{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026page=24","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026page=23","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026page=25","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026page=278"},"meta":{"pages":{"current_page":24,"next_page":25,"prev_page":23,"total_pages":278,"limit_value":10,"offset_value":230,"total_count":2771,"first_page?":false,"last_page?":false}},"data":[{"id":"7d2876b3fb99ddb4aafabd24_aspace_30131","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7d2876b3fb99ddb4aafabd24_aspace_30131#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_30131","ref_ssm":["aspace_30131","aspace_30131"],"id":"7d2876b3fb99ddb4aafabd24_aspace_30131","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","William Rios Collection, 1895-1984","Box 1","/repositories/2/archival_objects/1"],"component_level_isim":[1],"parent_ids_ssim":["7d2876b3fb99ddb4aafabd24"],"parent_unittitles_ssm":["William Rios Collection, 1895-1984"],"parent_unittitles_tesim":["William Rios Collection, 1895-1984"],"parent_levels_ssm":["collection"],"unitid_ssm":["Box 1","/repositories/2/archival_objects/1"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["William Rios Collection, 1895-1984"],"has_online_content_ssim":["false"],"child_component_count_isi":26,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"7d2876b3fb99ddb4aafabd24","_root_":"7d2876b3fb99ddb4aafabd24","_version_":1870844403343425536,"timestamp":"2026-07-16T04:30:57.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7d2876b3fb99ddb4aafabd24","title_ssm":["William Rios Collection"],"title_tesim":["William Rios Collection"],"ead_ssi":"7d2876b3fb99ddb4aafabd24","unitdate_ssm":["1895-1984"],"unitdate_inclusive_ssm":["1895-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5015","/repositories/2/resources/1"],"text":["SPC5015","/repositories/2/resources/1","William Rios Collection, 1895-1984","The collection is open for research.","This collection contains information from the political perspective of Puerto Rico starting in the late 19th Century, briefly when it was still a Spanish territory but later an American territory. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information from the political perspective of Puerto Rico starting in the late 19th Century, briefly when it was still a Spanish territory but later an American territory. 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Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Rios, William"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Rios, William"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844403343425536,"_root_":"7d2876b3fb99ddb4aafabd24","timestamp":"2026-07-16T04:30:57.461Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7d2876b3fb99ddb4aafabd24_aspace_30131"}},{"id":"a549a7d75af55088b9ca2293_aspace_75125","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a549a7d75af55088b9ca2293_aspace_75125#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_75125","ref_ssm":["aspace_75125","aspace_75125"],"id":"a549a7d75af55088b9ca2293_aspace_75125","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","Leo Clark Collection, 1841-1921","Box 1","/repositories/2/archival_objects/3993"],"component_level_isim":[1],"parent_ids_ssim":["a549a7d75af55088b9ca2293"],"parent_unittitles_ssm":["Leo Clark Collection, 1841-1921"],"parent_unittitles_tesim":["Leo Clark Collection, 1841-1921"],"parent_levels_ssm":["collection"],"unitid_ssm":["Box 1","/repositories/2/archival_objects/3993"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Leo Clark Collection, 1841-1921"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"a549a7d75af55088b9ca2293","_root_":"a549a7d75af55088b9ca2293","_version_":1870844423171997696,"timestamp":"2026-07-16T04:31:16.371Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a549a7d75af55088b9ca2293","title_ssm":["Leo Clark Collection"],"title_tesim":["Leo Clark Collection"],"ead_ssi":"a549a7d75af55088b9ca2293","unitdate_ssm":["1841-1921"],"unitdate_inclusive_ssm":["1841-1921"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8035","/repositories/2/resources/11"],"text":["SPC8035","/repositories/2/resources/11","Leo Clark Collection, 1841-1921","The collection is open for research.","This collection contains documents, momentos and manuscripts about Jose De la Puente.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC8035","/repositories/2/resources/11"],"normalized_date_ssm":["1841-1921"],"normalized_title_ssm":["Leo Clark Collection, 1841-1921"],"collection_title_tesim":["Leo Clark Collection, 1841-1921"],"collection_ssim":["Leo Clark Collection, 1841-1921"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["This collection was donated by Leo Clark"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"date_range_isim":[1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains documents, momentos and manuscripts about Jose De la Puente.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains documents, momentos and manuscripts about Jose De la Puente."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844423171997696,"_root_":"a549a7d75af55088b9ca2293","timestamp":"2026-07-16T04:31:16.371Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a549a7d75af55088b9ca2293_aspace_75125"}},{"id":"447fec1457e486cb004ab68b_aspace_3137c720462df7b4c577a4daff9057c8","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/447fec1457e486cb004ab68b_aspace_3137c720462df7b4c577a4daff9057c8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3137c720462df7b4c577a4daff9057c8","ref_ssm":["aspace_3137c720462df7b4c577a4daff9057c8","aspace_3137c720462df7b4c577a4daff9057c8"],"id":"447fec1457e486cb004ab68b_aspace_3137c720462df7b4c577a4daff9057c8","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","Reno Family Papers, 1900-2000","/repositories/2/archival_objects/76488"],"component_level_isim":[1],"parent_ids_ssim":["447fec1457e486cb004ab68b"],"parent_unittitles_ssm":["Reno Family Papers, 1900-2000"],"parent_unittitles_tesim":["Reno Family Papers, 1900-2000"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/76488"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Reno Family Papers, 1900-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"447fec1457e486cb004ab68b","_root_":"447fec1457e486cb004ab68b","_version_":1870844441296633856,"timestamp":"2026-07-16T04:31:33.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"447fec1457e486cb004ab68b","title_ssm":["Reno Family Papers"],"title_tesim":["Reno Family Papers"],"ead_ssi":"447fec1457e486cb004ab68b","unitdate_ssm":["1900-2000"],"unitdate_inclusive_ssm":["1900-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9005","/repositories/2/resources/109"],"text":["SPC9005","/repositories/2/resources/109","Reno Family Papers, 1900-2000","Miami","correspondence","editorials","Miami Herald","Miami News","Newsday","Authorship","Journalism","Journalism--Regional","Journalists","Newspaper Employees","reporters and reporting","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged as follows:\nHenry Reno--Personal, Professional;\nJane Wood Reno--Personal, Professional;\nChildren of Henry and Jane Reno;\nFamily and Friends;\nFamily Photos;\nGeneral Photos;\nScrapbooks--Janet Reno European Trip;\nOversize Items;\nJane Reno Oversize Items;\nRobert Reno Oversize Items;\nRobert Reno \"The Liberal Opinions\" Newspaper Column","Henry Olaf Reno was a Danish-American journalist. Born in Denmark with the surname Rasmussen, Reno emigrated to the United States in 1912 and settled in Miami, Florida. After attending the University of Tennessee, he became a reporter for the Miami Herald, working there primarily as a crime reporter for 43 years. Henry Olaf Reno had 3 children. He passed away on 7 August 1967 in Miami, Miami-Dade, Florida, USA.","Jane Wood Reno worked as a reporter for the now-defunct Miami News. Jane Wood entered Lanier High School for Girls in Macon, Georgia, at age 11. In 1925, her family moved to Miami, Florida, and she entered Miami High School as a sophomore and graduated at age 15. Her father, a lawyer, had moved down during the Miami boom years. While she intially thought that Florida was dull and boring, the 1926 hurricane changed her mind. \"It had force, all that great power. It was something I could feel,\" she said. She then entered the University of Miami as an English major, but after two years took off to Greece to live with her Aunt Margaret Sloan (Hunter) Balfour and her husband, Dr. Marshall Balfour. In 1932 she returned to Florida and went back to UM but switched her major to physics. After graduating, she went to work as a social worker in Miami.","In high school, Jane Wood had been interested in journalism and even interviewed Marjorie Stoneman Douglas. In her first two years of college, though, her partying caused her to flunk journalism. After the 1935 Hurricane, she grew disenchanted with social work and went to work at the Miami Herald.","At the Herald, she met and later married its star police reporter, Henry Olaf Reno, and even managed to scoop him on a story which earned her \"The Big Story Award.\"Jane and Henry built their house \"way out by the Everglades\" in what is now the middle of suburban Kendall. In addition to her job as a reported, Jane managed the Miami Seaquarium account as a publicist and grabbed world attention when she sent a male porpoise--via ocean liner--to Italy to console a femal porpoise whose mate had died. All of her pet peacocks were named Horace. ","\nThe Children:","Janet Reno was the first female US Attorney General, appointed by Pressident Bill Clinton in 1993. This was fitting, as she had always been a pioneer. She attended Cornell University, where she majored in chemistry during a time when there were not many women in that field. While at Cornell she was a member of the Women's Student Government Association (WSGA). She graduated from Harvard Law School as one of only 16 women in a class of 500. She worked for the Dade County State Attorney's office, and subsequently became State Attorney for the 11th Judicial Circuit of Florida in 1978. ","After her tenure at US Attorney General, she returned to Florida and became involved in environmental and educational activism. She ran in the Democratic primary for Governor in 2002, though she was subsequently defeated. She passed away from Parkinson's Disease in 2016.","Maggy Reno Hurchalla was an actitivst and a Martin County (Florida) commissioner from 1974-1994, serving as a Democrat in a heavily Republican region. She was the county's first female county commissioner and was known for her strong environmentalist views, she served on the state board of the Nature Conservancy and on the Governor's Commission for a Sustainable South Florida. She passed away in 2022.","Robert Reno followed his parents into a career in journalism. He worked for the Miami Herald in both Miami and Key West, New Orleans Times-Picayune, and Newsday. According to his obituary in The Miami Herald: \"As a liberal columnist from the 1980s until his retirement in early 2003, Reno took on the National Rifle Association, conservatives, and the super rich, railed against poverty, social inequality and corrupt politicians, and delighted in deflating the outsized egos of the powerful.\" Robert passed away in 2012.","Mark Reno had a keen sense of adventure. According to a Miami Herald article after his death, it was noted that he \"worked as a game warden, a boat captain, an alligator wrestler, a scuba diver, a paratrooper, ran tugboats and an oil supply ship off the coast of Nigeria, and, primarily, worked as a carpenter. While in the Army he earned a commission as a 2nd Lieutenant, prompting Henry to dub him \"Lt. Fuzz\" (a nod to the \"Beetle Bailey\" comic stip character). In his last two months, he managed to carve benches out of tree remains he'd kept, left over from the devastation of Hurricane Andrew in 1992.\" Mark Reno also worked as a bailiff in Dade County. He passed away in 2014.","Extended Family Represented in this Collection:","George Wood, Jane's father, was an attorney in Macon, GA, and later in Miami. Included in these papers are some of his correspondence and dockets related to legal cases he worked on during the 1920s, especially during the Florida Land Boom. ","Winifried Wood: Jane's sister was a pilot and a member of the famed Women's Air Service Pilots (WASP) during World War II. She wrote a book about her adventures entitled \"We Were WASPS,\" a manuscript of which is maintained in this collection. ","Other family members are, of course, mentioned. Jane had started to work on family geneology and some of her notes are included herein. ","LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the American South during the mid-20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","The materials in this collection represent the Reno family's service as journalists as well as their love of South Florida. These materials are the private and public writings, photographs, and ephemera of the family and provide biographical background and context to multiple figures, including Attorney General Janet Reno. \nReflecting the family's journalistic occupations, Henry, Jane, and Robert's newspaper articles and columns make up the bulk of the items in this collection.","The Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Henry Olaf and Jane Wood Reno","English"],"unitid_tesim":["SPC9005","/repositories/2/resources/109"],"normalized_date_ssm":["1900-2000"],"normalized_title_ssm":["Reno Family Papers, 1900-2000"],"collection_title_tesim":["Reno Family Papers, 1900-2000"],"collection_ssim":["Reno Family Papers, 1900-2000"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Miami"],"geogname_ssim":["Miami"],"creator_ssm":["Henry Olaf and Jane Wood Reno"],"creator_ssim":["Henry Olaf and Jane Wood Reno"],"creator_famname_ssim":["Henry Olaf and Jane Wood Reno"],"creators_ssim":["Henry Olaf and Jane Wood Reno"],"places_ssim":["Miami"],"access_terms_ssm":["The Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maggy (Reno) Hurchalla"],"access_subjects_ssim":["correspondence","editorials","Miami Herald","Miami News","Newsday","Authorship","Journalism","Journalism--Regional","Journalists","Newspaper Employees","reporters and reporting"],"access_subjects_ssm":["correspondence","editorials","Miami Herald","Miami News","Newsday","Authorship","Journalism","Journalism--Regional","Journalists","Newspaper Employees","reporters and reporting"],"has_online_content_ssim":["false"],"extent_ssm":["22.62 Linear Feet","14 boxes"],"extent_tesim":["22.62 Linear Feet","14 boxes"],"physfacet_tesim":["4 Banker Boxes; 7 Medium Flat Boxes; 3 Large Flat Boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged as follows:\nHenry Reno--Personal, Professional;\nJane Wood Reno--Personal, Professional;\nChildren of Henry and Jane Reno;\nFamily and Friends;\nFamily Photos;\nGeneral Photos;\nScrapbooks--Janet Reno European Trip;\nOversize Items;\nJane Reno Oversize Items;\nRobert Reno Oversize Items;\nRobert Reno \"The Liberal Opinions\" Newspaper Column\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged as follows:\nHenry Reno--Personal, Professional;\nJane Wood Reno--Personal, Professional;\nChildren of Henry and Jane Reno;\nFamily and Friends;\nFamily Photos;\nGeneral Photos;\nScrapbooks--Janet Reno European Trip;\nOversize Items;\nJane Reno Oversize Items;\nRobert Reno Oversize Items;\nRobert Reno \"The Liberal Opinions\" Newspaper Column"],"bioghist_html_tesm":["\u003cp\u003eHenry Olaf Reno was a Danish-American journalist. Born in Denmark with the surname Rasmussen, Reno emigrated to the United States in 1912 and settled in Miami, Florida. After attending the University of Tennessee, he became a reporter for the Miami Herald, working there primarily as a crime reporter for 43 years. Henry Olaf Reno had 3 children. He passed away on 7 August 1967 in Miami, Miami-Dade, Florida, USA.\u003c/p\u003e\n","\u003cp\u003eJane Wood Reno worked as a reporter for the now-defunct Miami News. Jane Wood entered Lanier High School for Girls in Macon, Georgia, at age 11. In 1925, her family moved to Miami, Florida, and she entered Miami High School as a sophomore and graduated at age 15. Her father, a lawyer, had moved down during the Miami boom years. While she intially thought that Florida was dull and boring, the 1926 hurricane changed her mind. \"It had force, all that great power. It was something I could feel,\" she said. She then entered the University of Miami as an English major, but after two years took off to Greece to live with her Aunt Margaret Sloan (Hunter) Balfour and her husband, Dr. Marshall Balfour. In 1932 she returned to Florida and went back to UM but switched her major to physics. After graduating, she went to work as a social worker in Miami.\u003c/p\u003e\n","\u003cp\u003eIn high school, Jane Wood had been interested in journalism and even interviewed Marjorie Stoneman Douglas. In her first two years of college, though, her partying caused her to flunk journalism. After the 1935 Hurricane, she grew disenchanted with social work and went to work at the Miami Herald.\u003c/p\u003e\n","\u003cp\u003eAt the Herald, she met and later married its star police reporter, Henry Olaf Reno, and even managed to scoop him on a story which earned her \"The Big Story Award.\"Jane and Henry built their house \"way out by the Everglades\" in what is now the middle of suburban Kendall. In addition to her job as a reported, Jane managed the Miami Seaquarium account as a publicist and grabbed world attention when she sent a male porpoise--via ocean liner--to Italy to console a femal porpoise whose mate had died. All of her pet peacocks were named Horace. \u003c/p\u003e\n","\u003cp\u003e\nThe Children:\u003c/p\u003e\n","\u003cp\u003eJanet Reno was the first female US Attorney General, appointed by Pressident Bill Clinton in 1993. This was fitting, as she had always been a pioneer. She attended Cornell University, where she majored in chemistry during a time when there were not many women in that field. While at Cornell she was a member of the Women's Student Government Association (WSGA). She graduated from Harvard Law School as one of only 16 women in a class of 500. She worked for the Dade County State Attorney's office, and subsequently became State Attorney for the 11th Judicial Circuit of Florida in 1978. \u003c/p\u003e\n","\u003cp\u003eAfter her tenure at US Attorney General, she returned to Florida and became involved in environmental and educational activism. She ran in the Democratic primary for Governor in 2002, though she was subsequently defeated. She passed away from Parkinson's Disease in 2016.\u003c/p\u003e\n","\u003cp\u003eMaggy Reno Hurchalla was an actitivst and a Martin County (Florida) commissioner from 1974-1994, serving as a Democrat in a heavily Republican region. She was the county's first female county commissioner and was known for her strong environmentalist views, she served on the state board of the Nature Conservancy and on the Governor's Commission for a Sustainable South Florida. She passed away in 2022.\u003c/p\u003e\n","\u003cp\u003eRobert Reno followed his parents into a career in journalism. He worked for the Miami Herald in both Miami and Key West, New Orleans Times-Picayune, and Newsday. According to his obituary in The Miami Herald: \"As a liberal columnist from the 1980s until his retirement in early 2003, Reno took on the National Rifle Association, conservatives, and the super rich, railed against poverty, social inequality and corrupt politicians, and delighted in deflating the outsized egos of the powerful.\" Robert passed away in 2012.\u003c/p\u003e\n","\u003cp\u003eMark Reno had a keen sense of adventure. According to a Miami Herald article after his death, it was noted that he \"worked as a game warden, a boat captain, an alligator wrestler, a scuba diver, a paratrooper, ran tugboats and an oil supply ship off the coast of Nigeria, and, primarily, worked as a carpenter. While in the Army he earned a commission as a 2nd Lieutenant, prompting Henry to dub him \"Lt. Fuzz\" (a nod to the \"Beetle Bailey\" comic stip character). In his last two months, he managed to carve benches out of tree remains he'd kept, left over from the devastation of Hurricane Andrew in 1992.\" Mark Reno also worked as a bailiff in Dade County. He passed away in 2014.\u003c/p\u003e\n","\u003cp\u003eExtended Family Represented in this Collection:\u003c/p\u003e\n","\u003cp\u003eGeorge Wood, Jane's father, was an attorney in Macon, GA, and later in Miami. Included in these papers are some of his correspondence and dockets related to legal cases he worked on during the 1920s, especially during the Florida Land Boom. \u003c/p\u003e\n","\u003cp\u003eWinifried Wood: Jane's sister was a pilot and a member of the famed Women's Air Service Pilots (WASP) during World War II. She wrote a book about her adventures entitled \"We Were WASPS,\" a manuscript of which is maintained in this collection. \u003c/p\u003e\n","\u003cp\u003eOther family members are, of course, mentioned. Jane had started to work on family geneology and some of her notes are included herein. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Henry Olaf Reno was a Danish-American journalist. Born in Denmark with the surname Rasmussen, Reno emigrated to the United States in 1912 and settled in Miami, Florida. After attending the University of Tennessee, he became a reporter for the Miami Herald, working there primarily as a crime reporter for 43 years. Henry Olaf Reno had 3 children. He passed away on 7 August 1967 in Miami, Miami-Dade, Florida, USA.","Jane Wood Reno worked as a reporter for the now-defunct Miami News. Jane Wood entered Lanier High School for Girls in Macon, Georgia, at age 11. In 1925, her family moved to Miami, Florida, and she entered Miami High School as a sophomore and graduated at age 15. Her father, a lawyer, had moved down during the Miami boom years. While she intially thought that Florida was dull and boring, the 1926 hurricane changed her mind. \"It had force, all that great power. It was something I could feel,\" she said. She then entered the University of Miami as an English major, but after two years took off to Greece to live with her Aunt Margaret Sloan (Hunter) Balfour and her husband, Dr. Marshall Balfour. In 1932 she returned to Florida and went back to UM but switched her major to physics. After graduating, she went to work as a social worker in Miami.","In high school, Jane Wood had been interested in journalism and even interviewed Marjorie Stoneman Douglas. In her first two years of college, though, her partying caused her to flunk journalism. After the 1935 Hurricane, she grew disenchanted with social work and went to work at the Miami Herald.","At the Herald, she met and later married its star police reporter, Henry Olaf Reno, and even managed to scoop him on a story which earned her \"The Big Story Award.\"Jane and Henry built their house \"way out by the Everglades\" in what is now the middle of suburban Kendall. In addition to her job as a reported, Jane managed the Miami Seaquarium account as a publicist and grabbed world attention when she sent a male porpoise--via ocean liner--to Italy to console a femal porpoise whose mate had died. All of her pet peacocks were named Horace. ","\nThe Children:","Janet Reno was the first female US Attorney General, appointed by Pressident Bill Clinton in 1993. This was fitting, as she had always been a pioneer. She attended Cornell University, where she majored in chemistry during a time when there were not many women in that field. While at Cornell she was a member of the Women's Student Government Association (WSGA). She graduated from Harvard Law School as one of only 16 women in a class of 500. She worked for the Dade County State Attorney's office, and subsequently became State Attorney for the 11th Judicial Circuit of Florida in 1978. ","After her tenure at US Attorney General, she returned to Florida and became involved in environmental and educational activism. She ran in the Democratic primary for Governor in 2002, though she was subsequently defeated. She passed away from Parkinson's Disease in 2016.","Maggy Reno Hurchalla was an actitivst and a Martin County (Florida) commissioner from 1974-1994, serving as a Democrat in a heavily Republican region. She was the county's first female county commissioner and was known for her strong environmentalist views, she served on the state board of the Nature Conservancy and on the Governor's Commission for a Sustainable South Florida. She passed away in 2022.","Robert Reno followed his parents into a career in journalism. He worked for the Miami Herald in both Miami and Key West, New Orleans Times-Picayune, and Newsday. According to his obituary in The Miami Herald: \"As a liberal columnist from the 1980s until his retirement in early 2003, Reno took on the National Rifle Association, conservatives, and the super rich, railed against poverty, social inequality and corrupt politicians, and delighted in deflating the outsized egos of the powerful.\" Robert passed away in 2012.","Mark Reno had a keen sense of adventure. According to a Miami Herald article after his death, it was noted that he \"worked as a game warden, a boat captain, an alligator wrestler, a scuba diver, a paratrooper, ran tugboats and an oil supply ship off the coast of Nigeria, and, primarily, worked as a carpenter. While in the Army he earned a commission as a 2nd Lieutenant, prompting Henry to dub him \"Lt. Fuzz\" (a nod to the \"Beetle Bailey\" comic stip character). In his last two months, he managed to carve benches out of tree remains he'd kept, left over from the devastation of Hurricane Andrew in 1992.\" Mark Reno also worked as a bailiff in Dade County. He passed away in 2014.","Extended Family Represented in this Collection:","George Wood, Jane's father, was an attorney in Macon, GA, and later in Miami. Included in these papers are some of his correspondence and dockets related to legal cases he worked on during the 1920s, especially during the Florida Land Boom. ","Winifried Wood: Jane's sister was a pilot and a member of the famed Women's Air Service Pilots (WASP) during World War II. She wrote a book about her adventures entitled \"We Were WASPS,\" a manuscript of which is maintained in this collection. ","Other family members are, of course, mentioned. Jane had started to work on family geneology and some of her notes are included herein. "],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the American South during the mid-20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the American South during the mid-20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection represent the Reno family's service as journalists as well as their love of South Florida. These materials are the private and public writings, photographs, and ephemera of the family and provide biographical background and context to multiple figures, including Attorney General Janet Reno. \nReflecting the family's journalistic occupations, Henry, Jane, and Robert's newspaper articles and columns make up the bulk of the items in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection represent the Reno family's service as journalists as well as their love of South Florida. These materials are the private and public writings, photographs, and ephemera of the family and provide biographical background and context to multiple figures, including Attorney General Janet Reno. \nReflecting the family's journalistic occupations, Henry, Jane, and Robert's newspaper articles and columns make up the bulk of the items in this collection."],"userestrict_html_tesm":["\u003cp\u003eThe Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Henry Olaf and Jane Wood Reno"],"corpname_ssim":["FIU Special Collections"],"famname_ssim":["Henry Olaf and Jane Wood Reno"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":358,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844441296633856,"_root_":"447fec1457e486cb004ab68b","timestamp":"2026-07-16T04:31:33.651Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/447fec1457e486cb004ab68b_aspace_3137c720462df7b4c577a4daff9057c8"}},{"id":"03e12f0b210afaf691bd49d9_aspace_c734fee04167c79e10aecabd027822cf","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/03e12f0b210afaf691bd49d9_aspace_c734fee04167c79e10aecabd027822cf#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c734fee04167c79e10aecabd027822cf","ref_ssm":["aspace_c734fee04167c79e10aecabd027822cf","aspace_c734fee04167c79e10aecabd027822cf"],"id":"03e12f0b210afaf691bd49d9_aspace_c734fee04167c79e10aecabd027822cf","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","Cesar Becerra Logging Industry Collection, 1971-1994","/repositories/2/archival_objects/77102","Franklin B. Adams"],"component_level_isim":[1],"parent_ids_ssim":["03e12f0b210afaf691bd49d9"],"parent_unittitles_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994"],"parent_unittitles_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/77102"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["Franklin B. Adams"],"persname_ssim":["Franklin B. Adams"],"_nest_path_":"/components#0","_nest_parent_":"03e12f0b210afaf691bd49d9","_root_":"03e12f0b210afaf691bd49d9","_version_":1870844426720378880,"timestamp":"2026-07-16T04:31:19.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"03e12f0b210afaf691bd49d9","title_ssm":["Cesar Becerra Logging Industry Collection"],"title_tesim":["Cesar Becerra Logging Industry Collection"],"ead_ssi":"03e12f0b210afaf691bd49d9","unitdate_ssm":["1971-1994"],"unitdate_inclusive_ssm":["1971-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8075","/repositories/2/resources/103"],"text":["SPC8075","/repositories/2/resources/103","Cesar Becerra Logging Industry Collection, 1971-1994","Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)","Conservation","Environmental policy","Environmental justice","Florida panther","Logging","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel","You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.","The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. ","This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.","The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Franklin B. Adams","English"],"unitid_tesim":["SPC8075","/repositories/2/resources/103"],"normalized_date_ssm":["1971-1994"],"normalized_title_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_title_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"geogname_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"places_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"access_terms_ssm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Cesar Becerra"],"access_subjects_ssim":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"access_subjects_ssm":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"has_online_content_ssim":["false"],"extent_ssm":["8.31 Linear Feet"],"extent_tesim":["8.31 Linear Feet"],"physfacet_tesim":["5 Banker Boxes\n1 Small, flat box\n1 Large, flat box\n2 Slide Carousel boxes"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series':\u003c/p\u003e\n","\u003cp\u003eSeries 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel"],"bioghist_html_tesm":["\u003cp\u003eYou would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers."],"odd_html_tesm":["\u003cp\u003eThe materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. \u003c/p\u003e\n","\u003cp\u003eAdditionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. \u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. "],"scopecontent_html_tesm":["\u003cp\u003eThis little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts."],"userestrict_html_tesm":["\u003cp\u003eThe Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Franklin B. Adams"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Franklin B. Adams"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":238,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426720378880,"_root_":"03e12f0b210afaf691bd49d9","timestamp":"2026-07-16T04:31:19.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/03e12f0b210afaf691bd49d9_aspace_c734fee04167c79e10aecabd027822cf"}},{"id":"5e441c26c224fc2443904339_aspace_bfbcc03b00690a4ddba2a32d2be2a6b9","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339_aspace_bfbcc03b00690a4ddba2a32d2be2a6b9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bfbcc03b00690a4ddba2a32d2be2a6b9","ref_ssm":["aspace_bfbcc03b00690a4ddba2a32d2be2a6b9","aspace_bfbcc03b00690a4ddba2a32d2be2a6b9"],"id":"5e441c26c224fc2443904339_aspace_bfbcc03b00690a4ddba2a32d2be2a6b9","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","/repositories/2/archival_objects/75659"],"component_level_isim":[1],"parent_ids_ssim":["5e441c26c224fc2443904339"],"parent_unittitles_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"parent_unittitles_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/75659"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"5e441c26c224fc2443904339","_root_":"5e441c26c224fc2443904339","_version_":1870844426508566528,"timestamp":"2026-07-16T04:31:19.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e441c26c224fc2443904339","title_ssm":["Maks Dikarev Naval Cover Collection"],"title_tesim":["Maks Dikarev Naval Cover Collection"],"ead_ssi":"5e441c26c224fc2443904339","unitdate_ssm":["1927-1941","1954-1982"],"unitdate_inclusive_ssm":["1927-1941","1954-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9050","/repositories/2/resources/108"],"text":["SPC9050","/repositories/2/resources/108","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Naval battles in art","Cold War","Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art","This collection is open for research.","The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender","This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.","The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). ","The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Maksimilian Dikarev","English"],"unitid_tesim":["SPC9050","/repositories/2/resources/108"],"normalized_date_ssm":["1927-1941, 1954-1982"],"normalized_title_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_title_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Naval battles in art","Cold War"],"geogname_ssim":["Naval battles in art","Cold War"],"creator_ssm":["Maksimilian Dikarev"],"creator_ssim":["Maksimilian Dikarev"],"creator_persname_ssim":["Maksimilian Dikarev"],"creators_ssim":["Maksimilian Dikarev"],"places_ssim":["Naval battles in art","Cold War"],"access_terms_ssm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maksimilian Dikarev."],"access_subjects_ssim":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"access_subjects_ssm":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"physfacet_tesim":["1 Banker box and 1 5\" Legal size document case. "],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series' and sub-series:\u003c/p\u003e\n","\u003cp\u003eSeries:\nU.S. Asiatic Fleet\u003c/p\u003e\n","\u003cp\u003e\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War\u003c/p\u003e\n","\u003cp\u003e\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. \u003c/p\u003e\n","\u003cp\u003eAccording to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. \u003c/p\u003e\n","\u003cp\u003eThe focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases."],"scopecontent_html_tesm":["\u003cp\u003eThe materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. \u003c/p\u003e\n","\u003cp\u003eAs I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). "],"userestrict_html_tesm":["\u003cp\u003eThe Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Maksimilian Dikarev"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Maksimilian Dikarev"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426508566528,"_root_":"5e441c26c224fc2443904339","timestamp":"2026-07-16T04:31:19.551Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339_aspace_bfbcc03b00690a4ddba2a32d2be2a6b9"}},{"id":"e2885e4c7c6f43250d52fc0c_aspace_6e2da0c2e73708c3674771b91fcc463b","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e2885e4c7c6f43250d52fc0c_aspace_6e2da0c2e73708c3674771b91fcc463b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6e2da0c2e73708c3674771b91fcc463b","ref_ssm":["aspace_6e2da0c2e73708c3674771b91fcc463b","aspace_6e2da0c2e73708c3674771b91fcc463b"],"id":"e2885e4c7c6f43250d52fc0c_aspace_6e2da0c2e73708c3674771b91fcc463b","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","Robert Marius Reno (Rasmussen) Danish Postcard Collection, 1900-1925","/repositories/2/archival_objects/77359"],"component_level_isim":[1],"parent_ids_ssim":["e2885e4c7c6f43250d52fc0c"],"parent_unittitles_ssm":["Robert Marius Reno (Rasmussen) Danish Postcard Collection, 1900-1925"],"parent_unittitles_tesim":["Robert Marius Reno (Rasmussen) Danish Postcard Collection, 1900-1925"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/77359"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Robert Marius Reno (Rasmussen) Danish Postcard Collection, 1900-1925"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["The Robert Marius Reno (Rasmussen) Danish Postcard Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"e2885e4c7c6f43250d52fc0c","_root_":"e2885e4c7c6f43250d52fc0c","_version_":1870844431340404736,"timestamp":"2026-07-16T04:31:24.159Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e2885e4c7c6f43250d52fc0c","title_ssm":["Robert Marius Reno (Rasmussen) Danish Postcard Collection"],"title_tesim":["Robert Marius Reno (Rasmussen) Danish Postcard Collection"],"ead_ssi":"e2885e4c7c6f43250d52fc0c","unitdate_ssm":["1900-1925"],"unitdate_inclusive_ssm":["1900-1925"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC4010","/repositories/2/resources/110"],"text":["SPC4010","/repositories/2/resources/110","Robert Marius Reno (Rasmussen) Danish Postcard Collection, 1900-1925","Denmark","Danes","Danish Americans","postcards","Denmark--Description and Travel","Drawing--Danish","Drawing--German","Real Photo Postcards","This collection is open for research.","Robert Marius Reno was born on 6 June 1867 in Bred, Vissenbjerg Parish, Odense County, Denmark. He was the father of Henry Olaf Reno and Grandfather of Janet Reno.","He ran a photo atelier in the city of Odense until 1900. Then he moved his business to Ejby and married Lovise Laurine Jensine Larsen, daughter of a station master. He changed his surname on 19 October 1912. Later he changed his first name from Rasmus to Robert.In 1912 he emigrated with his family to the United States from Denmark. They lived in Wisconsin; Bartow, Florida; Tennessee; and finally, in 1923, Miami, Florida. He was a photojournalist for the Miami Herald. He passed in June, 1959 in Miami. ","(Biographical information courtesy of geni.com and the Reno Family Collection)","The materials in this collection represent the subject's work as a photographer and postcard artist/collector in early 20th century Dennmark and Wisconsin.","The Robert Marius Reno (Rasmussen) Danish Postcard Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Henry Olaf and Jane Wood Reno","English Danish"],"unitid_tesim":["SPC4010","/repositories/2/resources/110"],"normalized_date_ssm":["1900-1925"],"normalized_title_ssm":["Robert Marius Reno (Rasmussen) Danish Postcard Collection, 1900-1925"],"collection_title_tesim":["Robert Marius Reno (Rasmussen) Danish Postcard Collection, 1900-1925"],"collection_ssim":["Robert Marius Reno (Rasmussen) Danish Postcard Collection, 1900-1925"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Denmark","Danes","Danish Americans"],"geogname_ssim":["Denmark","Danes","Danish Americans"],"creator_ssm":["Henry Olaf and Jane Wood Reno"],"creator_ssim":["Henry Olaf and Jane Wood Reno"],"creator_famname_ssim":["Henry Olaf and Jane Wood Reno"],"creators_ssim":["Henry Olaf and Jane Wood Reno"],"places_ssim":["Denmark","Danes","Danish Americans"],"access_terms_ssm":["The Robert Marius Reno (Rasmussen) Danish Postcard Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maggy (Reno) Hurchalla"],"access_subjects_ssim":["postcards","Denmark--Description and Travel","Drawing--Danish","Drawing--German","Real Photo Postcards"],"access_subjects_ssm":["postcards","Denmark--Description and Travel","Drawing--Danish","Drawing--German","Real Photo Postcards"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet 1 document case containing 106 items in individual and combined folders","1 boxes"],"extent_tesim":["0.42 Linear Feet 1 document case containing 106 items in individual and combined folders","1 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eRobert Marius Reno was born on 6 June 1867 in Bred, Vissenbjerg Parish, Odense County, Denmark. He was the father of Henry Olaf Reno and Grandfather of Janet Reno.\u003c/p\u003e\n","\u003cp\u003eHe ran a photo atelier in the city of Odense until 1900. Then he moved his business to Ejby and married Lovise Laurine Jensine Larsen, daughter of a station master. He changed his surname on 19 October 1912. Later he changed his first name from Rasmus to Robert.In 1912 he emigrated with his family to the United States from Denmark. They lived in Wisconsin; Bartow, Florida; Tennessee; and finally, in 1923, Miami, Florida. He was a photojournalist for the Miami Herald. He passed in June, 1959 in Miami. \u003c/p\u003e\n","\u003cp\u003e(Biographical information courtesy of geni.com and the Reno Family Collection)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Robert Marius Reno was born on 6 June 1867 in Bred, Vissenbjerg Parish, Odense County, Denmark. He was the father of Henry Olaf Reno and Grandfather of Janet Reno.","He ran a photo atelier in the city of Odense until 1900. Then he moved his business to Ejby and married Lovise Laurine Jensine Larsen, daughter of a station master. He changed his surname on 19 October 1912. Later he changed his first name from Rasmus to Robert.In 1912 he emigrated with his family to the United States from Denmark. They lived in Wisconsin; Bartow, Florida; Tennessee; and finally, in 1923, Miami, Florida. He was a photojournalist for the Miami Herald. He passed in June, 1959 in Miami. ","(Biographical information courtesy of geni.com and the Reno Family Collection)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection represent the subject's work as a photographer and postcard artist/collector in early 20th century Dennmark and Wisconsin.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection represent the subject's work as a photographer and postcard artist/collector in early 20th century Dennmark and Wisconsin."],"userestrict_html_tesm":["\u003cp\u003eThe Robert Marius Reno (Rasmussen) Danish Postcard Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Robert Marius Reno (Rasmussen) Danish Postcard Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Henry Olaf and Jane Wood Reno"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Henry Olaf and Jane Wood Reno"],"famname_ssim":["Henry Olaf and Jane Wood Reno"],"language_ssim":["English Danish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":69,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844431340404736,"_root_":"e2885e4c7c6f43250d52fc0c","timestamp":"2026-07-16T04:31:24.159Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e2885e4c7c6f43250d52fc0c_aspace_6e2da0c2e73708c3674771b91fcc463b"}},{"id":"df5f33ab57ee6e767c26a104_aspace_9b35122996c28a3e508873907c342910","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104_aspace_9b35122996c28a3e508873907c342910#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9b35122996c28a3e508873907c342910","ref_ssm":["aspace_9b35122996c28a3e508873907c342910","aspace_9b35122996c28a3e508873907c342910"],"id":"df5f33ab57ee6e767c26a104_aspace_9b35122996c28a3e508873907c342910","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","Cienfuegos Collection, 1819-1991","/repositories/2/archival_objects/79262"],"component_level_isim":[1],"parent_ids_ssim":["df5f33ab57ee6e767c26a104"],"parent_unittitles_ssm":["Cienfuegos Collection, 1819-1991"],"parent_unittitles_tesim":["Cienfuegos Collection, 1819-1991"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79262"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cienfuegos Collection, 1819-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"df5f33ab57ee6e767c26a104","_root_":"df5f33ab57ee6e767c26a104","_version_":1870844445591601152,"timestamp":"2026-07-16T04:31:37.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"df5f33ab57ee6e767c26a104","title_ssm":["Cienfuegos Collection"],"title_tesim":["Cienfuegos Collection"],"ead_ssi":"df5f33ab57ee6e767c26a104","unitdate_ssm":["1819-1991"],"unitdate_inclusive_ssm":["1819-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9010","/repositories/2/resources/115"],"text":["SPC9010","/repositories/2/resources/115","Cienfuegos Collection, 1819-1991","Cuba","postcards","Newspaper","Maps","Magazine","Photographs","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.","The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.","The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9010","/repositories/2/resources/115"],"normalized_date_ssm":["1819-1991"],"normalized_title_ssm":["Cienfuegos Collection, 1819-1991"],"collection_title_tesim":["Cienfuegos Collection, 1819-1991"],"collection_ssim":["Cienfuegos Collection, 1819-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were acquired through a private donor."],"access_subjects_ssim":["postcards","Newspaper","Maps","Magazine","Photographs"],"access_subjects_ssm":["postcards","Newspaper","Maps","Magazine","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 3 archival storage cartons"],"extent_tesim":["3 boxes 3 archival storage cartons"],"dimensions_tesim":["3.25 linear feet"],"genreform_ssim":["Newspaper","Maps","Magazine","Photographs"],"date_range_isim":[1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eCienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards."],"userestrict_html_tesm":["\u003cp\u003eThe Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844445591601152,"_root_":"df5f33ab57ee6e767c26a104","timestamp":"2026-07-16T04:31:37.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104_aspace_9b35122996c28a3e508873907c342910"}},{"id":"1a1c82058daae8f4417c6956_aspace_756dc0bf376ab9f9d913ae99c2f558af","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1a1c82058daae8f4417c6956_aspace_756dc0bf376ab9f9d913ae99c2f558af#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_756dc0bf376ab9f9d913ae99c2f558af","ref_ssm":["aspace_756dc0bf376ab9f9d913ae99c2f558af","aspace_756dc0bf376ab9f9d913ae99c2f558af"],"id":"1a1c82058daae8f4417c6956_aspace_756dc0bf376ab9f9d913ae99c2f558af","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","Timothy Long Collection, 2008","/repositories/2/archival_objects/77790"],"component_level_isim":[1],"parent_ids_ssim":["1a1c82058daae8f4417c6956"],"parent_unittitles_ssm":["Timothy Long Collection, 2008"],"parent_unittitles_tesim":["Timothy Long Collection, 2008"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/77790"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Timothy Long Collection, 2008"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Timothy Long Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"1a1c82058daae8f4417c6956","_root_":"1a1c82058daae8f4417c6956","_version_":1870844447172853760,"timestamp":"2026-07-16T04:31:39.260Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1a1c82058daae8f4417c6956","title_ssm":["Timothy Long Collection"],"title_tesim":["Timothy Long Collection"],"ead_ssi":"1a1c82058daae8f4417c6956","unitdate_ssm":["2008"],"unitdate_other_ssim":["2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC4005","/repositories/2/resources/112"],"text":["SPC4005","/repositories/2/resources/112","Timothy Long Collection, 2008","Everglades","Miami (Fla.)--History--20th century.","Tamiami Trail (FLA)","Roads--Florida US Highway 41","This collection is open for research.","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","This collection contains the tape-recorded notes compiled by Timothy Long during the production of \"Escape to Dreamland: The Story of the Tamiami Trail,\" a documentary about the stretch of US Highway 41 that was cut through the Everglades. The collection contains one VHS tape, 6 BetaMax Tapes, 11 Panasonic DVC-Pro tapes, 8 Sony DVCAM Tapes, and 3 Fuji Film DVCassettes.","The Timothy Long Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","This collection contatains the taped notes used to develop the documentary entitled \"Escape to Dreamland: The Story of the Tamiami Trail.\" Due to the formats used, access may not be available. Please check with the Digital Assets Archivist before requesting access to the collection.","FIU Special Collections","English"],"unitid_tesim":["SPC4005","/repositories/2/resources/112"],"normalized_date_ssm":["2008"],"normalized_title_ssm":["Timothy Long Collection, 2008"],"collection_title_tesim":["Timothy Long Collection, 2008"],"collection_ssim":["Timothy Long Collection, 2008"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Everglades"],"geogname_ssim":["Everglades"],"places_ssim":["Everglades"],"access_terms_ssm":["The Timothy Long Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Timothy Long"],"access_subjects_ssim":["Miami (Fla.)--History--20th century.","Tamiami Trail (FLA)","Roads--Florida US Highway 41"],"access_subjects_ssm":["Miami (Fla.)--History--20th century.","Tamiami Trail (FLA)","Roads--Florida US Highway 41"],"has_online_content_ssim":["false"],"extent_ssm":["29 Cassettes 29 Digital Video Cassettes and Betacam tapes in 1 archival box"],"extent_tesim":["29 Cassettes 29 Digital Video Cassettes and Betacam tapes in 1 archival box"],"dimensions_tesim":["1.08 linear ft."],"date_range_isim":[2008],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the tape-recorded notes compiled by Timothy Long during the production of \"Escape to Dreamland: The Story of the Tamiami Trail,\" a documentary about the stretch of US Highway 41 that was cut through the Everglades. The collection contains one VHS tape, 6 BetaMax Tapes, 11 Panasonic DVC-Pro tapes, 8 Sony DVCAM Tapes, and 3 Fuji Film DVCassettes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the tape-recorded notes compiled by Timothy Long during the production of \"Escape to Dreamland: The Story of the Tamiami Trail,\" a documentary about the stretch of US Highway 41 that was cut through the Everglades. The collection contains one VHS tape, 6 BetaMax Tapes, 11 Panasonic DVC-Pro tapes, 8 Sony DVCAM Tapes, and 3 Fuji Film DVCassettes."],"userestrict_html_tesm":["\u003cp\u003eThe Timothy Long Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Timothy Long Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_6913170900fefb8e9c8154f2e515df18\"\u003eThis collection contatains the taped notes used to develop the documentary entitled \"Escape to Dreamland: The Story of the Tamiami Trail.\" Due to the formats used, access may not be available. Please check with the Digital Assets Archivist before requesting access to the collection.\u003c/materialspec\u003e"],"materialspec_tesim":["This collection contatains the taped notes used to develop the documentary entitled \"Escape to Dreamland: The Story of the Tamiami Trail.\" Due to the formats used, access may not be available. Please check with the Digital Assets Archivist before requesting access to the collection."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844447172853760,"_root_":"1a1c82058daae8f4417c6956","timestamp":"2026-07-16T04:31:39.260Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1a1c82058daae8f4417c6956_aspace_756dc0bf376ab9f9d913ae99c2f558af"}},{"id":"b8bf361dc0d2b04552d16184_aspace_5c3a973a65d89ae87e1fb58086b5e43a","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b8bf361dc0d2b04552d16184_aspace_5c3a973a65d89ae87e1fb58086b5e43a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5c3a973a65d89ae87e1fb58086b5e43a","ref_ssm":["aspace_5c3a973a65d89ae87e1fb58086b5e43a","aspace_5c3a973a65d89ae87e1fb58086b5e43a"],"id":"b8bf361dc0d2b04552d16184_aspace_5c3a973a65d89ae87e1fb58086b5e43a","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","Louis Miano Theater Collection, 1896-2017","/repositories/2/archival_objects/77919"],"component_level_isim":[1],"parent_ids_ssim":["b8bf361dc0d2b04552d16184"],"parent_unittitles_ssm":["Louis Miano Theater Collection, 1896-2017"],"parent_unittitles_tesim":["Louis Miano Theater Collection, 1896-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/77919"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Louis Miano Theater Collection, 1896-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#0","_nest_parent_":"b8bf361dc0d2b04552d16184","_root_":"b8bf361dc0d2b04552d16184","_version_":1870844485139693568,"timestamp":"2026-07-16T04:32:15.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b8bf361dc0d2b04552d16184","title_ssm":["Louis Miano Theater Collection"],"title_tesim":["Louis Miano Theater Collection"],"ead_ssi":"b8bf361dc0d2b04552d16184","unitdate_ssm":["1896-2017"],"unitdate_inclusive_ssm":["1896-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9020","/repositories/2/resources/113"],"text":["SPC9020","/repositories/2/resources/113","Louis Miano Theater Collection, 1896-2017","Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater","Advertising","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. 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Audio","LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. 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For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Louis Miano and others."],"access_subjects_ssim":["Advertising"],"access_subjects_ssm":["Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"extent_tesim":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series alphabetically based on the title of the performance:\u003c/p\u003e\n","\u003cp\u003e1.\tAB \u0026#x2013; AL\n2.\tAM \u0026#x2013; AN\n3.\tAR \u0026#x2013; AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR\u003c/p\u003e\n","\u003cp\u003eThere are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series alphabetically based on the title of the performance:","1.\tAB – AL\n2.\tAM – AN\n3.\tAR – AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR","There are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.\u003c/p\u003e\n","\u003cp\u003epersonal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe."],"userestrict_html_tesm":["\u003cp\u003eThe Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Russian French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1032,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485139693568,"_root_":"b8bf361dc0d2b04552d16184","timestamp":"2026-07-16T04:32:15.452Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b8bf361dc0d2b04552d16184_aspace_5c3a973a65d89ae87e1fb58086b5e43a"}},{"id":"88d3b99b89bbf1c44cf508d9_aspace_180c0b1aea3f820ee43c3d741a28d9bc","type":"Other level","attributes":{"title":"Box 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/88d3b99b89bbf1c44cf508d9_aspace_180c0b1aea3f820ee43c3d741a28d9bc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_180c0b1aea3f820ee43c3d741a28d9bc","ref_ssm":["aspace_180c0b1aea3f820ee43c3d741a28d9bc","aspace_180c0b1aea3f820ee43c3d741a28d9bc"],"id":"88d3b99b89bbf1c44cf508d9_aspace_180c0b1aea3f820ee43c3d741a28d9bc","title_filing_ssi":"Box 1","title_ssm":["Box 1"],"title_tesim":["Box 1"],"normalized_title_ssm":["Box 1"],"text":["Box 1","Colección de Postales para Album Cuba en 1925","Box 1","/repositories/2/archival_objects/85028","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","box 1"],"component_level_isim":[1],"parent_ids_ssim":["88d3b99b89bbf1c44cf508d9"],"parent_unittitles_ssm":["Colección de Postales para Album Cuba en 1925"],"parent_unittitles_tesim":["Colección de Postales para Album Cuba en 1925"],"parent_levels_ssm":["collection"],"unitid_ssm":["Box 1","/repositories/2/archival_objects/85028"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Colección de Postales para Album Cuba en 1925"],"has_online_content_ssim":["false"],"child_component_count_isi":264,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws"],"names_ssim":["Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"corpname_ssim":["Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","Henry Clay and Bock \u0026 Co., Ltd. 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(Trenton, New Jersey)"],"containers_ssim":["box 1"],"_nest_path_":"/components#0","_nest_parent_":"88d3b99b89bbf1c44cf508d9","_root_":"88d3b99b89bbf1c44cf508d9","_version_":1870844485974360064,"timestamp":"2026-07-16T04:32:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"88d3b99b89bbf1c44cf508d9","title_ssm":["Colección de Postales para Album Cuba en 1925"],"title_tesim":["Colección de Postales para Album Cuba en 1925"],"ead_ssi":"88d3b99b89bbf1c44cf508d9","unitdate_ssm":[""],"unitdate_other_ssim":[""],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6070","/repositories/2/resources/128"],"text":["SPC6070","/repositories/2/resources/128","Colección de Postales para Album Cuba en 1925","La Habana (Cuba)","Cuba","Objetos coleccionables","Havana (Cuba)","Collectibles","Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography","The collection is open for research.","The \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026 Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026 Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026 Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  ","The photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of  Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba.   ","Despite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history. ","\nLa serie \"Cuba en 1925\" es un recordatorio histórico del tejido cultural e histórico de la capital de Cuba, La Habana. Esta colección consta de un total de 265 impresiones fotográficas de las 1,670 originales, y está organizada numéricamente según el número que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitectónica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compañía de cigarros Henry Clay y Bock \u0026 Co., Ltd., esta serie es una herramienta visual de marketing y un registro histórico que ofrece una instantánea de la sociedad cubana a principios del siglo XX. Durante la década de 1920, Henry Clay y Bock \u0026 Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colección fue diseñada para ser un artículo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotografía de un sitio conocido y la leyenda \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026 Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas están organizadas por un sistema numérico, lo que facilita a los coleccionistas su compra y construcción de una colección para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.","Las impresiones fotográficas están organizadas geográficamente, dedicándose a muchos sitios históricos, iglesias, edificios administrativos, parques públicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, fábricas, embajadas y más. El propósito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus diseños arquitectónicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposición con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.","A pesar de su importancia histórica para el país, muy pocos de los originales fotográficos han sobrevivido hasta el día de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez más raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al público una idea de cómo era Cuba durante sus años dorados, especialmente en cuanto al turismo global. La serie fotográfica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colección de imágenes, sino que también muestra el espíritu y la diversidad de Cuba en 1925, capturada para siempre, dándonos un vistazo a los sitios y paisajes que dieron forma al país y las historias que se encuentran dentro de estas impresiones históricas.","Cuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0","The Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026 Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. ","\nLa colección \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visión del paisaje arquitectónico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colección comienza con la impresión 25, y hay algunas que faltan de la colección de un total de 1,670.) Estas impresiones fotográficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques públicos, cementerios y sitios históricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones están etiquetadas numéricamente y geográficamente, fabricadas por Henry Clay y Bock \u0026 Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los años dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colección se ofrecen un total de 265 impresiones en exhibición, brindando a los investigadores la oportunidad de ver estas fotografías y ofrecer una ventana a La Habana, Cuba, en 1925.","Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws","Photographic collectible prints of all the sights in Havana, Cuba in the year 1925.","FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. 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The collection is subject to all copyright laws"],"access_subjects_ssim":["Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"access_subjects_ssm":["Turismo","Tourism","Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"genreform_ssim":["Fotograficas","Siglo XX","Fotografia de edificios ","Photographs","20th century","Architectural photography"],"date_range_isim":[1925],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026amp; Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026amp; Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el \u0026#xC1;lbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026amp; Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  \u003c/p\u003e\n","\u003cp\u003eThe photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of \u0026#xA0;Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba. \u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eDespite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\nLa serie \"Cuba en 1925\" es un recordatorio hist\u0026#xF3;rico del tejido cultural e hist\u0026#xF3;rico de la capital de Cuba, La Habana. Esta colecci\u0026#xF3;n consta de un total de 265 impresiones fotogr\u0026#xE1;ficas de las 1,670 originales, y est\u0026#xE1; organizada num\u0026#xE9;ricamente seg\u0026#xFA;n el n\u0026#xFA;mero que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitect\u0026#xF3;nica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compa\u0026#xF1;\u0026#xED;a de cigarros Henry Clay y Bock \u0026amp; Co., Ltd., esta serie es una herramienta visual de marketing y un registro hist\u0026#xF3;rico que ofrece una instant\u0026#xE1;nea de la sociedad cubana a principios del siglo XX. Durante la d\u0026#xE9;cada de 1920, Henry Clay y Bock \u0026amp; Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colecci\u0026#xF3;n fue dise\u0026#xF1;ada para ser un art\u0026#xED;culo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotograf\u0026#xED;a de un sitio conocido y la leyenda \"Postal para el \u0026#xC1;lbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026amp; Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas est\u0026#xE1;n organizadas por un sistema num\u0026#xE9;rico, lo que facilita a los coleccionistas su compra y construcci\u0026#xF3;n de una colecci\u0026#xF3;n para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.\u003c/p\u003e\n","\u003cp\u003eLas impresiones fotogr\u0026#xE1;ficas est\u0026#xE1;n organizadas geogr\u0026#xE1;ficamente, dedic\u0026#xE1;ndose a muchos sitios hist\u0026#xF3;ricos, iglesias, edificios administrativos, parques p\u0026#xFA;blicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, f\u0026#xE1;bricas, embajadas y m\u0026#xE1;s. El prop\u0026#xF3;sito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus dise\u0026#xF1;os arquitect\u0026#xF3;nicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposici\u0026#xF3;n con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.\u003c/p\u003e\n","\u003cp\u003eA pesar de su importancia hist\u0026#xF3;rica para el pa\u0026#xED;s, muy pocos de los originales fotogr\u0026#xE1;ficos han sobrevivido hasta el d\u0026#xED;a de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez m\u0026#xE1;s raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al p\u0026#xFA;blico una idea de c\u0026#xF3;mo era Cuba durante sus a\u0026#xF1;os dorados, especialmente en cuanto al turismo global. La serie fotogr\u0026#xE1;fica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colecci\u0026#xF3;n de im\u0026#xE1;genes, sino que tambi\u0026#xE9;n muestra el esp\u0026#xED;ritu y la diversidad de Cuba en 1925, capturada para siempre, d\u0026#xE1;ndonos un vistazo a los sitios y paisajes que dieron forma al pa\u0026#xED;s y las historias que se encuentran dentro de estas impresiones hist\u0026#xF3;ricas.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The \"Cuba en 1925\" series is a historical reminder to the cultural and historical fabric of Cuba's capital, Havana. This collection has a total of 265 photographic prints out of the 1,670, it is organized numerically by the number provided on the back of the cards. It capturing the diverse architectural scene and vibrant life across Havana. Originally distributed as collectibles by the renowned cigar company Henry Clay and Bock \u0026 Co., Ltd., this series is a visual marketing tool and historical record providing a snapshot of Cuban society during the early 20th century. During the 1920's, Henry Clay and Bock \u0026 Co., Ltd., came up with an idea to enhance the loyalty to their customer by creating the \"Cuba Series\", an initiative to showcase Cuban culture, society, landscape, and architecture. This collection was designed to be collectibles for consumers to partake in. The cards were printed with a photograph of a known site with the caption \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay and Bock \u0026 Co., Ltd. de la Habana, a sus favorecedores.\" to emphasize their intentions as a promotional gift to buyers. All of these cards are categorized by numberically, it is an easy way for collectors to purchase them and build up their collection for display, specifically towards cigar consumers and enthusiasts.  ","The photographic prints are organized geographically, dedicating to many historical sites, churches, administrative buildings, public parks, community centers, cemeteries, universities, gardens, palaces, private residences, factories, embassies and more. The point is to capture the visual imagery of  Havana, Cuba's landscape and all that it has to offer and make known their architectural designs throughout the capital. Since this series highlights and focuses all of Havana, it is to promote the city as a cultural epicenter and cultural hub for the natives and for global tourism. Demonstrating both the elegance and grandeur with the juxtaposition of simplistic and daily life for the natives in Havana, Cuba.   ","Despite their historical importance to the country, very few of the original photo-cards have survived to this day. The very delicate nature of the prints and its history has become increasingly rare to find. Whatever is left that survived are treasured artifacts and being sought after by many collectors and historians alike. These pieces of Cuban history offer a window of the past and give the audiences an idea of how Cuba was during its golden years, especially when it came to global tourism. The \"Cuba en 1925\" photographic series lives as a cultural reminder of the emerging art, commerce and the history of Havana. Not only a collection of images but also displays the spirit and diversity of Cuba in 1925, captured forever, giving us a glimpse of the sites and landscapes that shaped the country and the stories that can be found within these prints of history. ","\nLa serie \"Cuba en 1925\" es un recordatorio histórico del tejido cultural e histórico de la capital de Cuba, La Habana. Esta colección consta de un total de 265 impresiones fotográficas de las 1,670 originales, y está organizada numéricamente según el número que aparece en la parte posterior de las tarjetas. Captura la diversa escena arquitectónica y la vida vibrante de La Habana. Originalmente distribuida como coleccionables por la reconocida compañía de cigarros Henry Clay y Bock \u0026 Co., Ltd., esta serie es una herramienta visual de marketing y un registro histórico que ofrece una instantánea de la sociedad cubana a principios del siglo XX. Durante la década de 1920, Henry Clay y Bock \u0026 Co., Ltd. idearon una iniciativa para reforzar la lealtad de sus clientes creando la \"Serie Cuba\", un proyecto que buscaba mostrar la cultura cubana, la sociedad, los paisajes y la arquitectura. Esta colección fue diseñada para ser un artículo coleccionable para que los consumidores pudieran adquirirlo. Las tarjetas estaban impresas con una fotografía de un sitio conocido y la leyenda \"Postal para el Álbum Cuba en 1925, obsequio de Henry Clay y Bock \u0026 Co., Ltd. de La Habana, a sus favorecedores\", para enfatizar sus intenciones como un regalo promocional para los compradores. Todas estas tarjetas están organizadas por un sistema numérico, lo que facilita a los coleccionistas su compra y construcción de una colección para exhibir, especialmente dirigida a los consumidores y entusiastas de los cigarros.","Las impresiones fotográficas están organizadas geográficamente, dedicándose a muchos sitios históricos, iglesias, edificios administrativos, parques públicos, centros comunitarios, cementerios, universidades, jardines, palacios, residencias privadas, fábricas, embajadas y más. El propósito es capturar la imagen visual de La Habana, el paisaje de Cuba y todo lo que tiene para ofrecer, y dar a conocer sus diseños arquitectónicos a lo largo de la capital. Dado que esta serie se centra en La Habana, busca promover la ciudad como un epicentro cultural y un centro para el turismo global. Demuestra tanto la elegancia y grandeza como la yuxtaposición con la vida cotidiana sencilla de los habitantes de La Habana, Cuba.","A pesar de su importancia histórica para el país, muy pocos de los originales fotográficos han sobrevivido hasta el día de hoy. La naturaleza delicada de las impresiones y su historia las ha convertido en piezas cada vez más raras de encontrar. Lo que queda de ellas, que ha sobrevivido, son tesoros muy apreciados y buscados por coleccionistas e historiadores por igual. Estas piezas de la historia cubana ofrecen una ventana al pasado y dan al público una idea de cómo era Cuba durante sus años dorados, especialmente en cuanto al turismo global. La serie fotográfica \"Cuba en 1925\" vive como un recordatorio cultural del arte emergente, el comercio y la historia de La Habana. No solo es una colección de imágenes, sino que también muestra el espíritu y la diversidad de Cuba en 1925, capturada para siempre, dándonos un vistazo a los sitios y paisajes que dieron forma al país y las historias que se encuentran dentro de estas impresiones históricas."],"relatedmaterial_html_tesm":["\u003cp\u003eCuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Cuba en 1925 Photograph Album https://dloc.com/AA00003100/00001/images/0"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026amp; Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. \u003c/p\u003e\n","\u003cp\u003e\nLa colecci\u0026#xF3;n \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visi\u0026#xF3;n del paisaje arquitect\u0026#xF3;nico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colecci\u0026#xF3;n comienza con la impresi\u0026#xF3;n 25, y hay algunas que faltan de la colecci\u0026#xF3;n de un total de 1,670.) Estas impresiones fotogr\u0026#xE1;ficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques p\u0026#xFA;blicos, cementerios y sitios hist\u0026#xF3;ricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones est\u0026#xE1;n etiquetadas num\u0026#xE9;ricamente y geogr\u0026#xE1;ficamente, fabricadas por Henry Clay y Bock \u0026amp; Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los a\u0026#xF1;os dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colecci\u0026#xF3;n se ofrecen un total de 265 impresiones en exhibici\u0026#xF3;n, brindando a los investigadores la oportunidad de ver estas fotograf\u0026#xED;as y ofrecer una ventana a La Habana, Cuba, en 1925.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuba en 1925 Collection series at Florida International University (FIU) Special Collections gives viewers an insight into the architectural landscape of Cuba's capital, Havana during the early 20th-century. (This collection starts with print 25, and there are some that are missing from the collection out of 1,670.) These photographic collectible prints showcases all the sights throughout the city of Havana, ranging from government and administrative buildings, private residences and palaces, community centers, gardens, and public parks, cemetaries and historical sites, churches, universities, schools, and embassies. All these prints are labeled numerically and geographically, manufactured by Henry Clay and Bock \u0026 Co., Ltd., as a promotional venture for their cigar clientele and enthusiats alike. A marketing strategy to target consumers and to bring tourism to the golden years of Havana, Cuba. Originally, this series composes of 1,670 prints, but in this collection in total offer 265 prints on display for researchers to have a chance to see these photographs and offer a window of Havana, Cuba in 1925. ","\nLa colección \"Cuba en 1925\" en las Special Collections de la Florida International University (FIU) ofrece a los espectadores una visión del paisaje arquitectónico de La Habana, la capital de Cuba, durante el siglo XX. (Esta colección comienza con la impresión 25, y hay algunas que faltan de la colección de un total de 1,670.) Estas impresiones fotográficas coleccionables muestran todos los sitios de la ciudad de La Habana, que van desde edificios gubernamentales y administrativos, residencias privadas y palacios, hasta centros comunitarios, jardines, parques públicos, cementerios y sitios históricos, iglesias, universidades, escuelas y embajadas. Todas estas impresiones están etiquetadas numéricamente y geográficamente, fabricadas por Henry Clay y Bock \u0026 Co., Ltd., como una iniciativa promocional para su clientela de cigarros y entusiastas por igual. Una estrategia de marketing destinada a atraer consumidores y a promover el turismo en los años dorados de La Habana, Cuba. Originalmente, esta serie consta de 1,670 impresiones, pero en esta colección se ofrecen un total de 265 impresiones en exhibición, brindando a los investigadores la oportunidad de ver estas fotografías y ofrecer una ventana a La Habana, Cuba, en 1925."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuba en 1925 Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws"],"abstract_html_tesm":["\u003cabstract id=\"aspace_875c348bfe0ad7bab4f0e1ffb279cd3b\"\u003ePhotographic collectible prints of all the sights in Havana, Cuba in the year 1925.\u003c/abstract\u003e"],"abstract_tesim":["Photographic collectible prints of all the sights in Havana, Cuba in the year 1925."],"names_ssim":["FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"corpname_ssim":["FIU Special Collections","Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":265,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485974360064,"_root_":"88d3b99b89bbf1c44cf508d9","timestamp":"2026-07-16T04:32:16.259Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/88d3b99b89bbf1c44cf508d9_aspace_180c0b1aea3f820ee43c3d741a28d9bc"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Bernard Diederich Collection, 1945-2010","value":"Bernard Diederich Collection, 1945-2010","hits":133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Bernard+Diederich+Collection%2C+1945-2010\u0026f%5Blevel%5D%5B%5D=Other+level"}},{"attributes":{"label":"J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010","value":"J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010","hits":128},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=J.+R.+Clancy+Collection%2C+1911-1999%2C+Date+acquired%3A+01%2F01%2F2010\u0026f%5Blevel%5D%5B%5D=Other+level"}},{"attributes":{"label":"Warren Fish Company Records, 1869-1947, bulk 1899-1920","value":"Warren Fish Company Records, 1869-1947, bulk 1899-1920","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Warren+Fish+Company+Records%2C+1869-1947%2C+bulk+1899-1920\u0026f%5Blevel%5D%5B%5D=Other+level"}},{"attributes":{"label":"Senator Jack Gordon Papers, Date acquired: 00/00/1993","value":"Senator Jack Gordon Papers, Date acquired: 00/00/1993","hits":72},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Senator+Jack+Gordon+Papers%2C+Date+acquired%3A+00%2F00%2F1993\u0026f%5Blevel%5D%5B%5D=Other+level"}},{"attributes":{"label":"Ramiro Casañas Collection, 1805-2006","value":"Ramiro Casañas Collection, 1805-2006","hits":69},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Ramiro+Casa%C3%B1as+Collection%2C+1805-2006\u0026f%5Blevel%5D%5B%5D=Other+level"}},{"attributes":{"label":"Monticello Account Books, 1915-1943","value":"Monticello Account Books, 1915-1943","hits":50},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Monticello+Account+Books%2C+1915-1943\u0026f%5Blevel%5D%5B%5D=Other+level"}},{"attributes":{"label":"William Straight Collection, 1763-1992","value":"William Straight Collection, 1763-1992","hits":50},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Straight+Collection%2C+1763-1992\u0026f%5Blevel%5D%5B%5D=Other+level"}},{"attributes":{"label":"Undine Sams Nursing Collection, date unknown","value":"Undine Sams Nursing Collection, date 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