{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19160\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19159\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19161\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19300\u0026view=compact"},"meta":{"pages":{"current_page":19160,"next_page":19161,"prev_page":19159,"total_pages":19300,"limit_value":10,"offset_value":191590,"total_count":192992,"first_page?":false,"last_page?":false}},"data":[{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_b068b07d729a41448304ec46c1aa549a","type":"Item","attributes":{"title":"Writing - Autographs from Charles Crumb's Supporters, (No. 70 \u0026 71) (2 Photos), Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_b068b07d729a41448304ec46c1aa549a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b068b07d729a41448304ec46c1aa549a","ref_ssm":["aspace_b068b07d729a41448304ec46c1aa549a","aspace_b068b07d729a41448304ec46c1aa549a"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_b068b07d729a41448304ec46c1aa549a","title_filing_ssi":"Writing - Autographs from Charles Crumb's Supporters, (No. 70 \u0026 71) (2 Photos)","title_ssm":["Writing - Autographs from Charles Crumb's Supporters, (No. 70 \u0026 71) (2 Photos)"],"title_tesim":["Writing - Autographs from Charles Crumb's Supporters, (No. 70 \u0026 71) (2 Photos)"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Writing - Autographs from Charles Crumb's Supporters, (No. 70 \u0026 71) (2 Photos), Undated"],"text":["Writing - Autographs from Charles Crumb's Supporters, (No. 70 \u0026 71) (2 Photos), Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated","/repositories/4/archival_objects/56941","Box 7","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIII","2a6a6aa34a3c99c1b1b95ea9_aspace_dd1470ca66dd35e7345717f107b298d7"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated"],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/56941"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":323,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["Box 7","Folder 2"],"_nest_path_":"/components#2/components#1/components#14","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_dd1470ca66dd35e7345717f107b298d7","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_b068b07d729a41448304ec46c1aa549a"}},{"id":"085cdf111f574f3d1d8dd845_aspace_3a329bcfa88bef6ac82d93cffe3648a2","type":"Item","attributes":{"title":"Writing for Beginning","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_3a329bcfa88bef6ac82d93cffe3648a2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA joint perzine with black and white text.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_3a329bcfa88bef6ac82d93cffe3648a2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3a329bcfa88bef6ac82d93cffe3648a2","ref_ssm":["aspace_3a329bcfa88bef6ac82d93cffe3648a2","aspace_3a329bcfa88bef6ac82d93cffe3648a2"],"id":"085cdf111f574f3d1d8dd845_aspace_3a329bcfa88bef6ac82d93cffe3648a2","title_filing_ssi":"Writing for Beginning","title_ssm":["Writing for Beginning"],"title_tesim":["Writing for Beginning"],"normalized_title_ssm":["Writing for Beginning"],"text":["Writing for Beginning","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Perzines, T-Y","Item 36","/repositories/2/archival_objects/216052","A joint perzine with black and white text.","[ingrid and zanna, auths.]\n    Vancouver, BC"],"component_level_isim":[2],"parent_ids_ssim":["085cdf111f574f3d1d8dd845","085cdf111f574f3d1d8dd845_aspace_157997"],"parent_unittitles_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Perzines, T-Y"],"parent_unittitles_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Perzines, T-Y"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 36","/repositories/2/archival_objects/216052"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":281,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eA joint perzine with black and white text.\u003c/p\u003e","\u003cp\u003e[ingrid and zanna, auths.]\n    Vancouver, BC\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A joint perzine with black and white text.","[ingrid and zanna, auths.]\n    Vancouver, BC"],"_nest_path_":"/components#8/components#35","_nest_parent_":"085cdf111f574f3d1d8dd845_aspace_157997","_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"085cdf111f574f3d1d8dd845","title_ssm":["Tampa Zine Fest Public Library"],"title_tesim":["Tampa Zine Fest Public Library"],"ead_ssi":"085cdf111f574f3d1d8dd845","unitdate_ssm":["1980-2016","Date acquired: 00/00/2017"],"unitdate_inclusive_ssm":["1980-2016"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-08","/repositories/2/resources/47"],"text":["MS-2017-08","/repositories/2/resources/47","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines","Accrual integrated 2026-02; CC","The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.","Processed","The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.","USF Libraries - Tampa Special Collections","Bloom, Philip","English"],"unitid_tesim":["MS-2017-08","/repositories/2/resources/47"],"normalized_date_ssm":["1980-2016, Date acquired: 00/00/2017"],"normalized_title_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_title_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Bloom, Philip"],"creator_ssim":["Bloom, Philip"],"creator_persname_ssim":["Bloom, Philip"],"creators_ssim":["Bloom, Philip"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Philip Bloom","Donation."],"access_subjects_ssim":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"access_subjects_ssm":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet","18 boxes"],"extent_tesim":["6.00 Linear Feet","18 boxes"],"genreform_ssim":["Zines","LGBTQ+ zines"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accruals_html_tesm":["\u003cp\u003eAccrual integrated 2026-02; CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accrual integrated 2026-02; CC"],"arrangement_html_tesm":["\u003cp\u003eThe zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine."],"prefercite_html_tesm":["\u003cp\u003eTampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThe majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.\u003c/p\u003e\n","\u003cp\u003eThis finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_330acc9f5dfb8f75036aa56087852cfe\" label=\"Abstract\"\u003eZine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.\u003c/abstract\u003e"],"abstract_tesim":["Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest."],"names_ssim":["USF Libraries - Tampa Special Collections","Bloom, Philip"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bloom, Philip"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":739,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_3a329bcfa88bef6ac82d93cffe3648a2"}},{"id":"34ef34a6297dd55b432be819_aspace_65898","type":"Item","attributes":{"title":"\"Writing Guides: Human Factors\" by The Human Factors Society, Inc., 1984.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_65898#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_65898","ref_ssm":["aspace_65898","aspace_65898"],"id":"34ef34a6297dd55b432be819_aspace_65898","title_filing_ssi":"\"Writing Guides: Human Factors\" by The Human Factors Society, Inc.","title_ssm":["\"Writing Guides: Human Factors\" by The Human Factors Society, Inc."],"title_tesim":["\"Writing Guides: Human Factors\" by The Human Factors Society, Inc."],"unitdate_other_ssim":["1984."],"normalized_date_ssm":["1984."],"normalized_title_ssm":["\"Writing Guides: Human Factors\" by The Human Factors Society, Inc., 1984."],"text":["\"Writing Guides: Human Factors\" by The Human Factors Society, Inc., 1984.","John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014.","Item 26","/repositories/4/archival_objects/49144","box 14","folder 26"],"component_level_isim":[3],"parent_ids_ssim":["34ef34a6297dd55b432be819","34ef34a6297dd55b432be819_aspace_64411","34ef34a6297dd55b432be819_aspace_64682"],"parent_unittitles_ssm":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014."],"parent_unittitles_tesim":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 26","/repositories/4/archival_objects/49144"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1471,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 14","folder 26"],"_nest_path_":"/components#0/components#2/components#1205","_nest_parent_":"34ef34a6297dd55b432be819_aspace_64682","_root_":"34ef34a6297dd55b432be819","_version_":1870857920658276352,"timestamp":"2026-07-16T08:05:48.372Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34ef34a6297dd55b432be819","title_ssm":["John W. Senders Working Collection"],"title_tesim":["John W. Senders Working Collection"],"ead_ssi":"34ef34a6297dd55b432be819","unitdate_ssm":["1880-2014"],"unitdate_inclusive_ssm":["1880-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.096","/repositories/4/resources/188"],"text":["SC.096","/repositories/4/resources/188","John W. Senders Working Collection, 1880-2014","The entire collection is open for research.","This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.","John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. ","Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.","Related materials may be found in the UCF Library  Online Catalog .","Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.","UCF Special Collections","Senders, John W., 1920-","English"],"unitid_tesim":["SC.096","/repositories/4/resources/188"],"normalized_date_ssm":["1880-2014"],"normalized_title_ssm":["John W. Senders Working Collection, 1880-2014"],"collection_title_tesim":["John W. Senders Working Collection, 1880-2014"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Senders, John W., 1920-"],"creator_ssim":["Senders, John W., 1920-"],"creator_persname_ssim":["Senders, John W., 1920-"],"creators_ssim":["Senders, John W., 1920-"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["John W. Senders donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2013 (CFM2013_07). Additional materials were donated in 2017 (CFM2017_08)."],"has_online_content_ssim":["false"],"extent_ssm":["25.25 Linear Feet 28 Boxes"],"extent_tesim":["25.25 Linear Feet 28 Boxes"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eJohn W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.\u003c/p\u003e\n","\u003cp\u003e\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.\u003c/p\u003e\n","\u003cp\u003e\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.\u003c/p\u003e\n","\u003cp\u003e\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).\u003c/p\u003e\n","\u003cp\u003eComplications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. "],"prefercite_html_tesm":["\u003cp\u003eJohn W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["John W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eRusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.\u003c/p\u003e","\u003cp\u003eProcessed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials may be found in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials may be found in the UCF Library  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bddd1759a5977a490b31b5210006a678\" label=\"Abstract\"\u003eJohn W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.\u003c/abstract\u003e"],"abstract_tesim":["John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013."],"names_ssim":["UCF Special Collections","Senders, John W., 1920-"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Senders, John W., 1920-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2526,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857920658276352,"_root_":"34ef34a6297dd55b432be819","timestamp":"2026-07-16T08:05:48.372Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_65898"}},{"id":"34ef34a6297dd55b432be819_aspace_66107","type":"Item","attributes":{"title":"\"Writing History and Accident Reports: A Metaphorical Analysis\" by Wilse B. Webb., 1998.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_66107#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66107","ref_ssm":["aspace_66107","aspace_66107"],"id":"34ef34a6297dd55b432be819_aspace_66107","title_filing_ssi":"\"Writing History and Accident Reports: A Metaphorical Analysis\" by Wilse B. Webb.","title_ssm":["\"Writing History and Accident Reports: A Metaphorical Analysis\" by Wilse B. Webb."],"title_tesim":["\"Writing History and Accident Reports: A Metaphorical Analysis\" by Wilse B. Webb."],"unitdate_other_ssim":["1998."],"normalized_date_ssm":["1998."],"normalized_title_ssm":["\"Writing History and Accident Reports: A Metaphorical Analysis\" by Wilse B. Webb., 1998."],"text":["\"Writing History and Accident Reports: A Metaphorical Analysis\" by Wilse B. Webb., 1998.","John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014.","Item 21","/repositories/4/archival_objects/49351","box 16","folder 21"],"component_level_isim":[3],"parent_ids_ssim":["34ef34a6297dd55b432be819","34ef34a6297dd55b432be819_aspace_64411","34ef34a6297dd55b432be819_aspace_64682"],"parent_unittitles_ssm":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014."],"parent_unittitles_tesim":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Published Papers by Others, 1880-2014."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 21","/repositories/4/archival_objects/49351"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1693,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 16","folder 21"],"_nest_path_":"/components#0/components#2/components#1427","_nest_parent_":"34ef34a6297dd55b432be819_aspace_64682","_root_":"34ef34a6297dd55b432be819","_version_":1870857920658276352,"timestamp":"2026-07-16T08:05:48.372Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34ef34a6297dd55b432be819","title_ssm":["John W. Senders Working Collection"],"title_tesim":["John W. Senders Working Collection"],"ead_ssi":"34ef34a6297dd55b432be819","unitdate_ssm":["1880-2014"],"unitdate_inclusive_ssm":["1880-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.096","/repositories/4/resources/188"],"text":["SC.096","/repositories/4/resources/188","John W. Senders Working Collection, 1880-2014","The entire collection is open for research.","This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.","John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. ","Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.","Related materials may be found in the UCF Library  Online Catalog .","Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.","UCF Special Collections","Senders, John W., 1920-","English"],"unitid_tesim":["SC.096","/repositories/4/resources/188"],"normalized_date_ssm":["1880-2014"],"normalized_title_ssm":["John W. Senders Working Collection, 1880-2014"],"collection_title_tesim":["John W. Senders Working Collection, 1880-2014"],"collection_ssim":["John W. 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Additional materials were donated in 2017 (CFM2017_08)."],"has_online_content_ssim":["false"],"extent_ssm":["25.25 Linear Feet 28 Boxes"],"extent_tesim":["25.25 Linear Feet 28 Boxes"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eJohn W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.\u003c/p\u003e\n","\u003cp\u003e\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.\u003c/p\u003e\n","\u003cp\u003e\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.\u003c/p\u003e\n","\u003cp\u003e\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).\u003c/p\u003e\n","\u003cp\u003eComplications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. "],"prefercite_html_tesm":["\u003cp\u003eJohn W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["John W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eRusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.\u003c/p\u003e","\u003cp\u003eProcessed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials may be found in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials may be found in the UCF Library  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bddd1759a5977a490b31b5210006a678\" label=\"Abstract\"\u003eJohn W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.\u003c/abstract\u003e"],"abstract_tesim":["John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013."],"names_ssim":["UCF Special Collections","Senders, John W., 1920-"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Senders, John W., 1920-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2526,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857920658276352,"_root_":"34ef34a6297dd55b432be819","timestamp":"2026-07-16T08:05:48.372Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_66107"}},{"id":"2868ee54af3563fe2f0377c1_aspace_123217","type":"Item","attributes":{"title":"Writing History Papers, 1979","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123217#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eWritten by James D. Bennett \u0026amp; Lowell H. Harrison; Guide to writing a paper, published by Forum Press\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123217#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_123217","ref_ssm":["aspace_123217","aspace_123217"],"id":"2868ee54af3563fe2f0377c1_aspace_123217","title_filing_ssi":"Writing History Papers","title_ssm":["Writing History Papers"],"title_tesim":["Writing History Papers"],"unitdate_other_ssim":["1979"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Writing History Papers, 1979"],"text":["Writing History Papers, 1979","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Magazines \u0026 Journals--Miscellaneous","Item 29","/repositories/2/archival_objects/30472","box 14","Written by James D. Bennett \u0026 Lowell H. Harrison; Guide to writing a paper, published by Forum Press"],"component_level_isim":[3],"parent_ids_ssim":["2868ee54af3563fe2f0377c1","2868ee54af3563fe2f0377c1_aspace_123039","2868ee54af3563fe2f0377c1_aspace_123201"],"parent_unittitles_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Magazines \u0026 Journals--Miscellaneous"],"parent_unittitles_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Magazines \u0026 Journals--Miscellaneous"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 29","/repositories/2/archival_objects/30472"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":376,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 14"],"scopecontent_html_tesm":["\u003cp\u003eWritten by James D. Bennett \u0026amp; Lowell H. Harrison; Guide to writing a paper, published by Forum Press\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Written by James D. Bennett \u0026 Lowell H. Harrison; Guide to writing a paper, published by Forum Press"],"_nest_path_":"/components#1/components#5/components#14","_nest_parent_":"2868ee54af3563fe2f0377c1_aspace_123201","_root_":"2868ee54af3563fe2f0377c1","_version_":1870842163975159808,"timestamp":"2026-07-16T03:55:21.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2868ee54af3563fe2f0377c1","title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection"],"title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection"],"ead_ssi":"2868ee54af3563fe2f0377c1","unitdate_ssm":["1971-2006","1980 - 2000","Date acquired: 01/15/2017"],"unitdate_bulk_ssim":["1980 - 2000"],"unitdate_inclusive_ssm":["1971-2006"],"unitdate_other_ssim":["Date acquired: 01/15/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0008","/repositories/2/resources/79"],"text":["UAFP0008","/repositories/2/resources/79","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Topical","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","Heather Frazer","English"],"unitid_tesim":["UAFP0008","/repositories/2/resources/79"],"normalized_date_ssm":["1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"normalized_title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Heather Frazer"],"creator_ssim":["Heather Frazer"],"creator_persname_ssim":["Heather Frazer"],"creators_ssim":["Heather Frazer"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["21.00 Linear Feet","38 boxes other_unmapped"],"extent_tesim":["21.00 Linear Feet","38 boxes other_unmapped"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eTopical\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Topical"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan, \u003cemph render=\"italic\"\u003eWe Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II\u003c/emph\u003e (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries","Heather Frazer"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Heather Frazer"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2918,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842163975159808,"_root_":"2868ee54af3563fe2f0377c1","timestamp":"2026-07-16T03:55:21.784Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123217"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_f0e83a1a4a9cc294ca2184de9f4d87a9","type":"Item","attributes":{"title":"Writing - \"...I had graduated from high school...\", (No. 72), Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_f0e83a1a4a9cc294ca2184de9f4d87a9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f0e83a1a4a9cc294ca2184de9f4d87a9","ref_ssm":["aspace_f0e83a1a4a9cc294ca2184de9f4d87a9","aspace_f0e83a1a4a9cc294ca2184de9f4d87a9"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_f0e83a1a4a9cc294ca2184de9f4d87a9","title_filing_ssi":"Writing - \"...I had graduated from high school...\", (No. 72)","title_ssm":["Writing - \"...I had graduated from high school...\", (No. 72)"],"title_tesim":["Writing - \"...I had graduated from high school...\", (No. 72)"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Writing - \"...I had graduated from high school...\", (No. 72), Undated"],"text":["Writing - \"...I had graduated from high school...\", (No. 72), Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated","/repositories/4/archival_objects/56942","Box 7","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIII","2a6a6aa34a3c99c1b1b95ea9_aspace_dd1470ca66dd35e7345717f107b298d7"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated"],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/56942"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":324,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["Box 7","Folder 2"],"_nest_path_":"/components#2/components#1/components#15","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_dd1470ca66dd35e7345717f107b298d7","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_f0e83a1a4a9cc294ca2184de9f4d87a9"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_1191b605951782b6a12b8a56a1b52793","type":"Item","attributes":{"title":"Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) II, (No. 74), Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_1191b605951782b6a12b8a56a1b52793#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1191b605951782b6a12b8a56a1b52793","ref_ssm":["aspace_1191b605951782b6a12b8a56a1b52793","aspace_1191b605951782b6a12b8a56a1b52793"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_1191b605951782b6a12b8a56a1b52793","title_filing_ssi":"Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) II, (No. 74)","title_ssm":["Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) II, (No. 74)"],"title_tesim":["Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) II, (No. 74)"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) II, (No. 74), Undated"],"text":["Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) II, (No. 74), Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated","/repositories/4/archival_objects/56944","Box 7","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIII","2a6a6aa34a3c99c1b1b95ea9_aspace_dd1470ca66dd35e7345717f107b298d7"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated"],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/56944"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":326,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["Box 7","Folder 2"],"_nest_path_":"/components#2/components#1/components#17","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_dd1470ca66dd35e7345717f107b298d7","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_1191b605951782b6a12b8a56a1b52793"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_dbfb125bad8ef0ab24a57fe2551a6301","type":"Item","attributes":{"title":"Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) I, (No. 73), Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_dbfb125bad8ef0ab24a57fe2551a6301#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dbfb125bad8ef0ab24a57fe2551a6301","ref_ssm":["aspace_dbfb125bad8ef0ab24a57fe2551a6301","aspace_dbfb125bad8ef0ab24a57fe2551a6301"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_dbfb125bad8ef0ab24a57fe2551a6301","title_filing_ssi":"Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) I, (No. 73)","title_ssm":["Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) I, (No. 73)"],"title_tesim":["Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) I, (No. 73)"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) I, (No. 73), Undated"],"text":["Writing - Individual and Very Small (Possibly Practice for Comic Bubble Writing) I, (No. 73), Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated","/repositories/4/archival_objects/56943","Box 7","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesIII","2a6a6aa34a3c99c1b1b95ea9_aspace_dd1470ca66dd35e7345717f107b298d7"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated"],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Photographs, 1829-1962, Undated.","Prints-Personal, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/56943"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":325,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["Box 7","Folder 2"],"_nest_path_":"/components#2/components#1/components#16","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_dd1470ca66dd35e7345717f107b298d7","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. 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Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_dbfb125bad8ef0ab24a57fe2551a6301"}},{"id":"9b1a44caeacea9fdc5f72fbb_aspace_113036","type":"Item","attributes":{"title":"Writing Instruments, n.d.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_113036#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eTwo mechanical pencils and one pen used by Pratt\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_113036#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_113036","ref_ssm":["aspace_113036","aspace_113036"],"id":"9b1a44caeacea9fdc5f72fbb_aspace_113036","title_filing_ssi":"Writing Instruments","title_ssm":["Writing Instruments"],"title_tesim":["Writing Instruments"],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["Writing Instruments, n.d."],"text":["Writing Instruments, n.d.","Theodore Pratt Collection, 1901-2025","Theodore Pratt: Art; Objects and Media","Personal Objects","Item 16","/repositories/2/archival_objects/57095","box 120","Two mechanical pencils and one pen used by Pratt"],"component_level_isim":[3],"parent_ids_ssim":["9b1a44caeacea9fdc5f72fbb","9b1a44caeacea9fdc5f72fbb_aspace_113018","9b1a44caeacea9fdc5f72fbb_aspace_113019"],"parent_unittitles_ssm":["Theodore Pratt Collection, 1901-2025","Theodore Pratt: Art; Objects and Media","Personal Objects"],"parent_unittitles_tesim":["Theodore Pratt Collection, 1901-2025","Theodore Pratt: Art; Objects and Media","Personal Objects"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 16","/repositories/2/archival_objects/57095"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2926,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 120"],"scopecontent_html_tesm":["\u003cp\u003eTwo mechanical pencils and one pen used by Pratt\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two mechanical pencils and one pen used by Pratt"],"_nest_path_":"/components#9/components#0/components#15","_nest_parent_":"9b1a44caeacea9fdc5f72fbb_aspace_113019","_root_":"9b1a44caeacea9fdc5f72fbb","_version_":1870841986919956480,"timestamp":"2026-07-16T03:52:32.760Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b1a44caeacea9fdc5f72fbb","title_ssm":["Theodore Pratt Collection"],"title_tesim":["Theodore Pratt Collection"],"ead_ssi":"9b1a44caeacea9fdc5f72fbb","unitdate_ssm":["1901-2025"],"unitdate_inclusive_ssm":["1901-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00022","/repositories/2/resources/154"],"text":["SPC00022","/repositories/2/resources/154","Theodore Pratt Collection, 1901-2025","Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood","English"],"unitid_tesim":["SPC00022","/repositories/2/resources/154"],"normalized_date_ssm":["1901-2025"],"normalized_title_ssm":["Theodore Pratt Collection, 1901-2025"],"collection_title_tesim":["Theodore Pratt Collection, 1901-2025"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Theodore Pratt","Taylor Hagood"],"creator_ssim":["Theodore Pratt","Taylor Hagood"],"creator_persname_ssim":["Theodore Pratt","Taylor Hagood"],"creators_ssim":["Theodore Pratt","Taylor Hagood"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney."],"scopecontent_html_tesm":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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