{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19149","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19148","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19150","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026page=19300"},"meta":{"pages":{"current_page":19149,"next_page":19150,"prev_page":19148,"total_pages":19300,"limit_value":10,"offset_value":191480,"total_count":192992,"first_page?":false,"last_page?":false}},"data":[{"id":"c535959967939890c4a30b27_aspace_e82f41b0135ffcff76dabf19e64b2fa8","type":"Item","attributes":{"title":"Worrell, Jay H.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c535959967939890c4a30b27_aspace_e82f41b0135ffcff76dabf19e64b2fa8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e82f41b0135ffcff76dabf19e64b2fa8","ref_ssm":["aspace_e82f41b0135ffcff76dabf19e64b2fa8","aspace_e82f41b0135ffcff76dabf19e64b2fa8"],"id":"c535959967939890c4a30b27_aspace_e82f41b0135ffcff76dabf19e64b2fa8","title_filing_ssi":"Worrell, Jay H. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices.","USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. 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Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b751902f9471baf1c338df56dba5bba1\"\u003eThe biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. 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[Biographical note taken from author's website: https://jackgantos.com/]"],"prefercite_html_tesm":["\u003cp\u003eJack Gantos collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Jack Gantos collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of typescripts, working notes, promotional and publishing materials, fan letters and works, event programs, ephemera, clippings, and realia related to the career of young adult and children's author Jack Gantos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of typescripts, working notes, promotional and publishing materials, fan letters and works, event programs, ephemera, clippings, and realia related to the career of young adult and children's author Jack Gantos."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3a13606b5b3ab36cde4736589f7ad4d0\"\u003eThe Jack Gantos collection consists of archival materials, typescripts, and published materials donated by Gantos, a children's and young adult author. Cataloged materials, including books, advanced reader copies, and audiobooks are hyperlinked to records available in the USF Libraries catalog.\u003c/abstract\u003e"],"abstract_tesim":["The Jack Gantos collection consists of archival materials, typescripts, and published materials donated by Gantos, a children's and young adult author. Cataloged materials, including books, advanced reader copies, and audiobooks are hyperlinked to records available in the USF Libraries catalog."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873217881431343104,"_root_":"dab9f8ee7c3e25ebbcdba437","timestamp":"2026-08-11T09:16:22.552Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dab9f8ee7c3e25ebbcdba437_aspace_a1466b0437e1ea2f794fd33a788c2c64"}},{"id":"eccf200246c0c0801ef714fb_aspace_47230","type":"Item","attributes":{"title":"Worship by Ken and kate Baynes, 1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47230#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_47230","ref_ssm":["aspace_47230","aspace_47230"],"id":"eccf200246c0c0801ef714fb_aspace_47230","title_filing_ssi":"Worship by Ken and kate Baynes","title_ssm":["Worship by Ken and kate Baynes"],"title_tesim":["Worship by Ken and kate Baynes"],"unitdate_other_ssim":["1972"],"normalized_date_ssm":["1972"],"normalized_title_ssm":["Worship by Ken and kate Baynes, 1972"],"text":["Worship by Ken and kate Baynes, 1972","Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Walter Gaudnek Book Review, 1972","Book 76","/repositories/4/archival_objects/20304","box 5"],"component_level_isim":[3],"parent_ids_ssim":["eccf200246c0c0801ef714fb","eccf200246c0c0801ef714fb_aspace_46856","eccf200246c0c0801ef714fb_aspace_47228"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Walter Gaudnek Book Review, 1972"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Walter Gaudnek Book Review, 1972"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Book 76","/repositories/4/archival_objects/20304"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":347,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1972],"containers_ssim":["box 5"],"_nest_path_":"/components#2/components#66/components#0","_nest_parent_":"eccf200246c0c0801ef714fb_aspace_47228","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47230"}},{"id":"6378a2e74be866086178916b_aspace_88271","type":"Item","attributes":{"title":"Worship of the North, 1863","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6378a2e74be866086178916b_aspace_88271#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA sketch of men kneeling and praising at the altar titled \"Negro Worship\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6378a2e74be866086178916b_aspace_88271#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_88271","ref_ssm":["aspace_88271","aspace_88271"],"id":"6378a2e74be866086178916b_aspace_88271","title_filing_ssi":"Worship of the North","title_ssm":["Worship of the North"],"title_tesim":["Worship of the North"],"unitdate_other_ssim":["1863"],"normalized_date_ssm":["1863"],"normalized_title_ssm":["Worship of the North, 1863"],"text":["Worship of the North, 1863","Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888","Confederate States of America","Confederate War Etchings","Item 2","/repositories/2/archival_objects/17732","box 1","A sketch of men kneeling and praising at the altar titled \"Negro Worship\""],"component_level_isim":[3],"parent_ids_ssim":["6378a2e74be866086178916b","6378a2e74be866086178916b_aspace_88267","6378a2e74be866086178916b_aspace_88268"],"parent_unittitles_ssm":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888","Confederate States of America","Confederate War Etchings"],"parent_unittitles_tesim":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888","Confederate States of America","Confederate War Etchings"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 2","/repositories/2/archival_objects/17732"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 1"],"scopecontent_html_tesm":["\u003cp\u003eA sketch of men kneeling and praising at the altar titled \"Negro Worship\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A sketch of men kneeling and praising at the altar titled \"Negro Worship\""],"_nest_path_":"/components#0/components#0/components#1","_nest_parent_":"6378a2e74be866086178916b_aspace_88268","_root_":"6378a2e74be866086178916b","_version_":1870841971275202560,"timestamp":"2026-07-16T03:52:17.980Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6378a2e74be866086178916b","title_ssm":["Elliot Cross and James A. Cross Civil War Collection"],"title_tesim":["Elliot Cross and James A. Cross Civil War Collection"],"ead_ssi":"6378a2e74be866086178916b","unitdate_ssm":["1861-2008","1861-1888"],"unitdate_bulk_ssim":["1861-1888"],"unitdate_inclusive_ssm":["1861-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00012","/repositories/2/resources/41"],"text":["SPC00012","/repositories/2/resources/41","Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The Elliot Cross and James A. Cross Civil War Collection documents the Southern perspective of the American Civil War. As FAU's largest collection dedicated solely to the Civil War, the Cross collection contains hundreds of manuscript and published items including personal correspondence from Jefferson Davis, Alexander Stephens, Robert E. Lee and many other Confederate military and government leaders. Also included are Confederate government documents and general orders pertaining to the war as well as photographs and illustrations from the period.\t\tThe Cross Collection was donated by Elliot Cross' son James A. Cross in the early 1970s, following his father's death. Elliot Cross, a life-long aficionado of the Confederacy, purchased papers, lithographs and prints, currency, published and unpublished letters and memorabilia over a period of forty years. FAU Libraries received the collection mounted in four custom-made maroon leather scrapbooks. The items have been removed from these scrapbooks for preservation purposes.\t\tThe publication of several articles about the collection in 1988 led to research by Civil War scholars that culminated in ground-breaking publication. One such breakthrough identified pneumonia as T. J. \"Stonewall\" Jackson's cause of death; a thesis supported by documents in the Cross Collection and published in Robert K. Krick's, The Smoothbore Volley that Doomed the Confederacy: the Death of Stonewall Jackson and other Chapters on the Army of Northern Virginia. (Baton Rouge: Louisiana State University Press, 2002).","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00012","/repositories/2/resources/41"],"normalized_date_ssm":["1861-2008, bulk 1861-1888"],"normalized_title_ssm":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"collection_title_tesim":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"collection_ssim":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet"],"extent_tesim":["6.00 Linear Feet"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Elliot Cross and James A. Cross Civil War Collection documents the Southern perspective of the American Civil War. As FAU's largest collection dedicated solely to the Civil War, the Cross collection contains hundreds of manuscript and published items including personal correspondence from Jefferson Davis, Alexander Stephens, Robert E. Lee and many other Confederate military and government leaders. Also included are Confederate government documents and general orders pertaining to the war as well as photographs and illustrations from the period.\t\tThe Cross Collection was donated by Elliot Cross' son James A. Cross in the early 1970s, following his father's death. Elliot Cross, a life-long aficionado of the Confederacy, purchased papers, lithographs and prints, currency, published and unpublished letters and memorabilia over a period of forty years. FAU Libraries received the collection mounted in four custom-made maroon leather scrapbooks. The items have been removed from these scrapbooks for preservation purposes.\t\tThe publication of several articles about the collection in 1988 led to research by Civil War scholars that culminated in ground-breaking publication. One such breakthrough identified pneumonia as T. J. \"Stonewall\" Jackson's cause of death; a thesis supported by documents in the Cross Collection and published in Robert K. Krick's, The Smoothbore Volley that Doomed the Confederacy: the Death of Stonewall Jackson and other Chapters on the Army of Northern Virginia. (Baton Rouge: Louisiana State University Press, 2002).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Elliot Cross and James A. Cross Civil War Collection documents the Southern perspective of the American Civil War. As FAU's largest collection dedicated solely to the Civil War, the Cross collection contains hundreds of manuscript and published items including personal correspondence from Jefferson Davis, Alexander Stephens, Robert E. Lee and many other Confederate military and government leaders. Also included are Confederate government documents and general orders pertaining to the war as well as photographs and illustrations from the period.\t\tThe Cross Collection was donated by Elliot Cross' son James A. Cross in the early 1970s, following his father's death. Elliot Cross, a life-long aficionado of the Confederacy, purchased papers, lithographs and prints, currency, published and unpublished letters and memorabilia over a period of forty years. FAU Libraries received the collection mounted in four custom-made maroon leather scrapbooks. The items have been removed from these scrapbooks for preservation purposes.\t\tThe publication of several articles about the collection in 1988 led to research by Civil War scholars that culminated in ground-breaking publication. One such breakthrough identified pneumonia as T. J. \"Stonewall\" Jackson's cause of death; a thesis supported by documents in the Cross Collection and published in Robert K. Krick's, The Smoothbore Volley that Doomed the Confederacy: the Death of Stonewall Jackson and other Chapters on the Army of Northern Virginia. (Baton Rouge: Louisiana State University Press, 2002)."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841971275202560,"_root_":"6378a2e74be866086178916b","timestamp":"2026-07-16T03:52:17.980Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6378a2e74be866086178916b_aspace_88271"}},{"id":"a0a65b28104bce9cf5ed2e36_aspace_166843","type":"Item","attributes":{"title":"Worshipping a bronze idol, the people of Sodom compound their wickedness. 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The donor's original order is maintained.","William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.","This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. 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The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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Degen Resource Room collection is only open to Florida State University School of Theatre Faculty, Staff and Students."],"containers_ssim":["box 1986 VOL 3"],"scopecontent_html_tesm":["\u003cp\u003eTitle devised by library staff.|Cast: Frederock Neumann, Terry O'Reilly, Giovanna Rogante, Maya O'Reilly, Lute Ramblin', Sam Marks.||Mabou Mines, June 1986.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Title devised by library staff.|Cast: Frederock Neumann, Terry O'Reilly, Giovanna Rogante, Maya O'Reilly, Lute Ramblin', Sam Marks.||Mabou Mines, June 1986."],"_nest_path_":"/components#5628","_nest_parent_":"c56aab442b34ccc24cb98200","_root_":"c56aab442b34ccc24cb98200","timestamp":"2026-07-11T02:37:06.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c56aab442b34ccc24cb98200","title_ssm":["Degen Playbill Collection"],"title_tesim":["Degen Playbill Collection"],"ead_ssi":"c56aab442b34ccc24cb98200","unitdate_ssm":["1895-2023"],"unitdate_inclusive_ssm":["1895-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["05.DEGEN001","/repositories/8/resources/106"],"text":["05.DEGEN001","/repositories/8/resources/106","Degen Playbill Collection, 1895-2023","Theater--History.","Theater.","Plays.","The John A. Degen Resource Room collection is only open to Florida State University School of Theatre Faculty, Staff and Students.","The Degen Resource Room has an extensive historic playbill collection. The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection.","The John A. Degen Resource Room at FSU","English"],"unitid_tesim":["05.DEGEN001","/repositories/8/resources/106"],"normalized_date_ssm":["1895-2023"],"normalized_title_ssm":["Degen Playbill Collection, 1895-2023"],"collection_title_tesim":["Degen Playbill Collection, 1895-2023"],"collection_ssim":["Degen Playbill Collection, 1895-2023"],"repository_ssm":["The John A. Degen Resource Room at FSU"],"repository_ssim":["The John A. Degen Resource Room at FSU"],"acqinfo_ssim":["Estate of John A. Degen.","The Degen Library and its collections were created from a donation from the estate of John A. Degen when he passed."],"access_subjects_ssim":["Theater--History.","Theater.","Plays."],"access_subjects_ssm":["Theater--History.","Theater.","Plays."],"has_online_content_ssim":["false"],"extent_ssm":["278 binders"],"extent_tesim":["278 binders"],"genreform_ssim":["Plays."],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe John A. Degen Resource Room collection is only open to Florida State University School of Theatre Faculty, Staff and Students.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The John A. Degen Resource Room collection is only open to Florida State University School of Theatre Faculty, Staff and Students."],"prefercite_html_tesm":["\u003cp\u003e[Title of work], [Date of work], Degen Playbill Collection, School of Theatre, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/DEGEN001\"\u003ehttp://purl.fcla.edu/fsu/DEGEN001\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of work], [Date of work], Degen Playbill Collection, School of Theatre, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/DEGEN001 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Degen Resource Room has an extensive historic playbill collection. The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Degen Resource Room has an extensive historic playbill collection. The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection."],"names_ssim":["The John A. Degen Resource Room at FSU"],"corpname_ssim":["The John A. Degen Resource Room at FSU"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7503,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c56aab442b34ccc24cb98200","timestamp":"2026-07-11T02:37:06.587Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c56aab442b34ccc24cb98200_aspace_218810"}},{"id":"057d4d15b485b27b8bf108f4_aspace_88fe04f6a1032f2a19e1fd0a27f47454","type":"Item","attributes":{"title":"Wortham, D. Henry. Modern Tournament and Derby Rules, 1950","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/057d4d15b485b27b8bf108f4_aspace_88fe04f6a1032f2a19e1fd0a27f47454#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_88fe04f6a1032f2a19e1fd0a27f47454","ref_ssm":["aspace_88fe04f6a1032f2a19e1fd0a27f47454","aspace_88fe04f6a1032f2a19e1fd0a27f47454"],"id":"057d4d15b485b27b8bf108f4_aspace_88fe04f6a1032f2a19e1fd0a27f47454","title_filing_ssi":"Wortham, D. Henry. Modern Tournament and Derby Rules","title_ssm":["Wortham, D. Henry. Modern Tournament and Derby Rules"],"title_tesim":["Wortham, D. Henry. Modern Tournament and Derby Rules"],"unitdate_inclusive_ssm":["1950"],"normalized_date_ssm":["1950"],"normalized_title_ssm":["Wortham, D. Henry. Modern Tournament and Derby Rules, 1950"],"text":["Wortham, D. Henry. Modern Tournament and Derby Rules, 1950","Charles Willeford Collection, Circa 1935-1999","Manuscripts","Cockfighter related materials","/repositories/3/archival_objects/31979"],"component_level_isim":[3],"parent_ids_ssim":["057d4d15b485b27b8bf108f4","057d4d15b485b27b8bf108f4_aspace_e055843ed164f247bf5a3620e5292a1d","057d4d15b485b27b8bf108f4_aspace_05b5d4d7dcfa7150faea2b4da96be8e5"],"parent_unittitles_ssm":["Charles Willeford Collection, Circa 1935-1999","Manuscripts","Cockfighter related materials"],"parent_unittitles_tesim":["Charles Willeford Collection, Circa 1935-1999","Manuscripts","Cockfighter related materials"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/31979"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Charles Willeford Collection, Circa 1935-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":31,"parent_access_restrict_tesm":["Access to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.","The Grimhaven manuscript is available for in-person viewing only. Grimhaven cannot be photographed or dupliciated.","With the exception of the above, there are no restrictions on the collection and the materials are available for use by the public."],"_nest_path_":"/components#0/components#28/components#0","_nest_parent_":"057d4d15b485b27b8bf108f4_aspace_05b5d4d7dcfa7150faea2b4da96be8e5","_root_":"057d4d15b485b27b8bf108f4","timestamp":"2026-04-21T01:43:55.847Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"057d4d15b485b27b8bf108f4","title_filing_ssi":"Willeford, Charles Collection","title_ssm":["Charles Willeford Collection"],"title_tesim":["Charles Willeford Collection"],"ead_ssi":"057d4d15b485b27b8bf108f4","unitdate_ssm":["Circa 1935-1999"],"unitdate_inclusive_ssm":["Circa 1935-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.1998.1","/repositories/3/resources/358"],"text":["BIENES.1998.1","/repositories/3/resources/358","Charles Willeford Collection, Circa 1935-1999","Access to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.","The Grimhaven manuscript is available for in-person viewing only. Grimhaven cannot be photographed or dupliciated.","With the exception of the above, there are no restrictions on the collection and the materials are available for use by the public.","The collection is arranged in the following series:\n","\nSeries 1: Writings by Charles Willeford\n","\nSeries 2: Correspondence to Willeford\n","\nSeries 3: Correspondence from Willeford\n","\nSeries 4: Photographs and Art\n","\nSeries 5: Personal Papers\n","\nSeries 6: Printed Materials\n","\nSeries 7: Audiovisual Materials\n","\nSeries 8: Books by Willeford\n","\nSeries 9: Books from Willeford's Library\n","Charles Ray Willeford III (January 2, 1919 - March 27, 1988) was an American writer who spent much of his career in South Florida. He is best known for his novels featuring detective Hoke Moseley, who debuted in the book \"Miami Blues\" (1984). Film adaptations have been made of four of Willeford's novels: Cockfighter, Miami Blues, The Woman Chaser, and The Burnt Orange Heresy.","Willeford's widow, Betsey Willeford, donated his papers and books to the Bienes Museum of the Modern Book in 1998 and 1999.","The Willeford Collection has been partially processed at the file level. Additional processing work is being completed. The finding aid may be updated to reflect changes to the arrangement or accruals to the collection.","The Charles Willeford Collection contains materials created and collected by Charles Ray Willeford III (1919-1988), a Miami-Dade based crime writer, book reviewer, and professor. The collection includes manuscripts and writings by Willeford, correspondence, photographs, audiovisual materials, and books.","Series 1: Writings by Charles Willeford includes manuscripts, scripts, holograph copies, notebooks and fragments. The materials are arranged in alphabetical order, with materials accrued after the first donation arranged alphabetically at the end of the series.","Series 2: Correspondence to Willeford includes letters from individuals, organizations, and publishers. The materials are arranged in alphabetical order by the name of the correspondent.","Series 3: Corresponence from Willeford includes letters that Willeford wrote to individuals.","Series 4: Photographs and Art contains photographs of Willeford throughout his life as well as family photographs and professional phototraphs. The art in the series inlcudes cover art, movie posters, and prints.","Series 5: Personal Papers includes Willeford's military service papers and records, book jackets and covers, notebooks, and membership and business cards.","Series 6: Printed Materials contains 7 subseries. Subseries 6A: Articles by Charles Willeford includes Willeford's writings in magazines and newspapers, and is arranged alphabetically by publication title. Subseries 6B: Articles by others includes articles from magazines and newspapers and is arranged alphabetically by publication title. Subseries 6C: Reviews of Willeford's Books and Movies is arranged by the title of the work being critiqued. Subseries 6D: Book Reviews by Charles Willeford is arranged alphabetically by publication title. Subseries 6E: Village Post Columns includes entire issues of the Village Post and also copies of the Dropping Names column. Subseries 6F: Promotional Pieces includes posters, flyers, and articles promoting book releases and author events. Subseries 6G: Obituaries and speeches about Willeford includes obituaries and articles about Willeford's career as well as biographies and speeches written by various authors about Willeford.","Series 7: Audiovisual Materials inlcudes VHS Tapes, film, audiocassette tapes, and reel-to-reel audio tapes.","Series 8: Books by Willeford includes copies of each of Willeford's published books. They are arranged by catalog number.","Series 9: Books from Willeford's Library includes books that were owned and used by Charles Willeford. 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She donated additional materials in 1999."],"has_online_content_ssim":["false"],"extent_ssm":["162 Volumes The Willeford Collection contains 162 cataloged books","35 Hollinger Boxes 35 boxes of papers and audiovisual materials; oversize materials separated"],"extent_tesim":["162 Volumes The Willeford Collection contains 162 cataloged books","35 Hollinger Boxes 35 boxes of papers and audiovisual materials; oversize materials separated"],"accessrestrict_html_tesm":["\u003cp\u003eAccess to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.\u003c/p\u003e\n","\u003cp\u003eThe Grimhaven manuscript is available for in-person viewing only. Grimhaven cannot be photographed or dupliciated.\u003c/p\u003e\n","\u003cp\u003eWith the exception of the above, there are no restrictions on the collection and the materials are available for use by the public.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.","The Grimhaven manuscript is available for in-person viewing only. Grimhaven cannot be photographed or dupliciated.","With the exception of the above, there are no restrictions on the collection and the materials are available for use by the public."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the following series:\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Writings by Charles Willeford\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 2: Correspondence to Willeford\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 3: Correspondence from Willeford\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 4: Photographs and Art\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 5: Personal Papers\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 6: Printed Materials\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 7: Audiovisual Materials\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 8: Books by Willeford\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 9: Books from Willeford's Library\n\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the following series:\n","\nSeries 1: Writings by Charles Willeford\n","\nSeries 2: Correspondence to Willeford\n","\nSeries 3: Correspondence from Willeford\n","\nSeries 4: Photographs and Art\n","\nSeries 5: Personal Papers\n","\nSeries 6: Printed Materials\n","\nSeries 7: Audiovisual Materials\n","\nSeries 8: Books by Willeford\n","\nSeries 9: Books from Willeford's Library\n"],"bioghist_html_tesm":["\u003cp\u003eCharles Ray Willeford III (January 2, 1919 - March 27, 1988) was an American writer who spent much of his career in South Florida. He is best known for his novels featuring detective Hoke Moseley, who debuted in the book \"Miami Blues\" (1984). Film adaptations have been made of four of Willeford's novels: Cockfighter, Miami Blues, The Woman Chaser, and The Burnt Orange Heresy.\u003c/p\u003e\n","\u003cp\u003eWilleford's widow, Betsey Willeford, donated his papers and books to the Bienes Museum of the Modern Book in 1998 and 1999.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Ray Willeford III (January 2, 1919 - March 27, 1988) was an American writer who spent much of his career in South Florida. He is best known for his novels featuring detective Hoke Moseley, who debuted in the book \"Miami Blues\" (1984). Film adaptations have been made of four of Willeford's novels: Cockfighter, Miami Blues, The Woman Chaser, and The Burnt Orange Heresy.","Willeford's widow, Betsey Willeford, donated his papers and books to the Bienes Museum of the Modern Book in 1998 and 1999."],"prefercite_html_tesm":["\u003cp\u003eCharles Willeford Collection, Bienes Museum of the Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Charles Willeford Collection, Bienes Museum of the Modern Book, Broward County Library"],"processinfo_html_tesm":["\u003cp\u003eThe Willeford Collection has been partially processed at the file level. Additional processing work is being completed. The finding aid may be updated to reflect changes to the arrangement or accruals to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Willeford Collection has been partially processed at the file level. Additional processing work is being completed. The finding aid may be updated to reflect changes to the arrangement or accruals to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Willeford Collection contains materials created and collected by Charles Ray Willeford III (1919-1988), a Miami-Dade based crime writer, book reviewer, and professor. The collection includes manuscripts and writings by Willeford, correspondence, photographs, audiovisual materials, and books.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Writings by Charles Willeford includes manuscripts, scripts, holograph copies, notebooks and fragments. The materials are arranged in alphabetical order, with materials accrued after the first donation arranged alphabetically at the end of the series.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence to Willeford includes letters from individuals, organizations, and publishers. The materials are arranged in alphabetical order by the name of the correspondent.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Corresponence from Willeford includes letters that Willeford wrote to individuals.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs and Art contains photographs of Willeford throughout his life as well as family photographs and professional phototraphs. The art in the series inlcudes cover art, movie posters, and prints.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Personal Papers includes Willeford's military service papers and records, book jackets and covers, notebooks, and membership and business cards.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Printed Materials contains 7 subseries. Subseries 6A: Articles by Charles Willeford includes Willeford's writings in magazines and newspapers, and is arranged alphabetically by publication title. Subseries 6B: Articles by others includes articles from magazines and newspapers and is arranged alphabetically by publication title. Subseries 6C: Reviews of Willeford's Books and Movies is arranged by the title of the work being critiqued. Subseries 6D: Book Reviews by Charles Willeford is arranged alphabetically by publication title. Subseries 6E: Village Post Columns includes entire issues of the Village Post and also copies of the Dropping Names column. Subseries 6F: Promotional Pieces includes posters, flyers, and articles promoting book releases and author events. Subseries 6G: Obituaries and speeches about Willeford includes obituaries and articles about Willeford's career as well as biographies and speeches written by various authors about Willeford.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Audiovisual Materials inlcudes VHS Tapes, film, audiocassette tapes, and reel-to-reel audio tapes.\u003c/p\u003e\n","\u003cp\u003eSeries 8: Books by Willeford includes copies of each of Willeford's published books. They are arranged by catalog number.\u003c/p\u003e\n","\u003cp\u003eSeries 9: Books from Willeford's Library includes books that were owned and used by Charles Willeford. They are arranged by catalog number.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles Willeford Collection contains materials created and collected by Charles Ray Willeford III (1919-1988), a Miami-Dade based crime writer, book reviewer, and professor. The collection includes manuscripts and writings by Willeford, correspondence, photographs, audiovisual materials, and books.","Series 1: Writings by Charles Willeford includes manuscripts, scripts, holograph copies, notebooks and fragments. The materials are arranged in alphabetical order, with materials accrued after the first donation arranged alphabetically at the end of the series.","Series 2: Correspondence to Willeford includes letters from individuals, organizations, and publishers. The materials are arranged in alphabetical order by the name of the correspondent.","Series 3: Corresponence from Willeford includes letters that Willeford wrote to individuals.","Series 4: Photographs and Art contains photographs of Willeford throughout his life as well as family photographs and professional phototraphs. The art in the series inlcudes cover art, movie posters, and prints.","Series 5: Personal Papers includes Willeford's military service papers and records, book jackets and covers, notebooks, and membership and business cards.","Series 6: Printed Materials contains 7 subseries. Subseries 6A: Articles by Charles Willeford includes Willeford's writings in magazines and newspapers, and is arranged alphabetically by publication title. Subseries 6B: Articles by others includes articles from magazines and newspapers and is arranged alphabetically by publication title. Subseries 6C: Reviews of Willeford's Books and Movies is arranged by the title of the work being critiqued. Subseries 6D: Book Reviews by Charles Willeford is arranged alphabetically by publication title. Subseries 6E: Village Post Columns includes entire issues of the Village Post and also copies of the Dropping Names column. Subseries 6F: Promotional Pieces includes posters, flyers, and articles promoting book releases and author events. Subseries 6G: Obituaries and speeches about Willeford includes obituaries and articles about Willeford's career as well as biographies and speeches written by various authors about Willeford.","Series 7: Audiovisual Materials inlcudes VHS Tapes, film, audiocassette tapes, and reel-to-reel audio tapes.","Series 8: Books by Willeford includes copies of each of Willeford's published books. They are arranged by catalog number.","Series 9: Books from Willeford's Library includes books that were owned and used by Charles Willeford. They are arranged by catalog number."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":632,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"057d4d15b485b27b8bf108f4","timestamp":"2026-04-21T01:43:55.847Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/057d4d15b485b27b8bf108f4_aspace_88fe04f6a1032f2a19e1fd0a27f47454"}},{"id":"c535959967939890c4a30b27_aspace_08c989dd17e531797341b5e7d7cccf04","type":"Item","attributes":{"title":"Worth, C. Edmund","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c535959967939890c4a30b27_aspace_08c989dd17e531797341b5e7d7cccf04#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_08c989dd17e531797341b5e7d7cccf04","ref_ssm":["aspace_08c989dd17e531797341b5e7d7cccf04","aspace_08c989dd17e531797341b5e7d7cccf04"],"id":"c535959967939890c4a30b27_aspace_08c989dd17e531797341b5e7d7cccf04","title_filing_ssi":"Worth, C. Edmund","title_ssm":["Worth, C. Edmund"],"title_tesim":["Worth, C. Edmund"],"normalized_title_ssm":["Worth, C. Edmund"],"text":["Worth, C. 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