{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=345","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=344","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=346","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19300"},"meta":{"pages":{"current_page":345,"next_page":346,"prev_page":344,"total_pages":19300,"limit_value":10,"offset_value":3440,"total_count":192992,"first_page?":false,"last_page?":false}},"data":[{"id":"4257a98a768d5f79eede1d50_aspace_8f11c208562d6cea77faaaac6051ecfa","type":"Item","attributes":{"title":"1 pair of Hilltop sunglasses","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4257a98a768d5f79eede1d50_aspace_8f11c208562d6cea77faaaac6051ecfa#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8f11c208562d6cea77faaaac6051ecfa","ref_ssm":["aspace_8f11c208562d6cea77faaaac6051ecfa","aspace_8f11c208562d6cea77faaaac6051ecfa"],"id":"4257a98a768d5f79eede1d50_aspace_8f11c208562d6cea77faaaac6051ecfa","title_filing_ssi":"1 pair of Hilltop sunglasses","title_ssm":["1 pair of Hilltop sunglasses"],"title_tesim":["1 pair of Hilltop sunglasses"],"normalized_title_ssm":["1 pair of Hilltop sunglasses"],"text":["1 pair of Hilltop sunglasses","Haines City Citrus Growers Cooperative, 1956-2022","Box 4","Memorabilia","/repositories/3/archival_objects/12377"],"component_level_isim":[3],"parent_ids_ssim":["4257a98a768d5f79eede1d50","4257a98a768d5f79eede1d50_aspace_37e860500cd0d3dad0a34ae572fac3d8","4257a98a768d5f79eede1d50_aspace_9b61af2ce962504b3aec822285db3936"],"parent_unittitles_ssm":["Haines City Citrus Growers Cooperative, 1956-2022","Box 4","Memorabilia"],"parent_unittitles_tesim":["Haines City Citrus Growers Cooperative, 1956-2022","Box 4","Memorabilia"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["/repositories/3/archival_objects/12377"],"repository_ssim":["Thomas B. 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It went inactive in 2022.","The HCCGA records include photographs, annual meeting reports, newsletters, and memorabilia. The annual meeting reports date from 1949 to 2009 and include general financial reports to the membership. Memorabilia includes baseball caps, tie pins, drink coasters, and sunglasses. There are VHS tapes with marketing materials, and several oversized copies of newspaper articles. There are also crate labels.","Copyright has been transferred to the college. Permission to publish material must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions.","Thomas B. 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eHaines City Citrus Growers Association was an agriculturally based cooperative. It was a growerowned fresh citrus cooperative offering members grove care, harvesting, packing services, and marketing. HCCGA began operation in 1909 in Haines City, Florida and shipped citrus fruit to markets\nin the United States and Canada under brands including Hill Top, Hill Top Gold, Red Cloud, and Canoe Creek. At one time, they supplied fruit through DNE World Citrus, Ft Pierce, Florida and processed fruit through Florida's Natural Growers, Lake Wales, Florida. At one time in its history, it was the second\noldest citrus cooperative in Florida and the fifth largest packing operation in the state. It went inactive in 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Haines City Citrus Growers Association was an agriculturally based cooperative. It was a growerowned fresh citrus cooperative offering members grove care, harvesting, packing services, and marketing. 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Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions."],"names_ssim":["Thomas B. Mack Florida Citrus Archives","Haines City Citrus Growers Cooperative "],"corpname_ssim":["Thomas B. 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Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. 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They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. 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Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. 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In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eJames Drayton processed this collection in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["James Drayton processed this collection in 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Cantor Stuart Kanas mainly consists of manuscript music and print sheet music relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Kanas studied at the famed Hebrew Union College in New York. Not only remembered for being a great Cantor in both Pennsylvania and New York,  Cantor Stuart Kanas is also remembered for a legal decision that helped define the Cantor as a co-officiate in Jewish services of worship when it comes to draft deferment (1967). Cantor Stuart Kanas passed away on September 28, 2002.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection of Cantor Stuart Kanas mainly consists of manuscript music and print sheet music relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Kanas studied at the famed Hebrew Union College in New York. Not only remembered for being a great Cantor in both Pennsylvania and New York,  Cantor Stuart Kanas is also remembered for a legal decision that helped define the Cantor as a co-officiate in Jewish services of worship when it comes to draft deferment (1967). Cantor Stuart Kanas passed away on September 28, 2002."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user"],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870932216379342848,"_root_":"02b86159ea5177b67ea5b1e8","timestamp":"2026-07-17T03:46:42.437Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02b86159ea5177b67ea5b1e8_aspace_98618"}},{"id":"f927b9df25ec0aef2ec17101_aspace_3fcb0440ebfd3e4e8f95a0529742fa6a","type":"Item","attributes":{"title":"1 Printing Plate \"M.G. Sanchez\" (Level Three)","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_3fcb0440ebfd3e4e8f95a0529742fa6a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3fcb0440ebfd3e4e8f95a0529742fa6a","ref_ssm":["aspace_3fcb0440ebfd3e4e8f95a0529742fa6a","aspace_3fcb0440ebfd3e4e8f95a0529742fa6a"],"id":"f927b9df25ec0aef2ec17101_aspace_3fcb0440ebfd3e4e8f95a0529742fa6a","title_filing_ssi":"1 Printing Plate \"M.G. Sanchez\" (Level Three) \n","title_ssm":["1 Printing Plate \"M.G. Sanchez\" (Level Three) \n"],"title_tesim":["1 Printing Plate \"M.G. Sanchez\" (Level Three) \n"],"normalized_title_ssm":["1 Printing Plate \"M.G. Sanchez\" (Level Three)"],"text":["1 Printing Plate \"M.G. Sanchez\" (Level Three)","Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51","/repositories/2/archival_objects/84362","box 51"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_a308da9abfe60688dc214708af939a17","f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/84362"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":870,"containers_ssim":["box 51"],"_nest_path_":"/components#13/components#8/components#7","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9026","/repositories/2/resources/123"],"normalized_date_ssm":["1805-2006"],"normalized_title_ssm":["Ramiro Casañas Collection, 1805-2006"],"collection_title_tesim":["Ramiro Casañas Collection, 1805-2006"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["69 boxes"],"extent_tesim":["69 boxes"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":966,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844517756698624,"_root_":"f927b9df25ec0aef2ec17101","timestamp":"2026-07-16T04:32:46.553Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_3fcb0440ebfd3e4e8f95a0529742fa6a"}},{"id":"f8f446b15f81524e15fa326b_aspace_136114","type":"Item","attributes":{"title":"(1) Rabbit 2 - Patton's Secret Weapon (2) The G.I. who could see after dark","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_136114#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eVHS tape submitted by Jerry Ellis. Included inside video cover is a letter to Tom Brokaw from Jerry Ellis.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_136114#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_136114","ref_ssm":["aspace_136114","aspace_136114"],"id":"f8f446b15f81524e15fa326b_aspace_136114","title_filing_ssi":"(1) Rabbit 2 - Patton's Secret Weapon (2) The G.I. who could see after dark","title_ssm":["(1) Rabbit 2 - Patton's Secret Weapon (2) The G.I. who could see after dark"],"title_tesim":["(1) Rabbit 2 - Patton's Secret Weapon (2) The G.I. who could see after dark"],"normalized_title_ssm":["(1) Rabbit 2 - Patton's Secret Weapon (2) The G.I. who could see after dark"],"text":["(1) Rabbit 2 - Patton's Secret Weapon (2) The G.I. who could see after dark","Tom Brokaw collection, 1941-1997, bulk 1998-2007","Audiovisual Material","A/V-B","Oversize 3","Item 44","/repositories/10/archival_objects/8680","VHS tape submitted by Jerry Ellis. Included inside video cover is a letter to Tom Brokaw from Jerry Ellis."],"component_level_isim":[4],"parent_ids_ssim":["f8f446b15f81524e15fa326b","f8f446b15f81524e15fa326b_aspace_135845","f8f446b15f81524e15fa326b_aspace_135847","f8f446b15f81524e15fa326b_aspace_143137"],"parent_unittitles_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Audiovisual Material","A/V-B","Oversize 3"],"parent_unittitles_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Audiovisual Material","A/V-B","Oversize 3"],"parent_levels_ssm":["collection","Series","Subseries","Other level"],"unitid_ssm":["Item 44","/repositories/10/archival_objects/8680"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":8692,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"scopecontent_html_tesm":["\u003cp\u003eVHS tape submitted by Jerry Ellis. Included inside video cover is a letter to Tom Brokaw from Jerry Ellis.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["VHS tape submitted by Jerry Ellis. Included inside video cover is a letter to Tom Brokaw from Jerry Ellis."],"_nest_path_":"/components#9/components#1/components#2/components#3","_nest_parent_":"f8f446b15f81524e15fa326b_aspace_143137","_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_136114"}},{"id":"6761a506162d88e3b0374f0f_aspace_163062","type":"Item","attributes":{"title":"1. Refugee camp made of scrap iron.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_163062#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_163062","ref_ssm":["aspace_163062","aspace_163062"],"id":"6761a506162d88e3b0374f0f_aspace_163062","title_filing_ssi":"1. Refugee camp made of scrap iron.","title_ssm":["1. Refugee camp made of scrap iron."],"title_tesim":["1. Refugee camp made of scrap iron."],"normalized_title_ssm":["1. Refugee camp made of scrap iron."],"text":["1. Refugee camp made of scrap iron.","George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","Manufacturer Unidentified - Numbered Series V","Item 1","/repositories/2/archival_objects/12641"],"component_level_isim":[3],"parent_ids_ssim":["6761a506162d88e3b0374f0f","6761a506162d88e3b0374f0f_aspace_162631","6761a506162d88e3b0374f0f_aspace_163061"],"parent_unittitles_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","Manufacturer Unidentified - Numbered Series V"],"parent_unittitles_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","Manufacturer Unidentified - Numbered Series V"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/12641"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":340,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#1/components#6/components#0","_nest_parent_":"6761a506162d88e3b0374f0f_aspace_163061","_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6761a506162d88e3b0374f0f","title_ssm":["George G. Morgan stereograph collection"],"title_tesim":["George G. Morgan stereograph collection"],"ead_ssi":"6761a506162d88e3b0374f0f","unitdate_ssm":["1894-1925","Date acquired: 00/00/2018"],"unitdate_inclusive_ssm":["1894-1925"],"unitdate_other_ssim":["Date acquired: 00/00/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2018-08","/repositories/2/resources/81"],"text":["MS-2018-08","/repositories/2/resources/81","George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscope","Photography","Stereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series.","This collection consists of 380 stereoscopic image cards and a stereoscopic viewer.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.","USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)","English"],"unitid_tesim":["MS-2018-08","/repositories/2/resources/81"],"normalized_date_ssm":["1894-1925, Date acquired: 00/00/2018"],"normalized_title_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_title_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Morgan, George G. (1952-)"],"creator_ssim":["Morgan, George G. (1952-)"],"creator_persname_ssim":["Morgan, George G. (1952-)"],"creators_ssim":["Morgan, George G. (1952-)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["George G. Morgan, Drew Smith","Donation."],"access_subjects_ssim":["Stereoscope","Photography"],"access_subjects_ssm":["Stereoscope","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["1.38 Linear Feet","3 boxes"],"extent_tesim":["1.38 Linear Feet","3 boxes"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"arrangement_html_tesm":["\u003cp\u003eStereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Stereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series."],"prefercite_html_tesm":["\u003cp\u003eGeorge G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["George G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 380 stereoscopic image cards and a stereoscopic viewer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 380 stereoscopic image cards and a stereoscopic viewer."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a78128125148d19eb3a41fc899acdbce\" label=\"Abstract\"\u003eThis collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026amp; Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026amp; Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations."],"names_ssim":["USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Morgan, George G. (1952-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":408,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_163062"}},{"id":"f927b9df25ec0aef2ec17101_aspace_19c5b8ea5120ebd1131a69b93cdc636c","type":"Item","attributes":{"title":"1 Round Hinge Box with Scene of Palacio Presidencial Habana on top (Level One)","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_19c5b8ea5120ebd1131a69b93cdc636c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_19c5b8ea5120ebd1131a69b93cdc636c","ref_ssm":["aspace_19c5b8ea5120ebd1131a69b93cdc636c","aspace_19c5b8ea5120ebd1131a69b93cdc636c"],"id":"f927b9df25ec0aef2ec17101_aspace_19c5b8ea5120ebd1131a69b93cdc636c","title_filing_ssi":"1 Round Hinge Box with Scene of Palacio Presidencial Habana on top (Level One) \n","title_ssm":["1 Round Hinge Box with Scene of Palacio Presidencial Habana on top (Level One) \n"],"title_tesim":["1 Round Hinge Box with Scene of Palacio Presidencial Habana on top (Level One) \n"],"normalized_title_ssm":["1 Round Hinge Box with Scene of Palacio Presidencial Habana on top (Level One)"],"text":["1 Round Hinge Box with Scene of Palacio Presidencial Habana on top (Level One)","Ramiro Casañas Collection, 1805-2006","3D Objects","Box 52","/repositories/2/archival_objects/84372","box 52"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_a308da9abfe60688dc214708af939a17","f927b9df25ec0aef2ec17101_aspace_754e821703c667b863ef4d8d3b6d7eb3"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 52"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 52"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/84372"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":880,"containers_ssim":["box 52"],"_nest_path_":"/components#13/components#9/components#2","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_754e821703c667b863ef4d8d3b6d7eb3","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9026","/repositories/2/resources/123"],"normalized_date_ssm":["1805-2006"],"normalized_title_ssm":["Ramiro Casañas Collection, 1805-2006"],"collection_title_tesim":["Ramiro Casañas Collection, 1805-2006"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["69 boxes"],"extent_tesim":["69 boxes"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. 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