{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=353","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=352","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=354","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856"},"meta":{"pages":{"current_page":353,"next_page":354,"prev_page":352,"total_pages":856,"limit_value":10,"offset_value":3520,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"858c2b961d9f21b8a16c10c6_aspace_dd414b101de05fad3c673facef509b5f","type":"Series","attributes":{"title":"Hillsborough County","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/858c2b961d9f21b8a16c10c6_aspace_dd414b101de05fad3c673facef509b5f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dd414b101de05fad3c673facef509b5f","ref_ssm":["aspace_dd414b101de05fad3c673facef509b5f","aspace_dd414b101de05fad3c673facef509b5f"],"id":"858c2b961d9f21b8a16c10c6_aspace_dd414b101de05fad3c673facef509b5f","title_filing_ssi":"Hillsborough County","title_ssm":["Hillsborough County"],"title_tesim":["Hillsborough County"],"normalized_title_ssm":["Hillsborough County"],"text":["Hillsborough County","Florida Photograph collection, bulk 1883-1977","/repositories/2/archival_objects/218301"],"component_level_isim":[1],"parent_ids_ssim":["858c2b961d9f21b8a16c10c6"],"parent_unittitles_ssm":["Florida Photograph collection, bulk 1883-1977"],"parent_unittitles_tesim":["Florida Photograph collection, bulk 1883-1977"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/218301"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Photograph collection, bulk 1883-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":26,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":145,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#48","_nest_parent_":"858c2b961d9f21b8a16c10c6","_root_":"858c2b961d9f21b8a16c10c6","timestamp":"2026-06-06T03:16:59.251Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"858c2b961d9f21b8a16c10c6","title_ssm":["Florida Photograph collection"],"title_tesim":["Florida Photograph collection"],"ead_ssi":"858c2b961d9f21b8a16c10c6","unitdate_ssm":["1883-1977"],"unitdate_bulk_ssim":["1883-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2021-06","/repositories/2/resources/597"],"text":["MS-2021-06","/repositories/2/resources/597","Florida Photograph collection, bulk 1883-1977","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2021-06","/repositories/2/resources/597"],"normalized_date_ssm":["bulk 1883-1977"],"normalized_title_ssm":["Florida Photograph collection, bulk 1883-1977"],"collection_title_tesim":["Florida Photograph collection, bulk 1883-1977"],"collection_ssim":["Florida Photograph collection, bulk 1883-1977"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["8.78 Linear Feet","42 boxes"],"extent_tesim":["8.78 Linear Feet","42 boxes"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; 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Also included is correspondence and research by Stetson Kennedy, one of the project's chief editors, in addition to correspondence and records of the daily activities of Carita Doggett Corse, who served as the director of the Florida Writer's Project in 1935. A significant number of newspaper clippings from the  Tampa Tribune , dating between 1935 and 1943, are also present.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The bulk of this collection includes manuscripts and revised typescripts for the Florida edition of the  American Guide  series produced by the Works Progress Administration.","USF Libraries - Tampa Special Collections","United States. Florida Works Progress Administration","Federal Works Agency. Work Projects Administration. Federal Writers' Project. 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Works Progress Administration","Florida -- Social life and customs.","Seminole","African Americans -- Florida -- Social life and customs","African Americans -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["19.42 Linear Feet","34 boxes"],"extent_tesim":["19.42 Linear Feet","34 boxes"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1982],"arrangement_html_tesm":["\u003cp\u003eSeries. Within series, arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Series. Within series, arranged alphabetically by subject."],"bioghist_html_tesm":["\u003cp\u003eThe Works Progress Administration (WPA) was created in 1935 by President Franklin D. Roosevelt as part of the New Deal program. The primary function of the WPA was to create jobs for the millions of unemployed Americans as a result of the Great Depression. Through a series of projects called Federal One, the WPA became the largest federal relief program, employing nearly one-third of the nation's jobless. WPA Projects included the Federal Arts Project, Federal Music Project, and the Federal Writers' Project. During World War II, the focus of the WPA shifted toward national defense and, eventually, into war preparation. WPA agencies were closed in 1943.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Works Progress Administration (WPA) was created in 1935 by President Franklin D. Roosevelt as part of the New Deal program. The primary function of the WPA was to create jobs for the millions of unemployed Americans as a result of the Great Depression. Through a series of projects called Federal One, the WPA became the largest federal relief program, employing nearly one-third of the nation's jobless. WPA Projects included the Federal Arts Project, Federal Music Project, and the Federal Writers' Project. During World War II, the focus of the WPA shifted toward national defense and, eventually, into war preparation. WPA agencies were closed in 1943."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration Tampa Office Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration Tampa Office Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eComplete\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Complete"],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://archives.lib.usf.edu/repositories/2/resources/398\"\u003eFederal Writers' Project Collections\u003c/a\u003e at USF Special Collections.\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://catalog.archives.gov/id/398\"\u003eRecords of the Works Projects Administration, 1922-1944\u003c/a\u003e, National Archives and Records Administration, Majority at the National Archives at College Park, Maryland.\u003c/p\u003e","\u003cp\u003eTidd, James F. \u003cemph render=\"italic\"\u003eThe Works Progress Administration in Hillsborough and Pinellas Counties, Florida, 1935 to 1943\u003c/emph\u003e. , 1989. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Federal Writers' Project Collections  at USF Special Collections.","Records of the Works Projects Administration, 1922-1944 , National Archives and Records Administration, Majority at the National Archives at College Park, Maryland.","Tidd, James F.  The Works Progress Administration in Hillsborough and Pinellas Counties, Florida, 1935 to 1943 . , 1989. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains extensive documentation regarding the administration of the Works Progress Administration's (WPA) Tampa Office, which was located in Ybor City, Tampa, FL at 1318 East 9th Avenue. The bulk of this collection consists of manuscripts and revised typescripts for the Florida edition of the \u003cemph render=\"italic\"\u003eAmerican Guide \u003c/emph\u003eseries. Drafts and revisions pertain to Hillsborough County, particularly the city of Tampa, with a substantial number of essays on Ybor City and its immigration history. Also included is correspondence and research by Stetson Kennedy, one of the project's chief editors, in addition to correspondence and records of the daily activities of Carita Doggett Corse, who served as the director of the Florida Writer's Project in 1935. A significant number of newspaper clippings from the \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e, dating between 1935 and 1943, are also present.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains extensive documentation regarding the administration of the Works Progress Administration's (WPA) Tampa Office, which was located in Ybor City, Tampa, FL at 1318 East 9th Avenue. The bulk of this collection consists of manuscripts and revised typescripts for the Florida edition of the  American Guide  series. Drafts and revisions pertain to Hillsborough County, particularly the city of Tampa, with a substantial number of essays on Ybor City and its immigration history. Also included is correspondence and research by Stetson Kennedy, one of the project's chief editors, in addition to correspondence and records of the daily activities of Carita Doggett Corse, who served as the director of the Florida Writer's Project in 1935. A significant number of newspaper clippings from the  Tampa Tribune , dating between 1935 and 1943, are also present."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00668a2e4deae7170de0e81b4b3a3140\" label=\"Abstract\"\u003eThe bulk of this collection includes manuscripts and revised typescripts for the Florida edition of the \u003cemph render=\"italic\"\u003eAmerican Guide \u003c/emph\u003eseries produced by the Works Progress Administration.\u003c/abstract\u003e"],"abstract_tesim":["The bulk of this collection includes manuscripts and revised typescripts for the Florida edition of the  American Guide  series produced by the Works Progress Administration."],"names_coll_ssim":["Federal Works Agency. Work Projects Administration. Federal Writers' Project. Florida"],"names_ssim":["USF Libraries - Tampa Special Collections","United States. Florida Works Progress Administration","Federal Works Agency. Work Projects Administration. Federal Writers' Project. Florida"],"corpname_ssim":["USF Libraries - Tampa Special Collections","United States. Florida Works Progress Administration","Federal Works Agency. Work Projects Administration. Federal Writers' Project. Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":650,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ce20910b89b47cd31876fd5f","timestamp":"2026-06-18T03:18:37.189Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ce20910b89b47cd31876fd5f_aspace_76900"}},{"id":"1654bcb1ae789004f883a575_aspace_59840","type":"Series","attributes":{"title":"Hillsborough County Site Files","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1654bcb1ae789004f883a575_aspace_59840#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_59840","ref_ssm":["aspace_59840","aspace_59840"],"id":"1654bcb1ae789004f883a575_aspace_59840","title_filing_ssi":"Hillsborough County Site Files","title_ssm":["Hillsborough County Site Files"],"title_tesim":["Hillsborough County Site Files"],"normalized_title_ssm":["Hillsborough County Site Files"],"text":["Hillsborough County Site Files","Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995","Series 1","/repositories/2/archival_objects/91063"],"component_level_isim":[1],"parent_ids_ssim":["1654bcb1ae789004f883a575"],"parent_unittitles_ssm":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"parent_unittitles_tesim":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/91063"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#0","_nest_parent_":"1654bcb1ae789004f883a575","_root_":"1654bcb1ae789004f883a575","_version_":1870863079011516416,"timestamp":"2026-07-16T09:27:47.874Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1654bcb1ae789004f883a575","title_ssm":["Historic Tampa-Hillsborough County Preservation Board collection"],"title_tesim":["Historic Tampa-Hillsborough County Preservation Board collection"],"ead_ssi":"1654bcb1ae789004f883a575","unitdate_ssm":["1978-1995"],"unitdate_inclusive_ssm":["1978-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["H45","/repositories/2/resources/415"],"text":["H45","/repositories/2/resources/415","Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995","Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","Architecture -- Conservation and restoration -- Florida -- Tampa","Architecture -- Conservation and restoration -- Florida -- Hillsborough County","National Register of Historic Places","Collection is organized within series by subject. 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Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board.","USF Libraries - Tampa Special Collections","Historic Tampa-Hillsborough County Preservation Board","Citrus Park Colored School (Citrus Park, Fla.)","English"],"unitid_tesim":["H45","/repositories/2/resources/415"],"normalized_date_ssm":["1978-1995"],"normalized_title_ssm":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"collection_title_tesim":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"collection_ssim":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Historic Tampa-Hillsborough County Preservation Board"],"creator_ssim":["Historic Tampa-Hillsborough County Preservation Board"],"creator_corpname_ssim":["Historic Tampa-Hillsborough County Preservation Board"],"creators_ssim":["Historic Tampa-Hillsborough County Preservation Board"],"places_ssim":["Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Architecture -- Conservation and restoration -- Florida -- Tampa","Architecture -- Conservation and restoration -- Florida -- Hillsborough County","National Register of Historic Places"],"access_subjects_ssm":["Architecture -- Conservation and restoration -- Florida -- Tampa","Architecture -- Conservation and restoration -- Florida -- Hillsborough County","National Register of Historic Places"],"has_online_content_ssim":["false"],"extent_ssm":["40.86 Linear Feet","48 boxes"],"extent_tesim":["40.86 Linear Feet","48 boxes"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eCollection is organized within series by subject. Hillsborough County, Ybor City, and West Tampa site files are arranged alphabetically. Ybor City streets and avenues are listed in ascending numerical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection is organized within series by subject. Hillsborough County, Ybor City, and West Tampa site files are arranged alphabetically. Ybor City streets and avenues are listed in ascending numerical order."],"bioghist_html_tesm":["\u003cp\u003eThe Historic Tampa-Hillsborough County Preservation Board is one of seven major historic preservation boards created within the Department of State pursuant to Chapter 266, F.S. for the purpose of acquiring, maintaining, restoring, and preserving the sites, buildings, landmarks, and other materials of historical significance within the State of Florida. The established preservation boards include the Historic St. Augustine Preservation Board, the Historic Pensacola Preservation Board, the Historic Tallahassee Preservation Board, the Historic Palm Beach County Preservation Board, the Historic Florida Keys Preservation Board, and the combined historic preservation boards of Broward County, Volusia County, and Flagler County. In the City of Tampa, historic preservation is accomplished by means of three distinct architectural boards and commissions responsible for reviewing and monitoring development within historic districts. These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.\u003c/p\u003e\n","\u003cp\u003e\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida. \u003cextref href=\"http://www.tampagov.net/dept_historic_preservation/\"\u003ehttp://www.tampagov.net/dept_historic_preservation/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eHistoric Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eNote written by Jean McAllister, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Historic Tampa-Hillsborough County Preservation Board is one of seven major historic preservation boards created within the Department of State pursuant to Chapter 266, F.S. for the purpose of acquiring, maintaining, restoring, and preserving the sites, buildings, landmarks, and other materials of historical significance within the State of Florida. The established preservation boards include the Historic St. Augustine Preservation Board, the Historic Pensacola Preservation Board, the Historic Tallahassee Preservation Board, the Historic Palm Beach County Preservation Board, the Historic Florida Keys Preservation Board, and the combined historic preservation boards of Broward County, Volusia County, and Flagler County. In the City of Tampa, historic preservation is accomplished by means of three distinct architectural boards and commissions responsible for reviewing and monitoring development within historic districts. These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.","\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida.  http://www.tampagov.net/dept_historic_preservation/","Historic Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Note written by Jean McAllister, 2011"],"prefercite_html_tesm":["\u003cp\u003eHistoric Tampa-Hillsborough County Preservation Board Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Historic Tampa-Hillsborough County Preservation Board Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of administrative records, the architectural records of historic buildings, site files, artifacts, zone surveys, public records, transcriptions, newspaper clippings, and general reference materials. Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of administrative records, the architectural records of historic buildings, site files, artifacts, zone surveys, public records, transcriptions, newspaper clippings, and general reference materials. Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e3adc3f0be8ab32b87f1a82b2b528f55\" label=\"Abstract\"\u003eThis collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board."],"names_coll_ssim":["Citrus Park Colored School (Citrus Park, Fla.)","Historic Tampa-Hillsborough County Preservation Board"],"names_ssim":["USF Libraries - Tampa Special Collections","Historic Tampa-Hillsborough County Preservation Board","Citrus Park Colored School (Citrus Park, Fla.)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Historic Tampa-Hillsborough County Preservation Board","Citrus Park Colored School (Citrus Park, Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":787,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863079011516416,"_root_":"1654bcb1ae789004f883a575","timestamp":"2026-07-16T09:27:47.874Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1654bcb1ae789004f883a575_aspace_59840"}},{"id":"bc3b405ad7bffa4e6aa102a4_aspace_156185","type":"Series","attributes":{"title":"Hiroshi Sunari","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4_aspace_156185#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_156185","ref_ssm":["aspace_156185","aspace_156185"],"id":"bc3b405ad7bffa4e6aa102a4_aspace_156185","title_filing_ssi":"Hiroshi Sunari","title_ssm":["Hiroshi Sunari"],"title_tesim":["Hiroshi Sunari"],"normalized_title_ssm":["Hiroshi Sunari"],"text":["Hiroshi Sunari","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Photographs","Asians II, Pt. 2","1","/repositories/2/archival_objects/31059"],"component_level_isim":[3],"parent_ids_ssim":["bc3b405ad7bffa4e6aa102a4","bc3b405ad7bffa4e6aa102a4_aspace_155937","bc3b405ad7bffa4e6aa102a4_aspace_158812"],"parent_unittitles_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Photographs","Asians II, Pt. 2"],"parent_unittitles_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Photographs","Asians II, Pt. 2"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["1","/repositories/2/archival_objects/31059"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1283,"parent_access_restrict_tesm":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#5/components#3/components#0","_nest_parent_":"bc3b405ad7bffa4e6aa102a4_aspace_158812","_root_":"bc3b405ad7bffa4e6aa102a4","_version_":1876026433506115584,"timestamp":"2026-09-11T09:17:06.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bc3b405ad7bffa4e6aa102a4","title_ssm":["Asian male nude collection"],"title_tesim":["Asian male nude collection"],"ead_ssi":"bc3b405ad7bffa4e6aa102a4","unitdate_ssm":["1939-2014","Date acquired: 07/00/2013"],"unitdate_inclusive_ssm":["1939-2014"],"unitdate_other_ssim":["Date acquired: 07/00/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-01","/repositories/2/resources/199"],"text":["MS-2013-01","/repositories/2/resources/199","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies","Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.","Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.","USF Libraries - Tampa Special Collections","Anonymous","English"],"unitid_tesim":["MS-2013-01","/repositories/2/resources/199"],"normalized_date_ssm":["1939-2014, Date acquired: 07/00/2013"],"normalized_title_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_title_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anonymous"],"creator_ssim":["Anonymous"],"creator_persname_ssim":["Anonymous"],"creators_ssim":["Anonymous"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Anonymous","Donation"],"access_subjects_ssim":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"access_subjects_ssm":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["29.04 Linear Feet","67 boxes"],"extent_tesim":["29.04 Linear Feet","67 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eAge Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject."],"prefercite_html_tesm":["\u003cp\u003eAsian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Asian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eGay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  \u003c/p\u003e\n","\u003cp\u003eLGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6664ca4341de9df58678563f11c3afcb\" label=\"Abstract\"\u003eA collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.\u003c/abstract\u003e"],"abstract_tesim":["A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude."],"names_ssim":["USF Libraries - Tampa Special Collections","Anonymous"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Anonymous"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876026433506115584,"_root_":"bc3b405ad7bffa4e6aa102a4","timestamp":"2026-09-11T09:17:06.437Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4_aspace_156185"}},{"id":"15a125aee4721d82ca8b1f08_aspace_79656","type":"Series","attributes":{"title":"Historical Essays","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/15a125aee4721d82ca8b1f08_aspace_79656#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_79656","ref_ssm":["aspace_79656","aspace_79656"],"id":"15a125aee4721d82ca8b1f08_aspace_79656","title_filing_ssi":"Historical Essays","title_ssm":["Historical Essays"],"title_tesim":["Historical Essays"],"normalized_title_ssm":["Historical Essays"],"text":["Historical Essays","Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979","Box 1","Series 3","/repositories/2/archival_objects/114184"],"component_level_isim":[2],"parent_ids_ssim":["15a125aee4721d82ca8b1f08","15a125aee4721d82ca8b1f08_aspace_182600"],"parent_unittitles_ssm":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979","Box 1"],"parent_unittitles_tesim":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979","Box 1"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Series 3","/repositories/2/archival_objects/114184"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Otis R. 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He also served as diversity management director for the Polk County School District.","published","USF Department of Anthropology African Americans in Florida Project, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","Includes audio cassettes, audio compact discs (CDs), oral history transcripts, and biographical and historical essays.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The collection includes audio recordings of Otis R. Anthony's poetry, as well as various essays recounting African American history in Tampa, FL. The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections.","USF Libraries - Tampa Special Collections","Black History Research Project of Tampa","Anthony, Otis R.","English"],"unitid_tesim":["MS-2008-01","/repositories/2/resources/511"],"normalized_date_ssm":["1977-2009, 2008-11, bulk 1977-1979"],"normalized_title_ssm":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979"],"collection_title_tesim":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979"],"collection_ssim":["Otis R. 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Anthony collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Otis R. Anthony collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eUSF Department of Anthropology African Americans in Florida Project, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["USF Department of Anthropology African Americans in Florida Project, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIncludes audio cassettes, audio compact discs (CDs), oral history transcripts, and biographical and historical essays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes audio cassettes, audio compact discs (CDs), oral history transcripts, and biographical and historical essays."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_846cd6af22871ffe6a85cbd6f632eb74\" label=\"Abstract\"\u003eThe collection includes audio recordings of Otis R. Anthony's poetry, as well as various essays recounting African American history in Tampa, FL. The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes audio recordings of Otis R. Anthony's poetry, as well as various essays recounting African American history in Tampa, FL. The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections."],"names_coll_ssim":["Black History Research Project of Tampa","Anthony, Otis R."],"names_ssim":["USF Libraries - Tampa Special Collections","Black History Research Project of Tampa","Anthony, Otis R."],"corpname_ssim":["USF Libraries - Tampa Special Collections","Black History Research Project of Tampa"],"persname_ssim":["Anthony, Otis R."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872583703472898048,"_root_":"15a125aee4721d82ca8b1f08","timestamp":"2026-08-04T09:16:23.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/15a125aee4721d82ca8b1f08_aspace_79656"}},{"id":"18ce43a3c782b797db9fa781_aspace_176264","type":"Series","attributes":{"title":"Historical Figures","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176264#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_176264","ref_ssm":["aspace_176264","aspace_176264"],"id":"18ce43a3c782b797db9fa781_aspace_176264","title_filing_ssi":"Historical Figures","title_ssm":["Historical Figures"],"title_tesim":["Historical Figures"],"normalized_title_ssm":["Historical Figures"],"text":["Historical Figures","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations","Series 5","/repositories/2/archival_objects/81603"],"component_level_isim":[2],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179818"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Series 5","/repositories/2/archival_objects/81603"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":13,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":656,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#16/components#4","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179818","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176264"}},{"id":"06db59900c9edd2114367a19_aspace_cd70c266f812c08f744f2b1007783e3e","type":"Series","attributes":{"title":"Historical Illustrations","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/06db59900c9edd2114367a19_aspace_cd70c266f812c08f744f2b1007783e3e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIllustrations of French soldiers, camps, battles, uniforms and apparel.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/06db59900c9edd2114367a19_aspace_cd70c266f812c08f744f2b1007783e3e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cd70c266f812c08f744f2b1007783e3e","ref_ssm":["aspace_cd70c266f812c08f744f2b1007783e3e","aspace_cd70c266f812c08f744f2b1007783e3e"],"id":"06db59900c9edd2114367a19_aspace_cd70c266f812c08f744f2b1007783e3e","title_filing_ssi":"Historical Illustrations","title_ssm":["Historical Illustrations"],"title_tesim":["Historical Illustrations"],"normalized_title_ssm":["Historical Illustrations"],"text":["Historical Illustrations","Proctor and Martha Jones Collection on Napoleon, Date acquired: 01/01/1999","/repositories/10/archival_objects/215510","MSS 2016-001 Posters","MSS 2016-001 Box 1","MSS 2016-001 Box 2","Illustrations of French soldiers, camps, battles, uniforms and apparel."],"component_level_isim":[1],"parent_ids_ssim":["06db59900c9edd2114367a19"],"parent_unittitles_ssm":["Proctor and Martha Jones Collection on Napoleon, Date acquired: 01/01/1999"],"parent_unittitles_tesim":["Proctor and Martha Jones Collection on Napoleon, Date acquired: 01/01/1999"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/215510"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Proctor and Martha Jones Collection on Napoleon, Date acquired: 01/01/1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":115,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["MSS 2016-001 Posters","MSS 2016-001 Box 1","MSS 2016-001 Box 2"],"scopecontent_html_tesm":["\u003cp\u003eIllustrations of French soldiers, camps, battles, uniforms and apparel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Illustrations of French soldiers, camps, battles, uniforms and apparel."],"_nest_path_":"/components#1","_nest_parent_":"06db59900c9edd2114367a19","_root_":"06db59900c9edd2114367a19","_version_":1870857098560012288,"timestamp":"2026-07-16T07:52:44.561Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"06db59900c9edd2114367a19","title_ssm":["Proctor and Martha Jones Collection on Napoleon"],"title_tesim":["Proctor and Martha Jones Collection on Napoleon"],"ead_ssi":"06db59900c9edd2114367a19","unitdate_ssm":["Date acquired: 01/01/1999"],"unitdate_other_ssim":["Date acquired: 01/01/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1999-003","/repositories/10/resources/1228"],"text":["MSS 1999-003","/repositories/10/resources/1228","Proctor and Martha Jones Collection on Napoleon, Date acquired: 01/01/1999","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Includes materials formerly described as MSS 2016-001.","Literary manuscripts, transcriptions, historical illustrations, and other research materials documenting Proctor Jones's research on Napoleon I and the Napoleonic era.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 1999-003","/repositories/10/resources/1228"],"normalized_date_ssm":["Date acquired: 01/01/1999"],"normalized_title_ssm":["Proctor and Martha Jones Collection on Napoleon, Date acquired: 01/01/1999"],"collection_title_tesim":["Proctor and Martha Jones Collection on Napoleon, Date acquired: 01/01/1999"],"collection_ssim":["Proctor and Martha Jones Collection on Napoleon, Date acquired: 01/01/1999"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Historical Illustrations donated by Proctor Patterson Jones Sr."],"has_online_content_ssim":["false"],"extent_ssm":["6.5 Linear Feet 7 boxes, loose posters"],"extent_tesim":["6.5 Linear Feet 7 boxes, loose posters"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"accruals_html_tesm":["\u003cp\u003eIncludes materials formerly described as MSS 2016-001.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Includes materials formerly described as MSS 2016-001."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Proctor and Martha Jones Collection on Napoleon, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1999-003\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Proctor and Martha Jones Collection on Napoleon, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-1999-003"],"scopecontent_html_tesm":["\u003cp\u003eLiterary manuscripts, transcriptions, historical illustrations, and other research materials documenting Proctor Jones's research on Napoleon I and the Napoleonic era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Literary manuscripts, transcriptions, historical illustrations, and other research materials documenting Proctor Jones's research on Napoleon I and the Napoleonic era."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":115,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857098560012288,"_root_":"06db59900c9edd2114367a19","timestamp":"2026-07-16T07:52:44.561Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/06db59900c9edd2114367a19_aspace_cd70c266f812c08f744f2b1007783e3e"}},{"id":"ffe4b984238f20fad726becb_aspace_188497","type":"Series","attributes":{"title":"Historical Manuscripts, 1496-1800","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ffe4b984238f20fad726becb_aspace_188497#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_188497","ref_ssm":["aspace_188497","aspace_188497"],"id":"ffe4b984238f20fad726becb_aspace_188497","title_filing_ssi":"Historical Manuscripts","title_ssm":["Historical Manuscripts"],"title_tesim":["Historical Manuscripts"],"unitdate_other_ssim":["1496-1800"],"normalized_date_ssm":["1496-1800"],"normalized_title_ssm":["Historical Manuscripts, 1496-1800"],"text":["Historical Manuscripts, 1496-1800","Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014","3","/repositories/10/archival_objects/151973"],"component_level_isim":[1],"parent_ids_ssim":["ffe4b984238f20fad726becb"],"parent_unittitles_ssm":["Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"parent_unittitles_tesim":["Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/10/archival_objects/151973"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":45,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":681,"parent_access_restrict_tesm":["This collection is open to all researchers. Users may access this collection at the Claude Pepper Library. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright in materials created by William S. Burroughs is managed by the Wylie Agency. https://www.wylieagency.com/permissions.html"],"_nest_path_":"/components#2","_nest_parent_":"ffe4b984238f20fad726becb","_root_":"ffe4b984238f20fad726becb","_version_":1871037854284513280,"timestamp":"2026-07-18T07:45:46.645Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ffe4b984238f20fad726becb","title_ssm":["Francois Bucher Papers"],"title_tesim":["Francois Bucher Papers"],"ead_ssi":"ffe4b984238f20fad726becb","unitdate_ssm":["1300, 1565, 1880-1996","Date acquired: 00/00/2014"],"unitdate_other_ssim":["1300, 1565, 1880-1996","Date acquired: 00/00/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2015-010","/repositories/10/resources/1173"],"text":["MSS 2015-010","/repositories/10/resources/1173","Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014","Architecture","Correspondence","Manuscripts","Photographs","This collection is open to all researchers. Users may access this collection at the Claude Pepper Library. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Professional and personal papers of Francois Bucher (1927-1999), professor of Art History (1978-1996), including correspondence, instructional materials, artwork, research materials, and scholarly works. Significant correspondents include William S. Burroughs, Brion Gysin, Paul Sharits, and Kurt Vonnegut. The collection includes works by Sinclair Beiles, Bucher and Burroughs.  Subjects include Bucher's academic career at University of Minnesota, Yale University, Brown University, State University of New York-Binghamton, and Florida State University; Junction B and the Nautilus Foundation in Lloyd, Florida; and Bucher's novel  Ein Strahlendes End  ( A Small Accident ).","Copyright in materials created by William S. Burroughs is managed by the Wylie Agency.  https://www.wylieagency.com/permissions.html","FSU Special Collections \u0026 Archives","Bucher, Francois","Burroughs, William S.","Burroughs, William S., 1914-1997","Sharits, Paul","Rilke, Rainer Maria, 1875-1926","Gysin, Brion","Beiles, Sinclair, 1930-2000","English"],"unitid_tesim":["MSS 2015-010","/repositories/10/resources/1173"],"normalized_date_ssm":["1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"normalized_title_ssm":["Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"collection_title_tesim":["Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"collection_ssim":["Francois Bucher Papers, 1300, 1565, 1880-1996, Date acquired: 00/00/2014"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Bucher, Francois","Burroughs, William S."],"creator_ssim":["Bucher, Francois","Burroughs, William S."],"creator_persname_ssim":["Bucher, Francois","Burroughs, William S."],"creators_ssim":["Bucher, Francois","Burroughs, William S."],"access_terms_ssm":["Copyright in materials created by William S. Burroughs is managed by the Wylie Agency.  https://www.wylieagency.com/permissions.html"],"acqinfo_ssim":["FSU Department of English","Donation. Accruals from Fiona Hollier, 2014, and from FSU Art History Department, March 20, 2017."],"access_subjects_ssim":["Architecture","Correspondence","Manuscripts","Photographs"],"access_subjects_ssm":["Architecture","Correspondence","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["9.75 Linear Feet"],"extent_tesim":["9.75 Linear Feet"],"genreform_ssim":["Correspondence","Manuscripts","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection at the Claude Pepper Library. \u003c/p\u003e\n","\u003cp\u003ePortions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection at the Claude Pepper Library. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eFrancois Bucher Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2015-010\"\u003ehttp://purl.fcla.edu/fsu/MSS_2015-010\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Francois Bucher Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2015-010"],"scopecontent_html_tesm":["\u003cp\u003eProfessional and personal papers of Francois Bucher (1927-1999), professor of Art History (1978-1996), including correspondence, instructional materials, artwork, research materials, and scholarly works. Significant correspondents include William S. Burroughs, Brion Gysin, Paul Sharits, and Kurt Vonnegut. The collection includes works by Sinclair Beiles, Bucher and Burroughs.  Subjects include Bucher's academic career at University of Minnesota, Yale University, Brown University, State University of New York-Binghamton, and Florida State University; Junction B and the Nautilus Foundation in Lloyd, Florida; and Bucher's novel \u003cemph render=\"italic\"\u003eEin Strahlendes End\u003c/emph\u003e (\u003cemph render=\"italic\"\u003eA Small Accident\u003c/emph\u003e).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Professional and personal papers of Francois Bucher (1927-1999), professor of Art History (1978-1996), including correspondence, instructional materials, artwork, research materials, and scholarly works. Significant correspondents include William S. Burroughs, Brion Gysin, Paul Sharits, and Kurt Vonnegut. The collection includes works by Sinclair Beiles, Bucher and Burroughs.  Subjects include Bucher's academic career at University of Minnesota, Yale University, Brown University, State University of New York-Binghamton, and Florida State University; Junction B and the Nautilus Foundation in Lloyd, Florida; and Bucher's novel  Ein Strahlendes End  ( A Small Accident )."],"userestrict_html_tesm":["\u003cp\u003eCopyright in materials created by William S. Burroughs is managed by the Wylie Agency. \u003cextref href=\"https://www.wylieagency.com/permissions.html\"\u003ehttps://www.wylieagency.com/permissions.html\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright in materials created by William S. Burroughs is managed by the Wylie Agency.  https://www.wylieagency.com/permissions.html"],"names_ssim":["FSU Special Collections \u0026 Archives","Bucher, Francois","Burroughs, William S.","Burroughs, William S., 1914-1997","Sharits, Paul","Rilke, Rainer Maria, 1875-1926","Gysin, Brion","Beiles, Sinclair, 1930-2000"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Burroughs, William S., 1914-1997","Sharits, Paul","Rilke, Rainer Maria, 1875-1926","Gysin, Brion","Beiles, Sinclair, 1930-2000"],"persname_ssim":["Bucher, Francois","Burroughs, William S.","Burroughs, William S., 1914-1997","Sharits, Paul","Rilke, Rainer Maria, 1875-1926","Gysin, Brion","Beiles, Sinclair, 1930-2000"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":844,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871037854284513280,"_root_":"ffe4b984238f20fad726becb","timestamp":"2026-07-18T07:45:46.645Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ffe4b984238f20fad726becb_aspace_188497"}},{"id":"788132cb81334d414172d91c_aspace_210121","type":"Series","attributes":{"title":"Historical Materials, 1851-1907","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/788132cb81334d414172d91c_aspace_210121#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eMaterials produced or collected by the church documenting the history of St. John's Episcopal Church, its members, the Episcopal Diocese of Florida, and other related entities including newsclippings, awards, photographs, diaries, and subject files. Publications of the church are arranged under Series 2. Collected publications related to church or diocese history may be found arranged under Series 4.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/788132cb81334d414172d91c_aspace_210121#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_210121","ref_ssm":["aspace_210121","aspace_210121"],"id":"788132cb81334d414172d91c_aspace_210121","title_filing_ssi":"Historical Materials","title_ssm":["Historical Materials"],"title_tesim":["Historical Materials"],"unitdate_other_ssim":["1851-1907"],"normalized_date_ssm":["1851-1907"],"normalized_title_ssm":["Historical Materials, 1851-1907"],"text":["Historical Materials, 1851-1907","St. John's Episcopal Church Records, 1832-2002, Date acquired: 10/17/2016","Series 3","/repositories/10/archival_objects/140597","Materials produced or collected by the church documenting the history of St. John's Episcopal Church, its members, the Episcopal Diocese of Florida, and other related entities including newsclippings, awards, photographs, diaries, and subject files. Publications of the church are arranged under Series 2. Collected publications related to church or diocese history may be found arranged under Series 4.","Select materials from this series have been digitized and are available through the  FSU Digital Library ."],"component_level_isim":[1],"parent_ids_ssim":["788132cb81334d414172d91c"],"parent_unittitles_ssm":["St. John's Episcopal Church Records, 1832-2002, Date acquired: 10/17/2016"],"parent_unittitles_tesim":["St. John's Episcopal Church Records, 1832-2002, Date acquired: 10/17/2016"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/10/archival_objects/140597"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["St. John's Episcopal Church Records, 1832-2002, Date acquired: 10/17/2016"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":154,"parent_access_restrict_tesm":["This collection is open to all researchers. Users may access this collection at the Claude Pepper Library. ","Box 40 is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"scopecontent_html_tesm":["\u003cp\u003eMaterials produced or collected by the church documenting the history of St. John's Episcopal Church, its members, the Episcopal Diocese of Florida, and other related entities including newsclippings, awards, photographs, diaries, and subject files. Publications of the church are arranged under Series 2. Collected publications related to church or diocese history may be found arranged under Series 4.\u003c/p\u003e","\u003cp\u003eSelect materials from this series have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:stjohnshistoricalmats\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["Materials produced or collected by the church documenting the history of St. John's Episcopal Church, its members, the Episcopal Diocese of Florida, and other related entities including newsclippings, awards, photographs, diaries, and subject files. Publications of the church are arranged under Series 2. Collected publications related to church or diocese history may be found arranged under Series 4.","Select materials from this series have been digitized and are available through the  FSU Digital Library ."],"_nest_path_":"/components#1","_nest_parent_":"788132cb81334d414172d91c","_root_":"788132cb81334d414172d91c","_version_":1881550910942871552,"timestamp":"2026-11-11T08:46:18.774Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"788132cb81334d414172d91c","title_ssm":["St. John's Episcopal Church Records"],"title_tesim":["St. John's Episcopal Church Records"],"ead_ssi":"788132cb81334d414172d91c","unitdate_ssm":["1832-2002","Date acquired: 10/17/2016"],"unitdate_other_ssim":["1832-2002","Date acquired: 10/17/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2016-006","/repositories/10/resources/997"],"text":["MSS 2016-006","/repositories/10/resources/997","St. John's Episcopal Church Records, 1832-2002, Date acquired: 10/17/2016","History.","This collection is open to all researchers. Users may access this collection at the Claude Pepper Library. ","Box 40 is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Periodic accruals of parish records and publications.","St. John's Episcopal Church Records, Florida State University Digital Library.  Link to Digital Resources .","Francis Eppes Letter, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_1984-011","Stauffer, C. (1984).  God Willing: A History of St. John's Episcopal Church, 1829-1979 . Tallahassee, Fla.: The Church.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021651363","Administrative records; member registries; meeting minutes of the Vestry and church circles; Bibles, Books of Common Prayer, hymnals, and other liturgical works; documentation of the history of St. John's Church and the Episcopal Diocese of Florida; service bulletins and other periodicals; sermon transcripts; photographs; and motion pictures.\n Note to researchers : This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Selected materials from this collection have been digitized and are available through the  FSU Digital Library .","Select born-digital materials from this collection are available through   PASS .","FSU Special Collections \u0026 Archives","St. John's Episcopal Church (Tallahassee, Fla.)","Episcopal Church","English"],"unitid_tesim":["MSS 2016-006","/repositories/10/resources/997"],"normalized_date_ssm":["1832-2002, Date acquired: 10/17/2016"],"normalized_title_ssm":["St. John's Episcopal Church Records, 1832-2002, Date acquired: 10/17/2016"],"collection_title_tesim":["St. John's Episcopal Church Records, 1832-2002, Date acquired: 10/17/2016"],"collection_ssim":["St. John's Episcopal Church Records, 1832-2002, Date acquired: 10/17/2016"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["St. John's Episcopal Church (Tallahassee, Fla.)"],"creator_ssim":["St. John's Episcopal Church (Tallahassee, Fla.)"],"creator_corpname_ssim":["St. John's Episcopal Church (Tallahassee, Fla.)"],"creators_ssim":["St. John's Episcopal Church (Tallahassee, Fla.)"],"acqinfo_ssim":["St. John's Episcopal Church, Tallahassee, FL","Deposit Agreement"],"access_subjects_ssim":["History."],"access_subjects_ssm":["History."],"has_online_content_ssim":["false"],"extent_ssm":["44 Linear Feet 48 boxes","1.1 Gigabytes"],"extent_tesim":["44 Linear Feet 48 boxes","1.1 Gigabytes"],"physfacet_tesim":["489 Files, 128 Directories"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection at the Claude Pepper Library. \u003c/p\u003e\n","\u003cp\u003eBox 40 is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection at the Claude Pepper Library. ","Box 40 is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"accruals_html_tesm":["\u003cp\u003ePeriodic accruals of parish records and publications.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Periodic accruals of parish records and publications."],"altformavail_html_tesm":["\u003cp\u003eSt. John's Episcopal Church Records, Florida State University Digital Library. \u003cextref href=\"https://digital.lib.fsu.edu/collection/St.%20John%27s%20Episcopal%20Church%20Records?ln=en\"\u003eLink to Digital Resources\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Online Copies Available"],"altformavail_tesim":["St. John's Episcopal Church Records, Florida State University Digital Library.  Link to Digital Resources ."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], St. John's Episcopal Church Records, Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2016-006\"\u003ehttp://purl.fcla.edu/fsu/MSS_2016-006\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], St. John's Episcopal Church Records, Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2016-006"],"relatedmaterial_html_tesm":["\u003cp\u003eFrancis Eppes Letter, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_1984-011\"\u003ehttp://purl.fcla.edu/fsu/MSS_1984-011\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eStauffer, C. (1984). \u003cemph render=\"italic\"\u003eGod Willing: A History of St. John's Episcopal Church, 1829-1979\u003c/emph\u003e. Tallahassee, Fla.: The Church. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS021651363\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS021651363\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Francis Eppes Letter, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_1984-011","Stauffer, C. (1984).  God Willing: A History of St. John's Episcopal Church, 1829-1979 . Tallahassee, Fla.: The Church.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021651363"],"scopecontent_html_tesm":["\u003cp\u003eAdministrative records; member registries; meeting minutes of the Vestry and church circles; Bibles, Books of Common Prayer, hymnals, and other liturgical works; documentation of the history of St. John's Church and the Episcopal Diocese of Florida; service bulletins and other periodicals; sermon transcripts; photographs; and motion pictures.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers\u003c/emph\u003e: This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelected materials from this collection have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/St.%20John%27s%20Episcopal%20Church%20Records?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e","\u003cp\u003eSelect born-digital materials from this collection are available through  \u003cextref href=\"http://pass.lib.fsu.edu/#St_Johns-MSS_2016-006/\"\u003ePASS\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["Administrative records; member registries; meeting minutes of the Vestry and church circles; Bibles, Books of Common Prayer, hymnals, and other liturgical works; documentation of the history of St. John's Church and the Episcopal Diocese of Florida; service bulletins and other periodicals; sermon transcripts; photographs; and motion pictures.\n Note to researchers : This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Selected materials from this collection have been digitized and are available through the  FSU Digital Library .","Select born-digital materials from this collection are available through   PASS ."],"names_coll_ssim":["St. John's Episcopal Church (Tallahassee, Fla.)","Episcopal Church"],"names_ssim":["FSU Special Collections \u0026 Archives","St. John's Episcopal Church (Tallahassee, Fla.)","Episcopal Church"],"corpname_ssim":["FSU Special Collections \u0026 Archives","St. John's Episcopal Church (Tallahassee, Fla.)","Episcopal Church"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":200,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881550910942871552,"_root_":"788132cb81334d414172d91c","timestamp":"2026-11-11T08:46:18.774Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/788132cb81334d414172d91c_aspace_210121"}},{"id":"ce345cc08d6fdaa3e5a433bc_aspace_102068","type":"Series","attributes":{"title":"Historical Quarterlies and Florida Newspaper Excerpts","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ce345cc08d6fdaa3e5a433bc_aspace_102068#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_102068","ref_ssm":["aspace_102068","aspace_102068"],"id":"ce345cc08d6fdaa3e5a433bc_aspace_102068","title_filing_ssi":"Historical Quarterlies and Florida Newspaper Excerpts","title_ssm":["Historical Quarterlies and Florida Newspaper Excerpts"],"title_tesim":["Historical Quarterlies and Florida Newspaper Excerpts"],"normalized_title_ssm":["Historical Quarterlies and Florida Newspaper Excerpts"],"text":["Historical Quarterlies and Florida Newspaper Excerpts","Frank L. Snyder collection, 1802-1993, Date acquired: 08/10/1993","Series 3","/repositories/2/archival_objects/48605"],"component_level_isim":[1],"parent_ids_ssim":["ce345cc08d6fdaa3e5a433bc"],"parent_unittitles_ssm":["Frank L. Snyder collection, 1802-1993, Date acquired: 08/10/1993"],"parent_unittitles_tesim":["Frank L. Snyder collection, 1802-1993, Date acquired: 08/10/1993"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/2/archival_objects/48605"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Frank L. Snyder collection, 1802-1993, Date acquired: 08/10/1993"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":82,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2","_nest_parent_":"ce345cc08d6fdaa3e5a433bc","_root_":"ce345cc08d6fdaa3e5a433bc","_version_":1870862803136413696,"timestamp":"2026-07-16T09:23:24.863Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ce345cc08d6fdaa3e5a433bc","title_ssm":["Frank L. Snyder collection"],"title_tesim":["Frank L. Snyder collection"],"ead_ssi":"ce345cc08d6fdaa3e5a433bc","unitdate_ssm":["1802-1993","Date acquired: 08/10/1993"],"unitdate_inclusive_ssm":["1802-1993"],"unitdate_other_ssim":["Date acquired: 08/10/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1993-09","/repositories/2/resources/295"],"text":["MS-1993-09","/repositories/2/resources/295","Frank L. Snyder collection, 1802-1993, Date acquired: 08/10/1993","Florida -- History","Florida -- Politics and government","Computer disks added September 1993.","Arranged by type of record. The materials from the Frank L. Snyder Library are organized numerically.","Frank Leonard Snyder was born in Cleveland, Ohio on February 23, 1924. He graduated from the United States Air Force Armament School in Denver in 1942 and served in the United States Air Force during World War II. Frank held various careers, including draftsman, engineer, executive, and professor. He retired in 1978 and began teaching business courses and at church ministries. Frank devoted much of his later years to the study of William Pope Duval, Florida's first civilian Territorial governor. He also wrote a history of Clearwater Christian College. Frank L. Snyder died at Bay Pines V. A. Medical Center (Bay Pines, Florida) in 1993.","Helen-Louise Snyder (1923-2016) née Davenport, married Gaius M. Palmer in 1942. The couple had three children: Charles, Carl, and Sarah. Helen-Louise was Vice President of the Buffalo, NY League of Women Voters, a member of the Buffalo Federation of Women's Clubs, President of the Sweet Home School District PTA, and a Cub Scout Den mother. She was secretary to a vice-president of Trico Corporation and Administrative Assistant to the President of Boss-Linco Trucking. Helen-Louise married Frank L. Snyder in 1978. They moved to Florida where Helen-Louise helped Frank in his research on Duval and Fremont, traveling across the country for original manuscripts and data. She was also interim Dean of Women at Clearwater Christian College where Frank was a professor of history. After Frank's death in 1993, she moved to California for two years to help with her granddaughter Kathryn Woodworth, then moved to Richmond, Kentucky where she was the Administrator of the Newman Center at Eastern Kentucky University in Richmond Kentucky until her retirement at age 86. She had a keen mind, was an avid reader, and an accomplished artist.","The Dr. Frank L. Snyder Collection consists of the materials Dr. Snyder and Helen-Louise Snyder (née Davenport) gathered on Governor William Duval. The collection also consists of Dr. Snyder's personal papers, library, computer files, photographs, awards, and plaques. ","The Duval materials, dated roughly from 1802 to 1993, comprise photocopies of research notes, articles, books, computer files, microfilm, and photographs by or about Duval. ","Dr. Frank L. Snyder's personal papers and artifacts document his corporate and academic careers. Snyder personally referred to the majority of his collection as the Frank L. Snyder Library, which comprises Boxes 1 through 29. Boxes 30 through 46, arranged by type of record, contain the remainder of the collection.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Snyder, Frank L. (1924-1993)","Snyder, Helen-Louise (Helen-Louise Davenport Snyder)","Duvall, William Pope (1784-1854)","English"],"unitid_tesim":["MS-1993-09","/repositories/2/resources/295"],"normalized_date_ssm":["1802-1993, Date acquired: 08/10/1993"],"normalized_title_ssm":["Frank L. Snyder collection, 1802-1993, Date acquired: 08/10/1993"],"collection_title_tesim":["Frank L. Snyder collection, 1802-1993, Date acquired: 08/10/1993"],"collection_ssim":["Frank L. Snyder collection, 1802-1993, Date acquired: 08/10/1993"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- History","Florida -- Politics and government"],"geogname_ssim":["Florida -- History","Florida -- Politics and government"],"creator_ssm":["Snyder, Frank L. (1924-1993)","Snyder, Helen-Louise (Helen-Louise Davenport Snyder)"],"creator_ssim":["Snyder, Frank L. (1924-1993)","Snyder, Helen-Louise (Helen-Louise Davenport Snyder)"],"creator_persname_ssim":["Snyder, Frank L. (1924-1993)","Snyder, Helen-Louise (Helen-Louise Davenport Snyder)"],"creators_ssim":["Snyder, Frank L. (1924-1993)","Snyder, Helen-Louise (Helen-Louise Davenport Snyder)"],"places_ssim":["Florida -- History","Florida -- Politics and government"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Frank L. Snyder; Helen-Louise Snyder","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["23.21 Linear Feet","46 boxes"],"extent_tesim":["23.21 Linear Feet","46 boxes"],"date_range_isim":[1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accruals_html_tesm":["\u003cp\u003eComputer disks added September 1993.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Computer disks added September 1993."],"arrangement_html_tesm":["\u003cp\u003eArranged by type of record. The materials from the Frank L. Snyder Library are organized numerically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged by type of record. The materials from the Frank L. Snyder Library are organized numerically."],"bioghist_html_tesm":["\u003cp\u003eFrank Leonard Snyder was born in Cleveland, Ohio on February 23, 1924. He graduated from the United States Air Force Armament School in Denver in 1942 and served in the United States Air Force during World War II. Frank held various careers, including draftsman, engineer, executive, and professor. He retired in 1978 and began teaching business courses and at church ministries. Frank devoted much of his later years to the study of William Pope Duval, Florida's first civilian Territorial governor. He also wrote a history of Clearwater Christian College. Frank L. Snyder died at Bay Pines V. A. Medical Center (Bay Pines, Florida) in 1993.\u003c/p\u003e\n","\u003cp\u003eHelen-Louise Snyder (1923-2016) n\u0026#xE9;e Davenport, married Gaius M. Palmer in 1942. The couple had three children: Charles, Carl, and Sarah. Helen-Louise was Vice President of the Buffalo, NY League of Women Voters, a member of the Buffalo Federation of Women's Clubs, President of the Sweet Home School District PTA, and a Cub Scout Den mother. She was secretary to a vice-president of Trico Corporation and Administrative Assistant to the President of Boss-Linco Trucking. Helen-Louise married Frank L. Snyder in 1978. They moved to Florida where Helen-Louise helped Frank in his research on Duval and Fremont, traveling across the country for original manuscripts and data. She was also interim Dean of Women at Clearwater Christian College where Frank was a professor of history. After Frank's death in 1993, she moved to California for two years to help with her granddaughter Kathryn Woodworth, then moved to Richmond, Kentucky where she was the Administrator of the Newman Center at Eastern Kentucky University in Richmond Kentucky until her retirement at age 86. She had a keen mind, was an avid reader, and an accomplished artist.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Leonard Snyder was born in Cleveland, Ohio on February 23, 1924. He graduated from the United States Air Force Armament School in Denver in 1942 and served in the United States Air Force during World War II. Frank held various careers, including draftsman, engineer, executive, and professor. He retired in 1978 and began teaching business courses and at church ministries. Frank devoted much of his later years to the study of William Pope Duval, Florida's first civilian Territorial governor. He also wrote a history of Clearwater Christian College. Frank L. Snyder died at Bay Pines V. A. Medical Center (Bay Pines, Florida) in 1993.","Helen-Louise Snyder (1923-2016) née Davenport, married Gaius M. Palmer in 1942. The couple had three children: Charles, Carl, and Sarah. Helen-Louise was Vice President of the Buffalo, NY League of Women Voters, a member of the Buffalo Federation of Women's Clubs, President of the Sweet Home School District PTA, and a Cub Scout Den mother. She was secretary to a vice-president of Trico Corporation and Administrative Assistant to the President of Boss-Linco Trucking. Helen-Louise married Frank L. Snyder in 1978. They moved to Florida where Helen-Louise helped Frank in his research on Duval and Fremont, traveling across the country for original manuscripts and data. She was also interim Dean of Women at Clearwater Christian College where Frank was a professor of history. After Frank's death in 1993, she moved to California for two years to help with her granddaughter Kathryn Woodworth, then moved to Richmond, Kentucky where she was the Administrator of the Newman Center at Eastern Kentucky University in Richmond Kentucky until her retirement at age 86. She had a keen mind, was an avid reader, and an accomplished artist."],"prefercite_html_tesm":["\u003cp\u003eFrank L. Snyder collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Frank L. Snyder collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe Dr. Frank L. Snyder Collection consists of the materials Dr. Snyder and Helen-Louise Snyder (n\u0026#xE9;e Davenport) gathered on Governor William Duval. The collection also consists of Dr. Snyder's personal papers, library, computer files, photographs, awards, and plaques. \u003c/p\u003e\n","\u003cp\u003eThe Duval materials, dated roughly from 1802 to 1993, comprise photocopies of research notes, articles, books, computer files, microfilm, and photographs by or about Duval. \u003c/p\u003e\n","\u003cp\u003eDr. Frank L. Snyder's personal papers and artifacts document his corporate and academic careers. Snyder personally referred to the majority of his collection as the Frank L. Snyder Library, which comprises Boxes 1 through 29. Boxes 30 through 46, arranged by type of record, contain the remainder of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dr. Frank L. Snyder Collection consists of the materials Dr. Snyder and Helen-Louise Snyder (née Davenport) gathered on Governor William Duval. The collection also consists of Dr. Snyder's personal papers, library, computer files, photographs, awards, and plaques. ","The Duval materials, dated roughly from 1802 to 1993, comprise photocopies of research notes, articles, books, computer files, microfilm, and photographs by or about Duval. ","Dr. Frank L. Snyder's personal papers and artifacts document his corporate and academic careers. Snyder personally referred to the majority of his collection as the Frank L. Snyder Library, which comprises Boxes 1 through 29. Boxes 30 through 46, arranged by type of record, contain the remainder of the collection."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Snyder, Frank L. (1924-1993)","Snyder, Helen-Louise (Helen-Louise Davenport Snyder)","Duvall, William Pope (1784-1854)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Duvall, William Pope (1784-1854)"],"persname_ssim":["Snyder, Frank L. 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