{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=340\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=339\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=341\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19300\u0026view=compact"},"meta":{"pages":{"current_page":340,"next_page":341,"prev_page":339,"total_pages":19300,"limit_value":10,"offset_value":3390,"total_count":192992,"first_page?":false,"last_page?":false}},"data":[{"id":"f927b9df25ec0aef2ec17101_aspace_6096066a6a1db9922e1ceb96a2b5b25d","type":"Item","attributes":{"title":"1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two), 1976","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_6096066a6a1db9922e1ceb96a2b5b25d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6096066a6a1db9922e1ceb96a2b5b25d","ref_ssm":["aspace_6096066a6a1db9922e1ceb96a2b5b25d","aspace_6096066a6a1db9922e1ceb96a2b5b25d"],"id":"f927b9df25ec0aef2ec17101_aspace_6096066a6a1db9922e1ceb96a2b5b25d","title_filing_ssi":"1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two) \n","title_ssm":["1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two) \n"],"title_tesim":["1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two) \n"],"unitdate_other_ssim":["1976"],"normalized_date_ssm":["1976"],"normalized_title_ssm":["1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two), 1976"],"text":["1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two), 1976","Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51","/repositories/2/archival_objects/84360","box 51"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_a308da9abfe60688dc214708af939a17","f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/84360"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":868,"date_range_isim":[1976],"containers_ssim":["box 51"],"_nest_path_":"/components#13/components#8/components#5","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9026","/repositories/2/resources/123"],"normalized_date_ssm":["1805-2006"],"normalized_title_ssm":["Ramiro Casañas Collection, 1805-2006"],"collection_title_tesim":["Ramiro Casañas Collection, 1805-2006"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["69 boxes"],"extent_tesim":["69 boxes"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":966,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844517756698624,"_root_":"f927b9df25ec0aef2ec17101","timestamp":"2026-07-16T04:32:46.553Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_6096066a6a1db9922e1ceb96a2b5b25d"}},{"id":"6761a506162d88e3b0374f0f_aspace_162646","type":"Item","attributes":{"title":"1 Custom House, New York City, New York., 1925","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_162646#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_162646","ref_ssm":["aspace_162646","aspace_162646"],"id":"6761a506162d88e3b0374f0f_aspace_162646","title_filing_ssi":"1 Custom House, New York City, New York.","title_ssm":["1 Custom House, New York City, New York."],"title_tesim":["1 Custom House, New York City, New York."],"unitdate_other_ssim":["1925"],"normalized_date_ssm":["1925"],"normalized_title_ssm":["1 Custom House, New York City, New York., 1925"],"text":["1 Custom House, New York City, New York., 1925","George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","A.C. Co., 1925","Item 1","/repositories/2/archival_objects/12577"],"component_level_isim":[3],"parent_ids_ssim":["6761a506162d88e3b0374f0f","6761a506162d88e3b0374f0f_aspace_163074","6761a506162d88e3b0374f0f_aspace_162645"],"parent_unittitles_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","A.C. Co., 1925"],"parent_unittitles_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","A.C. Co., 1925"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/12577"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#0/components#0/components#0","_nest_parent_":"6761a506162d88e3b0374f0f_aspace_162645","_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6761a506162d88e3b0374f0f","title_ssm":["George G. Morgan stereograph collection"],"title_tesim":["George G. 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When applicable, images are ordered numerically within each series.","This collection consists of 380 stereoscopic image cards and a stereoscopic viewer.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.","USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)","English"],"unitid_tesim":["MS-2018-08","/repositories/2/resources/81"],"normalized_date_ssm":["1894-1925, Date acquired: 00/00/2018"],"normalized_title_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_title_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Morgan, George G. (1952-)"],"creator_ssim":["Morgan, George G. (1952-)"],"creator_persname_ssim":["Morgan, George G. (1952-)"],"creators_ssim":["Morgan, George G. (1952-)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["George G. Morgan, Drew Smith","Donation."],"access_subjects_ssim":["Stereoscope","Photography"],"access_subjects_ssm":["Stereoscope","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["1.38 Linear Feet","3 boxes"],"extent_tesim":["1.38 Linear Feet","3 boxes"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"arrangement_html_tesm":["\u003cp\u003eStereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Stereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series."],"prefercite_html_tesm":["\u003cp\u003eGeorge G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["George G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 380 stereoscopic image cards and a stereoscopic viewer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 380 stereoscopic image cards and a stereoscopic viewer."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a78128125148d19eb3a41fc899acdbce\" label=\"Abstract\"\u003eThis collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026amp; Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026amp; Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations."],"names_ssim":["USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Morgan, George G. 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Recto: Je ne sais pas le langage des villes, Belle Chloé, ces fleurs te parleront, Garde ces fleurs, bijoux des champs fertites / Et vois quell trouble a fait rougir mon front.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_169666#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_169666","ref_ssm":["aspace_169666","aspace_169666"],"id":"a0a65b28104bce9cf5ed2e36_aspace_169666","title_filing_ssi":"1. – Daphnis et Chloe—LL.","title_ssm":["1. – Daphnis et Chloe—LL."],"title_tesim":["1. – Daphnis et Chloe—LL."],"normalized_title_ssm":["1. – Daphnis et Chloe—LL."],"text":["1. – Daphnis et Chloe—LL.","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Miscellaneous Stills","Classic Theater - Classic Performances","Item 21","/repositories/2/archival_objects/17806","Black and white postcard. L'Imprimerie Nouvelle Photographique.--Paris. Recto: Je ne sais pas le langage des villes, Belle Chloé, ces fleurs te parleront, Garde ces fleurs, bijoux des champs fertites / Et vois quell trouble a fait rougir mon front.\""],"component_level_isim":[3],"parent_ids_ssim":["a0a65b28104bce9cf5ed2e36","a0a65b28104bce9cf5ed2e36_aspace_169631","a0a65b28104bce9cf5ed2e36_aspace_169645"],"parent_unittitles_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Miscellaneous Stills","Classic Theater - Classic Performances"],"parent_unittitles_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Miscellaneous Stills","Classic Theater - Classic Performances"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 21","/repositories/2/archival_objects/17806"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":5757,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white postcard. L'Imprimerie Nouvelle Photographique.--Paris. Recto: Je ne sais pas le langage des villes, Belle Chlo\u0026#xE9;, ces fleurs te parleront, Garde ces fleurs, bijoux des champs fertites / Et vois quell trouble a fait rougir mon front.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white postcard. L'Imprimerie Nouvelle Photographique.--Paris. 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The donor's original order is maintained.","William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.","This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.","USF Libraries - Tampa Special Collections","Zewadski, William Knight","English"],"unitid_tesim":["Z11","/repositories/2/resources/82"],"normalized_date_ssm":["1860-2007, Date acquired: 00/00/2018"],"normalized_title_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"collection_title_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Zewadski, William Knight"],"creator_ssim":["Zewadski, William Knight"],"creator_persname_ssim":["Zewadski, William Knight"],"creators_ssim":["Zewadski, William Knight"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["William Knight Zewadski","Donation."],"access_subjects_ssim":["Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume"],"access_subjects_ssm":["Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume"],"has_online_content_ssim":["false"],"extent_ssm":["11.42 Linear Feet","28 boxes"],"extent_tesim":["11.42 Linear Feet","28 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged topically and according to chronology. The donor's original order is maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9026","/repositories/2/resources/123"],"normalized_date_ssm":["1805-2006"],"normalized_title_ssm":["Ramiro Casañas Collection, 1805-2006"],"collection_title_tesim":["Ramiro Casañas Collection, 1805-2006"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["69 boxes"],"extent_tesim":["69 boxes"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. 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Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 70","case 2"],"scopecontent_html_tesm":["\u003cp\u003eType: \nShow\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Type: \nShow"],"_nest_path_":"/components#0/components#2/components#1513","_nest_parent_":"8030186565dd6cea11cc22bc_aspace_b795b38e194b2303dbec0cde11bb3a9d","_root_":"8030186565dd6cea11cc22bc","_version_":1872306257437655040,"timestamp":"2026-08-01T07:46:30.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8030186565dd6cea11cc22bc","title_ssm":["University Communications Collection"],"title_tesim":["University Communications Collection"],"ead_ssi":"8030186565dd6cea11cc22bc","unitdate_ssm":["1940-2013","1990-2013"],"unitdate_bulk_ssim":["1990-2013"],"unitdate_inclusive_ssm":["1940-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-009","/repositories/10/resources/1899"],"text":["HUA 2016-009","/repositories/10/resources/1899","University Communications Collection, 1940-2013, bulk 1990-2013","Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.","Date accessioned: 2016/07/22","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2016-098","This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-009","/repositories/10/resources/1899"],"normalized_date_ssm":["1940-2013, bulk 1990-2013"],"normalized_title_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_title_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"extent_tesim":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"physfacet_tesim":["76 boxes of audiovisual material","76 linear feet of audiovisual material","Betacam","DVCPRO","DVD","Mini DV","U-Matic 3/4","CD-R","VHS","DVCPRO L","DVCAM","Mini DVD","MiniDisc","Audio Cassette","Box of slides","75 boxes of subject files","75 linear feet of subject files"],"accessrestrict_html_tesm":["\u003cp\u003eContents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/07/22\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/07/22"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized, or are born-digital materials, and are available online through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huauniversitycommunications\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5721fca542b589212104877ea6eef86a\"\u003eContains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.\u003c/abstract\u003e"],"abstract_tesim":["Contains vertical files, photographs, and audiovisual material from University Communications. 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Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. 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Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. 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At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"scopecontent_html_tesm":["\u003cp\u003eDonor: Hoop, Philip\u003c/p\u003e","\u003cp\u003eBranch: U.S. Army\u003c/p\u003e","\u003cp\u003eTheater: European\u003c/p\u003e","\u003cp\u003eOther:\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Donor: Hoop, Philip","Branch: U.S. Army","Theater: European","Other:"],"_nest_path_":"/components#8/components#6/components#10","_nest_parent_":"f8f446b15f81524e15fa326b_aspace_134514","_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_135346"}},{"id":"1271f5e59391a5ad8f79a42f_aspace_67516","type":"Item","attributes":{"title":"1er Dictado de Sentencias, 1996","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1271f5e59391a5ad8f79a42f_aspace_67516#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67516","ref_ssm":["aspace_67516","aspace_67516"],"id":"1271f5e59391a5ad8f79a42f_aspace_67516","title_filing_ssi":"1er Dictado de Sentencias","title_ssm":["1er Dictado de Sentencias"],"title_tesim":["1er Dictado de Sentencias"],"unitdate_other_ssim":["1996"],"normalized_date_ssm":["1996"],"normalized_title_ssm":["1er Dictado de Sentencias, 1996"],"text":["1er Dictado de Sentencias, 1996","The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","Audio/Visual Material","Box 25","Item 7","/repositories/2/archival_objects/261"],"component_level_isim":[3],"parent_ids_ssim":["1271f5e59391a5ad8f79a42f","1271f5e59391a5ad8f79a42f_aspace_64842","1271f5e59391a5ad8f79a42f_aspace_67452"],"parent_unittitles_ssm":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","Audio/Visual Material","Box 25"],"parent_unittitles_tesim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","Audio/Visual Material","Box 25"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["Item 7","/repositories/2/archival_objects/261"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":705,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#2/components#1/components#6","_nest_parent_":"1271f5e59391a5ad8f79a42f_aspace_67452","_root_":"1271f5e59391a5ad8f79a42f","_version_":1870844668378349568,"timestamp":"2026-07-16T04:35:09.961Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1271f5e59391a5ad8f79a42f","title_ssm":["The Cuban Human Rights Collection"],"title_tesim":["The Cuban Human Rights Collection"],"ead_ssi":"1271f5e59391a5ad8f79a42f","unitdate_ssm":["1983-2004","1990-1999","Date acquired: 2005"],"unitdate_bulk_ssim":["1990-1999"],"unitdate_inclusive_ssm":["1983-2004"],"unitdate_other_ssim":["Date acquired: 2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7035","/repositories/2/resources/2"],"text":["SPC7035","/repositories/2/resources/2","The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","The collection is open for research.","The collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. Resources are organized in chronological order when date was available and in alphabetical order by subject or personal name.","Ariel Hidalgo was born in Cuba on 1945. Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published  Orígenes del Movimiento Obrero y del Pensamiento Socialista en Cuba  (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of  Cuba, El Estado Marxista y La Nueva Clase  (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called  Rectángulo de la muerte  (Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.","Released from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga Cívica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded  Cuba en Vivo y en Directo  (Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published  Disidencia: Segunda revolucion cubana?  (Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.","Note written by Annia Gonzalez","The Cuban Human Right Collection date from 1961 to 2004, primarily covering issues of human rights on Cuba. In addition to Cuban newspaper clippings from the 1980s to the early 2000s, published in  The Miami Herald ,  El Nuevo Herald,  and other periodicals, the collection also includes audio interviews with Cuban dissidents, which include key members of the dissident movement in Cuba. Radio programs from  Cuba en vivo y en directo,  the first U.S. radio program to feature the perspectives of dissidents, created by Ariel Hidalgo in 1989. Documents written by jailed dissidents in Cuba. Photographs of Cuban dissidents. Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Hidalgo, Ariel","English Spanish; Castilian"],"unitid_tesim":["SPC7035","/repositories/2/resources/2"],"normalized_date_ssm":["1983-2004, Date acquired: 2005, bulk 1990-1999"],"normalized_title_ssm":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"collection_title_tesim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"collection_ssim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Hidalgo, Ariel","Hidalgo, Ariel"],"creator_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"creator_persname_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"creators_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["30.00 boxes"],"extent_tesim":["30.00 boxes"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. Resources are organized in chronological order when date was available and in alphabetical order by subject or personal name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. Resources are organized in chronological order when date was available and in alphabetical order by subject or personal name."],"bioghist_html_tesm":["\u003cp\u003eAriel Hidalgo was born in Cuba on 1945. Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published \u003cemph render=\"italic\"\u003eOr\u0026#xED;genes del Movimiento Obrero y del Pensamiento Socialista en Cuba\u003c/emph\u003e (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of \u003cemph render=\"italic\"\u003eCuba, El Estado Marxista y La Nueva Clase\u003c/emph\u003e (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called \u003cemph render=\"italic\"\u003eRect\u0026#xE1;ngulo de la muerte \u003c/emph\u003e(Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.\u003c/p\u003e\n","\u003cp\u003eReleased from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga C\u0026#xED;vica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded \u003cemph render=\"italic\"\u003eCuba en Vivo y en Directo \u003c/emph\u003e(Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published \u003cemph render=\"italic\"\u003eDisidencia: Segunda revolucion cubana? \u003c/emph\u003e(Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.\u003c/p\u003e\n","\u003cp\u003eNote written by Annia Gonzalez\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ariel Hidalgo was born in Cuba on 1945. Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published  Orígenes del Movimiento Obrero y del Pensamiento Socialista en Cuba  (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of  Cuba, El Estado Marxista y La Nueva Clase  (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called  Rectángulo de la muerte  (Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.","Released from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga Cívica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded  Cuba en Vivo y en Directo  (Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published  Disidencia: Segunda revolucion cubana?  (Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.","Note written by Annia Gonzalez"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Human Right Collection date from 1961 to 2004, primarily covering issues of human rights on Cuba. In addition to Cuban newspaper clippings from the 1980s to the early 2000s, published in \u003cemph render=\"italic\"\u003eThe Miami Herald\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eEl Nuevo Herald,\u003c/emph\u003e and other periodicals, the collection also includes audio interviews with Cuban dissidents, which include key members of the dissident movement in Cuba. Radio programs from \u003cemph render=\"italic\"\u003eCuba en vivo y en directo, \u003c/emph\u003ethe first U.S. radio program to feature the perspectives of dissidents, created by Ariel Hidalgo in 1989. Documents written by jailed dissidents in Cuba. Photographs of Cuban dissidents. 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Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Hidalgo, Ariel"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Hidalgo, Ariel"],"persname_ssim":["Hidalgo, Ariel"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1887,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844668378349568,"_root_":"1271f5e59391a5ad8f79a42f","timestamp":"2026-07-16T04:35:09.961Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1271f5e59391a5ad8f79a42f_aspace_67516"}},{"id":"f927b9df25ec0aef2ec17101_aspace_dcd81b52e630b56a533699e9a2e2206a","type":"Item","attributes":{"title":"1 Felt Lined Wooden Hinge Box, Inlay of Coat of Arms on Lid\nDesigned to look like books on side, Volumes I-VII (Level Three)","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_dcd81b52e630b56a533699e9a2e2206a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dcd81b52e630b56a533699e9a2e2206a","ref_ssm":["aspace_dcd81b52e630b56a533699e9a2e2206a","aspace_dcd81b52e630b56a533699e9a2e2206a"],"id":"f927b9df25ec0aef2ec17101_aspace_dcd81b52e630b56a533699e9a2e2206a","title_filing_ssi":"1 Felt Lined Wooden Hinge Box, Inlay of Coat of Arms on Lid, \nDesigned to look like books on side, Volumes I-VII (Level Three) \n","title_ssm":["1 Felt Lined Wooden Hinge Box, Inlay of Coat of Arms on Lid, \nDesigned to look like books on side, Volumes I-VII (Level Three) \n"],"title_tesim":["1 Felt Lined Wooden Hinge Box, Inlay of Coat of Arms on Lid, \nDesigned to look like books on side, Volumes I-VII (Level Three) \n"],"normalized_title_ssm":["1 Felt Lined Wooden Hinge Box, Inlay of Coat of Arms on Lid\nDesigned to look like books on side, Volumes I-VII (Level Three)"],"text":["1 Felt Lined Wooden Hinge Box, Inlay of Coat of Arms on Lid\nDesigned to look like books on side, Volumes I-VII (Level Three)","Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51","/repositories/2/archival_objects/84364","box 51"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_a308da9abfe60688dc214708af939a17","f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/84364"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":872,"containers_ssim":["box 51"],"_nest_path_":"/components#13/components#8/components#9","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9026","/repositories/2/resources/123"],"normalized_date_ssm":["1805-2006"],"normalized_title_ssm":["Ramiro Casañas Collection, 1805-2006"],"collection_title_tesim":["Ramiro Casañas Collection, 1805-2006"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["69 boxes"],"extent_tesim":["69 boxes"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":966,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844517756698624,"_root_":"f927b9df25ec0aef2ec17101","timestamp":"2026-07-16T04:32:46.553Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_dcd81b52e630b56a533699e9a2e2206a"}},{"id":"494d175c32d55745f7fddbc7_aspace_5501","type":"Item","attributes":{"title":"1. First National Bank building, 2. New York Avenue (looking north from 11th street), 3. Some of our pretty foliage, 4. New St. Cloud Hotel, 5. School building, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_5501#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5501","ref_ssm":["aspace_5501","aspace_5501"],"id":"494d175c32d55745f7fddbc7_aspace_5501","title_filing_ssi":"1. First National Bank building, 2. New York Avenue (looking north from 11th street), 3. Some of our pretty foliage, 4. New St. Cloud Hotel, 5. School building","title_ssm":["1. First National Bank building, 2. New York Avenue (looking north from 11th street), 3. Some of our pretty foliage, 4. New St. Cloud Hotel, 5. School building"],"title_tesim":["1. First National Bank building, 2. New York Avenue (looking north from 11th street), 3. Some of our pretty foliage, 4. New St. Cloud Hotel, 5. School building"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["1. First National Bank building, 2. New York Avenue (looking north from 11th street), 3. Some of our pretty foliage, 4. New St. Cloud Hotel, 5. School building, Undated"],"text":["1. First National Bank building, 2. New York Avenue (looking north from 11th street), 3. Some of our pretty foliage, 4. New St. Cloud Hotel, 5. School building, Undated","Florida Image Collection, 1884-2002","Picture Books (Souvenir Albums), 1884-1969, Undated","St Cloud Souvenir Album, 1912, Undated","Folder 1","/repositories/4/archival_objects/11950","box 2","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["494d175c32d55745f7fddbc7","494d175c32d55745f7fddbc7_aspace_5163","494d175c32d55745f7fddbc7_aspace_5499"],"parent_unittitles_ssm":["Florida Image Collection, 1884-2002","Picture Books (Souvenir Albums), 1884-1969, Undated","St Cloud Souvenir Album, 1912, Undated"],"parent_unittitles_tesim":["Florida Image Collection, 1884-2002","Picture Books (Souvenir Albums), 1884-1969, Undated","St Cloud Souvenir Album, 1912, Undated"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Folder 1","/repositories/4/archival_objects/11950"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Image Collection, 1884-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1173,"parent_access_restrict_tesm":["The entire collection is open for research."],"containers_ssim":["box 2","folder 1"],"_nest_path_":"/components#5/components#17/components#0","_nest_parent_":"494d175c32d55745f7fddbc7_aspace_5499","_root_":"494d175c32d55745f7fddbc7","_version_":1870858026892656640,"timestamp":"2026-07-16T08:07:29.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"494d175c32d55745f7fddbc7","title_ssm":["Florida Image Collection"],"title_tesim":["Florida Image Collection"],"ead_ssi":"494d175c32d55745f7fddbc7","unitdate_ssm":["1884-2002"],"unitdate_inclusive_ssm":["1884-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.067","/repositories/4/resources/58"],"text":["SC.067","/repositories/4/resources/58","Florida Image Collection, 1884-2002","Florida","photographs","The entire collection is open for research.","The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.","Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.","Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes.","More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.","Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection.","The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.067","/repositories/4/resources/58"],"normalized_date_ssm":["1884-2002"],"normalized_title_ssm":["Florida Image Collection, 1884-2002"],"collection_title_tesim":["Florida Image Collection, 1884-2002"],"collection_ssim":["Florida Image Collection, 1884-2002"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida"],"acqinfo_ssim":["Photographs used in the collection were taken from the Thomas and Georgine Mickler Collection, the UCF Libraries, Special Collections vertical file,as well as, other purchases and acessions.","This collection was a mixture of purchased and donated from the Mickler Estate and other sources in 2006 (CFM2006_08)."],"access_subjects_ssim":["photographs"],"access_subjects_ssm":["photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["photographs"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection."],"custodhist_html_tesm":["\u003cp\u003eMany of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives."],"prefercite_html_tesm":["\u003cp\u003eFlorida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Alexandra Olson; finding aid created by Alexandra Olson.\u003c/p\u003e","\u003cp\u003eThe photographs and postcards were sleeved and placed in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eMore photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room."],"scopecontent_html_tesm":["\u003cp\u003eGenerally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject\u003c/p\u003e\n","\u003cp\u003e\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries IX: Negatives, Undated contains all the negatives of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c1764512ad44520b697525a0abb48530\" label=\"Abstract\"\u003eThe images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.\u003c/abstract\u003e"],"abstract_tesim":["The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1301,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858026892656640,"_root_":"494d175c32d55745f7fddbc7","timestamp":"2026-07-16T08:07:29.876Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_5501"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7503},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026f%5Blevel%5D%5B%5D=Item\u0026view=compact"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":5448},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026f%5Blevel%5D%5B%5D=Item\u0026view=compact"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4886},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026f%5Blevel%5D%5B%5D=Item\u0026view=compact"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":4471},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026f%5Blevel%5D%5B%5D=Item\u0026view=compact"}},{"attributes":{"label":"Doak S. 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