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This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["box 5","folder 1"],"_nest_path_":"/components#2/components#0/components#0","_nest_parent_":"a62b266ca8a0c4c6e9a227d3_aspace_267252d1de48716d80744b3ca0873a06","_root_":"a62b266ca8a0c4c6e9a227d3","_version_":1876642586161053696,"timestamp":"2026-09-18T04:30:35.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a62b266ca8a0c4c6e9a227d3","title_ssm":["Rob Boyte Collection"],"title_tesim":["Rob Boyte Collection"],"ead_ssi":"a62b266ca8a0c4c6e9a227d3","unitdate_ssm":["date unknown"],"unitdate_bulk_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8030","/repositories/2/resources/12"],"text":["SPC8030","/repositories/2/resources/12","Rob Boyte Collection, bulk date unknown","Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.","Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte","The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Boyte, Robert Alan","English"],"unitid_tesim":["SPC8030","/repositories/2/resources/12"],"normalized_date_ssm":["bulk date unknown"],"normalized_title_ssm":["Rob Boyte Collection, bulk date unknown"],"collection_title_tesim":["Rob Boyte Collection, bulk date unknown"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Boyte, Robert Alan"],"creator_ssim":["Boyte, Robert Alan"],"creator_persname_ssim":["Boyte, Robert Alan"],"creators_ssim":["Boyte, Robert Alan"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Donated by Rob Boyte"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 boxes"],"extent_tesim":["6.00 boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eRestrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"bioghist_html_tesm":["\u003cp\u003eRob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.\u0026#xA0; His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.\u0026#xA0; His interests as an adolescent in high school were Art, Biology and Writing.\u0026#xA0; Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"\u003c/p\u003e\n","\u003cp\u003eDuring childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. \u003c/p\u003e\n","\u003cp\u003eRob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.\u0026#xA0; His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.\u0026#xA0; After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.\u0026#xA0; That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).\u003c/p\u003e\n","\u003cp\u003eRob was never goal oriented and never selected a career other than gravitating to human services work.\u0026#xA0; In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. \u003c/p\u003e\n","\u003cp\u003eWhile in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.\u0026#xA0; While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. \u003c/p\u003e\n","\u003cp\u003eRob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.\u0026#xA0;\u0026#xA0; Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.\u0026#xA0; They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.\u0026#xA0; Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.\u003c/p\u003e\n","\u003cp\u003eDuring the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.\u0026#xA0; He also wrote a column for Naturist publications called \u003cemph render=\"italic\"\u003eNude Attitude\u003c/emph\u003e, which he later compiled into a small, self-published book of the same title.\u003c/p\u003e\n","\u003cp\u003eRob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.\u0026#xA0; Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. \u003c/p\u003e\n","\u003cp\u003eFrom 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.\u0026#xA0; During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.\u0026#xA0; In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eWhile living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.\u0026#xA0; Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.\u0026#xA0; Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.\u0026#xA0; Brenda worked at Alachua General Hospital.\u003c/p\u003e\n","\u003cp\u003eRob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.\u0026#xA0; Rob and Brenda got divorced in 1998. \u003c/p\u003e\n","\u003cp\u003eIn November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eNote written by Robert Alan Boyte\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte"],"scopecontent_html_tesm":["\u003cp\u003eThe Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Boyte, Robert Alan"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Boyte, Robert Alan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":74,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876642586161053696,"_root_":"a62b266ca8a0c4c6e9a227d3","timestamp":"2026-09-18T04:30:35.495Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3_aspace_8a091e5c16c1d5c96875d3ffcb2e4ef8"}},{"id":"b1453870beef516d654c01ec_aspace_089eef686d955016d36c44c077b4a010","type":"Item","attributes":{"title":"1983 Annual BFA/BA Student Art Exhibition, 1983-04-13-1983-04-27","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_089eef686d955016d36c44c077b4a010#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCatalog: (4 pages). 2 copies\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_089eef686d955016d36c44c077b4a010#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_089eef686d955016d36c44c077b4a010","ref_ssm":["aspace_089eef686d955016d36c44c077b4a010","aspace_089eef686d955016d36c44c077b4a010"],"id":"b1453870beef516d654c01ec_aspace_089eef686d955016d36c44c077b4a010","title_filing_ssi":"1983 Annual BFA/BA Student Art Exhibition","title_ssm":["1983 Annual BFA/BA Student Art Exhibition"],"title_tesim":["1983 Annual BFA/BA Student Art Exhibition"],"unitdate_inclusive_ssm":["1983-04-13-1983-04-27"],"normalized_date_ssm":["1983-04-13-1983-04-27"],"normalized_title_ssm":["1983 Annual BFA/BA Student Art Exhibition, 1983-04-13-1983-04-27"],"text":["1983 Annual BFA/BA Student Art Exhibition, 1983-04-13-1983-04-27","FAU University Galleries, 1973-2023, 1973-2023","Exhibition Publications","Student Exhibitions","/repositories/2/archival_objects/70060","box 1","folder 20","Catalog: (4 pages). 2 copies"],"component_level_isim":[3],"parent_ids_ssim":["b1453870beef516d654c01ec","b1453870beef516d654c01ec_aspace_70160daa5ea4f22f74d37cc988855ddc","b1453870beef516d654c01ec_aspace_fffda78c5bac4a128674e23874599d6a"],"parent_unittitles_ssm":["FAU University Galleries, 1973-2023, 1973-2023","Exhibition Publications","Student Exhibitions"],"parent_unittitles_tesim":["FAU University Galleries, 1973-2023, 1973-2023","Exhibition Publications","Student Exhibitions"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/70060"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU University Galleries, 1973-2023, 1973-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":23,"date_range_isim":[1983],"containers_ssim":["box 1","folder 20"],"scopecontent_html_tesm":["\u003cp\u003eCatalog: (4 pages). 2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Catalog: (4 pages). 2 copies"],"_nest_path_":"/components#1/components#0/components#1","_nest_parent_":"b1453870beef516d654c01ec_aspace_fffda78c5bac4a128674e23874599d6a","_root_":"b1453870beef516d654c01ec","_version_":1870841804578881536,"timestamp":"2026-07-16T03:49:39.084Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b1453870beef516d654c01ec","title_ssm":["FAU University Galleries, 1973-2023"],"title_tesim":["FAU University Galleries, 1973-2023"],"ead_ssi":"b1453870beef516d654c01ec","unitdate_ssm":["1973-2023"],"unitdate_inclusive_ssm":["1973-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00026","/repositories/2/resources/182"],"text":["UA00026","/repositories/2/resources/182","FAU University Galleries, 1973-2023, 1973-2023","Florida","Art, Modern -- 20th century","Florida Atlantic University -- History","The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. 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It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":178,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841804578881536,"_root_":"b1453870beef516d654c01ec","timestamp":"2026-07-16T03:49:39.084Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_089eef686d955016d36c44c077b4a010"}},{"id":"39d86b0070ffec365e6f15cd_aspace_185409","type":"Item","attributes":{"title":"1983 - Daily Appointment Book","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/39d86b0070ffec365e6f15cd_aspace_185409#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_185409","ref_ssm":["aspace_185409","aspace_185409"],"id":"39d86b0070ffec365e6f15cd_aspace_185409","title_filing_ssi":"1983 - Daily Appointment Book","title_ssm":["1983 - Daily Appointment Book"],"title_tesim":["1983 - Daily Appointment Book"],"normalized_title_ssm":["1983 - Daily Appointment Book"],"text":["1983 - Daily Appointment Book","Dr. Charles S. Mahan papers, 1949-2023, Date acquired: 01/10/2010, bulk 1982-2001","Agendas \u0026 Planners - 1983-2007","Item 1","/repositories/2/archival_objects/24564"],"component_level_isim":[2],"parent_ids_ssim":["39d86b0070ffec365e6f15cd","39d86b0070ffec365e6f15cd_aspace_185408"],"parent_unittitles_ssm":["Dr. Charles S. Mahan papers, 1949-2023, Date acquired: 01/10/2010, bulk 1982-2001","Agendas \u0026 Planners - 1983-2007"],"parent_unittitles_tesim":["Dr. Charles S. Mahan papers, 1949-2023, Date acquired: 01/10/2010, bulk 1982-2001","Agendas \u0026 Planners - 1983-2007"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/24564"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Dr. Charles S. 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Mahan papers, Dr. ","title_ssm":["Dr. Charles S. Mahan papers"],"title_tesim":["Dr. Charles S. Mahan papers"],"ead_ssi":"39d86b0070ffec365e6f15cd","unitdate_ssm":["1949-2023","1982-2001","Date acquired: 01/10/2010"],"unitdate_bulk_ssim":["1982-2001"],"unitdate_inclusive_ssm":["1949-2023"],"unitdate_other_ssim":["Date acquired: 01/10/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M51","/repositories/2/resources/161"],"text":["M51","/repositories/2/resources/161","Dr. Charles S. Mahan papers, 1949-2023, Date acquired: 01/10/2010, bulk 1982-2001","Obstetrics","Gynecology, Osteopathic","The materials contained in Box 70 are restricted from general public use.  Researchers with a documented need to access these materials must request approval prior to visiting the Library.  Formal requests may be made to the University of South Florida Tampa- Special Collections Library at (813) 974-2729.\nMaterials protected by HIPAA, FERPA and other privacy laws have been identified and discarded in accordance with archival best practices.\nNewspaper clippings and other print materials determined to be accessible via electronic or print means have been weeded from the collection.  A reference list is included with the print finding aid.","Additional accrual received in Spring 2011 and Spring 2015. New additions from FMHI were added in 2019-2020. Last accural recieved to Special Collections- Tampa in 2023.","Chronological","Charles S. Mahan, M.D., Professor and Dean Emeritus, USF College of Public and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies is Dean and Professor Emeritus in the College of Public Health at the University of South Florida and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies.  He holds a joint appointment as Professor, Department of Obstetrics and Gynecology in the USF College of Medicine and currently serves as Interim President of the National Board of Public Health Examiners.  Dr. Mahan received his MD degree from Northwestern University and did his residency training at the University of Minnesota where he returned to join the faculty. He moved to Florida in 1974 to be Professor of Obstetrics and Gynecology and Director of Ambulatory Services for Women at the University of Florida and Director of the North Central Florida Maternal and Infant Care Program. From 1988 to 1995 he directed the State Health Department in Florida, and he was Dean of the College of Public Health at the University of South Florida from 1995 to 2002.  He is Past President of the Association of State and Territorial Health Officials and Chair of the Advisory Committee to the Director of the Centers for Disease Control and Prevention from 1997-2003.  He is on the Board of Directors of the Frontier Nursing Service, the National Perinatal Information Center and The Ounce of Prevention Fund of Florida. Dr. Mahan served as founding statewide chairperson for the March of Dimes Florida Prematurity Prevention Campaign.  He also chaired the selection committee for the Blue Foundation's annual Sapphire Award and is also on the National HPV Vaccine Advisory Board for the Merck Company.","Note written by ","National Commission to Prevent Infant Mortality papers, Florida Mental Health Institute Research Library, USF Libraries, Tampa, FL.","The papers of Dr. Charles S. Mahan primarily consist of correspondence (memoranda, letters, and emails), grey literature, data sets, administrative documents, publications, and newspaper clippings. The bulk of the collection reflects Mahan's various professional roles in reducing Florida's infant mortality rate, increasing access to proper nutrition for mothers and infants, and educating public health professionals and midwives. Other documents emphasize his tenure at the Florida Department of Health and Rehabilitative Services (now, Florida Department of Health), the University of Florida, and the University of South Florida.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Florida. Department of Health and Rehabilitative Services","Lawton and Rhea Chiles Center for Healthy Mothers and Babies","USF Health","University of Florida. 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Mahan","Donation"],"access_subjects_ssim":["Obstetrics","Gynecology, Osteopathic"],"access_subjects_ssm":["Obstetrics","Gynecology, Osteopathic"],"has_online_content_ssim":["false"],"extent_ssm":["144.00 Linear Feet"],"extent_tesim":["144.00 Linear Feet"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe materials contained in Box 70 are restricted from general public use.\u0026#xA0; Researchers with a documented need to access these materials must request approval prior to visiting the Library.\u0026#xA0; Formal requests may be made to the University of South Florida Tampa- Special Collections Library at (813) 974-2729.\nMaterials protected by HIPAA, FERPA and other privacy laws have been identified and discarded in accordance with archival best practices.\nNewspaper clippings and other print materials determined to be accessible via electronic or print means have been weeded from the collection.\u0026#xA0; A reference list is included with the print finding aid.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The materials contained in Box 70 are restricted from general public use.  Researchers with a documented need to access these materials must request approval prior to visiting the Library.  Formal requests may be made to the University of South Florida Tampa- Special Collections Library at (813) 974-2729.\nMaterials protected by HIPAA, FERPA and other privacy laws have been identified and discarded in accordance with archival best practices.\nNewspaper clippings and other print materials determined to be accessible via electronic or print means have been weeded from the collection.  A reference list is included with the print finding aid."],"accruals_html_tesm":["\u003cp\u003eAdditional accrual received in Spring 2011 and Spring 2015. New additions from FMHI were added in 2019-2020. Last accural recieved to Special Collections- Tampa in 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Additional accrual received in Spring 2011 and Spring 2015. New additions from FMHI were added in 2019-2020. Last accural recieved to Special Collections- Tampa in 2023."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"bioghist_html_tesm":["\u003cp\u003eCharles S. Mahan, M.D., Professor and Dean Emeritus, USF College of Public and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies is Dean and Professor Emeritus in the College of Public Health at the University of South Florida and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies.  He holds a joint appointment as Professor, Department of Obstetrics and Gynecology in the USF College of Medicine and currently serves as Interim President of the National Board of Public Health Examiners.  Dr. Mahan received his MD degree from Northwestern University and did his residency training at the University of Minnesota where he returned to join the faculty. He moved to Florida in 1974 to be Professor of Obstetrics and Gynecology and Director of Ambulatory Services for Women at the University of Florida and Director of the North Central Florida Maternal and Infant Care Program. From 1988 to 1995 he directed the State Health Department in Florida, and he was Dean of the College of Public Health at the University of South Florida from 1995 to 2002.  He is Past President of the Association of State and Territorial Health Officials and Chair of the Advisory Committee to the Director of the Centers for Disease Control and Prevention from 1997-2003.  He is on the Board of Directors of the Frontier Nursing Service, the National Perinatal Information Center and The Ounce of Prevention Fund of Florida. Dr. Mahan served as founding statewide chairperson for the March of Dimes Florida Prematurity Prevention Campaign.  He also chaired the selection committee for the Blue Foundation's annual Sapphire Award and is also on the National HPV Vaccine Advisory Board for the Merck Company.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Charles S. Mahan, M.D., Professor and Dean Emeritus, USF College of Public and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies is Dean and Professor Emeritus in the College of Public Health at the University of South Florida and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies.  He holds a joint appointment as Professor, Department of Obstetrics and Gynecology in the USF College of Medicine and currently serves as Interim President of the National Board of Public Health Examiners.  Dr. Mahan received his MD degree from Northwestern University and did his residency training at the University of Minnesota where he returned to join the faculty. He moved to Florida in 1974 to be Professor of Obstetrics and Gynecology and Director of Ambulatory Services for Women at the University of Florida and Director of the North Central Florida Maternal and Infant Care Program. From 1988 to 1995 he directed the State Health Department in Florida, and he was Dean of the College of Public Health at the University of South Florida from 1995 to 2002.  He is Past President of the Association of State and Territorial Health Officials and Chair of the Advisory Committee to the Director of the Centers for Disease Control and Prevention from 1997-2003.  He is on the Board of Directors of the Frontier Nursing Service, the National Perinatal Information Center and The Ounce of Prevention Fund of Florida. Dr. Mahan served as founding statewide chairperson for the March of Dimes Florida Prematurity Prevention Campaign.  He also chaired the selection committee for the Blue Foundation's annual Sapphire Award and is also on the National HPV Vaccine Advisory Board for the Merck Company.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eDr. Charles S. Mahan papers, Special Collections, Tampa Library, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dr. Charles S. Mahan papers, Special Collections, Tampa Library, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNational Commission to Prevent Infant Mortality papers, Florida Mental Health Institute Research Library, USF Libraries, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["National Commission to Prevent Infant Mortality papers, Florida Mental Health Institute Research Library, USF Libraries, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Dr. Charles S. Mahan primarily consist of correspondence (memoranda, letters, and emails), grey literature, data sets, administrative documents, publications, and newspaper clippings. The bulk of the collection reflects Mahan's various professional roles in reducing Florida's infant mortality rate, increasing access to proper nutrition for mothers and infants, and educating public health professionals and midwives. Other documents emphasize his tenure at the Florida Department of Health and Rehabilitative Services (now, Florida Department of Health), the University of Florida, and the University of South Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers of Dr. Charles S. Mahan primarily consist of correspondence (memoranda, letters, and emails), grey literature, data sets, administrative documents, publications, and newspaper clippings. The bulk of the collection reflects Mahan's various professional roles in reducing Florida's infant mortality rate, increasing access to proper nutrition for mothers and infants, and educating public health professionals and midwives. Other documents emphasize his tenure at the Florida Department of Health and Rehabilitative Services (now, Florida Department of Health), the University of Florida, and the University of South Florida."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%20\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"names_coll_ssim":["Florida. Department of Health and Rehabilitative Services","Lawton and Rhea Chiles Center for Healthy Mothers and Babies","USF Health","University of Florida. College of Medicine","University of Florida. Shands Hospital","University of South Florida. College of Public Health","Mahan, Charles S. (1938-)"],"names_ssim":["USF Libraries - Tampa Special Collections","Florida. Department of Health and Rehabilitative Services","Lawton and Rhea Chiles Center for Healthy Mothers and Babies","USF Health","University of Florida. College of Medicine","University of Florida. Shands Hospital","University of South Florida. College of Public Health","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida. Department of Health and Rehabilitative Services","Lawton and Rhea Chiles Center for Healthy Mothers and Babies","USF Health","University of Florida. College of Medicine","University of Florida. Shands Hospital","University of South Florida. College of Public Health"],"persname_ssim":["Mahan, Charles S. (1938-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1444,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862516150599680,"_root_":"39d86b0070ffec365e6f15cd","timestamp":"2026-07-16T09:18:51.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/39d86b0070ffec365e6f15cd_aspace_185409"}},{"id":"cd47e6ad97695fdc678be0a9_aspace_15440","type":"Item","attributes":{"title":"1983: Year Brought Health, Growth to Arts Groups, 12/30/1983","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_15440#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eExtent: 2 p. Note: Tallahassee Democrat, Tallahassee, Florida.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_15440#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_15440","ref_ssm":["aspace_15440","aspace_15440"],"id":"cd47e6ad97695fdc678be0a9_aspace_15440","title_filing_ssi":"1983: Year Brought Health, Growth to Arts Groups","title_ssm":["1983: Year Brought Health, Growth to Arts Groups"],"title_tesim":["1983: Year Brought Health, Growth to Arts Groups"],"unitdate_other_ssim":["12/30/1983"],"normalized_date_ssm":["12/30/1983"],"normalized_title_ssm":["1983: Year Brought Health, Growth to Arts Groups, 12/30/1983"],"text":["1983: Year Brought Health, Growth to Arts Groups, 12/30/1983","Florida State University Media Relations Files, 1969-1995","School of Theatre, 1970-1990","School of Theatre, 1980-1983","Item 104","/repositories/10/archival_objects/159842","Extent: 2 p. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"scopecontent_html_tesm":["\u003cp\u003eExtent: 2 p. Note: Tallahassee Democrat, Tallahassee, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Extent: 2 p. Note: Tallahassee Democrat, Tallahassee, Florida."],"_nest_path_":"/components#6/components#3/components#103","_nest_parent_":"cd47e6ad97695fdc678be0a9_aspace_4682","_root_":"cd47e6ad97695fdc678be0a9","_version_":1873846371912515584,"timestamp":"2026-08-18T07:45:57.747Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cd47e6ad97695fdc678be0a9","title_ssm":["Florida State University Media Relations Files"],"title_tesim":["Florida State University Media Relations Files"],"ead_ssi":"cd47e6ad97695fdc678be0a9","unitdate_ssm":["1969-1995"],"unitdate_inclusive_ssm":["1969-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2003-019","/repositories/10/resources/1253"],"text":["MSS 2003-019","/repositories/10/resources/1253","Florida State University Media Relations Files, 1969-1995","Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.  Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.  It is staffed by professional journalists and public relations experts who promote the university.\n APPLETON MUSEUM OF ART\n The Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n Considered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n ASOLO THEATRE COMPANY\n The Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.  In 1930, the old wooden theater was taken down and its components were stored in Venice.  In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.  Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n Recognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.  Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.  During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.  The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.  This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n THE COLLEGE OF BUSINESS\n The School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n Among Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n When Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.  Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n Following his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n THE FSU FLYING HIGH CIRCUS\n The Florida State University Flying High Circus is the country's only collegiate circus.  It was organized in 1947 by Jack Haskin.  The first circus show on campus  was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.  The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.  Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n The Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.  Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n HOMECOMING\n Homecoming is an alumni program.  Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.  During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.  The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n THE FSU SCHOOL OF THEATRE\n The Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.  Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.  The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.  The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n Three theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.  Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.  The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.  The School has a successful cooperative program with the School of Music and the Department of Dance at FSU.","The MSS 2003-019 accession was processed in September 2003 by Delia Tam.","The Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n Appleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n The Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n The College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.  Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.  The press releases publicize the successes and achievements of the Business students.  Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n The FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n The Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.  Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n The Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.  Subjects include the pep rally, parade, alumni class reunions,  banquet, faculty concert, alumni breakfast, Grads Made Good  presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n The School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.  These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N.","English"],"unitid_tesim":["MSS 2003-019","/repositories/10/resources/1253"],"normalized_date_ssm":["1969-1995"],"normalized_title_ssm":["Florida State University Media Relations Files, 1969-1995"],"collection_title_tesim":["Florida State University Media Relations Files, 1969-1995"],"collection_ssim":["Florida State University Media Relations Files, 1969-1995"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University Media Relations Department"],"creator_ssim":["Florida State University Media Relations Department"],"creator_corpname_ssim":["Florida State University Media Relations Department"],"creators_ssim":["Florida State University Media Relations Department"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["The MSS 2003-019 accession of the FSU Media Relations Files was given to the Special Collections Department by the FSU Media Relations Office in 1999."],"access_subjects_ssim":["Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre"],"access_subjects_ssm":["Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre"],"has_online_content_ssim":["false"],"extent_ssm":["4.80 Linear Feet"],"extent_tesim":["4.80 Linear Feet"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.  Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.  It is staffed by professional journalists and public relations experts who promote the university.\n APPLETON MUSEUM OF ART\n The Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n Considered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n ASOLO THEATRE COMPANY\n The Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.  In 1930, the old wooden theater was taken down and its components were stored in Venice.  In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.  Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n Recognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.  Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.  During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.  The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.  This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n THE COLLEGE OF BUSINESS\n The School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n Among Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n When Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.  Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n Following his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n THE FSU FLYING HIGH CIRCUS\n The Florida State University Flying High Circus is the country's only collegiate circus.  It was organized in 1947 by Jack Haskin.  The first circus show on campus  was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.  The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.  Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n The Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.  Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n HOMECOMING\n Homecoming is an alumni program.  Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.  During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.  The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n THE FSU SCHOOL OF THEATRE\n The Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.  Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.  The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.  The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n Three theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.  Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.  The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.  The School has a successful cooperative program with the School of Music and the Department of Dance at FSU."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University Media Relations Files, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2003-019\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University Media Relations Files, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2003-019"],"processinfo_html_tesm":["\u003cp\u003eThe MSS 2003-019 accession was processed in September 2003 by Delia Tam.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The MSS 2003-019 accession was processed in September 2003 by Delia Tam."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n\u003cbr\u003e\u003cbr\u003eAppleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n\u003cbr\u003e\u003cbr\u003eThe Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n\u003cbr\u003e\u003cbr\u003eThe College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.\u0026#xA0; Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.\u0026#xA0; The press releases publicize the successes and achievements of the Business students.\u0026#xA0; Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n\u003cbr\u003e\u003cbr\u003eThe FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n\u003cbr\u003e\u003cbr\u003eThe Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.\u0026#xA0; Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n\u003cbr\u003e\u003cbr\u003eThe Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.\u0026#xA0; Subjects include the pep rally, parade, alumni class reunions,\u0026#xA0; banquet, faculty concert, alumni breakfast, Grads Made Good\u0026#xA0; presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n\u003cbr\u003e\u003cbr\u003eThe School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.\u0026#xA0; These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n Appleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n The Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n The College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.  Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.  The press releases publicize the successes and achievements of the Business students.  Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n The FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n The Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.  Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n The Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.  Subjects include the pep rally, parade, alumni class reunions,  banquet, faculty concert, alumni breakfast, Grads Made Good  presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n The School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.  These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus"],"persname_ssim":["Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3222,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873846371912515584,"_root_":"cd47e6ad97695fdc678be0a9","timestamp":"2026-08-18T07:45:57.747Z","bioghist_html_tesm":["\u003cp\u003eThe Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.\u0026#xA0; Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.\u0026#xA0; It is staffed by professional journalists and public relations experts who promote the university.\n\u003cbr\u003e\u003cbr\u003eAPPLETON MUSEUM OF ART\n\u003cbr\u003e\u003cbr\u003eThe Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n\u003cbr\u003e\u003cbr\u003eConsidered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n\u003cbr\u003e\u003cbr\u003eASOLO THEATRE COMPANY\n\u003cbr\u003e\u003cbr\u003eThe Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.\u0026#xA0; In 1930, the old wooden theater was taken down and its components were stored in Venice.\u0026#xA0; In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.\u0026#xA0; Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n\u003cbr\u003e\u003cbr\u003eRecognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.\u0026#xA0; Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.\u0026#xA0; During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.\u0026#xA0; The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.\u0026#xA0; This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n\u003cbr\u003e\u003cbr\u003eTHE COLLEGE OF BUSINESS\n\u003cbr\u003e\u003cbr\u003eThe School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n\u003cbr\u003e\u003cbr\u003eAmong Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n\u003cbr\u003e\u003cbr\u003eWhen Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.\u0026#xA0; Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n\u003cbr\u003e\u003cbr\u003eFollowing his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n\u003cbr\u003e\u003cbr\u003eTHE FSU FLYING HIGH CIRCUS\n\u003cbr\u003e\u003cbr\u003eThe Florida State University Flying High Circus is the country's only collegiate circus.\u0026#xA0; It was organized in 1947 by Jack Haskin.\u0026#xA0; The first circus show on campus\u0026#xA0; was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.\u0026#xA0; The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.\u0026#xA0; Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n\u003cbr\u003e\u003cbr\u003eThe Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.\u0026#xA0; Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n\u003cbr\u003e\u003cbr\u003eHOMECOMING\n\u003cbr\u003e\u003cbr\u003eHomecoming is an alumni program.\u0026#xA0; Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.\u0026#xA0; During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.\u0026#xA0; The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n\u003cbr\u003e\u003cbr\u003eTHE FSU SCHOOL OF THEATRE\n\u003cbr\u003e\u003cbr\u003eThe Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.\u0026#xA0; Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.\u0026#xA0; The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.\u0026#xA0; The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n\u003cbr\u003e\u003cbr\u003eThree theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.\u0026#xA0; Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.\u0026#xA0; The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.\u0026#xA0; The School has a successful cooperative program with the School of Music and the Department of Dance at FSU.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_15440"}},{"id":"949504c75ba6663d25604ef1_aspace_36513","type":"Item","attributes":{"title":"1984","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1_aspace_36513#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_36513","ref_ssm":["aspace_36513","aspace_36513"],"id":"949504c75ba6663d25604ef1_aspace_36513","unitdate_other_ssim":["1984"],"normalized_date_ssm":["1984"],"normalized_title_ssm":["1984"],"text":["1984","Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus Programs, 1874-2003","Folder 6","Carson and Barnes Circus","Item 2","/repositories/10/archival_objects/138147"],"component_level_isim":[4],"parent_ids_ssim":["949504c75ba6663d25604ef1","949504c75ba6663d25604ef1_aspace_36117","949504c75ba6663d25604ef1_aspace_36510","949504c75ba6663d25604ef1_aspace_36511"],"parent_unittitles_ssm":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus Programs, 1874-2003","Folder 6","Carson and Barnes Circus"],"parent_unittitles_tesim":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus Programs, 1874-2003","Folder 6","Carson and Barnes Circus"],"parent_levels_ssm":["collection","Series","File","Series"],"unitid_ssm":["Item 2","/repositories/10/archival_objects/138147"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":425,"_nest_path_":"/components#1/components#5/components#0/components#1","_nest_parent_":"949504c75ba6663d25604ef1_aspace_36511","_root_":"949504c75ba6663d25604ef1","timestamp":"2026-07-11T07:57:44.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"949504c75ba6663d25604ef1","title_ssm":["Harrison Sayre Circus Collection"],"title_tesim":["Harrison Sayre Circus Collection"],"ead_ssi":"949504c75ba6663d25604ef1","unitdate_ssm":["1863-2001","1949-1994","Date acquired: 00/00/2010"],"unitdate_bulk_ssim":["1949-1994"],"unitdate_inclusive_ssm":["1863-2001"],"unitdate_other_ssim":["Date acquired: 00/00/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2010-007","/repositories/10/resources/966"],"text":["MSS 2010-007","/repositories/10/resources/966","Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","Circus.","The collection has been appraised, see donor file for details.","While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.","Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.","The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library .","Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file.","Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..","FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii."],"custodhist_html_tesm":["\u003cp\u003eCollection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks have been separated from the collection in order to be cataloged. A list of books received is in the donor file.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii."],"custodhist_html_tesm":["\u003cp\u003eCollection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks have been separated from the collection in order to be cataloged. A list of books received is in the donor file.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. 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A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks have been separated from the collection in order to be cataloged. A list of books received is in the donor file.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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