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The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Degen Resource Room has an extensive historic playbill collection. The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. 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Degen Resource Room at FSU"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7503,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c56aab442b34ccc24cb98200","timestamp":"2026-07-11T02:37:06.587Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c56aab442b34ccc24cb98200_aspace_220450"}},{"id":"2326334e5e159c8d459e96a3_aspace_37906","type":"Item","attributes":{"title":"\"You're ashamed of me!\", \"No I'm not!\", \"Yes you are...\", \"Now what makes you say that!\", \"You never take me out at nights!!!\" (Front), October, 1987.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37906#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37906","ref_ssm":["aspace_37906","aspace_37906"],"id":"2326334e5e159c8d459e96a3_aspace_37906","title_filing_ssi":"\"You're ashamed of me!\", \"No I'm not!\", \"Yes you are...\", \"Now what makes you say that!\", \"You never take me out at nights!!!\" (Front)","title_ssm":["\"You're ashamed of me!\", \"No I'm not!\", \"Yes you are...\", \"Now what makes you say that!\", \"You never take me out at nights!!!\" (Front)"],"title_tesim":["\"You're ashamed of me!\", \"No I'm not!\", \"Yes you are...\", \"Now what makes you say that!\", \"You never take me out at nights!!!\" (Front)"],"unitdate_other_ssim":["October, 1987."],"normalized_date_ssm":["October, 1987."],"normalized_title_ssm":["\"You're ashamed of me!\", \"No I'm not!\", \"Yes you are...\", \"Now what makes you say that!\", \"You never take me out at nights!!!\" (Front), October, 1987."],"text":["\"You're ashamed of me!\", \"No I'm not!\", \"Yes you are...\", \"Now what makes you say that!\", \"You never take me out at nights!!!\" (Front), October, 1987.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Doppelgängers, 1987-1988, 1990, Undated.","Comic Strips (Templates), 1987-1988, 2000, Undated.","Item 5","/repositories/4/archival_objects/2413","box 8","folder 4"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_37827","2326334e5e159c8d459e96a3_aspace_37899"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Doppelgängers, 1987-1988, 1990, Undated.","Comic Strips (Templates), 1987-1988, 2000, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Doppelgängers, 1987-1988, 1990, Undated.","Comic Strips (Templates), 1987-1988, 2000, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 5","/repositories/4/archival_objects/2413"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":737,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 8","folder 4"],"_nest_path_":"/components#0/components#1/components#0/components#3/components#4","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37899","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37906"}},{"id":"cd47e6ad97695fdc678be0a9_aspace_15001","type":"Item","attributes":{"title":"You're in a Heap O'Trouble, Boy!, 07/14/1971","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_15001#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eExtent: 1 p. Note: Office of Information Services, Florida State University press release.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_15001#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_15001","ref_ssm":["aspace_15001","aspace_15001"],"id":"cd47e6ad97695fdc678be0a9_aspace_15001","title_filing_ssi":"You're in a Heap O'Trouble, Boy!","title_ssm":["You're in a Heap O'Trouble, Boy!"],"title_tesim":["You're in a Heap O'Trouble, Boy!"],"unitdate_other_ssim":["07/14/1971"],"normalized_date_ssm":["07/14/1971"],"normalized_title_ssm":["You're in a Heap O'Trouble, Boy!, 07/14/1971"],"text":["You're in a Heap O'Trouble, Boy!, 07/14/1971","Florida State University Media Relations Files, 1969-1995","School of Theatre, 1970-1990","School of Theatre, 1970-1971","Item 20","/repositories/10/archival_objects/158159","Extent: 1 p. Note: Office of Information Services, Florida State University press release."],"component_level_isim":[3],"parent_ids_ssim":["cd47e6ad97695fdc678be0a9","cd47e6ad97695fdc678be0a9_aspace_4677","cd47e6ad97695fdc678be0a9_aspace_4679"],"parent_unittitles_ssm":["Florida State University Media Relations Files, 1969-1995","School of Theatre, 1970-1990","School of Theatre, 1970-1971"],"parent_unittitles_tesim":["Florida State University Media Relations Files, 1969-1995","School of Theatre, 1970-1990","School of Theatre, 1970-1971"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Item 20","/repositories/10/archival_objects/158159"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Florida State University Media Relations Files, 1969-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2318,"parent_access_restrict_tesm":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"scopecontent_html_tesm":["\u003cp\u003eExtent: 1 p. Note: Office of Information Services, Florida State University press release.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Extent: 1 p. Note: Office of Information Services, Florida State University press release."],"_nest_path_":"/components#6/components#0/components#19","_nest_parent_":"cd47e6ad97695fdc678be0a9_aspace_4679","_root_":"cd47e6ad97695fdc678be0a9","_version_":1873846371912515584,"timestamp":"2026-08-18T07:45:57.747Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cd47e6ad97695fdc678be0a9","title_ssm":["Florida State University Media Relations Files"],"title_tesim":["Florida State University Media Relations Files"],"ead_ssi":"cd47e6ad97695fdc678be0a9","unitdate_ssm":["1969-1995"],"unitdate_inclusive_ssm":["1969-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2003-019","/repositories/10/resources/1253"],"text":["MSS 2003-019","/repositories/10/resources/1253","Florida State University Media Relations Files, 1969-1995","Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.  Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.  It is staffed by professional journalists and public relations experts who promote the university.\n APPLETON MUSEUM OF ART\n The Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n Considered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n ASOLO THEATRE COMPANY\n The Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.  In 1930, the old wooden theater was taken down and its components were stored in Venice.  In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.  Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n Recognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.  Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.  During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.  The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.  This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n THE COLLEGE OF BUSINESS\n The School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n Among Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n When Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.  Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n Following his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n THE FSU FLYING HIGH CIRCUS\n The Florida State University Flying High Circus is the country's only collegiate circus.  It was organized in 1947 by Jack Haskin.  The first circus show on campus  was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.  The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.  Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n The Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.  Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n HOMECOMING\n Homecoming is an alumni program.  Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.  During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.  The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n THE FSU SCHOOL OF THEATRE\n The Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.  Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.  The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.  The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n Three theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.  Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.  The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.  The School has a successful cooperative program with the School of Music and the Department of Dance at FSU.","The MSS 2003-019 accession was processed in September 2003 by Delia Tam.","The Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n Appleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n The Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n The College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.  Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.  The press releases publicize the successes and achievements of the Business students.  Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n The FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n The Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.  Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n The Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.  Subjects include the pep rally, parade, alumni class reunions,  banquet, faculty concert, alumni breakfast, Grads Made Good  presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n The School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.  These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N.","English"],"unitid_tesim":["MSS 2003-019","/repositories/10/resources/1253"],"normalized_date_ssm":["1969-1995"],"normalized_title_ssm":["Florida State University Media Relations Files, 1969-1995"],"collection_title_tesim":["Florida State University Media Relations Files, 1969-1995"],"collection_ssim":["Florida State University Media Relations Files, 1969-1995"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University Media Relations Department"],"creator_ssim":["Florida State University Media Relations Department"],"creator_corpname_ssim":["Florida State University Media Relations Department"],"creators_ssim":["Florida State University Media Relations Department"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["The MSS 2003-019 accession of the FSU Media Relations Files was given to the Special Collections Department by the FSU Media Relations Office in 1999."],"access_subjects_ssim":["Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre"],"access_subjects_ssm":["Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre"],"has_online_content_ssim":["false"],"extent_ssm":["4.80 Linear Feet"],"extent_tesim":["4.80 Linear Feet"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.  Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.  It is staffed by professional journalists and public relations experts who promote the university.\n APPLETON MUSEUM OF ART\n The Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n Considered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n ASOLO THEATRE COMPANY\n The Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.  In 1930, the old wooden theater was taken down and its components were stored in Venice.  In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.  Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n Recognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.  Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.  During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.  The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.  This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n THE COLLEGE OF BUSINESS\n The School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n Among Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n When Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.  Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n Following his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n THE FSU FLYING HIGH CIRCUS\n The Florida State University Flying High Circus is the country's only collegiate circus.  It was organized in 1947 by Jack Haskin.  The first circus show on campus  was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.  The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.  Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n The Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.  Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n HOMECOMING\n Homecoming is an alumni program.  Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.  During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.  The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n THE FSU SCHOOL OF THEATRE\n The Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.  Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.  The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.  The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n Three theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.  Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.  The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.  The School has a successful cooperative program with the School of Music and the Department of Dance at FSU."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University Media Relations Files, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2003-019\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University Media Relations Files, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2003-019"],"processinfo_html_tesm":["\u003cp\u003eThe MSS 2003-019 accession was processed in September 2003 by Delia Tam.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The MSS 2003-019 accession was processed in September 2003 by Delia Tam."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n\u003cbr\u003e\u003cbr\u003eAppleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n\u003cbr\u003e\u003cbr\u003eThe Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n\u003cbr\u003e\u003cbr\u003eThe College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.\u0026#xA0; Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.\u0026#xA0; The press releases publicize the successes and achievements of the Business students.\u0026#xA0; Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n\u003cbr\u003e\u003cbr\u003eThe FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n\u003cbr\u003e\u003cbr\u003eThe Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.\u0026#xA0; Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n\u003cbr\u003e\u003cbr\u003eThe Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.\u0026#xA0; Subjects include the pep rally, parade, alumni class reunions,\u0026#xA0; banquet, faculty concert, alumni breakfast, Grads Made Good\u0026#xA0; presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n\u003cbr\u003e\u003cbr\u003eThe School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.\u0026#xA0; These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n Appleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n The Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n The College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.  Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.  The press releases publicize the successes and achievements of the Business students.  Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n The FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n The Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.  Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n The Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.  Subjects include the pep rally, parade, alumni class reunions,  banquet, faculty concert, alumni breakfast, Grads Made Good  presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n The School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.  These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus"],"persname_ssim":["Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3222,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873846371912515584,"_root_":"cd47e6ad97695fdc678be0a9","timestamp":"2026-08-18T07:45:57.747Z","bioghist_html_tesm":["\u003cp\u003eThe Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.\u0026#xA0; Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.\u0026#xA0; It is staffed by professional journalists and public relations experts who promote the university.\n\u003cbr\u003e\u003cbr\u003eAPPLETON MUSEUM OF ART\n\u003cbr\u003e\u003cbr\u003eThe Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n\u003cbr\u003e\u003cbr\u003eConsidered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n\u003cbr\u003e\u003cbr\u003eASOLO THEATRE COMPANY\n\u003cbr\u003e\u003cbr\u003eThe Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.\u0026#xA0; In 1930, the old wooden theater was taken down and its components were stored in Venice.\u0026#xA0; In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.\u0026#xA0; Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n\u003cbr\u003e\u003cbr\u003eRecognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.\u0026#xA0; Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.\u0026#xA0; During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.\u0026#xA0; The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.\u0026#xA0; This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n\u003cbr\u003e\u003cbr\u003eTHE COLLEGE OF BUSINESS\n\u003cbr\u003e\u003cbr\u003eThe School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n\u003cbr\u003e\u003cbr\u003eAmong Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n\u003cbr\u003e\u003cbr\u003eWhen Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.\u0026#xA0; Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n\u003cbr\u003e\u003cbr\u003eFollowing his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n\u003cbr\u003e\u003cbr\u003eTHE FSU FLYING HIGH CIRCUS\n\u003cbr\u003e\u003cbr\u003eThe Florida State University Flying High Circus is the country's only collegiate circus.\u0026#xA0; It was organized in 1947 by Jack Haskin.\u0026#xA0; The first circus show on campus\u0026#xA0; was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.\u0026#xA0; The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.\u0026#xA0; Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n\u003cbr\u003e\u003cbr\u003eThe Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.\u0026#xA0; Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n\u003cbr\u003e\u003cbr\u003eHOMECOMING\n\u003cbr\u003e\u003cbr\u003eHomecoming is an alumni program.\u0026#xA0; Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.\u0026#xA0; During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.\u0026#xA0; The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n\u003cbr\u003e\u003cbr\u003eTHE FSU SCHOOL OF THEATRE\n\u003cbr\u003e\u003cbr\u003eThe Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.\u0026#xA0; Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.\u0026#xA0; The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.\u0026#xA0; The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n\u003cbr\u003e\u003cbr\u003eThree theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.\u0026#xA0; Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.\u0026#xA0; The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.\u0026#xA0; The School has a successful cooperative program with the School of Music and the Department of Dance at FSU.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_15001"}},{"id":"adbe667f7776a646ea83b849_aspace_431bd907a6682c4594d7d768d393a22a","type":"Item","attributes":{"title":"Your Energy Connection, 1991-09","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_431bd907a6682c4594d7d768d393a22a#abstract_or_scope","type":"document_value","attributes":{"value":["An update on Tampa Electric's new Polk County power plant. Tampa Electric: A TECO Energy Company."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_431bd907a6682c4594d7d768d393a22a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_431bd907a6682c4594d7d768d393a22a","ref_ssm":["aspace_431bd907a6682c4594d7d768d393a22a","aspace_431bd907a6682c4594d7d768d393a22a"],"id":"adbe667f7776a646ea83b849_aspace_431bd907a6682c4594d7d768d393a22a","title_filing_ssi":"Your Energy Connection","title_ssm":["Your Energy Connection"],"title_tesim":["Your Energy Connection"],"unitdate_other_ssim":["1991-09"],"normalized_date_ssm":["1991-09"],"normalized_title_ssm":["Your Energy Connection, 1991-09"],"text":["Your Energy Connection, 1991-09","Sally Thompson collection, 1976-2019","Florida Files","Tampa Electric Company (TECO) I","Tampa Electric Company (TECO) – Polk County, 1991-1993","/repositories/2/archival_objects/179306","box 79","folder 8","object 3","An update on Tampa Electric's new Polk County power plant. Tampa Electric: A TECO Energy Company."],"component_level_isim":[4],"parent_ids_ssim":["adbe667f7776a646ea83b849","adbe667f7776a646ea83b849_aspace_b0c560610905f1dbe288514141338ad3","adbe667f7776a646ea83b849_aspace_e2f725db442aa8f8b808bfcb54be5bc2","adbe667f7776a646ea83b849_aspace_d399495d67966a249c750bb1571b3438"],"parent_unittitles_ssm":["Sally Thompson collection, 1976-2019","Florida Files","Tampa Electric Company (TECO) I","Tampa Electric Company (TECO) – Polk County, 1991-1993"],"parent_unittitles_tesim":["Sally Thompson collection, 1976-2019","Florida Files","Tampa Electric Company (TECO) I","Tampa Electric Company (TECO) – Polk County, 1991-1993"],"parent_levels_ssm":["collection","Series","Box","File"],"unitid_ssm":["/repositories/2/archival_objects/179306"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Sally Thompson collection, 1976-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2876,"date_range_isim":[1991],"containers_ssim":["box 79","folder 8","object 3"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e111c24e7201dd0eb4753275edfa1463\"\u003eAn update on Tampa Electric's new Polk County power plant. Tampa Electric: A TECO Energy Company.\u003c/abstract\u003e"],"abstract_tesim":["An update on Tampa Electric's new Polk County power plant. Tampa Electric: A TECO Energy Company."],"_nest_path_":"/components#0/components#78/components#7/components#2","_nest_parent_":"adbe667f7776a646ea83b849_aspace_d399495d67966a249c750bb1571b3438","_root_":"adbe667f7776a646ea83b849","_version_":1870863616778960896,"timestamp":"2026-07-16T09:36:20.762Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"adbe667f7776a646ea83b849","title_ssm":["Sally Thompson collection"],"title_tesim":["Sally Thompson collection"],"ead_ssi":"adbe667f7776a646ea83b849","unitdate_ssm":["1976-2019"],"unitdate_inclusive_ssm":["1976-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-10","/repositories/2/resources/617"],"text":["MS-2022-10","/repositories/2/resources/617","Sally Thompson collection, 1976-2019","Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects","Materials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates.","Sally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator.","Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.","Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","Oversized graphic materials stored in a horizontal folder separate from the collection.","The Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. 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Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026amp;#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026amp;#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator."],"prefercite_html_tesm":["\u003cp\u003eSally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Sally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets."],"separatedmaterial_html_tesm":["\u003cp\u003ePublications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e","\u003cp\u003eOversized graphic materials stored in a horizontal folder separate from the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","Oversized graphic materials stored in a horizontal folder separate from the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_942288f0813d472c169711bd5a6bc750\"\u003eThe Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects.\u003c/abstract\u003e"],"abstract_tesim":["The Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects."],"names_ssim":["USF Libraries - Tampa Special Collections","Thompson, Sally"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Thompson, Sally"],"language_ssim":["English"],"total_component_count_is":3547,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863616778960896,"_root_":"adbe667f7776a646ea83b849","timestamp":"2026-07-16T09:36:20.762Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_89fe36c6537a3499bd5e01fbf5f61538"}},{"id":"2a5a0b9ae0683d2c80f55473_aspace_109587","type":"Item","attributes":{"title":"You're Nobody 'Til Somebody Loves You for voice and piano, 1944","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2a5a0b9ae0683d2c80f55473_aspace_109587#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e1 score (4 pages)\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a5a0b9ae0683d2c80f55473_aspace_109587#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_109587","ref_ssm":["aspace_109587","aspace_109587"],"id":"2a5a0b9ae0683d2c80f55473_aspace_109587","title_filing_ssi":"You're Nobody 'Til Somebody Loves You for voice and piano","title_ssm":["You're Nobody 'Til Somebody Loves You for voice and piano"],"title_tesim":["You're Nobody 'Til Somebody Loves You for voice and piano"],"unitdate_other_ssim":["1944"],"normalized_date_ssm":["1944"],"normalized_title_ssm":["You're Nobody 'Til Somebody Loves You for voice and piano, 1944"],"text":["You're Nobody 'Til Somebody Loves You for voice and piano, 1944","Fannie Ushkow Collection, 1916-1978","Fannie Ushkow Collection","Sheet Music","Folder 52","Item 1","/repositories/2/archival_objects/19290","Musical Score","Good","4","You're Nobody 'Til Somebody Loves You for voice and piano","Voice and piano","Vocal Score and piano","Russ Morgan, Larry Stock, and James Cavanaugh","New York, New York","Southern Muisc Corporation","Russ Morgan, Larry Stock, and James Cavanaugh","Russ Morgan, Larry Stock, and James Cavanaugh","Original","1 score (4 pages)","English"],"component_level_isim":[4],"parent_ids_ssim":["2a5a0b9ae0683d2c80f55473","2a5a0b9ae0683d2c80f55473_aspace_109115","2a5a0b9ae0683d2c80f55473_aspace_109116","2a5a0b9ae0683d2c80f55473_aspace_109586"],"parent_unittitles_ssm":["Fannie Ushkow Collection, 1916-1978","Fannie Ushkow Collection","Sheet Music","Folder 52"],"parent_unittitles_tesim":["Fannie Ushkow Collection, 1916-1978","Fannie Ushkow Collection","Sheet Music","Folder 52"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/19290"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Fannie Ushkow Collection, 1916-1978"],"physdesc_tesim":["Musical Score","Good","4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":468,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.  Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. ","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. ","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"language_ssim":["You're Nobody 'Til Somebody Loves You for voice and piano"],"arrangement_html_tesm":["\u003cp\u003eVoice and piano\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Voice and piano"],"odd_html_tesm":["\u003cp\u003eVocal Score and piano\u003c/p\u003e","\u003cp\u003eRuss Morgan, Larry Stock, and James Cavanaugh\u003c/p\u003e","\u003cp\u003eNew York, New York\u003c/p\u003e","\u003cp\u003eSouthern Muisc Corporation\u003c/p\u003e","\u003cp\u003eRuss Morgan, Larry Stock, and James Cavanaugh\u003c/p\u003e","\u003cp\u003eRuss Morgan, Larry Stock, and James Cavanaugh\u003c/p\u003e"],"odd_heading_ssm":["Score Description","Creator","Place","Publisher","Lyricist","Composer"],"odd_tesim":["Vocal Score and piano","Russ Morgan, Larry Stock, and James Cavanaugh","New York, New York","Southern Muisc Corporation","Russ Morgan, Larry Stock, and James Cavanaugh","Russ Morgan, Larry Stock, and James Cavanaugh"],"originalsloc_html_tesm":["\u003cp\u003eOriginal\u003c/p\u003e"],"originalsloc_heading_ssm":["Originals or Copies Note"],"originalsloc_tesim":["Original"],"scopecontent_html_tesm":["\u003cp\u003e1 score (4 pages)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["1 score (4 pages)"],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"_nest_path_":"/components#0/components#0/components#217/components#0","_nest_parent_":"2a5a0b9ae0683d2c80f55473_aspace_109586","_root_":"2a5a0b9ae0683d2c80f55473","_version_":1870842050885189632,"timestamp":"2026-07-16T03:53:33.963Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a5a0b9ae0683d2c80f55473","title_ssm":["Fannie Ushkow Collection"],"title_tesim":["Fannie Ushkow Collection"],"ead_ssi":"2a5a0b9ae0683d2c80f55473","unitdate_ssm":["1916-1978"],"unitdate_inclusive_ssm":["1916-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00024","/repositories/2/resources/45"],"text":["PMC00024","/repositories/2/resources/45","Fannie Ushkow Collection, 1916-1978","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.  Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Processed in 2018 by James Drayton","The collection of Fannie Ushkow consists of manuscript music, print music, personal songbooks, personal papers, programs, and pictures relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Pianist and vocalist Fannie Ushkow held a master's degree in music and was a devoted member of Hadassah.  She created several original musical-theatre programs for their events and also published television programs for local South Florida public television. For 13+ years, Fannie Ushkow was devoted to directing the Melodears choral group at her home in Century Village in West Palm Beach.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. ","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. ","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00024","/repositories/2/resources/45"],"normalized_date_ssm":["1916-1978"],"normalized_title_ssm":["Fannie Ushkow Collection, 1916-1978"],"collection_title_tesim":["Fannie Ushkow Collection, 1916-1978"],"collection_ssim":["Fannie Ushkow Collection, 1916-1978"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. ","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. ","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["1.50 Linear Feet","8 boxes other_unmapped"],"extent_tesim":["1.50 Linear Feet","8 boxes other_unmapped"],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u0026#xA0; Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.  Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2018 by James Drayton\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2018 by James Drayton"],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Fannie Ushkow consists of manuscript music, print music, personal songbooks, personal papers, programs, and pictures relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Pianist and vocalist Fannie Ushkow held a master's degree in music and was a devoted member of Hadassah.\u0026#xA0; She created several original musical-theatre programs for their events and also published television programs for local South Florida public television. For 13+ years, Fannie Ushkow was devoted to directing the Melodears choral group at her home in Century Village in West Palm Beach.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection of Fannie Ushkow consists of manuscript music, print music, personal songbooks, personal papers, programs, and pictures relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Pianist and vocalist Fannie Ushkow held a master's degree in music and was a devoted member of Hadassah.  She created several original musical-theatre programs for their events and also published television programs for local South Florida public television. For 13+ years, Fannie Ushkow was devoted to directing the Melodears choral group at her home in Century Village in West Palm Beach."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. \u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. \u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. ","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. ","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":729,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842050885189632,"_root_":"2a5a0b9ae0683d2c80f55473","timestamp":"2026-07-16T03:53:33.963Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a5a0b9ae0683d2c80f55473_aspace_109587"}},{"id":"f98896827f16d52b3168e472_aspace_f124c3f93fce4f72cdc56f6de12b4462","type":"Item","attributes":{"title":"You're Not Alone, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f98896827f16d52b3168e472_aspace_f124c3f93fce4f72cdc56f6de12b4462#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f124c3f93fce4f72cdc56f6de12b4462","ref_ssm":["aspace_f124c3f93fce4f72cdc56f6de12b4462","aspace_f124c3f93fce4f72cdc56f6de12b4462"],"id":"f98896827f16d52b3168e472_aspace_f124c3f93fce4f72cdc56f6de12b4462","title_filing_ssi":"You're Not Alone","title_ssm":["You're Not Alone"],"title_tesim":["You're Not Alone"],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["You're Not Alone, undated"],"text":["You're Not Alone, undated","Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Additional Materials, 1862-2019","CFM2015_06","Audio, 1980–1989, undated","/repositories/4/archival_objects/69612","box 94","folder 58"],"component_level_isim":[4],"parent_ids_ssim":["f98896827f16d52b3168e472","f98896827f16d52b3168e472_aspace_d01fc03ef0ed1a02f20641cd2b6034e3","f98896827f16d52b3168e472_aspace_b327cf4d57263833a7d0ca2a17bfea94","f98896827f16d52b3168e472_aspace_1f8b3993ba33882ce5309fe45bbc0af9"],"parent_unittitles_ssm":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Additional Materials, 1862-2019","CFM2015_06","Audio, 1980–1989, undated"],"parent_unittitles_tesim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Additional Materials, 1862-2019","CFM2015_06","Audio, 1980–1989, undated"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/69612"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1001,"parent_access_restrict_tesm":["The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 94","folder 58"],"_nest_path_":"/components#5/components#0/components#4/components#41","_nest_parent_":"f98896827f16d52b3168e472_aspace_1f8b3993ba33882ce5309fe45bbc0af9","_root_":"f98896827f16d52b3168e472","_version_":1870857973089173504,"timestamp":"2026-07-16T08:06:38.475Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f98896827f16d52b3168e472","title_ssm":["Children's Home Society of Florida collection"],"title_tesim":["Children's Home Society of Florida collection"],"ead_ssi":"f98896827f16d52b3168e472","unitdate_ssm":["1862-2019","1902-1997"],"unitdate_bulk_ssim":["1902-1997"],"unitdate_inclusive_ssm":["1862-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 054","/repositories/4/resources/294"],"text":["SC 054","/repositories/4/resources/294","Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida","The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.","The Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society.","To be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.","\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.","\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.","\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.","\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.","\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.","\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.","\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida.","Collection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023.","Blount Family papers , University of West Florida University Archives and West Florida History Center, Pensacola, Florida. ","Adoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at  http://www.chsfl.org .","Books:","Georgia Gertrude Ralph,  Elements of Record Keeping for Child-Helping Organizations , (New York: The De Vinne Press, 1915.)","Lawrence Mahoney,  Children and hope : a history of the Children's Home Society of Florida , (Miami: Pickering Press, 1987).","Other Locations:","Pensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website:  http://www.pensacolahistory.org  (Western Division).","Florida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website:  https://dos.myflorida.com/library-archives/archives .","The Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:","\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.","\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.","\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.","\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.","\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.","\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly.","UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare","English"],"unitid_tesim":["SC 054","/repositories/4/resources/294"],"normalized_date_ssm":["1862-2019, bulk 1902-1997"],"normalized_title_ssm":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"collection_title_tesim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"collection_ssim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Children's Home Society of Florida"],"creator_ssim":["Children's Home Society of Florida"],"creator_corpname_ssim":["Children's Home Society of Florida"],"creators_ssim":["Children's Home Society of Florida"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Children's Home Society of Florida donated these materials to the University of Central Florida Libraries, Special Collections and University Archives Department in 2004 (CFM2004_04). Additional matterials were added in 2015 (CFM2015_06), 2016 (CFM2016_03), 2017 (CFM2017_05), 2020 (CFM2020_11), and 2021 (CFM2021_06)."],"access_subjects_ssim":["Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida"],"access_subjects_ssm":["Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["102.75 Linear Feet 117 boxes, 5 scrapbooks, 13 flat files"],"extent_tesim":["102.75 Linear Feet 117 boxes, 5 scrapbooks, 13 flat files"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e\n","\u003cp\u003ePhotographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026amp; University Archives.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"arrangement_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society."],"bioghist_html_tesm":["\u003cp\u003eTo be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.\u003c/p\u003e\n","\u003cp\u003e\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.\u003c/p\u003e\n","\u003cp\u003e\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.\u003c/p\u003e\n","\u003cp\u003e\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.\u003c/p\u003e\n","\u003cp\u003e\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.\u003c/p\u003e\n","\u003cp\u003e\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.\u003c/p\u003e\n","\u003cp\u003e\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["To be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.","\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.","\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.","\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.","\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.","\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.","\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.","\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida."],"prefercite_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Children's Home Society of Florida Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://uwf.lyrasistechnology.org/repositories/2/resources/350\"\u003eBlount Family papers\u003c/extref\u003e, University of West Florida University Archives and West Florida History Center, Pensacola, Florida. \u003c/p\u003e\n","\u003cp\u003eAdoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at \u003cextref href=\"http://www.chsfl.org\"\u003ehttp://www.chsfl.org\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks:\u003c/p\u003e\n","\u003cp\u003eGeorgia Gertrude Ralph, \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990260914050306596\"\u003eElements of Record Keeping for Child-Helping Organizations\u003c/extref\u003e, (New York: The De Vinne Press, 1915.)\u003c/p\u003e\n","\u003cp\u003eLawrence Mahoney, \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990211238530306596\"\u003eChildren and hope : a history of the Children's Home Society of Florida\u003c/extref\u003e, (Miami: Pickering Press, 1987).\u003c/p\u003e\n","\u003cp\u003eOther Locations:\u003c/p\u003e\n","\u003cp\u003ePensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website: \u003cextref href=\"http://www.pensacolahistory.org\"\u003ehttp://www.pensacolahistory.org\u003c/extref\u003e (Western Division).\u003c/p\u003e\n","\u003cp\u003eFlorida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website: \u003cextref href=\"https://dos.myflorida.com/library-archives/archives\"\u003ehttps://dos.myflorida.com/library-archives/archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Blount Family papers , University of West Florida University Archives and West Florida History Center, Pensacola, Florida. ","Adoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at  http://www.chsfl.org .","Books:","Georgia Gertrude Ralph,  Elements of Record Keeping for Child-Helping Organizations , (New York: The De Vinne Press, 1915.)","Lawrence Mahoney,  Children and hope : a history of the Children's Home Society of Florida , (Miami: Pickering Press, 1987).","Other Locations:","Pensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website:  http://www.pensacolahistory.org  (Western Division).","Florida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website:  https://dos.myflorida.com/library-archives/archives ."],"scopecontent_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:","\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.","\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.","\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.","\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.","\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.","\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_116bbdee47170dbab5d0053b5cc9d529\"\u003eThe Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly.\u003c/abstract\u003e"],"abstract_tesim":["The Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly."],"names_coll_ssim":["Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"names_ssim":["UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"corpname_ssim":["UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1225,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857973089173504,"_root_":"f98896827f16d52b3168e472","timestamp":"2026-07-16T08:06:38.475Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f98896827f16d52b3168e472_aspace_f124c3f93fce4f72cdc56f6de12b4462"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7503},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":5448},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4886},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":4471},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Doak S. 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