{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=541\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=543\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856\u0026view=compact"},"meta":{"pages":{"current_page":542,"next_page":543,"prev_page":541,"total_pages":856,"limit_value":10,"offset_value":5410,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"693e9ada9a5e2c1c2f6b66fe_aspace_72071","type":"Series","attributes":{"title":"Performances, 1973-2016","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/693e9ada9a5e2c1c2f6b66fe_aspace_72071#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eMonroe produced a narrative in 2016 that gives further insight into the productions. An excerpt was printed and can be found in each production's folder. With the exception of the first three folders, original order was maintained according to the Table of Contents folder. Of note are two letters, one from FTU's first President Charles Millican and the other from then Theatre Department Chair Harry Smith, related to Monroe's The Night Thoreau Spent in Jail, which she produced. While most production folders contain photographs, news clippings, and programs, the folder for The Night Thoreau Spent in Jail additionally holds rehearsal and production schedules.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/693e9ada9a5e2c1c2f6b66fe_aspace_72071#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72071","ref_ssm":["aspace_72071","aspace_72071"],"id":"693e9ada9a5e2c1c2f6b66fe_aspace_72071","title_filing_ssi":"Performances","title_ssm":["Performances"],"title_tesim":["Performances"],"unitdate_other_ssim":["1973-2016"],"normalized_date_ssm":["1973-2016"],"normalized_title_ssm":["Performances, 1973-2016"],"text":["Performances, 1973-2016","Mary Monroe Theatre Collection, 1973-2016, bulk 1973-1976","Series 1","/repositories/2/archival_objects/6166","Monroe produced a narrative in 2016 that gives further insight into the productions. An excerpt was printed and can be found in each production's folder. With the exception of the first three folders, original order was maintained according to the Table of Contents folder. Of note are two letters, one from FTU's first President Charles Millican and the other from then Theatre Department Chair Harry Smith, related to Monroe's The Night Thoreau Spent in Jail, which she produced. While most production folders contain photographs, news clippings, and programs, the folder for The Night Thoreau Spent in Jail additionally holds rehearsal and production schedules."],"component_level_isim":[1],"parent_ids_ssim":["693e9ada9a5e2c1c2f6b66fe"],"parent_unittitles_ssm":["Mary Monroe Theatre Collection, 1973-2016, bulk 1973-1976"],"parent_unittitles_tesim":["Mary Monroe Theatre Collection, 1973-2016, bulk 1973-1976"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/6166"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Mary Monroe Theatre Collection, 1973-2016, bulk 1973-1976"],"has_online_content_ssim":["false"],"child_component_count_isi":26,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eMonroe produced a narrative in 2016 that gives further insight into the productions. An excerpt was printed and can be found in each production's folder. With the exception of the first three folders, original order was maintained according to the Table of Contents folder. Of note are two letters, one from FTU's first President Charles Millican and the other from then Theatre Department Chair Harry Smith, related to Monroe's The Night Thoreau Spent in Jail, which she produced. While most production folders contain photographs, news clippings, and programs, the folder for The Night Thoreau Spent in Jail additionally holds rehearsal and production schedules.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Monroe produced a narrative in 2016 that gives further insight into the productions. An excerpt was printed and can be found in each production's folder. With the exception of the first three folders, original order was maintained according to the Table of Contents folder. Of note are two letters, one from FTU's first President Charles Millican and the other from then Theatre Department Chair Harry Smith, related to Monroe's The Night Thoreau Spent in Jail, which she produced. While most production folders contain photographs, news clippings, and programs, the folder for The Night Thoreau Spent in Jail additionally holds rehearsal and production schedules."],"_nest_path_":"/components#0","_nest_parent_":"693e9ada9a5e2c1c2f6b66fe","_root_":"693e9ada9a5e2c1c2f6b66fe","timestamp":"2026-07-10T03:12:43.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"693e9ada9a5e2c1c2f6b66fe","title_ssm":["Mary Monroe Theatre Collection"],"title_tesim":["Mary Monroe Theatre Collection"],"ead_ssi":"693e9ada9a5e2c1c2f6b66fe","unitdate_ssm":["1973-2016","1973-1976"],"unitdate_bulk_ssim":["1973-1976"],"unitdate_inclusive_ssm":["1973-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA23A","/repositories/2/resources/32"],"text":["UA23A","/repositories/2/resources/32","Mary Monroe Theatre Collection, 1973-2016, bulk 1973-1976","Universities and colleges -- Florida","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","Photographic prints","letters (correspondence)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFM2005_18","This collection is arranged into one series: Performances, 1973-2016. With the exception of the first three folders, original order was maintained.","Mary Monroe attended Florida Technological University (FTU), now University of Central Florida, from 1973 to 1976. During her time in the theatre program, she performed in many productions and even produced The Night Thoreau Spent in Jail.","Since her time at FTU, Monroe's career has been devoted to the development of new work in support of playwrights, screenwriters, and related performing artists, nationally and internationally. She has created several national programs and New York City (NYC)-based nonprofit companies, to benefit thousands of artists, across mediums, from college students to accomplished professionals.","A sampling of her work as a union stage director and independent nonprofit producer includes venues such as: Ensemble Studio Theatre, The Public (New York Shakespeare Festival), LaMama E.T.C., Provincetown Playhouse, Circle East (formerly Circle Rep Lab), H.E.R.E., New Dramatists, BACA/Downtown, Indiana Rep., North Light Rep. (now Northlight), etc.","Monroe worked with graduate playwriting and screenwriting students as a professional director adjunct with NYU Tisch School of the Arts' Dramatic Writing Program and as a Regional Playwriting Chair for the Kennedy Center American College Theater Festival. Monroe has been a Board President of several NYC and national nonprofit arts organizations devoted to supporting performing artists. She has received a number of honors, including the Kennedy Center Bronze Medal, she was elected an Associate of the Royal Academy of Dramatic Art (RADA), and she was a recipient of a Theatre Communications Group Observership. She is a full graduate of RADA.","Collection processed by and finding aid prepared by Mary Rubin in 2016. The scrapbook was taken apart and its documents were placed in acid free folders in an acid free box. Photographs were placed into archival quality sleeves. Newspaper clippings were placed between acid free papers. Magnetic pages, which originally housed the photographs and newspaper clippings, were thrown away. All staples were removed and replaced with plastic clips. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about this collection may be found in the University of Central Florida Theatre Program Collection.","Series I: Performances, 1973-2016 includes photographs, news clippings, and programs related to the theatre productions in the 1970s. Additionally, there is a narrative that was produced by Monroe in 2016 that gives further insight into the productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Mary Monroe was a theatre student at FTU in the 1970s. Her collection of photographs, news clippings, and programs document the theatre performances during that time.","UCF University Archives","University of Central Florida","Florida Technological University","Florida Technological University. Department of Theatre","University of Central Florida. Department of Theatre","University of Central Florida. Conservatory Theatre","Monroe, Mary","English"],"unitid_tesim":["UA23A","/repositories/2/resources/32"],"normalized_date_ssm":["1973-2016, bulk 1973-1976"],"normalized_title_ssm":["Mary Monroe Theatre Collection, 1973-2016, bulk 1973-1976"],"collection_title_tesim":["Mary Monroe Theatre Collection, 1973-2016, bulk 1973-1976"],"collection_ssim":["Mary Monroe Theatre Collection, 1973-2016, bulk 1973-1976"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Monroe, Mary"],"creator_ssim":["Monroe, Mary"],"creator_persname_ssim":["Monroe, Mary"],"creators_ssim":["Monroe, Mary"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Mary Monroe gifted  these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2005 (CFU2005_18)."],"access_subjects_ssim":["Universities and colleges -- Florida","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","Photographic prints","letters (correspondence)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Universities and colleges -- Florida","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","Photographic prints","letters (correspondence)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 1 flat file, 0.6 Linear Feet"],"extent_tesim":["1 boxes 1 flat file, 0.6 Linear Feet"],"genreform_ssim":["Photographic prints","letters (correspondence)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFM2005_18\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFM2005_18"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into one series: Performances, 1973-2016. With the exception of the first three folders, original order was maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into one series: Performances, 1973-2016. With the exception of the first three folders, original order was maintained."],"bioghist_html_tesm":["\u003cp\u003eMary Monroe attended Florida Technological University (FTU), now University of Central Florida, from 1973 to 1976. During her time in the theatre program, she performed in many productions and even produced The Night Thoreau Spent in Jail.\u003c/p\u003e\n","\u003cp\u003eSince her time at FTU, Monroe's career has been devoted to the development of new work in support of playwrights, screenwriters, and related performing artists, nationally and internationally. She has created several national programs and New York City (NYC)-based nonprofit companies, to benefit thousands of artists, across mediums, from college students to accomplished professionals.\u003c/p\u003e\n","\u003cp\u003eA sampling of her work as a union stage director and independent nonprofit producer includes venues such as: Ensemble Studio Theatre, The Public (New York Shakespeare Festival), LaMama E.T.C., Provincetown Playhouse, Circle East (formerly Circle Rep Lab), H.E.R.E., New Dramatists, BACA/Downtown, Indiana Rep., North Light Rep. (now Northlight), etc.\u003c/p\u003e\n","\u003cp\u003eMonroe worked with graduate playwriting and screenwriting students as a professional director adjunct with NYU Tisch School of the Arts' Dramatic Writing Program and as a Regional Playwriting Chair for the Kennedy Center American College Theater Festival. Monroe has been a Board President of several NYC and national nonprofit arts organizations devoted to supporting performing artists. She has received a number of honors, including the Kennedy Center Bronze Medal, she was elected an Associate of the Royal Academy of Dramatic Art (RADA), and she was a recipient of a Theatre Communications Group Observership. She is a full graduate of RADA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mary Monroe attended Florida Technological University (FTU), now University of Central Florida, from 1973 to 1976. During her time in the theatre program, she performed in many productions and even produced The Night Thoreau Spent in Jail.","Since her time at FTU, Monroe's career has been devoted to the development of new work in support of playwrights, screenwriters, and related performing artists, nationally and internationally. She has created several national programs and New York City (NYC)-based nonprofit companies, to benefit thousands of artists, across mediums, from college students to accomplished professionals.","A sampling of her work as a union stage director and independent nonprofit producer includes venues such as: Ensemble Studio Theatre, The Public (New York Shakespeare Festival), LaMama E.T.C., Provincetown Playhouse, Circle East (formerly Circle Rep Lab), H.E.R.E., New Dramatists, BACA/Downtown, Indiana Rep., North Light Rep. (now Northlight), etc.","Monroe worked with graduate playwriting and screenwriting students as a professional director adjunct with NYU Tisch School of the Arts' Dramatic Writing Program and as a Regional Playwriting Chair for the Kennedy Center American College Theater Festival. Monroe has been a Board President of several NYC and national nonprofit arts organizations devoted to supporting performing artists. She has received a number of honors, including the Kennedy Center Bronze Medal, she was elected an Associate of the Royal Academy of Dramatic Art (RADA), and she was a recipient of a Theatre Communications Group Observership. She is a full graduate of RADA."],"prefercite_html_tesm":["\u003cp\u003eMary Monroe Theatre Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Mary Monroe Theatre Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Mary Rubin in 2016. The scrapbook was taken apart and its documents were placed in acid free folders in an acid free box. Photographs were placed into archival quality sleeves. Newspaper clippings were placed between acid free papers. Magnetic pages, which originally housed the photographs and newspaper clippings, were thrown away. All staples were removed and replaced with plastic clips. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Mary Rubin in 2016. The scrapbook was taken apart and its documents were placed in acid free folders in an acid free box. Photographs were placed into archival quality sleeves. Newspaper clippings were placed between acid free papers. Magnetic pages, which originally housed the photographs and newspaper clippings, were thrown away. All staples were removed and replaced with plastic clips. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about this collection may be found in the University of Central Florida Theatre Program Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about this collection may be found in the University of Central Florida Theatre Program Collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1973-2016 includes photographs, news clippings, and programs related to the theatre productions in the 1970s. Additionally, there is a narrative that was produced by Monroe in 2016 that gives further insight into the productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1973-2016 includes photographs, news clippings, and programs related to the theatre productions in the 1970s. Additionally, there is a narrative that was produced by Monroe in 2016 that gives further insight into the productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fbffdd17310c01ea1bfbfc81d05a9f6b\" label=\"Abstract\"\u003eMary Monroe was a theatre student at FTU in the 1970s. Her collection of photographs, news clippings, and programs document the theatre performances during that time.\u003c/abstract\u003e"],"abstract_tesim":["Mary Monroe was a theatre student at FTU in the 1970s. Her collection of photographs, news clippings, and programs document the theatre performances during that time."],"names_coll_ssim":["University of Central Florida","Florida Technological University","Florida Technological University. Department of Theatre","University of Central Florida. Department of Theatre","University of Central Florida. Conservatory Theatre","Monroe, Mary"],"names_ssim":["UCF University Archives","University of Central Florida","Florida Technological University","Florida Technological University. Department of Theatre","University of Central Florida. Department of Theatre","University of Central Florida. Conservatory Theatre","Monroe, Mary"],"corpname_ssim":["UCF University Archives","University of Central Florida","Florida Technological University","Florida Technological University. Department of Theatre","University of Central Florida. Department of Theatre","University of Central Florida. Conservatory Theatre"],"persname_ssim":["Monroe, Mary"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":48,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"693e9ada9a5e2c1c2f6b66fe","timestamp":"2026-07-10T03:12:43.218Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/693e9ada9a5e2c1c2f6b66fe_aspace_72071"}},{"id":"3590e990d26f42a3d9da5878_aspace_71656","type":"Series","attributes":{"title":"Performances, 1989-2012","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878_aspace_71656#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe series contains material such as programs, playbills, tickets, reviews, pamphlets, newsletters, and other ephemera relating to the Orlando Shakespeare Theater production. It also includes information regarding the Theater for Young Audiences.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878_aspace_71656#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71656","ref_ssm":["aspace_71656","aspace_71656"],"id":"3590e990d26f42a3d9da5878_aspace_71656","title_filing_ssi":"Performances","title_ssm":["Performances"],"title_tesim":["Performances"],"unitdate_other_ssim":["1989-2012"],"normalized_date_ssm":["1989-2012"],"normalized_title_ssm":["Performances, 1989-2012"],"text":["Performances, 1989-2012","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Series 1","/repositories/2/archival_objects/5734","The series contains material such as programs, playbills, tickets, reviews, pamphlets, newsletters, and other ephemera relating to the Orlando Shakespeare Theater production. It also includes information regarding the Theater for Young Audiences."],"component_level_isim":[1],"parent_ids_ssim":["3590e990d26f42a3d9da5878"],"parent_unittitles_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"parent_unittitles_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/5734"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":83,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eThe series contains material such as programs, playbills, tickets, reviews, pamphlets, newsletters, and other ephemera relating to the Orlando Shakespeare Theater production. It also includes information regarding the Theater for Young Audiences.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The series contains material such as programs, playbills, tickets, reviews, pamphlets, newsletters, and other ephemera relating to the Orlando Shakespeare Theater production. It also includes information regarding the Theater for Young Audiences."],"_nest_path_":"/components#0","_nest_parent_":"3590e990d26f42a3d9da5878","_root_":"3590e990d26f42a3d9da5878","_version_":1870858696351809536,"timestamp":"2026-07-16T08:18:08.333Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878_aspace_71656"}},{"id":"fe40d3f0e3c6126a7e5c1df3_aspace_08d0899825aa6ffff3a8b61efa9fdf13","type":"Series","attributes":{"title":"Performances, 1990-2018","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fe40d3f0e3c6126a7e5c1df3_aspace_08d0899825aa6ffff3a8b61efa9fdf13#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_08d0899825aa6ffff3a8b61efa9fdf13","ref_ssm":["aspace_08d0899825aa6ffff3a8b61efa9fdf13","aspace_08d0899825aa6ffff3a8b61efa9fdf13"],"id":"fe40d3f0e3c6126a7e5c1df3_aspace_08d0899825aa6ffff3a8b61efa9fdf13","title_filing_ssi":"Performances","title_ssm":["Performances"],"title_tesim":["Performances"],"unitdate_inclusive_ssm":["1990-2018"],"normalized_date_ssm":["1990-2018"],"normalized_title_ssm":["Performances, 1990-2018"],"text":["Performances, 1990-2018","Orlando Gay Chorus collection, 1990-2018","Series III","/repositories/4/archival_objects/65667"],"component_level_isim":[1],"parent_ids_ssim":["fe40d3f0e3c6126a7e5c1df3"],"parent_unittitles_ssm":["Orlando Gay Chorus collection, 1990-2018"],"parent_unittitles_tesim":["Orlando Gay Chorus collection, 1990-2018"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series III","/repositories/4/archival_objects/65667"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Orlando Gay Chorus collection, 1990-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":13,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":7,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n   Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#2","_nest_parent_":"fe40d3f0e3c6126a7e5c1df3","_root_":"fe40d3f0e3c6126a7e5c1df3","_version_":1870857864988327936,"timestamp":"2026-07-16T08:04:55.485Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fe40d3f0e3c6126a7e5c1df3","title_ssm":["Orlando Gay Chorus collection"],"title_tesim":["Orlando Gay Chorus collection"],"ead_ssi":"fe40d3f0e3c6126a7e5c1df3","unitdate_ssm":["1990-2018"],"unitdate_inclusive_ssm":["1990-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 150","/repositories/4/resources/272"],"text":["SC 150","/repositories/4/resources/272","Orlando Gay Chorus collection, 1990-2018","Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)","The entire collection is open for research except for the following:\n Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.","This collection is arranged in six series. \n I. Photographs, 2001-2002, 2008, 2013 II. In-House Publications, 1990-2008 III. Performances, 1990-2018 IV. Publicity, 1990-2015 V. Administration Files, 1990-2006 VI. Awards, 1996-2015","The Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.","Collection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes.","This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Photographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes ","In–House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members ","Performances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. ","Publicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. ","Administration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" ","Awards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.","UCF Special Collections","Orlando Gay Chorus","English"],"unitid_tesim":["SC 150","/repositories/4/resources/272"],"normalized_date_ssm":["1990-2018"],"normalized_title_ssm":["Orlando Gay Chorus collection, 1990-2018"],"collection_title_tesim":["Orlando Gay Chorus collection, 1990-2018"],"collection_ssim":["Orlando Gay Chorus collection, 1990-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Orlando Gay Chorus"],"creator_ssim":["Orlando Gay Chorus"],"creator_corpname_ssim":["Orlando Gay Chorus"],"creators_ssim":["Orlando Gay Chorus"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of The LGBTQ History Museum of Central Florida, 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"access_subjects_ssm":["Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet 14 boxes, 1 flat file, 1 rolled banner"],"extent_tesim":["16.5 Linear Feet 14 boxes, 1 flat file, 1 rolled banner"],"genreform_ssim":["programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eBoxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026amp; University Archives.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Photographs, 2001-2002, 2008, 2013\u003c/li\u003e\n   \u003cli\u003eII. In-House Publications, 1990-2008\u003c/li\u003e\n   \u003cli\u003eIII. Performances, 1990-2018\u003c/li\u003e\n   \u003cli\u003eIV. Publicity, 1990-2015\u003c/li\u003e\n   \u003cli\u003eV. Administration Files, 1990-2006\u003c/li\u003e\n   \u003cli\u003eVI. Awards, 1996-2015\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. \n I. Photographs, 2001-2002, 2008, 2013 II. In-House Publications, 1990-2008 III. Performances, 1990-2018 IV. Publicity, 1990-2015 V. Administration Files, 1990-2006 VI. Awards, 1996-2015"],"bioghist_html_tesm":["\u003cp\u003eThe Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today."],"prefercite_html_tesm":["\u003cp\u003eOrlando Gay Chorus collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Gay Chorus collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes \u003c/p\u003e\n","\u003cp\u003eIn\u0026#x2013;House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members \u003c/p\u003e\n","\u003cp\u003ePerformances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. \u003c/p\u003e\n","\u003cp\u003ePublicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. \u003c/p\u003e\n","\u003cp\u003eAdministration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" \u003c/p\u003e\n","\u003cp\u003eAwards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes ","In–House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members ","Performances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. ","Publicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. ","Administration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" ","Awards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aea3e4892f0e727e6b70fc82a72309ce\" label=\"Abstract\"\u003eThe Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today."],"names_ssim":["UCF Special Collections","Orlando Gay Chorus"],"corpname_ssim":["UCF Special Collections","Orlando Gay Chorus"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857864988327936,"_root_":"fe40d3f0e3c6126a7e5c1df3","timestamp":"2026-07-16T08:04:55.485Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fe40d3f0e3c6126a7e5c1df3_aspace_08d0899825aa6ffff3a8b61efa9fdf13"}},{"id":"194d4b95dd1b344176f6a8d2_aspace_50469","type":"Series","attributes":{"title":"Performances, 2008-2018","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/194d4b95dd1b344176f6a8d2_aspace_50469#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe recitals in this collection were performed by University of Central Florida Music Department students. They cover a range of graduate recitals that reflect the students interests; they can be about anything from performances to conducting. The addition of the ellipses illustrates there were multiple students involved in the performance.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/194d4b95dd1b344176f6a8d2_aspace_50469#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_50469","ref_ssm":["aspace_50469","aspace_50469"],"id":"194d4b95dd1b344176f6a8d2_aspace_50469","title_filing_ssi":"Performances","title_ssm":["Performances"],"title_tesim":["Performances"],"unitdate_other_ssim":["2008-2018"],"normalized_date_ssm":["2008-2018"],"normalized_title_ssm":["Performances, 2008-2018"],"text":["Performances, 2008-2018","University of Central Florida Music Department Graduate Student Recital Collection, 2008-2018","Series 1","/repositories/2/archival_objects/30458","The recitals in this collection were performed by University of Central Florida Music Department students. They cover a range of graduate recitals that reflect the students interests; they can be about anything from performances to conducting. The addition of the ellipses illustrates there were multiple students involved in the performance."],"component_level_isim":[1],"parent_ids_ssim":["194d4b95dd1b344176f6a8d2"],"parent_unittitles_ssm":["University of Central Florida Music Department Graduate Student Recital Collection, 2008-2018"],"parent_unittitles_tesim":["University of Central Florida Music Department Graduate Student Recital Collection, 2008-2018"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/30458"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Music Department Graduate Student Recital Collection, 2008-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":46,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. These materials are for review in the Reading Room only. Recorded performances of copyrighted material. Programs (set list) may be copied with permission."],"scopecontent_html_tesm":["\u003cp\u003eThe recitals in this collection were performed by University of Central Florida Music Department students. They cover a range of graduate recitals that reflect the students interests; they can be about anything from performances to conducting. The addition of the ellipses illustrates there were multiple students involved in the performance.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The recitals in this collection were performed by University of Central Florida Music Department students. They cover a range of graduate recitals that reflect the students interests; they can be about anything from performances to conducting. The addition of the ellipses illustrates there were multiple students involved in the performance."],"_nest_path_":"/components#0","_nest_parent_":"194d4b95dd1b344176f6a8d2","_root_":"194d4b95dd1b344176f6a8d2","timestamp":"2026-07-09T03:02:39.674Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"194d4b95dd1b344176f6a8d2","title_ssm":["University of Central Florida Music Department Graduate Student Recital Collection"],"title_tesim":["University of Central Florida Music Department Graduate Student Recital Collection"],"ead_ssi":"194d4b95dd1b344176f6a8d2","unitdate_ssm":["2008-2018"],"unitdate_inclusive_ssm":["2008-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA18B","/repositories/2/resources/131"],"text":["UA18B","/repositories/2/resources/131","University of Central Florida Music Department Graduate Student Recital Collection, 2008-2018","Music -- Florida -- Orlando","Music -- Performance -- Florida","Performance art -- United States","Universities and colleges -- Departments","Universities and colleges -- Florida","Graduate students -- Florida -- Orlando -- Music","Music","Performance art","Performance art -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando -- Music","compact discs","Sound recordings","The entire collection is open for research.","Collection Identifier: CFU2013_07; Additions: CFU2014_21, CFU2015_24, CFU2017_42, CFU2018_41","This collection is arranged in one series chronologically.","The FTU/UCF Music Department started in Fall 1968 in the College of Humanities and Social Sciences. At that time, all students who were seeking to earn a Bachelor of Arts degree in Music were required to perform a recital in their major applied area (instrument or voice) and were required to pass a piano proficiency examination.","The College of Education began offering a post baccalaureate specialization in Music Education as part of their comprehensive Master of Arts degree in 1970/1971. With the formation of the College of Arts and Sciences in 1981/1982, Music became a separate department with its own chair and continued to offer a Bachelor of Arts degree in Music and Music Education with specializations in applied music, piano pedagogy, instrumental music education, choral music education, and elementary school music education.","The Master of Arts in Music was offered by the University of Central Florida Music Department in 2008/2009. The program covers an array of interests in music such as performance, conducting, jazz studies, music education, and composition. Graduate students who choose to complete a non-thesis option must either present a Graduate Recital or a Graduate Project (a written project, smaller in scope than a thesis). The Graduate Recital can take the form of a performance, composition, or conducting.","Collection processed by and finding aid prepared by Nardia Cumberbatch and Sandra Varry in 2013. All items are housed separately in archival file folders. All items are arranged alphabetically. Staples were removed. Additions to the collection were integrated by Angie Villafane in 2014, resulting in edition 2. Additions to the collection were integrated and the finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 3, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 4. Additional items related to the Music Department's Graduate Student Recitals were received between 2017-2018 and were added to the collection in 2019.","For more information on university archives, please see our website. Further information about this collection may be found in the University of Central Florida Scrapbook Collection, which contains the Music Department Scrapbooks.","Series I: Performances, 2008-2018, contains University of Central Florida Music Department Student Work. These Graduate Recitals were performed by UCF students.","Unpublished records are protected by copyright. These materials are for review in the Reading Room only. Recorded performances of copyrighted material. Programs (set list) may be copied with permission.","Audio recordings and programs of graduate student recitals from UCF Music Department.","UCF University Archives","University of Central Florida. Department of Music","University of Central Florida","Florida Technological University","English"],"unitid_tesim":["UA18B","/repositories/2/resources/131"],"normalized_date_ssm":["2008-2018"],"normalized_title_ssm":["University of Central Florida Music Department Graduate Student Recital Collection, 2008-2018"],"collection_title_tesim":["University of Central Florida Music Department Graduate Student Recital Collection, 2008-2018"],"collection_ssim":["University of Central Florida Music Department Graduate Student Recital Collection, 2008-2018"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Music"],"creator_ssim":["University of Central Florida. Department of Music"],"creator_corpname_ssim":["University of Central Florida. Department of Music"],"creators_ssim":["University of Central Florida. Department of Music"],"access_terms_ssm":["Unpublished records are protected by copyright. These materials are for review in the Reading Room only. Recorded performances of copyrighted material. Programs (set list) may be copied with permission."],"acqinfo_ssim":["Keith Koons transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2013 (CFU2013_07), 2014 (CFU2014_21), in 2015 (CFU2015_24), 2017 (CFU2017_42), and 2018 (CFU2018_41)."],"access_subjects_ssim":["Music -- Florida -- Orlando","Music -- Performance -- Florida","Performance art -- United States","Universities and colleges -- Departments","Universities and colleges -- Florida","Graduate students -- Florida -- Orlando -- Music","Music","Performance art","Performance art -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando -- Music","compact discs","Sound recordings"],"access_subjects_ssm":["Music -- Florida -- Orlando","Music -- Performance -- Florida","Performance art -- United States","Universities and colleges -- Departments","Universities and colleges -- Florida","Graduate students -- Florida -- Orlando -- Music","Music","Performance art","Performance art -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando -- Music","compact discs","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 1.50 Linear Feet"],"extent_tesim":["3 boxes 1.50 Linear Feet"],"genreform_ssim":["compact discs","Sound recordings"],"date_range_isim":[2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2013_07; Additions: CFU2014_21, CFU2015_24, CFU2017_42, CFU2018_41\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2013_07; Additions: CFU2014_21, CFU2015_24, CFU2017_42, CFU2018_41"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in one series chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in one series chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe FTU/UCF Music Department started in Fall 1968 in the College of Humanities and Social Sciences. At that time, all students who were seeking to earn a Bachelor of Arts degree in Music were required to perform a recital in their major applied area (instrument or voice) and were required to pass a piano proficiency examination.\u003c/p\u003e\n","\u003cp\u003eThe College of Education began offering a post baccalaureate specialization in Music Education as part of their comprehensive Master of Arts degree in 1970/1971. With the formation of the College of Arts and Sciences in 1981/1982, Music became a separate department with its own chair and continued to offer a Bachelor of Arts degree in Music and Music Education with specializations in applied music, piano pedagogy, instrumental music education, choral music education, and elementary school music education.\u003c/p\u003e\n","\u003cp\u003eThe Master of Arts in Music was offered by the University of Central Florida Music Department in 2008/2009. The program covers an array of interests in music such as performance, conducting, jazz studies, music education, and composition. Graduate students who choose to complete a non-thesis option must either present a Graduate Recital or a Graduate Project (a written project, smaller in scope than a thesis). The Graduate Recital can take the form of a performance, composition, or conducting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The FTU/UCF Music Department started in Fall 1968 in the College of Humanities and Social Sciences. At that time, all students who were seeking to earn a Bachelor of Arts degree in Music were required to perform a recital in their major applied area (instrument or voice) and were required to pass a piano proficiency examination.","The College of Education began offering a post baccalaureate specialization in Music Education as part of their comprehensive Master of Arts degree in 1970/1971. With the formation of the College of Arts and Sciences in 1981/1982, Music became a separate department with its own chair and continued to offer a Bachelor of Arts degree in Music and Music Education with specializations in applied music, piano pedagogy, instrumental music education, choral music education, and elementary school music education.","The Master of Arts in Music was offered by the University of Central Florida Music Department in 2008/2009. The program covers an array of interests in music such as performance, conducting, jazz studies, music education, and composition. Graduate students who choose to complete a non-thesis option must either present a Graduate Recital or a Graduate Project (a written project, smaller in scope than a thesis). The Graduate Recital can take the form of a performance, composition, or conducting."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Music Department Graduate Student Recital Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Music Department Graduate Student Recital Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Nardia Cumberbatch and Sandra Varry in 2013. All items are housed separately in archival file folders. All items are arranged alphabetically. Staples were removed. Additions to the collection were integrated by Angie Villafane in 2014, resulting in edition 2. Additions to the collection were integrated and the finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 3, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 4. Additional items related to the Music Department's Graduate Student Recitals were received between 2017-2018 and were added to the collection in 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Nardia Cumberbatch and Sandra Varry in 2013. All items are housed separately in archival file folders. All items are arranged alphabetically. Staples were removed. Additions to the collection were integrated by Angie Villafane in 2014, resulting in edition 2. Additions to the collection were integrated and the finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 3, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 4. Additional items related to the Music Department's Graduate Student Recitals were received between 2017-2018 and were added to the collection in 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about this collection may be found in the University of Central Florida Scrapbook Collection, which contains the Music Department Scrapbooks.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about this collection may be found in the University of Central Florida Scrapbook Collection, which contains the Music Department Scrapbooks."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 2008-2018, contains University of Central Florida Music Department Student Work. These Graduate Recitals were performed by UCF students.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 2008-2018, contains University of Central Florida Music Department Student Work. These Graduate Recitals were performed by UCF students."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. These materials are for review in the Reading Room only. Recorded performances of copyrighted material. Programs (set list) may be copied with permission.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. These materials are for review in the Reading Room only. Recorded performances of copyrighted material. Programs (set list) may be copied with permission."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c9bc3731636c3030d8898c72044935e1\" label=\"Abstract\"\u003eAudio recordings and programs of graduate student recitals from UCF Music Department.\u003c/abstract\u003e"],"abstract_tesim":["Audio recordings and programs of graduate student recitals from UCF Music Department."],"names_coll_ssim":["University of Central Florida","University of Central Florida. Department of Music","Florida Technological University"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Music","University of Central Florida","Florida Technological University"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Music","University of Central Florida","Florida Technological University"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"194d4b95dd1b344176f6a8d2","timestamp":"2026-07-09T03:02:39.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/194d4b95dd1b344176f6a8d2_aspace_50469"}},{"id":"7185d426f9146df30fb41f4b_aspace_949a209db1d99f2cf2b9c4e6ed4c9744","type":"Series","attributes":{"title":"Performer Files","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_949a209db1d99f2cf2b9c4e6ed4c9744#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_949a209db1d99f2cf2b9c4e6ed4c9744","ref_ssm":["aspace_949a209db1d99f2cf2b9c4e6ed4c9744","aspace_949a209db1d99f2cf2b9c4e6ed4c9744"],"id":"7185d426f9146df30fb41f4b_aspace_949a209db1d99f2cf2b9c4e6ed4c9744","title_filing_ssi":"Performer Files","title_ssm":["Performer Files"],"title_tesim":["Performer Files"],"normalized_title_ssm":["Performer Files"],"text":["Performer Files","Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011","/repositories/10/archival_objects/228816","box 9"],"component_level_isim":[2],"parent_ids_ssim":["7185d426f9146df30fb41f4b","7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a"],"parent_unittitles_ssm":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_unittitles_tesim":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/228816"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Opening Nights Records, 1999-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":40,"parent_access_restrict_tesm":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 9"],"_nest_path_":"/components#0/components#38","_nest_parent_":"7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a","_root_":"7185d426f9146df30fb41f4b","_version_":1870857491989921792,"timestamp":"2026-07-16T07:58:59.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7185d426f9146df30fb41f4b","title_ssm":["Opening Nights Records"],"title_tesim":["Opening Nights Records"],"ead_ssi":"7185d426f9146df30fb41f4b","unitdate_ssm":["1999-2011"],"unitdate_inclusive_ssm":["1999-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-126","/repositories/10/resources/1517"],"text":["HUA 2016-126","/repositories/10/resources/1517","Opening Nights Records, 1999-2011","This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-126","/repositories/10/resources/1517"],"normalized_date_ssm":["1999-2011"],"normalized_title_ssm":["Opening Nights Records, 1999-2011"],"collection_title_tesim":["Opening Nights Records, 1999-2011"],"collection_ssim":["Opening Nights Records, 1999-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet"],"extent_tesim":["16 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eHUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eOpening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. \u003c/p\u003e\n","\u003cp\u003eThe Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. \u003c/p\u003e\n","\u003cp\u003eOpening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.\u003c/p\u003e\n","\u003cp\u003eOpening Nights Directors: \u003c/p\u003e\n","\u003cp\u003eMargo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)\u003c/p\u003e\n","\u003cp\u003eAdministrative History by Alex Challenger, July 2023\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857491989921792,"_root_":"7185d426f9146df30fb41f4b","timestamp":"2026-07-16T07:58:59.766Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_949a209db1d99f2cf2b9c4e6ed4c9744"}},{"id":"7185d426f9146df30fb41f4b_aspace_13034cfd18b5ec9dacd0c569a9ada40b","type":"Series","attributes":{"title":"Performer Files, 2009-2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_13034cfd18b5ec9dacd0c569a9ada40b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_13034cfd18b5ec9dacd0c569a9ada40b","ref_ssm":["aspace_13034cfd18b5ec9dacd0c569a9ada40b","aspace_13034cfd18b5ec9dacd0c569a9ada40b"],"id":"7185d426f9146df30fb41f4b_aspace_13034cfd18b5ec9dacd0c569a9ada40b","title_filing_ssi":"Performer Files","title_ssm":["Performer Files"],"title_tesim":["Performer Files"],"unitdate_inclusive_ssm":["2009-2011"],"normalized_date_ssm":["2009-2011"],"normalized_title_ssm":["Performer Files, 2009-2011"],"text":["Performer Files, 2009-2011","Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011","/repositories/10/archival_objects/228808","box 8"],"component_level_isim":[2],"parent_ids_ssim":["7185d426f9146df30fb41f4b","7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a"],"parent_unittitles_ssm":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_unittitles_tesim":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/228808"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Opening Nights Records, 1999-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":32,"parent_access_restrict_tesm":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 8"],"_nest_path_":"/components#0/components#30","_nest_parent_":"7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a","_root_":"7185d426f9146df30fb41f4b","_version_":1870857491989921792,"timestamp":"2026-07-16T07:58:59.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7185d426f9146df30fb41f4b","title_ssm":["Opening Nights Records"],"title_tesim":["Opening Nights Records"],"ead_ssi":"7185d426f9146df30fb41f4b","unitdate_ssm":["1999-2011"],"unitdate_inclusive_ssm":["1999-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-126","/repositories/10/resources/1517"],"text":["HUA 2016-126","/repositories/10/resources/1517","Opening Nights Records, 1999-2011","This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-126","/repositories/10/resources/1517"],"normalized_date_ssm":["1999-2011"],"normalized_title_ssm":["Opening Nights Records, 1999-2011"],"collection_title_tesim":["Opening Nights Records, 1999-2011"],"collection_ssim":["Opening Nights Records, 1999-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet"],"extent_tesim":["16 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eHUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eOpening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. \u003c/p\u003e\n","\u003cp\u003eThe Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. \u003c/p\u003e\n","\u003cp\u003eOpening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.\u003c/p\u003e\n","\u003cp\u003eOpening Nights Directors: \u003c/p\u003e\n","\u003cp\u003eMargo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)\u003c/p\u003e\n","\u003cp\u003eAdministrative History by Alex Challenger, July 2023\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857491989921792,"_root_":"7185d426f9146df30fb41f4b","timestamp":"2026-07-16T07:58:59.766Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_13034cfd18b5ec9dacd0c569a9ada40b"}},{"id":"7185d426f9146df30fb41f4b_aspace_43543890b89d2fb5ed7ed427e573978b","type":"Series","attributes":{"title":"Performer Info, 2002-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_43543890b89d2fb5ed7ed427e573978b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_43543890b89d2fb5ed7ed427e573978b","ref_ssm":["aspace_43543890b89d2fb5ed7ed427e573978b","aspace_43543890b89d2fb5ed7ed427e573978b"],"id":"7185d426f9146df30fb41f4b_aspace_43543890b89d2fb5ed7ed427e573978b","title_filing_ssi":"Performer Info","title_ssm":["Performer Info"],"title_tesim":["Performer Info"],"unitdate_inclusive_ssm":["2002-2003"],"normalized_date_ssm":["2002-2003"],"normalized_title_ssm":["Performer Info, 2002-2003"],"text":["Performer Info, 2002-2003","Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011","/repositories/10/archival_objects/228791","box 3"],"component_level_isim":[2],"parent_ids_ssim":["7185d426f9146df30fb41f4b","7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a"],"parent_unittitles_ssm":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_unittitles_tesim":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/228791"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Opening Nights Records, 1999-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":15,"parent_access_restrict_tesm":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 3"],"_nest_path_":"/components#0/components#13","_nest_parent_":"7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a","_root_":"7185d426f9146df30fb41f4b","_version_":1870857491989921792,"timestamp":"2026-07-16T07:58:59.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7185d426f9146df30fb41f4b","title_ssm":["Opening Nights Records"],"title_tesim":["Opening Nights Records"],"ead_ssi":"7185d426f9146df30fb41f4b","unitdate_ssm":["1999-2011"],"unitdate_inclusive_ssm":["1999-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-126","/repositories/10/resources/1517"],"text":["HUA 2016-126","/repositories/10/resources/1517","Opening Nights Records, 1999-2011","This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-126","/repositories/10/resources/1517"],"normalized_date_ssm":["1999-2011"],"normalized_title_ssm":["Opening Nights Records, 1999-2011"],"collection_title_tesim":["Opening Nights Records, 1999-2011"],"collection_ssim":["Opening Nights Records, 1999-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet"],"extent_tesim":["16 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eHUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eOpening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. \u003c/p\u003e\n","\u003cp\u003eThe Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. \u003c/p\u003e\n","\u003cp\u003eOpening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.\u003c/p\u003e\n","\u003cp\u003eOpening Nights Directors: \u003c/p\u003e\n","\u003cp\u003eMargo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)\u003c/p\u003e\n","\u003cp\u003eAdministrative History by Alex Challenger, July 2023\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857491989921792,"_root_":"7185d426f9146df30fb41f4b","timestamp":"2026-07-16T07:58:59.766Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_43543890b89d2fb5ed7ed427e573978b"}},{"id":"d3616fdf15e8d4c7a8a83827_aspace_ba6564cdbbcdbb061a104bfe14025a8d","type":"Series","attributes":{"title":"Periodicals","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d3616fdf15e8d4c7a8a83827_aspace_ba6564cdbbcdbb061a104bfe14025a8d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ba6564cdbbcdbb061a104bfe14025a8d","ref_ssm":["aspace_ba6564cdbbcdbb061a104bfe14025a8d","aspace_ba6564cdbbcdbb061a104bfe14025a8d"],"id":"d3616fdf15e8d4c7a8a83827_aspace_ba6564cdbbcdbb061a104bfe14025a8d","title_filing_ssi":"Periodicals","title_ssm":["Periodicals"],"title_tesim":["Periodicals"],"normalized_title_ssm":["Periodicals"],"text":["Periodicals","Jim Ellis Collection, 1885-1999","/repositories/3/archival_objects/25428","box 1","box 5","box 6","box 8","box 12","box 13"],"component_level_isim":[1],"parent_ids_ssim":["d3616fdf15e8d4c7a8a83827"],"parent_unittitles_ssm":["Jim Ellis Collection, 1885-1999"],"parent_unittitles_tesim":["Jim Ellis Collection, 1885-1999"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/25428"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Jim Ellis Collection, 1885-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":27,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 1","box 5","box 6","box 8","box 12","box 13"],"_nest_path_":"/components#1","_nest_parent_":"d3616fdf15e8d4c7a8a83827","_root_":"d3616fdf15e8d4c7a8a83827","_version_":1870852005533057024,"timestamp":"2026-07-16T06:31:47.472Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d3616fdf15e8d4c7a8a83827","title_ssm":["Jim Ellis Collection"],"title_tesim":["Jim Ellis Collection"],"ead_ssi":"d3616fdf15e8d4c7a8a83827","unitdate_ssm":["1885-1999"],"unitdate_inclusive_ssm":["1885-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT4030","/repositories/3/resources/135"],"text":["CIT4030","/repositories/3/resources/135","Jim Ellis Collection, 1885-1999","Citrus fruit industry--Florida--History.","Fruit Crate Labels","Fruit--Labels--Florida","Antiques--Florida--Collectors and collecting","Citrus fruit industry--Florida--Polk County","Florida Citrus Mutual","Citrus fruits--Diseases and pests--Florida","Agricultural policy--United States","Citrus fruits--Packing--Florida","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","James Howard Ellis was born on April 2, 1935 to Percy and Fannie Ellis in their wooden frame home in the middle of an Alturas orange grove, by our current Florida Commissioner of Agriculture, Adam Putnam's great-grandfather, Dr. Hughes.  His father had a small grove, but also worked at Lake Garfield Citrus Cooperative as a night watchman and repaired their wooden field crates before moving up the ladder to become the General Manager.  Jim grew up with his younger brother Charles, working in his family's groves hoeing, feeding livestock, pruning trees – whatever needed to be done – a trait he would carry with him throughout his life.","He attended a wooden three-room schoolhouse in Alturas through six grades, moving on to Bartow High School for two years before going to the Summerlin Institute – where he graduated in 1953. He was a Sentinel in the FFA, as well as a member of the Parliamentarian and Judging Teams, and participated in the first Polk County Youth Fair, where he placed with a dairy animal. After graduation, he attended a National Guard summer camp, which prompted him to join the army in September of that year. He served in the United States Army with the 7th Infantry Division from 1953-56 in Korea, replacing those who were on the front lines and preparing their remains for shipment back to the United States.","He finished his tour of duty and returned home in 1956, where he met and married his wife of almost 60 years, Shirley, who he met through her father, a Baptist preacher in Alturas.  He worked for a year with the Plant Board on the burrowing nematode project, digging up roots and putting them in a jar for testing.  His crew leader was a graduate of Florida Southern College and it didn't take Jim long to realize that an education meant better wages, so he signed up for Florida Southern College on the GI Bill majoring in citrus. While there, he was president of the Citrus Club and received the Florida Citrus Mutual Award for Outstanding Achievement in the field of citrus studies, graduating in 1960 with a degree in citrus.  While attending school, Jim worked part-time in groves for whoever would hire him, earning a reputation as a personable hard worker who knew his way around a grove.","Shortly before Jim's graduation, Bob Rutledge, the general manager of Florida Citrus Mutual, was driving through town, saw Jim, and yelled out the car window for Jim to stop by and see him.  Jim did, and Rutledge hired him on the spot as the Florida Citrus Mutual field man for Polk County under Dale Carlton. He worked there for five years during the early stages of FCM– hosting steak dinners and signing up growers as members of the organization.","In 1965, his father and Uncle Joe needed him as a shipping clerk for Lake Garfield Citrus Cooperative and, after a brief stint selling chemicals to growers, he moved up the ladder to General Manager, making him the third Ellis man to work in that position for Lake Garfield Citrus Cooperative.","As general manager, Jim learned to \"think outside the box,\" always experimenting with ways to do things better but – more importantly – sharing his successes with other industry members.  In 1979, he gave a presentation to the Florida State Horticultural Society which was printed in the February 1980 issue of Citrus Industry Magazine titled \"Innovations for Citrus Packinghouses.\"  The article showcased a number of unique ideas including: mechanical gathering of leaves and other trash in pallet boxes that are dumped with a homemade forklift attachment; controlled recycling of hot air to reduce dryer fuel costs; a \"magnetic broom\" on forklift trucks in the receiving yard to gather nails and junk metal that otherwise ruin tires; and electric photocells that detected a fruit pile-up in the cannery bins and shut off the necessary equipment. He introduced the first electronic sorter to the state of Florida and experimented with cutting and scoring grapefruit, applying a sweetener and shrink wrapping them to market as a breakfast item. In addition, he was among the early experimenters using different forms of automated fruit harvesting equipment such as cherry pickers to shake seedling trees and abscission chemicals, which were only good when conditions were ideal.","When the freezes shut down the packinghouse in the late '80s, Jim went to work at Orange-Co as the production manager for Polk County, going back to chemical sales when they shut down.  However, his broad knowledge of the growers and the industry made him an ideal candidate for running the Citrus License \u0026 Bonds, Division of Fruits \u0026 Vegetables, for the Florida Department of Agriculture and Consumer Services.  His attention to detail and love for the industry helped him watch out for the growers' interest in numerous fruit-buying situations.","Jim has served on numerous boards, including stints as president for the Polk County Farm Bureau, Florida Citrus Showcase and the Interior Seald-Sweet Shippers, Inc. He was a member of the Citrus Research and Education Foundation, the Polk County Extension Overall Advisory Council, the Florida Farm Bureau and a 25-year member of the Kiwanis Club.","His main love, however, is history and talking about history.  Jim always has a story to tell if you have the time to listen, and – if you don't – you should make time, because he's a great storyteller!!!  His recollections of the early days of the industry are an invaluable asset to the Florida Citrus Hall of Fame's Oral History Project, and he is constantly finding old artifacts to add to the archival collections – along with the information on how they were utilized. He continues to run the \"No Names\" Club, which is strictly for \"old-timers,\" and sets up the meetings and programs each month.","However, Jim is probably best known for not only his passion for the citrus industry and its history, but his citrus crate label collection.  He has one of the largest collections of Florida citrus crate labels in the world, which is the nucleus for the Florida Citrus Label Digital Collection at Florida Southern College.  He and fellow label collector, Jerry Chicone, brought label-collecting to the forefront in the early '60s and '70s, when people were throwing out and burning old labels to make room in the packinghouses for the cardboard fruit boxes which had taken the place of the wooden shipping crates.  His collection, along with that of Chicone's, has been used in three books on citrus labels, and has even been featured in the décor of a restaurant recently opened in Sarasota!","However, the newest development based on Jim's collection is the Polk County Citrus Label Driving Tour, which is a collaboration between the Florida Citrus Hall of Fame, Visit Central Florida and The Polk County History and Heritage Trail to stimulate interest in the history and citrus legacy of all the communities throughout Polk County. This flagship program currently includes almost 20 installations with enlarged reproductions of the vintage labels located on various buildings and sites throughout the county. The accompanying map provides background information on each label displayed, presenting the connection between that community and the citrus industry and the long-term goal is to eventually take the concept statewide and help showcase the importance of the citrus industry to the state of Florida.","He has been an avid speaker about both citrus labels and the industry in general, helping educate everyone from school children to senior citizens on the Florida citrus industry.  He was also a key component in creating the partnership in 2008 between the Florida Citrus Hall of Fame and his beloved alma mater, Florida Southern College.  He attended the initial meetings between Dr. Anne Kerr, Rob Tate and the Hall of Fame, helping to smooth the way for the move to FSC and raise the necessary funding.  Funding that not only led to a physical presence on campus, but a website and fellowship endowments that have led to an engaged learning program with FSC students focused on preserving the heritage of the Florida citrus industry.  Current digital collections include over 1,500 Florida citrus labels, 350 industry postcards and 500 photographs, as well as oral history interviews and Hall of Fame member biographies.","Jim has led a distinguished career for decades in the Florida citrus industry as a grower, packer, industry representative and historian. His love of the industry and his willingness to share his knowledge has made him an invaluable resource to whoever asks him for help or information.  Dr. Calvin Arnold summed it up nicely: \"Jim really gives to the industry from his heart, with no expectation of personal gain – his passion IS the citrus industry.\"\nBiographical Information found via Florida Citrus Hall of Fame website.","This collection contains various artifacts relating to citrus history.  The bulk of the collection is made of citrus labeling, ranging from collected crate labels to can labels, correspondence on label collecting, and even a crate label stamp.  It also contains information on inspections on citrus and vegetable groves, including inspector manuals and records.  Finiancial and business records are also contained in this collection.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT4030","/repositories/3/resources/135"],"normalized_date_ssm":["1885-1999"],"normalized_title_ssm":["Jim Ellis Collection, 1885-1999"],"collection_title_tesim":["Jim Ellis Collection, 1885-1999"],"collection_ssim":["Jim Ellis Collection, 1885-1999"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated by Jim Ellis 2014-current."],"access_subjects_ssim":["Citrus fruit industry--Florida--History.","Fruit Crate Labels","Fruit--Labels--Florida","Antiques--Florida--Collectors and collecting","Citrus fruit industry--Florida--Polk County","Florida Citrus Mutual","Citrus fruits--Diseases and pests--Florida","Agricultural policy--United States","Citrus fruits--Packing--Florida"],"access_subjects_ssm":["Citrus fruit industry--Florida--History.","Fruit Crate Labels","Fruit--Labels--Florida","Antiques--Florida--Collectors and collecting","Citrus fruit industry--Florida--Polk County","Florida Citrus Mutual","Citrus fruits--Diseases and pests--Florida","Agricultural policy--United States","Citrus fruits--Packing--Florida"],"has_online_content_ssim":["false"],"extent_ssm":["4.37 Linear Feet 3 Legal Standard Archival Document Containers and 10 banker storage boxes"],"extent_tesim":["4.37 Linear Feet 3 Legal Standard Archival Document Containers and 10 banker storage boxes"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eJames Howard Ellis was born on April 2, 1935 to Percy and Fannie Ellis in their wooden frame home in the middle of an Alturas orange grove, by our current Florida Commissioner of Agriculture, Adam Putnam's great-grandfather, Dr. Hughes.  His father had a small grove, but also worked at Lake Garfield Citrus Cooperative as a night watchman and repaired their wooden field crates before moving up the ladder to become the General Manager.  Jim grew up with his younger brother Charles, working in his family's groves hoeing, feeding livestock, pruning trees \u0026#x2013; whatever needed to be done \u0026#x2013; a trait he would carry with him throughout his life.\u003c/p\u003e\n","\u003cp\u003eHe attended a wooden three-room schoolhouse in Alturas through six grades, moving on to Bartow High School for two years before going to the Summerlin Institute \u0026#x2013; where he graduated in 1953. He was a Sentinel in the FFA, as well as a member of the Parliamentarian and Judging Teams, and participated in the first Polk County Youth Fair, where he placed with a dairy animal. After graduation, he attended a National Guard summer camp, which prompted him to join the army in September of that year. He served in the United States Army with the 7th Infantry Division from 1953-56 in Korea, replacing those who were on the front lines and preparing their remains for shipment back to the United States.\u003c/p\u003e\n","\u003cp\u003eHe finished his tour of duty and returned home in 1956, where he met and married his wife of almost 60 years, Shirley, who he met through her father, a Baptist preacher in Alturas.  He worked for a year with the Plant Board on the burrowing nematode project, digging up roots and putting them in a jar for testing.  His crew leader was a graduate of Florida Southern College and it didn't take Jim long to realize that an education meant better wages, so he signed up for Florida Southern College on the GI Bill majoring in citrus. While there, he was president of the Citrus Club and received the Florida Citrus Mutual Award for Outstanding Achievement in the field of citrus studies, graduating in 1960 with a degree in citrus.  While attending school, Jim worked part-time in groves for whoever would hire him, earning a reputation as a personable hard worker who knew his way around a grove.\u003c/p\u003e\n","\u003cp\u003eShortly before Jim's graduation, Bob Rutledge, the general manager of Florida Citrus Mutual, was driving through town, saw Jim, and yelled out the car window for Jim to stop by and see him.  Jim did, and Rutledge hired him on the spot as the Florida Citrus Mutual field man for Polk County under Dale Carlton. He worked there for five years during the early stages of FCM\u0026#x2013; hosting steak dinners and signing up growers as members of the organization.\u003c/p\u003e\n","\u003cp\u003eIn 1965, his father and Uncle Joe needed him as a shipping clerk for Lake Garfield Citrus Cooperative and, after a brief stint selling chemicals to growers, he moved up the ladder to General Manager, making him the third Ellis man to work in that position for Lake Garfield Citrus Cooperative.\u003c/p\u003e\n","\u003cp\u003eAs general manager, Jim learned to \"think outside the box,\" always experimenting with ways to do things better but \u0026#x2013; more importantly \u0026#x2013; sharing his successes with other industry members.  In 1979, he gave a presentation to the Florida State Horticultural Society which was printed in the February 1980 issue of Citrus Industry Magazine titled \"Innovations for Citrus Packinghouses.\"  The article showcased a number of unique ideas including: mechanical gathering of leaves and other trash in pallet boxes that are dumped with a homemade forklift attachment; controlled recycling of hot air to reduce dryer fuel costs; a \"magnetic broom\" on forklift trucks in the receiving yard to gather nails and junk metal that otherwise ruin tires; and electric photocells that detected a fruit pile-up in the cannery bins and shut off the necessary equipment. He introduced the first electronic sorter to the state of Florida and experimented with cutting and scoring grapefruit, applying a sweetener and shrink wrapping them to market as a breakfast item. In addition, he was among the early experimenters using different forms of automated fruit harvesting equipment such as cherry pickers to shake seedling trees and abscission chemicals, which were only good when conditions were ideal.\u003c/p\u003e\n","\u003cp\u003eWhen the freezes shut down the packinghouse in the late '80s, Jim went to work at Orange-Co as the production manager for Polk County, going back to chemical sales when they shut down.  However, his broad knowledge of the growers and the industry made him an ideal candidate for running the Citrus License \u0026amp; Bonds, Division of Fruits \u0026amp; Vegetables, for the Florida Department of Agriculture and Consumer Services.  His attention to detail and love for the industry helped him watch out for the growers' interest in numerous fruit-buying situations.\u003c/p\u003e\n","\u003cp\u003eJim has served on numerous boards, including stints as president for the Polk County Farm Bureau, Florida Citrus Showcase and the Interior Seald-Sweet Shippers, Inc. He was a member of the Citrus Research and Education Foundation, the Polk County Extension Overall Advisory Council, the Florida Farm Bureau and a 25-year member of the Kiwanis Club.\u003c/p\u003e\n","\u003cp\u003eHis main love, however, is history and talking about history.  Jim always has a story to tell if you have the time to listen, and \u0026#x2013; if you don't \u0026#x2013; you should make time, because he's a great storyteller!!!  His recollections of the early days of the industry are an invaluable asset to the Florida Citrus Hall of Fame's Oral History Project, and he is constantly finding old artifacts to add to the archival collections \u0026#x2013; along with the information on how they were utilized. He continues to run the \"No Names\" Club, which is strictly for \"old-timers,\" and sets up the meetings and programs each month.\u003c/p\u003e\n","\u003cp\u003eHowever, Jim is probably best known for not only his passion for the citrus industry and its history, but his citrus crate label collection.  He has one of the largest collections of Florida citrus crate labels in the world, which is the nucleus for the Florida Citrus Label Digital Collection at Florida Southern College.  He and fellow label collector, Jerry Chicone, brought label-collecting to the forefront in the early '60s and '70s, when people were throwing out and burning old labels to make room in the packinghouses for the cardboard fruit boxes which had taken the place of the wooden shipping crates.  His collection, along with that of Chicone's, has been used in three books on citrus labels, and has even been featured in the d\u0026#xE9;cor of a restaurant recently opened in Sarasota!\u003c/p\u003e\n","\u003cp\u003eHowever, the newest development based on Jim's collection is the Polk County Citrus Label Driving Tour, which is a collaboration between the Florida Citrus Hall of Fame, Visit Central Florida and The Polk County History and Heritage Trail to stimulate interest in the history and citrus legacy of all the communities throughout Polk County. This flagship program currently includes almost 20 installations with enlarged reproductions of the vintage labels located on various buildings and sites throughout the county. The accompanying map provides background information on each label displayed, presenting the connection between that community and the citrus industry and the long-term goal is to eventually take the concept statewide and help showcase the importance of the citrus industry to the state of Florida.\u003c/p\u003e\n","\u003cp\u003eHe has been an avid speaker about both citrus labels and the industry in general, helping educate everyone from school children to senior citizens on the Florida citrus industry.  He was also a key component in creating the partnership in 2008 between the Florida Citrus Hall of Fame and his beloved alma mater, Florida Southern College.  He attended the initial meetings between Dr. Anne Kerr, Rob Tate and the Hall of Fame, helping to smooth the way for the move to FSC and raise the necessary funding.  Funding that not only led to a physical presence on campus, but a website and fellowship endowments that have led to an engaged learning program with FSC students focused on preserving the heritage of the Florida citrus industry.  Current digital collections include over 1,500 Florida citrus labels, 350 industry postcards and 500 photographs, as well as oral history interviews and Hall of Fame member biographies.\u003c/p\u003e\n","\u003cp\u003eJim has led a distinguished career for decades in the Florida citrus industry as a grower, packer, industry representative and historian. His love of the industry and his willingness to share his knowledge has made him an invaluable resource to whoever asks him for help or information.  Dr. Calvin Arnold summed it up nicely: \"Jim really gives to the industry from his heart, with no expectation of personal gain \u0026#x2013; his passion IS the citrus industry.\"\nBiographical Information found via Florida Citrus Hall of Fame website.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Howard Ellis was born on April 2, 1935 to Percy and Fannie Ellis in their wooden frame home in the middle of an Alturas orange grove, by our current Florida Commissioner of Agriculture, Adam Putnam's great-grandfather, Dr. Hughes.  His father had a small grove, but also worked at Lake Garfield Citrus Cooperative as a night watchman and repaired their wooden field crates before moving up the ladder to become the General Manager.  Jim grew up with his younger brother Charles, working in his family's groves hoeing, feeding livestock, pruning trees – whatever needed to be done – a trait he would carry with him throughout his life.","He attended a wooden three-room schoolhouse in Alturas through six grades, moving on to Bartow High School for two years before going to the Summerlin Institute – where he graduated in 1953. He was a Sentinel in the FFA, as well as a member of the Parliamentarian and Judging Teams, and participated in the first Polk County Youth Fair, where he placed with a dairy animal. After graduation, he attended a National Guard summer camp, which prompted him to join the army in September of that year. He served in the United States Army with the 7th Infantry Division from 1953-56 in Korea, replacing those who were on the front lines and preparing their remains for shipment back to the United States.","He finished his tour of duty and returned home in 1956, where he met and married his wife of almost 60 years, Shirley, who he met through her father, a Baptist preacher in Alturas.  He worked for a year with the Plant Board on the burrowing nematode project, digging up roots and putting them in a jar for testing.  His crew leader was a graduate of Florida Southern College and it didn't take Jim long to realize that an education meant better wages, so he signed up for Florida Southern College on the GI Bill majoring in citrus. While there, he was president of the Citrus Club and received the Florida Citrus Mutual Award for Outstanding Achievement in the field of citrus studies, graduating in 1960 with a degree in citrus.  While attending school, Jim worked part-time in groves for whoever would hire him, earning a reputation as a personable hard worker who knew his way around a grove.","Shortly before Jim's graduation, Bob Rutledge, the general manager of Florida Citrus Mutual, was driving through town, saw Jim, and yelled out the car window for Jim to stop by and see him.  Jim did, and Rutledge hired him on the spot as the Florida Citrus Mutual field man for Polk County under Dale Carlton. He worked there for five years during the early stages of FCM– hosting steak dinners and signing up growers as members of the organization.","In 1965, his father and Uncle Joe needed him as a shipping clerk for Lake Garfield Citrus Cooperative and, after a brief stint selling chemicals to growers, he moved up the ladder to General Manager, making him the third Ellis man to work in that position for Lake Garfield Citrus Cooperative.","As general manager, Jim learned to \"think outside the box,\" always experimenting with ways to do things better but – more importantly – sharing his successes with other industry members.  In 1979, he gave a presentation to the Florida State Horticultural Society which was printed in the February 1980 issue of Citrus Industry Magazine titled \"Innovations for Citrus Packinghouses.\"  The article showcased a number of unique ideas including: mechanical gathering of leaves and other trash in pallet boxes that are dumped with a homemade forklift attachment; controlled recycling of hot air to reduce dryer fuel costs; a \"magnetic broom\" on forklift trucks in the receiving yard to gather nails and junk metal that otherwise ruin tires; and electric photocells that detected a fruit pile-up in the cannery bins and shut off the necessary equipment. He introduced the first electronic sorter to the state of Florida and experimented with cutting and scoring grapefruit, applying a sweetener and shrink wrapping them to market as a breakfast item. In addition, he was among the early experimenters using different forms of automated fruit harvesting equipment such as cherry pickers to shake seedling trees and abscission chemicals, which were only good when conditions were ideal.","When the freezes shut down the packinghouse in the late '80s, Jim went to work at Orange-Co as the production manager for Polk County, going back to chemical sales when they shut down.  However, his broad knowledge of the growers and the industry made him an ideal candidate for running the Citrus License \u0026 Bonds, Division of Fruits \u0026 Vegetables, for the Florida Department of Agriculture and Consumer Services.  His attention to detail and love for the industry helped him watch out for the growers' interest in numerous fruit-buying situations.","Jim has served on numerous boards, including stints as president for the Polk County Farm Bureau, Florida Citrus Showcase and the Interior Seald-Sweet Shippers, Inc. He was a member of the Citrus Research and Education Foundation, the Polk County Extension Overall Advisory Council, the Florida Farm Bureau and a 25-year member of the Kiwanis Club.","His main love, however, is history and talking about history.  Jim always has a story to tell if you have the time to listen, and – if you don't – you should make time, because he's a great storyteller!!!  His recollections of the early days of the industry are an invaluable asset to the Florida Citrus Hall of Fame's Oral History Project, and he is constantly finding old artifacts to add to the archival collections – along with the information on how they were utilized. He continues to run the \"No Names\" Club, which is strictly for \"old-timers,\" and sets up the meetings and programs each month.","However, Jim is probably best known for not only his passion for the citrus industry and its history, but his citrus crate label collection.  He has one of the largest collections of Florida citrus crate labels in the world, which is the nucleus for the Florida Citrus Label Digital Collection at Florida Southern College.  He and fellow label collector, Jerry Chicone, brought label-collecting to the forefront in the early '60s and '70s, when people were throwing out and burning old labels to make room in the packinghouses for the cardboard fruit boxes which had taken the place of the wooden shipping crates.  His collection, along with that of Chicone's, has been used in three books on citrus labels, and has even been featured in the décor of a restaurant recently opened in Sarasota!","However, the newest development based on Jim's collection is the Polk County Citrus Label Driving Tour, which is a collaboration between the Florida Citrus Hall of Fame, Visit Central Florida and The Polk County History and Heritage Trail to stimulate interest in the history and citrus legacy of all the communities throughout Polk County. This flagship program currently includes almost 20 installations with enlarged reproductions of the vintage labels located on various buildings and sites throughout the county. The accompanying map provides background information on each label displayed, presenting the connection between that community and the citrus industry and the long-term goal is to eventually take the concept statewide and help showcase the importance of the citrus industry to the state of Florida.","He has been an avid speaker about both citrus labels and the industry in general, helping educate everyone from school children to senior citizens on the Florida citrus industry.  He was also a key component in creating the partnership in 2008 between the Florida Citrus Hall of Fame and his beloved alma mater, Florida Southern College.  He attended the initial meetings between Dr. Anne Kerr, Rob Tate and the Hall of Fame, helping to smooth the way for the move to FSC and raise the necessary funding.  Funding that not only led to a physical presence on campus, but a website and fellowship endowments that have led to an engaged learning program with FSC students focused on preserving the heritage of the Florida citrus industry.  Current digital collections include over 1,500 Florida citrus labels, 350 industry postcards and 500 photographs, as well as oral history interviews and Hall of Fame member biographies.","Jim has led a distinguished career for decades in the Florida citrus industry as a grower, packer, industry representative and historian. His love of the industry and his willingness to share his knowledge has made him an invaluable resource to whoever asks him for help or information.  Dr. Calvin Arnold summed it up nicely: \"Jim really gives to the industry from his heart, with no expectation of personal gain – his passion IS the citrus industry.\"\nBiographical Information found via Florida Citrus Hall of Fame website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains various artifacts relating to citrus history.  The bulk of the collection is made of citrus labeling, ranging from collected crate labels to can labels, correspondence on label collecting, and even a crate label stamp.  It also contains information on inspections on citrus and vegetable groves, including inspector manuals and records.  Finiancial and business records are also contained in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains various artifacts relating to citrus history.  The bulk of the collection is made of citrus labeling, ranging from collected crate labels to can labels, correspondence on label collecting, and even a crate label stamp.  It also contains information on inspections on citrus and vegetable groves, including inspector manuals and records.  Finiancial and business records are also contained in this collection."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852005533057024,"_root_":"d3616fdf15e8d4c7a8a83827","timestamp":"2026-07-16T06:31:47.472Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d3616fdf15e8d4c7a8a83827_aspace_ba6564cdbbcdbb061a104bfe14025a8d"}},{"id":"f927b9df25ec0aef2ec17101_aspace_7d34413dfef8e495520ba82c2f7c3ba3","type":"Series","attributes":{"title":"Periodicals","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_7d34413dfef8e495520ba82c2f7c3ba3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7d34413dfef8e495520ba82c2f7c3ba3","ref_ssm":["aspace_7d34413dfef8e495520ba82c2f7c3ba3","aspace_7d34413dfef8e495520ba82c2f7c3ba3"],"id":"f927b9df25ec0aef2ec17101_aspace_7d34413dfef8e495520ba82c2f7c3ba3","title_filing_ssi":"Periodicals","title_ssm":["Periodicals"],"title_tesim":["Periodicals"],"normalized_title_ssm":["Periodicals"],"text":["Periodicals","Ramiro Casañas Collection, 1805-2006","/repositories/2/archival_objects/83364"],"component_level_isim":[1],"parent_ids_ssim":["f927b9df25ec0aef2ec17101"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/83364"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":447,"_nest_path_":"/components#8","_nest_parent_":"f927b9df25ec0aef2ec17101","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9026","/repositories/2/resources/123"],"normalized_date_ssm":["1805-2006"],"normalized_title_ssm":["Ramiro Casañas Collection, 1805-2006"],"collection_title_tesim":["Ramiro Casañas Collection, 1805-2006"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["69 boxes"],"extent_tesim":["69 boxes"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":966,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844517756698624,"_root_":"f927b9df25ec0aef2ec17101","timestamp":"2026-07-16T04:32:46.553Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_7d34413dfef8e495520ba82c2f7c3ba3"}},{"id":"cff9b14c5a99a9dd532f3b54_aspace_eac8a5b56cc6edd658ac3a1c21600faa","type":"Series","attributes":{"title":"Periodicals","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cff9b14c5a99a9dd532f3b54_aspace_eac8a5b56cc6edd658ac3a1c21600faa#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_eac8a5b56cc6edd658ac3a1c21600faa","ref_ssm":["aspace_eac8a5b56cc6edd658ac3a1c21600faa","aspace_eac8a5b56cc6edd658ac3a1c21600faa"],"id":"cff9b14c5a99a9dd532f3b54_aspace_eac8a5b56cc6edd658ac3a1c21600faa","title_filing_ssi":"Periodicals","title_ssm":["Periodicals"],"title_tesim":["Periodicals"],"normalized_title_ssm":["Periodicals"],"text":["Periodicals","David Bien Papers, Date acquired: 09/28/2017","Notecards by Topic","/repositories/10/archival_objects/244791","box 20"],"component_level_isim":[2],"parent_ids_ssim":["cff9b14c5a99a9dd532f3b54","cff9b14c5a99a9dd532f3b54_aspace_911a2d1d3ded06c7d56ed066a1431a80"],"parent_unittitles_ssm":["David Bien Papers, Date acquired: 09/28/2017","Notecards by Topic"],"parent_unittitles_tesim":["David Bien Papers, Date acquired: 09/28/2017","Notecards by Topic"],"parent_levels_ssm":["collection","Container"],"unitid_ssm":["/repositories/10/archival_objects/244791"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["David Bien Papers, Date acquired: 09/28/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":351,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"containers_ssim":["box 20"],"_nest_path_":"/components#311/components#0","_nest_parent_":"cff9b14c5a99a9dd532f3b54_aspace_911a2d1d3ded06c7d56ed066a1431a80","_root_":"cff9b14c5a99a9dd532f3b54","_version_":1870858733102301184,"timestamp":"2026-07-16T08:18:43.378Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cff9b14c5a99a9dd532f3b54","title_ssm":["David Bien Papers"],"title_tesim":["David Bien Papers"],"ead_ssi":"cff9b14c5a99a9dd532f3b54","unitdate_ssm":["Date acquired: 09/28/2017"],"unitdate_other_ssim":["Date acquired: 09/28/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2017-005","/repositories/10/resources/352"],"text":["MSS 2017-005","/repositories/10/resources/352","David Bien Papers, Date acquired: 09/28/2017","French Revolution","This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","David Duckworth Bien was born to David William Bien and Cecile Marie (Dubois) Bien on April 2, 1930 in Baltimore, Maryland.\n Bien earned an A.B. degree from Washington and Lee University (1951) and M.A. and Ph.D. degrees in History from Harvard University (1956). Bien taught at Weseleyan University (1958-1959), Princeton University (1959-1967), and the University of Michigan (1967-1996). At the latter institution Bien also served as Chair of the Department of History and was appointed Professor Emeritus of French History upon retirement.\n Bien's research and scholarship on eighteenth century France, the ancien régime, and the origins of the French Revolution are acknowledged as globally influential in the field of French History. Bien was twice awarded the William Koren Prize by the Society for French Historical Studies (1958, 1978).","Bien passed away September 25, 2015 in Ann Arbor, Michigan after a lengthy illness.\n","Sources David D. Bien (September 27, 2015).  Ann Arbor News .  http://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390 Gail Bossenga.  In Memoriam: David D. Bien (1930-2015) .  http://www.h-france.net/Salon/Salon8BienInMemoriam.pdf","Note written by R. Grennan","Materials were shipped to FSU History Department from Ann Arbor, MI by Prof. Rafe Blaufarb in late 2016. Transferred to Strozier Library from History Department in August 2017. Deed of Gift executed in September 2017.","David D. Bien (1960).  The Calas Affair . Princeton, NJ: Princeton University Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595","Robert M. Schwartz \u0026 Robert A. Schneider (Eds.). (2003). \"Publications of David D. Bien,\" in  Tocqueville and Beyond: Essays On the Old Regime In Honor Of David D. Bien . Newark: University of Delware Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363","Rafe Blaufarb et al. (Eds.). (2014).  Interpreting the Ancien Régime: David Bien . Oxford: Voltaire Foundation.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888","Correspondence, research materials, publications, and original scholarship collected by David Bien, documenting research on the French Revolution and the  ancien régime .","The following volume was removed to the French Revolution and Napoleon book collection:\n Marc Venard (1957).  Bourgeois et Paysans au XVIIe si ècle.  Paris: SEVPEN.","FSU Special Collections \u0026 Archives","English French"],"unitid_tesim":["MSS 2017-005","/repositories/10/resources/352"],"normalized_date_ssm":["Date acquired: 09/28/2017"],"normalized_title_ssm":["David Bien Papers, Date acquired: 09/28/2017"],"collection_title_tesim":["David Bien Papers, Date acquired: 09/28/2017"],"collection_ssim":["David Bien Papers, Date acquired: 09/28/2017"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"acqinfo_ssim":["Margaret C. Bien","Deed of Gift"],"access_subjects_ssim":["French Revolution"],"access_subjects_ssm":["French Revolution"],"has_online_content_ssim":["false"],"extent_ssm":["26.00 boxes 26 Boxes","24.75 Linear Feet"],"extent_tesim":["26.00 boxes 26 Boxes","24.75 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eDavid Duckworth Bien was born to David William Bien and Cecile Marie (Dubois) Bien on April 2, 1930 in Baltimore, Maryland.\n\u003cbr\u003e\u003cbr\u003eBien earned an A.B. degree from Washington and Lee University (1951) and M.A. and Ph.D. degrees in History from Harvard University (1956). Bien taught at Weseleyan University (1958-1959), Princeton University (1959-1967), and the University of Michigan (1967-1996). At the latter institution Bien also served as Chair of the Department of History and was appointed Professor Emeritus of French History upon retirement.\n\u003cbr\u003e\u003cbr\u003eBien's research and scholarship on eighteenth century France, the ancien r\u0026#xE9;gime, and the origins of the French Revolution are acknowledged as globally influential in the field of French History. Bien was twice awarded the William Koren Prize by the Society for French Historical Studies (1958, 1978).\u003c/p\u003e\n","\u003cp\u003eBien passed away September 25, 2015 in Ann Arbor, Michigan after a lengthy illness.\n\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003eSources\u003c/emph\u003e\n\u003cbr\u003e\u003cbr\u003eDavid D. Bien (September 27, 2015). \u003cemph render=\"italic\"\u003eAnn Arbor News\u003c/emph\u003e. \u003cextref href=\"http://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390\"\u003ehttp://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390\u003c/extref\u003e\n\u003cbr\u003e\u003cbr\u003eGail Bossenga. \u003cemph render=\"italic\"\u003eIn Memoriam: David D. Bien (1930-2015)\u003c/emph\u003e. \u003cextref href=\"http://www.h-france.net/Salon/Salon8BienInMemoriam.pdf\"\u003ehttp://www.h-france.net/Salon/Salon8BienInMemoriam.pdf\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eNote written by R. Grennan\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["David Duckworth Bien was born to David William Bien and Cecile Marie (Dubois) Bien on April 2, 1930 in Baltimore, Maryland.\n Bien earned an A.B. degree from Washington and Lee University (1951) and M.A. and Ph.D. degrees in History from Harvard University (1956). Bien taught at Weseleyan University (1958-1959), Princeton University (1959-1967), and the University of Michigan (1967-1996). At the latter institution Bien also served as Chair of the Department of History and was appointed Professor Emeritus of French History upon retirement.\n Bien's research and scholarship on eighteenth century France, the ancien régime, and the origins of the French Revolution are acknowledged as globally influential in the field of French History. Bien was twice awarded the William Koren Prize by the Society for French Historical Studies (1958, 1978).","Bien passed away September 25, 2015 in Ann Arbor, Michigan after a lengthy illness.\n","Sources David D. Bien (September 27, 2015).  Ann Arbor News .  http://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390 Gail Bossenga.  In Memoriam: David D. Bien (1930-2015) .  http://www.h-france.net/Salon/Salon8BienInMemoriam.pdf","Note written by R. Grennan"],"custodhist_html_tesm":["\u003cp\u003eMaterials were shipped to FSU History Department from Ann Arbor, MI by Prof. Rafe Blaufarb in late 2016. Transferred to Strozier Library from History Department in August 2017. Deed of Gift executed in September 2017.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Materials were shipped to FSU History Department from Ann Arbor, MI by Prof. Rafe Blaufarb in late 2016. Transferred to Strozier Library from History Department in August 2017. Deed of Gift executed in September 2017."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], David Bien Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2017-005\"\u003ehttp://purl.fcla.edu/fsu/MSS_2017-005\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], David Bien Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2017-005"],"relatedmaterial_html_tesm":["\u003cp\u003eDavid D. Bien (1960). \u003cemph render=\"italic\"\u003eThe Calas Affair\u003c/emph\u003e. Princeton, NJ: Princeton University Press. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595\u003c/extref\u003e\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eRobert M. Schwartz \u0026amp; Robert A. Schneider (Eds.). (2003). \"Publications of David D. Bien,\" in \u003cemph render=\"italic\"\u003eTocqueville and Beyond: Essays On the Old Regime In Honor Of David D. Bien\u003c/emph\u003e. Newark: University of Delware Press. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363\u003c/extref\u003e\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eRafe Blaufarb et al. (Eds.). (2014). \u003cemph render=\"italic\"\u003eInterpreting the Ancien R\u0026#xE9;gime: David Bien\u003c/emph\u003e. Oxford: Voltaire Foundation. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["David D. Bien (1960).  The Calas Affair . Princeton, NJ: Princeton University Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595","Robert M. Schwartz \u0026 Robert A. Schneider (Eds.). (2003). \"Publications of David D. Bien,\" in  Tocqueville and Beyond: Essays On the Old Regime In Honor Of David D. Bien . Newark: University of Delware Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363","Rafe Blaufarb et al. (Eds.). (2014).  Interpreting the Ancien Régime: David Bien . Oxford: Voltaire Foundation.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888"],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, research materials, publications, and original scholarship collected by David Bien, documenting research on the French Revolution and the \u003cemph render=\"italic\"\u003eancien r\u0026#xE9;gime\u003c/emph\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, research materials, publications, and original scholarship collected by David Bien, documenting research on the French Revolution and the  ancien régime ."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following volume was removed to the French Revolution and Napoleon book collection:\n\u003cbr\u003e\u003cbr\u003eMarc Venard (1957). \u003cemph render=\"italic\"\u003eBourgeois et Paysans au XVIIe si\u003c/emph\u003e\u003cemph render=\"italic\"\u003e\u0026#xE8;cle. \u003c/emph\u003eParis: SEVPEN.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following volume was removed to the French Revolution and Napoleon book collection:\n Marc Venard (1957).  Bourgeois et Paysans au XVIIe si ècle.  Paris: SEVPEN."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":420,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858733102301184,"_root_":"cff9b14c5a99a9dd532f3b54","timestamp":"2026-07-16T08:18:43.378Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cff9b14c5a99a9dd532f3b54_aspace_eac8a5b56cc6edd658ac3a1c21600faa"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Congressman James A. Haley Collection, 1948-1977","value":"Congressman James A. Haley Collection, 1948-1977","hits":588},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Congressman+James+A.+Haley+Collection%2C+1948-1977\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"William R. Jones Papers, 1953-2009","value":"William R. Jones Papers, 1953-2009","hits":569},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+R.+Jones+Papers%2C+1953-2009\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","value":"Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","hits":306},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Bruce+Means+Papers%2C+1941-1965%2C+Date+acquired%3A+07%2F06%2F2018\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Senator Lee Constantine papers, 1990-2019","value":"Senator Lee Constantine papers, 1990-2019","hits":250},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Senator+Lee+Constantine+papers%2C+1990-2019\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","value":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","hits":123},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+Sayre+Circus+Collection%2C+1863-2001%2C+Date+acquired%3A+00%2F00%2F2010%2C+bulk+1949-1994\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":99},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Special Events, 1995-2022","value":"Special Events, 1995-2022","hits":94},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Special+Events%2C+1995-2022\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"David Bien Papers, Date acquired: 09/28/2017","value":"David Bien Papers, Date acquired: 09/28/2017","hits":75},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=David+Bien+Papers%2C+Date+acquired%3A+09%2F28%2F2017\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","value":"Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","hits":72},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Photographic+lantern+slide+collection%2C+1902-1929%2C+Date+acquired%3A+00%2F00%2F1995\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","value":"Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","hits":67},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Asian+male+nude+collection%2C+1939-2014%2C+Date+acquired%3A+07%2F00%2F2013\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Letson, Arthur (Sethuel Arthur), 1921-1995","value":"Letson, Arthur (Sethuel Arthur), 1921-1995","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Letson%2C+Arthur+%28Sethuel+Arthur%29%2C+1921-1995\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Martin, Michael V., Ph.D.","value":"Martin, Michael V., Ph.D.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Martin%2C+Michael+V.%2C+Ph.D.\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Byers, Billy, 1927-1996","value":"Byers, Billy, 1927-1996","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Byers%2C+Billy%2C+1927-1996\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"F Club","value":"F Club","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=F+Club\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Florida State University College of Social Work","value":"Florida State University College of Social Work","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Florida+State+University+College+of+Social+Work\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"McHugh, Donna","value":"McHugh, Donna","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=McHugh%2C+Donna\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Mittan, J. Barry","value":"Mittan, J. Barry","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Mittan%2C+J.+Barry\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Southwest Florida Regional Planning Council","value":"Southwest Florida Regional Planning Council","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Southwest+Florida+Regional+Planning+Council\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1994","value":"1994","hits":310},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1986","value":"1986","hits":309},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1985","value":"1985","hits":308},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1980","value":"1980","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1987","value":"1987","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1988","value":"1988","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1997","value":"1997","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1993","value":"1993","hits":306},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1993\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1981","value":"1981","hits":305},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1990","value":"1990","hits":305},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1995","value":"1995","hits":305},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1989","value":"1989","hits":304},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1979","value":"1979","hits":303},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1984","value":"1984","hits":303},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1984\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1992","value":"1992","hits":303},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1983","value":"1983","hits":300},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1996","value":"1996","hits":300},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1982","value":"1982","hits":298},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1991","value":"1991","hits":298},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1978","value":"1978","hits":294},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1976","value":"1976","hits":293},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1998","value":"1998","hits":293},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1977","value":"1977","hits":291},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1975","value":"1975","hits":284},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2000","value":"2000","hits":284},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1999","value":"1999","hits":281},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1999\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1974","value":"1974","hits":278},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1973","value":"1973","hits":270},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2001","value":"2001","hits":267},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1970","value":"1970","hits":264},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1970\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1971","value":"1971","hits":263},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1972","value":"1972","hits":262},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1969","value":"1969","hits":249},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2002","value":"2002","hits":249},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1968","value":"1968","hits":242},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1967","value":"1967","hits":238},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2003","value":"2003","hits":232},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1966","value":"1966","hits":230},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2005","value":"2005","hits":230},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1965","value":"1965","hits":229},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2004","value":"2004","hits":225},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1964","value":"1964","hits":223},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2006","value":"2006","hits":220},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1949","value":"1949","hits":215},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1950","value":"1950","hits":215},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1950\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1947","value":"1947","hits":214},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1948","value":"1948","hits":213},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1953","value":"1953","hits":213},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1946","value":"1946","hits":212},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1954","value":"1954","hits":212},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1954\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1963","value":"1963","hits":212},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1963\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1952","value":"1952","hits":211},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1960","value":"1960","hits":210},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1945","value":"1945","hits":209},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1945\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1955","value":"1955","hits":209},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2007","value":"2007","hits":209},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1951","value":"1951","hits":207},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1944","value":"1944","hits":205},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1962","value":"1962","hits":204},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1959","value":"1959","hits":203},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1956","value":"1956","hits":202},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1957","value":"1957","hits":202},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1957\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1958","value":"1958","hits":202},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1958\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1943","value":"1943","hits":199},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1943\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1961","value":"1961","hits":198},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1942","value":"1942","hits":196},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1941","value":"1941","hits":192},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2008","value":"2008","hits":188},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1940","value":"1940","hits":187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1938","value":"1938","hits":185},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1939","value":"1939","hits":183},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1937","value":"1937","hits":181},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1936","value":"1936","hits":178},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1935","value":"1935","hits":175},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1935\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1934","value":"1934","hits":172},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2009","value":"2009","hits":169},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1933","value":"1933","hits":168},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1930","value":"1930","hits":166},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1930\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1932","value":"1932","hits":166},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1926","value":"1926","hits":163},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1926\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1931","value":"1931","hits":163},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1931\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1928","value":"1928","hits":161},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1927","value":"1927","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1927\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1929","value":"1929","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2010","value":"2010","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1925","value":"1925","hits":158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2011","value":"2011","hits":157},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1924","value":"1924","hits":155},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1923","value":"1923","hits":152},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1920","value":"1920","hits":151},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1920\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1921","value":"1921","hits":151},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1922","value":"1922","hits":151},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1922\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2012","value":"2012","hits":151},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"2013","value":"2013","hits":138},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1918","value":"1918","hits":133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1919","value":"1919","hits":133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1919\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1917","value":"1917","hits":129},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1916","value":"1916","hits":128},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1915","value":"1915","hits":126},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"1914","value":"1914","hits":124},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1914\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Series","value":"Series","hits":8556},"links":{"remove":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Booth Theatre (New York, N.Y.)","value":"Booth Theatre (New York, N.Y.)","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Booth+Theatre+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Shubert Theatre (Organization : New York, N.Y.)","value":"Shubert Theatre (Organization : New York, N.Y.)","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Shubert+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Imperial Theatre (Organization : New York, N.Y.)","value":"Imperial Theatre (Organization : New York, N.Y.)","hits":11},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Imperial+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Martin Beck Theatre (New York, N.Y.)","value":"Martin Beck Theatre (New York, N.Y.)","hits":11},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Martin+Beck+Theatre+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Majestic Theatre (Organization : New York, N.Y.)","value":"Majestic Theatre (Organization : New York, N.Y.)","hits":10},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Majestic+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Plymouth Theatre Corporation (New York, N.Y.)","value":"Plymouth Theatre Corporation (New York, N.Y.)","hits":10},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Plymouth+Theatre+Corporation+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Broadhurst Theatre (Organization : New York, N.Y.)","value":"Broadhurst Theatre (Organization : New York, N.Y.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Broadhurst+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Broadway Theatre (Organization : New York, N.Y.)","value":"Broadway Theatre (Organization : New York, N.Y.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Broadway+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Morosco Theatre (Organization : New York, N.Y.)","value":"Morosco Theatre (Organization : New York, N.Y.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Morosco+Theatre+%28Organization+%3A+New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Music Box Theater (New York, N.Y.)","value":"Music Box Theater (New York, N.Y.)","hits":9},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Music+Box+Theater+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Barrymore Theatre Corporation","value":"Barrymore Theatre Corporation","hits":8},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bnames%5D%5B%5D=Barrymore+Theatre+Corporation\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":2757},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=compact"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":1123},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=compact"}},{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":795},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections\u0026view=compact"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":762},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=UCF+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":559},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=compact"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":372},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=FIU+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Thomas B. Mack Florida Citrus Archives","value":"Thomas B. Mack Florida Citrus Archives","hits":348},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Thomas+B.+Mack+Florida+Citrus+Archives\u0026view=compact"}},{"attributes":{"label":"UCF University Archives","value":"UCF University Archives","hits":332},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=UCF+University+Archives\u0026view=compact"}},{"attributes":{"label":"Florida Gulf Coast University Archives","value":"Florida Gulf Coast University Archives","hits":287},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Archives\u0026view=compact"}},{"attributes":{"label":"UNF Library Special Collections and University Archives","value":"UNF Library Special Collections and University Archives","hits":280},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=UNF+Library+Special+Collections+and+University+Archives\u0026view=compact"}},{"attributes":{"label":"Broward County Historical Archives","value":"Broward County Historical Archives","hits":223},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Broward+County+Historical+Archives\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Community organization.","value":"Community organization.","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Community+organization.\u0026view=compact"}},{"attributes":{"label":"Vero Beach (Fla.)","value":"Vero Beach (Fla.)","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Vero+Beach+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Zines.","value":"Zines.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Zines.\u0026view=compact"}},{"attributes":{"label":"20th Anniversary -- Florida Gulf Coast University","value":"20th Anniversary -- Florida Gulf Coast University","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=20th+Anniversary+--+Florida+Gulf+Coast+University\u0026view=compact"}},{"attributes":{"label":"Art.","value":"Art.","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Art.\u0026view=compact"}},{"attributes":{"label":"Bahia Mar Yachting Center","value":"Bahia Mar Yachting Center","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Bahia+Mar+Yachting+Center\u0026view=compact"}},{"attributes":{"label":"COVID-19 (Disease)--Social aspects.","value":"COVID-19 (Disease)--Social aspects.","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=COVID-19+%28Disease%29--Social+aspects.\u0026view=compact"}},{"attributes":{"label":"Captiva Island (Fla.)","value":"Captiva Island (Fla.)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Captiva+Island+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Charlotte County (Fla.)","value":"Charlotte County (Fla.)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Charlotte+County+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Collier County (Fla.)","value":"Collier County (Fla.)","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Collier+County+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Commencement ceremonies","value":"Commencement ceremonies","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Bplaces%5D%5B%5D=Commencement+ceremonies\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"FGCU Alumni Association","value":"FGCU Alumni Association","hits":14},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=FGCU+Alumni+Association\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"American Association of University Women","value":"American Association of University Women","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=American+Association+of+University+Women\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Oral history","value":"Oral history","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Oral+history\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"25th Anniversary -- Florida Gulf Coast University","value":"25th Anniversary -- Florida Gulf Coast University","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=25th+Anniversary+--+Florida+Gulf+Coast+University\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Athletics","value":"Athletics","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Athletics\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Maps","value":"Maps","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Maps\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Water--Management.","value":"Water--Management.","hits":2},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Water--Management.\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Alico Arena","value":"Alico Arena","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Alico+Arena\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Architecture -- Florida -- Tampa","value":"Architecture -- Florida -- Tampa","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Florida+--+Tampa\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Architecture, Domestic -- Designs and plans","value":"Architecture, Domestic -- Designs and plans","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture%2C+Domestic+--+Designs+and+plans\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Beach integration","value":"Beach integration","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Beach+integration\u0026f%5Blevel%5D%5B%5D=Series\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=542\u0026sort=title_sort+desc\u0026view=compact"}}]}