{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026page=90","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026page=89","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026page=91","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026page=278"},"meta":{"pages":{"current_page":90,"next_page":91,"prev_page":89,"total_pages":278,"limit_value":10,"offset_value":890,"total_count":2771,"first_page?":false,"last_page?":false}},"data":[{"id":"d0c0ec0d01fac02c27f7a38e_aspace_e4897d1adbc29d383ffde7f15a1e3f2f","type":"Other level","attributes":{"title":"Box 2","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e_aspace_e4897d1adbc29d383ffde7f15a1e3f2f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e4897d1adbc29d383ffde7f15a1e3f2f","ref_ssm":["aspace_e4897d1adbc29d383ffde7f15a1e3f2f","aspace_e4897d1adbc29d383ffde7f15a1e3f2f"],"id":"d0c0ec0d01fac02c27f7a38e_aspace_e4897d1adbc29d383ffde7f15a1e3f2f","title_filing_ssi":"Box 2","title_ssm":["Box 2"],"title_tesim":["Box 2"],"normalized_title_ssm":["Box 2"],"text":["Box 2","Melodie Moorehead Papers, 1970-2021","/repositories/2/archival_objects/90943","Box 2"],"component_level_isim":[1],"parent_ids_ssim":["d0c0ec0d01fac02c27f7a38e"],"parent_unittitles_ssm":["Melodie Moorehead Papers, 1970-2021"],"parent_unittitles_tesim":["Melodie Moorehead Papers, 1970-2021"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/90943"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":15,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["Box 2"],"_nest_path_":"/components#1","_nest_parent_":"d0c0ec0d01fac02c27f7a38e","_root_":"d0c0ec0d01fac02c27f7a38e","_version_":1879179292500295680,"timestamp":"2026-10-16T04:30:27.180Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d0c0ec0d01fac02c27f7a38e","title_ssm":["Melodie Moorehead Papers"],"title_tesim":["Melodie Moorehead Papers"],"ead_ssi":"d0c0ec0d01fac02c27f7a38e","unitdate_ssm":["1970-2021"],"unitdate_inclusive_ssm":["1970-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9015","/repositories/2/resources/111"],"text":["SPC9015","/repositories/2/resources/111","Melodie Moorehead Papers, 1970-2021","Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers","Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera","Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead","LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.","The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC9015","/repositories/2/resources/111"],"normalized_date_ssm":["1970-2021"],"normalized_title_ssm":["Melodie Moorehead Papers, 1970-2021"],"collection_title_tesim":["Melodie Moorehead Papers, 1970-2021"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"geogname_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"places_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"access_terms_ssm":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by the Melodie Moorehead Archives"],"access_subjects_ssim":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"access_subjects_ssm":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"extent_tesim":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged as follows:\u003c/p\u003e\n","\u003cp\u003ePersonal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera"],"bioghist_html_tesm":["\u003cp\u003eDr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College \u0026#x2013; North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  \u003c/p\u003e\n","\u003cp\u003eBefore her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   \u003c/p\u003e\n","\u003cp\u003eReturning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. \u003c/p\u003e\n","\u003cp\u003eInstead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. \u003c/p\u003e\n","\u003cp\u003eDr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very na\u0026#xEF;ve.\"\u003c/p\u003e\n","\u003cp\u003eBy 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. \u003c/p\u003e\n","\u003cp\u003eIt was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. \u003c/p\u003e\n","\u003cp\u003eIt was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  \u003c/p\u003e\n","\u003cp\u003eMelodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. \u003c/p\u003e\n","\u003cp\u003eWith unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.\u003c/p\u003e\n","\u003cp\u003eDuring the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. \u003c/p\u003e\n","\u003cp\u003eFinally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.\u003c/p\u003e\n","\u003cp\u003eDr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.\u003c/p\u003e\n","\u003cp\u003ePlease note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts."],"userestrict_html_tesm":["\u003cp\u003eThe Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879179292500295680,"_root_":"d0c0ec0d01fac02c27f7a38e","timestamp":"2026-10-16T04:30:27.180Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e_aspace_e4897d1adbc29d383ffde7f15a1e3f2f"}},{"id":"07e83d7fe9b8feb6c0518c05_aspace_60532","type":"Other level","attributes":{"title":"Box 2","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/07e83d7fe9b8feb6c0518c05_aspace_60532#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_60532","ref_ssm":["aspace_60532","aspace_60532"],"id":"07e83d7fe9b8feb6c0518c05_aspace_60532","title_filing_ssi":"Box 2","title_ssm":["Box 2"],"title_tesim":["Box 2"],"normalized_title_ssm":["Box 2"],"text":["Box 2","Mana-Zucca Collection, 1912-1989","Series 6: Miscellaneous Music","Box 2","/repositories/2/archival_objects/58651"],"component_level_isim":[2],"parent_ids_ssim":["07e83d7fe9b8feb6c0518c05","07e83d7fe9b8feb6c0518c05_aspace_59705"],"parent_unittitles_ssm":["Mana-Zucca Collection, 1912-1989","Series 6: Miscellaneous Music"],"parent_unittitles_tesim":["Mana-Zucca Collection, 1912-1989","Series 6: Miscellaneous Music"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Box 2","/repositories/2/archival_objects/58651"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":17,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":485,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#5/components#1","_nest_parent_":"07e83d7fe9b8feb6c0518c05_aspace_59705","_root_":"07e83d7fe9b8feb6c0518c05","_version_":1881085616266936320,"timestamp":"2026-11-06T05:30:39.187Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"07e83d7fe9b8feb6c0518c05","title_ssm":["Mana-Zucca Collection"],"title_tesim":["Mana-Zucca Collection"],"ead_ssi":"07e83d7fe9b8feb6c0518c05","unitdate_ssm":["1912-1989"],"unitdate_inclusive_ssm":["1912-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7005","/repositories/2/resources/69"],"text":["SPC7005","/repositories/2/resources/69","Mana-Zucca Collection, 1912-1989","The collection is open for research.","Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.","FIU Special Collections","Mana-Zucca","Cassel, Leslie","English"],"unitid_tesim":["SPC7005","/repositories/2/resources/69"],"normalized_date_ssm":["1912-1989"],"normalized_title_ssm":["Mana-Zucca Collection, 1912-1989"],"collection_title_tesim":["Mana-Zucca Collection, 1912-1989"],"collection_ssim":["Mana-Zucca Collection, 1912-1989"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mana-Zucca","Cassel, Leslie"],"creator_ssim":["Mana-Zucca","Cassel, Leslie"],"creator_persname_ssim":["Mana-Zucca","Cassel, Leslie"],"creators_ssim":["Mana-Zucca","Cassel, Leslie"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["102 boxes"],"extent_tesim":["102 boxes"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions of Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eManna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Manna-Zucca, whose birth name was Gizella Zuccamanof, was born on December 25, 1885, in New York City, United States. The daughter of Polish immigrants, she possessed an early aptitude for the piano, and was quickly recognized as a child prodigy. As early as age seven, she began learning proficient use of the piano at the New York College of Music by pianist Alexander Lambert. At age eight, she made her piano debut at the New York Symphony Orchestra. Early on, she studied and toured Europe with such composers as Leopold Godowsky, Ferruccio Busoni, and Herman Spielter. Throughout her career, she composed 366 piano pieces entitled \"My Musical Calendar.\" The University of Miami awarded Manna-Zucca with an honorary doctorate degree in Music on May 19, 1974. She passed away in her home in Miami, Florida, on March 11, 1981."],"scopecontent_html_tesm":["\u003cp\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. She was a child prodigy who began composing at an early age and traveled the world, first performing the works of famous composers and later writing her own musical compositions. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f7a0b994c99b6770a2303aa33bd8e3db\" label=\"Abstract\"\u003eThe Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University.\u003c/abstract\u003e"],"abstract_tesim":["The Mana-Zucca Collection contains the works, personal papers, photograph albums, scrapbooks, handwritten music and compositions of the American actress, singer, pianist and composer Augusta Zuckerman. This collection is comprised of eight series, spanning over 100 boxes is housed in the Special Collections and University Archives Department at Florida International University."],"names_ssim":["FIU Special Collections","Mana-Zucca","Cassel, Leslie"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Cassel, Leslie"],"persname_ssim":["Mana-Zucca","Cassel, Leslie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":795,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881085616266936320,"_root_":"07e83d7fe9b8feb6c0518c05","timestamp":"2026-11-06T05:30:39.187Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/07e83d7fe9b8feb6c0518c05_aspace_60532"}},{"id":"3018d7acc866cce1e2f00be2_aspace_d2e7d7d5b84de1932962e09eb53d70de","type":"Other level","attributes":{"title":"Box 20","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_d2e7d7d5b84de1932962e09eb53d70de#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d2e7d7d5b84de1932962e09eb53d70de","ref_ssm":["aspace_d2e7d7d5b84de1932962e09eb53d70de","aspace_d2e7d7d5b84de1932962e09eb53d70de"],"id":"3018d7acc866cce1e2f00be2_aspace_d2e7d7d5b84de1932962e09eb53d70de","title_filing_ssi":"Box 20","title_ssm":["Box 20"],"title_tesim":["Box 20"],"normalized_title_ssm":["Box 20"],"text":["Box 20","Mickey Wolfson Theater Collection, 1946-2015","/repositories/2/archival_objects/74547"],"component_level_isim":[1],"parent_ids_ssim":["3018d7acc866cce1e2f00be2"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/74547"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":651,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#19","_nest_parent_":"3018d7acc866cce1e2f00be2","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mickey Wolfson"],"access_subjects_ssim":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"access_subjects_ssm":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["18.33 Linear Feet"],"extent_tesim":["18.33 Linear Feet"],"physfacet_tesim":["44 5\" document cases"],"genreform_ssim":["Playbills"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. 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","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. \u003c/p\u003e\n","\u003cp\u003eCollector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. \u003c/p\u003e\n","\u003cp\u003eIn 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. 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Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. 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For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_7e877df1254b1c8344c609e6bb627e19\"\u003eLanguage of materials is in English unless otherwise noted.\u003c/materialspec\u003e"],"materialspec_tesim":["Language of materials is in English unless otherwise noted."],"names_ssim":["FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"language_ssim":["Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1292,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_d2e7d7d5b84de1932962e09eb53d70de"}},{"id":"5e7d9f6a2bbf316bce06c773_aspace_28483","type":"Other level","attributes":{"title":"Box 20","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e7d9f6a2bbf316bce06c773_aspace_28483#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_28483","ref_ssm":["aspace_28483","aspace_28483"],"id":"5e7d9f6a2bbf316bce06c773_aspace_28483","title_filing_ssi":"Box 20","title_ssm":["Box 20"],"title_tesim":["Box 20"],"normalized_title_ssm":["Box 20"],"text":["Box 20","Charles E. Perry Papers and Ephemera, 1968-1999","Box 20","/repositories/2/archival_objects/66110"],"component_level_isim":[1],"parent_ids_ssim":["5e7d9f6a2bbf316bce06c773"],"parent_unittitles_ssm":["Charles E. Perry Papers and Ephemera, 1968-1999"],"parent_unittitles_tesim":["Charles E. Perry Papers and Ephemera, 1968-1999"],"parent_levels_ssm":["collection"],"unitid_ssm":["Box 20","/repositories/2/archival_objects/66110"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Charles E. Perry Papers and Ephemera, 1968-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":249,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. 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Perry and a founding corps opened FIU to 5,667 students in 1972 with only one large building housing six different schools. Perry left the office of President of FIU in 1976 when the student body had grown to 10,000 students and the university had six buildings, offered 134 different degrees and was fully accredited. Charles Perry died on August 30, 1999 at his home in Rockwall, Texas. He is buried on the FIU campus in front of the Graham Center entrance.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Florida International University-Faculty.","Perry, Charles E.","English"],"unitid_tesim":["SPC600","/repositories/2/resources/75"],"normalized_date_ssm":["1968-1999"],"normalized_title_ssm":["Charles E. Perry Papers and Ephemera, 1968-1999"],"collection_title_tesim":["Charles E. Perry Papers and Ephemera, 1968-1999"],"collection_ssim":["Charles E. Perry Papers and Ephemera, 1968-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Perry, Charles E."],"creator_ssim":["Perry, Charles E."],"creator_persname_ssim":["Perry, Charles E."],"creators_ssim":["Perry, Charles E."],"access_terms_ssm":["Rights: In copyright. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["45.00 Linear Feet"],"extent_tesim":["45.00 Linear Feet"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is sorted through an assortment of boxes.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is sorted through an assortment of boxes."],"bioghist_html_tesm":["\u003cp\u003eCharles Edward Perry (Chuck), 1937-1999, was the founding president of Florida International University in Miami, Florida. 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Perry left the office of President of FIU in 1976 when the student body had grown to 10,000 students and the university had six buildings, offered 134 different degrees and was fully accredited. Charles Perry died on August 30, 1999 at his home in Rockwall, Texas. He is buried on the FIU campus in front of the Graham Center entrance."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. 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Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","This collection is arranged into two series.","Carlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on José Martí, a legendary Cuban figure and important Latin American writer.","Carlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.","Ripoll devoted his life to studying and writing about Martí. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.","Carlos Ripoll died in Miami in 2011.","Note written by Annia Gonzalez","The Carlos Ripoll Collection consists of material relating to José Martí, which was accumulated by Mr. Ripoll in the course of his research on the life and work of José Martí.  Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers.","The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of José Martí and other Cuban personalities.","FIU Special Collections","Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895","English Spanish; Castilian"],"unitid_tesim":["SPC7025","/repositories/2/resources/93"],"normalized_date_ssm":["1939-2002"],"normalized_title_ssm":["Carlos Ripoll Collection, 1939-2002"],"collection_title_tesim":["Carlos Ripoll Collection, 1939-2002"],"collection_ssim":["Carlos Ripoll Collection, 1939-2002"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Ripoll, Carlos"],"creator_ssim":["Ripoll, Carlos"],"creator_persname_ssim":["Ripoll, Carlos"],"creators_ssim":["Ripoll, Carlos"],"places_ssim":["Cuba"],"access_terms_ssm":["The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["Donated by Carlos Ripoll."],"access_subjects_ssim":["Authors, Cuban -- 19th century -- Biography","Cuba -- Foreign relations -- United States.","Cuba -- History -- 1810-1899","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","  Cuba -- History -- Insurrection, 1868-1878","Cuba -- History -- Revolution, 1895-1898 -- Press coverage -- United States","            Cuba -- Intellectual life -- 20th century","Emblems, National -- Cuba -- History","Freedom of information -- Cuba","Freedom of speech -- Cuba","Martí, José -- 1853-1895 -- Crítica e interpretación","Martí, José -- 1853-1895 -- Criticism and interpretation","Martí, José -- 1853-1895 -- Exile -- New York (State) -- New York","Martí, José -- 1853-1895 -- Family","Martí, José -- 1853-1895 -- In mass media","Martí, José -- 1853-1895 -- Political and social views","Martí, José -- 1853-1895 -- Psychology","Lincoln, Abraham -- 1809-1865 -- Political and social views","New York (N.Y.) -- Intellectual life -- 19th century","Political refugees -- Political activity -- New York (State) -- New York","Spain -- Politics and government -- 1868-1875","United States -- Foreign relations -- Cuba"],"access_subjects_ssm":["Authors, Cuban -- 19th century -- Biography","Cuba -- Foreign relations -- United States.","Cuba -- History -- 1810-1899","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","  Cuba -- History -- Insurrection, 1868-1878","Cuba -- History -- Revolution, 1895-1898 -- Press coverage -- United States","            Cuba -- Intellectual life -- 20th century","Emblems, National -- Cuba -- History","Freedom of information -- Cuba","Freedom of speech -- Cuba","Martí, José -- 1853-1895 -- Crítica e interpretación","Martí, José -- 1853-1895 -- Criticism and interpretation","Martí, José -- 1853-1895 -- Exile -- New York (State) -- New York","Martí, José -- 1853-1895 -- Family","Martí, José -- 1853-1895 -- In mass media","Martí, José -- 1853-1895 -- Political and social views","Martí, José -- 1853-1895 -- Psychology","Lincoln, Abraham -- 1809-1865 -- Political and social views","New York (N.Y.) -- Intellectual life -- 19th century","Political refugees -- Political activity -- New York (State) -- New York","Spain -- Politics and government -- 1868-1875","United States -- Foreign relations -- Cuba"],"has_online_content_ssim":["false"],"extent_ssm":["29.00 boxes"],"extent_tesim":["29.00 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into two series."],"bioghist_html_tesm":["\u003cp\u003eCarlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on Jos\u0026#xE9; Mart\u0026#xED;, a legendary Cuban figure and important Latin American writer.\u003c/p\u003e\n","\u003cp\u003eCarlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.\u003c/p\u003e\n","\u003cp\u003eRipoll devoted his life to studying and writing about Mart\u0026#xED;. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.\u003c/p\u003e\n","\u003cp\u003eCarlos Ripoll died in Miami in 2011.\u003c/p\u003e\n","\u003cp\u003eNote written by Annia Gonzalez\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on José Martí, a legendary Cuban figure and important Latin American writer.","Carlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.","Ripoll devoted his life to studying and writing about Martí. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.","Carlos Ripoll died in Miami in 2011.","Note written by Annia Gonzalez"],"scopecontent_html_tesm":["\u003cp\u003eThe Carlos Ripoll Collection consists of material relating to Jos\u0026#xE9; Mart\u0026#xED;, which was accumulated by Mr. Ripoll in the course of his research on the life and work of Jos\u0026#xE9; Mart\u0026#xED;.\u0026#xA0; Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carlos Ripoll Collection consists of material relating to José Martí, which was accumulated by Mr. Ripoll in the course of his research on the life and work of José Martí.  Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers."],"userestrict_html_tesm":["\u003cp\u003eThe Carlos Ripoll Collection is owned by Florida International University.\u0026#xA0; This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8328ead2bfc2bb419daa7d87d1161d\" label=\"Abstract\"\u003eThe Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of Jos\u0026#xE9; Mart\u0026#xED; and other Cuban personalities.\u003c/abstract\u003e"],"abstract_tesim":["The Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of José Martí and other Cuban personalities."],"names_ssim":["FIU Special Collections","Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"persname_ssim":["Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":436,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"37312f5866336a19375b2369","timestamp":"2026-07-10T02:36:25.172Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/37312f5866336a19375b2369_aspace_64389"}},{"id":"976011b2d2f0d067aaa03413_aspace_61629","type":"Other level","attributes":{"title":"Box 20","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/976011b2d2f0d067aaa03413_aspace_61629#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_61629","ref_ssm":["aspace_61629","aspace_61629"],"id":"976011b2d2f0d067aaa03413_aspace_61629","title_filing_ssi":"Box 20","title_ssm":["Box 20"],"title_tesim":["Box 20"],"normalized_title_ssm":["Box 20"],"text":["Box 20","Bernard Diederich Collection, 1945-2010","Haiti, 1949-1970","Box 20","/repositories/2/archival_objects/62444"],"component_level_isim":[2],"parent_ids_ssim":["976011b2d2f0d067aaa03413","976011b2d2f0d067aaa03413_aspace_61409"],"parent_unittitles_ssm":["Bernard Diederich Collection, 1945-2010","Haiti, 1949-1970"],"parent_unittitles_tesim":["Bernard Diederich Collection, 1945-2010","Haiti, 1949-1970"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Box 20","/repositories/2/archival_objects/62444"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Bernard Diederich Collection, 1945-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":61,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":404,"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#2/components#5","_nest_parent_":"976011b2d2f0d067aaa03413_aspace_61409","_root_":"976011b2d2f0d067aaa03413","_version_":1870844751514697728,"timestamp":"2026-07-16T04:36:29.456Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"976011b2d2f0d067aaa03413","title_ssm":["Bernard Diederich Collection"],"title_tesim":["Bernard Diederich Collection"],"ead_ssi":"976011b2d2f0d067aaa03413","unitdate_ssm":["1945-2010"],"unitdate_inclusive_ssm":["1945-2010"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["SPC7010","/repositories/2/resources/73"],"text":["SPC7010","/repositories/2/resources/73","Bernard Diederich Collection, 1945-2010","Haiti--Politics and government.","The Bernard Diederich Collection includes both papers and media. Diederich's papers constitute over 130 boxes (143 linear feet); they include Diederich's telegraphs and telexes, his reporter's notepads, and his interview notes, as well as historical documents, such as Central American and Caribbean newspapers and political posters and booklets. The papers also include his private correspondence, which reveals the many challenges encountered by journalists who work in Latin America and the Caribbean. The media collection contains over 20,000 slides and photos that document Diederich's travels. It also includes videotapes and audio cassettes with Diederich's many interviews with Central American and Caribbean leaders.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Diederich, Bernard","English Spanish; Castilian"],"unitid_tesim":["SPC7010","/repositories/2/resources/73"],"normalized_date_ssm":["1945-2010"],"normalized_title_ssm":["Bernard Diederich Collection, 1945-2010"],"collection_title_tesim":["Bernard Diederich Collection, 1945-2010"],"collection_ssim":["Bernard Diederich Collection, 1945-2010"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Diederich, Bernard"],"creator_ssim":["Diederich, Bernard"],"creator_persname_ssim":["Diederich, Bernard"],"creators_ssim":["Diederich, Bernard"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["Haiti--Politics and government."],"access_subjects_ssm":["Haiti--Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["128.00 boxes"],"extent_tesim":["128.00 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003eThe Bernard Diederich Collection includes both papers and media. Diederich's papers constitute over 130 boxes (143 linear feet); they include Diederich's telegraphs and telexes, his reporter's notepads, and his interview notes, as well as historical documents, such as Central American and Caribbean newspapers and political posters and booklets. The papers also include his private correspondence, which reveals the many challenges encountered by journalists who work in Latin America and the Caribbean. The media collection contains over 20,000 slides and photos that document Diederich's travels. It also includes videotapes and audio cassettes with Diederich's many interviews with Central American and Caribbean leaders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Bernard Diederich Collection includes both papers and media. Diederich's papers constitute over 130 boxes (143 linear feet); they include Diederich's telegraphs and telexes, his reporter's notepads, and his interview notes, as well as historical documents, such as Central American and Caribbean newspapers and political posters and booklets. The papers also include his private correspondence, which reveals the many challenges encountered by journalists who work in Latin America and the Caribbean. The media collection contains over 20,000 slides and photos that document Diederich's travels. It also includes videotapes and audio cassettes with Diederich's many interviews with Central American and Caribbean leaders."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Diederich, Bernard"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Diederich, Bernard"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3574,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844751514697728,"_root_":"976011b2d2f0d067aaa03413","timestamp":"2026-07-16T04:36:29.456Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/976011b2d2f0d067aaa03413_aspace_61629"}},{"id":"1300e443f1854d95867cecb5_aspace_b4f97630301206043e6336fea088583f","type":"Other level","attributes":{"title":"Box 20","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1300e443f1854d95867cecb5_aspace_b4f97630301206043e6336fea088583f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b4f97630301206043e6336fea088583f","ref_ssm":["aspace_b4f97630301206043e6336fea088583f","aspace_b4f97630301206043e6336fea088583f"],"id":"1300e443f1854d95867cecb5_aspace_b4f97630301206043e6336fea088583f","title_filing_ssi":"Box 20","title_ssm":["Box 20"],"title_tesim":["Box 20"],"normalized_title_ssm":["Box 20"],"text":["Box 20","Marvin Dunn Collection, bulk 1843-2009","Series III: Audiovisual Materials","/repositories/2/archival_objects/89249","Box 20"],"component_level_isim":[2],"parent_ids_ssim":["1300e443f1854d95867cecb5","1300e443f1854d95867cecb5_aspace_48fc29737dbeae4783da8396d4db62f5"],"parent_unittitles_ssm":["Marvin Dunn Collection, bulk 1843-2009","Series III: Audiovisual Materials"],"parent_unittitles_tesim":["Marvin Dunn Collection, bulk 1843-2009","Series III: Audiovisual Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/89249"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Marvin Dunn Collection, bulk 1843-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":743,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["Box 20"],"_nest_path_":"/components#2/components#4","_nest_parent_":"1300e443f1854d95867cecb5_aspace_48fc29737dbeae4783da8396d4db62f5","_root_":"1300e443f1854d95867cecb5","_version_":1870844655421095936,"timestamp":"2026-07-16T04:34:57.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1300e443f1854d95867cecb5","title_ssm":["Marvin Dunn Collection"],"title_tesim":["Marvin Dunn Collection"],"ead_ssi":"1300e443f1854d95867cecb5","unitdate_ssm":["1843-2009"],"unitdate_bulk_ssim":["1843-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5080","/repositories/2/resources/44"],"text":["SPC5080","/repositories/2/resources/44","Marvin Dunn Collection, bulk 1843-2009","The collection is open for research.","Marvin Dunn is a former professor of psychology at Florida International University whose primary research was the identification of effective instructional and behavioral strategies and programs for students at risk and in race relations. His research examines the characteristics of effective schooling practices and intervention strategies for motivating the disinterested and disruptive learner.","This collection contains photographs, manuscripts, newspaper articles, audio-interviews and journal articles dating back to the mid-19th century depicting life for African Americans in South Florida all the way to the present. This addresses racial relations amongst increasing Hispanic emigration, evolution in the legal system and local court houses, demands for fairer educational standards, and acknowledgment of racial bias for crimes against African Americans done by whites.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Dunn, Marvin","English"],"unitid_tesim":["SPC5080","/repositories/2/resources/44"],"normalized_date_ssm":["bulk 1843-2009"],"normalized_title_ssm":["Marvin Dunn Collection, bulk 1843-2009"],"collection_title_tesim":["Marvin Dunn Collection, bulk 1843-2009"],"collection_ssim":["Marvin Dunn Collection, bulk 1843-2009"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Dunn, Marvin"],"creator_ssim":["Dunn, Marvin"],"creator_persname_ssim":["Dunn, Marvin"],"creators_ssim":["Dunn, Marvin"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet"],"extent_tesim":["0.00 Linear Feet"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMarvin Dunn is a former professor of psychology at Florida International University whose primary research was the identification of effective instructional and behavioral strategies and programs for students at risk and in race relations. His research examines the characteristics of effective schooling practices and intervention strategies for motivating the disinterested and disruptive learner.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Marvin Dunn is a former professor of psychology at Florida International University whose primary research was the identification of effective instructional and behavioral strategies and programs for students at risk and in race relations. His research examines the characteristics of effective schooling practices and intervention strategies for motivating the disinterested and disruptive learner."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs, manuscripts, newspaper articles, audio-interviews and journal articles dating back to the mid-19th century depicting life for African Americans in South Florida all the way to the present. This addresses racial relations amongst increasing Hispanic emigration, evolution in the legal system and local court houses, demands for fairer educational standards, and acknowledgment of racial bias for crimes against African Americans done by whites.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photographs, manuscripts, newspaper articles, audio-interviews and journal articles dating back to the mid-19th century depicting life for African Americans in South Florida all the way to the present. This addresses racial relations amongst increasing Hispanic emigration, evolution in the legal system and local court houses, demands for fairer educational standards, and acknowledgment of racial bias for crimes against African Americans done by whites."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Dunn, Marvin"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Dunn, Marvin"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":815,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844655421095936,"_root_":"1300e443f1854d95867cecb5","timestamp":"2026-07-16T04:34:57.771Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1300e443f1854d95867cecb5_aspace_b4f97630301206043e6336fea088583f"}},{"id":"2b482f205f0089a8a41e00fb_aspace_75406","type":"Other level","attributes":{"title":"Box 20","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2b482f205f0089a8a41e00fb_aspace_75406#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_75406","ref_ssm":["aspace_75406","aspace_75406"],"id":"2b482f205f0089a8a41e00fb_aspace_75406","title_filing_ssi":"Box 20","title_ssm":["Box 20"],"title_tesim":["Box 20"],"normalized_title_ssm":["Box 20"],"text":["Box 20","William Straight Collection, 1763-1992","Manuscripts and Printed Material","Box 21","/repositories/2/archival_objects/55749","Box 20"],"component_level_isim":[2],"parent_ids_ssim":["2b482f205f0089a8a41e00fb","2b482f205f0089a8a41e00fb_aspace_75367"],"parent_unittitles_ssm":["William Straight Collection, 1763-1992","Manuscripts and Printed Material"],"parent_unittitles_tesim":["William Straight Collection, 1763-1992","Manuscripts and Printed Material"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Box 21","/repositories/2/archival_objects/55749"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["William Straight Collection, 1763-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":19,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":502,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["Box 20"],"_nest_path_":"/components#0/components#19","_nest_parent_":"2b482f205f0089a8a41e00fb_aspace_75367","_root_":"2b482f205f0089a8a41e00fb","_version_":1870844668103622656,"timestamp":"2026-07-16T04:35:09.865Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2b482f205f0089a8a41e00fb","title_ssm":["William Straight Collection"],"title_tesim":["William Straight Collection"],"ead_ssi":"2b482f205f0089a8a41e00fb","unitdate_ssm":["1763-1992"],"unitdate_inclusive_ssm":["1763-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6040","/repositories/2/resources/61"],"text":["SPC6040","/repositories/2/resources/61","William Straight Collection, 1763-1992","The collection is open for research.","The collection is arranged in 4 series. 1: Manuscripts and Printed Material. 2 Artifacts. 3 Photographs. 4. Bibliographic Index Cards.","Dr. William Straight was a prominent cardiologist and internist for over 40 years in Miami, FL, as well as a published historian and enthusiast of Florida medical history. Dr. Straight was born in Philadelphia, PA and moved to Miami in 1924. Distinguishing himself early he became an Eagle Scout, graduated with honors from the University of Florida, received his medical degree from The Johns Hopkins University Medical School, and served a tour in the U.S. Navy Medical Corp during WWII.","Please note: The bibliographic card collection includes direct quotes that may reflect biases and prejudices or terms that are outdated, offensive or insensitive.","The Dr. William Straight Collection held in the Special Collections and University Archives Department at Florida International University is an extremely fascinating and well researched collection that contains an extensive history of the first and founding doctors in Miami beginning in the late 1800's. This collection was the personal research of  his collection is the result of years of comprehensive research about individuals, organizations, and topics such as James M. Jackson, Jackson Memorial Hospital, Victoria Hospital, various medical societies throughout the state of Florida, epidemics, military medicine, South Florida memoirs, and other unique and interesting memorabilia and ephemera relating to Florida doctors, history and medicine. This collection contains personal research and papers, photographs, antique medical cases, and index cards with historic and biographical information on each topic that Dr. Straight researched.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Straight, William, Creator","Koperski, Sara Jane","English"],"unitid_tesim":["SPC6040","/repositories/2/resources/61"],"normalized_date_ssm":["1763-1992"],"normalized_title_ssm":["William Straight Collection, 1763-1992"],"collection_title_tesim":["William Straight Collection, 1763-1992"],"collection_ssim":["William Straight Collection, 1763-1992"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Straight, William, Creator","Koperski, Sara Jane"],"creator_ssim":["Straight, William, Creator","Koperski, Sara Jane"],"creator_persname_ssim":["Straight, William, Creator","Koperski, Sara Jane"],"creators_ssim":["Straight, William, Creator","Koperski, Sara Jane"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sara Jane Koperski donated her father's work and items"],"has_online_content_ssim":["false"],"extent_ssm":["30 Linear Feet"],"extent_tesim":["30 Linear Feet"],"date_range_isim":[1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 4 series. 1: Manuscripts and Printed Material. 2 Artifacts. 3 Photographs. 4. Bibliographic Index Cards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 4 series. 1: Manuscripts and Printed Material. 2 Artifacts. 3 Photographs. 4. Bibliographic Index Cards."],"bioghist_html_tesm":["\u003cp\u003eDr. William Straight was a prominent cardiologist and internist for over 40 years in Miami, FL, as well as a published historian and enthusiast of Florida medical history. Dr. Straight was born in Philadelphia, PA and moved to Miami in 1924. Distinguishing himself early he became an Eagle Scout, graduated with honors from the University of Florida, received his medical degree from The Johns Hopkins University Medical School, and served a tour in the U.S. Navy Medical Corp during WWII.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. William Straight was a prominent cardiologist and internist for over 40 years in Miami, FL, as well as a published historian and enthusiast of Florida medical history. Dr. Straight was born in Philadelphia, PA and moved to Miami in 1924. Distinguishing himself early he became an Eagle Scout, graduated with honors from the University of Florida, received his medical degree from The Johns Hopkins University Medical School, and served a tour in the U.S. Navy Medical Corp during WWII."],"odd_html_tesm":["\u003cp\u003ePlease note: The bibliographic card collection includes direct quotes that may reflect biases and prejudices or terms that are outdated, offensive or insensitive.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Please note: The bibliographic card collection includes direct quotes that may reflect biases and prejudices or terms that are outdated, offensive or insensitive."],"scopecontent_html_tesm":["\u003cp\u003eThe Dr. William Straight Collection held in the Special Collections and University Archives Department at Florida International University is an extremely fascinating and well researched collection that contains an extensive history of the first and founding doctors in Miami beginning in the late 1800's. This collection was the personal research of  his collection is the result of years of comprehensive research about individuals, organizations, and topics such as James M. Jackson, Jackson Memorial Hospital, Victoria Hospital, various medical societies throughout the state of Florida, epidemics, military medicine, South Florida memoirs, and other unique and interesting memorabilia and ephemera relating to Florida doctors, history and medicine. This collection contains personal research and papers, photographs, antique medical cases, and index cards with historic and biographical information on each topic that Dr. Straight researched.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dr. William Straight Collection held in the Special Collections and University Archives Department at Florida International University is an extremely fascinating and well researched collection that contains an extensive history of the first and founding doctors in Miami beginning in the late 1800's. This collection was the personal research of  his collection is the result of years of comprehensive research about individuals, organizations, and topics such as James M. Jackson, Jackson Memorial Hospital, Victoria Hospital, various medical societies throughout the state of Florida, epidemics, military medicine, South Florida memoirs, and other unique and interesting memorabilia and ephemera relating to Florida doctors, history and medicine. This collection contains personal research and papers, photographs, antique medical cases, and index cards with historic and biographical information on each topic that Dr. Straight researched."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Straight, William, Creator","Koperski, Sara Jane"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Koperski, Sara Jane"],"persname_ssim":["Straight, William, Creator","Koperski, Sara Jane"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":858,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844668103622656,"_root_":"2b482f205f0089a8a41e00fb","timestamp":"2026-07-16T04:35:09.865Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2b482f205f0089a8a41e00fb_aspace_75406"}},{"id":"53e2f4f92923a03e028262a7_aspace_413","type":"Other level","attributes":{"title":"Box 20","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/53e2f4f92923a03e028262a7_aspace_413#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_413","ref_ssm":["aspace_413","aspace_413"],"id":"53e2f4f92923a03e028262a7_aspace_413","title_filing_ssi":"Box 20","title_ssm":["Box 20"],"title_tesim":["Box 20"],"normalized_title_ssm":["Box 20"],"text":["Box 20","Ralph Renick Collection, 1934-1991, Date acquired: 00/00/1998, bulk 1955-1991","Box 20","/repositories/2/archival_objects/11239"],"component_level_isim":[1],"parent_ids_ssim":["53e2f4f92923a03e028262a7"],"parent_unittitles_ssm":["Ralph Renick Collection, 1934-1991, Date acquired: 00/00/1998, bulk 1955-1991"],"parent_unittitles_tesim":["Ralph Renick Collection, 1934-1991, Date acquired: 00/00/1998, bulk 1955-1991"],"parent_levels_ssm":["collection"],"unitid_ssm":["Box 20","/repositories/2/archival_objects/11239"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ralph Renick Collection, 1934-1991, Date acquired: 00/00/1998, bulk 1955-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":556,"parent_access_restrict_tesm":["This collection is open for research"],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general "],"_nest_path_":"/components#19","_nest_parent_":"53e2f4f92923a03e028262a7","_root_":"53e2f4f92923a03e028262a7","_version_":1870844610746515456,"timestamp":"2026-07-16T04:34:15.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"53e2f4f92923a03e028262a7","title_ssm":["Ralph Renick Collection"],"title_tesim":["Ralph Renick Collection"],"ead_ssi":"53e2f4f92923a03e028262a7","unitdate_ssm":["1934-1991","1955-1991","Date acquired: 00/00/1998"],"unitdate_bulk_ssim":["1955-1991"],"unitdate_inclusive_ssm":["1934-1991"],"unitdate_other_ssim":["Date acquired: 00/00/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC650","/repositories/2/resources/41"],"text":["SPC650","/repositories/2/resources/41","Ralph Renick Collection, 1934-1991, Date acquired: 00/00/1998, bulk 1955-1991","Broward.","China-Description and Travel.","Dallas (Tex.)-Description and Travel.","Duval.","England-Description and Travel.","France-Description and Travel.","Israel-Description and Travel.","Italy-Description and Travel.","Jacksonville (Fla.)-History.","Key West (Fla.)-History","Leon.","Los Angeles(Calif._Description and Travel.","Margate (Fla.)-History.","Miami (Fla.)-History-Maps.","Miami-Dade.","Monroe.","Russia-Description and Travel.","Soviet Union-Description and Travel-Maps","Tallahassee (Fla.)-Description and Travel.","Astronauts-United States.","Cancer-Research.","Challenger (Spacecraft)","Commencement ceremonies-Florida.","Gun Control","Hispanic American journalists-Florida.","Hospitals-Florida.","Hurricanes-Florida.","Journalism, Educational-Central America.","Journalism-Florida-Miami-Societies, etc.","Older people-Florida.","Orient Express (Express train)","Petroleum-Iran.","Political campaigns-Florida.","Prayer.","Riots.","Soldiers.","Statue of Liberty (New York, N.Y.)","Television-Florida-History.","Television broadcasting of news-Florida.","Television news anchors-Florida-Correspondence.","Television news anchors-Florida-Photographs.","Television viewers-Florida-Research.","Volkswagen automobiles.","World War, 1939-1945-Campaigns-France-Normandy.","Bills","Certificates","Correspondence","Directories","Handbook","Invitations","Maps","Newspaper Clippings","Newspaper","Notebooks","Passports","Photographs","Programs","Speeches","Tapes","Trip reports","This collection is open for research","This collection was kept in the order in which it was received, when it was originally donated by the family.","Ralph Renick, born August 9th 1928, was the face of channel 4, being WTVJ's first and longest running news anchor. Officially retiring in 1990, a year before his death in 1991 as a result of complications that came from hepatitis and liver disease. With his death, came the end of an era of television, giving his longstanding history within the field.","The Collection of Ralph Renick includes correspondence, trip reports, programs, invitations, newspapers, bills, photographs, clippings, handbook, certificates, directories, passports, speeches, notebooks, maps, tapes. This collection contains materials regarding the life and career of Ralph Renick.\nSubjects covered by the collection include Los Angeles, China, D-Day, England, Florida Broadcast Pioneers, Florida International University, France, Governor Bob Graham, Greater Miami Jewish Federation, gun control, Israel, Italy, Miami Press Club, Russia, Orient Express, Salvation Army, Secom Foundation, Statue of Liberty, Tallahassee, University of Florida, University of Miami, University of South Florida, World Media Association, Challenger, Miami, Key Club, Tom Brokaw, CBS, NBC, faculty, Dallas, viewer attitudes research, television history, television news, Volkswagen, Pennsylvania State University, Hispanic journalism, Mercy Hospital, riots, Jacksonville, Florida Senate, senior citizens, Iran oil platform, Key West, prayer, Sierra Club, Dean Junior College commencement, Florida Motion Picture and TV Association, hurricanes broadcast, map of Miami, Astronauts Memorial Foundation, journalism education in Central America, governor campaign materials, lottery, Margate, Florida, soldiers, Carnival Cruise Lines, Sons of the American Revolution, John F. Kennedy, map of the USSR, United Cerebral Palsy of Miami, Ronald Reagan, Richard Nixon, Papanicolauo Cancer Research Institute, Boy Scouts, and Gerald Ford.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general ","FIU Special Collections","Boy Scouts of America.","Carnival Cruise Lines.","Columbia Broadcasting System, Inc.","Florida Dept. of the Lottery.","Florida International University-Faculty.","Greater Miami Jewish Federation.","Motion Picture Association of America.","National Broadcasting Company, Inc.","Pennsylvania State University.","Salvation Army.","Sierra Club.","Sons of the American Revolution.","United Cerebral Palsy Association of Miami.","University of Florida.","University of Miami.","University of South Florida.","World Media Association.","Renick, Ralph A. (Ralph A. Renick)","Brokaw, Tom, 1940-","Ford, Gerald R., 1913-2006-Photographs.","Graham, Bob, 1936-","Kennedy, John F. (John Fitzgerald), 1917-1963-Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994-Photographs.","Reagan, Ronald, 1911-2004-Photographs.","Renick, Ralph-Correspondence.","Renick, Ralph-Photographs.","English"],"unitid_tesim":["SPC650","/repositories/2/resources/41"],"normalized_date_ssm":["1934-1991, Date acquired: 00/00/1998, bulk 1955-1991"],"normalized_title_ssm":["Ralph Renick Collection, 1934-1991, Date acquired: 00/00/1998, bulk 1955-1991"],"collection_title_tesim":["Ralph Renick Collection, 1934-1991, Date acquired: 00/00/1998, bulk 1955-1991"],"collection_ssim":["Ralph Renick Collection, 1934-1991, Date acquired: 00/00/1998, bulk 1955-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Broward.","China-Description and Travel.","Dallas (Tex.)-Description and Travel.","Duval.","England-Description and Travel.","France-Description and Travel.","Israel-Description and Travel.","Italy-Description and Travel.","Jacksonville (Fla.)-History.","Key West (Fla.)-History","Leon.","Los Angeles(Calif._Description and Travel.","Margate (Fla.)-History.","Miami (Fla.)-History-Maps.","Miami-Dade.","Monroe.","Russia-Description and Travel.","Soviet Union-Description and Travel-Maps","Tallahassee (Fla.)-Description and Travel."],"geogname_ssim":["Broward.","China-Description and Travel.","Dallas (Tex.)-Description and Travel.","Duval.","England-Description and Travel.","France-Description and Travel.","Israel-Description and Travel.","Italy-Description and Travel.","Jacksonville (Fla.)-History.","Key West (Fla.)-History","Leon.","Los Angeles(Calif._Description and Travel.","Margate (Fla.)-History.","Miami (Fla.)-History-Maps.","Miami-Dade.","Monroe.","Russia-Description and Travel.","Soviet Union-Description and Travel-Maps","Tallahassee (Fla.)-Description and Travel."],"creator_ssm":["Renick, Ralph A. (Ralph A. Renick)"],"creator_ssim":["Renick, Ralph A. (Ralph A. Renick)"],"creator_persname_ssim":["Renick, Ralph A. (Ralph A. Renick)"],"creators_ssim":["Renick, Ralph A. (Ralph A. Renick)"],"places_ssim":["Broward.","China-Description and Travel.","Dallas (Tex.)-Description and Travel.","Duval.","England-Description and Travel.","France-Description and Travel.","Israel-Description and Travel.","Italy-Description and Travel.","Jacksonville (Fla.)-History.","Key West (Fla.)-History","Leon.","Los Angeles(Calif._Description and Travel.","Margate (Fla.)-History.","Miami (Fla.)-History-Maps.","Miami-Dade.","Monroe.","Russia-Description and Travel.","Soviet Union-Description and Travel-Maps","Tallahassee (Fla.)-Description and Travel."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general "],"acqinfo_ssim":["Family","Donation"],"access_subjects_ssim":["Astronauts-United States.","Cancer-Research.","Challenger (Spacecraft)","Commencement ceremonies-Florida.","Gun Control","Hispanic American journalists-Florida.","Hospitals-Florida.","Hurricanes-Florida.","Journalism, Educational-Central America.","Journalism-Florida-Miami-Societies, etc.","Older people-Florida.","Orient Express (Express train)","Petroleum-Iran.","Political campaigns-Florida.","Prayer.","Riots.","Soldiers.","Statue of Liberty (New York, N.Y.)","Television-Florida-History.","Television broadcasting of news-Florida.","Television news anchors-Florida-Correspondence.","Television news anchors-Florida-Photographs.","Television viewers-Florida-Research.","Volkswagen automobiles.","World War, 1939-1945-Campaigns-France-Normandy.","Bills","Certificates","Correspondence","Directories","Handbook","Invitations","Maps","Newspaper Clippings","Newspaper","Notebooks","Passports","Photographs","Programs","Speeches","Tapes","Trip reports"],"access_subjects_ssm":["Astronauts-United States.","Cancer-Research.","Challenger (Spacecraft)","Commencement ceremonies-Florida.","Gun Control","Hispanic American journalists-Florida.","Hospitals-Florida.","Hurricanes-Florida.","Journalism, Educational-Central America.","Journalism-Florida-Miami-Societies, etc.","Older people-Florida.","Orient Express (Express train)","Petroleum-Iran.","Political campaigns-Florida.","Prayer.","Riots.","Soldiers.","Statue of Liberty (New York, N.Y.)","Television-Florida-History.","Television broadcasting of news-Florida.","Television news anchors-Florida-Correspondence.","Television news anchors-Florida-Photographs.","Television viewers-Florida-Research.","Volkswagen automobiles.","World War, 1939-1945-Campaigns-France-Normandy.","Bills","Certificates","Correspondence","Directories","Handbook","Invitations","Maps","Newspaper Clippings","Newspaper","Notebooks","Passports","Photographs","Programs","Speeches","Tapes","Trip reports"],"has_online_content_ssim":["false"],"extent_ssm":["23.00 boxes"],"extent_tesim":["23.00 boxes"],"genreform_ssim":["Bills","Certificates","Correspondence","Directories","Handbook","Invitations","Maps","Newspaper Clippings","Newspaper","Notebooks","Passports","Photographs","Programs","Speeches","Tapes","Trip reports"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research"],"arrangement_html_tesm":["\u003cp\u003eThis collection was kept in the order in which it was received, when it was originally donated by the family.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was kept in the order in which it was received, when it was originally donated by the family."],"bioghist_html_tesm":["\u003cp\u003eRalph Renick, born August 9th 1928, was the face of channel 4, being WTVJ's first and longest running news anchor. Officially retiring in 1990, a year before his death in 1991 as a result of complications that came from hepatitis and liver disease. With his death, came the end of an era of television, giving his longstanding history within the field.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ralph Renick, born August 9th 1928, was the face of channel 4, being WTVJ's first and longest running news anchor. Officially retiring in 1990, a year before his death in 1991 as a result of complications that came from hepatitis and liver disease. With his death, came the end of an era of television, giving his longstanding history within the field."],"scopecontent_html_tesm":["\u003cp\u003eThe Collection of Ralph Renick includes correspondence, trip reports, programs, invitations, newspapers, bills, photographs, clippings, handbook, certificates, directories, passports, speeches, notebooks, maps, tapes. This collection contains materials regarding the life and career of Ralph Renick.\nSubjects covered by the collection include Los Angeles, China, D-Day, England, Florida Broadcast Pioneers, Florida International University, France, Governor Bob Graham, Greater Miami Jewish Federation, gun control, Israel, Italy, Miami Press Club, Russia, Orient Express, Salvation Army, Secom Foundation, Statue of Liberty, Tallahassee, University of Florida, University of Miami, University of South Florida, World Media Association, Challenger, Miami, Key Club, Tom Brokaw, CBS, NBC, faculty, Dallas, viewer attitudes research, television history, television news, Volkswagen, Pennsylvania State University, Hispanic journalism, Mercy Hospital, riots, Jacksonville, Florida Senate, senior citizens, Iran oil platform, Key West, prayer, Sierra Club, Dean Junior College commencement, Florida Motion Picture and TV Association, hurricanes broadcast, map of Miami, Astronauts Memorial Foundation, journalism education in Central America, governor campaign materials, lottery, Margate, Florida, soldiers, Carnival Cruise Lines, Sons of the American Revolution, John F. Kennedy, map of the USSR, United Cerebral Palsy of Miami, Ronald Reagan, Richard Nixon, Papanicolauo Cancer Research Institute, Boy Scouts, and Gerald Ford.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Collection of Ralph Renick includes correspondence, trip reports, programs, invitations, newspapers, bills, photographs, clippings, handbook, certificates, directories, passports, speeches, notebooks, maps, tapes. This collection contains materials regarding the life and career of Ralph Renick.\nSubjects covered by the collection include Los Angeles, China, D-Day, England, Florida Broadcast Pioneers, Florida International University, France, Governor Bob Graham, Greater Miami Jewish Federation, gun control, Israel, Italy, Miami Press Club, Russia, Orient Express, Salvation Army, Secom Foundation, Statue of Liberty, Tallahassee, University of Florida, University of Miami, University of South Florida, World Media Association, Challenger, Miami, Key Club, Tom Brokaw, CBS, NBC, faculty, Dallas, viewer attitudes research, television history, television news, Volkswagen, Pennsylvania State University, Hispanic journalism, Mercy Hospital, riots, Jacksonville, Florida Senate, senior citizens, Iran oil platform, Key West, prayer, Sierra Club, Dean Junior College commencement, Florida Motion Picture and TV Association, hurricanes broadcast, map of Miami, Astronauts Memorial Foundation, journalism education in Central America, governor campaign materials, lottery, Margate, Florida, soldiers, Carnival Cruise Lines, Sons of the American Revolution, John F. Kennedy, map of the USSR, United Cerebral Palsy of Miami, Ronald Reagan, Richard Nixon, Papanicolauo Cancer Research Institute, Boy Scouts, and Gerald Ford."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general "],"names_coll_ssim":["Boy Scouts of America.","Carnival Cruise Lines.","Columbia Broadcasting System, Inc.","Florida Dept. of the Lottery.","Florida International University-Faculty.","Greater Miami Jewish Federation.","Motion Picture Association of America.","National Broadcasting Company, Inc.","Pennsylvania State University.","Salvation Army.","Sierra Club.","Sons of the American Revolution.","United Cerebral Palsy Association of Miami.","University of Florida.","University of Miami.","University of South Florida.","World Media Association.","Brokaw, Tom, 1940-","Ford, Gerald R., 1913-2006-Photographs.","Graham, Bob, 1936-","Kennedy, John F. (John Fitzgerald), 1917-1963-Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994-Photographs.","Reagan, Ronald, 1911-2004-Photographs.","Renick, Ralph-Correspondence.","Renick, Ralph-Photographs."],"names_ssim":["FIU Special Collections","Boy Scouts of America.","Carnival Cruise Lines.","Columbia Broadcasting System, Inc.","Florida Dept. of the Lottery.","Florida International University-Faculty.","Greater Miami Jewish Federation.","Motion Picture Association of America.","National Broadcasting Company, Inc.","Pennsylvania State University.","Salvation Army.","Sierra Club.","Sons of the American Revolution.","United Cerebral Palsy Association of Miami.","University of Florida.","University of Miami.","University of South Florida.","World Media Association.","Renick, Ralph A. (Ralph A. Renick)","Brokaw, Tom, 1940-","Ford, Gerald R., 1913-2006-Photographs.","Graham, Bob, 1936-","Kennedy, John F. (John Fitzgerald), 1917-1963-Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994-Photographs.","Reagan, Ronald, 1911-2004-Photographs.","Renick, Ralph-Correspondence.","Renick, Ralph-Photographs."],"corpname_ssim":["FIU Special Collections","Boy Scouts of America.","Carnival Cruise Lines.","Columbia Broadcasting System, Inc.","Florida Dept. of the Lottery.","Florida International University-Faculty.","Greater Miami Jewish Federation.","Motion Picture Association of America.","National Broadcasting Company, Inc.","Pennsylvania State University.","Salvation Army.","Sierra Club.","Sons of the American Revolution.","United Cerebral Palsy Association of Miami.","University of Florida.","University of Miami.","University of South Florida.","World Media Association."],"persname_ssim":["Renick, Ralph A. (Ralph A. Renick)","Brokaw, Tom, 1940-","Ford, Gerald R., 1913-2006-Photographs.","Graham, Bob, 1936-","Kennedy, John F. (John Fitzgerald), 1917-1963-Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994-Photographs.","Reagan, Ronald, 1911-2004-Photographs.","Renick, Ralph-Correspondence.","Renick, Ralph-Photographs."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":592,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844610746515456,"_root_":"53e2f4f92923a03e028262a7","timestamp":"2026-07-16T04:34:15.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/53e2f4f92923a03e028262a7_aspace_413"}},{"id":"aba7a5dffcfaf50e318f174b_aspace_65599","type":"Other level","attributes":{"title":"Box 20","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_65599#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_65599","ref_ssm":["aspace_65599","aspace_65599"],"id":"aba7a5dffcfaf50e318f174b_aspace_65599","title_filing_ssi":"Box 20","title_ssm":["Box 20"],"title_tesim":["Box 20"],"normalized_title_ssm":["Box 20"],"text":["Box 20","Sheldon Abend American Theater Collection, 1874-1968","Box 20","/repositories/2/archival_objects/8343"],"component_level_isim":[1],"parent_ids_ssim":["aba7a5dffcfaf50e318f174b"],"parent_unittitles_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"parent_unittitles_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"parent_levels_ssm":["collection"],"unitid_ssm":["Box 20","/repositories/2/archival_objects/8343"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":43,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":796,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#19","_nest_parent_":"aba7a5dffcfaf50e318f174b","_root_":"aba7a5dffcfaf50e318f174b","_version_":1870844656373202944,"timestamp":"2026-07-16T04:34:58.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. 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