{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=289","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=288","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=290","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856"},"meta":{"pages":{"current_page":289,"next_page":290,"prev_page":288,"total_pages":856,"limit_value":10,"offset_value":2880,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"c5c7a60ad1585ca3dbd593be_aspace_771b82ea90fc538dd2a552ef63e664e2","type":"Series","attributes":{"title":"Fertilizers","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c5c7a60ad1585ca3dbd593be_aspace_771b82ea90fc538dd2a552ef63e664e2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_771b82ea90fc538dd2a552ef63e664e2","ref_ssm":["aspace_771b82ea90fc538dd2a552ef63e664e2","aspace_771b82ea90fc538dd2a552ef63e664e2"],"id":"c5c7a60ad1585ca3dbd593be_aspace_771b82ea90fc538dd2a552ef63e664e2","title_filing_ssi":"Fertilizers","title_ssm":["Fertilizers"],"title_tesim":["Fertilizers"],"normalized_title_ssm":["Fertilizers"],"text":["Fertilizers","Thomas Mack Archives, 1910-2003","/repositories/3/archival_objects/38547","box 6"],"component_level_isim":[1],"parent_ids_ssim":["c5c7a60ad1585ca3dbd593be"],"parent_unittitles_ssm":["Thomas Mack Archives, 1910-2003"],"parent_unittitles_tesim":["Thomas Mack Archives, 1910-2003"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/38547"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":75,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 6"],"_nest_path_":"/components#8","_nest_parent_":"c5c7a60ad1585ca3dbd593be","_root_":"c5c7a60ad1585ca3dbd593be","_version_":1877193769379430400,"timestamp":"2026-09-24T06:31:24.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c5c7a60ad1585ca3dbd593be","title_ssm":["Thomas Mack Archives"],"title_tesim":["Thomas Mack Archives"],"ead_ssi":"c5c7a60ad1585ca3dbd593be","unitdate_ssm":["1910-2003"],"unitdate_inclusive_ssm":["1910-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000","/repositories/3/resources/137"],"text":["CIT1000","/repositories/3/resources/137","Thomas Mack Archives, 1910-2003","Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.","This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000","/repositories/3/resources/137"],"normalized_date_ssm":["1910-2003"],"normalized_title_ssm":["Thomas Mack Archives, 1910-2003"],"collection_title_tesim":["Thomas Mack Archives, 1910-2003"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was built by Professor Thomas Mack sometime prior to 2002."],"access_subjects_ssim":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"access_subjects_ssm":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"has_online_content_ssim":["false"],"extent_ssm":["3.45 Linear Feet"],"extent_tesim":["3.45 Linear Feet"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eThomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.\u003c/p\u003e\n","\u003cp\u003eMack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.\u003c/p\u003e\n","\u003cp\u003eMack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.\u003c/p\u003e\n","\u003cp\u003eMack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.\u003c/p\u003e\n","\u003cp\u003eIn 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.\u003c/p\u003e\n","\u003cp\u003eMack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.\u003c/p\u003e\n","\u003cp\u003eHis retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.\u003c/p\u003e\n","\u003cp\u003eMack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.\u003c/p\u003e\n","\u003cp\u003eMack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. 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","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-126","/repositories/10/resources/1517"],"normalized_date_ssm":["1999-2011"],"normalized_title_ssm":["Opening Nights Records, 1999-2011"],"collection_title_tesim":["Opening Nights Records, 1999-2011"],"collection_ssim":["Opening Nights Records, 1999-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. 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Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eOpening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. \u003c/p\u003e\n","\u003cp\u003eThe Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. \u003c/p\u003e\n","\u003cp\u003eOpening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.\u003c/p\u003e\n","\u003cp\u003eOpening Nights Directors: \u003c/p\u003e\n","\u003cp\u003eMargo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)\u003c/p\u003e\n","\u003cp\u003eAdministrative History by Alex Challenger, July 2023\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"scopecontent_html_tesm":["\u003cp\u003eThe first series is comprised of materials related directly to the Zora Neale Hurston Festival of Arts and Humanities. This series contains the programs detailing each annual event from 1990-2002, 2004, 2009-2011, amd 2017.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The first series is comprised of materials related directly to the Zora Neale Hurston Festival of Arts and Humanities. This series contains the programs detailing each annual event from 1990-2002, 2004, 2009-2011, amd 2017."],"_nest_path_":"/components#0","_nest_parent_":"1e210d3d5b491a8ea50fb53f","_root_":"1e210d3d5b491a8ea50fb53f","_version_":1870857951396233216,"timestamp":"2026-07-16T08:06:17.890Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e210d3d5b491a8ea50fb53f","title_ssm":["Collected Materials on the Zora Neale Hurston Festival"],"title_tesim":["Collected Materials on the Zora Neale Hurston Festival"],"ead_ssi":"1e210d3d5b491a8ea50fb53f","unitdate_ssm":["1989-2017"],"unitdate_inclusive_ssm":["1989-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.074","/repositories/4/resources/44"],"text":["SC.074","/repositories/4/resources/44","Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Eatonville (Fla.)","African American women","The entire collection is open for research.","The collection is divided into two series, each organized chronologically and then alphabetically.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  ","Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007.","The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.","UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","English"],"unitid_tesim":["SC.074","/repositories/4/resources/44"],"normalized_date_ssm":["1989-2017"],"normalized_title_ssm":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_title_tesim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_ssim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Eatonville (Fla.)"],"geogname_ssim":["Eatonville (Fla.)"],"creator_ssm":["University of Central Florida. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["University of Central Florida Libraries collected these materials in 2007 (CFM2007_05)."],"access_subjects_ssim":["African American women"],"access_subjects_ssm":["African American women"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 1 Box"],"extent_tesim":["0.6 Linear Feet 1 Box"],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series, each organized chronologically and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into two series, each organized chronologically and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026amp; Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  "],"prefercite_html_tesm":["\u003cp\u003eCollected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t \u003c/p\u003e","\u003cp\u003eUniversity of Central Florida Libraries collected these materials in 2007.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into three series, each organized chronologically.\u003c/p\u003e\n","\u003cp\u003e\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_574cb50e400f77b5ecb97515777b9ea3\" label=\"Abstract\"\u003eThe collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville."],"names_coll_ssim":["Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"names_ssim":["UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"corpname_ssim":["UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)"],"persname_ssim":["Hurston, Zora Neale (1891-1960)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857951396233216,"_root_":"1e210d3d5b491a8ea50fb53f","timestamp":"2026-07-16T08:06:17.890Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1e210d3d5b491a8ea50fb53f_aspace_41058"}},{"id":"cff9b14c5a99a9dd532f3b54_aspace_23fafde132c8dc7ac3fdf079222b91f0","type":"Series","attributes":{"title":"Feudalism, Fief, Domain, Etc.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cff9b14c5a99a9dd532f3b54_aspace_23fafde132c8dc7ac3fdf079222b91f0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_23fafde132c8dc7ac3fdf079222b91f0","ref_ssm":["aspace_23fafde132c8dc7ac3fdf079222b91f0","aspace_23fafde132c8dc7ac3fdf079222b91f0"],"id":"cff9b14c5a99a9dd532f3b54_aspace_23fafde132c8dc7ac3fdf079222b91f0","title_filing_ssi":"Feudalism, Fief, Domain, Etc.","title_ssm":["Feudalism, Fief, Domain, Etc."],"title_tesim":["Feudalism, Fief, Domain, Etc."],"normalized_title_ssm":["Feudalism, Fief, Domain, Etc."],"text":["Feudalism, Fief, Domain, Etc.","David Bien Papers, Date acquired: 09/28/2017","Notecards by Topic","/repositories/10/archival_objects/244782","box 18"],"component_level_isim":[2],"parent_ids_ssim":["cff9b14c5a99a9dd532f3b54","cff9b14c5a99a9dd532f3b54_aspace_8def75bee9f0be1774b530e14b70b34a"],"parent_unittitles_ssm":["David Bien Papers, Date acquired: 09/28/2017","Notecards by Topic"],"parent_unittitles_tesim":["David Bien Papers, Date acquired: 09/28/2017","Notecards by Topic"],"parent_levels_ssm":["collection","Container"],"unitid_ssm":["/repositories/10/archival_objects/244782"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["David Bien Papers, Date acquired: 09/28/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":342,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"containers_ssim":["box 18"],"_nest_path_":"/components#309/components#13","_nest_parent_":"cff9b14c5a99a9dd532f3b54_aspace_8def75bee9f0be1774b530e14b70b34a","_root_":"cff9b14c5a99a9dd532f3b54","_version_":1870858733102301184,"timestamp":"2026-07-16T08:18:43.378Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cff9b14c5a99a9dd532f3b54","title_ssm":["David Bien Papers"],"title_tesim":["David Bien Papers"],"ead_ssi":"cff9b14c5a99a9dd532f3b54","unitdate_ssm":["Date acquired: 09/28/2017"],"unitdate_other_ssim":["Date acquired: 09/28/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2017-005","/repositories/10/resources/352"],"text":["MSS 2017-005","/repositories/10/resources/352","David Bien Papers, Date acquired: 09/28/2017","French Revolution","This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","David Duckworth Bien was born to David William Bien and Cecile Marie (Dubois) Bien on April 2, 1930 in Baltimore, Maryland.\n Bien earned an A.B. degree from Washington and Lee University (1951) and M.A. and Ph.D. degrees in History from Harvard University (1956). Bien taught at Weseleyan University (1958-1959), Princeton University (1959-1967), and the University of Michigan (1967-1996). At the latter institution Bien also served as Chair of the Department of History and was appointed Professor Emeritus of French History upon retirement.\n Bien's research and scholarship on eighteenth century France, the ancien régime, and the origins of the French Revolution are acknowledged as globally influential in the field of French History. Bien was twice awarded the William Koren Prize by the Society for French Historical Studies (1958, 1978).","Bien passed away September 25, 2015 in Ann Arbor, Michigan after a lengthy illness.\n","Sources David D. Bien (September 27, 2015).  Ann Arbor News .  http://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390 Gail Bossenga.  In Memoriam: David D. Bien (1930-2015) .  http://www.h-france.net/Salon/Salon8BienInMemoriam.pdf","Note written by R. Grennan","Materials were shipped to FSU History Department from Ann Arbor, MI by Prof. Rafe Blaufarb in late 2016. Transferred to Strozier Library from History Department in August 2017. Deed of Gift executed in September 2017.","David D. Bien (1960).  The Calas Affair . Princeton, NJ: Princeton University Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595","Robert M. Schwartz \u0026 Robert A. Schneider (Eds.). (2003). \"Publications of David D. Bien,\" in  Tocqueville and Beyond: Essays On the Old Regime In Honor Of David D. Bien . Newark: University of Delware Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363","Rafe Blaufarb et al. (Eds.). (2014).  Interpreting the Ancien Régime: David Bien . Oxford: Voltaire Foundation.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888","Correspondence, research materials, publications, and original scholarship collected by David Bien, documenting research on the French Revolution and the  ancien régime .","The following volume was removed to the French Revolution and Napoleon book collection:\n Marc Venard (1957).  Bourgeois et Paysans au XVIIe si ècle.  Paris: SEVPEN.","FSU Special Collections \u0026 Archives","English French"],"unitid_tesim":["MSS 2017-005","/repositories/10/resources/352"],"normalized_date_ssm":["Date acquired: 09/28/2017"],"normalized_title_ssm":["David Bien Papers, Date acquired: 09/28/2017"],"collection_title_tesim":["David Bien Papers, Date acquired: 09/28/2017"],"collection_ssim":["David Bien Papers, Date acquired: 09/28/2017"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"acqinfo_ssim":["Margaret C. Bien","Deed of Gift"],"access_subjects_ssim":["French Revolution"],"access_subjects_ssm":["French Revolution"],"has_online_content_ssim":["false"],"extent_ssm":["26.00 boxes 26 Boxes","24.75 Linear Feet"],"extent_tesim":["26.00 boxes 26 Boxes","24.75 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eDavid Duckworth Bien was born to David William Bien and Cecile Marie (Dubois) Bien on April 2, 1930 in Baltimore, Maryland.\n\u003cbr\u003e\u003cbr\u003eBien earned an A.B. degree from Washington and Lee University (1951) and M.A. and Ph.D. degrees in History from Harvard University (1956). Bien taught at Weseleyan University (1958-1959), Princeton University (1959-1967), and the University of Michigan (1967-1996). At the latter institution Bien also served as Chair of the Department of History and was appointed Professor Emeritus of French History upon retirement.\n\u003cbr\u003e\u003cbr\u003eBien's research and scholarship on eighteenth century France, the ancien r\u0026#xE9;gime, and the origins of the French Revolution are acknowledged as globally influential in the field of French History. Bien was twice awarded the William Koren Prize by the Society for French Historical Studies (1958, 1978).\u003c/p\u003e\n","\u003cp\u003eBien passed away September 25, 2015 in Ann Arbor, Michigan after a lengthy illness.\n\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003eSources\u003c/emph\u003e\n\u003cbr\u003e\u003cbr\u003eDavid D. Bien (September 27, 2015). \u003cemph render=\"italic\"\u003eAnn Arbor News\u003c/emph\u003e. \u003cextref href=\"http://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390\"\u003ehttp://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390\u003c/extref\u003e\n\u003cbr\u003e\u003cbr\u003eGail Bossenga. \u003cemph render=\"italic\"\u003eIn Memoriam: David D. Bien (1930-2015)\u003c/emph\u003e. \u003cextref href=\"http://www.h-france.net/Salon/Salon8BienInMemoriam.pdf\"\u003ehttp://www.h-france.net/Salon/Salon8BienInMemoriam.pdf\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eNote written by R. Grennan\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["David Duckworth Bien was born to David William Bien and Cecile Marie (Dubois) Bien on April 2, 1930 in Baltimore, Maryland.\n Bien earned an A.B. degree from Washington and Lee University (1951) and M.A. and Ph.D. degrees in History from Harvard University (1956). Bien taught at Weseleyan University (1958-1959), Princeton University (1959-1967), and the University of Michigan (1967-1996). At the latter institution Bien also served as Chair of the Department of History and was appointed Professor Emeritus of French History upon retirement.\n Bien's research and scholarship on eighteenth century France, the ancien régime, and the origins of the French Revolution are acknowledged as globally influential in the field of French History. Bien was twice awarded the William Koren Prize by the Society for French Historical Studies (1958, 1978).","Bien passed away September 25, 2015 in Ann Arbor, Michigan after a lengthy illness.\n","Sources David D. Bien (September 27, 2015).  Ann Arbor News .  http://obits.mlive.com/obituaries/annarbor/obituary.aspx?pid=175938390 Gail Bossenga.  In Memoriam: David D. Bien (1930-2015) .  http://www.h-france.net/Salon/Salon8BienInMemoriam.pdf","Note written by R. Grennan"],"custodhist_html_tesm":["\u003cp\u003eMaterials were shipped to FSU History Department from Ann Arbor, MI by Prof. Rafe Blaufarb in late 2016. Transferred to Strozier Library from History Department in August 2017. Deed of Gift executed in September 2017.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Materials were shipped to FSU History Department from Ann Arbor, MI by Prof. Rafe Blaufarb in late 2016. Transferred to Strozier Library from History Department in August 2017. Deed of Gift executed in September 2017."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], David Bien Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2017-005\"\u003ehttp://purl.fcla.edu/fsu/MSS_2017-005\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], David Bien Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2017-005"],"relatedmaterial_html_tesm":["\u003cp\u003eDavid D. Bien (1960). \u003cemph render=\"italic\"\u003eThe Calas Affair\u003c/emph\u003e. Princeton, NJ: Princeton University Press. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595\u003c/extref\u003e\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eRobert M. Schwartz \u0026amp; Robert A. Schneider (Eds.). (2003). \"Publications of David D. Bien,\" in \u003cemph render=\"italic\"\u003eTocqueville and Beyond: Essays On the Old Regime In Honor Of David D. Bien\u003c/emph\u003e. Newark: University of Delware Press. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363\u003c/extref\u003e\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eRafe Blaufarb et al. (Eds.). (2014). \u003cemph render=\"italic\"\u003eInterpreting the Ancien R\u0026#xE9;gime: David Bien\u003c/emph\u003e. Oxford: Voltaire Foundation. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["David D. Bien (1960).  The Calas Affair . Princeton, NJ: Princeton University Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021224595","Robert M. Schwartz \u0026 Robert A. Schneider (Eds.). (2003). \"Publications of David D. Bien,\" in  Tocqueville and Beyond: Essays On the Old Regime In Honor Of David D. Bien . Newark: University of Delware Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS021258363","Rafe Blaufarb et al. (Eds.). (2014).  Interpreting the Ancien Régime: David Bien . Oxford: Voltaire Foundation.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS033273888"],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, research materials, publications, and original scholarship collected by David Bien, documenting research on the French Revolution and the \u003cemph render=\"italic\"\u003eancien r\u0026#xE9;gime\u003c/emph\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, research materials, publications, and original scholarship collected by David Bien, documenting research on the French Revolution and the  ancien régime ."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following volume was removed to the French Revolution and Napoleon book collection:\n\u003cbr\u003e\u003cbr\u003eMarc Venard (1957). \u003cemph render=\"italic\"\u003eBourgeois et Paysans au XVIIe si\u003c/emph\u003e\u003cemph render=\"italic\"\u003e\u0026#xE8;cle. \u003c/emph\u003eParis: SEVPEN.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following volume was removed to the French Revolution and Napoleon book collection:\n Marc Venard (1957).  Bourgeois et Paysans au XVIIe si ècle.  Paris: SEVPEN."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":420,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858733102301184,"_root_":"cff9b14c5a99a9dd532f3b54","timestamp":"2026-07-16T08:18:43.378Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cff9b14c5a99a9dd532f3b54_aspace_23fafde132c8dc7ac3fdf079222b91f0"}},{"id":"f0132e37c7a2b987edf80ea1_aspace_583f3b5f58b316c6ca0fde680e75db46","type":"Series","attributes":{"title":"FGCU 20th Anniversary Stories","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f0132e37c7a2b987edf80ea1_aspace_583f3b5f58b316c6ca0fde680e75db46#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_583f3b5f58b316c6ca0fde680e75db46","ref_ssm":["aspace_583f3b5f58b316c6ca0fde680e75db46","aspace_583f3b5f58b316c6ca0fde680e75db46"],"id":"f0132e37c7a2b987edf80ea1_aspace_583f3b5f58b316c6ca0fde680e75db46","title_filing_ssi":"FGCU 20th Anniversary Stories","title_ssm":["FGCU 20th Anniversary Stories"],"title_tesim":["FGCU 20th Anniversary Stories"],"normalized_title_ssm":["FGCU 20th Anniversary Stories"],"text":["FGCU 20th Anniversary Stories","Florida Gulf Coast University Stories, 2013-2017","/repositories/3/archival_objects/31845","20th Anniversary -- Florida Gulf Coast University","Oral history","English"],"component_level_isim":[1],"parent_ids_ssim":["f0132e37c7a2b987edf80ea1"],"parent_unittitles_ssm":["Florida Gulf Coast University Stories, 2013-2017"],"parent_unittitles_tesim":["Florida Gulf Coast University Stories, 2013-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/31845"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["Florida Gulf Coast University Stories, 2013-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":49,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":27,"parent_access_restrict_tesm":["This collection is open for research."],"geogname_ssim":["20th Anniversary -- Florida Gulf Coast University"],"geogname_ssm":["20th Anniversary -- Florida Gulf Coast University"],"places_ssim":["20th Anniversary -- Florida Gulf Coast University"],"access_subjects_ssim":["Oral history"],"access_subjects_ssm":["Oral 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