{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=194","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=193","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=195","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026page=856"},"meta":{"pages":{"current_page":194,"next_page":195,"prev_page":193,"total_pages":856,"limit_value":10,"offset_value":1930,"total_count":8556,"first_page?":false,"last_page?":false}},"data":[{"id":"7185d426f9146df30fb41f4b_aspace_bacd76711bb1981d840acd7a3939ffab","type":"Series","attributes":{"title":"Contact Payments","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_bacd76711bb1981d840acd7a3939ffab#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bacd76711bb1981d840acd7a3939ffab","ref_ssm":["aspace_bacd76711bb1981d840acd7a3939ffab","aspace_bacd76711bb1981d840acd7a3939ffab"],"id":"7185d426f9146df30fb41f4b_aspace_bacd76711bb1981d840acd7a3939ffab","title_filing_ssi":"Contact Payments","title_ssm":["Contact Payments"],"title_tesim":["Contact Payments"],"normalized_title_ssm":["Contact Payments"],"text":["Contact Payments","Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011","/repositories/10/archival_objects/228788","box 3"],"component_level_isim":[2],"parent_ids_ssim":["7185d426f9146df30fb41f4b","7185d426f9146df30fb41f4b_aspace_304c66dd38f66fc60732e7105291835a"],"parent_unittitles_ssm":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_unittitles_tesim":["Opening Nights Records, 1999-2011","Accrual HUA 2016-126, August 2016, 1999-2011"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/228788"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Opening Nights Records, 1999-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":12,"parent_access_restrict_tesm":["This collection is open to all researchers.","See also Technical Access note below. 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","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. 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The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. \u003c/p\u003e\n","\u003cp\u003eOpening Nights was conceived as a festival that would unite the FSU campus with a broader public. 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","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. 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","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-126","/repositories/10/resources/1517"],"normalized_date_ssm":["1999-2011"],"normalized_title_ssm":["Opening Nights Records, 1999-2011"],"collection_title_tesim":["Opening Nights Records, 1999-2011"],"collection_ssim":["Opening Nights Records, 1999-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. 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The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. \u003c/p\u003e\n","\u003cp\u003eOpening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.\u003c/p\u003e\n","\u003cp\u003eOpening Nights Directors: \u003c/p\u003e\n","\u003cp\u003eMargo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)\u003c/p\u003e\n","\u003cp\u003eAdministrative History by Alex Challenger, July 2023\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. 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","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-126","/repositories/10/resources/1517"],"normalized_date_ssm":["1999-2011"],"normalized_title_ssm":["Opening Nights Records, 1999-2011"],"collection_title_tesim":["Opening Nights Records, 1999-2011"],"collection_ssim":["Opening Nights Records, 1999-2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet"],"extent_tesim":["16 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eHUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","See also Technical Access note below. ","HUA Accessions Box 38 can be accessed by researchers upon request at the Claude Pepper Library. Boxes 1-13 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eOpening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. \u003c/p\u003e\n","\u003cp\u003eThe Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. \u003c/p\u003e\n","\u003cp\u003eAfter the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. 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This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.\u003c/p\u003e\n","\u003cp\u003eOpening Nights Directors: \u003c/p\u003e\n","\u003cp\u003eMargo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)\u003c/p\u003e\n","\u003cp\u003eAdministrative History by Alex Challenger, July 2023\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Opening Nights at Florida State University is an annual series of performances in music, theater, dance, film, spoken word, and visual arts. Its goal is to provide exposure for students and the larger community to arts and performances. ","The Florida State College for Women Artist Series began in 1921, which brought high-profile performers to the university. This was transformed in 1968 into the Florida State University Fine Arts Festival which paired professional performances with those by faculty and students, and took place during the month of February. The tradition continued annually in some capacity until the 1991 Spring Semester. This performance series was revived by FSU President Sandy D'Alemberte in February 1999. The success of the festival led to the \"Seven Days of Opening Nights Festival,\" initially a week-long festival in February, which developed into a series of events spanning several months beginning in 2009. By 2010-2011, the festival had transitioned to an annual series of performances and events lasting from fall to spring. The name was shortened to \"Opening Nights\" in 2014 to reflect this expansion of the program beyond the original week-long performances. ","After the performance series was initially approved by President D'Alemberte, a planning committee was established to solicit performances from nationally recognized talent along with those from the schools of Music, Theater, Visual Arts and Dance. After the first festival in 1999, Margo Bindhardt was appointed by D'Alemberte as chairman of the Volunteer Executive Committee. In 2001, leadership was transferred to Jennifer Fields, the first full-time director of the festival and Opening Nights has been overseen by a director since this time.  As of 2023, the director of Opening Nights reports to the University President's Office. ","Opening Nights was conceived as a festival that would unite the FSU campus with a broader public. This is reflected in the location of the performances, which eventually expanded to include both university and Tallahassee community venues, as well as Panama City beginning in 2005.","Opening Nights Directors: ","Margo Bindhardt (1999-2001)\nJennifer Fields (2001)\nCarmen Braswell-Butler (2002)\nDiane Greer (2003-2008)\nSteve McQueen (2008-2012)\nChris Heacox (2012-2017)\nMichael Blachly (2017-2022)\nJennifer Wright-Allen (2022-)","Administrative History by Alex Challenger, July 2023"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eOpening Nights Records, HUA 2016-126, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126\u003c/p\u003e"],"prefercite_tesim":["Opening Nights Records, HUA 2016-126, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-126"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2014-008 Accrual HUA 2022-037 Office of the Vice President for University Relations"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. 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Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857491989921792,"_root_":"7185d426f9146df30fb41f4b","timestamp":"2026-07-16T07:58:59.766Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7185d426f9146df30fb41f4b_aspace_fbd66eefdd010ccdf76d3af7726716f6"}},{"id":"256e771e3cc0782aac349f80_aspace_1f3492e3983f9396795bedee88bfc1a2","type":"Series","attributes":{"title":"Contemporary American Collectives and Creators, 2019-2020","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_1f3492e3983f9396795bedee88bfc1a2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\"Contemporary American Collectives and Creators\" contains zines from artists and collectives based outside of Southwest Florida. 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Over time, the collection will continue to grow.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_1f3492e3983f9396795bedee88bfc1a2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1f3492e3983f9396795bedee88bfc1a2","ref_ssm":["aspace_1f3492e3983f9396795bedee88bfc1a2","aspace_1f3492e3983f9396795bedee88bfc1a2"],"id":"256e771e3cc0782aac349f80_aspace_1f3492e3983f9396795bedee88bfc1a2","title_filing_ssi":"Contemporary American Collectives and Creators","title_ssm":["Contemporary American Collectives and Creators"],"title_tesim":["Contemporary American Collectives and Creators"],"unitdate_inclusive_ssm":["2019-2020"],"normalized_date_ssm":["2019-2020"],"normalized_title_ssm":["Contemporary American Collectives and Creators, 2019-2020"],"text":["Contemporary American Collectives and Creators, 2019-2020","Zine Collection, 1973-2019","/repositories/2/archival_objects/22337","Lewis, Chloe","Zines.","Contemporary art","Gender \u0026 history/social change","English","Box: 6","\"Contemporary American Collectives and Creators\" contains zines from artists and collectives based outside of Southwest Florida. 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Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_1f3492e3983f9396795bedee88bfc1a2"}},{"id":"71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c","type":"Series","attributes":{"title":"Contests and Other Events","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d5fa145e78631057f66174abb968874c","ref_ssm":["aspace_d5fa145e78631057f66174abb968874c","aspace_d5fa145e78631057f66174abb968874c"],"id":"71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c","title_filing_ssi":"Contests and Other Events","title_ssm":["Contests and Other Events"],"title_tesim":["Contests and Other Events"],"normalized_title_ssm":["Contests and Other Events"],"text":["Contests and Other Events","Florida Bandmasters Association Records, 1936-2010","/repositories/2/archival_objects/39150","box 26"],"component_level_isim":[1],"parent_ids_ssim":["71b8a757b0f138dee122db24"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/39150"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":482,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"containers_ssim":["box 26"],"_nest_path_":"/components#2","_nest_parent_":"71b8a757b0f138dee122db24","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c"}},{"id":"838f5e9e2ff3528a78dbcfcd_aspace_66859","type":"Series","attributes":{"title":"Contests, essays, etc.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/838f5e9e2ff3528a78dbcfcd_aspace_66859#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66859","ref_ssm":["aspace_66859","aspace_66859"],"id":"838f5e9e2ff3528a78dbcfcd_aspace_66859","title_filing_ssi":"Contests, essays, etc.","title_ssm":["Contests, essays, etc."],"title_tesim":["Contests, essays, etc."],"normalized_title_ssm":["Contests, essays, etc."],"text":["Contests, essays, etc.","Gloria Houston papers, 1986-1992, Date acquired: 00/00/1993","Series 1","/repositories/2/archival_objects/113234"],"component_level_isim":[1],"parent_ids_ssim":["838f5e9e2ff3528a78dbcfcd"],"parent_unittitles_ssm":["Gloria Houston papers, 1986-1992, Date acquired: 00/00/1993"],"parent_unittitles_tesim":["Gloria Houston papers, 1986-1992, Date acquired: 00/00/1993"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/2/archival_objects/113234"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gloria Houston papers, 1986-1992, Date acquired: 00/00/1993"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_terms_tesm":["None.  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Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#0","_nest_parent_":"838f5e9e2ff3528a78dbcfcd","_root_":"838f5e9e2ff3528a78dbcfcd","timestamp":"2026-07-09T04:50:31.494Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"838f5e9e2ff3528a78dbcfcd","title_ssm":["Gloria Houston papers"],"title_tesim":["Gloria Houston papers"],"ead_ssi":"838f5e9e2ff3528a78dbcfcd","unitdate_ssm":["1986-1992","Date acquired: 00/00/1993"],"unitdate_inclusive_ssm":["1986-1992"],"unitdate_other_ssim":["Date acquired: 00/00/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1993-05","/repositories/2/resources/497"],"text":["MS-1993-05","/repositories/2/resources/497","Gloria Houston papers, 1986-1992, Date acquired: 00/00/1993","Storytelling","Children","Organized by subject","partially processed","This collection includes articles, a biography, lesson plans, brochures, newspaper clippings, correspondence, contest information and contest entries. Also included are materials from the Suncoast Young Authors Conference, the \"Tell Me A Story\" writing contest sponsored by IBM and Good Housekeeping, and the Harper Collins Children's Books \"Favorite Teacher\" Writing Contest.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Houston, Gloria  (1940-2016)","English"],"unitid_tesim":["MS-1993-05","/repositories/2/resources/497"],"normalized_date_ssm":["1986-1992, Date acquired: 00/00/1993"],"normalized_title_ssm":["Gloria Houston papers, 1986-1992, Date acquired: 00/00/1993"],"collection_title_tesim":["Gloria Houston papers, 1986-1992, Date acquired: 00/00/1993"],"collection_ssim":["Gloria Houston papers, 1986-1992, Date acquired: 00/00/1993"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Houston, Gloria  (1940-2016)"],"creator_ssim":["Houston, Gloria  (1940-2016)"],"creator_persname_ssim":["Houston, Gloria  (1940-2016)"],"creators_ssim":["Houston, Gloria  (1940-2016)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  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Also included are materials from the Suncoast Young Authors Conference, the \"Tell Me A Story\" writing contest sponsored by IBM and Good Housekeeping, and the Harper Collins Children's Books \"Favorite Teacher\" Writing Contest.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes articles, a biography, lesson plans, brochures, newspaper clippings, correspondence, contest information and contest entries. Also included are materials from the Suncoast Young Authors Conference, the \"Tell Me A Story\" writing contest sponsored by IBM and Good Housekeeping, and the Harper Collins Children's Books \"Favorite Teacher\" Writing Contest."],"userestrict_html_tesm":["\u003cp\u003eNone.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Houston, Gloria  (1940-2016)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Houston, Gloria  (1940-2016)"],"persname_ssim":["Houston, Gloria  (1940-2016)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"838f5e9e2ff3528a78dbcfcd","timestamp":"2026-07-09T04:50:31.494Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/838f5e9e2ff3528a78dbcfcd_aspace_66859"}},{"id":"f70dba2e4db85b9be660d412_aspace_167020","type":"Series","attributes":{"title":"Continental","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412_aspace_167020#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_167020","ref_ssm":["aspace_167020","aspace_167020"],"id":"f70dba2e4db85b9be660d412_aspace_167020","title_filing_ssi":"Continental","title_ssm":["Continental"],"title_tesim":["Continental"],"normalized_title_ssm":["Continental"],"text":["Continental","Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Series 7","/repositories/10/archival_objects/62540"],"component_level_isim":[1],"parent_ids_ssim":["f70dba2e4db85b9be660d412"],"parent_unittitles_ssm":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"parent_unittitles_tesim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 7","/repositories/10/archival_objects/62540"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"has_online_content_ssim":["false"],"child_component_count_isi":37,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":755,"parent_access_restrict_tesm":["This collection is open to all researchers. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"_nest_path_":"/components#6","_nest_parent_":"f70dba2e4db85b9be660d412","_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f70dba2e4db85b9be660d412","title_ssm":["Cinema Promotional Materials"],"title_tesim":["Cinema Promotional Materials"],"ead_ssi":"f70dba2e4db85b9be660d412","unitdate_ssm":["1957-1976","Date acquired: 08/01/1976"],"unitdate_inclusive_ssm":["1957-1976"],"unitdate_other_ssim":["Date acquired: 08/01/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 76-18","/repositories/10/resources/599"],"text":["MSS 76-18","/repositories/10/resources/599","Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures.","This collection is open to all researchers. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library.","The larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed.","Processed November, 1977.","This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 76-18","/repositories/10/resources/599"],"normalized_date_ssm":["1957-1976, Date acquired: 08/01/1976"],"normalized_title_ssm":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_title_tesim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_ssim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Gift of Mr. Leslie W. Pendleton, District Supervisor, Kent Theatres, Inc.","Received August 1976 through the efforts of Dr. Ungurait."],"access_subjects_ssim":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"access_subjects_ssm":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"has_online_content_ssim":["false"],"extent_ssm":["5521.00 items"],"extent_tesim":["5521.00 items"],"genreform_ssim":["Motion pictures."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003ePortions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e\n","\u003cp\u003eBoxes 2-5 and 8 may be accessed at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eThe larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed."],"prefercite_html_tesm":["\u003cp\u003eCinema Promotional Materials, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18\u003c/p\u003e"],"prefercite_tesim":["Cinema Promotional Materials, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18"],"processinfo_html_tesm":["\u003cp\u003eProcessed November, 1977.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed November, 1977."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n\u003cbr\u003e\u003cbr\u003eEach press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n\u003cbr\u003e\u003cbr\u003eThe records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412_aspace_167020"}},{"id":"017ffe6dc656d61d4bc03ca6_aspace_65d8adc8506a17cd5d376b7ce8c92e80","type":"Series","attributes":{"title":"Continuing Education Florida State University Myles Horton, October 14, 1981","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/017ffe6dc656d61d4bc03ca6_aspace_65d8adc8506a17cd5d376b7ce8c92e80#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_65d8adc8506a17cd5d376b7ce8c92e80","ref_ssm":["aspace_65d8adc8506a17cd5d376b7ce8c92e80","aspace_65d8adc8506a17cd5d376b7ce8c92e80"],"id":"017ffe6dc656d61d4bc03ca6_aspace_65d8adc8506a17cd5d376b7ce8c92e80","title_filing_ssi":"Continuing Education Florida State University Myles Horton","title_ssm":["Continuing Education Florida State University Myles Horton"],"title_tesim":["Continuing Education Florida State University Myles Horton"],"unitdate_other_ssim":["October 14, 1981"],"normalized_date_ssm":["October 14, 1981"],"normalized_title_ssm":["Continuing Education Florida State University Myles Horton, October 14, 1981"],"text":["Continuing Education Florida State University Myles Horton, October 14, 1981","William R. Jones Papers, 1953-2009","Sound Recordings, 1953-2005","12","/repositories/10/archival_objects/215091","box 123"],"component_level_isim":[2],"parent_ids_ssim":["017ffe6dc656d61d4bc03ca6","017ffe6dc656d61d4bc03ca6_aspace_169f31382535eae43475743bf4383309"],"parent_unittitles_ssm":["William R. Jones Papers, 1953-2009","Sound Recordings, 1953-2005"],"parent_unittitles_tesim":["William R. Jones Papers, 1953-2009","Sound Recordings, 1953-2005"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["12","/repositories/10/archival_objects/215091"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["William R. Jones Papers, 1953-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":2477,"parent_access_restrict_tesm":["Most paper files are still arranged as-received and difficult to handle routinely.","See also Technical Access note below.","Contact SCA staff at lib-specialcollections@fsu.edu for more information about access to this collection. ","Users may access this collection at the Claude Pepper Library."],"parent_access_terms_tesm":["Copyrights in works by William R. Jones in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright terms for unpublished works by William R. Jones will expire on January 1, 2083.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 123"],"_nest_path_":"/components#1/components#346","_nest_parent_":"017ffe6dc656d61d4bc03ca6_aspace_169f31382535eae43475743bf4383309","_root_":"017ffe6dc656d61d4bc03ca6","timestamp":"2026-07-10T05:18:33.704Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"017ffe6dc656d61d4bc03ca6","title_filing_ssi":"Jones, William R. Papers","title_ssm":["William R. Jones Papers"],"title_tesim":["William R. Jones Papers"],"ead_ssi":"017ffe6dc656d61d4bc03ca6","unitdate_ssm":["1953-2009"],"unitdate_inclusive_ssm":["1953-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2020-001","/repositories/10/resources/1781"],"text":["MSS 2020-001","/repositories/10/resources/1781","William R. Jones Papers, 1953-2009","Most paper files are still arranged as-received and difficult to handle routinely.","See also Technical Access note below.","Contact SCA staff at lib-specialcollections@fsu.edu for more information about access to this collection. ","Users may access this collection at the Claude Pepper Library.","unarranged","Rev. Dr. William Ronald \"Bill\" Jones (1933-2012) was an African American philosopher, scholar, and professor. His scholarly interests included philosophy, Blacks in the field of philosophy, racism, theodicy and Christian theism, Black theology, and especially the operation of oppressive structures in American society. Jones is well-known for his 1973 monograph  Is God A White Racist? , as well as the oppression investigation tools the Jones Analytic Model (JAM) and Jones Oppression Grid (JOG).","Jones was born July 17, 1933 in Louisville, Kentucky. He was one of six children born to to Henry W. Jones and Lannie (Brogsdale) Jones.","Jones attended Howard University, where he initially majored in engineering before transferring to philosophy. He recieved a BA in philosophy, magna cum laude, from Howard in 1955. Jones earned a Masters of Divinity from Harvard University in 1958.","Jones was ordained by the Unitarian Society of Wellesley Hills, MA on June 15, 1958, and served from 1958-1960 as Assistant Minister and Director of Religious Education at the all-white First Unitarian Church in Providence, Rhode Island.","He was a visiting professor at Howard from 1964-1969 while concurrently working on a PhD in Religious Studies at Brown University, completed in 1969. Jones taught at Yale Divinity School from 1969-1977, and was coordinator of Black Studies there from 1974-1976. ","He became Professor of Religion and the founding director of Black Studies at Florida State University (FSU) in 1977. He served as a community minister at FSU as well.","Jones authored articles regarding oppression and the church's role in social change. In 1973, Beacon Press published Jones's controversial piece,  Is God A White Racist? A Preamble to Black Theology , and in 1978, he co-edited and contributed to the monograph  Black Theology II .","Jones retired from Florida State University in 1999 as Professor Emeritus. He died in Tallahassee, Florida on Friday, July 13, 2012.","Jones was recipient of many awards, including: the African American Studies and Research Center Award for Outstanding Contribution to Philosophy and the African American Community from Purdue University; Distinguished Visiting Professor in Afro-American Studies at Lafayette College in 1983–84; first recipient of the William R. Jones Most Valuable Mentor Award, established by the Florida Endowment Fund for Higher Education to recognize the contribution of faculty members in the state of Florida university system to McKnight Black doctoral students; Florida State University Faculty Teaching Award in 1989 and 1994; state of Florida Ida S. Baker Black Distinguished Educator Recognition Award; Richard Allen Award from Yale Divinity School; Bragg Humanist of the Year; American Humanist Association Humanist Pioneer of the Year; and the first recipient of the Martin Luther King Jr. Distinguished Scholar Award. In 2008, at the Fifteenth Annual Philosophy Born of Struggle Conference, Jones received its first William R. Jones Award, established in his honor for a lifetime of achievement. ","\nSources:","American Philosophical Association. (Spring 2013).  APA Newsletters .  https://cdn.ymaws.com/www.apaonline.org/resource/collection/950518C1-3421-484C-8153-CDA6ED737182/V12n2Black.pdf","Harper, Daniel. \"William R. Jones: a brief appreciation.\"  https://www.danielharper.org/yauu/2012/08/william-r-jones-a-brief-appreciation/","Unitarian Universalist Ministers Association. \"In Memory of . . . William R. Jones (1933-2012).\"  https://www.uuma.org/blogpost/569858/147952/In-Memory-of----William-R-Jones-1933-2012","Moved by FSU Libraries and Meek-Eaton Black Archives from Jones home in Tallahassee to Meek-Eaton Black Archives Research Center and Museum November 29, 2013.\nMoved from Meek-Eaton to Strozier Library in October and November 2020.","Content of sound recordings, videocassettes, and computer media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Jones, William R. (1998).  Is God a white racist? : a preamble to Black theology . Beacon Press.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS022184588","Jones, William R. (1978).  Black theology II: essays on the formation and outreach of contemporary Black theology . Bucknell University Press.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS024391090","\"Jones, Williams - Black Studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026 University Archives.  http://purl.flvc.org/fcla/herb/126350a1.sid","\"Jones, William Dr. - Black studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026 University Archives.  http://purl.flvc.org/fcla/herb/126348a1.sid","American Humanist Association Records, Library \u0026 Archives, Meadville Lombard Theological Seminary, Chicago, Illinois.  https://www.meadville.edu/library-and-archives","Correspondence, subject files, publications, course materials, sound recordings, videocassettes, and digital media documenting the scholarship, instruction, and faculty service of Rev. Dr. William R. Jones. Major subjects include racism and oppression in the United States, Black liberation theology, and Florida State University units including the Department of Religion and the African American Studies program.","Select born-digital materials from this collection are available through  PASS .","Select materials from the William R. Jones Papers have been digitized and are available through the  FSU Digital Library .","William R. Jones Book Collection, Meek-Eaton Black Archives Research Center and Museum.","Copyrights in works by William R. Jones in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright terms for unpublished works by William R. Jones will expire on January 1, 2083.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2020-001","/repositories/10/resources/1781"],"normalized_date_ssm":["1953-2009"],"normalized_title_ssm":["William R. Jones Papers, 1953-2009"],"collection_title_tesim":["William R. Jones Papers, 1953-2009"],"collection_ssim":["William R. Jones Papers, 1953-2009"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyrights in works by William R. Jones in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright terms for unpublished works by William R. Jones will expire on January 1, 2083.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["138 Linear Feet 136 boxes, 2 items","69 Linear Feet 69 boxes","918 Cassettes 23 boxes","5 Cassettes","920 Cassettes 20 boxes","5 Reels","1188 items 13 boxes, 1 item","3.5 Linear Feet 3 boxes, 1 item","3 Linear Feet 2 boxes"],"extent_tesim":["138 Linear Feet 136 boxes, 2 items","69 Linear Feet 69 boxes","918 Cassettes 23 boxes","5 Cassettes","920 Cassettes 20 boxes","5 Reels","1188 items 13 boxes, 1 item","3.5 Linear Feet 3 boxes, 1 item","3 Linear Feet 2 boxes"],"physfacet_tesim":["Total collection extent","Paper documents","VHS videocassettes. 420 cassettes are unlabeled.","VHS-C videocassettes","Compact audiocassettes. 297 cassettes are unlabeled.","1/4-inch audiotape","Computer media: 3.5 inch disks, 5.25 inch disks, Zip disks, external drives, WinBook laptop computer, iomega jaz disk, Colorado DT-250 minicassette, DVD-R, DC-2120 mini cartridge, adapters","plaques, framed items, keepsakes","Books"],"dimensions_tesim":["7-inch reels"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eMost paper files are still arranged as-received and difficult to handle routinely.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below.\u003c/p\u003e\n","\u003cp\u003eContact SCA staff at lib-specialcollections@fsu.edu for more information about access to this collection. \u003c/p\u003e\n","\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Most paper files are still arranged as-received and difficult to handle routinely.","See also Technical Access note below.","Contact SCA staff at lib-specialcollections@fsu.edu for more information about access to this collection. ","Users may access this collection at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eunarranged\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["unarranged"],"bioghist_html_tesm":["\u003cp\u003eRev. Dr. William Ronald \"Bill\" Jones (1933-2012) was an African American philosopher, scholar, and professor. His scholarly interests included philosophy, Blacks in the field of philosophy, racism, theodicy and Christian theism, Black theology, and especially the operation of oppressive structures in American society. Jones is well-known for his 1973 monograph \u003cemph render=\"italic\"\u003eIs God A White Racist?\u003c/emph\u003e, as well as the oppression investigation tools the Jones Analytic Model (JAM) and Jones Oppression Grid (JOG).\u003c/p\u003e\n","\u003cp\u003eJones was born July 17, 1933 in Louisville, Kentucky. He was one of six children born to to Henry W. Jones and Lannie (Brogsdale) Jones.\u003c/p\u003e\n","\u003cp\u003eJones attended Howard University, where he initially majored in engineering before transferring to philosophy. He recieved a BA in philosophy, magna cum laude, from Howard in 1955. Jones earned a Masters of Divinity from Harvard University in 1958.\u003c/p\u003e\n","\u003cp\u003eJones was ordained by the Unitarian Society of Wellesley Hills, MA on June 15, 1958, and served from 1958-1960 as Assistant Minister and Director of Religious Education at the all-white First Unitarian Church in Providence, Rhode Island.\u003c/p\u003e\n","\u003cp\u003eHe was a visiting professor at Howard from 1964-1969 while concurrently working on a PhD in Religious Studies at Brown University, completed in 1969. Jones taught at Yale Divinity School from 1969-1977, and was coordinator of Black Studies there from 1974-1976. \u003c/p\u003e\n","\u003cp\u003eHe became Professor of Religion and the founding director of Black Studies at Florida State University (FSU) in 1977. He served as a community minister at FSU as well.\u003c/p\u003e\n","\u003cp\u003eJones authored articles regarding oppression and the church's role in social change. In 1973, Beacon Press published Jones's controversial piece, \u003cemph render=\"italic\"\u003eIs God A White Racist? A Preamble to Black Theology\u003c/emph\u003e, and in 1978, he co-edited and contributed to the monograph \u003cemph render=\"italic\"\u003eBlack Theology II\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eJones retired from Florida State University in 1999 as Professor Emeritus. He died in Tallahassee, Florida on Friday, July 13, 2012.\u003c/p\u003e\n","\u003cp\u003eJones was recipient of many awards, including: the African American Studies and Research Center Award for Outstanding Contribution to Philosophy and the African American Community from Purdue University; Distinguished Visiting Professor in Afro-American Studies at Lafayette College in 1983\u0026#x2013;84; first recipient of the William R. Jones Most Valuable Mentor Award, established by the Florida Endowment Fund for Higher Education to recognize the contribution of faculty members in the state of Florida university system to McKnight Black doctoral students; Florida State University Faculty Teaching Award in 1989 and 1994; state of Florida Ida S. Baker Black Distinguished Educator Recognition Award; Richard Allen Award from Yale Divinity School; Bragg Humanist of the Year; American Humanist Association Humanist Pioneer of the Year; and the first recipient of the Martin Luther King Jr. Distinguished Scholar Award. In 2008, at the Fifteenth Annual Philosophy Born of Struggle Conference, Jones received its first William R. Jones Award, established in his honor for a lifetime of achievement. \u003c/p\u003e\n","\u003cp\u003e\nSources:\u003c/p\u003e\n","\u003cp\u003eAmerican Philosophical Association. (Spring 2013). \u003cemph render=\"italic\"\u003eAPA Newsletters\u003c/emph\u003e. \u003cextref href=\"https://cdn.ymaws.com/www.apaonline.org/resource/collection/950518C1-3421-484C-8153-CDA6ED737182/V12n2Black.pdf\"\u003ehttps://cdn.ymaws.com/www.apaonline.org/resource/collection/950518C1-3421-484C-8153-CDA6ED737182/V12n2Black.pdf\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eHarper, Daniel. \"William R. Jones: a brief appreciation.\" \u003cextref href=\"https://www.danielharper.org/yauu/2012/08/william-r-jones-a-brief-appreciation/\"\u003ehttps://www.danielharper.org/yauu/2012/08/william-r-jones-a-brief-appreciation/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eUnitarian Universalist Ministers Association. \"In Memory of . . . William R. Jones (1933-2012).\" \u003cextref href=\"https://www.uuma.org/blogpost/569858/147952/In-Memory-of----William-R-Jones-1933-2012\"\u003ehttps://www.uuma.org/blogpost/569858/147952/In-Memory-of----William-R-Jones-1933-2012\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Rev. Dr. William Ronald \"Bill\" Jones (1933-2012) was an African American philosopher, scholar, and professor. His scholarly interests included philosophy, Blacks in the field of philosophy, racism, theodicy and Christian theism, Black theology, and especially the operation of oppressive structures in American society. Jones is well-known for his 1973 monograph  Is God A White Racist? , as well as the oppression investigation tools the Jones Analytic Model (JAM) and Jones Oppression Grid (JOG).","Jones was born July 17, 1933 in Louisville, Kentucky. He was one of six children born to to Henry W. Jones and Lannie (Brogsdale) Jones.","Jones attended Howard University, where he initially majored in engineering before transferring to philosophy. He recieved a BA in philosophy, magna cum laude, from Howard in 1955. Jones earned a Masters of Divinity from Harvard University in 1958.","Jones was ordained by the Unitarian Society of Wellesley Hills, MA on June 15, 1958, and served from 1958-1960 as Assistant Minister and Director of Religious Education at the all-white First Unitarian Church in Providence, Rhode Island.","He was a visiting professor at Howard from 1964-1969 while concurrently working on a PhD in Religious Studies at Brown University, completed in 1969. Jones taught at Yale Divinity School from 1969-1977, and was coordinator of Black Studies there from 1974-1976. ","He became Professor of Religion and the founding director of Black Studies at Florida State University (FSU) in 1977. He served as a community minister at FSU as well.","Jones authored articles regarding oppression and the church's role in social change. In 1973, Beacon Press published Jones's controversial piece,  Is God A White Racist? A Preamble to Black Theology , and in 1978, he co-edited and contributed to the monograph  Black Theology II .","Jones retired from Florida State University in 1999 as Professor Emeritus. He died in Tallahassee, Florida on Friday, July 13, 2012.","Jones was recipient of many awards, including: the African American Studies and Research Center Award for Outstanding Contribution to Philosophy and the African American Community from Purdue University; Distinguished Visiting Professor in Afro-American Studies at Lafayette College in 1983–84; first recipient of the William R. Jones Most Valuable Mentor Award, established by the Florida Endowment Fund for Higher Education to recognize the contribution of faculty members in the state of Florida university system to McKnight Black doctoral students; Florida State University Faculty Teaching Award in 1989 and 1994; state of Florida Ida S. Baker Black Distinguished Educator Recognition Award; Richard Allen Award from Yale Divinity School; Bragg Humanist of the Year; American Humanist Association Humanist Pioneer of the Year; and the first recipient of the Martin Luther King Jr. Distinguished Scholar Award. In 2008, at the Fifteenth Annual Philosophy Born of Struggle Conference, Jones received its first William R. Jones Award, established in his honor for a lifetime of achievement. ","\nSources:","American Philosophical Association. (Spring 2013).  APA Newsletters .  https://cdn.ymaws.com/www.apaonline.org/resource/collection/950518C1-3421-484C-8153-CDA6ED737182/V12n2Black.pdf","Harper, Daniel. \"William R. Jones: a brief appreciation.\"  https://www.danielharper.org/yauu/2012/08/william-r-jones-a-brief-appreciation/","Unitarian Universalist Ministers Association. \"In Memory of . . . William R. Jones (1933-2012).\"  https://www.uuma.org/blogpost/569858/147952/In-Memory-of----William-R-Jones-1933-2012"],"custodhist_html_tesm":["\u003cp\u003eMoved by FSU Libraries and Meek-Eaton Black Archives from Jones home in Tallahassee to Meek-Eaton Black Archives Research Center and Museum November 29, 2013.\nMoved from Meek-Eaton to Strozier Library in October and November 2020.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Moved by FSU Libraries and Meek-Eaton Black Archives from Jones home in Tallahassee to Meek-Eaton Black Archives Research Center and Museum November 29, 2013.\nMoved from Meek-Eaton to Strozier Library in October and November 2020."],"phystech_html_tesm":["\u003cp\u003eContent of sound recordings, videocassettes, and computer media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of sound recordings, videocassettes, and computer media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder Number], William R. Jones Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"https://purl.lib.fsu.edu/fa/MSS_2020-001\"\u003ehttps://purl.lib.fsu.edu/fa/MSS_2020-001\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder Number], William R. Jones Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2020-001"],"relatedmaterial_html_tesm":["\u003cp\u003eJones, William R. (1998). \u003cemph render=\"italic\"\u003eIs God a white racist? : a preamble to Black theology\u003c/emph\u003e. Beacon Press. \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS022184588\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS022184588\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eJones, William R. (1978). \u003cemph render=\"italic\"\u003eBlack theology II: essays on the formation and outreach of contemporary Black theology\u003c/emph\u003e. Bucknell University Press. \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS024391090\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS024391090\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\"Jones, Williams - Black Studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026amp; University Archives. \u003cextref href=\"http://purl.flvc.org/fcla/herb/126350a1.sid\"\u003ehttp://purl.flvc.org/fcla/herb/126350a1.sid\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\"Jones, William Dr. - Black studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026amp; University Archives. \u003cextref href=\"http://purl.flvc.org/fcla/herb/126348a1.sid\"\u003ehttp://purl.flvc.org/fcla/herb/126348a1.sid\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eAmerican Humanist Association Records, Library \u0026amp; Archives, Meadville Lombard Theological Seminary, Chicago, Illinois. \u003cextref href=\"https://www.meadville.edu/library-and-archives/\"\u003ehttps://www.meadville.edu/library-and-archives\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Works By William R. Jones At FSU Libraries","Related Materials - FSU Special Collections \u0026 Archives","Related Materials - Beyond FSU Libraries"],"relatedmaterial_tesim":["Jones, William R. (1998).  Is God a white racist? : a preamble to Black theology . Beacon Press.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS022184588","Jones, William R. (1978).  Black theology II: essays on the formation and outreach of contemporary Black theology . Bucknell University Press.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS024391090","\"Jones, Williams - Black Studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026 University Archives.  http://purl.flvc.org/fcla/herb/126350a1.sid","\"Jones, William Dr. - Black studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026 University Archives.  http://purl.flvc.org/fcla/herb/126348a1.sid","American Humanist Association Records, Library \u0026 Archives, Meadville Lombard Theological Seminary, Chicago, Illinois.  https://www.meadville.edu/library-and-archives"],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, subject files, publications, course materials, sound recordings, videocassettes, and digital media documenting the scholarship, instruction, and faculty service of Rev. Dr. William R. Jones. Major subjects include racism and oppression in the United States, Black liberation theology, and Florida State University units including the Department of Religion and the African American Studies program.\u003c/p\u003e","\u003cp\u003eSelect born-digital materials from this collection are available through \u003cextref href=\"http://pass.lib.fsu.edu/#Jones-MSS_2020-001/\"\u003ePASS\u003c/extref\u003e.\u003c/p\u003e","\u003cp\u003eSelect materials from the William R. Jones Papers have been digitized and are available through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:williamrjonespapers\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available","Online Copies Available"],"scopecontent_tesim":["Correspondence, subject files, publications, course materials, sound recordings, videocassettes, and digital media documenting the scholarship, instruction, and faculty service of Rev. Dr. William R. Jones. Major subjects include racism and oppression in the United States, Black liberation theology, and Florida State University units including the Department of Religion and the African American Studies program.","Select born-digital materials from this collection are available through  PASS .","Select materials from the William R. Jones Papers have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eWilliam R. Jones Book Collection, Meek-Eaton Black Archives Research Center and Museum.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["William R. Jones Book Collection, Meek-Eaton Black Archives Research Center and Museum."],"userestrict_html_tesm":["\u003cp\u003eCopyrights in works by William R. Jones in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e\n","\u003cp\u003eCopyright terms for unpublished works by William R. Jones will expire on January 1, 2083.\u003c/p\u003e\n","\u003cp\u003eCopyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyrights in works by William R. Jones in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright terms for unpublished works by William R. Jones will expire on January 1, 2083.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2768,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"017ffe6dc656d61d4bc03ca6","timestamp":"2026-07-10T05:18:33.704Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/017ffe6dc656d61d4bc03ca6_aspace_65d8adc8506a17cd5d376b7ce8c92e80"}},{"id":"60bbf6b63c4ee0129322d4ce_aspace_1183","type":"Series","attributes":{"title":"Continuing SACS Documentation, 1991-2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/60bbf6b63c4ee0129322d4ce_aspace_1183#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSub-series consists of SACS documentation, arranged in chronological order. 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Collection is ongoing.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Sub-series consists of SACS documentation, arranged in chronological order.  Collection is ongoing."],"_nest_path_":"/components#0","_nest_parent_":"60bbf6b63c4ee0129322d4ce","_root_":"60bbf6b63c4ee0129322d4ce","_version_":1870842615814946816,"timestamp":"2026-07-16T04:02:32.738Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"60bbf6b63c4ee0129322d4ce","title_ssm":["SACS: Southern Association of Colleges and Schools"],"title_tesim":["SACS: Southern Association of Colleges and Schools"],"ead_ssi":"60bbf6b63c4ee0129322d4ce","unitdate_ssm":["1991-2006"],"unitdate_inclusive_ssm":["1991-2006"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.01.02","/repositories/3/resources/68"],"text":["01.01.02","/repositories/3/resources/68","SACS: Southern Association of Colleges and Schools, 1991-2006","This collection is open for research.","This collection is arranged chronologically.","This collection consists of documents regarding Florida Gulf Coast University's accrediation through Southern Association of Colleges and Schools (SACS), including but not limited to, committee reports, handbooks, policies, procedures and accredidation applications,reports, and correspondences.","Florida Gulf Coast University Archives","American Association of University Professors.","National Council for Accreditation of Teacher Education","Harrington, Thomas, Dr.","Ravelli, Joseph, Ph.D.","Southern Association of Colleges and Schools","Merwin, William C., Ph.D., 1939-2001","English"],"unitid_tesim":["01.01.02","/repositories/3/resources/68"],"normalized_date_ssm":["1991-2006"],"normalized_title_ssm":["SACS: Southern Association of Colleges and Schools, 1991-2006"],"collection_title_tesim":["SACS: Southern Association of Colleges and Schools, 1991-2006"],"collection_ssim":["SACS: Southern Association of Colleges and Schools, 1991-2006"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of documents regarding Florida Gulf Coast University's accrediation through Southern Association of Colleges and Schools (SACS), including but not limited to, committee reports, handbooks, policies, procedures and accredidation applications,reports, and correspondences.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of documents regarding Florida Gulf Coast University's accrediation through Southern Association of Colleges and Schools (SACS), including but not limited to, committee reports, handbooks, policies, procedures and accredidation applications,reports, and correspondences."],"names_ssim":["Florida Gulf Coast University Archives","American Association of University Professors.","National Council for Accreditation of Teacher Education","Harrington, Thomas, Dr.","Ravelli, Joseph, Ph.D.","Southern Association of Colleges and Schools","Merwin, William C., Ph.D., 1939-2001"],"corpname_ssim":["Florida Gulf Coast University Archives","American Association of University Professors.","National Council for Accreditation of Teacher Education"],"persname_ssim":["Harrington, Thomas, Dr.","Ravelli, Joseph, Ph.D.","Southern Association of Colleges and Schools","Merwin, William C., Ph.D., 1939-2001"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":330,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842615814946816,"_root_":"60bbf6b63c4ee0129322d4ce","timestamp":"2026-07-16T04:02:32.738Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/60bbf6b63c4ee0129322d4ce_aspace_1183"}},{"id":"a79c840ed87d42961e583cf1_aspace_184103","type":"Series","attributes":{"title":"Contracts","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_184103#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_184103","ref_ssm":["aspace_184103","aspace_184103"],"id":"a79c840ed87d42961e583cf1_aspace_184103","title_filing_ssi":"Contracts","title_ssm":["Contracts"],"title_tesim":["Contracts"],"normalized_title_ssm":["Contracts"],"text":["Contracts","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Series 11","/repositories/2/archival_objects/121561"],"component_level_isim":[1],"parent_ids_ssim":["a79c840ed87d42961e583cf1"],"parent_unittitles_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"parent_unittitles_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 11","/repositories/2/archival_objects/121561"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":3900,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#10","_nest_parent_":"a79c840ed87d42961e583cf1","_root_":"a79c840ed87d42961e583cf1","_version_":1870863518701453312,"timestamp":"2026-07-16T09:34:47.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a79c840ed87d42961e583cf1","title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records"],"ead_ssi":"a79c840ed87d42961e583cf1","unitdate_ssm":["1913-1989","Date acquired: 00/00/2006"],"unitdate_inclusive_ssm":["1913-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-10","/repositories/2/resources/535"],"text":["MS-2006-10","/repositories/2/resources/535","Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","Chemical engineering laboratories","The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides.","Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07","This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.","USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna","English"],"unitid_tesim":["MS-2006-10","/repositories/2/resources/535"],"normalized_date_ssm":["1913-1989, Date acquired: 00/00/2006"],"normalized_title_ssm":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_title_tesim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"collection_ssim":["Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creator_persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"creators_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edna Rodgers","Donation."],"access_subjects_ssim":["Chemical engineering laboratories"],"access_subjects_ssm":["Chemical engineering laboratories"],"has_online_content_ssim":["false"],"extent_ssm":["177.00 Linear Feet","232 boxes"],"extent_tesim":["177.00 Linear Feet","232 boxes"],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe following are four ways in which the series were arranged.\u003c/p\u003e\n","\u003cp\u003eBy subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. \u003c/p\u003e\n","\u003cp\u003eFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003eMaterials are organized into folders by format, subject, and original folder number.\u0026#xA0; The subject headings of each folder are the headings applied to the original folders by the Kamlets.\u0026#xA0; (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.\u0026#xA0; Contents inside folders are organized chronologically when applicable.\u0026#xA0; Some folders contain the format denotation \"Notes to Users.\"\u0026#xA0; Folders with this title contain index cards that were often found attached to the original manila envelopes.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.\u0026#xA0; The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.\u0026#xA0; The index cards that are a part of this finding mechanism are organized alphabetically by subject.\u0026#xA0; Contact an archivist for assistance with this secondary finding aid.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eMaterials have been arranged with regards to their original order.\u0026#xA0; Organized by subject.\u0026#xA0; A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.\u0026#xA0; Contact an archivist for assistance with these supplemental guides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The following are four ways in which the series were arranged.","By subject; also by chronological order when applicable. Folders arranged alphabetically by company name or an individual's last name; chronological organization within these divisions. ","Folders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","Materials are organized into folders by format, subject, and original folder number.  The subject headings of each folder are the headings applied to the original folders by the Kamlets.  (The container listing of this finding aid provides only folders numbers and subject headings for folders and does not list individual folders or items.) Duplicate folder numbers were found during processing; in such cases, the subjects are organized both numerically and alphabetically.  Contents inside folders are organized chronologically when applicable.  Some folders contain the format denotation \"Notes to Users.\"  Folders with this title contain index cards that were often found attached to the original manila envelopes.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users.  The index cards of this separate finding mechanism direct users to folder numbers containing information on a variety of subjects.  The index cards that are a part of this finding mechanism are organized alphabetically by subject.  Contact an archivist for assistance with this secondary finding aid.  ","Materials have been arranged with regards to their original order.  Organized by subject.  A set of arranged index cards organized by Edna Kamlet exists separately from this finding aid in order to assist users in locating information; however, this particular series may not directly correspond to the finding aid created by Edna Kamlet. Also, folders often contain \"page numbers\" in the folder title; these page numbers refer to pages in an additional notebook that also acts as a guide for this collection.  Contact an archivist for assistance with these supplemental guides."],"bioghist_html_tesm":["\u003cp\u003eJonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.\u0026#xA0; The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.\u0026#xA0; The laboratory also provided consultation services to a variety of businesses.\u0026#xA0; Edna Kamlet continued the laboratory's work following the death of her husband in 1960.\u0026#xA0; She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.\u003c/p\u003e\n","\u003cp\u003eMartin, D. \u0026amp; Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44\u003c/p\u003e\n","\u003cp\u003eUSF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf\u003c/p\u003e\n","\u003cp\u003eNote written by BMB 10/1/07\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Jonas Kamlet, Ph. D., and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City.  The laboratory's work centered on the research and development of new methods for chemical products, as well as identifying interested clients for said methods and selling rights to them.  The laboratory also provided consultation services to a variety of businesses.  Edna Kamlet continued the laboratory's work following the death of her husband in 1960.  She retired in 1979 and also went on to remarry, changing her name to Edna Rogers.","Martin, D. \u0026 Martin, B. (2006). Jonas Kamlet (1914-1960) Chemist/Entrepreneur. Florida Scientist, v. 70, no. 1, pp. 40-44","USF Libraries Obtain Innovative Chemist's Collection. (Summer 2006). Library Links, v. 10, no. 2. Retrieved May 5, 2007, from http://www.lib.usf.edu/public/_files/LLsummer2006_p5.pdf","Note written by BMB 10/1/07"],"prefercite_html_tesm":["\u003cp\u003eKamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  .\u003c/p\u003e"],"prefercite_tesim":["Kamlet Laboratories Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is a compilation of eight finding aids. Each finding aid represents a series.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003e1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.\u0026#xA0; A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.\u003c/p\u003e\n","\u003cp\u003e2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.\u0026#xA0; Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.\u003c/p\u003e\n","\u003cp\u003e4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.\u0026#xA0; (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes \u0026#x2013; May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) \u003c/p\u003e\n","\u003cp\u003e5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.\u0026#xA0; Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u0026#xA0; Folder titles are indicative of the collection's varied thematic content.\u003c/p\u003e\n","\u003cp\u003e7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.\u0026#xA0; The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.\u003c/p\u003e\n","\u003cp\u003e8.\u0026#xA0; \u0026#xA0;\u0026#xA0; Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is a compilation of eight finding aids. Each finding aid represents a series.  ","1.\tThis collection consists primarily of the personal materials of Kamlet family members: personal papers, correspondence (including War World II correspondence from Mortimer J. Kamlet,) professional correspondence, magazine clippings, newspaper clippings, photographs, photo negatives, drafts, publications, certificates, personal effects, and a diploma.  A biographical note about Jonas Kamlet, written after his death, provides a synopsis of his research interests and client relations.","2.\tPrimarily consists of the personal materials of Edna and Jonas Kamlet, including personal papers, professional and personal correspondence, newspaper and magazine clippings, booklets, drawings, maps, and business cards. \n \n3.\tCopies of outgoing correspondence from Kamlet to clients, potential clients, and other entities/individuals.  Thematic content includes: networking; the discussion of ongoing business and relations between Kamlet and various correspondents; the discussion of new scientific processes and developments; inquiries by Kamlet into the scientific of work of others or the requesting of information pertinent to his own work, etc.","4.\tFolders within the Hollinger boxes arranged primarily in chronological order; documents within folders also contain a previously assigned communication number, which coincides with the chronological order.  (The only exception is the first folder, titled \"Additional Correspondence and Meeting Notes – May 4, 1950 to October 1, 1952,\" which lacks communication numbers and is arranged in chronological order unto itself.) ","5.\tTypes of materials present include the following: Abstracts; addresses; advertisements; announcements; applications; articles; bibliographies; binders; booklets; books; brochures; bulletins; business cards; compendium; constitutions; contracts; correspondence; data book; data sheets; folio; graphs; handbooks; information cards; information circulars; invoices; leaflets; letter circulars; lists of publications; magazine clippings; manuscripts; maps; memoranda; messages; minutes; newsletters; newspaper clippings; newspaper publications; notebooks; notes; packets; pamphlets; papers; patent papers; photographs; postcards; press releases; price lists; price quote; proceedings; product sample; proposals; publications; reports; research papers; results; reviews; schedules; sketches; supplements; surveys; telegrams; term papers; theses; and transcriptions.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","6.\tTypes of materials present include the following: articles, bibliographies, booklets, brochures, bulletins, catalogs, correspondence, data sheets, guides, handbooks. Leaflets, manuscripts, maps, notes, newspaper clippings, pamphlets, papers, press releases, patent papers, photographs, price lists, publications, recipes, reports, results, reviews, memoranda, newsletters, notebooks, technical papers, proceedings (excerpts), postcards, reviews, and letter circulars.  Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.  Folder titles are indicative of the collection's varied thematic content.","7.\tThis particular series has a focus on the patenting process with regards to the work of Kamlet himself, as well as the pursuits of his clients.  The following types of materials are represented: agreements; applications; articles; booklets; bulletins; contracts, correspondence; memoranda; minutes; notebooks; patents and related paperwork; publications; reports; specifications; and typescripts. Many of these items exist only as photocopies; dates associated materials reflect the date of the information and not necessarily the date of the physical item.","8.     Scrapbooks, consisting primarily of the professional and personal materials of Edna and Jonas Kamlet, along with a few items relating to Mortimer J. Kamlet: correspondence, newspaper and magazine clippings, journal articles, booklets, photographs, business cards, certificates, advertisements, postcards, letters, drawings, and playbills. Thematic content includes the following: research and news related to drug synthesis, diabetic testing, pregnancy and hormones, sulfa drugs, penicillin, vitamins, diabetic testing, etc.; contemporary scientific, cultural, and social trends and issues; tracking the work of contemporary scientists and companies; advertisements for products resulting from contemporary scientific endeavors; Kamlet and his new ideas, products, and processes, along with his own research (blood and urine testing, pulp waste, livestock feed, etc.); Edna's art interests; Mortimer J. Kamlet, his research, and the AIC (American Institute of Chemists); and Jonas Kamlet's patents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f163370d009d8390608d15228d74d825\" label=\"Abstract\"\u003eThis collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of records related to the Kamlet Laboratory and its founders. Chemist. Jonas kamlet and his wife, Edna, founded The Kamlet Laboratory (1940-1979) in New York City. The laboratory's work centered on the research and development of new methods for chemical products as well as identifying interested clients and selling rights to them. The laboratory also provided consultation services to a variety of businesses. Included are: personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks.\n\tIncludes personal papers, correspondence, professional correspondence, magazine clippings, newspaper clippings, photographs, drafts, publications, advertisements, announcements, price quotes, technical reports, test results, and scrapbooks."],"names_ssim":["USF Libraries - Tampa Special Collections","Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"persname_ssim":["Kamlet, Jonas (1914-1960)","Kamlet, Edna"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4072,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863518701453312,"_root_":"a79c840ed87d42961e583cf1","timestamp":"2026-07-16T09:34:47.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a79c840ed87d42961e583cf1_aspace_184103"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Congressman James A. 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