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Cantor Pliskin also had well established relationships with Cantor Moses Silverman and Dr. Bauer.  He passed away on January 9, 2008."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":927,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842003378405376,"_root_":"b75ea8dab49a1794666ac30f","timestamp":"2026-07-16T03:52:48.665Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b75ea8dab49a1794666ac30f_aspace_101392"}},{"id":"f7056a8cb7d484dfa7e47d98_aspace_32fadb50301c752b3fea9ac858fe104c","type":"Item","attributes":{"title":"Yaka People Boy's Initiation Ceremonial Mask","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f7056a8cb7d484dfa7e47d98_aspace_32fadb50301c752b3fea9ac858fe104c#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis mask is made of carved wood with a dark brown vegetable pigment and red and yellow ochre earth pigments, and white kaolin. There is a wood handle at the chin for holding the mask, and a basketry headdress on top, covered with fabric. Raffia is attached.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f7056a8cb7d484dfa7e47d98_aspace_32fadb50301c752b3fea9ac858fe104c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_32fadb50301c752b3fea9ac858fe104c","ref_ssm":["aspace_32fadb50301c752b3fea9ac858fe104c","aspace_32fadb50301c752b3fea9ac858fe104c"],"id":"f7056a8cb7d484dfa7e47d98_aspace_32fadb50301c752b3fea9ac858fe104c","title_filing_ssi":"Yaka People Boy's Initiation Ceremonial Mask","title_ssm":["Yaka People Boy's Initiation Ceremonial Mask"],"title_tesim":["Yaka People Boy's Initiation Ceremonial Mask"],"normalized_title_ssm":["Yaka People Boy's Initiation Ceremonial Mask"],"text":["Yaka People Boy's Initiation Ceremonial Mask","Arthur B. Steinman Collection, Circa 1900-2000","/repositories/2/archival_objects/17370","Wood, fabric, raffia","object Yaka-DRC-002","This mask is made of carved wood with a dark brown vegetable pigment and red and yellow ochre earth pigments, and white kaolin. There is a wood handle at the chin for holding the mask, and a basketry headdress on top, covered with fabric. Raffia is attached.","Country of Origin: Zaire"],"component_level_isim":[1],"parent_ids_ssim":["f7056a8cb7d484dfa7e47d98"],"parent_unittitles_ssm":["Arthur B. Steinman Collection, Circa 1900-2000"],"parent_unittitles_tesim":["Arthur B. Steinman Collection, Circa 1900-2000"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/17370"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Arthur B. Steinman Collection, Circa 1900-2000"],"physdesc_tesim":["Wood, fabric, raffia"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":114,"parent_access_restrict_tesm":["The Arthur B. Steinman Collection is open for research."],"containers_ssim":["object Yaka-DRC-002"],"scopecontent_html_tesm":["\u003cp\u003eThis mask is made of carved wood with a dark brown vegetable pigment and red and yellow ochre earth pigments, and white kaolin. There is a wood handle at the chin for holding the mask, and a basketry headdress on top, covered with fabric. Raffia is attached.\u003c/p\u003e","\u003cp\u003eCountry of Origin: Zaire\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This mask is made of carved wood with a dark brown vegetable pigment and red and yellow ochre earth pigments, and white kaolin. There is a wood handle at the chin for holding the mask, and a basketry headdress on top, covered with fabric. Raffia is attached.","Country of Origin: Zaire"],"_nest_path_":"/components#113","_nest_parent_":"f7056a8cb7d484dfa7e47d98","_root_":"f7056a8cb7d484dfa7e47d98","_version_":1870838806929735680,"timestamp":"2026-07-16T03:02:00.302Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f7056a8cb7d484dfa7e47d98","title_filing_ssi":"Steinman, Arthur B. Collection","title_ssm":["Arthur B. Steinman Collection"],"title_tesim":["Arthur B. Steinman Collection"],"ead_ssi":"f7056a8cb7d484dfa7e47d98","unitdate_ssm":["Circa 1900-2000"],"unitdate_inclusive_ssm":["Circa 1900-2000"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["AARLCC.2002.11","/repositories/2/resources/256"],"text":["AARLCC.2002.11","/repositories/2/resources/256","Arthur B. Steinman Collection, Circa 1900-2000","Masks, African","Masks","Art objects, African","Wood carvings","Sculptures","The Arthur B. Steinman Collection is open for research.","The Arthur B. Steinman Collection is arranged by assigned ID number.","Arthur Burton Steinman (1922-) and his wife Yola Steinman (1921-1998) collected African art, artifacts and photographs. The Steinmans originally lived in New York City before moving to Boca Raton, Florida in 1985. During World War II, Arthur Steinman served in the United States Army as a staff sergeant in Europe. After the war, he worked in real estate. In 2002, the Steinmans donated African masks and sculptures to the African American Research Library and Cultural Center. The Steinmans also donated portions of their art collections to Lynn University and the Boca Raton Museum of Art.","Descriptions of artifacts were provided by donors at the time of donation to the African American Research Library and Cultural Center.","Item dimensions are length x width x height and measured in inches.","A finding aid for part of the collection was created by Emily Calderon in October 2024. Additional items were processed and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","\nRosen Collection\n","\nHolbrook Collection\n","The Arthur B. Steinman Collection contains twentieth century African sculptures and masks from the central and western regions of Africa. It also contains one lithograph print of \"Planting\" signed by Thomas Hart Benton.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2002.11","/repositories/2/resources/256"],"normalized_date_ssm":["Circa 1900-2000"],"normalized_title_ssm":["Arthur B. Steinman Collection, Circa 1900-2000"],"collection_title_tesim":["Arthur B. Steinman Collection, Circa 1900-2000"],"collection_ssim":["Arthur B. Steinman Collection, Circa 1900-2000"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Masks, African","Masks","Art objects, African","Wood carvings","Sculptures"],"access_subjects_ssm":["Masks, African","Masks","Art objects, African","Wood carvings","Sculptures"],"has_online_content_ssim":["false"],"extent_ssm":["121 Artwork 120 African Artifacts and 1 print by Thomas Hart Benton."],"extent_tesim":["121 Artwork 120 African Artifacts and 1 print by Thomas Hart Benton."],"genreform_ssim":["Wood carvings","Sculptures"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe Arthur B. Steinman Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Arthur B. Steinman Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Arthur B. Steinman Collection is arranged by assigned ID number.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Arthur B. Steinman Collection is arranged by assigned ID number."],"bioghist_html_tesm":["\u003cp\u003eArthur Burton Steinman (1922-) and his wife Yola Steinman (1921-1998) collected African art, artifacts and photographs. The Steinmans originally lived in New York City before moving to Boca Raton, Florida in 1985. During World War II, Arthur Steinman served in the United States Army as a staff sergeant in Europe. After the war, he worked in real estate. In 2002, the Steinmans donated African masks and sculptures to the African American Research Library and Cultural Center. The Steinmans also donated portions of their art collections to Lynn University and the Boca Raton Museum of Art.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Arthur Burton Steinman (1922-) and his wife Yola Steinman (1921-1998) collected African art, artifacts and photographs. The Steinmans originally lived in New York City before moving to Boca Raton, Florida in 1985. During World War II, Arthur Steinman served in the United States Army as a staff sergeant in Europe. After the war, he worked in real estate. In 2002, the Steinmans donated African masks and sculptures to the African American Research Library and Cultural Center. The Steinmans also donated portions of their art collections to Lynn University and the Boca Raton Museum of Art."],"prefercite_html_tesm":["\u003cp\u003eArthur B. Steinman Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Arthur B. Steinman Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eDescriptions of artifacts were provided by donors at the time of donation to the African American Research Library and Cultural Center.\u003c/p\u003e","\u003cp\u003eItem dimensions are length x width x height and measured in inches.\u003c/p\u003e","\u003cp\u003eA finding aid for part of the collection was created by Emily Calderon in October 2024. Additional items were processed and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Descriptions of artifacts were provided by donors at the time of donation to the African American Research Library and Cultural Center.","Item dimensions are length x width x height and measured in inches.","A finding aid for part of the collection was created by Emily Calderon in October 2024. Additional items were processed and the finding aid was updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\nRosen Collection\n\u003c/p\u003e","\u003cp\u003e\nHolbrook Collection\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["\nRosen Collection\n","\nHolbrook Collection\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Arthur B. Steinman Collection contains twentieth century African sculptures and masks from the central and western regions of Africa. It also contains one lithograph print of \"Planting\" signed by Thomas Hart Benton.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Arthur B. Steinman Collection contains twentieth century African sculptures and masks from the central and western regions of Africa. It also contains one lithograph print of \"Planting\" signed by Thomas Hart Benton."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":121,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870838806929735680,"_root_":"f7056a8cb7d484dfa7e47d98","timestamp":"2026-07-16T03:02:00.302Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f7056a8cb7d484dfa7e47d98_aspace_32fadb50301c752b3fea9ac858fe104c"}},{"id":"a28f8dc9f24d345f1336c852_aspace_cb03488ef8cf90e6831b96d3cf2fe35b","type":"Item","attributes":{"title":"Yaka Wood Standing Figure","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a28f8dc9f24d345f1336c852_aspace_cb03488ef8cf90e6831b96d3cf2fe35b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA cylindrical figure, like this example, has an upturned nose - one of its distinctive features. Objects of this type are thought to be used by the diviner in ceremonies of protection and fertility. Such a figure can be multifunctional in its capacity for healing and causing illness.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a28f8dc9f24d345f1336c852_aspace_cb03488ef8cf90e6831b96d3cf2fe35b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cb03488ef8cf90e6831b96d3cf2fe35b","ref_ssm":["aspace_cb03488ef8cf90e6831b96d3cf2fe35b","aspace_cb03488ef8cf90e6831b96d3cf2fe35b"],"id":"a28f8dc9f24d345f1336c852_aspace_cb03488ef8cf90e6831b96d3cf2fe35b","title_filing_ssi":"Yaka Wood Standing Figure","title_ssm":["Yaka Wood Standing Figure"],"title_tesim":["Yaka Wood Standing Figure"],"normalized_title_ssm":["Yaka Wood Standing Figure"],"text":["Yaka Wood Standing Figure","Paul and Mary Rosen Collection, Circa 1900-2000","/repositories/2/archival_objects/8276","Wood","object RSN-BA-43","A cylindrical figure, like this example, has an upturned nose - one of its distinctive features. Objects of this type are thought to be used by the diviner in ceremonies of protection and fertility. Such a figure can be multifunctional in its capacity for healing and causing illness.","Country of Origin: Democratic Republic of the Congo"],"component_level_isim":[1],"parent_ids_ssim":["a28f8dc9f24d345f1336c852"],"parent_unittitles_ssm":["Paul and Mary Rosen Collection, Circa 1900-2000"],"parent_unittitles_tesim":["Paul and Mary Rosen Collection, Circa 1900-2000"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/8276"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Paul and Mary Rosen Collection, Circa 1900-2000"],"physdesc_tesim":["Wood"],"dimensions_tesim":["3.5 x 3 x 17.5 inches"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":41,"parent_access_restrict_tesm":["The Paul and Mary Rosen Collection is open for research."],"containers_ssim":["object RSN-BA-43"],"scopecontent_html_tesm":["\u003cp\u003eA cylindrical figure, like this example, has an upturned nose - one of its distinctive features. Objects of this type are thought to be used by the diviner in ceremonies of protection and fertility. Such a figure can be multifunctional in its capacity for healing and causing illness.\u003c/p\u003e","\u003cp\u003eCountry of Origin: Democratic Republic of the Congo\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A cylindrical figure, like this example, has an upturned nose - one of its distinctive features. Objects of this type are thought to be used by the diviner in ceremonies of protection and fertility. Such a figure can be multifunctional in its capacity for healing and causing illness.","Country of Origin: Democratic Republic of the Congo"],"_nest_path_":"/components#40","_nest_parent_":"a28f8dc9f24d345f1336c852","_root_":"a28f8dc9f24d345f1336c852","_version_":1872831885827112960,"timestamp":"2026-08-07T03:01:08.460Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a28f8dc9f24d345f1336c852","title_filing_ssi":"Rosen, Paul and Mary Collection","title_ssm":["Paul and Mary Rosen Collection"],"title_tesim":["Paul and Mary Rosen Collection"],"ead_ssi":"a28f8dc9f24d345f1336c852","unitdate_ssm":["Circa 1900-2000"],"unitdate_inclusive_ssm":["Circa 1900-2000"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.38","/repositories/2/resources/249"],"text":["AARLCC.2003.38","/repositories/2/resources/249","Paul and Mary Rosen Collection, Circa 1900-2000","Masks, African","Masks","Art objects, African","Sculptures","Wood carvings","The Paul and Mary Rosen Collection is open for research.","View 3D images of the artifacts on the AARLCC Artifacts website.","View 3D images of the artifacts on Sketchfab.","Paul Peter Rosen (1938-) and Mary Sue Rosen (1944-) are collectors of African art and artifacts. Dr. Paul Rosen worked at Memorial Sloan Kettering Institute in New York City. He was also a professor of Pathology at Weill Cornell Medical College from 1984 to 2010. In 2010, he became Professor Emeritus of Pathology after his retirement from full time teaching. Mary teaches at The New School in the Writing Program. ","Dr. and Mrs. Rosen travelled to African countries such as Ghana and Mali to collect artifacts. Together they have written exhibition catalogs of their collections of masks, sculptures, puppets, pottery and textiles. Their publications include \"The colorful Sogo Bò puppets of Mali\" (2012), \"Masks from West and Central Africa: a celebration of color \u0026 form\" (2013), and \"Emblems of power: Asafo flags from Ghana\" (2013). In 2002, the Rosens donated a portion of their African mask and sculpture collection to the African American Research Library and Cultural Center. They donated a second and third installment in 2003.","Descriptions of artifacts were provided by donors at the time of donation to the African American Research Library and Cultural Center. Descriptive information in brackets is supplied by archivist. ","Item dimensions are length x depth x height and measured in inches.","This collection received item level processing by Emily Calderon in July 2023. Additional items were processed and the finding aid updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Paul and Mary Rosen Collection contains 65 objects including masks, currency, figures, and other objects from the Democratic Republic of the Congo, Burkina Faso, Nigeria, Mali, Gabon, Zaire, Tanzania, Cameroon, Angola, Ivory Coast, and Liberia dating to the 20th century.","AARLCC Special Collections","Rosen, Paul, 1938-","Rosen, Mary Sue, 1944-","English"],"unitid_tesim":["AARLCC.2003.38","/repositories/2/resources/249"],"normalized_date_ssm":["Circa 1900-2000"],"normalized_title_ssm":["Paul and Mary Rosen Collection, Circa 1900-2000"],"collection_title_tesim":["Paul and Mary Rosen Collection, Circa 1900-2000"],"collection_ssim":["Paul and Mary Rosen Collection, Circa 1900-2000"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Rosen, Paul, 1938-","Rosen, Mary Sue, 1944-"],"creator_ssim":["Rosen, Paul, 1938-","Rosen, Mary Sue, 1944-"],"creator_persname_ssim":["Rosen, Paul, 1938-","Rosen, Mary Sue, 1944-"],"creators_ssim":["Rosen, Paul, 1938-","Rosen, Mary Sue, 1944-"],"acqinfo_ssim":["Paul and Mary Rosen donated the materials to the African American Research Library and Cultural Center Special Collections in 2002 and 2003 (Accession AARLCC-2003.38)."],"access_subjects_ssim":["Masks, African","Masks","Art objects, African","Sculptures","Wood carvings"],"access_subjects_ssm":["Masks, African","Masks","Art objects, African","Sculptures","Wood carvings"],"has_online_content_ssim":["false"],"extent_ssm":["65 Objects"],"extent_tesim":["65 Objects"],"genreform_ssim":["Sculptures","Wood carvings"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe Paul and Mary Rosen Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Paul and Mary Rosen Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://aarlccartifacts.omeka.net/\" target=\"_blank\"\u003eView 3D images of the artifacts on the AARLCC Artifacts website.\u003c/a\u003e\n\u003c/p\u003e\n","\u003cp\u003e\n\u003ca href=\"https://sketchfab.com/AARLCC\" target=\"_blank\"\u003eView 3D images of the artifacts on Sketchfab.\u003c/a\u003e\n\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View 3D images of the artifacts on the AARLCC Artifacts website.","View 3D images of the artifacts on Sketchfab."],"bioghist_html_tesm":["\u003cp\u003ePaul Peter Rosen (1938-) and Mary Sue Rosen (1944-) are collectors of African art and artifacts. Dr. Paul Rosen worked at Memorial Sloan Kettering Institute in New York City. He was also a professor of Pathology at Weill Cornell Medical College from 1984 to 2010. In 2010, he became Professor Emeritus of Pathology after his retirement from full time teaching. Mary teaches at The New School in the Writing Program. \u003c/p\u003e\n","\u003cp\u003eDr. and Mrs. Rosen travelled to African countries such as Ghana and Mali to collect artifacts. Together they have written exhibition catalogs of their collections of masks, sculptures, puppets, pottery and textiles. Their publications include \"The colorful Sogo B\u0026#xF2; puppets of Mali\" (2012), \"Masks from West and Central Africa: a celebration of color \u0026amp; form\" (2013), and \"Emblems of power: Asafo flags from Ghana\" (2013). In 2002, the Rosens donated a portion of their African mask and sculpture collection to the African American Research Library and Cultural Center. They donated a second and third installment in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Paul Peter Rosen (1938-) and Mary Sue Rosen (1944-) are collectors of African art and artifacts. Dr. Paul Rosen worked at Memorial Sloan Kettering Institute in New York City. He was also a professor of Pathology at Weill Cornell Medical College from 1984 to 2010. In 2010, he became Professor Emeritus of Pathology after his retirement from full time teaching. Mary teaches at The New School in the Writing Program. ","Dr. and Mrs. Rosen travelled to African countries such as Ghana and Mali to collect artifacts. Together they have written exhibition catalogs of their collections of masks, sculptures, puppets, pottery and textiles. Their publications include \"The colorful Sogo Bò puppets of Mali\" (2012), \"Masks from West and Central Africa: a celebration of color \u0026 form\" (2013), and \"Emblems of power: Asafo flags from Ghana\" (2013). In 2002, the Rosens donated a portion of their African mask and sculpture collection to the African American Research Library and Cultural Center. They donated a second and third installment in 2003."],"prefercite_html_tesm":["\u003cp\u003ePaul and Mary Rosen Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Paul and Mary Rosen Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eDescriptions of artifacts were provided by donors at the time of donation to the African American Research Library and Cultural Center. Descriptive information in brackets is supplied by archivist. \u003c/p\u003e","\u003cp\u003eItem dimensions are length x depth x height and measured in inches.\u003c/p\u003e","\u003cp\u003eThis collection received item level processing by Emily Calderon in July 2023. Additional items were processed and the finding aid updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Descriptions of artifacts were provided by donors at the time of donation to the African American Research Library and Cultural Center. Descriptive information in brackets is supplied by archivist. ","Item dimensions are length x depth x height and measured in inches.","This collection received item level processing by Emily Calderon in July 2023. Additional items were processed and the finding aid updated by Erin Purdy in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Paul and Mary Rosen Collection contains 65 objects including masks, currency, figures, and other objects from the Democratic Republic of the Congo, Burkina Faso, Nigeria, Mali, Gabon, Zaire, Tanzania, Cameroon, Angola, Ivory Coast, and Liberia dating to the 20th century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Paul and Mary Rosen Collection contains 65 objects including masks, currency, figures, and other objects from the Democratic Republic of the Congo, Burkina Faso, Nigeria, Mali, Gabon, Zaire, Tanzania, Cameroon, Angola, Ivory Coast, and Liberia dating to the 20th century."],"names_ssim":["AARLCC Special Collections","Rosen, Paul, 1938-","Rosen, Mary Sue, 1944-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Rosen, Paul, 1938-","Rosen, Mary Sue, 1944-"],"persname_ssim":["Rosen, Paul, 1938-","Rosen, Mary Sue, 1944-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872831885827112960,"_root_":"a28f8dc9f24d345f1336c852","timestamp":"2026-08-07T03:01:08.460Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a28f8dc9f24d345f1336c852_aspace_cb03488ef8cf90e6831b96d3cf2fe35b"}},{"id":"2adc31a30bfcd724088cd673_aspace_197302","type":"Item","attributes":{"title":"Yale, Arthur, undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2adc31a30bfcd724088cd673_aspace_197302#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eJoined the Army after the Pearl Harbor attack; shipped out through the Pacific into the CBI theater to a camp in Calcutta; mules carrying supplies through the rough terrain in Burma; poor training of Chinese soldiers; training Chinese medics; problems with malaria, dysentery; interaction with villagers in Burma; regiment deactivated in July 1945. 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In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan, \u003cemph render=\"italic\"\u003eWe Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II\u003c/emph\u003e (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. 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Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM.","The collection is arranged into series and subseries","In 2015 this collection was processed by Charlotte Barna","In 2012, Cantor Murray Yavneh donated his collection of nearly 200 pieces of print music, music manuscripts, song books, and periodicals to Florida Atlantic University. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into series and subseries\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into series and subseries"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2015 this collection was processed by Charlotte Barna\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2015 this collection was processed by Charlotte Barna"],"scopecontent_html_tesm":["\u003cp\u003eIn 2012, Cantor Murray Yavneh donated his collection of nearly 200 pieces of print music, music manuscripts, song books, and periodicals to Florida Atlantic University. 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Not only remembered for being a great Cantor in both Pennsylvania and New York,  Cantor Stuart Kanas is also remembered for a legal decision that helped define the Cantor as a co-officiate in Jewish services of worship when it comes to draft deferment (1967). Cantor Stuart Kanas passed away on September 28, 2002.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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