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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Leslie Siegel processed this collection.","This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"extent_tesim":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Leslie Siegel processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Leslie Siegel processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. 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Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Marion Rinhart"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Marion Rinhart"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841756013035520,"_root_":"9295ab59f6671b5f8925101a","timestamp":"2026-07-16T03:48:52.675Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73843"}},{"id":"9295ab59f6671b5f8925101a_aspace_73844","type":"Item","attributes":{"title":"Wrong Room, 1888","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73844#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCopy photograph of a man in a nightshirt wearing a top hat and holding his clothes while a woman looks the other way holding her hand out for him to leave; Handwritten in pencil on the back is \"c. 1888;\" Tape removal marks on the back\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73844#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_73844","ref_ssm":["aspace_73844","aspace_73844"],"id":"9295ab59f6671b5f8925101a_aspace_73844","title_filing_ssi":"Wrong Room","title_ssm":["Wrong Room"],"title_tesim":["Wrong Room"],"unitdate_other_ssim":["1888"],"normalized_date_ssm":["1888"],"normalized_title_ssm":["Wrong Room, 1888"],"text":["Wrong Room, 1888","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Published Book - \"America's Affluent Age\"","Staged Comic Photographs","Item 160","/repositories/2/archival_objects/49962","4 3/8\"X4 3/8\" Black And White photograph","box 17","Unknown","Copy photograph of a man in a nightshirt wearing a top hat and holding his clothes while a woman looks the other way holding her hand out for him to leave; Handwritten in pencil on the back is \"c. 1888;\" Tape removal marks on the back"],"component_level_isim":[3],"parent_ids_ssim":["9295ab59f6671b5f8925101a","9295ab59f6671b5f8925101a_aspace_73760","9295ab59f6671b5f8925101a_aspace_73839"],"parent_unittitles_ssm":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Published Book - \"America's Affluent Age\"","Staged Comic Photographs"],"parent_unittitles_tesim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Published Book - \"America's Affluent Age\"","Staged Comic Photographs"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 160","/repositories/2/archival_objects/49962"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"physdesc_tesim":["4 3/8\"X4 3/8\" Black And White photograph"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1036,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Leslie Siegel processed this collection.","This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Leslie Siegel processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Leslie Siegel processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. 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Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Marion Rinhart"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Marion Rinhart"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841756013035520,"_root_":"9295ab59f6671b5f8925101a","timestamp":"2026-07-16T03:48:52.675Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73844"}},{"id":"9295ab59f6671b5f8925101a_aspace_73845","type":"Item","attributes":{"title":"Wrong Room, 1897","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73845#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCopy photograph of three women in night gowns holding the bed room door shut as a man accidently enters their room; Handwritten in pencil on the back is \"In the wrong room 1897;\" Tape removal marks on the back\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73845#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_73845","ref_ssm":["aspace_73845","aspace_73845"],"id":"9295ab59f6671b5f8925101a_aspace_73845","title_filing_ssi":"Wrong Room","title_ssm":["Wrong Room"],"title_tesim":["Wrong Room"],"unitdate_other_ssim":["1897"],"normalized_date_ssm":["1897"],"normalized_title_ssm":["Wrong Room, 1897"],"text":["Wrong Room, 1897","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Published Book - \"America's Affluent Age\"","Staged Comic Photographs","Item 161","/repositories/2/archival_objects/49994","5\"X5 1/8\" Black And White photograph","box 17","Unknown","Copy photograph of three women in night gowns holding the bed room door shut as a man accidently enters their room; Handwritten in pencil on the back is \"In the wrong room 1897;\" Tape removal marks on the back"],"component_level_isim":[3],"parent_ids_ssim":["9295ab59f6671b5f8925101a","9295ab59f6671b5f8925101a_aspace_73760","9295ab59f6671b5f8925101a_aspace_73839"],"parent_unittitles_ssm":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Published Book - \"America's Affluent Age\"","Staged Comic Photographs"],"parent_unittitles_tesim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Published Book - \"America's Affluent Age\"","Staged Comic Photographs"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 161","/repositories/2/archival_objects/49994"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"physdesc_tesim":["5\"X5 1/8\" Black And White photograph"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1037,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 17"],"odd_html_tesm":["\u003cp\u003eUnknown\u003c/p\u003e"],"odd_heading_ssm":["Creator"],"odd_tesim":["Unknown"],"scopecontent_html_tesm":["\u003cp\u003eCopy photograph of three women in night gowns holding the bed room door shut as a man accidently enters their room; Handwritten in pencil on the back is \"In the wrong room 1897;\" Tape removal marks on the back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Copy photograph of three women in night gowns holding the bed room door shut as a man accidently enters their room; Handwritten in pencil on the back is \"In the wrong room 1897;\" Tape removal marks on the back"],"_nest_path_":"/components#6/components#5/components#4","_nest_parent_":"9295ab59f6671b5f8925101a_aspace_73839","_root_":"9295ab59f6671b5f8925101a","_version_":1870841756013035520,"timestamp":"2026-07-16T03:48:52.675Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9295ab59f6671b5f8925101a","title_ssm":["Marion Rinhart Photographs Collection"],"title_tesim":["Marion Rinhart Photographs Collection"],"ead_ssi":"9295ab59f6671b5f8925101a","unitdate_ssm":["1860-1952","1875-1934"],"unitdate_bulk_ssim":["1875-1934"],"unitdate_inclusive_ssm":["1860-1952"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00026","/repositories/2/resources/146"],"text":["SPC00026","/repositories/2/resources/146","Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Leslie Siegel processed this collection.","This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Marion Rinhart","English"],"unitid_tesim":["SPC00026","/repositories/2/resources/146"],"normalized_date_ssm":["1860-1952, bulk 1875-1934"],"normalized_title_ssm":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"collection_title_tesim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"collection_ssim":["Marion Rinhart Photographs Collection, 1860-1952, bulk 1875-1934"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Marion Rinhart"],"creator_ssim":["Marion Rinhart"],"creator_persname_ssim":["Marion Rinhart"],"creators_ssim":["Marion Rinhart"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"extent_tesim":["18.00 Linear Feet","18 clamshell boxes other_unmapped"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Leslie Siegel processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Leslie Siegel processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.\u0026#xA0; The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami, \u003cextref href=\"http://proust.library.miami.edu/favicon.ico\"\u003eOtto Richter Library\u003c/extref\u003e in Coral Gables, Florida.\u003c/p\u003e\n","\u003cp\u003eThe Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of both original and reproduced photographs from the late nineteenth and early twentieth centuries. Subjects include Florida, New Jersey resorts, New York, children, the work of Jesse Wooley, and the photograph album of Aubrey Howell. Also included are more than eighty stereo cards from the 1800s which appear three-dimensional through the use of a stereoscope.  The original Rinhart collection of photos, daguerreotypes, ambrotypes and tintypes was donated to the University of Miami,  Otto Richter Library  in Coral Gables, Florida.","The Rinharts also donated a collection of American and European prints from the 1800s that were originally part of a Shaker woman's scrapbook."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Marion Rinhart"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Marion Rinhart"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1239,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841756013035520,"_root_":"9295ab59f6671b5f8925101a","timestamp":"2026-07-16T03:48:52.675Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9295ab59f6671b5f8925101a_aspace_73845"}},{"id":"34ef34a6297dd55b432be819_aspace_66485","type":"Item","attributes":{"title":"\"Wrong-Sided Anesthetic and Surgical Procedures: Why Do They Continue to Happen?\" by Samuel Seiden \u0026 Paul Barach., Undated.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_66485#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66485","ref_ssm":["aspace_66485","aspace_66485"],"id":"34ef34a6297dd55b432be819_aspace_66485","title_filing_ssi":"\"Wrong-Sided Anesthetic and Surgical Procedures: Why Do They Continue to Happen?\" by Samuel Seiden \u0026 Paul Barach.","title_ssm":["\"Wrong-Sided Anesthetic and Surgical Procedures: Why Do They Continue to Happen?\" by Samuel Seiden \u0026 Paul Barach."],"title_tesim":["\"Wrong-Sided Anesthetic and Surgical Procedures: Why Do They Continue to Happen?\" by Samuel Seiden \u0026 Paul Barach."],"unitdate_other_ssim":["Undated."],"normalized_date_ssm":["Undated."],"normalized_title_ssm":["\"Wrong-Sided Anesthetic and Surgical Procedures: Why Do They Continue to Happen?\" by Samuel Seiden \u0026 Paul Barach., Undated."],"text":["\"Wrong-Sided Anesthetic and Surgical Procedures: Why Do They Continue to Happen?\" by Samuel Seiden \u0026 Paul Barach., Undated.","John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014.","Item 90","/repositories/4/archival_objects/49726","box 19","folder 90"],"component_level_isim":[3],"parent_ids_ssim":["34ef34a6297dd55b432be819","34ef34a6297dd55b432be819_aspace_64411","34ef34a6297dd55b432be819_aspace_64682"],"parent_unittitles_ssm":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014."],"parent_unittitles_tesim":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 90","/repositories/4/archival_objects/49726"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2068,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 19","folder 90"],"_nest_path_":"/components#0/components#2/components#1802","_nest_parent_":"34ef34a6297dd55b432be819_aspace_64682","_root_":"34ef34a6297dd55b432be819","_version_":1870857920658276352,"timestamp":"2026-07-16T08:05:48.372Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34ef34a6297dd55b432be819","title_ssm":["John W. Senders Working Collection"],"title_tesim":["John W. Senders Working Collection"],"ead_ssi":"34ef34a6297dd55b432be819","unitdate_ssm":["1880-2014"],"unitdate_inclusive_ssm":["1880-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.096","/repositories/4/resources/188"],"text":["SC.096","/repositories/4/resources/188","John W. Senders Working Collection, 1880-2014","The entire collection is open for research.","This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.","John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. ","Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.","Related materials may be found in the UCF Library  Online Catalog .","Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.","UCF Special Collections","Senders, John W., 1920-","English"],"unitid_tesim":["SC.096","/repositories/4/resources/188"],"normalized_date_ssm":["1880-2014"],"normalized_title_ssm":["John W. Senders Working Collection, 1880-2014"],"collection_title_tesim":["John W. Senders Working Collection, 1880-2014"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Senders, John W., 1920-"],"creator_ssim":["Senders, John W., 1920-"],"creator_persname_ssim":["Senders, John W., 1920-"],"creators_ssim":["Senders, John W., 1920-"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["John W. Senders donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2013 (CFM2013_07). Additional materials were donated in 2017 (CFM2017_08)."],"has_online_content_ssim":["false"],"extent_ssm":["25.25 Linear Feet 28 Boxes"],"extent_tesim":["25.25 Linear Feet 28 Boxes"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eJohn W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.\u003c/p\u003e\n","\u003cp\u003e\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.\u003c/p\u003e\n","\u003cp\u003e\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.\u003c/p\u003e\n","\u003cp\u003e\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).\u003c/p\u003e\n","\u003cp\u003eComplications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. "],"prefercite_html_tesm":["\u003cp\u003eJohn W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["John W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eRusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.\u003c/p\u003e","\u003cp\u003eProcessed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials may be found in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials may be found in the UCF Library  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bddd1759a5977a490b31b5210006a678\" label=\"Abstract\"\u003eJohn W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.\u003c/abstract\u003e"],"abstract_tesim":["John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013."],"names_ssim":["UCF Special Collections","Senders, John W., 1920-"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Senders, John W., 1920-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2526,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857920658276352,"_root_":"34ef34a6297dd55b432be819","timestamp":"2026-07-16T08:05:48.372Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_66485"}},{"id":"34ef34a6297dd55b432be819_aspace_66184","type":"Item","attributes":{"title":"\"Wrong site surgery\" by Ingri Ekrol, and Christopher Oliver., October, 2004.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_66184#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66184","ref_ssm":["aspace_66184","aspace_66184"],"id":"34ef34a6297dd55b432be819_aspace_66184","title_filing_ssi":"\"Wrong site surgery\" by Ingri Ekrol, and Christopher Oliver.","title_ssm":["\"Wrong site surgery\" by Ingri Ekrol, and Christopher Oliver."],"title_tesim":["\"Wrong site surgery\" by Ingri Ekrol, and Christopher Oliver."],"unitdate_other_ssim":["October, 2004."],"normalized_date_ssm":["October, 2004."],"normalized_title_ssm":["\"Wrong site surgery\" by Ingri Ekrol, and Christopher Oliver., October, 2004."],"text":["\"Wrong site surgery\" by Ingri Ekrol, and Christopher Oliver., October, 2004.","John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014.","Item 98","/repositories/4/archival_objects/49428","box 16","folder 98"],"component_level_isim":[3],"parent_ids_ssim":["34ef34a6297dd55b432be819","34ef34a6297dd55b432be819_aspace_64411","34ef34a6297dd55b432be819_aspace_64682"],"parent_unittitles_ssm":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014."],"parent_unittitles_tesim":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 98","/repositories/4/archival_objects/49428"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1770,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 16","folder 98"],"_nest_path_":"/components#0/components#2/components#1504","_nest_parent_":"34ef34a6297dd55b432be819_aspace_64682","_root_":"34ef34a6297dd55b432be819","_version_":1870857920658276352,"timestamp":"2026-07-16T08:05:48.372Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34ef34a6297dd55b432be819","title_ssm":["John W. Senders Working Collection"],"title_tesim":["John W. Senders Working Collection"],"ead_ssi":"34ef34a6297dd55b432be819","unitdate_ssm":["1880-2014"],"unitdate_inclusive_ssm":["1880-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.096","/repositories/4/resources/188"],"text":["SC.096","/repositories/4/resources/188","John W. Senders Working Collection, 1880-2014","The entire collection is open for research.","This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.","John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. ","Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.","Related materials may be found in the UCF Library  Online Catalog .","Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.","UCF Special Collections","Senders, John W., 1920-","English"],"unitid_tesim":["SC.096","/repositories/4/resources/188"],"normalized_date_ssm":["1880-2014"],"normalized_title_ssm":["John W. Senders Working Collection, 1880-2014"],"collection_title_tesim":["John W. Senders Working Collection, 1880-2014"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Senders, John W., 1920-"],"creator_ssim":["Senders, John W., 1920-"],"creator_persname_ssim":["Senders, John W., 1920-"],"creators_ssim":["Senders, John W., 1920-"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["John W. Senders donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2013 (CFM2013_07). Additional materials were donated in 2017 (CFM2017_08)."],"has_online_content_ssim":["false"],"extent_ssm":["25.25 Linear Feet 28 Boxes"],"extent_tesim":["25.25 Linear Feet 28 Boxes"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eJohn W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.\u003c/p\u003e\n","\u003cp\u003e\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.\u003c/p\u003e\n","\u003cp\u003e\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.\u003c/p\u003e\n","\u003cp\u003e\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).\u003c/p\u003e\n","\u003cp\u003eComplications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. "],"prefercite_html_tesm":["\u003cp\u003eJohn W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["John W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eRusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.\u003c/p\u003e","\u003cp\u003eProcessed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials may be found in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials may be found in the UCF Library  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bddd1759a5977a490b31b5210006a678\" label=\"Abstract\"\u003eJohn W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.\u003c/abstract\u003e"],"abstract_tesim":["John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013."],"names_ssim":["UCF Special Collections","Senders, John W., 1920-"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Senders, John W., 1920-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2526,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857920658276352,"_root_":"34ef34a6297dd55b432be819","timestamp":"2026-07-16T08:05:48.372Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_66184"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_a9a4f636e54746882b7c333c4e60790b","type":"Item","attributes":{"title":"WRPN On Screen Ads, 2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_a9a4f636e54746882b7c333c4e60790b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a9a4f636e54746882b7c333c4e60790b","ref_ssm":["aspace_a9a4f636e54746882b7c333c4e60790b","aspace_a9a4f636e54746882b7c333c4e60790b"],"id":"ec0d65981df646e0f1a8b1b3_aspace_a9a4f636e54746882b7c333c4e60790b","title_filing_ssi":"WRPN On Screen Ads","title_ssm":["WRPN On Screen Ads"],"title_tesim":["WRPN On Screen Ads"],"unitdate_other_ssim":["2003"],"normalized_date_ssm":["2003"],"normalized_title_ssm":["WRPN On Screen Ads, 2003"],"text":["WRPN On Screen Ads, 2003","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Photographs \u0026 CDs","/repositories/2/archival_objects/184578","box 5","object 37"],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_55997459c2d533703121f16f4a91f3a9"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Photographs \u0026 CDs"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Photographs \u0026 CDs"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/184578"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":254,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2003],"containers_ssim":["box 5","object 37"],"_nest_path_":"/components#4/components#35","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_55997459c2d533703121f16f4a91f3a9","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_a9a4f636e54746882b7c333c4e60790b"}},{"id":"a0a65b28104bce9cf5ed2e36_aspace_167077","type":"Item","attributes":{"title":"WS-E-13","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_167077#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph. A Film by Allen Funt. What Do You Say to A Naked Lady? Color be DeLuxe. United Artists, Entertainment from Transamerica Corporation. Copyright 1970, United Artists, All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in U.S.A.) \"Property of National Screen Service Corp. Licensed for display in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter.\" 70/96\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_167077#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_167077","ref_ssm":["aspace_167077","aspace_167077"],"id":"a0a65b28104bce9cf5ed2e36_aspace_167077","title_filing_ssi":"WS-E-13","title_ssm":["WS-E-13"],"title_tesim":["WS-E-13"],"normalized_title_ssm":["WS-E-13"],"text":["WS-E-13","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Greek, Roman and Biblical Themes in the Cinema","What Do You Say to A Naked Lady?","Item 1","/repositories/2/archival_objects/15932","Black and white photograph. A Film by Allen Funt. What Do You Say to A Naked Lady? Color be DeLuxe. United Artists, Entertainment from Transamerica Corporation. Copyright 1970, United Artists, All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in U.S.A.) \"Property of National Screen Service Corp. Licensed for display in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter.\" 70/96"],"component_level_isim":[3],"parent_ids_ssim":["a0a65b28104bce9cf5ed2e36","a0a65b28104bce9cf5ed2e36_aspace_166855","a0a65b28104bce9cf5ed2e36_aspace_167076"],"parent_unittitles_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Greek, Roman and Biblical Themes in the Cinema","What Do You Say to A Naked Lady?"],"parent_unittitles_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Greek, Roman and Biblical Themes in the Cinema","What Do You Say to A Naked Lady?"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/15932"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3184,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph. A Film by Allen Funt. What Do You Say to A Naked Lady? Color be DeLuxe. United Artists, Entertainment from Transamerica Corporation. Copyright 1970, United Artists, All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in U.S.A.) \"Property of National Screen Service Corp. Licensed for display in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter.\" 70/96\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. A Film by Allen Funt. What Do You Say to A Naked Lady? Color be DeLuxe. United Artists, Entertainment from Transamerica Corporation. Copyright 1970, United Artists, All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in U.S.A.) \"Property of National Screen Service Corp. Licensed for display in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter.\" 70/96"],"_nest_path_":"/components#12/components#20/components#0","_nest_parent_":"a0a65b28104bce9cf5ed2e36_aspace_167076","_root_":"a0a65b28104bce9cf5ed2e36","_version_":1873942720913866752,"timestamp":"2026-08-19T09:17:23.247Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0a65b28104bce9cf5ed2e36","title_ssm":["William Knight Zewadski Classical movie stills collection"],"title_tesim":["William Knight Zewadski Classical movie stills collection"],"ead_ssi":"a0a65b28104bce9cf5ed2e36","unitdate_ssm":["1860-2007","Date acquired: 00/00/2018"],"unitdate_inclusive_ssm":["1860-2007"],"unitdate_other_ssim":["Date acquired: 00/00/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Z11","/repositories/2/resources/82"],"text":["Z11","/repositories/2/resources/82","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume","The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained.","William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.","This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.","USF Libraries - Tampa Special Collections","Zewadski, William Knight","English"],"unitid_tesim":["Z11","/repositories/2/resources/82"],"normalized_date_ssm":["1860-2007, Date acquired: 00/00/2018"],"normalized_title_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"collection_title_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Zewadski, William Knight"],"creator_ssim":["Zewadski, William Knight"],"creator_persname_ssim":["Zewadski, William Knight"],"creators_ssim":["Zewadski, William Knight"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["William Knight Zewadski","Donation."],"access_subjects_ssim":["Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume"],"access_subjects_ssm":["Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume"],"has_online_content_ssim":["false"],"extent_ssm":["11.42 Linear Feet","28 boxes"],"extent_tesim":["11.42 Linear Feet","28 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged topically and according to chronology. The donor's original order is maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford."],"names_ssim":["USF Libraries - Tampa Special Collections","Zewadski, William Knight"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Zewadski, William Knight"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6120,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873942720913866752,"_root_":"a0a65b28104bce9cf5ed2e36","timestamp":"2026-08-19T09:17:23.247Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_167077"}},{"id":"1309a9d63f577afddf5ec714_aspace_111404","type":"Item","attributes":{"title":"W. Sends Kim Saddam's Head, May 12, 2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1309a9d63f577afddf5ec714_aspace_111404#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_111404","ref_ssm":["aspace_111404","aspace_111404"],"id":"1309a9d63f577afddf5ec714_aspace_111404","title_filing_ssi":"W. Sends Kim Saddam's Head","title_ssm":["W. Sends Kim Saddam's Head"],"title_tesim":["W. Sends Kim Saddam's Head"],"unitdate_other_ssim":["May 12, 2003"],"normalized_date_ssm":["May 12, 2003"],"normalized_title_ssm":["W. Sends Kim Saddam's Head, May 12, 2003"],"text":["W. Sends Kim Saddam's Head, May 12, 2003","Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Code Red Cartoons","Code Red Cartoons II","Item 50","/repositories/2/archival_objects/112753","usfldc:H59-00066"],"component_level_isim":[3],"parent_ids_ssim":["1309a9d63f577afddf5ec714","1309a9d63f577afddf5ec714_aspace_123466","1309a9d63f577afddf5ec714_aspace_110516"],"parent_unittitles_ssm":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Code Red Cartoons","Code Red Cartoons II"],"parent_unittitles_tesim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Code Red Cartoons","Code Red Cartoons II"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Item 50","/repositories/2/archival_objects/112753"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":122,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_0fa3d9a2a14a32109b48a5362363cd91\"\u003eusfldc:H59-00066\u003c/materialspec\u003e"],"materialspec_tesim":["usfldc:H59-00066"],"_nest_path_":"/components#0/components#1/components#49","_nest_parent_":"1309a9d63f577afddf5ec714_aspace_110516","_root_":"1309a9d63f577afddf5ec714","_version_":1870863200756432896,"timestamp":"2026-07-16T09:29:44.067Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1309a9d63f577afddf5ec714","title_ssm":["Ed Hall editorial cartoon collection"],"title_tesim":["Ed Hall editorial cartoon collection"],"ead_ssi":"1309a9d63f577afddf5ec714","unitdate_ssm":["1996-2006","Date acquired: 12/00/2012"],"unitdate_inclusive_ssm":["1996-2006"],"unitdate_other_ssim":["Date acquired: 12/00/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["H59","/repositories/2/resources/494"],"text":["H59","/repositories/2/resources/494","Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Florida -- Politics and government","Caricatures and cartoons -- United States","Artists -- Florida","Political cartoons","Series Two added March 2014.","Original order maintained. Order corresponds with cartoon numbering in the publications  Code Red  and  Diversions.","Born in Jacksonville, Florida, Ed Hall received his B.D. in Graphic Design, and his M.F.A. in Painting from the University of Florida.  While in college he did political cartoons and illustrations for The Florida Independent Alligator, UF's school newspaper.  After college, Hall worked for several weekly publications in and around Jacksonville, and finally settled at The Baker County Press in Macclenny (just outside of Jacksonville) where he continues to work as the weekly cartoonist. Over the last 12 years, Hall has won 9 Florida Press Awards, 3 Newsmaker Awards, and numerous fine art awards in national and international competitions. In 2003, Ed was presented the 53rd Annual Green Eyeshade Award for weekly cartoons by The Society of Professional Journalists.  He has also won the Florida Press Club Award four times (2003 \u0026 2006, 2008 and 2012), competing with cartoonists from newspapers with up to 75,000 in circulation.","Ed is the owner of  Design Alternatives , a home-based residential design service. He has also been an adjunct professor of drawing at Flagler College in St. Augustine and The University of North Florida, Jacksonville.","Ed's cartoons and political illustrations have been featured in The Washington Post, The Los Angeles Times, The Tallahassee Democrat, The New York Time's Scope Magazine and on CNN Headline News. In 2003 he was asked to join Artizans, a Canadian based syndicate.  Through Artizans, Ed's cartoons appear weekly in newspapers across North America.","In 2003, Hall published his first book of oolitical cartoons entitled,  Code Red – Editorial Cartoons by Ed Hall.   His second collection entitled  Diversions and other Political Observations  was published in 2006.  His cartoons are also consistently featured in Charles Brook's \"Best Editorial Cartoons of the Year.\"","Hall's art work has been displayed both regionally and nationally; most recently at the American University Museum in Washington DC, the Warhol Museum in Pittsburgh, Pennsylvania, the Fowler Gallery in Provincetown, Massachusetts, and the Laredo Center for the Arts in Laredo, Texas.  He was also awarded a one-person show at the Reddi-arts Gallery in Jacksonville, Florida.  Other recent awards include best of show in  Behind the Mask, Inside the Head  a Jacksonville Coalition for the Visual Arts exhibition in 1997, and best of show for  Figures of the Millenium , a St. Augustine Art Association show held in 1999.","Hall is represented in Florida by The Corse Gallery \u0026 Atelier.  His work is also held in the permanent collection of the St. Augustine Art Association.","Hall resides in Jacksonville with his wife Emmy.","published","This collection contains original cartoons by Baker Country Press and Artizans cartoonist Ed Hall from his 2003 book entitled  Code Red—Editorial Cartoons  and his 2006 book entitled  Diversions . These cartoons, which originally ran from 1996-2006, cover topics including Florida politics, national politics, popular culture and the war in Iraq. Select cartoons were not donated and are not part of the collection.","\"Lil Bin Ladens from Bombed Saddam\" was donated separately to the Mahan Collection of American Humor and Cartoon Art. It is located in box 23 of the Mahan Collection.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Hall, Ed","English"],"unitid_tesim":["H59","/repositories/2/resources/494"],"normalized_date_ssm":["1996-2006, Date acquired: 12/00/2012"],"normalized_title_ssm":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"collection_title_tesim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"collection_ssim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government"],"geogname_ssim":["Florida -- Politics and government"],"creator_ssm":["Hall, Ed"],"creator_ssim":["Hall, Ed"],"creator_persname_ssim":["Hall, Ed"],"creators_ssim":["Hall, Ed"],"places_ssim":["Florida -- Politics and government"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Ed Hall","Donation"],"access_subjects_ssim":["Caricatures and cartoons -- United States","Artists -- Florida","Political cartoons"],"access_subjects_ssm":["Caricatures and cartoons -- United States","Artists -- Florida","Political cartoons"],"has_online_content_ssim":["false"],"extent_ssm":["6.62 Linear Feet","4 boxes"],"extent_tesim":["6.62 Linear Feet","4 boxes"],"genreform_ssim":["Political cartoons"],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accruals_html_tesm":["\u003cp\u003eSeries Two added March 2014.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Series Two added March 2014."],"arrangement_html_tesm":["\u003cp\u003eOriginal order maintained. Order corresponds with cartoon numbering in the publications \u003cemph render=\"italic\"\u003eCode Red\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eDiversions.\u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Original order maintained. Order corresponds with cartoon numbering in the publications  Code Red  and  Diversions."],"bioghist_html_tesm":["\u003cp\u003eBorn in Jacksonville, Florida, Ed Hall received his B.D. in Graphic Design, and his M.F.A. in Painting from the University of Florida.\u0026#xA0; While in college he did political cartoons and illustrations for The Florida Independent Alligator, UF's school newspaper.\u0026#xA0; After college, Hall worked for several weekly publications in and around Jacksonville, and finally settled at The Baker County Press in Macclenny (just outside of Jacksonville) where he continues to work as the weekly cartoonist. Over the last 12 years, Hall has won 9 Florida Press Awards, 3 Newsmaker Awards, and numerous fine art awards in national and international competitions. In 2003, Ed was presented the 53rd Annual Green Eyeshade Award for weekly cartoons by The Society of Professional Journalists.\u0026#xA0; He has also won the Florida Press Club Award four times (2003 \u0026amp; 2006, 2008 and 2012), competing with cartoonists from newspapers with up to 75,000 in circulation.\u003c/p\u003e\n","\u003cp\u003eEd is the owner of \u003cemph render=\"italic\"\u003eDesign Alternatives\u003c/emph\u003e, a home-based residential design service. He has also been an adjunct professor of drawing at Flagler College in St. Augustine and The University of North Florida, Jacksonville.\u003c/p\u003e\n","\u003cp\u003eEd's cartoons and political illustrations have been featured in The Washington Post, The Los Angeles Times, The Tallahassee Democrat, The New York Time's Scope Magazine and on CNN Headline News. In 2003 he was asked to join Artizans, a Canadian based syndicate.\u0026#xA0; Through Artizans, Ed's cartoons appear weekly in newspapers across North America.\u003c/p\u003e\n","\u003cp\u003eIn 2003, Hall published his first book of oolitical cartoons entitled, \u003cemph render=\"italic\"\u003eCode Red \u0026#x2013; Editorial Cartoons by Ed Hall.\u0026#xA0; \u003c/emph\u003eHis second collection entitled \u003cemph render=\"italic\"\u003eDiversions and other Political Observations\u003c/emph\u003e was published in 2006.\u0026#xA0; His cartoons are also consistently featured in Charles Brook's \"Best Editorial Cartoons of the Year.\"\u003c/p\u003e\n","\u003cp\u003eHall's art work has been displayed both regionally and nationally; most recently at the American University Museum in Washington DC, the Warhol Museum in Pittsburgh, Pennsylvania, the Fowler Gallery in Provincetown, Massachusetts, and the Laredo Center for the Arts in Laredo, Texas.\u0026#xA0; He was also awarded a one-person show at the Reddi-arts Gallery in Jacksonville, Florida.\u0026#xA0; Other recent awards include best of show in \u003cemph render=\"bold\"\u003e\u003cemph render=\"italic\"\u003eBehind the Mask, Inside the Head\u003c/emph\u003e\u003c/emph\u003e a Jacksonville Coalition for the Visual Arts exhibition in 1997, and best of show for \u003cemph render=\"bold\"\u003e\u003cemph render=\"italic\"\u003eFigures of the Millenium\u003c/emph\u003e\u003c/emph\u003e, a St. Augustine Art Association show held in 1999.\u003c/p\u003e\n","\u003cp\u003eHall is represented in Florida by The Corse Gallery \u0026amp; Atelier.\u0026#xA0; His work is also held in the permanent collection of the St. Augustine Art Association.\u003c/p\u003e\n","\u003cp\u003eHall resides in Jacksonville with his wife Emmy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Born in Jacksonville, Florida, Ed Hall received his B.D. in Graphic Design, and his M.F.A. in Painting from the University of Florida.  While in college he did political cartoons and illustrations for The Florida Independent Alligator, UF's school newspaper.  After college, Hall worked for several weekly publications in and around Jacksonville, and finally settled at The Baker County Press in Macclenny (just outside of Jacksonville) where he continues to work as the weekly cartoonist. Over the last 12 years, Hall has won 9 Florida Press Awards, 3 Newsmaker Awards, and numerous fine art awards in national and international competitions. In 2003, Ed was presented the 53rd Annual Green Eyeshade Award for weekly cartoons by The Society of Professional Journalists.  He has also won the Florida Press Club Award four times (2003 \u0026 2006, 2008 and 2012), competing with cartoonists from newspapers with up to 75,000 in circulation.","Ed is the owner of  Design Alternatives , a home-based residential design service. He has also been an adjunct professor of drawing at Flagler College in St. Augustine and The University of North Florida, Jacksonville.","Ed's cartoons and political illustrations have been featured in The Washington Post, The Los Angeles Times, The Tallahassee Democrat, The New York Time's Scope Magazine and on CNN Headline News. In 2003 he was asked to join Artizans, a Canadian based syndicate.  Through Artizans, Ed's cartoons appear weekly in newspapers across North America.","In 2003, Hall published his first book of oolitical cartoons entitled,  Code Red – Editorial Cartoons by Ed Hall.   His second collection entitled  Diversions and other Political Observations  was published in 2006.  His cartoons are also consistently featured in Charles Brook's \"Best Editorial Cartoons of the Year.\"","Hall's art work has been displayed both regionally and nationally; most recently at the American University Museum in Washington DC, the Warhol Museum in Pittsburgh, Pennsylvania, the Fowler Gallery in Provincetown, Massachusetts, and the Laredo Center for the Arts in Laredo, Texas.  He was also awarded a one-person show at the Reddi-arts Gallery in Jacksonville, Florida.  Other recent awards include best of show in  Behind the Mask, Inside the Head  a Jacksonville Coalition for the Visual Arts exhibition in 1997, and best of show for  Figures of the Millenium , a St. Augustine Art Association show held in 1999.","Hall is represented in Florida by The Corse Gallery \u0026 Atelier.  His work is also held in the permanent collection of the St. Augustine Art Association.","Hall resides in Jacksonville with his wife Emmy."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eEd Hall Editorial Cartoon Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ed Hall Editorial Cartoon Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains original cartoons by Baker Country Press and Artizans cartoonist Ed Hall from his 2003 book entitled \u003cemph render=\"italic\"\u003eCode Red\u0026#x2014;Editorial Cartoons \u003c/emph\u003eand his 2006 book entitled \u003cemph render=\"italic\"\u003eDiversions\u003c/emph\u003e. These cartoons, which originally ran from 1996-2006, cover topics including Florida politics, national politics, popular culture and the war in Iraq. Select cartoons were not donated and are not part of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains original cartoons by Baker Country Press and Artizans cartoonist Ed Hall from his 2003 book entitled  Code Red—Editorial Cartoons  and his 2006 book entitled  Diversions . These cartoons, which originally ran from 1996-2006, cover topics including Florida politics, national politics, popular culture and the war in Iraq. Select cartoons were not donated and are not part of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\"Lil Bin Ladens from Bombed Saddam\" was donated separately to the Mahan Collection of American Humor and Cartoon Art. It is located in box 23 of the Mahan Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["\"Lil Bin Ladens from Bombed Saddam\" was donated separately to the Mahan Collection of American Humor and Cartoon Art. It is located in box 23 of the Mahan Collection."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Hall, Ed"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hall, Ed"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":287,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863200756432896,"_root_":"1309a9d63f577afddf5ec714","timestamp":"2026-07-16T09:29:44.067Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1309a9d63f577afddf5ec714_aspace_111404"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7503},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":5448},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4886},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":4471},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Doak S. 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