00/2009"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":263,"parent_access_restrict_tesm":["There are no restrictions on this Collection"],"parent_access_terms_tesm":["Copyright is held by Florida International University"],"scopecontent_html_tesm":["\u003cp\u003eThe serie contains articles written about Jorge Mas Canosa\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The serie contains articles written about Jorge Mas Canosa"],"_nest_path_":"/components#3","_nest_parent_":"cac9c2743a91b0bd0493ee34","_root_":"cac9c2743a91b0bd0493ee34","_version_":1870844601948962816,"timestamp":"2026-07-16T04:34:06.862Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cac9c2743a91b0bd0493ee34","title_ssm":["The New Republic/Jorge Mas Canosa Collection"],"title_tesim":["The New Republic/Jorge Mas Canosa Collection"],"ead_ssi":"cac9c2743a91b0bd0493ee34","unitdate_ssm":["1979-1996","Date acquired: 00/00/2009"],"unitdate_inclusive_ssm":["1979-1996"],"unitdate_other_ssim":["Date acquired: 00/00/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5090","/repositories/2/resources/40"],"text":["SPC5090","/repositories/2/resources/40","The New Republic/Jorge Mas Canosa Collection, 1979-1996, Date acquired: 00/00/2009","Video (VHS) [VH]","Newspaper","There are no restrictions on this Collection","Anne Louise Bardach contacted Lisandro Pérez, then Director of the Cuban Research Institute at Florida International University to inquire if the CRI or the FIU Library would be interested in receiving the materials that the New Republic's legal firm had collected on Mr. Mas Canosa in preparation for the magazine's defense. The original communication from Ms. Bardach to Dr. Pérez was probably a phone call or perhaps an e-mail. If it was the latter, it is not preserved. There is therefore no written record of the communication. Dr. Pérez recalls, however, that in that communication Ms. Bardach indicated that the law firm was eager to dispose of the collection as quickly as possible because they suspected that some of its contents had been, or were being, surreptitiously withdrawn and that they could not hold the materials indefinitely in a secure location. Furthermore, she indicated that multiple copies of the collection had been made and the intent was to send those copies to different academic institutions so as to assure the survival of the collection. Dr. Pérez does not know if indeed multiple copies were made, and if so, where else they may have been sent.","Dr. Pérez agreed to accept the collection and not long thereafter several boxes from the law firm arrived addressed to him at the CRI. After a cursory examination of their contents, the boxes were placed in a locked file cabinet at the CRI where they remained for several years. Shortly after Dr. Damián Fernández, Dr. Pérez's successor as CRI Director, left FIU in 2008 and the CRI was left without a Director, Dr. Pérez arranged for the boxes to be transferred to the control of Special Collections in the Green Library, where they were received by Director Althea V. Silvera.","There are no physical restrictions on this collection","There are no technical restrictions on this collection","The New Republic/Jorge Mas Canosa Collection in Special Collections in the Green Library at Florida International University consists of materials gathered by legal counsel retained by the New Republic magazine as part of trial preparation in a libel suit filed against the magazine by Mr. Mas Canosa, Chairman of the Cuban American National Foundation. The suit stemmed from an article that ran in the October 3, 1994 edition of the New Republic written by Anne Louise Bardach (pp. 20-25).","On November 18, 1994, Mr. Mas Canosa filed suit in Dade Circuit Court in Miami, naming the New Republic and Bardach as defendants and alleging he was repeatedly libeled in the October 3 article (The Miami Herald, November 19, 1994, p. 1-B). ","The Miami Herald reported nearly two years later, in its issue of September 17, 1996 (p. 1B) that Jorge Mas Canosa and The New Republic magazine had announced a settlement in their libel case:","Under the terms, The New Republic apologized to Mas for calling him a \"mobster\" on the cover and in a headline of its Oct. 3, 1994 issue. The magazine, a Washington, D.C.-based journal of political opinion, also agreed to pay $100,000 to establish a scholarship fund in journalism and political science through the Cuban American National Foundation.  The magazine is also running a correction and a strongly worded apology in an upcoming issue.   ","In its issue of October 14, 1996 (p. 8), the editors of the New Republic published the following text in its \"Notebook\" section:    \nCORRECTION: On October 3, 1994, The New Republic published a two-part cover story dealing with Cuba. The second of those articles appeared under the cover page title of \"Clinton's Miami Mobster\" and was about Cuban exile leader Jorge Mas Canosa. The use of the word \"mobster\" was the sole responsibility of The New Republic and not the author. The New Republic did not intend to imply that Mr. Mas has been involved in any criminal activity. The New Republic did not intend to accuse Mr. Mas of being in any way connected to, or engaged in, criminal activity of any kind, nor was its use of the word based on any evidence of criminal activity on Mr. Mas' part. Nothing in the article by Ann Louise Bardach stated or should be interpreted as stating or suggesting that Mr. Mas was involved in criminal activity. The New Republic regrets any injury or embarrassment that may have been caused to Mr. Mas or his family.\nAlthough we regret our wording of the title, which was chosen without the participation of the author, Ann Louise Bardach, The New Republic stands fully behind the article itself. Nothing in the thought-provoking article, which addresses America's Cuba policy and the political influence of elements of the Cuban exile community in Miami, requires clarification, correction or apology as nothing in it has been proven false or libelous. Ms. Bardach, who is a Contributing Editor of Vanity Fair and winner of the 1995 PEN West Award for Journalism, will be dismissed from the libel lawsuit independent of The New Republic's settlement.","Copyright is held by Florida International University","FIU Special Collections","The New Republic (Magazine : New York, N.Y.)","Cuban American National Foundation (U.S.)","Mas Canosa, Jorge","English"],"unitid_tesim":["SPC5090","/repositories/2/resources/40"],"normalized_date_ssm":["1979-1996, Date acquired: 00/00/2009"],"normalized_title_ssm":["The New Republic/Jorge Mas Canosa Collection, 1979-1996, Date acquired: 00/00/2009"],"collection_title_tesim":["The New Republic/Jorge Mas Canosa Collection, 1979-1996, Date acquired: 00/00/2009"],"collection_ssim":["The New Republic/Jorge Mas Canosa Collection, 1979-1996, Date acquired: 00/00/2009"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["The New Republic (Magazine : New York, N.Y.)"],"creator_ssim":["The New Republic (Magazine : New York, N.Y.)"],"creator_corpname_ssim":["The New Republic (Magazine : New York, N.Y.)"],"creators_ssim":["The New Republic (Magazine : New York, N.Y.)"],"access_terms_ssm":["Copyright is held by Florida International University"],"acqinfo_ssim":["Cuban Research Institute at Florida International University","Donation"],"access_subjects_ssim":["Video (VHS) [VH]","Newspaper"],"access_subjects_ssm":["Video (VHS) [VH]","Newspaper"],"has_online_content_ssim":["false"],"extent_ssm":["8.00 boxes"],"extent_tesim":["8.00 boxes"],"genreform_ssim":["Video (VHS) [VH]","Newspaper"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on this Collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on this Collection"],"custodhist_html_tesm":["\u003cp\u003eAnne Louise Bardach contacted Lisandro P\u0026#xE9;rez, then Director of the Cuban Research Institute at Florida International University to inquire if the CRI or the FIU Library would be interested in receiving the materials that the New Republic's legal firm had collected on Mr. Mas Canosa in preparation for the magazine's defense. The original communication from Ms. Bardach to Dr. P\u0026#xE9;rez was probably a phone call or perhaps an e-mail. If it was the latter, it is not preserved. There is therefore no written record of the communication. Dr. P\u0026#xE9;rez recalls, however, that in that communication Ms. Bardach indicated that the law firm was eager to dispose of the collection as quickly as possible because they suspected that some of its contents had been, or were being, surreptitiously withdrawn and that they could not hold the materials indefinitely in a secure location. Furthermore, she indicated that multiple copies of the collection had been made and the intent was to send those copies to different academic institutions so as to assure the survival of the collection. Dr. P\u0026#xE9;rez does not know if indeed multiple copies were made, and if so, where else they may have been sent.\u003c/p\u003e\n","\u003cp\u003eDr. P\u0026#xE9;rez agreed to accept the collection and not long thereafter several boxes from the law firm arrived addressed to him at the CRI. After a cursory examination of their contents, the boxes were placed in a locked file cabinet at the CRI where they remained for several years. Shortly after Dr. Dami\u0026#xE1;n Fern\u0026#xE1;ndez, Dr. P\u0026#xE9;rez's successor as CRI Director, left FIU in 2008 and the CRI was left without a Director, Dr. P\u0026#xE9;rez arranged for the boxes to be transferred to the control of Special Collections in the Green Library, where they were received by Director Althea V. Silvera.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Anne Louise Bardach contacted Lisandro Pérez, then Director of the Cuban Research Institute at Florida International University to inquire if the CRI or the FIU Library would be interested in receiving the materials that the New Republic's legal firm had collected on Mr. Mas Canosa in preparation for the magazine's defense. The original communication from Ms. Bardach to Dr. Pérez was probably a phone call or perhaps an e-mail. If it was the latter, it is not preserved. There is therefore no written record of the communication. Dr. Pérez recalls, however, that in that communication Ms. Bardach indicated that the law firm was eager to dispose of the collection as quickly as possible because they suspected that some of its contents had been, or were being, surreptitiously withdrawn and that they could not hold the materials indefinitely in a secure location. Furthermore, she indicated that multiple copies of the collection had been made and the intent was to send those copies to different academic institutions so as to assure the survival of the collection. Dr. Pérez does not know if indeed multiple copies were made, and if so, where else they may have been sent.","Dr. Pérez agreed to accept the collection and not long thereafter several boxes from the law firm arrived addressed to him at the CRI. After a cursory examination of their contents, the boxes were placed in a locked file cabinet at the CRI where they remained for several years. Shortly after Dr. Damián Fernández, Dr. Pérez's successor as CRI Director, left FIU in 2008 and the CRI was left without a Director, Dr. Pérez arranged for the boxes to be transferred to the control of Special Collections in the Green Library, where they were received by Director Althea V. Silvera."],"phystech_html_tesm":["\u003cp\u003eThere are no physical restrictions on this collection\u003c/p\u003e","\u003cp\u003eThere are no technical restrictions on this collection\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are no physical restrictions on this collection","There are no technical restrictions on this collection"],"scopecontent_html_tesm":["\u003cp\u003eThe New Republic/Jorge Mas Canosa Collection in Special Collections in the Green Library at Florida International University consists of materials gathered by legal counsel retained by the New Republic magazine as part of trial preparation in a libel suit filed against the magazine by Mr. Mas Canosa, Chairman of the Cuban American National Foundation. The suit stemmed from an article that ran in the October 3, 1994 edition of the New Republic written by Anne Louise Bardach (pp. 20-25).\u003c/p\u003e\n","\u003cp\u003eOn November 18, 1994, Mr. Mas Canosa filed suit in Dade Circuit Court in Miami, naming the New Republic and Bardach as defendants and alleging he was repeatedly libeled in the October 3 article (The Miami Herald, November 19, 1994, p. 1-B). \u003c/p\u003e\n","\u003cp\u003eThe Miami Herald reported nearly two years later, in its issue of September 17, 1996 (p. 1B) that Jorge Mas Canosa and The New Republic magazine had announced a settlement in their libel case:\u003c/p\u003e\n","\u003cp\u003eUnder the terms, The New Republic apologized to Mas for calling him a \"mobster\" on the cover and in a headline of its Oct. 3, 1994 issue. The magazine, a Washington, D.C.-based journal of political opinion, also agreed to pay $100,000 to establish a scholarship fund in journalism and political science through the Cuban American National Foundation.\u0026#xA0; The magazine is also running a correction and a strongly worded apology in an upcoming issue.\u0026#xA0;\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eIn its issue of October 14, 1996 (p. 8), the editors of the New Republic published the following text in its \"Notebook\" section:\u0026#xA0; \u0026#xA0; \nCORRECTION: On October 3, 1994, The New Republic published a two-part cover story dealing with Cuba. The second of those articles appeared under the cover page title of \"Clinton's Miami Mobster\" and was about Cuban exile leader Jorge Mas Canosa. The use of the word \"mobster\" was the sole responsibility of The New Republic and not the author. The New Republic did not intend to imply that Mr. Mas has been involved in any criminal activity. The New Republic did not intend to accuse Mr. Mas of being in any way connected to, or engaged in, criminal activity of any kind, nor was its use of the word based on any evidence of criminal activity on Mr. Mas' part. Nothing in the article by Ann Louise Bardach stated or should be interpreted as stating or suggesting that Mr. Mas was involved in criminal activity. The New Republic regrets any injury or embarrassment that may have been caused to Mr. Mas or his family.\nAlthough we regret our wording of the title, which was chosen without the participation of the author, Ann Louise Bardach, The New Republic stands fully behind the article itself. Nothing in the thought-provoking article, which addresses America's Cuba policy and the political influence of elements of the Cuban exile community in Miami, requires clarification, correction or apology as nothing in it has been proven false or libelous. Ms. Bardach, who is a Contributing Editor of Vanity Fair and winner of the 1995 PEN West Award for Journalism, will be dismissed from the libel lawsuit independent of The New Republic's settlement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The New Republic/Jorge Mas Canosa Collection in Special Collections in the Green Library at Florida International University consists of materials gathered by legal counsel retained by the New Republic magazine as part of trial preparation in a libel suit filed against the magazine by Mr. Mas Canosa, Chairman of the Cuban American National Foundation. The suit stemmed from an article that ran in the October 3, 1994 edition of the New Republic written by Anne Louise Bardach (pp. 20-25).","On November 18, 1994, Mr. Mas Canosa filed suit in Dade Circuit Court in Miami, naming the New Republic and Bardach as defendants and alleging he was repeatedly libeled in the October 3 article (The Miami Herald, November 19, 1994, p. 1-B). ","The Miami Herald reported nearly two years later, in its issue of September 17, 1996 (p. 1B) that Jorge Mas Canosa and The New Republic magazine had announced a settlement in their libel case:","Under the terms, The New Republic apologized to Mas for calling him a \"mobster\" on the cover and in a headline of its Oct. 3, 1994 issue. The magazine, a Washington, D.C.-based journal of political opinion, also agreed to pay $100,000 to establish a scholarship fund in journalism and political science through the Cuban American National Foundation.  The magazine is also running a correction and a strongly worded apology in an upcoming issue.   ","In its issue of October 14, 1996 (p. 8), the editors of the New Republic published the following text in its \"Notebook\" section:    \nCORRECTION: On October 3, 1994, The New Republic published a two-part cover story dealing with Cuba. The second of those articles appeared under the cover page title of \"Clinton's Miami Mobster\" and was about Cuban exile leader Jorge Mas Canosa. The use of the word \"mobster\" was the sole responsibility of The New Republic and not the author. The New Republic did not intend to imply that Mr. Mas has been involved in any criminal activity. The New Republic did not intend to accuse Mr. Mas of being in any way connected to, or engaged in, criminal activity of any kind, nor was its use of the word based on any evidence of criminal activity on Mr. Mas' part. Nothing in the article by Ann Louise Bardach stated or should be interpreted as stating or suggesting that Mr. Mas was involved in criminal activity. The New Republic regrets any injury or embarrassment that may have been caused to Mr. Mas or his family.\nAlthough we regret our wording of the title, which was chosen without the participation of the author, Ann Louise Bardach, The New Republic stands fully behind the article itself. Nothing in the thought-provoking article, which addresses America's Cuba policy and the political influence of elements of the Cuban exile community in Miami, requires clarification, correction or apology as nothing in it has been proven false or libelous. Ms. Bardach, who is a Contributing Editor of Vanity Fair and winner of the 1995 PEN West Award for Journalism, will be dismissed from the libel lawsuit independent of The New Republic's settlement."],"userestrict_html_tesm":["\u003cp\u003eCopyright is held by Florida International University\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is held by Florida International University"],"names_coll_ssim":["Cuban American National Foundation (U.S.)","Mas Canosa, Jorge"],"names_ssim":["FIU Special Collections","The New Republic (Magazine : New York, N.Y.)","Cuban American National Foundation (U.S.)","Mas Canosa, Jorge"],"corpname_ssim":["FIU Special Collections","The New Republic (Magazine : New York, N.Y.)","Cuban American National Foundation (U.S.)"],"persname_ssim":["Mas Canosa, Jorge"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":307,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844601948962816,"_root_":"cac9c2743a91b0bd0493ee34","timestamp":"2026-07-16T04:34:06.862Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cac9c2743a91b0bd0493ee34_aspace_1396"}},{"id":"c92534bd2688ff541b587f5f_aspace_3f97406ef51057b57b521ebe140eba90","type":"Series","attributes":{"title":"Publicity","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c92534bd2688ff541b587f5f_aspace_3f97406ef51057b57b521ebe140eba90#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3f97406ef51057b57b521ebe140eba90","ref_ssm":["aspace_3f97406ef51057b57b521ebe140eba90","aspace_3f97406ef51057b57b521ebe140eba90"],"id":"c92534bd2688ff541b587f5f_aspace_3f97406ef51057b57b521ebe140eba90","title_filing_ssi":"Publicity","title_ssm":["Publicity"],"title_tesim":["Publicity"],"normalized_title_ssm":["Publicity"],"text":["Publicity","English Department Records, 1970-2013","/repositories/10/archival_objects/228845","Box 7"],"component_level_isim":[1],"parent_ids_ssim":["c92534bd2688ff541b587f5f"],"parent_unittitles_ssm":["English Department Records, 1970-2013"],"parent_unittitles_tesim":["English Department Records, 1970-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/228845"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["English Department Records, 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":24,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. 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Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2019-009","/repositories/10/resources/2086"],"normalized_date_ssm":["1970-2013"],"normalized_title_ssm":["English Department Records, 1970-2013"],"collection_title_tesim":["English Department Records, 1970-2013"],"collection_ssim":["English Department Records, 1970-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["FSU Department of English"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2019/01/30\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2019/01/30"],"prefercite_html_tesm":["\u003cp\u003eEnglish Department Records, HUA 2019-009, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2019-009\u003c/p\u003e"],"prefercite_tesim":["English Department Records, HUA 2019-009, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2019-009"],"scopecontent_html_tesm":["\u003cp\u003eBox: HTDs Box: HTDs Box: HTDs Box 1: Course Evaluation Statistics (1980s, 1990s, 1999-2003), salary information, Sheila Taylor-Ortiz vita, Dennis Moore file, Grant Application: National Endowment for the Humanities (1988), Guidelines for Disciplinary Action Box 2: ROPA Correspondence, Kate Meehan file, '80s committee activities, Jennifer Wells file, Andrew Reynolds file, Department Award Accounts, Review materials, salary increases/summer salary, faculty achievements (1980-1996), Miscellaneous 1992-1993, Miscellaneous 1988-1989, Miscellaneous 1987-1988, Memoranda-Phi Beta Kappa Box 3: Fred Standley files Box 4: Audit (2008/2013), workers comp/injury info, speakers 2005-2006 Box 5: Graduate Assistant/Fellowship Policies Box 6: Academic Honor Code violations (2004/2005) Box 7: publicity, English Dept. newsletters, notary public info, MLA membership Box 8: Bryan Hall Learning Community brochure, Booklets with bookmarks: Story Quarterly 2/3, Konglomerati Focus on Florida, The Florida Review Volume XII No. 1 Winter 1984, The Panhandler Florida Poets Issue Summer 1983; Creative Writing Program, Honors Committee, FSU Purchasing Card, Linda Saladin-Adams travel grant application, Jocelyn Walker file, Applications/New Hire Box 9: PhD student files (2004-2007) Box 10: PhD student files Box 11: LIT honors program Box 12: Faculty appointments and budget info (1990s) Box 13: Mostly faculty email correspondence about audits/SACS report (1990s-2000s) Box 14: Seems to be a mixture of comps, applications for graduate studies, and faculty appointments/applications Box 15: student drops, Academic Honor Code violations, Summer 2008 contracts/budget, Outside Activity Reports (2008-2009), Faculty Leave Audits (Fall 2004), Academic Year 2009-2010, summer 2009, Appleton Endowment, summer 2010, Academic Year 2012-2013, summer 2011, Outside Activity Reports (2009-2010), honors thesis proposals (late 1990s/early 2000s) Box 16: Various faculty papers and grade appeals (1990s-2000s) Box 17: Faculty memos, correspondence, reports, reviews, and evaluations (1970s, 1990s, 2000s)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Box: HTDs Box: HTDs Box: HTDs Box 1: Course Evaluation Statistics (1980s, 1990s, 1999-2003), salary information, Sheila Taylor-Ortiz vita, Dennis Moore file, Grant Application: National Endowment for the Humanities (1988), Guidelines for Disciplinary Action Box 2: ROPA Correspondence, Kate Meehan file, '80s committee activities, Jennifer Wells file, Andrew Reynolds file, Department Award Accounts, Review materials, salary increases/summer salary, faculty achievements (1980-1996), Miscellaneous 1992-1993, Miscellaneous 1988-1989, Miscellaneous 1987-1988, Memoranda-Phi Beta Kappa Box 3: Fred Standley files Box 4: Audit (2008/2013), workers comp/injury info, speakers 2005-2006 Box 5: Graduate Assistant/Fellowship Policies Box 6: Academic Honor Code violations (2004/2005) Box 7: publicity, English Dept. newsletters, notary public info, MLA membership Box 8: Bryan Hall Learning Community brochure, Booklets with bookmarks: Story Quarterly 2/3, Konglomerati Focus on Florida, The Florida Review Volume XII No. 1 Winter 1984, The Panhandler Florida Poets Issue Summer 1983; Creative Writing Program, Honors Committee, FSU Purchasing Card, Linda Saladin-Adams travel grant application, Jocelyn Walker file, Applications/New Hire Box 9: PhD student files (2004-2007) Box 10: PhD student files Box 11: LIT honors program Box 12: Faculty appointments and budget info (1990s) Box 13: Mostly faculty email correspondence about audits/SACS report (1990s-2000s) Box 14: Seems to be a mixture of comps, applications for graduate studies, and faculty appointments/applications Box 15: student drops, Academic Honor Code violations, Summer 2008 contracts/budget, Outside Activity Reports (2008-2009), Faculty Leave Audits (Fall 2004), Academic Year 2009-2010, summer 2009, Appleton Endowment, summer 2010, Academic Year 2012-2013, summer 2011, Outside Activity Reports (2009-2010), honors thesis proposals (late 1990s/early 2000s) Box 16: Various faculty papers and grade appeals (1990s-2000s) Box 17: Faculty memos, correspondence, reports, reviews, and evaluations (1970s, 1990s, 2000s)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":64,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857979687862272,"_root_":"c92534bd2688ff541b587f5f","timestamp":"2026-07-16T08:06:44.871Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c92534bd2688ff541b587f5f_aspace_3f97406ef51057b57b521ebe140eba90"}},{"id":"2509bdd3a9c797c4a5d03e51_aspace_134915","type":"Series","attributes":{"title":"Publicity, 1955-1964","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2509bdd3a9c797c4a5d03e51_aspace_134915#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_134915","ref_ssm":["aspace_134915","aspace_134915"],"id":"2509bdd3a9c797c4a5d03e51_aspace_134915","title_filing_ssi":"Publicity","title_ssm":["Publicity"],"title_tesim":["Publicity"],"unitdate_other_ssim":["1955-1964"],"normalized_date_ssm":["1955-1964"],"normalized_title_ssm":["Publicity, 1955-1964"],"text":["Publicity, 1955-1964","Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964","Series 3","/repositories/10/archival_objects/171132"],"component_level_isim":[1],"parent_ids_ssim":["2509bdd3a9c797c4a5d03e51"],"parent_unittitles_ssm":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"parent_unittitles_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/10/archival_objects/171132"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":9,"parent_access_restrict_tesm":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"_nest_path_":"/components#2","_nest_parent_":"2509bdd3a9c797c4a5d03e51","_root_":"2509bdd3a9c797c4a5d03e51","timestamp":"2026-07-08T05:02:19.029Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2509bdd3a9c797c4a5d03e51","title_ssm":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection"],"title_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection"],"ead_ssi":"2509bdd3a9c797c4a5d03e51","unitdate_ssm":["1937-1969","1951-1964","Date acquired: 12/00/2005"],"unitdate_bulk_ssim":["1951-1964"],"unitdate_inclusive_ssm":["1937-1969"],"unitdate_other_ssim":["Date acquired: 12/00/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2005-016","/repositories/10/resources/1387"],"text":["MSS 2005-016","/repositories/10/resources/1387","Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964","Bibliography","Home economics extension work--Florida","4-H clubs--Florida","Advertising fliers","Pamphlets","Manuscripts","Reports","Scrapbooks","Periodicals.","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","According to Agnes Ellen Harris, the head of Florida State College for Women (FSCW)'s Department of Home Economics, and Florida's First State and County Home Demonstration Agent, home demonstration work in Florida began during FSCW's 1908-1909 academic term, when she was invited by Mrs. Lena A. Shackelford, president of the Florida State Federation of Women's Clubs and wife of Florida Supreme Court Justice T.M. Shackelford, to give a cooking demonstration in Ocala, Florida. A book of recipes, considered the first home economics work published by FSCW, was printed and distributed at this meeting. The demonstration was so successful that Miss Harris requested a year's leave of absence from FSCW to go to Columbia University, where she prepared herself for extension work. Also during this time, FSCW's President, Dr. Edward Conradi, strongly supported the home demonstration program and was instrumental in establishing the state headquarters for home demonstration work at FSCW.\n After a year's work at Columbia, Miss Harris returned to FSCW and, after learning that a type of extension work for country girls, called \"Tomato Clubs,\" was being established at agricultural colleges in the South, she created these clubs at the college. These clubs were also the first Girls 4-H Clubs in Florida. Club members planted and harvested tomatoes on a one-tenth acre plot and held \"canning parties.\" The girls' mothers came as chaperones and helped with canning the tomatoes, an activity which was among the first \"method\" demonstrations given in home demonstration work in Florida.\n Many of the early Florida home demonstration agents were teachers who worked with the tomato clubs during a few months in the summer. Their salaries were small, and travel was slow and often difficult. Twelve agents began work in 1912 and 500 girls enrolled in the tomato clubs. During this active period, agents worked directly with county superintendents and newspaper reporters for the purpose of educating Florida residents about how to save surplus fruits and vegetables.\n In 1914, the Smith-Lever Act was passed by the U.S. Congress, providing federal aid for agricultural extension work in agriculture and home economics. The legislation also gave official government sanction to a plan of cooperation among the federal, state, and county governments in a system of rural education now known as Cooperative Extension work. This was the first time that the term \"Home Economics\" appeared in federal legislation. After the passage of this bill, more agents with better training and salaries were appointed, and FSCW began a cooperative program with the College of Agriculture at the University of Florida and the United States Department of Agriculture providing home demonstration training in Florida. Funds for conducting the work were available not only from these two institutions, but also from appropriations made by Boards of Commissioners and Boards of Public Instruction of the various state counties. In addition, extension services for adult women started in Florida in 1916.\n In 1918, President Conradi proposed a \"war college\" for women to be held in Tallahassee. 375 women attending from all parts of Florida discussed how World War I impacted home demonstration activities and how home demonstration agents should respond to the demands of all-out war. As a result of this conference, the position of the extension agents was clarified and the women became better organized and participated in Liberty Loan drives, Red Cross work, community services to military camps, and other activities.\n Home demonstration activities expanded after World War I and through the 1920s. There were developments such as the extension of telephone and electric lines, better roads, improved homes, health programs, and better schools. This work fostered a growing community spirit and the beginning of the community recreation program. In 1920, the first movie depicting home demonstration work was filmed in Florida. It included many scenes from the first 4-H Club camp for boys and girls. In 1927, the FSCW's 4-H Club was organized. In 1928, through the donation of $100 by Appleyard Printing Company, Tallahassee, a Council scholarship fund for 4-H Club girls was started by FSCW's Senior Home Demonstration Council.\n With the close of Florida's prosperous years in the late 1920s, home demonstration work was challenged by a rapid succession of devastating storms in South Florida, bank failures, crop losses, and other difficult situations. Gardening, canning, and clothes remodeling became matters of necessity to feed and clothe families under trying financial conditions. During the depression, the need to increase the income of the farm family, in both cash and kind, was paramount. The sale of surplus products through home demonstration markets, roadside stands, or individual sales served as a means to supplement cash income. Reports supplied by the home demonstration women and girls for this period show they sold home-manufactured products or produced quality goods worth hundreds of thousands of dollars annually. In addition, during this time, the first 4-H girls, all FSCW graduates, were appointed county home demonstration agents.\n As field agents of the U.S. Department of Agriculture, home demonstration workers were assigned many essential duties during World War II, including food production and conservation, nutrition, salvage, and rural health. As leaders in the state and counties, they were able to accept local and statewide responsibilities for wartime programs.\n Following World War II, Florida State University (FSU, formerly FSCW) classroom space was at a premium and it was necessary to move the home demonstration state headquarters to the Administration Building at the discontinued Dale Mabry Air Force Base, just west of the main campus in Tallahassee. While the quality of the quarters was minimal, space was abundant, providing ample room for offices, storage, production, and collating of educational mimeographed materials.\n During the immediate post-war period, there were several changes in the program. In 1948, two new positions were added - one in health improvement and the other the first state girls 4-H Club agent. Up to that time, state home demonstration staff had alternately shared the responsibility of working with the state 4-H program and chaperoning the girls to state and national meetings. Anna Mae Sikes was appointed state home demonstration leader in 1950 and served in this capacity until 1964.\n Throughout the 1950s, home demonstration work continued to experience great expansion, reorganization, and a move to new state headquarters. An assistant editor and visual aids specialist position was created and filled by Alma Warren in 1951. This position recognized the need for mass media to reach an expanding audience.\n In-service training for agents and state staff members continued to expand and an additional state staff position was created. In 1953, Eunice Grady was appointed assistant to the state home demonstration agent in training programs. Her responsibilities included recruitment, pre-service training, in-service training, graduate training for home demonstration workers, and assisting the state agent when requested. These activities resulted in the establishment of FSU's Department of Home Demonstration.\n In 1958, the state staff was moved back to the main FSU campus in the Extension wing of the just completed Sandels Home Economics Building. That year, FSU's Extension Committee on Reorganization and Policy Subcommittee on Scope and Responsibility published The Cooperative Extension Service-Today. In 1959, the scope report was followed by A Guide for Extension Programs in the Future.\n When the Florida Extension Service reorganized in 1963, seven state home demonstration staff members were transferred from FSU to new headquarters at the University of Florida in Gainesville. Floy Britt, the Negro district home demonstration agent, was moved from Florida Agricultural and Mechanical University to FSU and her title was changed to Extension Home Economist for Special Programs. Subsequently, Home Demonstration Agents' titles were changed to Extension Home Economics Agents.\n The next major reorganization occurred in 1968 when women district agents were eliminated in favor of program assignments. The state leader became Assistant Dean for Home Economics and all county personnel and operations were united under the direction of county directors.\n Other organizational changes followed. In 1971, the Department of Extension Home Economics was established at FSU. With the creation of this new department, the duties of Assistant Dean of Extension of Home Economics was expanded to include 4-H Club work and the position title was changed to Assistant Dean of Human Resource Development. Two program positions were transferred to an administrative unit on program development. To comply with affirmative action standards, changes were made in the organizational structure of Florida state and county extension offices and title listings.","The collection was processed in December 2005 and January 2006","Related materials covering home demonstration work in Leon County may be found in the Florida Association of Family and Consumer Science Records, housed in this repository.","This small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs."," Related Materials: In addition to the reference files, articles, publicity, and scrapbooks in this collection, there are photographs and negatives documenting Florida State University's 4-H Club (early 1950s), and its School of Home Economics (1953-1964), and Home Demonstration Division (early 1950s) available to researchers in the Florida State University Special Collections Photographic Archives.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service.","English"],"unitid_tesim":["MSS 2005-016","/repositories/10/resources/1387"],"normalized_date_ssm":["1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"normalized_title_ssm":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"collection_title_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"collection_ssim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, 1937-1969, Date acquired: 12/00/2005, bulk 1951-1964"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Reference materials, articles, and publicity items were acquired from the Florida State University College of Human Sciences in December 2005"],"access_subjects_ssim":["Bibliography","Home economics extension work--Florida","4-H clubs--Florida","Advertising fliers","Pamphlets","Manuscripts","Reports","Scrapbooks","Periodicals."],"access_subjects_ssm":["Bibliography","Home economics extension work--Florida","4-H clubs--Florida","Advertising fliers","Pamphlets","Manuscripts","Reports","Scrapbooks","Periodicals."],"has_online_content_ssim":["false"],"extent_ssm":["0.40 Linear Feet 7 Folders"],"extent_tesim":["0.40 Linear Feet 7 Folders"],"genreform_ssim":["Manuscripts","Reports","Scrapbooks","Periodicals."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to Agnes Ellen Harris, the head of Florida State College for Women (FSCW)'s Department of Home Economics, and Florida's First State and County Home Demonstration Agent, home demonstration work in Florida began during FSCW's 1908-1909 academic term, when she was invited by Mrs. Lena A. Shackelford, president of the Florida State Federation of Women's Clubs and wife of Florida Supreme Court Justice T.M. Shackelford, to give a cooking demonstration in Ocala, Florida. A book of recipes, considered the first home economics work published by FSCW, was printed and distributed at this meeting. The demonstration was so successful that Miss Harris requested a year's leave of absence from FSCW to go to Columbia University, where she prepared herself for extension work. Also during this time, FSCW's President, Dr. Edward Conradi, strongly supported the home demonstration program and was instrumental in establishing the state headquarters for home demonstration work at FSCW.\n After a year's work at Columbia, Miss Harris returned to FSCW and, after learning that a type of extension work for country girls, called \"Tomato Clubs,\" was being established at agricultural colleges in the South, she created these clubs at the college. These clubs were also the first Girls 4-H Clubs in Florida. Club members planted and harvested tomatoes on a one-tenth acre plot and held \"canning parties.\" The girls' mothers came as chaperones and helped with canning the tomatoes, an activity which was among the first \"method\" demonstrations given in home demonstration work in Florida.\n Many of the early Florida home demonstration agents were teachers who worked with the tomato clubs during a few months in the summer. Their salaries were small, and travel was slow and often difficult. Twelve agents began work in 1912 and 500 girls enrolled in the tomato clubs. During this active period, agents worked directly with county superintendents and newspaper reporters for the purpose of educating Florida residents about how to save surplus fruits and vegetables.\n In 1914, the Smith-Lever Act was passed by the U.S. Congress, providing federal aid for agricultural extension work in agriculture and home economics. The legislation also gave official government sanction to a plan of cooperation among the federal, state, and county governments in a system of rural education now known as Cooperative Extension work. This was the first time that the term \"Home Economics\" appeared in federal legislation. After the passage of this bill, more agents with better training and salaries were appointed, and FSCW began a cooperative program with the College of Agriculture at the University of Florida and the United States Department of Agriculture providing home demonstration training in Florida. Funds for conducting the work were available not only from these two institutions, but also from appropriations made by Boards of Commissioners and Boards of Public Instruction of the various state counties. In addition, extension services for adult women started in Florida in 1916.\n In 1918, President Conradi proposed a \"war college\" for women to be held in Tallahassee. 375 women attending from all parts of Florida discussed how World War I impacted home demonstration activities and how home demonstration agents should respond to the demands of all-out war. As a result of this conference, the position of the extension agents was clarified and the women became better organized and participated in Liberty Loan drives, Red Cross work, community services to military camps, and other activities.\n Home demonstration activities expanded after World War I and through the 1920s. There were developments such as the extension of telephone and electric lines, better roads, improved homes, health programs, and better schools. This work fostered a growing community spirit and the beginning of the community recreation program. In 1920, the first movie depicting home demonstration work was filmed in Florida. It included many scenes from the first 4-H Club camp for boys and girls. In 1927, the FSCW's 4-H Club was organized. In 1928, through the donation of $100 by Appleyard Printing Company, Tallahassee, a Council scholarship fund for 4-H Club girls was started by FSCW's Senior Home Demonstration Council.\n With the close of Florida's prosperous years in the late 1920s, home demonstration work was challenged by a rapid succession of devastating storms in South Florida, bank failures, crop losses, and other difficult situations. Gardening, canning, and clothes remodeling became matters of necessity to feed and clothe families under trying financial conditions. During the depression, the need to increase the income of the farm family, in both cash and kind, was paramount. The sale of surplus products through home demonstration markets, roadside stands, or individual sales served as a means to supplement cash income. Reports supplied by the home demonstration women and girls for this period show they sold home-manufactured products or produced quality goods worth hundreds of thousands of dollars annually. In addition, during this time, the first 4-H girls, all FSCW graduates, were appointed county home demonstration agents.\n As field agents of the U.S. Department of Agriculture, home demonstration workers were assigned many essential duties during World War II, including food production and conservation, nutrition, salvage, and rural health. As leaders in the state and counties, they were able to accept local and statewide responsibilities for wartime programs.\n Following World War II, Florida State University (FSU, formerly FSCW) classroom space was at a premium and it was necessary to move the home demonstration state headquarters to the Administration Building at the discontinued Dale Mabry Air Force Base, just west of the main campus in Tallahassee. While the quality of the quarters was minimal, space was abundant, providing ample room for offices, storage, production, and collating of educational mimeographed materials.\n During the immediate post-war period, there were several changes in the program. In 1948, two new positions were added - one in health improvement and the other the first state girls 4-H Club agent. Up to that time, state home demonstration staff had alternately shared the responsibility of working with the state 4-H program and chaperoning the girls to state and national meetings. Anna Mae Sikes was appointed state home demonstration leader in 1950 and served in this capacity until 1964.\n Throughout the 1950s, home demonstration work continued to experience great expansion, reorganization, and a move to new state headquarters. An assistant editor and visual aids specialist position was created and filled by Alma Warren in 1951. This position recognized the need for mass media to reach an expanding audience.\n In-service training for agents and state staff members continued to expand and an additional state staff position was created. In 1953, Eunice Grady was appointed assistant to the state home demonstration agent in training programs. Her responsibilities included recruitment, pre-service training, in-service training, graduate training for home demonstration workers, and assisting the state agent when requested. These activities resulted in the establishment of FSU's Department of Home Demonstration.\n In 1958, the state staff was moved back to the main FSU campus in the Extension wing of the just completed Sandels Home Economics Building. That year, FSU's Extension Committee on Reorganization and Policy Subcommittee on Scope and Responsibility published The Cooperative Extension Service-Today. In 1959, the scope report was followed by A Guide for Extension Programs in the Future.\n When the Florida Extension Service reorganized in 1963, seven state home demonstration staff members were transferred from FSU to new headquarters at the University of Florida in Gainesville. Floy Britt, the Negro district home demonstration agent, was moved from Florida Agricultural and Mechanical University to FSU and her title was changed to Extension Home Economist for Special Programs. Subsequently, Home Demonstration Agents' titles were changed to Extension Home Economics Agents.\n The next major reorganization occurred in 1968 when women district agents were eliminated in favor of program assignments. The state leader became Assistant Dean for Home Economics and all county personnel and operations were united under the direction of county directors.\n Other organizational changes followed. In 1971, the Department of Extension Home Economics was established at FSU. With the creation of this new department, the duties of Assistant Dean of Extension of Home Economics was expanded to include 4-H Club work and the position title was changed to Assistant Dean of Human Resource Development. Two program positions were transferred to an administrative unit on program development. To comply with affirmative action standards, changes were made in the organizational structure of Florida state and county extension offices and title listings."],"prefercite_html_tesm":["\u003cp\u003eFlorida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2005-016\u003c/p\u003e"],"prefercite_tesim":["Florida State College for Women/Florida State University School of Home Economics Florida Extension Services Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2005-016"],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in December 2005 and January 2006\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in December 2005 and January 2006"],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials covering home demonstration work in Leon County may be found in the Florida Association of Family and Consumer Science Records, housed in this repository.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials covering home demonstration work in Leon County may be found in the Florida Association of Family and Consumer Science Records, housed in this repository."],"scopecontent_html_tesm":["\u003cp\u003eThis small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e Related Materials: In addition to the reference files, articles, publicity, and scrapbooks in this collection, there are photographs and negatives documenting Florida State University's 4-H Club (early 1950s), and its School of Home Economics (1953-1964), and Home Demonstration Division (early 1950s) available to researchers in the Florida State University Special Collections Photographic Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This small collection documents the history of the Florida extension service program from its beginnings at the Florida State College for Women (FSCW) / Florida State University (FSU) School of Home Economics. The collection includes reference materials about other statewide agricultural extension service agencies and home economics, articles about Florida 4-H Clubs and the history of Florida home demonstration work, and publicity brochures about Florida home demonstration work published by the Florida State Home Demonstration Office at FSU. It is historically significant to researchers studying the cooperative extension movement in Florida and the United States and its relationship to higher education programs."," Related Materials: In addition to the reference files, articles, publicity, and scrapbooks in this collection, there are photographs and negatives documenting Florida State University's 4-H Club (early 1950s), and its School of Home Economics (1953-1964), and Home Demonstration Division (early 1950s) available to researchers in the Florida State University Special Collections Photographic Archives."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service."],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women","Florida State College for Women. School of Home Economics","Florida State University. College of Home Economics","Florida Cooperative Extension Service."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2509bdd3a9c797c4a5d03e51","timestamp":"2026-07-08T05:02:19.029Z","bioghist_html_tesm":["\u003cp\u003eAccording to Agnes Ellen Harris, the head of Florida State College for Women (FSCW)'s Department of Home Economics, and Florida's First State and County Home Demonstration Agent, home demonstration work in Florida began during FSCW's 1908-1909 academic term, when she was invited by Mrs. Lena A. Shackelford, president of the Florida State Federation of Women's Clubs and wife of Florida Supreme Court Justice T.M. Shackelford, to give a cooking demonstration in Ocala, Florida. A book of recipes, considered the first home economics work published by FSCW, was printed and distributed at this meeting. The demonstration was so successful that Miss Harris requested a year's leave of absence from FSCW to go to Columbia University, where she prepared herself for extension work. Also during this time, FSCW's President, Dr. Edward Conradi, strongly supported the home demonstration program and was instrumental in establishing the state headquarters for home demonstration work at FSCW.\n\u003cbr\u003e\u003cbr\u003eAfter a year's work at Columbia, Miss Harris returned to FSCW and, after learning that a type of extension work for country girls, called \"Tomato Clubs,\" was being established at agricultural colleges in the South, she created these clubs at the college. These clubs were also the first Girls 4-H Clubs in Florida. Club members planted and harvested tomatoes on a one-tenth acre plot and held \"canning parties.\" The girls' mothers came as chaperones and helped with canning the tomatoes, an activity which was among the first \"method\" demonstrations given in home demonstration work in Florida.\n\u003cbr\u003e\u003cbr\u003eMany of the early Florida home demonstration agents were teachers who worked with the tomato clubs during a few months in the summer. Their salaries were small, and travel was slow and often difficult. Twelve agents began work in 1912 and 500 girls enrolled in the tomato clubs. During this active period, agents worked directly with county superintendents and newspaper reporters for the purpose of educating Florida residents about how to save surplus fruits and vegetables.\n\u003cbr\u003e\u003cbr\u003eIn 1914, the Smith-Lever Act was passed by the U.S. Congress, providing federal aid for agricultural extension work in agriculture and home economics. The legislation also gave official government sanction to a plan of cooperation among the federal, state, and county governments in a system of rural education now known as Cooperative Extension work. This was the first time that the term \"Home Economics\" appeared in federal legislation. After the passage of this bill, more agents with better training and salaries were appointed, and FSCW began a cooperative program with the College of Agriculture at the University of Florida and the United States Department of Agriculture providing home demonstration training in Florida. Funds for conducting the work were available not only from these two institutions, but also from appropriations made by Boards of Commissioners and Boards of Public Instruction of the various state counties. In addition, extension services for adult women started in Florida in 1916.\n\u003cbr\u003e\u003cbr\u003eIn 1918, President Conradi proposed a \"war college\" for women to be held in Tallahassee. 375 women attending from all parts of Florida discussed how World War I impacted home demonstration activities and how home demonstration agents should respond to the demands of all-out war. As a result of this conference, the position of the extension agents was clarified and the women became better organized and participated in Liberty Loan drives, Red Cross work, community services to military camps, and other activities.\n\u003cbr\u003e\u003cbr\u003eHome demonstration activities expanded after World War I and through the 1920s. There were developments such as the extension of telephone and electric lines, better roads, improved homes, health programs, and better schools. This work fostered a growing community spirit and the beginning of the community recreation program. In 1920, the first movie depicting home demonstration work was filmed in Florida. It included many scenes from the first 4-H Club camp for boys and girls. In 1927, the FSCW's 4-H Club was organized. In 1928, through the donation of $100 by Appleyard Printing Company, Tallahassee, a Council scholarship fund for 4-H Club girls was started by FSCW's Senior Home Demonstration Council.\n\u003cbr\u003e\u003cbr\u003eWith the close of Florida's prosperous years in the late 1920s, home demonstration work was challenged by a rapid succession of devastating storms in South Florida, bank failures, crop losses, and other difficult situations. Gardening, canning, and clothes remodeling became matters of necessity to feed and clothe families under trying financial conditions. During the depression, the need to increase the income of the farm family, in both cash and kind, was paramount. The sale of surplus products through home demonstration markets, roadside stands, or individual sales served as a means to supplement cash income. Reports supplied by the home demonstration women and girls for this period show they sold home-manufactured products or produced quality goods worth hundreds of thousands of dollars annually. In addition, during this time, the first 4-H girls, all FSCW graduates, were appointed county home demonstration agents.\n\u003cbr\u003e\u003cbr\u003eAs field agents of the U.S. Department of Agriculture, home demonstration workers were assigned many essential duties during World War II, including food production and conservation, nutrition, salvage, and rural health. As leaders in the state and counties, they were able to accept local and statewide responsibilities for wartime programs.\n\u003cbr\u003e\u003cbr\u003eFollowing World War II, Florida State University (FSU, formerly FSCW) classroom space was at a premium and it was necessary to move the home demonstration state headquarters to the Administration Building at the discontinued Dale Mabry Air Force Base, just west of the main campus in Tallahassee. While the quality of the quarters was minimal, space was abundant, providing ample room for offices, storage, production, and collating of educational mimeographed materials.\n\u003cbr\u003e\u003cbr\u003eDuring the immediate post-war period, there were several changes in the program. In 1948, two new positions were added - one in health improvement and the other the first state girls 4-H Club agent. Up to that time, state home demonstration staff had alternately shared the responsibility of working with the state 4-H program and chaperoning the girls to state and national meetings. Anna Mae Sikes was appointed state home demonstration leader in 1950 and served in this capacity until 1964.\n\u003cbr\u003e\u003cbr\u003eThroughout the 1950s, home demonstration work continued to experience great expansion, reorganization, and a move to new state headquarters. An assistant editor and visual aids specialist position was created and filled by Alma Warren in 1951. This position recognized the need for mass media to reach an expanding audience.\n\u003cbr\u003e\u003cbr\u003eIn-service training for agents and state staff members continued to expand and an additional state staff position was created. In 1953, Eunice Grady was appointed assistant to the state home demonstration agent in training programs. Her responsibilities included recruitment, pre-service training, in-service training, graduate training for home demonstration workers, and assisting the state agent when requested. These activities resulted in the establishment of FSU's Department of Home Demonstration.\n\u003cbr\u003e\u003cbr\u003eIn 1958, the state staff was moved back to the main FSU campus in the Extension wing of the just completed Sandels Home Economics Building. That year, FSU's Extension Committee on Reorganization and Policy Subcommittee on Scope and Responsibility published The Cooperative Extension Service-Today. In 1959, the scope report was followed by A Guide for Extension Programs in the Future.\n\u003cbr\u003e\u003cbr\u003eWhen the Florida Extension Service reorganized in 1963, seven state home demonstration staff members were transferred from FSU to new headquarters at the University of Florida in Gainesville. Floy Britt, the Negro district home demonstration agent, was moved from Florida Agricultural and Mechanical University to FSU and her title was changed to Extension Home Economist for Special Programs. Subsequently, Home Demonstration Agents' titles were changed to Extension Home Economics Agents.\n\u003cbr\u003e\u003cbr\u003eThe next major reorganization occurred in 1968 when women district agents were eliminated in favor of program assignments. The state leader became Assistant Dean for Home Economics and all county personnel and operations were united under the direction of county directors.\n\u003cbr\u003e\u003cbr\u003eOther organizational changes followed. In 1971, the Department of Extension Home Economics was established at FSU. With the creation of this new department, the duties of Assistant Dean of Extension of Home Economics was expanded to include 4-H Club work and the position title was changed to Assistant Dean of Human Resource Development. Two program positions were transferred to an administrative unit on program development. To comply with affirmative action standards, changes were made in the organizational structure of Florida state and county extension offices and title listings.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2509bdd3a9c797c4a5d03e51_aspace_134915"}},{"id":"b93ac04aff4bfe9ffd3e241c_aspace_56041","type":"Series","attributes":{"title":"Publicity, 1968","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b93ac04aff4bfe9ffd3e241c_aspace_56041#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries III contains the publicity for the finished seal design. The series features the press releases about the finished seal and a photograph of Dr. Charles Millican, Ms. Mildred Kennedy, and Mrs. Sonia Cirocco holding paper copies of the seal. Also of interest are copies of the seal given to students during Dr. Millican's inauguration as FTU's president as well as some copies bearing his original signature.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b93ac04aff4bfe9ffd3e241c_aspace_56041#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_56041","ref_ssm":["aspace_56041","aspace_56041"],"id":"b93ac04aff4bfe9ffd3e241c_aspace_56041","title_filing_ssi":"Publicity","title_ssm":["Publicity"],"title_tesim":["Publicity"],"unitdate_other_ssim":["1968"],"normalized_date_ssm":["1968"],"normalized_title_ssm":["Publicity, 1968"],"text":["Publicity, 1968","History of the University of Central Florida Seal collection, 1966-1968","Series 3","/repositories/2/archival_objects/38135","Series III contains the publicity for the finished seal design. The series features the press releases about the finished seal and a photograph of Dr. Charles Millican, Ms. Mildred Kennedy, and Mrs. Sonia Cirocco holding paper copies of the seal. Also of interest are copies of the seal given to students during Dr. Millican's inauguration as FTU's president as well as some copies bearing his original signature."],"component_level_isim":[1],"parent_ids_ssim":["b93ac04aff4bfe9ffd3e241c"],"parent_unittitles_ssm":["History of the University of Central Florida Seal collection, 1966-1968"],"parent_unittitles_tesim":["History of the University of Central Florida Seal collection, 1966-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/2/archival_objects/38135"],"repository_ssim":["UCF University Archives"],"collection_ssim":["History of the University of Central Florida Seal collection, 1966-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":20,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eSeries III contains the publicity for the finished seal design. The series features the press releases about the finished seal and a photograph of Dr. Charles Millican, Ms. Mildred Kennedy, and Mrs. Sonia Cirocco holding paper copies of the seal. Also of interest are copies of the seal given to students during Dr. Millican's inauguration as FTU's president as well as some copies bearing his original signature.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series III contains the publicity for the finished seal design. The series features the press releases about the finished seal and a photograph of Dr. Charles Millican, Ms. Mildred Kennedy, and Mrs. Sonia Cirocco holding paper copies of the seal. Also of interest are copies of the seal given to students during Dr. Millican's inauguration as FTU's president as well as some copies bearing his original signature."],"_nest_path_":"/components#2","_nest_parent_":"b93ac04aff4bfe9ffd3e241c","_root_":"b93ac04aff4bfe9ffd3e241c","_version_":1877653354437410816,"timestamp":"2026-09-29T08:16:19.240Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b93ac04aff4bfe9ffd3e241c","title_ssm":["History of the University of Central Florida Seal collection"],"title_tesim":["History of the University of Central Florida Seal collection"],"ead_ssi":"b93ac04aff4bfe9ffd3e241c","unitdate_ssm":["1966-1968"],"unitdate_inclusive_ssm":["1966-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00A","/repositories/2/resources/160"],"text":["UA00A","/repositories/2/resources/160","History of the University of Central Florida Seal collection, 1966-1968","Florida Technological University -- History","University of Central Florida","Florida Technological University -- Insignia","Insignia","Universities and colleges -- Florida -- Orlando -- Insignia","University of Central Florida -- Insignia","University of Central Florida -- History","Photographic prints","The collection is open for research.","The collection is arranged in four series.","From the beginning, the creation, final design, and current use of the University of Central Florida's seal was a collaborative effort of both the university and the central Florida community. As Dr. Charles Millican oversaw the development of the new Florida Technological University in 1966, a Winter Park citizen named Major Forrest Shoup sent the then Florida governor, Haydon Burns a letter explaining his thoughts on what the seal for the new University should look like. Subsequent correspondence followed and the Board of Regents Business Manager, Philip Goree, responded by sending letters to all of the public and private Florida universities asking for copies of their seals. Dr. Millican's staff then assembled lists of seal icons and color combinations, attended university seal conferences, and consulted with various artists before compiling a final designers criteria list. The entire process took twenty-two months and on April 5th, 1968 the new FTU seal was unveiled to the public. There was no one designer for the seal, but many involved were acknowledged including two women who contributed significantly to the final design: the president's secretary, Ms. Mildred Kennedy and the secretary for the College of Business Administration, Mrs. Sonia Cirocco.","Collection processed by and finding aid prepared by April Karlene Anderson in 2006. Rusted paper clips were removed and replaced with plastic clips. News clippings were photocopied onto acid-free paper. All materials were rehoused in acid-free folders and boxes. At one point many items of artwork items in this collection were mounted with a liquid adhesive and thus, they still have a sticky residue. Acid free paper was used to back these items so as to lessen damage to the archival material and the folders housing them. Some materials of interest but not archival were removed to the vertical file.The finding aid was updated for consistency among all collections by Mary Rubin in 2012, resulting in edition 2. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 3, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 4. Finding aid revised for consistency by Chloe Lanham in 2025.","Further information about this collection may be found in the  University of Central Florida Office of the President records.","This collection provides insight into the creation of the University of Central Florida seal and contains correspondence, drawings, photographs, and news releases.","Series I: Correspondence, 1966-1967, holds correspondence and sketches from various designers, citizens, Board of Regents officials, and Dr. Charles Millican. The correspondence in this series shows how the search for the seal began and the effort by the Board of Regents to gather information from all of the public and private Florida universities.","Series II: Seal Design, 1967, holds notes, suggestions photographs, and logo examples. Many handwritten lists were created as well as typewritten seal queries for the FTU staff. There are also handwritten notes that were taken during an unnamed university seal conference.","Series III: Publicity, 1968, holds news releases, a photograph, and a graphics usage brochure. The collection holds several copies of the news release sent to inform the public of the new FTU seal design. A photograph and a copy of the newspaper article it was featured in is included in this collection, as well as a university publication that explains how to use the university seal in digital form.","Series IV: University Seal Preliminary Designs, undated (est. 1967-1968), is comprised of artwork created as design concepts for the new university seal. There are forty-two in this series and all are primarily made from a heavy paper or paper board while some use plastic sheets with logos painted on them to create the final piece.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","This collection provides insight into the creation of the University of Central Florida seal and contains correspondence, drawings, photographs, and news releases.\n\nSeries I: Correspondence, 1966-1967, holds correspondence and sketches from various designers, citizens, Board of Regents officials, and Dr. Charles Millican. The correspondence in this series shows how the search for the seal began and the effort by the Board of Regents to gather information from all of the public and private Florida universities.\nSeries II: Seal Design, 1967, holds notes, suggestions photographs, and logo examples. Many handwritten lists were created as well as typewritten seal queries for the FTU staff. There are also handwritten notes that were taken during an unnamed university seal conference.\nSeries III: Publicity, 1968, holds news releases, a photograph, and a graphics usage brochure. The collection holds several copies of the news release sent to inform the public of the new FTU seal design. A photograph and a copy of the newspaper article it was featured in is included in this collection, as well as a university publication that explains how to use the university seal in digital form.\nSeries IV: University Seal Preliminary Designs, undated (est. 1967-1968), is comprised of artwork created as design concepts for the new university seal. There are forty-two in this series and all are primarily made from a heavy paper or paper board while some use plastic sheets with logos painted on them to create the final piece.\n\nThe seal of the University of Central Florida was one of the first items created for Florida Technological University. In 1966, a local citizen wrote a letter to the Florida Governor asking to take into consideration some thoughts he had as to what the new seal should look like. Within a few months, the staff at the newly formed Florida Technological University, with the help of the Board of Regents, began to collect information and designer input as to what the new seal should be. In a twenty-two month long process, the seal was finally chosen and unveiled to the public on April 5th, 1968. The final seal is made up of the Pegasus, designed to \"bridge the gap between the humanities and space technology\" and was chosen to keep with the university's goal of moving forward and making a \"rendezvous with space and the stars\". This collection highlights the initial correspondence between the community and the university and the task undertaken by the staff at FTU to create the new university seal.","UCF University Archives","University of Central Florida. Office of the President","Florida Technological University","University of Central Florida","Millican, Charles N. (Charles Norman), 1916-2010","English"],"unitid_tesim":["UA00A","/repositories/2/resources/160"],"normalized_date_ssm":["1966-1968"],"normalized_title_ssm":["History of the University of Central Florida Seal collection, 1966-1968"],"collection_title_tesim":["History of the University of Central Florida Seal collection, 1966-1968"],"collection_ssim":["History of the University of Central Florida Seal collection, 1966-1968"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Office of the President"],"creator_ssim":["University of Central Florida. Office of the President"],"creator_corpname_ssim":["University of Central Florida. Office of the President"],"creators_ssim":["University of Central Florida. Office of the President"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["It is unknown who transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1979 (CFU1979_01)."],"access_subjects_ssim":["Florida Technological University -- History","University of Central Florida","Florida Technological University -- Insignia","Insignia","Universities and colleges -- Florida -- Orlando -- Insignia","University of Central Florida -- Insignia","University of Central Florida -- History","Photographic prints"],"access_subjects_ssm":["Florida Technological University -- History","University of Central Florida","Florida Technological University -- Insignia","Insignia","Universities and colleges -- Florida -- Orlando -- Insignia","University of Central Florida -- Insignia","University of Central Florida -- History","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 2 boxes"],"extent_tesim":["2 Linear Feet 2 boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in four series."],"bioghist_html_tesm":["\u003cp\u003eFrom the beginning, the creation, final design, and current use of the University of Central Florida's seal was a collaborative effort of both the university and the central Florida community. As Dr. Charles Millican oversaw the development of the new Florida Technological University in 1966, a Winter Park citizen named Major Forrest Shoup sent the then Florida governor, Haydon Burns a letter explaining his thoughts on what the seal for the new University should look like. Subsequent correspondence followed and the Board of Regents Business Manager, Philip Goree, responded by sending letters to all of the public and private Florida universities asking for copies of their seals. Dr. Millican's staff then assembled lists of seal icons and color combinations, attended university seal conferences, and consulted with various artists before compiling a final designers criteria list. The entire process took twenty-two months and on April 5th, 1968 the new FTU seal was unveiled to the public. There was no one designer for the seal, but many involved were acknowledged including two women who contributed significantly to the final design: the president's secretary, Ms. Mildred Kennedy and the secretary for the College of Business Administration, Mrs. Sonia Cirocco.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From the beginning, the creation, final design, and current use of the University of Central Florida's seal was a collaborative effort of both the university and the central Florida community. As Dr. Charles Millican oversaw the development of the new Florida Technological University in 1966, a Winter Park citizen named Major Forrest Shoup sent the then Florida governor, Haydon Burns a letter explaining his thoughts on what the seal for the new University should look like. Subsequent correspondence followed and the Board of Regents Business Manager, Philip Goree, responded by sending letters to all of the public and private Florida universities asking for copies of their seals. Dr. Millican's staff then assembled lists of seal icons and color combinations, attended university seal conferences, and consulted with various artists before compiling a final designers criteria list. The entire process took twenty-two months and on April 5th, 1968 the new FTU seal was unveiled to the public. There was no one designer for the seal, but many involved were acknowledged including two women who contributed significantly to the final design: the president's secretary, Ms. Mildred Kennedy and the secretary for the College of Business Administration, Mrs. Sonia Cirocco."],"prefercite_html_tesm":["\u003cp\u003eHistory of the University of Central Florida Seal collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["History of the University of Central Florida Seal collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by April Karlene Anderson in 2006. Rusted paper clips were removed and replaced with plastic clips. News clippings were photocopied onto acid-free paper. All materials were rehoused in acid-free folders and boxes. At one point many items of artwork items in this collection were mounted with a liquid adhesive and thus, they still have a sticky residue. Acid free paper was used to back these items so as to lessen damage to the archival material and the folders housing them. Some materials of interest but not archival were removed to the vertical file.The finding aid was updated for consistency among all collections by Mary Rubin in 2012, resulting in edition 2. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 3, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 4. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by April Karlene Anderson in 2006. Rusted paper clips were removed and replaced with plastic clips. News clippings were photocopied onto acid-free paper. All materials were rehoused in acid-free folders and boxes. At one point many items of artwork items in this collection were mounted with a liquid adhesive and thus, they still have a sticky residue. Acid free paper was used to back these items so as to lessen damage to the archival material and the folders housing them. Some materials of interest but not archival were removed to the vertical file.The finding aid was updated for consistency among all collections by Mary Rubin in 2012, resulting in edition 2. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 3, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 4. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information about this collection may be found in the \u003cextref href=\"http://purl.flvc.org/ucf/ead/UCFPresident\"\u003eUniversity of Central Florida Office of the President records.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Further information about this collection may be found in the  University of Central Florida Office of the President records."],"scopecontent_html_tesm":["\u003cp\u003eThis collection provides insight into the creation of the University of Central Florida seal and contains correspondence, drawings, photographs, and news releases.\u003c/p\u003e\n","\u003cp\u003eSeries I: Correspondence, 1966-1967, holds correspondence and sketches from various designers, citizens, Board of Regents officials, and Dr. Charles Millican. The correspondence in this series shows how the search for the seal began and the effort by the Board of Regents to gather information from all of the public and private Florida universities.\u003c/p\u003e\n","\u003cp\u003eSeries II: Seal Design, 1967, holds notes, suggestions photographs, and logo examples. Many handwritten lists were created as well as typewritten seal queries for the FTU staff. There are also handwritten notes that were taken during an unnamed university seal conference.\u003c/p\u003e\n","\u003cp\u003eSeries III: Publicity, 1968, holds news releases, a photograph, and a graphics usage brochure. The collection holds several copies of the news release sent to inform the public of the new FTU seal design. A photograph and a copy of the newspaper article it was featured in is included in this collection, as well as a university publication that explains how to use the university seal in digital form.\u003c/p\u003e\n","\u003cp\u003eSeries IV: University Seal Preliminary Designs, undated (est. 1967-1968), is comprised of artwork created as design concepts for the new university seal. There are forty-two in this series and all are primarily made from a heavy paper or paper board while some use plastic sheets with logos painted on them to create the final piece.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection provides insight into the creation of the University of Central Florida seal and contains correspondence, drawings, photographs, and news releases.","Series I: Correspondence, 1966-1967, holds correspondence and sketches from various designers, citizens, Board of Regents officials, and Dr. Charles Millican. The correspondence in this series shows how the search for the seal began and the effort by the Board of Regents to gather information from all of the public and private Florida universities.","Series II: Seal Design, 1967, holds notes, suggestions photographs, and logo examples. Many handwritten lists were created as well as typewritten seal queries for the FTU staff. There are also handwritten notes that were taken during an unnamed university seal conference.","Series III: Publicity, 1968, holds news releases, a photograph, and a graphics usage brochure. The collection holds several copies of the news release sent to inform the public of the new FTU seal design. A photograph and a copy of the newspaper article it was featured in is included in this collection, as well as a university publication that explains how to use the university seal in digital form.","Series IV: University Seal Preliminary Designs, undated (est. 1967-1968), is comprised of artwork created as design concepts for the new university seal. There are forty-two in this series and all are primarily made from a heavy paper or paper board while some use plastic sheets with logos painted on them to create the final piece."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c6921e8fbe2b8a41a12032b137c521fd\" label=\"Abstract\"\u003eThis collection provides insight into the creation of the University of Central Florida seal and contains correspondence, drawings, photographs, and news releases.\n\nSeries I: Correspondence, 1966-1967, holds correspondence and sketches from various designers, citizens, Board of Regents officials, and Dr. Charles Millican. The correspondence in this series shows how the search for the seal began and the effort by the Board of Regents to gather information from all of the public and private Florida universities.\nSeries II: Seal Design, 1967, holds notes, suggestions photographs, and logo examples. Many handwritten lists were created as well as typewritten seal queries for the FTU staff. There are also handwritten notes that were taken during an unnamed university seal conference.\nSeries III: Publicity, 1968, holds news releases, a photograph, and a graphics usage brochure. The collection holds several copies of the news release sent to inform the public of the new FTU seal design. A photograph and a copy of the newspaper article it was featured in is included in this collection, as well as a university publication that explains how to use the university seal in digital form.\nSeries IV: University Seal Preliminary Designs, undated (est. 1967-1968), is comprised of artwork created as design concepts for the new university seal. There are forty-two in this series and all are primarily made from a heavy paper or paper board while some use plastic sheets with logos painted on them to create the final piece.\n\nThe seal of the University of Central Florida was one of the first items created for Florida Technological University. In 1966, a local citizen wrote a letter to the Florida Governor asking to take into consideration some thoughts he had as to what the new seal should look like. Within a few months, the staff at the newly formed Florida Technological University, with the help of the Board of Regents, began to collect information and designer input as to what the new seal should be. In a twenty-two month long process, the seal was finally chosen and unveiled to the public on April 5th, 1968. The final seal is made up of the Pegasus, designed to \"bridge the gap between the humanities and space technology\" and was chosen to keep with the university's goal of moving forward and making a \"rendezvous with space and the stars\". This collection highlights the initial correspondence between the community and the university and the task undertaken by the staff at FTU to create the new university seal.\u003c/abstract\u003e"],"abstract_tesim":["This collection provides insight into the creation of the University of Central Florida seal and contains correspondence, drawings, photographs, and news releases.\n\nSeries I: Correspondence, 1966-1967, holds correspondence and sketches from various designers, citizens, Board of Regents officials, and Dr. Charles Millican. The correspondence in this series shows how the search for the seal began and the effort by the Board of Regents to gather information from all of the public and private Florida universities.\nSeries II: Seal Design, 1967, holds notes, suggestions photographs, and logo examples. Many handwritten lists were created as well as typewritten seal queries for the FTU staff. There are also handwritten notes that were taken during an unnamed university seal conference.\nSeries III: Publicity, 1968, holds news releases, a photograph, and a graphics usage brochure. The collection holds several copies of the news release sent to inform the public of the new FTU seal design. A photograph and a copy of the newspaper article it was featured in is included in this collection, as well as a university publication that explains how to use the university seal in digital form.\nSeries IV: University Seal Preliminary Designs, undated (est. 1967-1968), is comprised of artwork created as design concepts for the new university seal. There are forty-two in this series and all are primarily made from a heavy paper or paper board while some use plastic sheets with logos painted on them to create the final piece.\n\nThe seal of the University of Central Florida was one of the first items created for Florida Technological University. In 1966, a local citizen wrote a letter to the Florida Governor asking to take into consideration some thoughts he had as to what the new seal should look like. Within a few months, the staff at the newly formed Florida Technological University, with the help of the Board of Regents, began to collect information and designer input as to what the new seal should be. In a twenty-two month long process, the seal was finally chosen and unveiled to the public on April 5th, 1968. The final seal is made up of the Pegasus, designed to \"bridge the gap between the humanities and space technology\" and was chosen to keep with the university's goal of moving forward and making a \"rendezvous with space and the stars\". This collection highlights the initial correspondence between the community and the university and the task undertaken by the staff at FTU to create the new university seal."],"names_coll_ssim":["Florida Technological University","University of Central Florida","Millican, Charles N. (Charles Norman), 1916-2010"],"names_ssim":["UCF University Archives","University of Central Florida. Office of the President","Florida Technological University","University of Central Florida","Millican, Charles N. (Charles Norman), 1916-2010"],"corpname_ssim":["UCF University Archives","University of Central Florida. Office of the President","Florida Technological University","University of Central Florida"],"persname_ssim":["Millican, Charles N. (Charles Norman), 1916-2010"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877653354437410816,"_root_":"b93ac04aff4bfe9ffd3e241c","timestamp":"2026-09-29T08:16:19.240Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b93ac04aff4bfe9ffd3e241c_aspace_56041"}},{"id":"3590e990d26f42a3d9da5878_aspace_71759","type":"Series","attributes":{"title":"Publicity, 1986-2013 \u0026 undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878_aspace_71759#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis series contains newspaper clippings, newsletters, release information, advertisements for current and future productions and other documents about various people associated with the OST and its predecessors, Simply Shakespeare and Shakespeare Institute. The copied materials are taken mostly from the Orlando Sentinel as well as other local newspapers and the UCF Public Affairs Department. The brochures folder include the memebership forms for the Orlando Shakespeare Festival: Friends of the Festival.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878_aspace_71759#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71759","ref_ssm":["aspace_71759","aspace_71759"],"id":"3590e990d26f42a3d9da5878_aspace_71759","title_filing_ssi":"Publicity","title_ssm":["Publicity"],"title_tesim":["Publicity"],"unitdate_other_ssim":["1986-2013 \u0026 undated"],"normalized_date_ssm":["1986-2013 \u0026 undated"],"normalized_title_ssm":["Publicity, 1986-2013 \u0026 undated"],"text":["Publicity, 1986-2013 \u0026 undated","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Series 2","/repositories/2/archival_objects/5735","This series contains newspaper clippings, newsletters, release information, advertisements for current and future productions and other documents about various people associated with the OST and its predecessors, Simply Shakespeare and Shakespeare Institute. The copied materials are taken mostly from the Orlando Sentinel as well as other local newspapers and the UCF Public Affairs Department. The brochures folder include the memebership forms for the Orlando Shakespeare Festival: Friends of the Festival."],"component_level_isim":[1],"parent_ids_ssim":["3590e990d26f42a3d9da5878"],"parent_unittitles_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"parent_unittitles_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 2","/repositories/2/archival_objects/5735"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":102,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eThis series contains newspaper clippings, newsletters, release information, advertisements for current and future productions and other documents about various people associated with the OST and its predecessors, Simply Shakespeare and Shakespeare Institute. The copied materials are taken mostly from the Orlando Sentinel as well as other local newspapers and the UCF Public Affairs Department. The brochures folder include the memebership forms for the Orlando Shakespeare Festival: Friends of the Festival.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series contains newspaper clippings, newsletters, release information, advertisements for current and future productions and other documents about various people associated with the OST and its predecessors, Simply Shakespeare and Shakespeare Institute. The copied materials are taken mostly from the Orlando Sentinel as well as other local newspapers and the UCF Public Affairs Department. The brochures folder include the memebership forms for the Orlando Shakespeare Festival: Friends of the Festival."],"_nest_path_":"/components#1","_nest_parent_":"3590e990d26f42a3d9da5878","_root_":"3590e990d26f42a3d9da5878","_version_":1870858696351809536,"timestamp":"2026-07-16T08:18:08.333Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878_aspace_71759"}},{"id":"fe40d3f0e3c6126a7e5c1df3_aspace_fcd5d635e8cac4c8d63eb2088cd5c35a","type":"Series","attributes":{"title":"Publicity, 1990-2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fe40d3f0e3c6126a7e5c1df3_aspace_fcd5d635e8cac4c8d63eb2088cd5c35a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fcd5d635e8cac4c8d63eb2088cd5c35a","ref_ssm":["aspace_fcd5d635e8cac4c8d63eb2088cd5c35a","aspace_fcd5d635e8cac4c8d63eb2088cd5c35a"],"id":"fe40d3f0e3c6126a7e5c1df3_aspace_fcd5d635e8cac4c8d63eb2088cd5c35a","title_filing_ssi":"Publicity","title_ssm":["Publicity"],"title_tesim":["Publicity"],"unitdate_inclusive_ssm":["1990-2015"],"normalized_date_ssm":["1990-2015"],"normalized_title_ssm":["Publicity, 1990-2015"],"text":["Publicity, 1990-2015","Orlando Gay Chorus collection, 1990-2018","Series IV","/repositories/4/archival_objects/65675"],"component_level_isim":[1],"parent_ids_ssim":["fe40d3f0e3c6126a7e5c1df3"],"parent_unittitles_ssm":["Orlando Gay Chorus collection, 1990-2018"],"parent_unittitles_tesim":["Orlando Gay Chorus collection, 1990-2018"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series IV","/repositories/4/archival_objects/65675"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Orlando Gay Chorus collection, 1990-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":21,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n   Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#3","_nest_parent_":"fe40d3f0e3c6126a7e5c1df3","_root_":"fe40d3f0e3c6126a7e5c1df3","_version_":1870857864988327936,"timestamp":"2026-07-16T08:04:55.485Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fe40d3f0e3c6126a7e5c1df3","title_ssm":["Orlando Gay Chorus collection"],"title_tesim":["Orlando Gay Chorus collection"],"ead_ssi":"fe40d3f0e3c6126a7e5c1df3","unitdate_ssm":["1990-2018"],"unitdate_inclusive_ssm":["1990-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 150","/repositories/4/resources/272"],"text":["SC 150","/repositories/4/resources/272","Orlando Gay Chorus collection, 1990-2018","Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)","The entire collection is open for research except for the following:\n Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.","This collection is arranged in six series. \n I. Photographs, 2001-2002, 2008, 2013 II. In-House Publications, 1990-2008 III. Performances, 1990-2018 IV. Publicity, 1990-2015 V. Administration Files, 1990-2006 VI. Awards, 1996-2015","The Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.","Collection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes.","This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Photographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes ","In–House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members ","Performances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. ","Publicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. ","Administration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" ","Awards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.","UCF Special Collections","Orlando Gay Chorus","English"],"unitid_tesim":["SC 150","/repositories/4/resources/272"],"normalized_date_ssm":["1990-2018"],"normalized_title_ssm":["Orlando Gay Chorus collection, 1990-2018"],"collection_title_tesim":["Orlando Gay Chorus collection, 1990-2018"],"collection_ssim":["Orlando Gay Chorus collection, 1990-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Orlando Gay Chorus"],"creator_ssim":["Orlando Gay Chorus"],"creator_corpname_ssim":["Orlando Gay Chorus"],"creators_ssim":["Orlando Gay Chorus"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of The LGBTQ History Museum of Central Florida, 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"access_subjects_ssm":["Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet 14 boxes, 1 flat file, 1 rolled banner"],"extent_tesim":["16.5 Linear Feet 14 boxes, 1 flat file, 1 rolled banner"],"genreform_ssim":["programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eBoxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026amp; University Archives.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Photographs, 2001-2002, 2008, 2013\u003c/li\u003e\n   \u003cli\u003eII. In-House Publications, 1990-2008\u003c/li\u003e\n   \u003cli\u003eIII. Performances, 1990-2018\u003c/li\u003e\n   \u003cli\u003eIV. Publicity, 1990-2015\u003c/li\u003e\n   \u003cli\u003eV. Administration Files, 1990-2006\u003c/li\u003e\n   \u003cli\u003eVI. Awards, 1996-2015\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. \n I. Photographs, 2001-2002, 2008, 2013 II. In-House Publications, 1990-2008 III. Performances, 1990-2018 IV. Publicity, 1990-2015 V. Administration Files, 1990-2006 VI. Awards, 1996-2015"],"bioghist_html_tesm":["\u003cp\u003eThe Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today."],"prefercite_html_tesm":["\u003cp\u003eOrlando Gay Chorus collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Gay Chorus collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes \u003c/p\u003e\n","\u003cp\u003eIn\u0026#x2013;House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members \u003c/p\u003e\n","\u003cp\u003ePerformances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. \u003c/p\u003e\n","\u003cp\u003ePublicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. \u003c/p\u003e\n","\u003cp\u003eAdministration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" \u003c/p\u003e\n","\u003cp\u003eAwards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes ","In–House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members ","Performances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. ","Publicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. ","Administration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" ","Awards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aea3e4892f0e727e6b70fc82a72309ce\" label=\"Abstract\"\u003eThe Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today."],"names_ssim":["UCF Special Collections","Orlando Gay Chorus"],"corpname_ssim":["UCF Special Collections","Orlando Gay Chorus"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857864988327936,"_root_":"fe40d3f0e3c6126a7e5c1df3","timestamp":"2026-07-16T08:04:55.485Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fe40d3f0e3c6126a7e5c1df3_aspace_fcd5d635e8cac4c8d63eb2088cd5c35a"}},{"id":"7185d426f9146df30fb41f4b_aspace_579e9961312406f98052aab855396b39","type":"Series","attributes":{"title":"Publicity, 1999","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_579e9961312406f98052aab855396b39#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_579e9961312406f98052aab855396b39","ref_ssm":["aspace_579e9961312406f98052aab855396b39","aspace_579e9961312406f98052aab855396b39"],"id":"7185d426f9146df30fb41f4b_aspace_579e9961312406f98052aab855396b39","title_filing_ssi":"Publicity","title_ssm":["Publicity"],"title_tesim":["Publicity"],"unitdate_inclusive_ssm":["1999"],"normalized_date_ssm":["1999"],"normalized_title_ssm":["Publicity, 1999"],"text":["Publicity, 1999","Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011","/repositories/10/archival_objects/228805","box 7"],"component_level_isim":[2],"parent_ids_ssim":["7185d426f9146df30fb41f4b","7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a"],"parent_unittitles_ssm":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_unittitles_tesim":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/228805"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Opening Nights Records, 1999-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":29,"parent_access_restrict_tesm":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 7"],"_nest_path_":"/components#0/components#27","_nest_parent_":"7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a","_root_":"7185d426f9146df30fb41f4b","_version_":1870857491989921792,"timestamp":"2026-07-16T07:58:59.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7185d426f9146df30fb41f4b","title_ssm":["Opening Nights Records"],"title_tesim":["Opening Nights Records"],"ead_ssi":"7185d426f9146df30fb41f4b","unitdate_ssm":["1999-2011"],"unitdate_inclusive_ssm":["1999-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-126","/repositories/10/resources/1517"],"text":["HUA 2016-126","/repositories/10/resources/1517","Opening Nights Records, 1999-2011","This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-126","/repositories/10/resources/1517"],"normalized_date_ssm":["1999-2011"],"normalized_title_ssm":["Opening Nights Records, 1999-2011"],"collection_title_tesim":["Opening Nights Records, 1999-2011"],"collection_ssim":["Opening Nights Records, 1999-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet"],"extent_tesim":["16 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eHUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eOpening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. \u003c/p\u003e\n","\u003cp\u003eThe Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. \u003c/p\u003e\n","\u003cp\u003eOpening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.\u003c/p\u003e\n","\u003cp\u003eOpening Nights Directors: \u003c/p\u003e\n","\u003cp\u003eMargo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)\u003c/p\u003e\n","\u003cp\u003eAdministrative History by Alex Challenger, July 2023\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857491989921792,"_root_":"7185d426f9146df30fb41f4b","timestamp":"2026-07-16T07:58:59.766Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_579e9961312406f98052aab855396b39"}},{"id":"7185d426f9146df30fb41f4b_aspace_a6a24c65ba5dafd17ad5a9966140f833","type":"Series","attributes":{"title":"Publicity, 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_a6a24c65ba5dafd17ad5a9966140f833#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a6a24c65ba5dafd17ad5a9966140f833","ref_ssm":["aspace_a6a24c65ba5dafd17ad5a9966140f833","aspace_a6a24c65ba5dafd17ad5a9966140f833"],"id":"7185d426f9146df30fb41f4b_aspace_a6a24c65ba5dafd17ad5a9966140f833","title_filing_ssi":"Publicity","title_ssm":["Publicity"],"title_tesim":["Publicity"],"unitdate_inclusive_ssm":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["Publicity, 2000"],"text":["Publicity, 2000","Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011","/repositories/10/archival_objects/228806","box 7"],"component_level_isim":[2],"parent_ids_ssim":["7185d426f9146df30fb41f4b","7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a"],"parent_unittitles_ssm":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_unittitles_tesim":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/228806"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Opening Nights Records, 1999-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":30,"parent_access_restrict_tesm":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 7"],"_nest_path_":"/components#0/components#28","_nest_parent_":"7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a","_root_":"7185d426f9146df30fb41f4b","_version_":1870857491989921792,"timestamp":"2026-07-16T07:58:59.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7185d426f9146df30fb41f4b","title_ssm":["Opening Nights Records"],"title_tesim":["Opening Nights Records"],"ead_ssi":"7185d426f9146df30fb41f4b","unitdate_ssm":["1999-2011"],"unitdate_inclusive_ssm":["1999-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-126","/repositories/10/resources/1517"],"text":["HUA 2016-126","/repositories/10/resources/1517","Opening Nights Records, 1999-2011","This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-126","/repositories/10/resources/1517"],"normalized_date_ssm":["1999-2011"],"normalized_title_ssm":["Opening Nights Records, 1999-2011"],"collection_title_tesim":["Opening Nights Records, 1999-2011"],"collection_ssim":["Opening Nights Records, 1999-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet"],"extent_tesim":["16 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eHUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eOpening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. \u003c/p\u003e\n","\u003cp\u003eThe Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. \u003c/p\u003e\n","\u003cp\u003eOpening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.\u003c/p\u003e\n","\u003cp\u003eOpening Nights Directors: \u003c/p\u003e\n","\u003cp\u003eMargo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)\u003c/p\u003e\n","\u003cp\u003eAdministrative History by Alex Challenger, July 2023\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857491989921792,"_root_":"7185d426f9146df30fb41f4b","timestamp":"2026-07-16T07:58:59.766Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_a6a24c65ba5dafd17ad5a9966140f833"}},{"id":"7185d426f9146df30fb41f4b_aspace_c21a3d292776317349b530bff43cd26a","type":"Series","attributes":{"title":"Publicity Books, 2001-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_c21a3d292776317349b530bff43cd26a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c21a3d292776317349b530bff43cd26a","ref_ssm":["aspace_c21a3d292776317349b530bff43cd26a","aspace_c21a3d292776317349b530bff43cd26a"],"id":"7185d426f9146df30fb41f4b_aspace_c21a3d292776317349b530bff43cd26a","title_filing_ssi":"Publicity Books","title_ssm":["Publicity Books"],"title_tesim":["Publicity Books"],"unitdate_inclusive_ssm":["2001-2003"],"normalized_date_ssm":["2001-2003"],"normalized_title_ssm":["Publicity Books, 2001-2003"],"text":["Publicity Books, 2001-2003","Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011","/repositories/10/archival_objects/228804","box 6"],"component_level_isim":[2],"parent_ids_ssim":["7185d426f9146df30fb41f4b","7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a"],"parent_unittitles_ssm":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_unittitles_tesim":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/228804"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Opening Nights Records, 1999-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":28,"parent_access_restrict_tesm":["This collection is open to all researchers.","See also Technical Access note below. 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","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-126","/repositories/10/resources/1517"],"normalized_date_ssm":["1999-2011"],"normalized_title_ssm":["Opening Nights Records, 1999-2011"],"collection_title_tesim":["Opening Nights Records, 1999-2011"],"collection_ssim":["Opening Nights Records, 1999-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. 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The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. 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This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.\u003c/p\u003e\n","\u003cp\u003eOpening Nights Directors: \u003c/p\u003e\n","\u003cp\u003eMargo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)\u003c/p\u003e\n","\u003cp\u003eAdministrative History by Alex Challenger, July 2023\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. 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Public Relations. Publications Records., Dummy Date","Series 3","/repositories/3/archival_objects/6151","box 59"],"component_level_isim":[1],"parent_ids_ssim":["bea216756cdf6fd54e81a911"],"parent_unittitles_ssm":["University of North Florida. Public Relations. Publications Records., Dummy Date"],"parent_unittitles_tesim":["University of North Florida. Public Relations. Publications Records., Dummy Date"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/3/archival_objects/6151"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["University of North Florida. Public Relations. 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Public Relations. Publications Records."],"ead_ssi":"bea216756cdf6fd54e81a911","unitdate_ssm":["Dummy Date"],"unitdate_other_ssim":["Dummy Date"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA2010-1","/repositories/3/resources/33"],"text":["UA2010-1","/repositories/3/resources/33","University of North Florida. Public Relations. Publications Records., Dummy Date","Press releases","Printed materials","Publications","The collection is open for research.","It is likely that this collection will have additional materials added in the future.","The records are arranged in three series; chronological within series.\nSeries 1. Newspaper clippings\nSeries 2. Press releases\nSeries 3. Publicity files","Public Relations, a department of the Division of Institutional Advancement, is the University's official media relations and marketing unit for both internal and external communication. It is chiefly responsible for creating and collecting materials, accomplished through newspaper and magazine stories, TV talk shows, radio programs, special events, advertising, web pages, electronic newsletters, brochures, posters and photography. Public Relations encompasses the sub-units of Media Relations and Events, University Marketing and Publications, and Development Communications.\nUNF newspaper clippings and press releases were initially produced by various offices in the Division of Public Relations, and its successor, the Division of University Relations. The latter Division was renamed in 1995 the Division of Institutional Advancement.\nUnder Institutional Advancement, the Office of News and Publications produced and/or disseminated the UNF newsclippings and press releases from 1998-2003; 2004-2005 by University Marketing \u0026 Publications; and 2005- by the Dept. of Media Relations and Events. 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Schultz to procure state funding for planning, the initial site selection controversy over an urban versus suburban location for the University, and campus construction issues. Articles in the last two decades of the twentieth century detail the rapid growth and development of the campus under the leadership and initiatives of UNF Presidents Dr. Curtis McCray and Dr. Adam Herbert.\nIn the mid-1990s, the policy for selecting newspaper clippings was broadened to include national as well as regional news media relating to the University. In many instances these clippings are the sole source of documentation for many aspects of the birth and development of UNF, inasmuch as they represent a record and overview of deliberations, actions, support offered or denied, and the general evolution of the institution. The total volume, depth and breadth of coverage, and the chronological arrangement render the collection the prime source for campus personnel, students and scholars seeking background information or performing indepth research on the history of the University.","Permission to photograph, publish, quote or reproduce items must be secured from the repository. The reproduction of materials is subject to the discretion of the Library. Materials may be restricted by donor limitations, our compliance with copyright law, and the condition of the materials.","The bulk of the Publications Records consists of newspaper clippings and articles published by national and regional news media about the University, and press releases issued by University personnel which inform the public about the campus, university events and the activities of faculty, staff, students, and alumni. Also included are a small group of publicity reading files, from 1985-2010, which contain major advertisements and articles featuring UNF in magazines and reports.","UNF Library Special Collections and University Archives","University of North Florida. Public Relations.","University of North Florida--Planning.","University of North Florida--Public Relations.","University of North Florida--History.","University of North Florida.","English"],"unitid_tesim":["UA2010-1","/repositories/3/resources/33"],"normalized_date_ssm":["Dummy Date"],"normalized_title_ssm":["University of North Florida. Public Relations. Publications Records., Dummy Date"],"collection_title_tesim":["University of North Florida. Public Relations. Publications Records., Dummy Date"],"collection_ssim":["University of North Florida. Public Relations. Publications Records., Dummy Date"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["University of North Florida. Public Relations."],"creator_ssim":["University of North Florida. Public Relations."],"creator_corpname_ssim":["University of North Florida. Public Relations."],"creators_ssim":["University of North Florida. Public Relations."],"access_terms_ssm":["Permission to photograph, publish, quote or reproduce items must be secured from the repository. The reproduction of materials is subject to the discretion of the Library. Materials may be restricted by donor limitations, our compliance with copyright law, and the condition of the materials."],"acqinfo_ssim":["The majority of materials were acquired by the transfer of print materials from the Department, and electronic copies via email. Early newspaper clippings (predating the opening of the University in"],"access_subjects_ssim":["Press releases","Printed materials","Publications"],"access_subjects_ssm":["Press releases","Printed materials","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["59.00 boxes"],"extent_tesim":["59.00 boxes"],"genreform_ssim":["Press releases","Printed materials","Publications"],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"accruals_html_tesm":["\u003cp\u003eIt is likely that this collection will have additional materials added in the future.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["It is likely that this collection will have additional materials added in the future."],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged in three series; chronological within series.\nSeries 1. Newspaper clippings\nSeries 2. Press releases\nSeries 3. Publicity files\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The records are arranged in three series; chronological within series.\nSeries 1. Newspaper clippings\nSeries 2. Press releases\nSeries 3. Publicity files"],"bioghist_html_tesm":["\u003cp\u003ePublic Relations, a department of the Division of Institutional Advancement, is the University's official media relations and marketing unit for both internal and external communication. It is chiefly responsible for creating and collecting materials, accomplished through newspaper and magazine stories, TV talk shows, radio programs, special events, advertising, web pages, electronic newsletters, brochures, posters and photography. Public Relations encompasses the sub-units of Media Relations and Events, University Marketing and Publications, and Development Communications.\nUNF newspaper clippings and press releases were initially produced by various offices in the Division of Public Relations, and its successor, the Division of University Relations. The latter Division was renamed in 1995 the Division of Institutional Advancement.\nUnder Institutional Advancement, the Office of News and Publications produced and/or disseminated the UNF newsclippings and press releases from 1998-2003; 2004-2005 by University Marketing \u0026amp; Publications; and 2005- by the Dept. of Media Relations and Events. The University utilized a professional newsclipping service in later years.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Public Relations, a department of the Division of Institutional Advancement, is the University's official media relations and marketing unit for both internal and external communication. It is chiefly responsible for creating and collecting materials, accomplished through newspaper and magazine stories, TV talk shows, radio programs, special events, advertising, web pages, electronic newsletters, brochures, posters and photography. Public Relations encompasses the sub-units of Media Relations and Events, University Marketing and Publications, and Development Communications.\nUNF newspaper clippings and press releases were initially produced by various offices in the Division of Public Relations, and its successor, the Division of University Relations. The latter Division was renamed in 1995 the Division of Institutional Advancement.\nUnder Institutional Advancement, the Office of News and Publications produced and/or disseminated the UNF newsclippings and press releases from 1998-2003; 2004-2005 by University Marketing \u0026 Publications; and 2005- by the Dept. of Media Relations and Events. The University utilized a professional newsclipping service in later years.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eUniversity of North Florida. Public Relations. Publications Records. Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of North Florida. Public Relations. Publications Records. Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the Publications Records consists of newspaper clippings and articles published by national and regional news media about the University, and press releases issued by University personnel which inform the public about the campus, university events and the activities of faculty, staff, students, and alumni. Also included are a small group of publicity reading files, from 1985-2010, which contain major advertisements and articles featuring UNF in magazines and reports.\nThe newspaper clippings, beginning in 1962, predate the opening of the University (October 2, 1972) and provide unique references and insight into the initial discussion and need for a public institution of higher learning in Northeast Florida. A review of these early articles document the persistent efforts and unwavering determination of State Senator John E. Mathews, Jr., and State Representative Frederick H. Schultz to procure state funding for planning, the initial site selection controversy over an urban versus suburban location for the University, and campus construction issues. Articles in the last two decades of the twentieth century detail the rapid growth and development of the campus under the leadership and initiatives of UNF Presidents Dr. Curtis McCray and Dr. Adam Herbert.\nIn the mid-1990s, the policy for selecting newspaper clippings was broadened to include national as well as regional news media relating to the University. In many instances these clippings are the sole source of documentation for many aspects of the birth and development of UNF, inasmuch as they represent a record and overview of deliberations, actions, support offered or denied, and the general evolution of the institution. The total volume, depth and breadth of coverage, and the chronological arrangement render the collection the prime source for campus personnel, students and scholars seeking background information or performing indepth research on the history of the University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The bulk of the Publications Records consists of newspaper clippings and articles published by national and regional news media about the University, and press releases issued by University personnel which inform the public about the campus, university events and the activities of faculty, staff, students, and alumni. Also included are a small group of publicity reading files, from 1985-2010, which contain major advertisements and articles featuring UNF in magazines and reports.\nThe newspaper clippings, beginning in 1962, predate the opening of the University (October 2, 1972) and provide unique references and insight into the initial discussion and need for a public institution of higher learning in Northeast Florida. A review of these early articles document the persistent efforts and unwavering determination of State Senator John E. Mathews, Jr., and State Representative Frederick H. Schultz to procure state funding for planning, the initial site selection controversy over an urban versus suburban location for the University, and campus construction issues. Articles in the last two decades of the twentieth century detail the rapid growth and development of the campus under the leadership and initiatives of UNF Presidents Dr. Curtis McCray and Dr. Adam Herbert.\nIn the mid-1990s, the policy for selecting newspaper clippings was broadened to include national as well as regional news media relating to the University. In many instances these clippings are the sole source of documentation for many aspects of the birth and development of UNF, inasmuch as they represent a record and overview of deliberations, actions, support offered or denied, and the general evolution of the institution. The total volume, depth and breadth of coverage, and the chronological arrangement render the collection the prime source for campus personnel, students and scholars seeking background information or performing indepth research on the history of the University."],"userestrict_html_tesm":["\u003cp\u003ePermission to photograph, publish, quote or reproduce items must be secured from the repository. The reproduction of materials is subject to the discretion of the Library. Materials may be restricted by donor limitations, our compliance with copyright law, and the condition of the materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to photograph, publish, quote or reproduce items must be secured from the repository. The reproduction of materials is subject to the discretion of the Library. Materials may be restricted by donor limitations, our compliance with copyright law, and the condition of the materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55043d3ffccddc14c9a689c1c18d8908\" label=\"Abstract\"\u003eThe bulk of the Publications Records consists of newspaper clippings and articles published by national and regional news media about the University, and press releases issued by University personnel which inform the public about the campus, university events and the activities of faculty, staff, students, and alumni. Also included are a small group of publicity reading files, from 1985-2010, which contain major advertisements and articles featuring UNF in magazines and reports.\u003c/abstract\u003e"],"abstract_tesim":["The bulk of the Publications Records consists of newspaper clippings and articles published by national and regional news media about the University, and press releases issued by University personnel which inform the public about the campus, university events and the activities of faculty, staff, students, and alumni. Also included are a small group of publicity reading files, from 1985-2010, which contain major advertisements and articles featuring UNF in magazines and reports."],"names_coll_ssim":["University of North Florida--Planning.","University of North Florida--Public Relations.","University of North Florida--History.","University of North Florida."],"names_ssim":["UNF Library Special Collections and University Archives","University of North Florida. Public Relations.","University of North Florida--Planning.","University of North Florida--Public Relations.","University of North Florida--History.","University of North Florida."],"corpname_ssim":["UNF Library Special Collections and University Archives","University of North Florida. Public Relations.","University of North Florida--Planning.","University of North Florida--Public Relations.","University of North Florida--History.","University of North Florida."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":399,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860496573300736,"_root_":"bea216756cdf6fd54e81a911","timestamp":"2026-07-16T08:46:45.151Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bea216756cdf6fd54e81a911_aspace_18206"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Congressman James A. Haley Collection, 1948-1977","value":"Congressman James A. 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