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It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation.","The University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library.","The Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. 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It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sanibel Island is a barrier island off the coast of Florida in Lee County. It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation."],"originalsloc_html_tesm":["\u003cp\u003eThe University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. All materials in this collection are prior to the damage caused by Hurricane Ian in 2022.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. All materials in this collection are prior to the damage caused by Hurricane Ian in 2022."],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":649,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843512966086656,"_root_":"53f642d51ae3f1367537126d","timestamp":"2026-07-16T04:16:48.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/53f642d51ae3f1367537126d_aspace_3c7365813b0b4bb03811045ce1752202"}},{"id":"e9eaf4a71ed24268b4e2d743_aspace_199899","type":"Item","attributes":{"title":"Woodrow Jackson, undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/e9eaf4a71ed24268b4e2d743_aspace_199899#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eUnnumbered cassette. Woodrow Jackson\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e9eaf4a71ed24268b4e2d743_aspace_199899#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_199899","ref_ssm":["aspace_199899","aspace_199899"],"id":"e9eaf4a71ed24268b4e2d743_aspace_199899","title_filing_ssi":"Woodrow Jackson","title_ssm":["Woodrow Jackson"],"title_tesim":["Woodrow Jackson"],"unitdate_other_ssim":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["Woodrow Jackson, undated"],"text":["Woodrow Jackson, undated","Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006","The Untold Story of Emmett Louis Till","Original Recordings","Item 042","/repositories/10/archival_objects/140563","box 1 RESTRICTED","Unnumbered cassette. Woodrow Jackson"],"component_level_isim":[3],"parent_ids_ssim":["e9eaf4a71ed24268b4e2d743","e9eaf4a71ed24268b4e2d743_aspace_73f643ed6bbb55090ed89fbe34cbe28b","e9eaf4a71ed24268b4e2d743_aspace_e19c6adf394f6add44d60ecaf9e78d10"],"parent_unittitles_ssm":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006","The Untold Story of Emmett Louis Till","Original Recordings"],"parent_unittitles_tesim":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006","The Untold Story of Emmett Louis Till","Original Recordings"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 042","/repositories/10/archival_objects/140563"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":44,"parent_access_restrict_tesm":["Except where otherwise noted, this collection is open to all researchers.","Access to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026 Archives staff for more information on access to these materials. https://www.lib.fsu.edu/specialcollections/","Users may access this collection at the Claude Pepper Library."],"parent_access_terms_tesm":["Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 1 RESTRICTED"],"scopecontent_html_tesm":["\u003cp\u003eUnnumbered cassette. Woodrow Jackson\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Unnumbered cassette. Woodrow Jackson"],"_nest_path_":"/components#0/components#0/components#41","_nest_parent_":"e9eaf4a71ed24268b4e2d743_aspace_e19c6adf394f6add44d60ecaf9e78d10","_root_":"e9eaf4a71ed24268b4e2d743","timestamp":"2026-07-10T09:40:39.676Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e9eaf4a71ed24268b4e2d743","title_ssm":["Keith Beauchamp Papers"],"title_tesim":["Keith Beauchamp Papers"],"ead_ssi":"e9eaf4a71ed24268b4e2d743","unitdate_ssm":["1950, 1955, 2001-2006, 2015, 2018","2001-2006"],"unitdate_bulk_ssim":["2001-2006"],"unitdate_inclusive_ssm":["1950, 1955, 2001-2006, 2015, 2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2015-016","/repositories/10/resources/992"],"text":["MSS 2015-016","/repositories/10/resources/992","Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006","Documentary films","Motion pictures.","Videocassettes.","Except where otherwise noted, this collection is open to all researchers.","Access to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026 Archives staff for more information on access to these materials.  https://www.lib.fsu.edu/specialcollections/","Users may access this collection at the Claude Pepper Library.","Keith A. Beauchamp is an African American filmmaker and lecturer. He is known for his creative work and activism regarding African American civil rights, and especially for work related to the 1955 lynching of Emmett Till.","Beauchamp was born in 1972 near Augusta, Georgia, and grew up in Louisiana. He studied Criminal Justice at Southern University in Baton Rouge, Louisiana. In 1999, Beauchamp founded Till Freedom Come Productions and began traveling among New York City, Chicago, and locations in Mississippi, investigating the murder of Emmett Till. On May 10th, 2004, the United States Department of Justice re-opened the Emmett Till murder case, citing Beauchamp's documentary  The Untold Story of Emmett Louis Till  as a factor in their decision and the starting point for their investigation.","In 2007, Beauchamp begin his collaboration with the FBI's Civil Rights Cold Case Initiative, producing documentaries on unsolved civil rights murders. Other works by Till Freedom Come Productions include  Wanted Justice: Johnnie Mae Chappell  (2009);  If I Die Tonight  (2009); and the BET Her series  Exceptional Black Women  (2019). Beauchamp also served as executive producer and host of Investigation Discovery's crime reality series  The Injustice Files  (2011-2014), and screenwriter and producer of the feature film  Till  (2022).","Sources","Jackson, Angelique. \"Whoopi Goldberg, Danielle Deadwyler to Star in Movie About Emmett Till's Mother Directed by Chinonye Chukwu.\" Variety online. July 23, 2021.  https://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/","Till Freedom Come Productions. \"Production Portfolio,\" accessed November 22, 2021.  https://www.tillfreedomcome.com/","Authors: Rory Grennan and Haley McGuyre","Content on videocassette is not immediately available for use in Special Collections \u0026 Archives reading rooms. Please contact staff at (850) 644-3271 or lib-specialcollections@fsu.edu for more information about viewing and using audiovisual recordings from archival collections.","Keith Beauchamp (director). (2005).  The Untold Story of Emmett Louis Till  [motion picture]. USA: Velocity/Thinkfilm.  https://youtu.be/bvijYSJtkQk","Emmett Till Project. \"Conversations.\"  http://www.emmetttillproject.com/conversations","Audiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture  The Untold Story of Emmett Louis Till .","Some material from the Beauchamp Papers is available through the  FSU Digital Library","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955","English"],"unitid_tesim":["MSS 2015-016","/repositories/10/resources/992"],"normalized_date_ssm":["1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"normalized_title_ssm":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"collection_title_tesim":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"collection_ssim":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Keith A. Beauchamp (creator)","Donation. Deed of Gift executed October 2015. Acquired on February 24, 2017. Additional materials donated in February 2018."],"access_subjects_ssim":["Documentary films","Motion pictures.","Videocassettes."],"access_subjects_ssm":["Documentary films","Motion pictures.","Videocassettes."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet","175 Gigabytes"],"extent_tesim":["4 Linear Feet","175 Gigabytes"],"genreform_ssim":["Documentary films","Motion pictures.","Videocassettes."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eExcept where otherwise noted, this collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eAccess to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026amp; Archives staff for more information on access to these materials. \u003cextref href=\"https://www.lib.fsu.edu/specialcollections\"\u003ehttps://www.lib.fsu.edu/specialcollections/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Except where otherwise noted, this collection is open to all researchers.","Access to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026 Archives staff for more information on access to these materials.  https://www.lib.fsu.edu/specialcollections/","Users may access this collection at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eKeith A. Beauchamp is an African American filmmaker and lecturer. He is known for his creative work and activism regarding African American civil rights, and especially for work related to the 1955 lynching of Emmett Till.\u003c/p\u003e\n","\u003cp\u003eBeauchamp was born in 1972 near Augusta, Georgia, and grew up in Louisiana. He studied Criminal Justice at Southern University in Baton Rouge, Louisiana. In 1999, Beauchamp founded Till Freedom Come Productions and began traveling among New York City, Chicago, and locations in Mississippi, investigating the murder of Emmett Till. On May 10th, 2004, the United States Department of Justice re-opened the Emmett Till murder case, citing Beauchamp's documentary \u003cemph render=\"italic\"\u003eThe Untold Story of Emmett Louis Till\u003c/emph\u003e as a factor in their decision and the starting point for their investigation.\u003c/p\u003e\n","\u003cp\u003eIn 2007, Beauchamp begin his collaboration with the FBI's Civil Rights Cold Case Initiative, producing documentaries on unsolved civil rights murders. Other works by Till Freedom Come Productions include \u003cemph render=\"italic\"\u003eWanted Justice: Johnnie Mae Chappell\u003c/emph\u003e (2009); \u003cemph render=\"italic\"\u003eIf I Die Tonight\u003c/emph\u003e (2009); and the BET Her series \u003cemph render=\"italic\"\u003eExceptional Black Women\u003c/emph\u003e (2019). Beauchamp also served as executive producer and host of Investigation Discovery's crime reality series \u003cemph render=\"italic\"\u003eThe Injustice Files\u003c/emph\u003e (2011-2014), and screenwriter and producer of the feature film \u003cemph render=\"italic\"\u003eTill\u003c/emph\u003e (2022).\u003c/p\u003e\n","\u003cp\u003eSources\u003c/p\u003e\n","\u003cp\u003eJackson, Angelique. \"Whoopi Goldberg, Danielle Deadwyler to Star in Movie About Emmett Till's Mother Directed by Chinonye Chukwu.\" Variety online. July 23, 2021. \u003cextref href=\"https://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/\"\u003ehttps://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eTill Freedom Come Productions. \"Production Portfolio,\" accessed November 22, 2021. \u003cextref href=\"https://www.tillfreedomcome.com/\"\u003ehttps://www.tillfreedomcome.com/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eAuthors: Rory Grennan and Haley McGuyre\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Keith A. Beauchamp is an African American filmmaker and lecturer. He is known for his creative work and activism regarding African American civil rights, and especially for work related to the 1955 lynching of Emmett Till.","Beauchamp was born in 1972 near Augusta, Georgia, and grew up in Louisiana. He studied Criminal Justice at Southern University in Baton Rouge, Louisiana. In 1999, Beauchamp founded Till Freedom Come Productions and began traveling among New York City, Chicago, and locations in Mississippi, investigating the murder of Emmett Till. On May 10th, 2004, the United States Department of Justice re-opened the Emmett Till murder case, citing Beauchamp's documentary  The Untold Story of Emmett Louis Till  as a factor in their decision and the starting point for their investigation.","In 2007, Beauchamp begin his collaboration with the FBI's Civil Rights Cold Case Initiative, producing documentaries on unsolved civil rights murders. Other works by Till Freedom Come Productions include  Wanted Justice: Johnnie Mae Chappell  (2009);  If I Die Tonight  (2009); and the BET Her series  Exceptional Black Women  (2019). Beauchamp also served as executive producer and host of Investigation Discovery's crime reality series  The Injustice Files  (2011-2014), and screenwriter and producer of the feature film  Till  (2022).","Sources","Jackson, Angelique. \"Whoopi Goldberg, Danielle Deadwyler to Star in Movie About Emmett Till's Mother Directed by Chinonye Chukwu.\" Variety online. July 23, 2021.  https://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/","Till Freedom Come Productions. \"Production Portfolio,\" accessed November 22, 2021.  https://www.tillfreedomcome.com/","Authors: Rory Grennan and Haley McGuyre"],"phystech_html_tesm":["\u003cp\u003eContent on videocassette is not immediately available for use in Special Collections \u0026amp; Archives reading rooms. Please contact staff at (850) 644-3271 or lib-specialcollections@fsu.edu for more information about viewing and using audiovisual recordings from archival collections.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access Requirements"],"phystech_tesim":["Content on videocassette is not immediately available for use in Special Collections \u0026 Archives reading rooms. Please contact staff at (850) 644-3271 or lib-specialcollections@fsu.edu for more information about viewing and using audiovisual recordings from archival collections."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], Keith Beauchamp Papers, MSS 2015-016, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2015-016\"\u003ehttp://purl.fcla.edu/fsu/MSS_2015-016\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], Keith Beauchamp Papers, MSS 2015-016, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2015-016"],"relatedmaterial_html_tesm":["\u003cp\u003eKeith Beauchamp (director). (2005). \u003cemph render=\"italic\"\u003eThe Untold Story of Emmett Louis Till\u003c/emph\u003e [motion picture]. USA: Velocity/Thinkfilm. \u003cextref href=\"https://youtu.be/bvijYSJtkQk\"\u003ehttps://youtu.be/bvijYSJtkQk\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eEmmett Till Project. \"Conversations.\" \u003cextref href=\"http://www.emmetttillproject.com/conversations\"\u003ehttp://www.emmetttillproject.com/conversations\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Resources"],"relatedmaterial_tesim":["Keith Beauchamp (director). (2005).  The Untold Story of Emmett Louis Till  [motion picture]. USA: Velocity/Thinkfilm.  https://youtu.be/bvijYSJtkQk","Emmett Till Project. \"Conversations.\"  http://www.emmetttillproject.com/conversations"],"scopecontent_html_tesm":["\u003cp\u003eAudiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture \u003cemph render=\"italic\"\u003eThe Untold Story of Emmett Louis Till\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSome material from the Beauchamp Papers is available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:beauchampaudiovisualrecordings\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThis collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available","Potentially Harmful Content"],"scopecontent_tesim":["Audiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture  The Untold Story of Emmett Louis Till .","Some material from the Beauchamp Papers is available through the  FSU Digital Library","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement"],"userestrict_html_tesm":["\u003cp\u003eCopyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e\n","\u003cp\u003eCopyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Till, Emmett, 1941-1955"],"persname_ssim":["Till, Emmett, 1941-1955"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":112,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e9eaf4a71ed24268b4e2d743","timestamp":"2026-07-10T09:40:39.676Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e9eaf4a71ed24268b4e2d743_aspace_199899"}},{"id":"1fb60b2a237557e58ed95300_aspace_5e7f0b1cd89184de6126d4ad41fcd3d4","type":"Item","attributes":{"title":"Woodrow Wilson","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1fb60b2a237557e58ed95300_aspace_5e7f0b1cd89184de6126d4ad41fcd3d4#abstract_or_scope","type":"document_value","attributes":{"value":["Portrait of President Woodrow Wilson."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1fb60b2a237557e58ed95300_aspace_5e7f0b1cd89184de6126d4ad41fcd3d4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5e7f0b1cd89184de6126d4ad41fcd3d4","ref_ssm":["aspace_5e7f0b1cd89184de6126d4ad41fcd3d4","aspace_5e7f0b1cd89184de6126d4ad41fcd3d4"],"id":"1fb60b2a237557e58ed95300_aspace_5e7f0b1cd89184de6126d4ad41fcd3d4","title_filing_ssi":"Woodrow Wilson\n","title_ssm":["Woodrow Wilson\n"],"title_tesim":["Woodrow Wilson\n"],"normalized_title_ssm":["Woodrow Wilson"],"text":["Woodrow Wilson","Cigar Label Collection, Dating back to the late 19th century all the way to the mid-20th century.","Box 1","211","/repositories/2/archival_objects/85021","English","box 1","object 211","Portrait of President Woodrow Wilson."],"component_level_isim":[2],"parent_ids_ssim":["1fb60b2a237557e58ed95300","1fb60b2a237557e58ed95300_aspace_dedc9a532302b33be555e381112dca48"],"parent_unittitles_ssm":["Cigar Label Collection, Dating back to the late 19th century all the way to the mid-20th century.","Box 1"],"parent_unittitles_tesim":["Cigar Label Collection, Dating back to the late 19th century all the way to the mid-20th century.","Box 1"],"parent_levels_ssm":["collection","Box 1"],"unitid_ssm":["211","/repositories/2/archival_objects/85021"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cigar Label Collection, Dating back to the late 19th century all the way to the mid-20th century."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":211,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights. The Cigar Label Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"language_ssim":["English"],"containers_ssim":["box 1","object 211"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6bc84a37584aadbf7917c80afed42239\"\u003ePortrait of President Woodrow Wilson.\u003c/abstract\u003e"],"abstract_tesim":["Portrait of President Woodrow Wilson."],"_nest_path_":"/components#0/components#209","_nest_parent_":"1fb60b2a237557e58ed95300_aspace_dedc9a532302b33be555e381112dca48","_root_":"1fb60b2a237557e58ed95300","_version_":1870844493513621504,"timestamp":"2026-07-16T04:32:23.451Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1fb60b2a237557e58ed95300","title_ssm":["Cigar Label Collection"],"title_tesim":["Cigar Label Collection"],"ead_ssi":"1fb60b2a237557e58ed95300","unitdate_ssm":["Dating back to the late 19th century all the way to the mid-20th century."],"unitdate_inclusive_ssm":["Dating back to the late 19th century all the way to the mid-20th century."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6005","/repositories/2/resources/127"],"text":["SPC6005","/repositories/2/resources/127","Cigar Label Collection, Dating back to the late 19th century all the way to the mid-20th century.","The collection is open for research.","Omar Amador, a Cuban native now residing in Miami, Florida has cultivated an impressive collection of Cuban memorabilia, with a particular focus on chromolithographic cigar labels. His passion for preserving rich cultural heritage of Cuba is reflected in the depth and diversity of his collection. \nThese Cuban cigar labels date back from the late 19th and early 20th centuries as a vibrant testament to the artistry and marketing ingenuity of the cigar industry during this time period. ","With the rise of chromolithography revolutionizing label productions all over the globe, it allowed for the creation of rich, multi-colored designs that adorned cigar boxes to consumers. These labels were not just decorative to cigar-lovers alike but they served as a crucial marketing ploy to demonstrate the quality and craftsmanship behind these cigars. With a collection that features 217 labels that present a diverse range of languages and styles, one can appreciate the artistic heritage that these labels represent. Reflecting not only the local Cuban culture but a broader international context of cigar consumption.","Among the prominent manufacturers featured in this collection of labels, such as M. Bustillo Company, F. Garcia \u0026 Brothers, Alfonso Rios \u0026 Company, and M.M. Sevis \u0026 Sons, amongst other small known companies. Each of these companies contributed uniquely to the visual identity of their products. M. Bustillo Company was really well-known for its elegant designs that would usually incorporate floral motifs and classical themes, while F. Garcia \u0026 Brothers emphasizes the quality and c\nraftsmanship of their cigars through the use of bold and striking imagery. Alfonso Rios \u0026 Company and M.M. Sevis \u0026 Sons both similarly highly focuses on capturing the essence of Cuban heritage in their visual imagery through labels, utilizing local symbols and artistic iconographical styles that resonated with consumers both national and international. ","The important role of lithographers in the creative process of these labels cannot be overstated. Companies such as the American Lithographic Company and the Klingenberg Detmond Company played a pivotal role in producing high-quality chromolithographic labels that would become iconic within the industry. The Klingenberg Detmond Company, for example, was renowned for its meticulous attention to detail and vibrant color palettes for their cigar labels, making them stand out in a competitive market. Other known significant contributors would include the Lithographic Germany, Consolidated Lithographing Corporation, Moehle Lithographic Company, and many more bringing in their own unique techniques and artistic capabilities to the cigar label landscape. Widely known Compania Litografica de la Habana further enriched the offerings by focusing on designs that reflected Cuban identity, integrating local artistic traditions with contemporary printing methods. ","The multilingual aspect of these labels speaks volumes about the global appeal of Cuban cigars and the culture behind them. By catering to a diverse audience, manufacturers ensured that their products reached consumers from various backgrounds, therefore enhancing the cigars' reputation as a symbol of sophistication and status. Labels would often featured languages such as Spanish, English, French, German, and many more, underscoring the international demand for these luxurious products and goods. Collectively, these chromolithographic labels tell such a rich cultural history, blending artistic craftsmanship with the economic and social dynamics of their respective time periods. They will stand as cherished collectibles, offering a glimpse into the vibrant story of Cuban cigar tobacco industry and the enduring allure and aesthetic of its cigars. ","\nOmar Amador, un cubano nativo que ahora reside en Miami, Florida, ha cultivado una impresionante colección de memorabilia cubana, con un enfoque particular en las etiquetas de cigarros en cromolitografía. Su pasión por preservar el rico patrimonio cultural de Cuba se refleja en la profundidad y diversidad de su colección.","Estas etiquetas de cigarros cubanos datan de finales del siglo XIX y principios del siglo XX, como un vibrante testimonio del arte y la ingeniosidad en marketing de la industria del cigarro durante este período. Con el auge de la cromolitografía, que revolucionó la producción de etiquetas en todo el mundo, se permitió la creación de diseños ricos y multicolores que adornaban las cajas de cigarros para los consumidores. Estas etiquetas no solo eran decorativas para los amantes de los cigarros, sino que también servían como una estrategia de marketing crucial para demostrar la calidad y el artesanado detrás de estos cigarros. Con una colección que presenta 217 etiquetas que abarcan una diversa gama de idiomas y estilos, se puede apreciar el patrimonio artístico que estas etiquetas representan, reflejando no solo la cultura local cubana, sino un contexto internacional más amplio del consumo de cigarros.","Entre los destacados fabricantes que aparecen en esta colección de etiquetas, se encuentran la M. Bustillo Company, F. Garcia \u0026 Brothers, Alfonso Rios \u0026 Company y M.M. Sevis \u0026 Sons, entre otras pequeñas empresas menos conocidas. Cada una de estas compañías contribuyó de manera única a la identidad visual de sus productos. El M. Bustillo Company era muy conocida por sus elegantes diseños que generalmente incorporaban motivos florales y temas clásicos, mientras que F. Garcia \u0026 Brothers enfatizaba la calidad y el artesanado de sus cigarros mediante el uso de imágenes audaces y llamativas. Tanto Alfonso Rios \u0026 Company como M.M. Sevis \u0026 Sons se enfocaron en capturar la esencia del patrimonio cubano en su imaginería visual a través de etiquetas, utilizando símbolos locales y estilos iconográficos artísticos que resonaban con los consumidores, tanto nacionales como internacionales.","El importante papel de los litógrafos en el proceso creativo de estas etiquetas no puede ser subestimado. Compañías como la American Lithographic Company y la Klingenberg Detmond Company desempeñaron un papel fundamental en la producción de etiquetas cromolitográficas de alta calidad que se volverían icónicas en la industria. La Klingenberg Detmond Company, por ejemplo, era conocida por su meticulosa atención al detalle y paletas de colores vibrantes para sus etiquetas de cigarros, lo que las hacía destacar en un mercado competitivo. Otros importantes contribuyentes conocidos incluyen Lithographic Germany, Consolidated Lithographing Corporation, Moehle Lithographic Company y muchos más, que aportaron sus propias técnicas únicas y capacidades artísticas al paisaje de las etiquetas de cigarros. La ampliamente conocida Compañía Litográfica de La Habana enriqueció aún más la oferta al enfocarse en diseños que reflejaban la identidad cubana, integrando tradiciones artísticas locales con métodos de impresión contemporáneos.","El aspecto multilingue de estas etiquetas habla mucho sobre el atractivo global de los cigarros cubanos y la cultura que los rodea. Al dirigirse a una audiencia diversa, los fabricantes aseguraron que sus productos llegaran a consumidores de diversos orígenes, mejorando así la reputación de los cigarros como símbolo de sofisticación y estatus. Las etiquetas a menudo presentaban idiomas como español, inglés, francés, alemán y muchos más, subrayando la demanda internacional de estos productos y bienes lujosos. Colectivamente, estas etiquetas cromolitográficas cuentan una rica historia cultural, fusionando la artesanía artística con las dinámicas económicas y sociales de sus respectivos períodos. Se mantendrán como coleccionables apreciados, ofreciendo un vistazo a la vibrante historia de la industria del tabaco de cigarros cubanos y la perdurable atracción y estética de sus cigarros.","Osterweil Collection of Cigar Labels (USF) https://digitalcommons.usf.edu/osterweil/, Tampa Cigar Industry and Art Collection (USF) https://digitalcommons.usf.edu/tampa_cigar_art/, Tobacco Art Collection (UM) https://atom.library.miami.edu/chc5279, Cigar City Collection (DLOC) https://www.dloc.com/results?filter=creator:Cigar%20City%20Collection, Florida Department of State Museum of Florida History https://museumoffloridahistory.com/explore/collections/cigar-box-labels/.","The Cigar Label Collection at Florida International University (FIU) Special Collections serves as a vital resource for understanding the rich history and cultural significance of the Cuban cigar industry during the early 20th century, in parts of Cuba and global communities. The collection encompasses a wide range of materials dating back to the late 19th century to the mid-20th century, it includes cigar bands and chromolithographic cigar box labels. The collection contains numerous Cuban cigar manufacturers and brands, offering insights into the artistic styles that defined the industry's golden age. Highlighting the intricate artistry of cigar label lithographs and their role in the branding and marketing of Cuban cigars. Preserving these labels would give researchers a chance to see for themselves the delicate process of lithographic imagery in Cuban cigar manufacturing and marketing.","\nLa Colección de Etiquetas de Cigarros en las Special Collections de la Florida International University (FIU) sirve como un recurso vital para comprender la historia y el significado cultural de la industria del cigarro cubano durante el siglo XX, tanto en partes de Cuba como en comunidades globales. La colección abarca una amplia gama de materiales que datan desde finales del siglo XIX hasta mediados del siglo XX, e incluye anillas de cigarros y etiquetas de cajas de cigarros en cromolitografía. La colección contiene numerosos fabricantes y marcas de cigarros cubanos, ofreciendo perspectivas sobre los estilos artísticos que definieron la edad dorada de la industria. Destaca la intrincada artesanía de las litografías de etiquetas de cigarros y su papel en la marca y el marketing de los cigarros cubanos. Preservar estas etiquetas brindaría a los investigadores la oportunidad de observar el delicado proceso de la imaginería litográfica en la fabricación y comercialización de cigarros cubanos.","Rights. The Cigar Label Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of cigar labels from the late 19th century to the early 20th century.","FIU Special Collections","Adlerpost Cigar Company (New York City, New York)","Henry Clay Company (Trenton, New Jersey)","American Lithographic Company","Ramon Alvarez \u0026 Company (Tampa, Florida)","Perfecto Garcia \u0026 Brothers (Ybor City, Tampa, Florida)","Jose Pepin Garcia (Miami, Florida)","S.L. Lee \u0026 Sons (Ybor City, Tampa, Florida)","Consolidated Lithographing Corporation","M.M. Sevis \u0026 Sons (Springvale, Pennsylvania)","C. Garcia \u0026 Cia Habana (Havana, Cuba)","Castle Hall (New York City, New York)","William D. Castro (Miami, Florida)","Bear Company","Maryland Lithographic Company","Cima de Luxe (Esteli, Nicaragua)","Covered Wagon Cigar","Klingenberg Detmond Company","M. Bustillo and Company (Hillsborough County, Tampa, Florida)","El Predomino Cigar Company Manufacturers (Tampa, Florida)","Don Nieto Cigar Factory","San Martin and Son Cigar Company (Hillsborough County, Tampa, Florida)","Moehle Litho Company","David S. Erb \u0026 Co. (Boyertown, Pennsylvania)","Baum-Jaffe Company (Philadelphia, Pennsylvania)","A.W. \u0026 S","Wettig Gedeponeerd (Netherlands)","E. Goss \u0026 Company (San Francisco, California)","G.A.K. \u0026 Company","Wolverine Cigar Company","East Prospect Cigar Company (East Prospect, Pennsylvania)","T. J. Kennedy Tobacco Company","F. Garcia \u0026 Brothers (Hillsborough County, Tampa, Florida)","F. Villar \u0026 Company ","Charles B. Perkins Company (Boston, Massachusetts)","M.H. Smaltz \u0026 Son (Womelsdorf, Pennsylvania)","M. Alonso \u0026 Company","Alfonso Rios \u0026 Company","Charles L. Boak (Harrisburg, Pennsylvania)","Pasbach Voice","H. Upmann (Havana, Cuba)","George S. Harris \u0026 Sons Litho","Heijnen \u0026 Company (Eindhoven, Netherlands)","Louis E. Neuman \u0026 Company Litho","Hofnar Sigarenfabrieken (Netherlands)","Salvador Rodriguez, Inc. (Tampa, Florida)","Compania Litografica de la Habana (Havana, Cuba)","Kerssemakers-Rath \u0026 Company (Netherlands)","Kyra Cigar Company (West Africa)","La Balca Havana Cigars","Calvert Litho Company","S. Hersheim Brothers \u0026 Company (New Orleans, Louisiana)","Moller, Kokeritz \u0026 Company (New York City, New York)","Litho Germany (Germany)","Victor Alvarez (Havana, Cuba)","Krueger \u0026 Braun Litho","C.B. Henschel Manufacturing Company","Corral, Wodiska y Ca.","Meyer Patur Cigar Company (Chicago, Illinois)","G. S. \u0026 Company","J.H. Hamann (Chicago, Illinois)","La Victoria Cigar Corporation (New York City, New York)","B \u0026 B Cigar Company (Kalamazoo, Michigan)","D.S. Erb \u0026 Company (New York City, New York)","Otto Berndt \u0026 Son (Chicago, Illinois)","Leon Real","Grommes and Ulrich Cigar Company (Hillsborough County, Tampa, Florida)","Louis C. Wagner \u0026 Company","M. Bustillo \u0026 Merriam (Hillsborough County, Tampa, Florida)","J.Jimenez Perez (New York City, New York)","Hermann Shott Rheydt","A.C. Henschel \u0026 Company","Moller Koreritz ","P.M. \u0026 F.","Marcelino Perez Cigar Company (Hillsborough County, Tampa, Florida)","Club Royal","Lozano, Pendas, and Company","Wohl \u0026 Comstock Co. ","Litho George Schlegel (New York)","Por Larranaga (Havana, Cuba)","El Arte Cigar Company","John T. Stier \u0026 Sons Cigar Company (Louisville, Kentucky)","Tampa Cuba Cigar Company (Ybor City, Tampa, Florida)","Romeo y Julieta (Havana, Cuba)","Pedro Perez Cigar Company (Ybor City, Tampa, Florida)","The Graham-Ernst Cigar Company","Kohler Snyder Company","J.A. Mcadoo","Louis Heltman Company","Celestino Costello \u0026 Company","H.E. Ackerburg","Golden Bros","A.H. Belo \u0026 Company","Luis Zamorano Gonzalez","Willem II (Netherlands)","Spanish; Castilian"],"unitid_tesim":["SPC6005","/repositories/2/resources/127"],"normalized_date_ssm":["Dating back to the late 19th century all the way to the mid-20th century."],"normalized_title_ssm":["Cigar Label Collection, Dating back to the late 19th century all the way to the mid-20th century."],"collection_title_tesim":["Cigar Label Collection, Dating back to the late 19th century all the way to the mid-20th century."],"collection_ssim":["Cigar Label Collection, Dating back to the late 19th century all the way to the mid-20th century."],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cigar Label Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["217 items"],"extent_tesim":["217 items"],"date_range_isim":[1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eOmar Amador, a Cuban native now residing in Miami, Florida has cultivated an impressive collection of Cuban memorabilia, with a particular focus on chromolithographic cigar labels. His passion for preserving rich cultural heritage of Cuba is reflected in the depth and diversity of his collection. \nThese Cuban cigar labels date back from the late 19th and early 20th centuries as a vibrant testament to the artistry and marketing ingenuity of the cigar industry during this time period. \u003c/p\u003e\n","\u003cp\u003eWith the rise of chromolithography revolutionizing label productions all over the globe, it allowed for the creation of rich, multi-colored designs that adorned cigar boxes to consumers. These labels were not just decorative to cigar-lovers alike but they served as a crucial marketing ploy to demonstrate the quality and craftsmanship behind these cigars. With a collection that features 217 labels that present a diverse range of languages and styles, one can appreciate the artistic heritage that these labels represent. Reflecting not only the local Cuban culture but a broader international context of cigar consumption.\u003c/p\u003e\n","\u003cp\u003eAmong the prominent manufacturers featured in this collection of labels, such as M. Bustillo Company, F. Garcia \u0026amp; Brothers, Alfonso Rios \u0026amp; Company, and M.M. Sevis \u0026amp; Sons, amongst other small known companies. Each of these companies contributed uniquely to the visual identity of their products. M. Bustillo Company was really well-known for its elegant designs that would usually incorporate floral motifs and classical themes, while F. Garcia \u0026amp; Brothers emphasizes the quality and c\nraftsmanship of their cigars through the use of bold and striking imagery. Alfonso Rios \u0026amp; Company and M.M. Sevis \u0026amp; Sons both similarly highly focuses on capturing the essence of Cuban heritage in their visual imagery through labels, utilizing local symbols and artistic iconographical styles that resonated with consumers both national and international. \u003c/p\u003e\n","\u003cp\u003eThe important role of lithographers in the creative process of these labels cannot be overstated. Companies such as the American Lithographic Company and the Klingenberg Detmond Company played a pivotal role in producing high-quality chromolithographic labels that would become iconic within the industry. The Klingenberg Detmond Company, for example, was renowned for its meticulous attention to detail and vibrant color palettes for their cigar labels, making them stand out in a competitive market. Other known significant contributors would include the Lithographic Germany, Consolidated Lithographing Corporation, Moehle Lithographic Company, and many more bringing in their own unique techniques and artistic capabilities to the cigar label landscape. Widely known Compania Litografica de la Habana further enriched the offerings by focusing on designs that reflected Cuban identity, integrating local artistic traditions with contemporary printing methods. \u003c/p\u003e\n","\u003cp\u003eThe multilingual aspect of these labels speaks volumes about the global appeal of Cuban cigars and the culture behind them. By catering to a diverse audience, manufacturers ensured that their products reached consumers from various backgrounds, therefore enhancing the cigars' reputation as a symbol of sophistication and status. Labels would often featured languages such as Spanish, English, French, German, and many more, underscoring the international demand for these luxurious products and goods. Collectively, these chromolithographic labels tell such a rich cultural history, blending artistic craftsmanship with the economic and social dynamics of their respective time periods. They will stand as cherished collectibles, offering a glimpse into the vibrant story of Cuban cigar tobacco industry and the enduring allure and aesthetic of its cigars. \u003c/p\u003e\n","\u003cp\u003e\nOmar Amador, un cubano nativo que ahora reside en Miami, Florida, ha cultivado una impresionante colecci\u0026#xF3;n de memorabilia cubana, con un enfoque particular en las etiquetas de cigarros en cromolitograf\u0026#xED;a. Su pasi\u0026#xF3;n por preservar el rico patrimonio cultural de Cuba se refleja en la profundidad y diversidad de su colecci\u0026#xF3;n.\u003c/p\u003e\n","\u003cp\u003eEstas etiquetas de cigarros cubanos datan de finales del siglo XIX y principios del siglo XX, como un vibrante testimonio del arte y la ingeniosidad en marketing de la industria del cigarro durante este per\u0026#xED;odo. Con el auge de la cromolitograf\u0026#xED;a, que revolucion\u0026#xF3; la producci\u0026#xF3;n de etiquetas en todo el mundo, se permiti\u0026#xF3; la creaci\u0026#xF3;n de dise\u0026#xF1;os ricos y multicolores que adornaban las cajas de cigarros para los consumidores. Estas etiquetas no solo eran decorativas para los amantes de los cigarros, sino que tambi\u0026#xE9;n serv\u0026#xED;an como una estrategia de marketing crucial para demostrar la calidad y el artesanado detr\u0026#xE1;s de estos cigarros. Con una colecci\u0026#xF3;n que presenta 217 etiquetas que abarcan una diversa gama de idiomas y estilos, se puede apreciar el patrimonio art\u0026#xED;stico que estas etiquetas representan, reflejando no solo la cultura local cubana, sino un contexto internacional m\u0026#xE1;s amplio del consumo de cigarros.\u003c/p\u003e\n","\u003cp\u003eEntre los destacados fabricantes que aparecen en esta colecci\u0026#xF3;n de etiquetas, se encuentran la M. Bustillo Company, F. Garcia \u0026amp; Brothers, Alfonso Rios \u0026amp; Company y M.M. Sevis \u0026amp; Sons, entre otras peque\u0026#xF1;as empresas menos conocidas. Cada una de estas compa\u0026#xF1;\u0026#xED;as contribuy\u0026#xF3; de manera \u0026#xFA;nica a la identidad visual de sus productos. El M. Bustillo Company era muy conocida por sus elegantes dise\u0026#xF1;os que generalmente incorporaban motivos florales y temas cl\u0026#xE1;sicos, mientras que F. Garcia \u0026amp; Brothers enfatizaba la calidad y el artesanado de sus cigarros mediante el uso de im\u0026#xE1;genes audaces y llamativas. Tanto Alfonso Rios \u0026amp; Company como M.M. Sevis \u0026amp; Sons se enfocaron en capturar la esencia del patrimonio cubano en su imaginer\u0026#xED;a visual a trav\u0026#xE9;s de etiquetas, utilizando s\u0026#xED;mbolos locales y estilos iconogr\u0026#xE1;ficos art\u0026#xED;sticos que resonaban con los consumidores, tanto nacionales como internacionales.\u003c/p\u003e\n","\u003cp\u003eEl importante papel de los lit\u0026#xF3;grafos en el proceso creativo de estas etiquetas no puede ser subestimado. Compa\u0026#xF1;\u0026#xED;as como la American Lithographic Company y la Klingenberg Detmond Company desempe\u0026#xF1;aron un papel fundamental en la producci\u0026#xF3;n de etiquetas cromolitogr\u0026#xE1;ficas de alta calidad que se volver\u0026#xED;an ic\u0026#xF3;nicas en la industria. La Klingenberg Detmond Company, por ejemplo, era conocida por su meticulosa atenci\u0026#xF3;n al detalle y paletas de colores vibrantes para sus etiquetas de cigarros, lo que las hac\u0026#xED;a destacar en un mercado competitivo. Otros importantes contribuyentes conocidos incluyen Lithographic Germany, Consolidated Lithographing Corporation, Moehle Lithographic Company y muchos m\u0026#xE1;s, que aportaron sus propias t\u0026#xE9;cnicas \u0026#xFA;nicas y capacidades art\u0026#xED;sticas al paisaje de las etiquetas de cigarros. La ampliamente conocida Compa\u0026#xF1;\u0026#xED;a Litogr\u0026#xE1;fica de La Habana enriqueci\u0026#xF3; a\u0026#xFA;n m\u0026#xE1;s la oferta al enfocarse en dise\u0026#xF1;os que reflejaban la identidad cubana, integrando tradiciones art\u0026#xED;sticas locales con m\u0026#xE9;todos de impresi\u0026#xF3;n contempor\u0026#xE1;neos.\u003c/p\u003e\n","\u003cp\u003eEl aspecto multilingue de estas etiquetas habla mucho sobre el atractivo global de los cigarros cubanos y la cultura que los rodea. Al dirigirse a una audiencia diversa, los fabricantes aseguraron que sus productos llegaran a consumidores de diversos or\u0026#xED;genes, mejorando as\u0026#xED; la reputaci\u0026#xF3;n de los cigarros como s\u0026#xED;mbolo de sofisticaci\u0026#xF3;n y estatus. Las etiquetas a menudo presentaban idiomas como espa\u0026#xF1;ol, ingl\u0026#xE9;s, franc\u0026#xE9;s, alem\u0026#xE1;n y muchos m\u0026#xE1;s, subrayando la demanda internacional de estos productos y bienes lujosos. Colectivamente, estas etiquetas cromolitogr\u0026#xE1;ficas cuentan una rica historia cultural, fusionando la artesan\u0026#xED;a art\u0026#xED;stica con las din\u0026#xE1;micas econ\u0026#xF3;micas y sociales de sus respectivos per\u0026#xED;odos. Se mantendr\u0026#xE1;n como coleccionables apreciados, ofreciendo un vistazo a la vibrante historia de la industria del tabaco de cigarros cubanos y la perdurable atracci\u0026#xF3;n y est\u0026#xE9;tica de sus cigarros.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Omar Amador, a Cuban native now residing in Miami, Florida has cultivated an impressive collection of Cuban memorabilia, with a particular focus on chromolithographic cigar labels. His passion for preserving rich cultural heritage of Cuba is reflected in the depth and diversity of his collection. \nThese Cuban cigar labels date back from the late 19th and early 20th centuries as a vibrant testament to the artistry and marketing ingenuity of the cigar industry during this time period. ","With the rise of chromolithography revolutionizing label productions all over the globe, it allowed for the creation of rich, multi-colored designs that adorned cigar boxes to consumers. These labels were not just decorative to cigar-lovers alike but they served as a crucial marketing ploy to demonstrate the quality and craftsmanship behind these cigars. With a collection that features 217 labels that present a diverse range of languages and styles, one can appreciate the artistic heritage that these labels represent. Reflecting not only the local Cuban culture but a broader international context of cigar consumption.","Among the prominent manufacturers featured in this collection of labels, such as M. Bustillo Company, F. Garcia \u0026 Brothers, Alfonso Rios \u0026 Company, and M.M. Sevis \u0026 Sons, amongst other small known companies. Each of these companies contributed uniquely to the visual identity of their products. M. Bustillo Company was really well-known for its elegant designs that would usually incorporate floral motifs and classical themes, while F. Garcia \u0026 Brothers emphasizes the quality and c\nraftsmanship of their cigars through the use of bold and striking imagery. Alfonso Rios \u0026 Company and M.M. Sevis \u0026 Sons both similarly highly focuses on capturing the essence of Cuban heritage in their visual imagery through labels, utilizing local symbols and artistic iconographical styles that resonated with consumers both national and international. ","The important role of lithographers in the creative process of these labels cannot be overstated. Companies such as the American Lithographic Company and the Klingenberg Detmond Company played a pivotal role in producing high-quality chromolithographic labels that would become iconic within the industry. The Klingenberg Detmond Company, for example, was renowned for its meticulous attention to detail and vibrant color palettes for their cigar labels, making them stand out in a competitive market. Other known significant contributors would include the Lithographic Germany, Consolidated Lithographing Corporation, Moehle Lithographic Company, and many more bringing in their own unique techniques and artistic capabilities to the cigar label landscape. Widely known Compania Litografica de la Habana further enriched the offerings by focusing on designs that reflected Cuban identity, integrating local artistic traditions with contemporary printing methods. ","The multilingual aspect of these labels speaks volumes about the global appeal of Cuban cigars and the culture behind them. By catering to a diverse audience, manufacturers ensured that their products reached consumers from various backgrounds, therefore enhancing the cigars' reputation as a symbol of sophistication and status. Labels would often featured languages such as Spanish, English, French, German, and many more, underscoring the international demand for these luxurious products and goods. Collectively, these chromolithographic labels tell such a rich cultural history, blending artistic craftsmanship with the economic and social dynamics of their respective time periods. They will stand as cherished collectibles, offering a glimpse into the vibrant story of Cuban cigar tobacco industry and the enduring allure and aesthetic of its cigars. ","\nOmar Amador, un cubano nativo que ahora reside en Miami, Florida, ha cultivado una impresionante colección de memorabilia cubana, con un enfoque particular en las etiquetas de cigarros en cromolitografía. Su pasión por preservar el rico patrimonio cultural de Cuba se refleja en la profundidad y diversidad de su colección.","Estas etiquetas de cigarros cubanos datan de finales del siglo XIX y principios del siglo XX, como un vibrante testimonio del arte y la ingeniosidad en marketing de la industria del cigarro durante este período. Con el auge de la cromolitografía, que revolucionó la producción de etiquetas en todo el mundo, se permitió la creación de diseños ricos y multicolores que adornaban las cajas de cigarros para los consumidores. Estas etiquetas no solo eran decorativas para los amantes de los cigarros, sino que también servían como una estrategia de marketing crucial para demostrar la calidad y el artesanado detrás de estos cigarros. Con una colección que presenta 217 etiquetas que abarcan una diversa gama de idiomas y estilos, se puede apreciar el patrimonio artístico que estas etiquetas representan, reflejando no solo la cultura local cubana, sino un contexto internacional más amplio del consumo de cigarros.","Entre los destacados fabricantes que aparecen en esta colección de etiquetas, se encuentran la M. Bustillo Company, F. Garcia \u0026 Brothers, Alfonso Rios \u0026 Company y M.M. Sevis \u0026 Sons, entre otras pequeñas empresas menos conocidas. Cada una de estas compañías contribuyó de manera única a la identidad visual de sus productos. El M. Bustillo Company era muy conocida por sus elegantes diseños que generalmente incorporaban motivos florales y temas clásicos, mientras que F. Garcia \u0026 Brothers enfatizaba la calidad y el artesanado de sus cigarros mediante el uso de imágenes audaces y llamativas. Tanto Alfonso Rios \u0026 Company como M.M. Sevis \u0026 Sons se enfocaron en capturar la esencia del patrimonio cubano en su imaginería visual a través de etiquetas, utilizando símbolos locales y estilos iconográficos artísticos que resonaban con los consumidores, tanto nacionales como internacionales.","El importante papel de los litógrafos en el proceso creativo de estas etiquetas no puede ser subestimado. Compañías como la American Lithographic Company y la Klingenberg Detmond Company desempeñaron un papel fundamental en la producción de etiquetas cromolitográficas de alta calidad que se volverían icónicas en la industria. La Klingenberg Detmond Company, por ejemplo, era conocida por su meticulosa atención al detalle y paletas de colores vibrantes para sus etiquetas de cigarros, lo que las hacía destacar en un mercado competitivo. Otros importantes contribuyentes conocidos incluyen Lithographic Germany, Consolidated Lithographing Corporation, Moehle Lithographic Company y muchos más, que aportaron sus propias técnicas únicas y capacidades artísticas al paisaje de las etiquetas de cigarros. La ampliamente conocida Compañía Litográfica de La Habana enriqueció aún más la oferta al enfocarse en diseños que reflejaban la identidad cubana, integrando tradiciones artísticas locales con métodos de impresión contemporáneos.","El aspecto multilingue de estas etiquetas habla mucho sobre el atractivo global de los cigarros cubanos y la cultura que los rodea. Al dirigirse a una audiencia diversa, los fabricantes aseguraron que sus productos llegaran a consumidores de diversos orígenes, mejorando así la reputación de los cigarros como símbolo de sofisticación y estatus. Las etiquetas a menudo presentaban idiomas como español, inglés, francés, alemán y muchos más, subrayando la demanda internacional de estos productos y bienes lujosos. Colectivamente, estas etiquetas cromolitográficas cuentan una rica historia cultural, fusionando la artesanía artística con las dinámicas económicas y sociales de sus respectivos períodos. Se mantendrán como coleccionables apreciados, ofreciendo un vistazo a la vibrante historia de la industria del tabaco de cigarros cubanos y la perdurable atracción y estética de sus cigarros."],"relatedmaterial_html_tesm":["\u003cp\u003eOsterweil Collection of Cigar Labels (USF) https://digitalcommons.usf.edu/osterweil/, Tampa Cigar Industry and Art Collection (USF) https://digitalcommons.usf.edu/tampa_cigar_art/, Tobacco Art Collection (UM) https://atom.library.miami.edu/chc5279, Cigar City Collection (DLOC) https://www.dloc.com/results?filter=creator:Cigar%20City%20Collection, Florida Department of State Museum of Florida History https://museumoffloridahistory.com/explore/collections/cigar-box-labels/.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Osterweil Collection of Cigar Labels (USF) https://digitalcommons.usf.edu/osterweil/, Tampa Cigar Industry and Art Collection (USF) https://digitalcommons.usf.edu/tampa_cigar_art/, Tobacco Art Collection (UM) https://atom.library.miami.edu/chc5279, Cigar City Collection (DLOC) https://www.dloc.com/results?filter=creator:Cigar%20City%20Collection, Florida Department of State Museum of Florida History https://museumoffloridahistory.com/explore/collections/cigar-box-labels/."],"scopecontent_html_tesm":["\u003cp\u003eThe Cigar Label Collection at Florida International University (FIU) Special Collections serves as a vital resource for understanding the rich history and cultural significance of the Cuban cigar industry during the early 20th century, in parts of Cuba and global communities. The collection encompasses a wide range of materials dating back to the late 19th century to the mid-20th century, it includes cigar bands and chromolithographic cigar box labels. The collection contains numerous Cuban cigar manufacturers and brands, offering insights into the artistic styles that defined the industry's golden age. Highlighting the intricate artistry of cigar label lithographs and their role in the branding and marketing of Cuban cigars. Preserving these labels would give researchers a chance to see for themselves the delicate process of lithographic imagery in Cuban cigar manufacturing and marketing.\u003c/p\u003e\n","\u003cp\u003e\nLa Colecci\u0026#xF3;n de Etiquetas de Cigarros en las Special Collections de la Florida International University (FIU) sirve como un recurso vital para comprender la historia y el significado cultural de la industria del cigarro cubano durante el siglo XX, tanto en partes de Cuba como en comunidades globales. La colecci\u0026#xF3;n abarca una amplia gama de materiales que datan desde finales del siglo XIX hasta mediados del siglo XX, e incluye anillas de cigarros y etiquetas de cajas de cigarros en cromolitograf\u0026#xED;a. La colecci\u0026#xF3;n contiene numerosos fabricantes y marcas de cigarros cubanos, ofreciendo perspectivas sobre los estilos art\u0026#xED;sticos que definieron la edad dorada de la industria. Destaca la intrincada artesan\u0026#xED;a de las litograf\u0026#xED;as de etiquetas de cigarros y su papel en la marca y el marketing de los cigarros cubanos. Preservar estas etiquetas brindar\u0026#xED;a a los investigadores la oportunidad de observar el delicado proceso de la imaginer\u0026#xED;a litogr\u0026#xE1;fica en la fabricaci\u0026#xF3;n y comercializaci\u0026#xF3;n de cigarros cubanos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cigar Label Collection at Florida International University (FIU) Special Collections serves as a vital resource for understanding the rich history and cultural significance of the Cuban cigar industry during the early 20th century, in parts of Cuba and global communities. The collection encompasses a wide range of materials dating back to the late 19th century to the mid-20th century, it includes cigar bands and chromolithographic cigar box labels. The collection contains numerous Cuban cigar manufacturers and brands, offering insights into the artistic styles that defined the industry's golden age. Highlighting the intricate artistry of cigar label lithographs and their role in the branding and marketing of Cuban cigars. Preserving these labels would give researchers a chance to see for themselves the delicate process of lithographic imagery in Cuban cigar manufacturing and marketing.","\nLa Colección de Etiquetas de Cigarros en las Special Collections de la Florida International University (FIU) sirve como un recurso vital para comprender la historia y el significado cultural de la industria del cigarro cubano durante el siglo XX, tanto en partes de Cuba como en comunidades globales. La colección abarca una amplia gama de materiales que datan desde finales del siglo XIX hasta mediados del siglo XX, e incluye anillas de cigarros y etiquetas de cajas de cigarros en cromolitografía. La colección contiene numerosos fabricantes y marcas de cigarros cubanos, ofreciendo perspectivas sobre los estilos artísticos que definieron la edad dorada de la industria. Destaca la intrincada artesanía de las litografías de etiquetas de cigarros y su papel en la marca y el marketing de los cigarros cubanos. Preservar estas etiquetas brindaría a los investigadores la oportunidad de observar el delicado proceso de la imaginería litográfica en la fabricación y comercialización de cigarros cubanos."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cigar Label Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cigar Label Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7de0ce202f1579f9c58731ee3ee794be\"\u003eCollection of cigar labels from the late 19th century to the early 20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of cigar labels from the late 19th century to the early 20th century."],"names_ssim":["FIU Special Collections","Adlerpost Cigar Company (New York City, New York)","Henry Clay Company (Trenton, New Jersey)","American Lithographic Company","Ramon Alvarez \u0026 Company (Tampa, Florida)","Perfecto Garcia \u0026 Brothers (Ybor City, Tampa, Florida)","Jose Pepin Garcia (Miami, Florida)","S.L. Lee \u0026 Sons (Ybor City, Tampa, Florida)","Consolidated Lithographing Corporation","M.M. Sevis \u0026 Sons (Springvale, Pennsylvania)","C. Garcia \u0026 Cia Habana (Havana, Cuba)","Castle Hall (New York City, New York)","William D. Castro (Miami, Florida)","Bear Company","Maryland Lithographic Company","Cima de Luxe (Esteli, Nicaragua)","Covered Wagon Cigar","Klingenberg Detmond Company","M. Bustillo and Company (Hillsborough County, Tampa, Florida)","El Predomino Cigar Company Manufacturers (Tampa, Florida)","Don Nieto Cigar Factory","San Martin and Son Cigar Company (Hillsborough County, Tampa, Florida)","Moehle Litho Company","David S. Erb \u0026 Co. (Boyertown, Pennsylvania)","Baum-Jaffe Company (Philadelphia, Pennsylvania)","A.W. \u0026 S","Wettig Gedeponeerd (Netherlands)","E. Goss \u0026 Company (San Francisco, California)","G.A.K. \u0026 Company","Wolverine Cigar Company","East Prospect Cigar Company (East Prospect, Pennsylvania)","T. J. Kennedy Tobacco Company","F. Garcia \u0026 Brothers (Hillsborough County, Tampa, Florida)","F. Villar \u0026 Company ","Charles B. Perkins Company (Boston, Massachusetts)","M.H. Smaltz \u0026 Son (Womelsdorf, Pennsylvania)","M. Alonso \u0026 Company","Alfonso Rios \u0026 Company","Charles L. Boak (Harrisburg, Pennsylvania)","Pasbach Voice","H. Upmann (Havana, Cuba)","George S. Harris \u0026 Sons Litho","Heijnen \u0026 Company (Eindhoven, Netherlands)","Louis E. Neuman \u0026 Company Litho","Hofnar Sigarenfabrieken (Netherlands)","Salvador Rodriguez, Inc. (Tampa, Florida)","Compania Litografica de la Habana (Havana, Cuba)","Kerssemakers-Rath \u0026 Company (Netherlands)","Kyra Cigar Company (West Africa)","La Balca Havana Cigars","Calvert Litho Company","S. Hersheim Brothers \u0026 Company (New Orleans, Louisiana)","Moller, Kokeritz \u0026 Company (New York City, New York)","Litho Germany (Germany)","Victor Alvarez (Havana, Cuba)","Krueger \u0026 Braun Litho","C.B. Henschel Manufacturing Company","Corral, Wodiska y Ca.","Meyer Patur Cigar Company (Chicago, Illinois)","G. S. \u0026 Company","J.H. Hamann (Chicago, Illinois)","La Victoria Cigar Corporation (New York City, New York)","B \u0026 B Cigar Company (Kalamazoo, Michigan)","D.S. Erb \u0026 Company (New York City, New York)","Otto Berndt \u0026 Son (Chicago, Illinois)","Leon Real","Grommes and Ulrich Cigar Company (Hillsborough County, Tampa, Florida)","Louis C. Wagner \u0026 Company","M. Bustillo \u0026 Merriam (Hillsborough County, Tampa, Florida)","J.Jimenez Perez (New York City, New York)","Hermann Shott Rheydt","A.C. Henschel \u0026 Company","Moller Koreritz ","P.M. \u0026 F.","Marcelino Perez Cigar Company (Hillsborough County, Tampa, Florida)","Club Royal","Lozano, Pendas, and Company","Wohl \u0026 Comstock Co. ","Litho George Schlegel (New York)","Por Larranaga (Havana, Cuba)","El Arte Cigar Company","John T. 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Belo \u0026 Company","Luis Zamorano Gonzalez","Willem II (Netherlands)"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844493513621504,"_root_":"1fb60b2a237557e58ed95300","timestamp":"2026-07-16T04:32:23.451Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1fb60b2a237557e58ed95300_aspace_5e7f0b1cd89184de6126d4ad41fcd3d4"}},{"id":"4961d443b0be41b7531e2e8e_aspace_21289","type":"Item","attributes":{"title":"Woodrow Wilson Memorial (Photograph)","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4961d443b0be41b7531e2e8e_aspace_21289#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_21289","ref_ssm":["aspace_21289","aspace_21289"],"id":"4961d443b0be41b7531e2e8e_aspace_21289","title_filing_ssi":"Woodrow Wilson Memorial (Photograph)","title_ssm":["Woodrow Wilson Memorial (Photograph)"],"title_tesim":["Woodrow Wilson Memorial (Photograph)"],"normalized_title_ssm":["Woodrow Wilson Memorial (Photograph)"],"text":["Woodrow Wilson Memorial (Photograph)","Albin Polasek Collection, 1897-2004","Photograph Albums, circa 1897-1961.","Photographs from the Albums (Volume 4), circa 1897-1961, undated.","Item 11","/repositories/4/archival_objects/41334","box 9","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["4961d443b0be41b7531e2e8e","4961d443b0be41b7531e2e8e_aspace_20950","4961d443b0be41b7531e2e8e_aspace_21222"],"parent_unittitles_ssm":["Albin Polasek Collection, 1897-2004","Photograph Albums, circa 1897-1961.","Photographs from the Albums (Volume 4), circa 1897-1961, undated."],"parent_unittitles_tesim":["Albin Polasek Collection, 1897-2004","Photograph Albums, circa 1897-1961.","Photographs from the Albums (Volume 4), circa 1897-1961, undated."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 11","/repositories/4/archival_objects/41334"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Albin Polasek Collection, 1897-2004"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":811,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 9","folder 2"],"_nest_path_":"/components#2/components#5/components#61","_nest_parent_":"4961d443b0be41b7531e2e8e_aspace_21222","_root_":"4961d443b0be41b7531e2e8e","_version_":1874662721765507072,"timestamp":"2026-08-27T08:01:29.662Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4961d443b0be41b7531e2e8e","title_ssm":["Albin Polasek Collection"],"title_tesim":["Albin Polasek Collection"],"ead_ssi":"4961d443b0be41b7531e2e8e","unitdate_ssm":["1897-2004"],"unitdate_inclusive_ssm":["1897-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC020","/repositories/4/resources/171"],"text":["SC020","/repositories/4/resources/171","Albin Polasek Collection, 1897-2004","Florida","Sculptors","Photographic prints","The entire collection is open for research.","Albin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. 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Call Number: Special Collections –  NB237.P6 S45","Albin Polasek Museum","The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers.","UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation","Polasek, Albin, 1879-1965","English"],"unitid_tesim":["SC020","/repositories/4/resources/171"],"normalized_date_ssm":["1897-2004"],"normalized_title_ssm":["Albin Polasek Collection, 1897-2004"],"collection_title_tesim":["Albin Polasek Collection, 1897-2004"],"collection_ssim":["Albin Polasek Collection, 1897-2004"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Polasek, Albin, 1879-1965"],"creator_ssim":["Polasek, Albin, 1879-1965"],"creator_persname_ssim":["Polasek, Albin, 1879-1965"],"creators_ssim":["Polasek, Albin, 1879-1965"],"places_ssim":["Florida"],"access_terms_ssm":["Unpublished records are protected by copyright. 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He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Albin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens."],"prefercite_html_tesm":["\u003cp\u003eAlbin Polasek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Albin Polasek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eOriginally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t \u003c/p\u003e","\u003cp\u003eThe collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Originally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t ","The collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order."],"relatedmaterial_html_tesm":["\u003cp\u003ePolasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990230744990306596\"\u003eNB237.P65 P6\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990263733320306596\"\u003eF590.B67 P6\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Pol\u0026#xE1;sek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990229039640306596\"\u003eNB237.P6 S45\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.polasek.org/\"\u003eAlbin Polasek Museum\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Polasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections –  NB237.P65 P6","\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections –  F590.B67 P6","\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Polásek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections –  NB237.P6 S45","Albin Polasek Museum"],"scopecontent_html_tesm":["\u003cp\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_648a7ef0b30f6c3a383ade4da0746eca\" label=\"Abstract\"\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers.\u003c/abstract\u003e"],"abstract_tesim":["The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers."],"names_coll_ssim":["Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation"],"names_ssim":["UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation","Polasek, Albin, 1879-1965"],"corpname_ssim":["UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation"],"persname_ssim":["Polasek, Albin, 1879-1965"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":831,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874662721765507072,"_root_":"4961d443b0be41b7531e2e8e","timestamp":"2026-08-27T08:01:29.662Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4961d443b0be41b7531e2e8e_aspace_21289"}},{"id":"4961d443b0be41b7531e2e8e_aspace_21272","type":"Item","attributes":{"title":"Woodrow Wilson Monument (model). Polasek and two unidentified individuals posing next to model.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4961d443b0be41b7531e2e8e_aspace_21272#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_21272","ref_ssm":["aspace_21272","aspace_21272"],"id":"4961d443b0be41b7531e2e8e_aspace_21272","title_filing_ssi":"Woodrow Wilson Monument (model). Polasek and two unidentified individuals posing next to model.","title_ssm":["Woodrow Wilson Monument (model). Polasek and two unidentified individuals posing next to model."],"title_tesim":["Woodrow Wilson Monument (model). Polasek and two unidentified individuals posing next to model."],"normalized_title_ssm":["Woodrow Wilson Monument (model). Polasek and two unidentified individuals posing next to model."],"text":["Woodrow Wilson Monument (model). Polasek and two unidentified individuals posing next to model.","Albin Polasek Collection, 1897-2004","Photograph Albums, circa 1897-1961.","Photographs from the Albums (Volume 4), circa 1897-1961, undated.","Item 1","/repositories/4/archival_objects/40853","box 9","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["4961d443b0be41b7531e2e8e","4961d443b0be41b7531e2e8e_aspace_20950","4961d443b0be41b7531e2e8e_aspace_21222"],"parent_unittitles_ssm":["Albin Polasek Collection, 1897-2004","Photograph Albums, circa 1897-1961.","Photographs from the Albums (Volume 4), circa 1897-1961, undated."],"parent_unittitles_tesim":["Albin Polasek Collection, 1897-2004","Photograph Albums, circa 1897-1961.","Photographs from the Albums (Volume 4), circa 1897-1961, undated."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/40853"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Albin Polasek Collection, 1897-2004"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":795,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 9","folder 1"],"_nest_path_":"/components#2/components#5/components#45","_nest_parent_":"4961d443b0be41b7531e2e8e_aspace_21222","_root_":"4961d443b0be41b7531e2e8e","_version_":1874662721765507072,"timestamp":"2026-08-27T08:01:29.662Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4961d443b0be41b7531e2e8e","title_ssm":["Albin Polasek Collection"],"title_tesim":["Albin Polasek Collection"],"ead_ssi":"4961d443b0be41b7531e2e8e","unitdate_ssm":["1897-2004"],"unitdate_inclusive_ssm":["1897-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC020","/repositories/4/resources/171"],"text":["SC020","/repositories/4/resources/171","Albin Polasek Collection, 1897-2004","Florida","Sculptors","Photographic prints","The entire collection is open for research.","Albin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens.","Originally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t ","The collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order.","Polasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections –  NB237.P65 P6","\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections –  F590.B67 P6","\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Polásek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections –  NB237.P6 S45","Albin Polasek Museum","The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers.","UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation","Polasek, Albin, 1879-1965","English"],"unitid_tesim":["SC020","/repositories/4/resources/171"],"normalized_date_ssm":["1897-2004"],"normalized_title_ssm":["Albin Polasek Collection, 1897-2004"],"collection_title_tesim":["Albin Polasek Collection, 1897-2004"],"collection_ssim":["Albin Polasek Collection, 1897-2004"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Polasek, Albin, 1879-1965"],"creator_ssim":["Polasek, Albin, 1879-1965"],"creator_persname_ssim":["Polasek, Albin, 1879-1965"],"creators_ssim":["Polasek, Albin, 1879-1965"],"places_ssim":["Florida"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated to the University of Central Florida in 1993 (CFM1993_03)."],"access_subjects_ssim":["Sculptors","Photographic prints"],"access_subjects_ssm":["Sculptors","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["3.75 Linear Feet 9 Boxes"],"extent_tesim":["3.75 Linear Feet 9 Boxes"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eAlbin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. In 1949, Mr. Polasek purchased a piece of property on Lake Osceola in Winter Park, Florida and built his retirement home and studio. In 1961 the Albin Polasek Foundation was established and a gallery built to house his works. He continued to create his art until he died at age 86 on May 19, 1965. The Albin Polasek Foundation operates his residence and studio in Winter Park, Florida as the Albin Polasek Museum and Sculpture Gardens.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Albin Polasek was born at Frenstat in Moravia, the Czech Republic in 1879. He came to the United States in 1901 making his trade as a wood carver. In 1906 he studied at the Pennsylvania Academy of the Fine Arts under the instruction of Charles Grafly and won the Cresson Traveling Scholarship in 1907, 1908, and 1909. Albin was a Fellow at the American Academy in Rome from 1910 to 1913 and, subsequent to his studies in Rome and Greece, he started his own studio in New York City. In 1916 he went to Chicago, where he was head of the Department of Sculpture at the Art Institute until 1943. During this time he created numerous pieces covering a broad range of subjects. 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Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t \u003c/p\u003e","\u003cp\u003eThe collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Originally processed by Nadine Helm; finding aid prepared by Nadine Helm. Additional reprocessing and changes, specifically correspondence series, by Natasha White, supervised by Laila Miletic-Vejzovic.\t ","The collection was organized and refoldered into archival folders. Albums were taken apart for preservation and materials were foldered in the album order."],"relatedmaterial_html_tesm":["\u003cp\u003ePolasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. 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Call Number: Special Collections \u0026#x2013; \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990229039640306596\"\u003eNB237.P6 S45\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.polasek.org/\"\u003eAlbin Polasek Museum\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Polasek, Emily. Albin Polasek: Man Carving His Own Destiny. Jacksonville, FL: Convention Press, 1970. Call Number: Special Collections –  NB237.P65 P6","\nPolasek, Emily. A Bohemian Girl in America. Edited by Edward Hayes. Orlando: FL: Rollins Press, Inc., 1982. Call Number: Special Collections –  F590.B67 P6","\nSherwood, Ruth. Carving His Own Destiny: The Story of Albin Polásek. Chicago, IL: R. F. Seymour, 1954. Call Number: Special Collections –  NB237.P6 S45","Albin Polasek Museum"],"scopecontent_html_tesm":["\u003cp\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_648a7ef0b30f6c3a383ade4da0746eca\" label=\"Abstract\"\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers.\u003c/abstract\u003e"],"abstract_tesim":["The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. The Collection consists of scrapbooks, correspondence, business records, certificates, speeches, photographs, pamphlets, programs, invitations, newspaper clippings, and related papers."],"names_coll_ssim":["Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation"],"names_ssim":["UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation","Polasek, Albin, 1879-1965"],"corpname_ssim":["UCF Special Collections","Albin Polasek Museum \u0026 Sculpture Gardens","Albin Polasek Foundation"],"persname_ssim":["Polasek, Albin, 1879-1965"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":831,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874662721765507072,"_root_":"4961d443b0be41b7531e2e8e","timestamp":"2026-08-27T08:01:29.662Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4961d443b0be41b7531e2e8e_aspace_21272"}},{"id":"4961d443b0be41b7531e2e8e_aspace_20568","type":"Item","attributes":{"title":"\"Woodrow Wilson of Prague...met Hitler's Executioner\", Source, unknown, Date Unknown.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4961d443b0be41b7531e2e8e_aspace_20568#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_20568","ref_ssm":["aspace_20568","aspace_20568"],"id":"4961d443b0be41b7531e2e8e_aspace_20568","title_filing_ssi":"\"Woodrow Wilson of Prague...met Hitler's Executioner\", Source, unknown","title_ssm":["\"Woodrow Wilson of Prague...met Hitler's Executioner\", Source, unknown"],"title_tesim":["\"Woodrow Wilson of Prague...met Hitler's Executioner\", Source, unknown"],"unitdate_other_ssim":["Date Unknown."],"normalized_date_ssm":["Date Unknown."],"normalized_title_ssm":["\"Woodrow Wilson of Prague...met Hitler's Executioner\", Source, unknown, Date Unknown."],"text":["\"Woodrow Wilson of Prague...met Hitler's Executioner\", Source, unknown, Date Unknown.","Albin Polasek Collection, 1897-2004","Documents, 1906-1977, 2004.","Clippings, 1913-1977, 2004, undated.","Item 35","/repositories/4/archival_objects/41490","box 2","folder 11"],"component_level_isim":[3],"parent_ids_ssim":["4961d443b0be41b7531e2e8e","4961d443b0be41b7531e2e8e_aspace_20380","4961d443b0be41b7531e2e8e_aspace_20475"],"parent_unittitles_ssm":["Albin Polasek Collection, 1897-2004","Documents, 1906-1977, 2004.","Clippings, 1913-1977, 2004, undated."],"parent_unittitles_tesim":["Albin Polasek Collection, 1897-2004","Documents, 1906-1977, 2004.","Clippings, 1913-1977, 2004, undated."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 35","/repositories/4/archival_objects/41490"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Albin Polasek Collection, 1897-2004"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":173,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. 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Call Number: Special Collections –  NB237.P6 S45","Albin Polasek Museum"],"scopecontent_html_tesm":["\u003cp\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. Included in the collection are four photographic scrapbooks made by the artist. The scrapbooks have been dismantled and contents placed in archival boxes. Other materials are divided into series and then arranged in folders by subject. Some folders are arranged chronologically, whereas the correspondence series is arranged alphabetically."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_648a7ef0b30f6c3a383ade4da0746eca\" label=\"Abstract\"\u003eThe Albin Polasek Collection includes materials on the life and work of Czech sculptor and Winter Park resident Albin Polasek. 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