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The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_51d7860c8be8f46f370176297d2f1bad\" label=\"Abstract\"\u003eA collection of drafts, notes, correspondence, etc. for written works of Graham Salisbury.\u003c/abstract\u003e"],"abstract_tesim":["A collection of drafts, notes, correspondence, etc. for written works of Graham Salisbury."],"names_ssim":["USF Libraries - Tampa Special Collections","Salisbury, Graham (1944-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Salisbury, Graham (1944-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":40,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"144fa3bc433b0b96565ce624","timestamp":"2026-07-11T03:52:16.959Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/144fa3bc433b0b96565ce624_aspace_128875"}},{"id":"c4b5143bd4fbeaf1b54b554c_aspace_9cbf8b688d342c10c922411f7c3dc4aa","type":"Series","attributes":{"title":"Other Writings by Editor","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c4b5143bd4fbeaf1b54b554c_aspace_9cbf8b688d342c10c922411f7c3dc4aa#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9cbf8b688d342c10c922411f7c3dc4aa","ref_ssm":["aspace_9cbf8b688d342c10c922411f7c3dc4aa","aspace_9cbf8b688d342c10c922411f7c3dc4aa"],"id":"c4b5143bd4fbeaf1b54b554c_aspace_9cbf8b688d342c10c922411f7c3dc4aa","title_filing_ssi":"Other Writings by Editor","title_ssm":["Other Writings by Editor"],"title_tesim":["Other Writings by Editor"],"normalized_title_ssm":["Other Writings by Editor"],"text":["Other Writings by Editor","The Florida Citrus Reporter Collection, 1974-2005, 2009-2015","Box 4","/repositories/3/archival_objects/11530"],"component_level_isim":[2],"parent_ids_ssim":["c4b5143bd4fbeaf1b54b554c","c4b5143bd4fbeaf1b54b554c_aspace_dc4055e5e7a4537edb8050bc2c9deac8"],"parent_unittitles_ssm":["The Florida Citrus Reporter Collection, 1974-2005, 2009-2015","Box 4"],"parent_unittitles_tesim":["The Florida Citrus Reporter Collection, 1974-2005, 2009-2015","Box 4"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/3/archival_objects/11530"],"repository_ssim":["Thomas B. 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Please inquire if you have questions at 863-680-4453."],"_nest_path_":"/components#3/components#1","_nest_parent_":"c4b5143bd4fbeaf1b54b554c_aspace_dc4055e5e7a4537edb8050bc2c9deac8","_root_":"c4b5143bd4fbeaf1b54b554c","_version_":1870852022507405312,"timestamp":"2026-07-16T06:32:03.661Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c4b5143bd4fbeaf1b54b554c","title_ssm":["The Florida Citrus Reporter Collection"],"title_tesim":["The Florida Citrus Reporter Collection"],"ead_ssi":"c4b5143bd4fbeaf1b54b554c","unitdate_ssm":["1974-2005","2009-2015"],"unitdate_inclusive_ssm":["1974-2005","2009-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT2090","/repositories/3/resources/29"],"text":["CIT2090","/repositories/3/resources/29","The Florida Citrus Reporter Collection, 1974-2005, 2009-2015","Florida Citrus Reporter","Citrus industry--Florida--Periodicals ","Gurnett, John D. \"Jack\"","Annual reports--Florida","Newsletters--Florida ","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The Florida Citrus Reporter was an independent citrus industry newsletter started by John D. \"Jack\" Gurnett on January 10, 1940. It provided an in-depth look at the industry and covered a range of topics including legislation, crop conditions, and scientific research relevant to the industry. In 1968, Gurnett's daughter Nancy Gurnett Hardy took over the role of Editor after his passing. Prior to her taking on the role, Gurnett Hardy had worked on the newsletter since the age of seven. 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In 1993, Jack Gurnett was posthumously inducted into the Florida Citrus Hall of Fame, and Nancy Gurnett Hardy was\ninducted in 2002. To date, they are the only father-daughter duo in the Hall of Fame. In 2002, Karen McEver took over the role of Editor shortly before Gurnett Hardy's death in 2003. McEver was a friend of Gurnett Hardy's and had joined the newsletter's writing staff in the 1980s."],"odd_html_tesm":["\u003cp\u003eThe collection contains both originals and photocopies of bulletins. Originals bulletins are printed on goldenrod yellow paper.\nPlease note that Volume and Issue numbers reflect what is printed on the newsletter.\u003c/p\u003e\n","\u003cp\u003e-Dates inside square brackets [MM/DD] indicate the publication date of an issue that\nshares the same issue number as another.\u003c/p\u003e\n","\u003cp\u003e-In the 1970s, the Weekly Bulletin Volumes ran from the second week of January to the first week of January of the following year. 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Both series are arranged alphabetically by topic/commitee and chronologically therein."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of documents, photographs, and ephemera regarding the developement and organization of Faculty Senate, 1993 - current.\u0026#xA0;Each series is arranged alphabetically by subject and chronologically therein.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of documents, photographs, and ephemera regarding the developement and organization of Faculty Senate, 1993 - current. Each series is arranged alphabetically by subject and chronologically therein."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":706,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878996249889210368,"_root_":"92cae14ddf8b8b2b398c1c91","timestamp":"2026-10-14T04:01:04.128Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/92cae14ddf8b8b2b398c1c91_aspace_e3746ed725590a008f9fc4b3163b6d46"}},{"id":"18ce43a3c782b797db9fa781_aspace_177955","type":"Series","attributes":{"title":"Outdoor Scenes/Landscapes","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_177955#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_177955","ref_ssm":["aspace_177955","aspace_177955"],"id":"18ce43a3c782b797db9fa781_aspace_177955","title_filing_ssi":"Outdoor Scenes/Landscapes","title_ssm":["Outdoor Scenes/Landscapes"],"title_tesim":["Outdoor Scenes/Landscapes"],"normalized_title_ssm":["Outdoor Scenes/Landscapes"],"text":["Outdoor Scenes/Landscapes","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Outdoor Scenes, Winter Scenes, Sunset Farm, St. Hartford","Series 1","/repositories/2/archival_objects/81531"],"component_level_isim":[2],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179823"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Outdoor Scenes, Winter Scenes, Sunset Farm, St. Hartford"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Outdoor Scenes, Winter Scenes, Sunset Farm, St. Hartford"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/81531"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":46,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":928,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#20/components#0","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179823","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_177955"}},{"id":"31b2b8188273d57943cd6b2d_aspace_11097c750c67e53359aae1d849527ffe","type":"Series","attributes":{"title":"Outdoor Writers Association of America, 1989-1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/31b2b8188273d57943cd6b2d_aspace_11097c750c67e53359aae1d849527ffe#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_11097c750c67e53359aae1d849527ffe","ref_ssm":["aspace_11097c750c67e53359aae1d849527ffe","aspace_11097c750c67e53359aae1d849527ffe"],"id":"31b2b8188273d57943cd6b2d_aspace_11097c750c67e53359aae1d849527ffe","title_filing_ssi":"Outdoor Writers Association of America","title_ssm":["Outdoor Writers Association of America"],"title_tesim":["Outdoor Writers Association of America"],"unitdate_inclusive_ssm":["1989-1990"],"normalized_date_ssm":["1989-1990"],"normalized_title_ssm":["Outdoor Writers Association of America, 1989-1990"],"text":["Outdoor Writers Association of America, 1989-1990","Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","Correspondence","28","/repositories/10/archival_objects/234141","box 10"],"component_level_isim":[2],"parent_ids_ssim":["31b2b8188273d57943cd6b2d","31b2b8188273d57943cd6b2d_aspace_5177a1904afce5f5a63bb06b4d0838a9"],"parent_unittitles_ssm":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","Correspondence"],"parent_unittitles_tesim":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["28","/repositories/10/archival_objects/234141"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":283,"parent_access_restrict_tesm":["Access to personal journals, unpublished articles, and unpublished monographs by D. Bruce Means is restricted. These materials may be accessed with written permission from D. Bruce Means.","All other materials are open to all researchers. ","Some of this collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 10"],"_nest_path_":"/components#4/components#199","_nest_parent_":"31b2b8188273d57943cd6b2d_aspace_5177a1904afce5f5a63bb06b4d0838a9","_root_":"31b2b8188273d57943cd6b2d","_version_":1881460285143777280,"timestamp":"2026-11-10T08:45:51.271Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"31b2b8188273d57943cd6b2d","title_filing_ssi":"Means, Bruce Papers","title_ssm":["Bruce Means Papers"],"title_tesim":["Bruce Means Papers"],"ead_ssi":"31b2b8188273d57943cd6b2d","unitdate_ssm":["1941-1965","Date acquired: 07/06/2018"],"unitdate_other_ssim":["1941-1965","Date acquired: 07/06/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2018-004","/repositories/10/resources/307"],"text":["MSS 2018-004","/repositories/10/resources/307","Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018","Access to personal journals, unpublished articles, and unpublished monographs by D. Bruce Means is restricted. These materials may be accessed with written permission from D. Bruce Means.","All other materials are open to all researchers. ","Some of this collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","unarranged","Dr. Bruce Means is a research ecologist, author, and consultant. His research includes ecosystems of the southeastern United States, fire ecology, the natural history of South American tepuis, biogeography, conservation, endangered species, and the evolution and natural history of amphibians and reptiles.","Donald Bruce Means was born March 9, 1941, in Los Angeles, California. ","Means recieved a Bachelor of Science in Biology from Florida State University (FSU) in 1968. He earned a Master of Science in Ecology in 1972 and a PhD in Ecology in 1975. He served as a teaching assistant at FSU from 1968-1970, and Adjunct Professor in Biological Science at FSU starting in 1976.","Means's field experience as a research ecologist includes the Florida Panhandle, Southeastern United States, Alaska, South America, Mexico, and the Caribbean Sea.","His publications include scientific articles, technical reports, and popular articles in National Wildlife, International Wildlife, Natural History, BBC Wildlife, National Geographic, Fauna, South American Explorer, and other magazines. His books include two on the ecology of Florida and \"Herpetophilia, Love of Creeping, Crawling Things.\" He has featured in documentary films for National Geographic Television, BBC Television, and PBS.","Means is Founder and President Emeritus of the Coastal Plains Institute, Tallahassee, Florida.","Sources \nD. Bruce Means PhD.  http://www.brucemeans.com/ \nCoastal Plains Institute. \"About Us.\"  https://www.coastalplains.org/main/about-us/","Motion picture content may not be available upon request. For more information on this collection please contact Special Collections \u0026 Archives staff at 850-644-3271 or lib-specialcollections@fsu.edu.","Field notes, biological and ecological data, journals, subject files, and audiovisual recordings documenting the research, professional output, and personal life of Bruce Means.","https://repository.lib.fsu.edu/islandora/object/fsu:meanspapers","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2018-004","/repositories/10/resources/307"],"normalized_date_ssm":["1941-1965, Date acquired: 07/06/2018"],"normalized_title_ssm":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018"],"collection_title_tesim":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018"],"collection_ssim":["Bruce Means Papers, 1941-1965, Date acquired: 07/06/2018"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Donated by Bruce Means between July 2018 and November 2019. Deed of Gift for family films executed in 2018."],"has_online_content_ssim":["false"],"extent_ssm":["8.00 Linear Feet 7 boxes, 20 reels","32 Reels","22.4 Gigabytes"],"extent_tesim":["8.00 Linear Feet 7 boxes, 20 reels","32 Reels","22.4 Gigabytes"],"physfacet_tesim":["paper documents and audiovisual media","8 mm film reels","3,427 Files, 124 Folders"],"accessrestrict_html_tesm":["\u003cp\u003eAccess to personal journals, unpublished articles, and unpublished monographs by D. Bruce Means is restricted. These materials may be accessed with written permission from D. Bruce Means.\u003c/p\u003e\n","\u003cp\u003eAll other materials are open to all researchers. \u003c/p\u003e\n","\u003cp\u003eSome of this collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access to personal journals, unpublished articles, and unpublished monographs by D. Bruce Means is restricted. These materials may be accessed with written permission from D. Bruce Means.","All other materials are open to all researchers. ","Some of this collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eunarranged\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["unarranged"],"bioghist_html_tesm":["\u003cp\u003eDr. Bruce Means is a research ecologist, author, and consultant. His research includes ecosystems of the southeastern United States, fire ecology, the natural history of South American tepuis, biogeography, conservation, endangered species, and the evolution and natural history of amphibians and reptiles.\u003c/p\u003e\n","\u003cp\u003eDonald Bruce Means was born March 9, 1941, in Los Angeles, California. \u003c/p\u003e\n","\u003cp\u003eMeans recieved a Bachelor of Science in Biology from Florida State University (FSU) in 1968. He earned a Master of Science in Ecology in 1972 and a PhD in Ecology in 1975. He served as a teaching assistant at FSU from 1968-1970, and Adjunct Professor in Biological Science at FSU starting in 1976.\u003c/p\u003e\n","\u003cp\u003eMeans's field experience as a research ecologist includes the Florida Panhandle, Southeastern United States, Alaska, South America, Mexico, and the Caribbean Sea.\u003c/p\u003e\n","\u003cp\u003eHis publications include scientific articles, technical reports, and popular articles in National Wildlife, International Wildlife, Natural History, BBC Wildlife, National Geographic, Fauna, South American Explorer, and other magazines. His books include two on the ecology of Florida and \"Herpetophilia, Love of Creeping, Crawling Things.\" He has featured in documentary films for National Geographic Television, BBC Television, and PBS.\u003c/p\u003e\n","\u003cp\u003eMeans is Founder and President Emeritus of the Coastal Plains Institute, Tallahassee, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSources\u003c/emph\u003e\nD. Bruce Means PhD. \u003cextref href=\"http://www.brucemeans.com/\"\u003ehttp://www.brucemeans.com/\u003c/extref\u003e\nCoastal Plains Institute. \"About Us.\" \u003cextref href=\"https://www.coastalplains.org/main/about-us/\"\u003ehttps://www.coastalplains.org/main/about-us/\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dr. Bruce Means is a research ecologist, author, and consultant. His research includes ecosystems of the southeastern United States, fire ecology, the natural history of South American tepuis, biogeography, conservation, endangered species, and the evolution and natural history of amphibians and reptiles.","Donald Bruce Means was born March 9, 1941, in Los Angeles, California. ","Means recieved a Bachelor of Science in Biology from Florida State University (FSU) in 1968. He earned a Master of Science in Ecology in 1972 and a PhD in Ecology in 1975. He served as a teaching assistant at FSU from 1968-1970, and Adjunct Professor in Biological Science at FSU starting in 1976.","Means's field experience as a research ecologist includes the Florida Panhandle, Southeastern United States, Alaska, South America, Mexico, and the Caribbean Sea.","His publications include scientific articles, technical reports, and popular articles in National Wildlife, International Wildlife, Natural History, BBC Wildlife, National Geographic, Fauna, South American Explorer, and other magazines. His books include two on the ecology of Florida and \"Herpetophilia, Love of Creeping, Crawling Things.\" He has featured in documentary films for National Geographic Television, BBC Television, and PBS.","Means is Founder and President Emeritus of the Coastal Plains Institute, Tallahassee, Florida.","Sources \nD. Bruce Means PhD.  http://www.brucemeans.com/ \nCoastal Plains Institute. \"About Us.\"  https://www.coastalplains.org/main/about-us/"],"phystech_html_tesm":["\u003cp\u003eMotion picture content may not be available upon request. For more information on this collection please contact Special Collections \u0026amp; Archives staff at 850-644-3271 or lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access Requirements"],"phystech_tesim":["Motion picture content may not be available upon request. For more information on this collection please contact Special Collections \u0026 Archives staff at 850-644-3271 or lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eBruce Means Papers, MSS 2018-004, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2018-004\"\u003ehttp://purl.fcla.edu/fsu/MSS_2018-004\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Bruce Means Papers, MSS 2018-004, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2018-004"],"scopecontent_html_tesm":["\u003cp\u003eField notes, biological and ecological data, journals, subject files, and audiovisual recordings documenting the research, professional output, and personal life of Bruce Means.\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:meanspapers\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:meanspapers\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["Field notes, biological and ecological data, journals, subject files, and audiovisual recordings documenting the research, professional output, and personal life of Bruce Means.","https://repository.lib.fsu.edu/islandora/object/fsu:meanspapers"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":384,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881460285143777280,"_root_":"31b2b8188273d57943cd6b2d","timestamp":"2026-11-10T08:45:51.271Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/31b2b8188273d57943cd6b2d_aspace_11097c750c67e53359aae1d849527ffe"}},{"id":"cde036b75c510c929be38b19_aspace_0d11d018b765642169e5dd3cd952d4ec","type":"Series","attributes":{"title":"Outgoing Correspondence, 1979-1990","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cde036b75c510c929be38b19_aspace_0d11d018b765642169e5dd3cd952d4ec#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries VII: Outgoing Correspondence, 1979 contains letter samples, correspondence, and promotional letters sent by The Center.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cde036b75c510c929be38b19_aspace_0d11d018b765642169e5dd3cd952d4ec#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0d11d018b765642169e5dd3cd952d4ec","ref_ssm":["aspace_0d11d018b765642169e5dd3cd952d4ec","aspace_0d11d018b765642169e5dd3cd952d4ec"],"id":"cde036b75c510c929be38b19_aspace_0d11d018b765642169e5dd3cd952d4ec","title_filing_ssi":"Outgoing Correspondence","title_ssm":["Outgoing Correspondence"],"title_tesim":["Outgoing Correspondence"],"unitdate_inclusive_ssm":["1979-1990"],"normalized_date_ssm":["1979-1990"],"normalized_title_ssm":["Outgoing Correspondence, 1979-1990"],"text":["Outgoing Correspondence, 1979-1990","The Center collection, 1979-2008","/repositories/4/archival_objects/65836","Series VII: Outgoing Correspondence, 1979 contains letter samples, correspondence, and promotional letters sent by The Center."],"component_level_isim":[1],"parent_ids_ssim":["cde036b75c510c929be38b19"],"parent_unittitles_ssm":["The Center collection, 1979-2008"],"parent_unittitles_tesim":["The Center collection, 1979-2008"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/65836"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["The Center collection, 1979-2008"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":99,"parent_access_terms_tesm":["Copyright is still owned and controlled by the LGBT+ Center Orlando."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"scopecontent_html_tesm":["\u003cp\u003eSeries VII: Outgoing Correspondence, 1979 contains letter samples, correspondence, and promotional letters sent by The Center.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series VII: Outgoing Correspondence, 1979 contains letter samples, correspondence, and promotional letters sent by The Center."],"_nest_path_":"/components#6","_nest_parent_":"cde036b75c510c929be38b19","_root_":"cde036b75c510c929be38b19","_version_":1870857884061925376,"timestamp":"2026-07-16T08:05:13.673Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cde036b75c510c929be38b19","title_ssm":["The Center collection"],"title_tesim":["The Center collection"],"ead_ssi":"cde036b75c510c929be38b19","unitdate_ssm":["1979-2008"],"unitdate_inclusive_ssm":["1979-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 157","/repositories/4/resources/274"],"text":["SC 157","/repositories/4/resources/274","The Center collection, 1979-2008","LGBTQ+ activists","Florida -- Orlando"," LGBTQ+ magazines","scrapbooks","photographs","This collection is arranged in thirteen series and is arranged by like-item and subject. \n I. Board Documents, 1978-2008 II. Financial Documents, 1979-1999 III. Legal, 1995-2007 IV. Moving, 1999-2007 V. Membership, 1979-2008 VI. Incoming Correspondence, 1979-1991 VII. Outgoing Correspondence, 1979-1990 VIII. Community, 1979-2007 IX. National, 1981-1999 X. Local Publications, 1979-2005 XI. The Triangle, 1984-2004 XII. Scrapbooks, 1979-1995 XIII. Miscellaneous, 1987-2004","The Center is an Orlando-based LGBT+ organization that offers support and orchestrates events to improve the lives of the local LGBT+ community.  ","\"[The Center's] history begins on November 27, 1978, when the non-profit organization Gay Community Services (GCS) for safe space meetups was created. Later that year, Gay Men's Hotline was formed. The number was 407-THE-GAYS and was staffed by volunteers. Gay men could call for referrals, mental health counseling, and up-to-date information on GCS meetups. In 1980, women joined GCS, and the organization was renamed Gay \u0026 Lesbian Community Services (GLCS). In 1984, the focus of GLCS and the Gay Men's Hotline shifted to health and HIV/AIDS care. Our services to the community keep expanding. The organization moved to 1036 N. Mills Avenue in 1987. By 1990, GLCS reincorporated as the Gay, Lesbian \u0026 Bisexual Community Center of Central Florida (GLBCC-The Center), so the organization continues to grow, both in terms of human platform and infrastructure. In 1999, The Center purchased 942 and 946 N. Mills Avenue. In 2007, the organization changed its name to the Gay, Lesbian, Bisexual \u0026 Transgender Community Center of Central Florida, Inc. (GLBTCC). In 2014, the organization ventured to offer services with mobile units. In 2016, The Pulse Tragedy occurred in Orlando. President Obama called the Center \"Ground Zero for community healing.\" Eleven years later, after its latest name change, in 2018, the organization changed its name to LGBT+ Center Orlando, Inc. (The Center Orlando) and opened The Center Kissimmee. Subsequently, in 2020, the Center partnered with AHF to provide testing at Out of the Closet (AHF). By 2021, the Center had been chosen to oversee Orlando United Assistance Center (now OURS), expand health services, and open its second downtown location on Hillcrest Street.\" ","Source: \"About Us.\" The Center Orlando. Accessed July 26, 2023.  https://thecenterorlando.org/about-us/ /. ","Collection processed by and finding aid prepared by Arlie Cruz in 2023.","This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Spectrum Awards records","The Center collection, 1979-2008, is comprised of organizational records, such as board documents, financial records, and legal evidence gathered for LGBT+ court cases. Also featured in this collection is The Triangle, The Center's publication. The collection also contains member applications, correspondence, outgoing mail from The Center, local and national-level publications collected by The Center, news clippings, scrapbooks, moving documents such as lease agreements and sale processes, Triangle newspaper copies and ads, and photographs.","This entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.","Copyright is still owned and controlled by the LGBT+ Center Orlando.","The Center is a nonprofit organization that has been a staple of Orlando since its creation in 1978. The Center's mission is to promote and empower the LGBT+ community and its allies through advocacy, education, information, and support. This collection contains materials such as correspondence, legal and financial records, membership applications, employee time records, related to The Center as an organization.","UCF Special Collections","LGBT+ Center Orlando","Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida","English"],"unitid_tesim":["SC 157","/repositories/4/resources/274"],"normalized_date_ssm":["1979-2008"],"normalized_title_ssm":["The Center collection, 1979-2008"],"collection_title_tesim":["The Center collection, 1979-2008"],"collection_ssim":["The Center collection, 1979-2008"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["LGBT+ Center Orlando"],"creator_ssim":["LGBT+ Center Orlando"],"creator_corpname_ssim":["LGBT+ Center Orlando"],"creators_ssim":["LGBT+ Center Orlando"],"access_terms_ssm":["This entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.","Copyright is still owned and controlled by the LGBT+ Center Orlando."],"acqinfo_ssim":["Gifted by the LGBT+ Center Orlando to the LGBTQ+ History Museum of Central Florida in 2010. Gifted by the LGBTQ+ History Museum of Central Florida to University of Central Florida Libraries, Special Collections \u0026 University Archives in 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["LGBTQ+ activists","Florida -- Orlando"," LGBTQ+ magazines","scrapbooks","photographs"],"access_subjects_ssm":["LGBTQ+ activists","Florida -- Orlando"," LGBTQ+ magazines","scrapbooks","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["15.22 Linear Feet 27 boxes, 1 flat file"],"extent_tesim":["15.22 Linear Feet 27 boxes, 1 flat file"],"genreform_ssim":[" LGBTQ+ magazines","scrapbooks","photographs"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in thirteen series and is arranged by like-item and subject. \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Board Documents, 1978-2008\u003c/li\u003e\n   \u003cli\u003eII. Financial Documents, 1979-1999\u003c/li\u003e\n   \u003cli\u003eIII. Legal, 1995-2007\u003c/li\u003e\n   \u003cli\u003eIV. Moving, 1999-2007\u003c/li\u003e\n   \u003cli\u003eV. Membership, 1979-2008\u003c/li\u003e\n   \u003cli\u003eVI. Incoming Correspondence, 1979-1991\u003c/li\u003e\n   \u003cli\u003eVII. Outgoing Correspondence, 1979-1990\u003c/li\u003e\n   \u003cli\u003eVIII. Community, 1979-2007\u003c/li\u003e\n   \u003cli\u003eIX. National, 1981-1999\u003c/li\u003e\n   \u003cli\u003eX. Local Publications, 1979-2005\u003c/li\u003e\n   \u003cli\u003eXI. The Triangle, 1984-2004\u003c/li\u003e\n   \u003cli\u003eXII. Scrapbooks, 1979-1995\u003c/li\u003e\n   \u003cli\u003eXIII. Miscellaneous, 1987-2004\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in thirteen series and is arranged by like-item and subject. \n I. Board Documents, 1978-2008 II. Financial Documents, 1979-1999 III. Legal, 1995-2007 IV. Moving, 1999-2007 V. Membership, 1979-2008 VI. Incoming Correspondence, 1979-1991 VII. Outgoing Correspondence, 1979-1990 VIII. Community, 1979-2007 IX. National, 1981-1999 X. Local Publications, 1979-2005 XI. The Triangle, 1984-2004 XII. Scrapbooks, 1979-1995 XIII. Miscellaneous, 1987-2004"],"bioghist_html_tesm":["\u003cp\u003eThe Center is an Orlando-based LGBT+ organization that offers support and orchestrates events to improve the lives of the local LGBT+ community.  \u003c/p\u003e\n","\u003cp\u003e\"[The Center's] history begins on November 27, 1978, when the non-profit organization Gay Community Services (GCS) for safe space meetups was created. Later that year, Gay Men's Hotline was formed. The number was 407-THE-GAYS and was staffed by volunteers. Gay men could call for referrals, mental health counseling, and up-to-date information on GCS meetups. In 1980, women joined GCS, and the organization was renamed Gay \u0026amp; Lesbian Community Services (GLCS). In 1984, the focus of GLCS and the Gay Men's Hotline shifted to health and HIV/AIDS care. Our services to the community keep expanding. The organization moved to 1036 N. Mills Avenue in 1987. By 1990, GLCS reincorporated as the Gay, Lesbian \u0026amp; Bisexual Community Center of Central Florida (GLBCC-The Center), so the organization continues to grow, both in terms of human platform and infrastructure. In 1999, The Center purchased 942 and 946 N. Mills Avenue. In 2007, the organization changed its name to the Gay, Lesbian, Bisexual \u0026amp; Transgender Community Center of Central Florida, Inc. (GLBTCC). In 2014, the organization ventured to offer services with mobile units. In 2016, The Pulse Tragedy occurred in Orlando. President Obama called the Center \"Ground Zero for community healing.\" Eleven years later, after its latest name change, in 2018, the organization changed its name to LGBT+ Center Orlando, Inc. (The Center Orlando) and opened The Center Kissimmee. Subsequently, in 2020, the Center partnered with AHF to provide testing at Out of the Closet (AHF). By 2021, the Center had been chosen to oversee Orlando United Assistance Center (now OURS), expand health services, and open its second downtown location on Hillcrest Street.\" \u003c/p\u003e\n","\u003cp\u003eSource: \"About Us.\" The Center Orlando. Accessed July 26, 2023. \u003ca href=\"https://thecenterorlando.org/about-us/\"\u003ehttps://thecenterorlando.org/about-us/\u003c/a\u003e/. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Center is an Orlando-based LGBT+ organization that offers support and orchestrates events to improve the lives of the local LGBT+ community.  ","\"[The Center's] history begins on November 27, 1978, when the non-profit organization Gay Community Services (GCS) for safe space meetups was created. Later that year, Gay Men's Hotline was formed. The number was 407-THE-GAYS and was staffed by volunteers. Gay men could call for referrals, mental health counseling, and up-to-date information on GCS meetups. In 1980, women joined GCS, and the organization was renamed Gay \u0026 Lesbian Community Services (GLCS). In 1984, the focus of GLCS and the Gay Men's Hotline shifted to health and HIV/AIDS care. Our services to the community keep expanding. The organization moved to 1036 N. Mills Avenue in 1987. By 1990, GLCS reincorporated as the Gay, Lesbian \u0026 Bisexual Community Center of Central Florida (GLBCC-The Center), so the organization continues to grow, both in terms of human platform and infrastructure. In 1999, The Center purchased 942 and 946 N. Mills Avenue. In 2007, the organization changed its name to the Gay, Lesbian, Bisexual \u0026 Transgender Community Center of Central Florida, Inc. (GLBTCC). In 2014, the organization ventured to offer services with mobile units. In 2016, The Pulse Tragedy occurred in Orlando. President Obama called the Center \"Ground Zero for community healing.\" Eleven years later, after its latest name change, in 2018, the organization changed its name to LGBT+ Center Orlando, Inc. (The Center Orlando) and opened The Center Kissimmee. Subsequently, in 2020, the Center partnered with AHF to provide testing at Out of the Closet (AHF). By 2021, the Center had been chosen to oversee Orlando United Assistance Center (now OURS), expand health services, and open its second downtown location on Hillcrest Street.\" ","Source: \"About Us.\" The Center Orlando. Accessed July 26, 2023.  https://thecenterorlando.org/about-us/ /. "],"prefercite_html_tesm":["\u003cp\u003eThe Center collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Center collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Arlie Cruz in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Arlie Cruz in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://scua.library.ucf.edu/repositories/4/resources/256\"\u003eSpectrum Awards records\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Spectrum Awards records"],"scopecontent_html_tesm":["\u003cp\u003eThe Center collection, 1979-2008, is comprised of organizational records, such as board documents, financial records, and legal evidence gathered for LGBT+ court cases. Also featured in this collection is The Triangle, The Center's publication. The collection also contains member applications, correspondence, outgoing mail from The Center, local and national-level publications collected by The Center, news clippings, scrapbooks, moving documents such as lease agreements and sale processes, Triangle newspaper copies and ads, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Center collection, 1979-2008, is comprised of organizational records, such as board documents, financial records, and legal evidence gathered for LGBT+ court cases. Also featured in this collection is The Triangle, The Center's publication. The collection also contains member applications, correspondence, outgoing mail from The Center, local and national-level publications collected by The Center, news clippings, scrapbooks, moving documents such as lease agreements and sale processes, Triangle newspaper copies and ads, and photographs."],"userestrict_html_tesm":["\u003cp\u003eThis entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.\u003c/p\u003e","\u003cp\u003eCopyright is still owned and controlled by the LGBT+ Center Orlando.\u003c/p\u003e"],"userestrict_heading_ssm":["Access","Copyright Statement"],"userestrict_tesim":["This entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.","Copyright is still owned and controlled by the LGBT+ Center Orlando."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b7a8cccca768b8676a4797ab58b08af0\"\u003eThe Center is a nonprofit organization that has been a staple of Orlando since its creation in 1978. The Center's mission is to promote and empower the LGBT+ community and its allies through advocacy, education, information, and support. This collection contains materials such as correspondence, legal and financial records, membership applications, employee time records, related to The Center as an organization.\u003c/abstract\u003e"],"abstract_tesim":["The Center is a nonprofit organization that has been a staple of Orlando since its creation in 1978. The Center's mission is to promote and empower the LGBT+ community and its allies through advocacy, education, information, and support. This collection contains materials such as correspondence, legal and financial records, membership applications, employee time records, related to The Center as an organization."],"names_coll_ssim":["Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida"],"names_ssim":["UCF Special Collections","LGBT+ Center Orlando","Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida"],"corpname_ssim":["UCF Special Collections","LGBT+ Center Orlando","Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":307,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857884061925376,"_root_":"cde036b75c510c929be38b19","timestamp":"2026-07-16T08:05:13.673Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cde036b75c510c929be38b19_aspace_0d11d018b765642169e5dd3cd952d4ec"}},{"id":"e1ff74a4183dcf40dbca93f1_aspace_18021","type":"Series","attributes":{"title":"Out-Island Doctor, 1961-1963","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/e1ff74a4183dcf40dbca93f1_aspace_18021#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries consists of correspondence from 1961-1963.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e1ff74a4183dcf40dbca93f1_aspace_18021#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_18021","ref_ssm":["aspace_18021","aspace_18021"],"id":"e1ff74a4183dcf40dbca93f1_aspace_18021","title_filing_ssi":"Out-Island Doctor","title_ssm":["Out-Island Doctor"],"title_tesim":["Out-Island Doctor"],"unitdate_other_ssim":["1961-1963"],"normalized_date_ssm":["1961-1963"],"normalized_title_ssm":["Out-Island Doctor, 1961-1963"],"text":["Out-Island Doctor, 1961-1963","Wyatt Rainey Blassingame papers, 1955-1968, Date acquired: 00/00/1965","Wyatt Rainey Blassingame Papers, Box 2 of 3, 1967-1968","Series 4","/repositories/2/archival_objects/42132","Series consists of correspondence from 1961-1963."],"component_level_isim":[2],"parent_ids_ssim":["e1ff74a4183dcf40dbca93f1","e1ff74a4183dcf40dbca93f1_aspace_18010"],"parent_unittitles_ssm":["Wyatt Rainey Blassingame papers, 1955-1968, Date acquired: 00/00/1965","Wyatt Rainey Blassingame Papers, Box 2 of 3, 1967-1968"],"parent_unittitles_tesim":["Wyatt Rainey Blassingame papers, 1955-1968, Date acquired: 00/00/1965","Wyatt Rainey Blassingame Papers, Box 2 of 3, 1967-1968"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Series 4","/repositories/2/archival_objects/42132"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Wyatt Rainey Blassingame papers, 1955-1968, Date acquired: 00/00/1965"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":30,"parent_access_terms_tesm":["The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eSeries consists of correspondence from 1961-1963.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series consists of correspondence from 1961-1963."],"_nest_path_":"/components#1/components#3","_nest_parent_":"e1ff74a4183dcf40dbca93f1_aspace_18010","_root_":"e1ff74a4183dcf40dbca93f1","_version_":1870862657711505408,"timestamp":"2026-07-16T09:21:06.182Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e1ff74a4183dcf40dbca93f1","title_ssm":["Wyatt Rainey Blassingame papers"],"title_tesim":["Wyatt Rainey Blassingame papers"],"ead_ssi":"e1ff74a4183dcf40dbca93f1","unitdate_ssm":["1955-1968","Date acquired: 00/00/1965"],"unitdate_inclusive_ssm":["1955-1968"],"unitdate_other_ssim":["Date acquired: 00/00/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1965-02","/repositories/2/resources/256"],"text":["MS-1965-02","/repositories/2/resources/256","Wyatt Rainey Blassingame papers, 1955-1968, Date acquired: 00/00/1965","Authors, American -- 20th century","Authors -- Correspondence","The collection is arranged alphabetically by book title. Within the book title, materials are arranged by type of material. Materials include correspondence, newspaper clippings, research notes, and manuscripts.","Wyatt Blassingame (1909 - 1985) was born in Alabama, attended Howard College, and graduated from the University of Alabama. He began his career as a writer in the 1930s as a reporter for the Montgomery Advertiser.  Blassingame then moved to New York and began writing suspense stories for \"pulp\" magazines until 1936, when he and his wife moved to Anna Maria, Florida.  Blassingame then began writing articles for many national publications, including the Saturday Evening Post, Collier's Redbook, and Harper's.  During World War II, he served in the Navy and received a bronze star as well as a Presidential Unit Citation.  For several years, Blassingame taught at Manatee Junior College and at Florida Southern College in Lakeland.  He wrote many adult and children's books, both fiction and non-fiction, as well as short stories, anthologies and textbooks.","This collection consists of correspondence, manuscripts, research notes, and copies of newspaper clippings. The bulk of the collection dates 1964-1966. Works featured in the collection include: Combat nurses; First book of the seashore; First book on American expansion; Jack Gaither, winning coach; Juan Ponce DeLeon; Naturalists and explorers; Out-island doctor; The Boy Scout story; and U.S. frogmen of World War II.","The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Blassingame, Wyatt (Wyatt Rainey), 1909-1985","English"],"unitid_tesim":["MS-1965-02","/repositories/2/resources/256"],"normalized_date_ssm":["1955-1968, Date acquired: 00/00/1965"],"normalized_title_ssm":["Wyatt Rainey Blassingame papers, 1955-1968, Date acquired: 00/00/1965"],"collection_title_tesim":["Wyatt Rainey Blassingame papers, 1955-1968, Date acquired: 00/00/1965"],"collection_ssim":["Wyatt Rainey Blassingame papers, 1955-1968, Date acquired: 00/00/1965"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Blassingame, Wyatt (Wyatt Rainey), 1909-1985"],"creator_ssim":["Blassingame, Wyatt (Wyatt Rainey), 1909-1985"],"creator_persname_ssim":["Blassingame, Wyatt (Wyatt Rainey), 1909-1985"],"creators_ssim":["Blassingame, Wyatt (Wyatt Rainey), 1909-1985"],"access_terms_ssm":["The contents of this collection may be subject to copyright. 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The Way the Future Was: A Memoir . New York: Ballantine Books, 1978. Print.","Pohl, Frederik.  The Early Pohl . Garden City, N.Y: Doubleday, 1976. Print.","Pohl, Frederik.  Man Plus . New York: Random House, 1976. Print.","Pohl, Frederik.  Homegoing . New York: Ballantine Books, 1989. Print.","Pohl, Frederik.  Chernobyl: A Novel . Toronto: Bantam Books, 1987. Print.","Pohl, Frederik.  The Annals of the Heechee . New York: Ballantine Books, 1987. Print.","Pohl, Frederik.  Black Star Rising . New York: Ballantine Books, 1985. Print.","Pohl, Frederik.  O Pioneer!  New York: Tor, 1998. 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Pohl earned virtually every significant award the field of science fiction offered, many of them more than once.  The World Science Fiction Society (WSFS) presented him with six Hugo awards, three for writing and three for editing.  The Science Fiction and Fantasy Writers of America (SFWA) recognized him with two Nebula awards, and in 1993 named him a SFWA Grand Master.  He was inducted into the Science Fiction Hall of Fame.  Beyond the field of science fiction, Pohl was a noted lecturer and writer in the fields of future studies and environmental studies.  He wrote nonfiction books and articles on topics ranging from global warming to the life of the Roman emperor Tiberius.  He was a Fellow of the British Interplanetary Society and the American Association for the Advancement of Science."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eFrederick Pohl Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Frederick Pohl Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eFrederik Pohl Collection, Cushing Memorial Library, Texas A\u0026amp;M University, College Station, Texas.\u003c/p\u003e\n","\u003cp\u003ehttp://www.lib.utexas.edu/taro/tamucush/00213/tamu-00213.html\u003c/p\u003e","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eThe Way the Future Was: A Memoir\u003c/emph\u003e. New York: Ballantine Books, 1978. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eThe Early Pohl\u003c/emph\u003e. Garden City, N.Y: Doubleday, 1976. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eMan Plus\u003c/emph\u003e. New York: Random House, 1976. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eHomegoing\u003c/emph\u003e. New York: Ballantine Books, 1989. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eChernobyl: A Novel\u003c/emph\u003e. Toronto: Bantam Books, 1987. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eThe Annals of the Heechee\u003c/emph\u003e. New York: Ballantine Books, 1987. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eBlack Star Rising\u003c/emph\u003e. New York: Ballantine Books, 1985. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eO Pioneer!\u003c/emph\u003e New York: Tor, 1998. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Frederik Pohl Collection, Cushing Memorial Library, Texas A\u0026M University, College Station, Texas.","http://www.lib.utexas.edu/taro/tamucush/00213/tamu-00213.html","Pohl, Frederik.  The Way the Future Was: A Memoir . New York: Ballantine Books, 1978. Print.","Pohl, Frederik.  The Early Pohl . Garden City, N.Y: Doubleday, 1976. Print.","Pohl, Frederik.  Man Plus . New York: Random House, 1976. Print.","Pohl, Frederik.  Homegoing . New York: Ballantine Books, 1989. Print.","Pohl, Frederik.  Chernobyl: A Novel . Toronto: Bantam Books, 1987. Print.","Pohl, Frederik.  The Annals of the Heechee . New York: Ballantine Books, 1987. Print.","Pohl, Frederik.  Black Star Rising . New York: Ballantine Books, 1985. Print.","Pohl, Frederik.  O Pioneer!  New York: Tor, 1998. Print."],"scopecontent_html_tesm":["\u003cp\u003eThe Pohl Papers are comprised principally of manuscripts, drafts, notes, proofs, and other documents relating to science fiction and nonfiction works written by Frederik Pohl.\u0026#xA0; The collection also includes correspondence, speeches given by Mr. Pohl, and reviews of his publications.\u0026#xA0; Although the earliest items date from 1952, most of the materials range from the early 1970s through 2005.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Pohl Papers are comprised principally of manuscripts, drafts, notes, proofs, and other documents relating to science fiction and nonfiction works written by Frederik Pohl.  The collection also includes correspondence, speeches given by Mr. Pohl, and reviews of his publications.  Although the earliest items date from 1952, most of the materials range from the early 1970s through 2005."],"userestrict_html_tesm":["\u003cp\u003eOpen for scholarly research use.\u0026#xA0; Copyright retained by Frederik Pohl. Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Open for scholarly research use.  Copyright retained by Frederik Pohl. 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