{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=499\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=498\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=500\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856\u0026view=compact"},"meta":{"pages":{"current_page":499,"next_page":500,"prev_page":498,"total_pages":856,"limit_value":10,"offset_value":4980,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"1ac4ca82cbf9f71c689e9408_aspace_157007","type":"Series","attributes":{"title":"New Year Blues, January, 2017","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1ac4ca82cbf9f71c689e9408_aspace_157007#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_157007","ref_ssm":["aspace_157007","aspace_157007"],"id":"1ac4ca82cbf9f71c689e9408_aspace_157007","title_filing_ssi":"New Year Blues, January","title_ssm":["New Year Blues, January"],"title_tesim":["New Year Blues, January"],"unitdate_other_ssim":["2017"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["New Year Blues, January, 2017"],"text":["New Year Blues, January, 2017","Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Digital Dreams","Digital Dreams: Poetry","Series 2","/repositories/2/archival_objects/8524"],"component_level_isim":[3],"parent_ids_ssim":["1ac4ca82cbf9f71c689e9408","1ac4ca82cbf9f71c689e9408_aspace_156854","1ac4ca82cbf9f71c689e9408_aspace_156856"],"parent_unittitles_ssm":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Digital Dreams","Digital Dreams: Poetry"],"parent_unittitles_tesim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Digital Dreams","Digital Dreams: Poetry"],"parent_levels_ssm":["collection","Box","Item"],"unitid_ssm":["Series 2","/repositories/2/archival_objects/8524"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":88,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#0/components#1/components#1","_nest_parent_":"1ac4ca82cbf9f71c689e9408_aspace_156856","_root_":"1ac4ca82cbf9f71c689e9408","timestamp":"2026-07-10T04:34:20.107Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1ac4ca82cbf9f71c689e9408","title_ssm":["Randy Jones Digital Dreams"],"title_tesim":["Randy Jones Digital Dreams"],"ead_ssi":"1ac4ca82cbf9f71c689e9408","unitdate_ssm":["2013-2017","2017","Date acquired: 00/00/2017"],"unitdate_bulk_ssim":["2017"],"unitdate_inclusive_ssm":["2013-2017"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-03","/repositories/2/resources/46"],"text":["MS-2017-03","/repositories/2/resources/46","Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists","These items are bound collections maintained in the original arrangment.","Randy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026 Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.","Note written by Randy Jones","published","processed","This collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. 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After receiving a B.F.A. from the Columbus College of Art \u0026amp; Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.\u003c/p\u003e\n","\u003cp\u003eNote written by Randy Jones\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Randy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026 Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. 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Additional artist information can be found in the abstract and artist's statement portions of this finding aid.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_afb433d2040bf3f2d68e9fd799b1a54f\" label=\"Abstract\"\u003eThis collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\"\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\""],"names_ssim":["USF Libraries - Tampa Special Collections","Jones, Randy"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Jones, Randy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1ac4ca82cbf9f71c689e9408","timestamp":"2026-07-10T04:34:20.107Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1ac4ca82cbf9f71c689e9408_aspace_157007"}},{"id":"edfdc548ca396b57df094271_aspace_135449","type":"Series","attributes":{"title":"New Year's","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/edfdc548ca396b57df094271_aspace_135449#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_135449","ref_ssm":["aspace_135449","aspace_135449"],"id":"edfdc548ca396b57df094271_aspace_135449","title_filing_ssi":"New Year's","title_ssm":["New Year's"],"title_tesim":["New Year's"],"normalized_title_ssm":["New Year's"],"text":["New Year's","Neidlinger occasion card collection, 1900-1926, Date acquired: 06/00/1989","Series 2","/repositories/2/archival_objects/54842"],"component_level_isim":[1],"parent_ids_ssim":["edfdc548ca396b57df094271"],"parent_unittitles_ssm":["Neidlinger occasion card collection, 1900-1926, Date acquired: 06/00/1989"],"parent_unittitles_tesim":["Neidlinger occasion card collection, 1900-1926, Date acquired: 06/00/1989"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 2","/repositories/2/archival_objects/54842"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Neidlinger occasion card collection, 1900-1926, Date acquired: 06/00/1989"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":4,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"_nest_path_":"/components#1","_nest_parent_":"edfdc548ca396b57df094271","_root_":"edfdc548ca396b57df094271","_version_":1870862858498080768,"timestamp":"2026-07-16T09:24:17.667Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"edfdc548ca396b57df094271","title_ssm":["Neidlinger occasion card collection"],"title_tesim":["Neidlinger occasion card collection"],"ead_ssi":"edfdc548ca396b57df094271","unitdate_ssm":["1900-1926","Date acquired: 06/00/1989"],"unitdate_inclusive_ssm":["1900-1926"],"unitdate_other_ssim":["Date acquired: 06/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.1989.01","/repositories/2/resources/344"],"text":["MS.1989.01","/repositories/2/resources/344","Neidlinger occasion card collection, 1900-1926, Date acquired: 06/00/1989","Greeting cards.","Filed by occasion.","Between 1900 and 1926, the Neidlinger family of Evanston, Illinois, received and collected numerous greeting cards, including colorful lithographic post cards.","The 1,000 card collection from the Neidlinger family primarily consists of chromolithographic post cards for the Christmas, Easter, Valentine's Day, and New Year's holidays. It also contains Halloween cards, St. Patrick's Day cards, seasonal greeting cards, get-well cards, birthday cards, invitations, magazine ads, and portraits. All post cards are from the time period between 1905-1915.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Neidlinger Family","English"],"unitid_tesim":["MS.1989.01","/repositories/2/resources/344"],"normalized_date_ssm":["1900-1926, Date acquired: 06/00/1989"],"normalized_title_ssm":["Neidlinger occasion card collection, 1900-1926, Date acquired: 06/00/1989"],"collection_title_tesim":["Neidlinger occasion card collection, 1900-1926, Date acquired: 06/00/1989"],"collection_ssim":["Neidlinger occasion card collection, 1900-1926, Date acquired: 06/00/1989"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Neidlinger Family"],"creator_ssim":["Neidlinger Family"],"creator_famname_ssim":["Neidlinger Family"],"creators_ssim":["Neidlinger Family"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Eleanor Neidlinger, through her niece, Dr. Daphne Rosenzweig","Donation"],"access_subjects_ssim":["Greeting cards."],"access_subjects_ssm":["Greeting cards."],"has_online_content_ssim":["false"],"extent_ssm":["2.86 Linear Feet","6 boxes"],"extent_tesim":["2.86 Linear Feet","6 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926],"arrangement_html_tesm":["\u003cp\u003eFiled by occasion.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Filed by occasion."],"bioghist_html_tesm":["\u003cp\u003eBetween 1900 and 1926, the Neidlinger family of Evanston, Illinois, received and collected numerous greeting cards, including colorful lithographic post cards.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Between 1900 and 1926, the Neidlinger family of Evanston, Illinois, received and collected numerous greeting cards, including colorful lithographic post cards."],"prefercite_html_tesm":["\u003cp\u003eNeidlinger occasion card collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Neidlinger occasion card collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe 1,000 card collection from the Neidlinger family primarily consists of chromolithographic post cards for the Christmas, Easter, Valentine's Day, and New Year's holidays. It also contains Halloween cards, St. Patrick's Day cards, seasonal greeting cards, get-well cards, birthday cards, invitations, magazine ads, and portraits. All post cards are from the time period between 1905-1915.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The 1,000 card collection from the Neidlinger family primarily consists of chromolithographic post cards for the Christmas, Easter, Valentine's Day, and New Year's holidays. It also contains Halloween cards, St. Patrick's Day cards, seasonal greeting cards, get-well cards, birthday cards, invitations, magazine ads, and portraits. All post cards are from the time period between 1905-1915."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Neidlinger Family"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"famname_ssim":["Neidlinger Family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":29,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862858498080768,"_root_":"edfdc548ca396b57df094271","timestamp":"2026-07-16T09:24:17.667Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/edfdc548ca396b57df094271_aspace_135449"}},{"id":"949504c75ba6663d25604ef1_aspace_36718","type":"Series","attributes":{"title":"New York World's Fair Continental Circus, 1965","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1_aspace_36718#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_36718","ref_ssm":["aspace_36718","aspace_36718"],"id":"949504c75ba6663d25604ef1_aspace_36718","title_filing_ssi":"New York World's Fair Continental Circus","title_ssm":["New York World's Fair Continental Circus"],"title_tesim":["New York World's Fair Continental Circus"],"unitdate_other_ssim":["1965"],"normalized_date_ssm":["1965"],"normalized_title_ssm":["New York World's Fair Continental Circus, 1965"],"text":["New York World's Fair Continental Circus, 1965","Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus Programs, 1874-2003","Folder 9","Series 1","/repositories/10/archival_objects/138526"],"component_level_isim":[3],"parent_ids_ssim":["949504c75ba6663d25604ef1","949504c75ba6663d25604ef1_aspace_36117","949504c75ba6663d25604ef1_aspace_36717"],"parent_unittitles_ssm":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus Programs, 1874-2003","Folder 9"],"parent_unittitles_tesim":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus Programs, 1874-2003","Folder 9"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Series 1","/repositories/10/archival_objects/138526"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":582,"_nest_path_":"/components#1/components#28/components#0","_nest_parent_":"949504c75ba6663d25604ef1_aspace_36717","_root_":"949504c75ba6663d25604ef1","timestamp":"2026-07-11T07:57:44.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"949504c75ba6663d25604ef1","title_ssm":["Harrison Sayre Circus Collection"],"title_tesim":["Harrison Sayre Circus Collection"],"ead_ssi":"949504c75ba6663d25604ef1","unitdate_ssm":["1863-2001","1949-1994","Date acquired: 00/00/2010"],"unitdate_bulk_ssim":["1949-1994"],"unitdate_inclusive_ssm":["1863-2001"],"unitdate_other_ssim":["Date acquired: 00/00/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2010-007","/repositories/10/resources/966"],"text":["MSS 2010-007","/repositories/10/resources/966","Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus.","The collection has been appraised, see donor file for details.","While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.","Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.","The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library .","Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file.","Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..","FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii."],"custodhist_html_tesm":["\u003cp\u003eCollection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks have been separated from the collection in order to be cataloged. A list of books received is in the donor file.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":969,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"949504c75ba6663d25604ef1","timestamp":"2026-07-11T07:57:44.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1_aspace_36718"}},{"id":"7cf5deae752ed0c49dc3d86d_aspace_102151","type":"Series","attributes":{"title":"New York Yankees","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7cf5deae752ed0c49dc3d86d_aspace_102151#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_102151","ref_ssm":["aspace_102151","aspace_102151"],"id":"7cf5deae752ed0c49dc3d86d_aspace_102151","title_filing_ssi":"New York Yankees","title_ssm":["New York Yankees"],"title_tesim":["New York Yankees"],"normalized_title_ssm":["New York Yankees"],"text":["New York Yankees","Legends Field collection, 1996-2014","Series 1","/repositories/2/archival_objects/49300"],"component_level_isim":[1],"parent_ids_ssim":["7cf5deae752ed0c49dc3d86d"],"parent_unittitles_ssm":["Legends Field collection, 1996-2014"],"parent_unittitles_tesim":["Legends Field collection, 1996-2014"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/49300"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Legends Field collection, 1996-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#0","_nest_parent_":"7cf5deae752ed0c49dc3d86d","_root_":"7cf5deae752ed0c49dc3d86d","timestamp":"2026-07-11T03:54:22.674Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7cf5deae752ed0c49dc3d86d","title_ssm":["Legends Field collection"],"title_tesim":["Legends Field collection"],"ead_ssi":"7cf5deae752ed0c49dc3d86d","unitdate_ssm":["1996-2014"],"unitdate_inclusive_ssm":["1996-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2014-11","/repositories/2/resources/300"],"text":["MS-2014-11","/repositories/2/resources/300","Legends Field collection, 1996-2014","Baseball","Baseball fields","Arranged by subject and then chronologically.","Legends Field, home to the New York Yankees baseball team during spring training, was established March 1, 1996. Located in Tampa, the stadium name was changed in 2008 to George M. Steinbrenner Field honoring the former Yankees owner and Tampa resident.","Sources:","Brassfield, Mike. (2008, February 15). Legends Field gets new name: The Yankees' spring facility officially is Steinbrenner Field.  Tampa Bay Times.  Retrieved March 30, 2012, from http://www.sptimes.com.","Note written by K. Kerns, 2012","published","processed","This collection contains multiple items of memorabilia and ephemera, such as World Champion pins, key chains, posters, etc., along with game programs, team rosters and tickets for both the New York Yankees and Tampa Yankees.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of ephemeral materials of Legends Field.","USF Libraries - Tampa Special Collections","University of South Florida. Library. 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Special Collections Department"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Unknown"],"access_subjects_ssim":["Baseball","Baseball fields"],"access_subjects_ssm":["Baseball","Baseball fields"],"has_online_content_ssim":["false"],"extent_ssm":["4.24 Linear Feet","7 boxes"],"extent_tesim":["4.24 Linear Feet","7 boxes"],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged by subject and then chronologically."],"bioghist_html_tesm":["\u003cp\u003eLegends Field, home to the New York Yankees baseball team during spring training, was established March 1, 1996. Located in Tampa, the stadium name was changed in 2008 to George M. Steinbrenner Field honoring the former Yankees owner and Tampa resident.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBrassfield, Mike. (2008, February 15). Legends Field gets new name: The Yankees' spring facility officially is Steinbrenner Field. \u003cemph render=\"italic\"\u003eTampa Bay Times.\u003c/emph\u003e Retrieved March 30, 2012, from http://www.sptimes.com.\u003c/p\u003e\n","\u003cp\u003eNote written by K. Kerns, 2012\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Legends Field, home to the New York Yankees baseball team during spring training, was established March 1, 1996. Located in Tampa, the stadium name was changed in 2008 to George M. Steinbrenner Field honoring the former Yankees owner and Tampa resident.","Sources:","Brassfield, Mike. (2008, February 15). Legends Field gets new name: The Yankees' spring facility officially is Steinbrenner Field.  Tampa Bay Times.  Retrieved March 30, 2012, from http://www.sptimes.com.","Note written by K. Kerns, 2012"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eLegends Field Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u0026#xA0;\u003c/p\u003e"],"prefercite_tesim":["Legends Field Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains multiple items of memorabilia and ephemera, such as World Champion pins, key chains, posters, etc., along with game programs, team rosters and tickets for both the New York Yankees and Tampa Yankees.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains multiple items of memorabilia and ephemera, such as World Champion pins, key chains, posters, etc., along with game programs, team rosters and tickets for both the New York Yankees and Tampa Yankees."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f9fa32dd919f8f27f9f6e5c935e79c4\" label=\"Abstract\"\u003eThis collection consists of ephemeral materials of Legends Field.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of ephemeral materials of Legends Field."],"names_coll_ssim":["New York Yankees (Baseball team)","Tampa Yankees"],"names_ssim":["USF Libraries - Tampa Special Collections","University of South Florida. Library. Special Collections Department","New York Yankees (Baseball team)","Tampa Yankees"],"corpname_ssim":["USF Libraries - Tampa Special Collections","University of South Florida. Library. Special Collections Department","New York Yankees (Baseball team)","Tampa Yankees"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":190,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7cf5deae752ed0c49dc3d86d","timestamp":"2026-07-11T03:54:22.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7cf5deae752ed0c49dc3d86d_aspace_102151"}},{"id":"3f609d3f861324b58927fbf9_aspace_9679","type":"Series","attributes":{"title":"New Zealand","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3f609d3f861324b58927fbf9_aspace_9679#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9679","ref_ssm":["aspace_9679","aspace_9679"],"id":"3f609d3f861324b58927fbf9_aspace_9679","title_filing_ssi":"New Zealand","title_ssm":["New Zealand"],"title_tesim":["New Zealand"],"normalized_title_ssm":["New Zealand"],"text":["New Zealand","Dr. Harry A Kersey, Jr. Faculty Papers Collection, 1966-2010, Date acquired: 01/01/2002","Series 10","/repositories/2/archival_objects/32787"],"component_level_isim":[1],"parent_ids_ssim":["3f609d3f861324b58927fbf9"],"parent_unittitles_ssm":["Dr. Harry A Kersey, Jr. Faculty Papers Collection, 1966-2010, Date acquired: 01/01/2002"],"parent_unittitles_tesim":["Dr. Harry A Kersey, Jr. Faculty Papers Collection, 1966-2010, Date acquired: 01/01/2002"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 10","/repositories/2/archival_objects/32787"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Harry A Kersey, Jr. Faculty Papers Collection, 1966-2010, Date acquired: 01/01/2002"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":830,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#9","_nest_parent_":"3f609d3f861324b58927fbf9","_root_":"3f609d3f861324b58927fbf9","_version_":1870842158887469056,"timestamp":"2026-07-16T03:55:16.965Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3f609d3f861324b58927fbf9","title_ssm":["Dr. Harry A Kersey, Jr. Faculty Papers Collection"],"title_tesim":["Dr. Harry A Kersey, Jr. Faculty Papers Collection"],"ead_ssi":"3f609d3f861324b58927fbf9","unitdate_ssm":["1966-2010","Date acquired: 01/01/2002"],"unitdate_other_ssim":["1966-2010","Date acquired: 01/01/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0001","/repositories/2/resources/84"],"text":["UAFP0001","/repositories/2/resources/84","Dr. Harry A Kersey, Jr. Faculty Papers Collection, 1966-2010, Date acquired: 01/01/2002","Seminole Indians","Buffalo Tiger -- 1920-","Fort Lauderdale Region (Fla.) -- History -- 20th century","Indians of North America -- Florida -- Government relations","Self-determination, National -- New Zealand","Seminole Indians -- Politics and government","Seminole Indians -- History","Mikasuki Indians -- Biography","Maori (New Zealand people) -- Politics and government","Florida Atlantic University -- History","University Archives -- Faculty Papers","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2010, Lawrence Mello, Jr. and Victoria Thur processed this collection.","Harry A. Kersey, Jr. is Professor Emeritus of History at Florida Atlantic University in Boca Raton, Florida.  A native Floridian, he received his Bachelor of Arts and Masters degrees from the University of Florida, and holds a Ph.D. from the University of Illinois at Urbana-Champaign.  In 1966, Dr. Kersey began teaching at Florida Atlantic University and currently is an emeritus professor of history at FAU.\n\nProfessor Kersey has a rich background in international research and teaching.  He has been a Fulbright Senior Scholar at two African universities—the University of Zimbabwe (1984) and the National University of Lesotho (1988)—where he lectured and initiated research on comparative frontier history.  In 1996, the United States Information Agency sponsored his appearance as a Visiting Lecturer on American Indian history at the Linguistics University of Nizhny Novgorod in Russia.  During 2000, he was a Fulbright Senior Scholar at the National Library of New Zealand conducting research for a comparative study of Maori and American Indian sovereignty issues. The Treaty of Waitangi Research Unit at Victoria University of Wellington published his initial research findings.  As a follow-up to the New Zealand work, Kersey was awarded a Visiting Research Fellowship at the East-West Center in Honolulu during the summer of 2001.  He returned to New Zealand in 2002 and 2005 as a Fulbright Senior Specialist examining the impact of Maori issues in New Zealand politics.\n\nDr. Kersey's recent publication,  Seminole Voices  received a silver medal in the non-fiction category of the 2010 Florida Book Awards.  It also won the Harry and Harriet Moore Book Award and The Samuel Proctor Oral History Prize given by the Florida Historical Society.\n\nDr. Kersey is currently involved in comparative research on indigenous rights, political sovereignty, and the impact of minority issues on national governments.  In addition, he occasionally teaches courses at both Florida Atlantic University and the University of Hawai'i at Manoa.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Dr. Harry A. Kersey, Jr.","English"],"unitid_tesim":["UAFP0001","/repositories/2/resources/84"],"normalized_date_ssm":["1966-2010, Date acquired: 01/01/2002"],"normalized_title_ssm":["Dr. Harry A Kersey, Jr. Faculty Papers Collection, 1966-2010, Date acquired: 01/01/2002"],"collection_title_tesim":["Dr. Harry A Kersey, Jr. Faculty Papers Collection, 1966-2010, Date acquired: 01/01/2002"],"collection_ssim":["Dr. Harry A Kersey, Jr. Faculty Papers Collection, 1966-2010, Date acquired: 01/01/2002"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Dr. Harry A. Kersey, Jr."],"creator_ssim":["Dr. Harry A. Kersey, Jr."],"creator_persname_ssim":["Dr. Harry A. Kersey, Jr."],"creators_ssim":["Dr. Harry A. Kersey, Jr."],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Seminole Indians","Buffalo Tiger -- 1920-","Fort Lauderdale Region (Fla.) -- History -- 20th century","Indians of North America -- Florida -- Government relations","Self-determination, National -- New Zealand","Seminole Indians -- Politics and government","Seminole Indians -- History","Mikasuki Indians -- Biography","Maori (New Zealand people) -- Politics and government","Florida Atlantic University -- History","University Archives -- Faculty Papers"],"access_subjects_ssm":["Seminole Indians","Buffalo Tiger -- 1920-","Fort Lauderdale Region (Fla.) -- History -- 20th century","Indians of North America -- Florida -- Government relations","Self-determination, National -- New Zealand","Seminole Indians -- Politics and government","Seminole Indians -- History","Mikasuki Indians -- Biography","Maori (New Zealand people) -- Politics and government","Florida Atlantic University -- History","University Archives -- Faculty Papers"],"has_online_content_ssim":["false"],"extent_ssm":["19.00 Linear Feet","39  boxes"],"extent_tesim":["19.00 Linear Feet","39  boxes"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Lawrence Mello, Jr. and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Lawrence Mello, Jr. and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cblockquote\u003eHarry A. Kersey, Jr. is Professor Emeritus of History at Florida Atlantic University in Boca Raton, Florida.\u0026#xA0; A native Floridian, he received his Bachelor of Arts and Masters degrees from the University of Florida, and holds a Ph.D. from the University of Illinois at Urbana-Champaign.\u0026#xA0; In 1966, Dr. Kersey began teaching at Florida Atlantic University and currently is an emeritus professor of history at FAU.\n\nProfessor Kersey has a rich background in international research and teaching.\u0026#xA0; He has been a Fulbright Senior Scholar at two African universities\u0026#x2014;the University of Zimbabwe (1984) and the National University of Lesotho (1988)\u0026#x2014;where he lectured and initiated research on comparative frontier history.\u0026#xA0; In 1996, the United States Information Agency sponsored his appearance as a Visiting Lecturer on American Indian history at the Linguistics University of Nizhny Novgorod in Russia.\u0026#xA0; During 2000, he was a Fulbright Senior Scholar at the National Library of New Zealand conducting research for a comparative study of Maori and American Indian sovereignty issues. The Treaty of Waitangi Research Unit at Victoria University of Wellington published his initial research findings.\u0026#xA0; As a follow-up to the New Zealand work, Kersey was awarded a Visiting Research Fellowship at the East-West Center in Honolulu during the summer of 2001.\u0026#xA0; He returned to New Zealand in 2002 and 2005 as a Fulbright Senior Specialist examining the impact of Maori issues in New Zealand politics.\n\nDr. Kersey's recent publication,\u003cemph render=\"italic\"\u003e Seminole Voices \u003c/emph\u003ereceived a silver medal in the non-fiction category of the 2010 Florida Book Awards.\u0026#xA0; It also won the Harry and Harriet Moore Book Award and The Samuel Proctor Oral History Prize given by the Florida Historical Society.\n\nDr. Kersey is currently involved in comparative research on indigenous rights, political sovereignty, and the impact of minority issues on national governments.\u0026#xA0; In addition, he occasionally teaches courses at both Florida Atlantic University and the University of Hawai'i at Manoa.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Harry A. Kersey, Jr. is Professor Emeritus of History at Florida Atlantic University in Boca Raton, Florida.  A native Floridian, he received his Bachelor of Arts and Masters degrees from the University of Florida, and holds a Ph.D. from the University of Illinois at Urbana-Champaign.  In 1966, Dr. Kersey began teaching at Florida Atlantic University and currently is an emeritus professor of history at FAU.\n\nProfessor Kersey has a rich background in international research and teaching.  He has been a Fulbright Senior Scholar at two African universities—the University of Zimbabwe (1984) and the National University of Lesotho (1988)—where he lectured and initiated research on comparative frontier history.  In 1996, the United States Information Agency sponsored his appearance as a Visiting Lecturer on American Indian history at the Linguistics University of Nizhny Novgorod in Russia.  During 2000, he was a Fulbright Senior Scholar at the National Library of New Zealand conducting research for a comparative study of Maori and American Indian sovereignty issues. The Treaty of Waitangi Research Unit at Victoria University of Wellington published his initial research findings.  As a follow-up to the New Zealand work, Kersey was awarded a Visiting Research Fellowship at the East-West Center in Honolulu during the summer of 2001.  He returned to New Zealand in 2002 and 2005 as a Fulbright Senior Specialist examining the impact of Maori issues in New Zealand politics.\n\nDr. Kersey's recent publication,  Seminole Voices  received a silver medal in the non-fiction category of the 2010 Florida Book Awards.  It also won the Harry and Harriet Moore Book Award and The Samuel Proctor Oral History Prize given by the Florida Historical Society.\n\nDr. Kersey is currently involved in comparative research on indigenous rights, political sovereignty, and the impact of minority issues on national governments.  In addition, he occasionally teaches courses at both Florida Atlantic University and the University of Hawai'i at Manoa."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Dr. Harry A. Kersey, Jr."],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Dr. Harry A. Kersey, Jr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":995,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842158887469056,"_root_":"3f609d3f861324b58927fbf9","timestamp":"2026-07-16T03:55:16.965Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3f609d3f861324b58927fbf9_aspace_9679"}},{"id":"3018d7acc866cce1e2f00be2_aspace_af0c9c376fb10fae94f9cf51dd4848eb","type":"Series","attributes":{"title":"New Zealand Arts","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_af0c9c376fb10fae94f9cf51dd4848eb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_af0c9c376fb10fae94f9cf51dd4848eb","ref_ssm":["aspace_af0c9c376fb10fae94f9cf51dd4848eb","aspace_af0c9c376fb10fae94f9cf51dd4848eb"],"id":"3018d7acc866cce1e2f00be2_aspace_af0c9c376fb10fae94f9cf51dd4848eb","title_filing_ssi":"New Zealand Arts","title_ssm":["New Zealand Arts"],"title_tesim":["New Zealand Arts"],"normalized_title_ssm":["New Zealand Arts"],"text":["New Zealand Arts","Mickey Wolfson Theater Collection, 1946-2015","Box 18","/repositories/2/archival_objects/74513"],"component_level_isim":[2],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_731be3c717105f3a95da47b8724ed7a9"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 18"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 18"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["/repositories/2/archival_objects/74513"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":617,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. 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For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  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","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. 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He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. \u003c/p\u003e\n","\u003cp\u003e\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. 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