{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19200","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19199","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19201","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19300"},"meta":{"pages":{"current_page":19200,"next_page":19201,"prev_page":19199,"total_pages":19300,"limit_value":10,"offset_value":191990,"total_count":192992,"first_page?":false,"last_page?":false}},"data":[{"id":"18ce43a3c782b797db9fa781_aspace_150640","type":"Item","attributes":{"title":"Yasaka Pagoda-Osaka, Japan","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_150640#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white slide.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_150640#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_150640","ref_ssm":["aspace_150640","aspace_150640"],"id":"18ce43a3c782b797db9fa781_aspace_150640","title_filing_ssi":"Yasaka Pagoda-Osaka, Japan","title_ssm":["Yasaka Pagoda-Osaka, Japan"],"title_tesim":["Yasaka Pagoda-Osaka, Japan"],"normalized_title_ssm":["Yasaka Pagoda-Osaka, Japan"],"text":["Yasaka Pagoda-Osaka, Japan","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides 305-342","Item 3","/repositories/2/archival_objects/81264","Black and white slide."],"component_level_isim":[2],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_107994"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides 305-342"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides 305-342"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 3","/repositories/2/archival_objects/81264"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":315,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white slide.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white slide."],"_nest_path_":"/components#8/components#2","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_107994","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_150640"}},{"id":"2adc31a30bfcd724088cd673_aspace_197303","type":"Item","attributes":{"title":"Yascavage, Albert J., 6/4/2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2adc31a30bfcd724088cd673_aspace_197303#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eAlbert Yacavage (served 1942-45) discusses his experiences in a signals company in the European theater of World War II. Yascavage landed on Omaha Beach on June 7, 1944, and participated in the Battle of the Bulge and the engagements in Huertgen Forest. OHP Control Number 1313\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2adc31a30bfcd724088cd673_aspace_197303#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_197303","ref_ssm":["aspace_197303","aspace_197303"],"id":"2adc31a30bfcd724088cd673_aspace_197303","title_filing_ssi":"Yascavage, Albert J.","title_ssm":["Yascavage, Albert J."],"title_tesim":["Yascavage, Albert J."],"unitdate_other_ssim":["6/4/2001"],"normalized_date_ssm":["6/4/2001"],"normalized_title_ssm":["Yascavage, Albert J., 6/4/2001"],"text":["Yascavage, Albert J., 6/4/2001","Reichelt Oral History Collection, 1969-2022","World War II Histories","Item 1166","/repositories/10/archival_objects/135259","Albert Yacavage (served 1942-45) discusses his experiences in a signals company in the European theater of World War II. Yascavage landed on Omaha Beach on June 7, 1944, and participated in the Battle of the Bulge and the engagements in Huertgen Forest. OHP Control Number 1313"],"component_level_isim":[2],"parent_ids_ssim":["2adc31a30bfcd724088cd673","2adc31a30bfcd724088cd673_aspace_196137"],"parent_unittitles_ssm":["Reichelt Oral History Collection, 1969-2022","World War II Histories"],"parent_unittitles_tesim":["Reichelt Oral History Collection, 1969-2022","World War II Histories"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 1166","/repositories/10/archival_objects/135259"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Reichelt Oral History Collection, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1173,"parent_access_restrict_tesm":["Access to interviews and administrative files is restricted. Requests for access may be addressed to lib-specialcollections@fsu.edu. Requests will be reviewed by curators in consideration of interview rights and interviewee privacy. Please be as specific as possible in placing an access request, including interviewee name, interview date, and OHP Control Number where possible.","Most transcripts are available digitally. Staff should contact curators before retrieving containers from offsite storage.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"scopecontent_html_tesm":["\u003cp\u003eAlbert Yacavage (served 1942-45) discusses his experiences in a signals company in the European theater of World War II. Yascavage landed on Omaha Beach on June 7, 1944, and participated in the Battle of the Bulge and the engagements in Huertgen Forest. OHP Control Number 1313\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Albert Yacavage (served 1942-45) discusses his experiences in a signals company in the European theater of World War II. Yascavage landed on Omaha Beach on June 7, 1944, and participated in the Battle of the Bulge and the engagements in Huertgen Forest. OHP Control Number 1313"],"_nest_path_":"/components#2/components#1166","_nest_parent_":"2adc31a30bfcd724088cd673_aspace_196137","_root_":"2adc31a30bfcd724088cd673","_version_":1870859629991297024,"timestamp":"2026-07-16T08:32:58.674Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2adc31a30bfcd724088cd673","title_ssm":["Reichelt Oral History Collection"],"title_tesim":["Reichelt Oral History Collection"],"ead_ssi":"2adc31a30bfcd724088cd673","unitdate_ssm":["1969-2022"],"unitdate_other_ssim":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2015-00R","/repositories/10/resources/912"],"text":["HUA 2015-00R","/repositories/10/resources/912","Reichelt Oral History Collection, 1969-2022","Access to interviews and administrative files is restricted.  Requests for access may be addressed to lib-specialcollections@fsu.edu. Requests will be reviewed by curators in consideration of interview rights and interviewee privacy. Please be as specific as possible in placing an access request, including interviewee name, interview date, and OHP Control Number where possible.","Most transcripts are available digitally. Staff should contact curators before retrieving containers from offsite storage.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. Keuchel, with the intent of teaching oral\thistory techniques to students while documenting FSU's history.  In\t1996, with the encouragement of university president Sandy\tD'Alemberte, the program was established permanently as an entity\twithin the History Department. The program later expanded to include histories on the University, the Florida State College for Women, Tallahassee, Florida, veterans of World War II, the\tKorean conflict, the Vietnam War, and other military conflicts.","Sound recordings, transcripts, and administrative files documenting the activities of the Reichelt Oral History Program in the Florida State University Department of History. Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2015-00R","/repositories/10/resources/912"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Reichelt Oral History Collection, 1969-2022"],"collection_title_tesim":["Reichelt Oral History Collection, 1969-2022"],"collection_ssim":["Reichelt Oral History Collection, 1969-2022"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Florida State University Department of History"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet"],"extent_tesim":["0.00 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eAccess to interviews and administrative files is restricted.\u003c/emph\u003e Requests for access may be addressed to lib-specialcollections@fsu.edu. Requests will be reviewed by curators in consideration of interview rights and interviewee privacy. Please be as specific as possible in placing an access request, including interviewee name, interview date, and OHP Control Number where possible.\u003c/p\u003e\n","\u003cp\u003eMost transcripts are available digitally. Staff should contact curators before retrieving containers from offsite storage.\u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access to interviews and administrative files is restricted.  Requests for access may be addressed to lib-specialcollections@fsu.edu. Requests will be reviewed by curators in consideration of interview rights and interviewee privacy. Please be as specific as possible in placing an access request, including interviewee name, interview date, and OHP Control Number where possible.","Most transcripts are available digitally. Staff should contact curators before retrieving containers from offsite storage.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. Keuchel, with the intent of teaching oral\thistory techniques to students while documenting FSU's history.\u0026#xA0; In\t1996, with the encouragement of university president Sandy\tD'Alemberte, the program was established permanently as an entity\twithin the History Department. The program later expanded to include histories on the University, the Florida State College for Women, Tallahassee, Florida, veterans of World War II, the\tKorean conflict, the Vietnam War, and other military conflicts.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. Keuchel, with the intent of teaching oral\thistory techniques to students while documenting FSU's history.  In\t1996, with the encouragement of university president Sandy\tD'Alemberte, the program was established permanently as an entity\twithin the History Department. The program later expanded to include histories on the University, the Florida State College for Women, Tallahassee, Florida, veterans of World War II, the\tKorean conflict, the Vietnam War, and other military conflicts."],"prefercite_html_tesm":["\u003cp\u003eReichelt Oral History Collection, HUA 2015-00R, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HPUA-2015-00R\"\u003ehttp://purl.fcla.edu/fsu/HPUA-2015-00R\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Reichelt Oral History Collection, HUA 2015-00R, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R"],"scopecontent_html_tesm":["\u003cp\u003eSound recordings, transcripts, and administrative files documenting the activities of the Reichelt Oral History Program in the Florida State University Department of History. Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Sound recordings, transcripts, and administrative files documenting the activities of the Reichelt Oral History Program in the Florida State University Department of History. Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859629991297024,"_root_":"2adc31a30bfcd724088cd673","timestamp":"2026-07-16T08:32:58.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2adc31a30bfcd724088cd673_aspace_197303"}},{"id":"e9ce011ebd850a77565164c8_aspace_108952","type":"Item","attributes":{"title":"Yasis Alayich, n.d.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e9ce011ebd850a77565164c8_aspace_108952#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_108952","ref_ssm":["aspace_108952","aspace_108952"],"id":"e9ce011ebd850a77565164c8_aspace_108952","title_filing_ssi":"Yasis Alayich","title_ssm":["Yasis Alayich"],"title_tesim":["Yasis Alayich"],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["Yasis Alayich, n.d."],"text":["Yasis Alayich, n.d.","Cantor William W. Lipson Collection, 1923-2001","Manuscript Music","Handwritten","Folder 14","Item 3","/repositories/2/archival_objects/24548","1","Hebrew","Voice"],"component_level_isim":[4],"parent_ids_ssim":["e9ce011ebd850a77565164c8","e9ce011ebd850a77565164c8_aspace_108876","e9ce011ebd850a77565164c8_aspace_108877","e9ce011ebd850a77565164c8_aspace_108949"],"parent_unittitles_ssm":["Cantor William W. Lipson Collection, 1923-2001","Manuscript Music","Handwritten","Folder 14"],"parent_unittitles_tesim":["Cantor William W. Lipson Collection, 1923-2001","Manuscript Music","Handwritten","Folder 14"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 3","/repositories/2/archival_objects/24548"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Cantor William W. Lipson Collection, 1923-2001"],"physdesc_tesim":["1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":100,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"separatedmaterial_html_tesm":["\u003cp\u003eHebrew\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["Hebrew"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_c3a383cbd1dc9760beac37684aa3d631\"\u003eVoice\u003c/materialspec\u003e"],"materialspec_tesim":["Voice"],"_nest_path_":"/components#1/components#0/components#48/components#2","_nest_parent_":"e9ce011ebd850a77565164c8_aspace_108949","_root_":"e9ce011ebd850a77565164c8","_version_":1870842062934376448,"timestamp":"2026-07-16T03:53:45.469Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e9ce011ebd850a77565164c8","title_ssm":["Cantor William W. Lipson Collection"],"title_tesim":["Cantor William W. Lipson Collection"],"ead_ssi":"e9ce011ebd850a77565164c8","unitdate_ssm":["1923-2001"],"unitdate_inclusive_ssm":["1923-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00013","/repositories/2/resources/61"],"text":["PMC00013","/repositories/2/resources/61","Cantor William W. Lipson Collection, 1923-2001","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011 this collection was processed by Victoria Thur and Elizabeth Fairall.","The collection of Cantor William W. Lipson consists of sheet music, manuscript music, print music, and papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books.  William W. Lipson (1921-2009) was Cantor Emeritus of Beth David Congregation, Miami, where he served for 30 years. He was named a Fellow in the Cantors Assembly of America, of which he was a Charter Member, and was recognized with an honorary doctorate from the Jewish Theological Seminary of America for his lifetime of outstanding professional service. He passed away on September 22, 2009 in Atlanta.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00013","/repositories/2/resources/61"],"normalized_date_ssm":["1923-2001"],"normalized_title_ssm":["Cantor William W. Lipson Collection, 1923-2001"],"collection_title_tesim":["Cantor William W. Lipson Collection, 1923-2001"],"collection_ssim":["Cantor William W. Lipson Collection, 1923-2001"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011 this collection was processed by Victoria Thur and Elizabeth Fairall.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011 this collection was processed by Victoria Thur and Elizabeth Fairall."],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Cantor William W. Lipson consists of sheet music, manuscript music, print music, and papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books.\u0026#xA0; William W. Lipson (1921-2009) was Cantor Emeritus of Beth David Congregation, Miami, where he served for 30 years. He was named a Fellow in the Cantors Assembly of America, of which he was a Charter Member, and was recognized with an honorary doctorate from the Jewish Theological Seminary of America for his lifetime of outstanding professional service. He passed away on September 22, 2009 in Atlanta.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection of Cantor William W. Lipson consists of sheet music, manuscript music, print music, and papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books.  William W. Lipson (1921-2009) was Cantor Emeritus of Beth David Congregation, Miami, where he served for 30 years. He was named a Fellow in the Cantors Assembly of America, of which he was a Charter Member, and was recognized with an honorary doctorate from the Jewish Theological Seminary of America for his lifetime of outstanding professional service. He passed away on September 22, 2009 in Atlanta."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842062934376448,"_root_":"e9ce011ebd850a77565164c8","timestamp":"2026-07-16T03:53:45.469Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e9ce011ebd850a77565164c8_aspace_108952"}},{"id":"976011b2d2f0d067aaa03413_aspace_73038","type":"Item","attributes":{"title":"Yasser Arafat in Nicaragua, 1980 July 20","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/976011b2d2f0d067aaa03413_aspace_73038#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_73038","ref_ssm":["aspace_73038","aspace_73038"],"id":"976011b2d2f0d067aaa03413_aspace_73038","title_filing_ssi":"Yasser Arafat in Nicaragua","title_ssm":["Yasser Arafat in Nicaragua"],"title_tesim":["Yasser Arafat in Nicaragua"],"unitdate_other_ssim":["1980 July 20"],"normalized_date_ssm":["1980 July 20"],"normalized_title_ssm":["Yasser Arafat in Nicaragua, 1980 July 20"],"text":["Yasser Arafat in Nicaragua, 1980 July 20","Bernard Diederich Collection, 1945-2010","Audio Material","Box 97","Item 59","/repositories/2/archival_objects/65582"],"component_level_isim":[3],"parent_ids_ssim":["976011b2d2f0d067aaa03413","976011b2d2f0d067aaa03413_aspace_72977","976011b2d2f0d067aaa03413_aspace_72978"],"parent_unittitles_ssm":["Bernard Diederich Collection, 1945-2010","Audio Material","Box 97"],"parent_unittitles_tesim":["Bernard Diederich Collection, 1945-2010","Audio Material","Box 97"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["Item 59","/repositories/2/archival_objects/65582"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Bernard Diederich Collection, 1945-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2940,"parent_access_restrict_tesm":["Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. The Special Collections Department at FIU Library does not claim copyright for any item in the collection. Copies for transmission, broadcast, reproduction, publishing, etc., not covered by fair use, require written permission of the copyright owners. The user assumes all responsibility for clearing reproductions rights and fees as well as any infringement of United States copyright law."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1980],"_nest_path_":"/components#9/components#0/components#58","_nest_parent_":"976011b2d2f0d067aaa03413_aspace_72978","_root_":"976011b2d2f0d067aaa03413","_version_":1870844751514697728,"timestamp":"2026-07-16T04:36:29.456Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"976011b2d2f0d067aaa03413","title_ssm":["Bernard Diederich Collection"],"title_tesim":["Bernard Diederich Collection"],"ead_ssi":"976011b2d2f0d067aaa03413","unitdate_ssm":["1945-2010"],"unitdate_inclusive_ssm":["1945-2010"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["SPC7010","/repositories/2/resources/73"],"text":["SPC7010","/repositories/2/resources/73","Bernard Diederich Collection, 1945-2010","Haiti--Politics and government.","The Bernard Diederich Collection includes both papers and media. 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","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Diederich, Bernard","English Spanish; Castilian"],"unitid_tesim":["SPC7010","/repositories/2/resources/73"],"normalized_date_ssm":["1945-2010"],"normalized_title_ssm":["Bernard Diederich Collection, 1945-2010"],"collection_title_tesim":["Bernard Diederich Collection, 1945-2010"],"collection_ssim":["Bernard Diederich Collection, 1945-2010"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Diederich, Bernard"],"creator_ssim":["Diederich, Bernard"],"creator_persname_ssim":["Diederich, Bernard"],"creators_ssim":["Diederich, Bernard"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["Haiti--Politics and government."],"access_subjects_ssm":["Haiti--Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["128.00 boxes"],"extent_tesim":["128.00 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003eThe Bernard Diederich Collection includes both papers and media. Diederich's papers constitute over 130 boxes (143 linear feet); they include Diederich's telegraphs and telexes, his reporter's notepads, and his interview notes, as well as historical documents, such as Central American and Caribbean newspapers and political posters and booklets. The papers also include his private correspondence, which reveals the many challenges encountered by journalists who work in Latin America and the Caribbean. The media collection contains over 20,000 slides and photos that document Diederich's travels. It also includes videotapes and audio cassettes with Diederich's many interviews with Central American and Caribbean leaders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Bernard Diederich Collection includes both papers and media. Diederich's papers constitute over 130 boxes (143 linear feet); they include Diederich's telegraphs and telexes, his reporter's notepads, and his interview notes, as well as historical documents, such as Central American and Caribbean newspapers and political posters and booklets. The papers also include his private correspondence, which reveals the many challenges encountered by journalists who work in Latin America and the Caribbean. The media collection contains over 20,000 slides and photos that document Diederich's travels. It also includes videotapes and audio cassettes with Diederich's many interviews with Central American and Caribbean leaders."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. Keuchel, with the intent of teaching oral\thistory techniques to students while documenting FSU's history.\u0026#xA0; In\t1996, with the encouragement of university president Sandy\tD'Alemberte, the program was established permanently as an entity\twithin the History Department. The program later expanded to include histories on the University, the Florida State College for Women, Tallahassee, Florida, veterans of World War II, the\tKorean conflict, the Vietnam War, and other military conflicts.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. 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The program later expanded to include histories on the University, the Florida State College for Women, Tallahassee, Florida, veterans of World War II, the\tKorean conflict, the Vietnam War, and other military conflicts."],"prefercite_html_tesm":["\u003cp\u003eReichelt Oral History Collection, HUA 2015-00R, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HPUA-2015-00R\"\u003ehttp://purl.fcla.edu/fsu/HPUA-2015-00R\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Reichelt Oral History Collection, HUA 2015-00R, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R"],"scopecontent_html_tesm":["\u003cp\u003eSound recordings, transcripts, and administrative files documenting the activities of the Reichelt Oral History Program in the Florida State University Department of History. Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Sound recordings, transcripts, and administrative files documenting the activities of the Reichelt Oral History Program in the Florida State University Department of History. Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859629991297024,"_root_":"2adc31a30bfcd724088cd673","timestamp":"2026-07-16T08:32:58.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2adc31a30bfcd724088cd673_aspace_197428"}},{"id":"4961d443b0be41b7531e2e8e_aspace_20875","type":"Item","attributes":{"title":"Yates, Richard, House of Representatives and Congress of the United States representing Illinois, Washington D.C. three letters, October 8, 1920, June 14, 1921, and December 8, 1921.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4961d443b0be41b7531e2e8e_aspace_20875#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_20875","ref_ssm":["aspace_20875","aspace_20875"],"id":"4961d443b0be41b7531e2e8e_aspace_20875","title_filing_ssi":"Yates, Richard, House of Representatives and Congress of the United States representing Illinois, Washington D.C. three letters","title_ssm":["Yates, Richard, House of Representatives and Congress of the United States representing Illinois, Washington D.C. three letters"],"title_tesim":["Yates, Richard, House of Representatives and Congress of the United States representing Illinois, Washington D.C. three letters"],"unitdate_other_ssim":["October 8, 1920, June 14, 1921, and December 8, 1921."],"normalized_date_ssm":["October 8, 1920, June 14, 1921, and December 8, 1921."],"normalized_title_ssm":["Yates, Richard, House of Representatives and Congress of the United States representing Illinois, Washington D.C. three letters, October 8, 1920, June 14, 1921, and December 8, 1921."],"text":["Yates, Richard, House of Representatives and Congress of the United States representing Illinois, Washington D.C. three letters, October 8, 1920, June 14, 1921, and December 8, 1921.","Albin Polasek Collection, 1897-2004","Correspondence, 1910-1965.","Incoming, 1910-1965.","Item 8","/repositories/4/archival_objects/41462","box 4","folder 9"],"component_level_isim":[3],"parent_ids_ssim":["4961d443b0be41b7531e2e8e","4961d443b0be41b7531e2e8e_aspace_20642","4961d443b0be41b7531e2e8e_aspace_20643"],"parent_unittitles_ssm":["Albin Polasek Collection, 1897-2004","Correspondence, 1910-1965.","Incoming, 1910-1965."],"parent_unittitles_tesim":["Albin Polasek Collection, 1897-2004","Correspondence, 1910-1965.","Incoming, 1910-1965."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 8","/repositories/4/archival_objects/41462"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Albin Polasek Collection, 1897-2004"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":438,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 4","folder 9"],"_nest_path_":"/components#1/components#0/components#202","_nest_parent_":"4961d443b0be41b7531e2e8e_aspace_20643","_root_":"4961d443b0be41b7531e2e8e","_version_":1874662721765507072,"timestamp":"2026-08-27T08:01:29.662Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4961d443b0be41b7531e2e8e","title_ssm":["Albin Polasek Collection"],"title_tesim":["Albin Polasek Collection"],"ead_ssi":"4961d443b0be41b7531e2e8e","unitdate_ssm":["1897-2004"],"unitdate_inclusive_ssm":["1897-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC020","/repositories/4/resources/171"],"text":["SC020","/repositories/4/resources/171","Albin Polasek Collection, 1897-2004","Florida","Sculptors","Photographic prints","The entire collection is open for research.","Albin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens.","Originally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t ","The collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order.","Polasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections –  NB237.P65 P6","\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections –  F590.B67 P6","\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Polásek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections –  NB237.P6 S45","Albin Polasek Museum","The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers.","UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation","Polasek, Albin, 1879-1965","English"],"unitid_tesim":["SC020","/repositories/4/resources/171"],"normalized_date_ssm":["1897-2004"],"normalized_title_ssm":["Albin Polasek Collection, 1897-2004"],"collection_title_tesim":["Albin Polasek Collection, 1897-2004"],"collection_ssim":["Albin Polasek Collection, 1897-2004"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Polasek, Albin, 1879-1965"],"creator_ssim":["Polasek, Albin, 1879-1965"],"creator_persname_ssim":["Polasek, Albin, 1879-1965"],"creators_ssim":["Polasek, Albin, 1879-1965"],"places_ssim":["Florida"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated to the University of Central Florida in 1993 (CFM1993_03)."],"access_subjects_ssim":["Sculptors","Photographic prints"],"access_subjects_ssm":["Sculptors","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["3.75 Linear Feet 9 Boxes"],"extent_tesim":["3.75 Linear Feet 9 Boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eAlbin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Albin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens."],"prefercite_html_tesm":["\u003cp\u003eAlbin Polasek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Albin Polasek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eOriginally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t \u003c/p\u003e","\u003cp\u003eThe collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Originally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t ","The collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order."],"relatedmaterial_html_tesm":["\u003cp\u003ePolasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990230744990306596\"\u003eNB237.P65 P6\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990263733320306596\"\u003eF590.B67 P6\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Pol\u0026#xE1;sek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990229039640306596\"\u003eNB237.P6 S45\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.polasek.org/\"\u003eAlbin Polasek Museum\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Polasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections –  NB237.P65 P6","\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections –  F590.B67 P6","\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Polásek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections –  NB237.P6 S45","Albin Polasek Museum"],"scopecontent_html_tesm":["\u003cp\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_648a7ef0b30f6c3a383ade4da0746eca\" label=\"Abstract\"\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers.\u003c/abstract\u003e"],"abstract_tesim":["The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers."],"names_coll_ssim":["Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation"],"names_ssim":["UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation","Polasek, Albin, 1879-1965"],"corpname_ssim":["UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation"],"persname_ssim":["Polasek, Albin, 1879-1965"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":831,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874662721765507072,"_root_":"4961d443b0be41b7531e2e8e","timestamp":"2026-08-27T08:01:29.662Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4961d443b0be41b7531e2e8e_aspace_20875"}},{"id":"2326334e5e159c8d459e96a3_aspace_37964","type":"Item","attributes":{"title":"Yawn!, Whump!, \"That'll teach him to buy us cheap shoes!\", September 6, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37964#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37964","ref_ssm":["aspace_37964","aspace_37964"],"id":"2326334e5e159c8d459e96a3_aspace_37964","title_filing_ssi":"Yawn!, Whump!, \"That'll teach him to buy us cheap shoes!\"","title_ssm":["Yawn!, Whump!, \"That'll teach him to buy us cheap shoes!\""],"title_tesim":["Yawn!, Whump!, \"That'll teach him to buy us cheap shoes!\""],"unitdate_other_ssim":["September 6, 1988."],"normalized_date_ssm":["September 6, 1988."],"normalized_title_ssm":["Yawn!, Whump!, \"That'll teach him to buy us cheap shoes!\", September 6, 1988."],"text":["Yawn!, Whump!, \"That'll teach him to buy us cheap shoes!\", September 6, 1988.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Doppelgängers, 1987-1988, 1990, Undated.","Comic Strips (Templates), 1987-1988, 2000, Undated.","Item 8","/repositories/4/archival_objects/2822","box 8","folder 5"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_37827","2326334e5e159c8d459e96a3_aspace_37899"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Doppelgängers, 1987-1988, 1990, Undated.","Comic Strips (Templates), 1987-1988, 2000, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Doppelgängers, 1987-1988, 1990, Undated.","Comic Strips (Templates), 1987-1988, 2000, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 8","/repositories/4/archival_objects/2822"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":794,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 8","folder 5"],"_nest_path_":"/components#0/components#1/components#0/components#3/components#61","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37899","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37964"}},{"id":"af523c30b90933b50a837e53_aspace_65c43d25c4253aca60c29df0856d0670","type":"Item","attributes":{"title":"Ybor City Bottling Works on 9th Avenue","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_65c43d25c4253aca60c29df0856d0670#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_65c43d25c4253aca60c29df0856d0670","ref_ssm":["aspace_65c43d25c4253aca60c29df0856d0670","aspace_65c43d25c4253aca60c29df0856d0670"],"id":"af523c30b90933b50a837e53_aspace_65c43d25c4253aca60c29df0856d0670","title_filing_ssi":"Ybor City Bottling Works on 9th Avenue","title_ssm":["Ybor City Bottling Works on 9th Avenue"],"title_tesim":["Ybor City Bottling Works on 9th Avenue"],"normalized_title_ssm":["Ybor City Bottling Works on 9th Avenue"],"text":["Ybor City Bottling Works on 9th Avenue","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","12401-15149","40","/repositories/2/archival_objects/146013","box 3"],"component_level_isim":[2],"parent_ids_ssim":["af523c30b90933b50a837e53","af523c30b90933b50a837e53_aspace_a6b9ef6e9d157945160f951d160e334b"],"parent_unittitles_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","12401-15149"],"parent_unittitles_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","12401-15149"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["40","/repositories/2/archival_objects/146013"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":119,"parent_access_restrict_tesm":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 3"],"_nest_path_":"/components#2/components#39","_nest_parent_":"af523c30b90933b50a837e53_aspace_a6b9ef6e9d157945160f951d160e334b","_root_":"af523c30b90933b50a837e53","_version_":1879740859650408448,"timestamp":"2026-10-22T09:16:19.330Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af523c30b90933b50a837e53","title_ssm":["Burgert Brothers collection of Tampa photographs"],"title_tesim":["Burgert Brothers collection of Tampa photographs"],"ead_ssi":"af523c30b90933b50a837e53","unitdate_ssm":["1890-1960"],"unitdate_bulk_ssim":["1890-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-03","/repositories/2/resources/458"],"text":["MS-2000-03","/repositories/2/resources/458","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.","This collection is currently unprocessed.","Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992.","The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers","English"],"unitid_tesim":["MS-2000-03","/repositories/2/resources/458"],"normalized_date_ssm":["bulk 1890-1960"],"normalized_title_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_title_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Burgert Brothers Commercial Photographers"],"creator_ssim":["Burgert Brothers Commercial Photographers"],"creator_corpname_ssim":["Burgert Brothers Commercial Photographers"],"creators_ssim":["Burgert Brothers Commercial Photographers"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["4.39 Linear Feet","21 boxes"],"extent_tesim":["4.39 Linear Feet","21 boxes"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"arrangement_html_tesm":["\u003cp\u003eThis collection is currently unprocessed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is currently unprocessed."],"bioghist_html_tesm":["\u003cp\u003eSamuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. \u003c/p\u003e\n","\u003cp\u003eSynder, Robert E. and Jack B. Morre, \u003cemph render=\"italic\"\u003eSunland Tribune\u003c/emph\u003e , 16 (November 1990) pp. 19-26.\u003c/p\u003e\n","\u003cp\u003eFor further reading see: Synder, Robert B. and Jack B. Moore, \u003cemph render=\"italic\"\u003ePioneer Commercial Photography- The Burgert Brothers\u003c/emph\u003e, Tampa, Florida, University Press of Flordia: Gainesville, 1992.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992."],"prefercite_html_tesm":["\u003cp\u003eBurgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Burgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.\u0026#xA0; The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":774,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879740859650408448,"_root_":"af523c30b90933b50a837e53","timestamp":"2026-10-22T09:16:19.330Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_65c43d25c4253aca60c29df0856d0670"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_24249","type":"Item","attributes":{"title":"Ybor City Chamber of Commerce Minutes Book, April 1937-January 1943","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24249#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24249","ref_ssm":["aspace_24249","aspace_24249"],"id":"da4d05e4376dbaeab6a6dad3_aspace_24249","title_filing_ssi":"Ybor City Chamber of Commerce Minutes Book","title_ssm":["Ybor City Chamber of Commerce Minutes Book"],"title_tesim":["Ybor City Chamber of Commerce Minutes Book"],"unitdate_other_ssim":["April 1937-January 1943"],"normalized_date_ssm":["April 1937-January 1943"],"normalized_title_ssm":["Ybor City Chamber of Commerce Minutes Book, April 1937-January 1943"],"text":["Ybor City Chamber of Commerce Minutes Book, April 1937-January 1943","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Ybor City Chamber of Commerce","Item / Book 2","/repositories/2/archival_objects/61808","box 124","object 3"],"component_level_isim":[3],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_178138","da4d05e4376dbaeab6a6dad3_aspace_24251"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Ybor City Chamber of Commerce"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Ybor City Chamber of Commerce"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Item / Book 2","/repositories/2/archival_objects/61808"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2635,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["box 124","object 3"],"_nest_path_":"/components#0/components#123/components#2","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_24251","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925","English"],"unitid_tesim":["MS-1982-01","/repositories/2/resources/371"],"normalized_date_ssm":["1824-1994, Date acquired: 10/23/1982"],"normalized_title_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_title_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Pizzo, Anthony P. (1912-1994)"],"creator_ssim":["Pizzo, Anthony P. (1912-1994)"],"creator_persname_ssim":["Pizzo, Anthony P. (1912-1994)"],"creators_ssim":["Pizzo, Anthony P. (1912-1994)"],"places_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Anthony P. Pizzo","Donation"],"access_subjects_ssim":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"access_subjects_ssm":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"has_online_content_ssim":["false"],"extent_ssm":["126.00 Linear Feet","262 boxes"],"extent_tesim":["126.00 Linear Feet","262 boxes"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are fragile.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some materials are fragile."],"accruals_html_tesm":["\u003cp\u003eThe collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24249"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_24248","type":"Item","attributes":{"title":"Ybor City Chamber of Commerce Minutes Book, February 1930-March 1937","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24248#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24248","ref_ssm":["aspace_24248","aspace_24248"],"id":"da4d05e4376dbaeab6a6dad3_aspace_24248","title_filing_ssi":"Ybor City Chamber of Commerce Minutes Book","title_ssm":["Ybor City Chamber of Commerce Minutes Book"],"title_tesim":["Ybor City Chamber of Commerce Minutes Book"],"unitdate_other_ssim":["February 1930-March 1937"],"normalized_date_ssm":["February 1930-March 1937"],"normalized_title_ssm":["Ybor City Chamber of Commerce Minutes Book, February 1930-March 1937"],"text":["Ybor City Chamber of Commerce Minutes Book, February 1930-March 1937","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Ybor City Chamber of Commerce","Item / Book 1","/repositories/2/archival_objects/61807","box 124","object 2"],"component_level_isim":[3],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_178138","da4d05e4376dbaeab6a6dad3_aspace_24251"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Ybor City Chamber of Commerce"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Ybor City Chamber of Commerce"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Item / Book 1","/repositories/2/archival_objects/61807"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2634,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["box 124","object 2"],"_nest_path_":"/components#0/components#123/components#1","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_24251","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. 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Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. 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