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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"scopecontent_html_tesm":["\u003cp\u003e\"Women Then and Women Now: Women's History Month celebrates women leaders around campus\" by Lore Khazem;  Regina Kaza, Editor-in-Chief; Qty 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["\"Women Then and Women Now: Women's History Month celebrates women leaders around campus\" by Lore Khazem;  Regina Kaza, Editor-in-Chief; Qty 2"],"_nest_path_":"/components#1/components#13/components#23","_nest_parent_":"a04ee2f29c834be99eea7a5b_aspace_64351","_root_":"a04ee2f29c834be99eea7a5b","_version_":1870841933544292352,"timestamp":"2026-07-16T03:51:41.966Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a04ee2f29c834be99eea7a5b","title_ssm":["FAU Student Newspapers Collection"],"title_tesim":["FAU Student Newspapers Collection"],"ead_ssi":"a04ee2f29c834be99eea7a5b","unitdate_ssm":["1964 - 2017"],"unitdate_inclusive_ssm":["1964 - 2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00017","/repositories/2/resources/18"],"text":["UA00017","/repositories/2/resources/18","FAU Student Newspapers Collection, 1964 - 2017","Boca Raton (Fla.) -- Newspapers","\tCollege student newspapers and periodicals -- Florida -- Boca Raton","Florida Atlantic University -- Students -- Periodicals","\tUniversities and colleges -- Florida -- Boca Raton -- Periodicals","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The collection is arranged in volume order. The item field represents the publication's issue number.  On some issues, there are a variety of publication conventions, such as: no printed issue number, words in place of issue number, or misnumbered print run.  For example, the phrase \"New Student Edition,\" \"Orientation,\" or \"Extra\" may appear instead of an issue number.  When permissible the finding aid best represents the information found on the front page.","In 2011, Leslie Siegel processed this collection.","The student newspapers at Florida Atlantic University document various events, politics, and opinions at FAU.  Overall there are seven different publishing histories: The Atlantic Sun (1964 - 1989),  Student Newspapers - Self Published (1969 - 1973), The Independent Atlantic Sun (1989 - 1991), \"All New\" Atlantic Sun (1991 - 1992), Free Press at Florida Atlantic University (1994 - 1995), The University Press at Florida Atlantic University (1996 - 1999), and The University Press (1999 - Active).","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Florida Atlantic University","English"],"unitid_tesim":["UA00017","/repositories/2/resources/18"],"normalized_date_ssm":["1964 - 2017"],"normalized_title_ssm":["FAU Student Newspapers Collection, 1964 - 2017"],"collection_title_tesim":["FAU Student Newspapers Collection, 1964 - 2017"],"collection_ssim":["FAU Student Newspapers Collection, 1964 - 2017"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Boca Raton (Fla.) -- Newspapers","\tCollege student newspapers and periodicals -- Florida -- Boca Raton","Florida Atlantic University -- Students -- Periodicals","\tUniversities and colleges -- Florida -- Boca Raton -- Periodicals","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["Boca Raton (Fla.) -- Newspapers","\tCollege student newspapers and periodicals -- Florida -- Boca Raton","Florida Atlantic University -- Students -- Periodicals","\tUniversities and colleges -- Florida -- Boca Raton -- Periodicals","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_coll_ssim":["Florida Atlantic University"],"names_ssim":["Florida Atlantic University Libraries","Florida Atlantic University"],"corpname_ssim":["Florida Atlantic University Libraries","Florida Atlantic University"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1889,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841933544292352,"_root_":"a04ee2f29c834be99eea7a5b","timestamp":"2026-07-16T03:51:41.966Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a04ee2f29c834be99eea7a5b_aspace_64375"}},{"id":"a04ee2f29c834be99eea7a5b_aspace_61582","type":"Item","attributes":{"title":"Women's History Month at FAU, March 19, 2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a04ee2f29c834be99eea7a5b_aspace_61582#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\"Women Then and Women Now: Women's History Month celebrates women leaders around campus\" by Lore Khazem; Regina Kaza, Editor-in-Chief; Qty 2\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a04ee2f29c834be99eea7a5b_aspace_61582#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_61582","ref_ssm":["aspace_61582","aspace_61582"],"id":"a04ee2f29c834be99eea7a5b_aspace_61582","title_filing_ssi":"Women's History Month at FAU","title_ssm":["Women's History Month at FAU"],"title_tesim":["Women's History Month at FAU"],"unitdate_other_ssim":["March 19, 2013"],"normalized_date_ssm":["March 19, 2013"],"normalized_title_ssm":["Women's History Month at FAU, March 19, 2013"],"text":["Women's History Month at FAU, March 19, 2013","FAU Student Newspapers Collection, 1964 - 2017","University Press, 1999-Active","Volume 14","Item 24","/repositories/2/archival_objects/6699","Newsmagazine","\"Women Then and Women Now: Women's History Month celebrates women leaders around campus\" by Lore Khazem;  Regina Kaza, Editor-in-Chief; Qty 2"],"component_level_isim":[3],"parent_ids_ssim":["a04ee2f29c834be99eea7a5b","a04ee2f29c834be99eea7a5b_aspace_22485","a04ee2f29c834be99eea7a5b_aspace_61557"],"parent_unittitles_ssm":["FAU Student Newspapers Collection, 1964 - 2017","University Press, 1999-Active","Volume 14"],"parent_unittitles_tesim":["FAU Student Newspapers Collection, 1964 - 2017","University Press, 1999-Active","Volume 14"],"parent_levels_ssm":["collection","Subseries","Subseries"],"unitid_ssm":["Item 24","/repositories/2/archival_objects/6699"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU Student Newspapers Collection, 1964 - 2017"],"physdesc_tesim":["Newsmagazine"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1764,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_coll_ssim":["Florida Atlantic University"],"names_ssim":["Florida Atlantic University Libraries","Florida Atlantic University"],"corpname_ssim":["Florida Atlantic University Libraries","Florida Atlantic University"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1889,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841933544292352,"_root_":"a04ee2f29c834be99eea7a5b","timestamp":"2026-07-16T03:51:41.966Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a04ee2f29c834be99eea7a5b_aspace_61582"}},{"id":"6ef9b12dd4f42eb4de7a67c1_aspace_6aeb539f86632ec875d4fda117276c89","type":"Item","attributes":{"title":"Women's History Tea Party, 2005-2016","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6ef9b12dd4f42eb4de7a67c1_aspace_6aeb539f86632ec875d4fda117276c89#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6aeb539f86632ec875d4fda117276c89","ref_ssm":["aspace_6aeb539f86632ec875d4fda117276c89","aspace_6aeb539f86632ec875d4fda117276c89"],"id":"6ef9b12dd4f42eb4de7a67c1_aspace_6aeb539f86632ec875d4fda117276c89","title_filing_ssi":"Women's History Tea Party","title_ssm":["Women's History Tea Party"],"title_tesim":["Women's History Tea Party"],"unitdate_inclusive_ssm":["2005-2016"],"normalized_date_ssm":["2005-2016"],"normalized_title_ssm":["Women's History Tea Party, 2005-2016"],"text":["Women's History Tea Party, 2005-2016","American Association of University Women (AAUW) Collection, 1964-2018","AAUW Vero Beach Branch, 1964-2018","Administrative Files, 1966-2016","Fundraisers, 2005-2016","3","/repositories/2/archival_objects/21153","Community organization.","Vero Beach (Fla.)","American Association of University Women","English","box 2","folder 10","object 3"],"component_level_isim":[4],"parent_ids_ssim":["6ef9b12dd4f42eb4de7a67c1","6ef9b12dd4f42eb4de7a67c1_aspace_fd4404c97b134ed1454b14305d8e80b5","6ef9b12dd4f42eb4de7a67c1_aspace_01869d49ca3a06b87cf348c9b5445e40","6ef9b12dd4f42eb4de7a67c1_aspace_21cd21357910144e830dad22228e4b87"],"parent_unittitles_ssm":["American Association of University Women (AAUW) Collection, 1964-2018","AAUW Vero Beach Branch, 1964-2018","Administrative Files, 1966-2016","Fundraisers, 2005-2016"],"parent_unittitles_tesim":["American Association of University Women (AAUW) Collection, 1964-2018","AAUW Vero Beach Branch, 1964-2018","Administrative Files, 1966-2016","Fundraisers, 2005-2016"],"parent_levels_ssm":["collection","Series","Series","File"],"unitid_ssm":["3","/repositories/2/archival_objects/21153"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["American Association of University Women (AAUW) Collection, 1964-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":53,"parent_access_restrict_tesm":["Some materials are restricted; 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consult repository for details.","Organized in three series: Series 1, AAUW Vero Beach Branch, ca. 1964-2018; Series 2, AAUW Greater Naples Branch, ca. 1974-2017; Series 3, AAUW Southwest Florida Branch, 1970 - 2020.","The American Association of University Women record group is a growing collection, with more branches of AAUW throughout Florida that will be added. Each collection within this record group is named after the branch it is from, with their following series detailing  documents, images, and ephermera related to the series. ","About the American Association of University Women\n\"AAUW has been empowering women as individuals and as a community since 1881. For more than 130 years, we have worked together as a national grassroots organization to improve the lives of millions of women and their families\" \n(https://www.aauw.org/what-we-do/)","AAUW Initiatives include: College Campus Outreach, Education and Training, Educational Funding, Financial Planning and Security, Leadership, Legal Support, Salary Negotiation, and STEM Education. ","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["02/01/36","/repositories/2/resources/28"],"normalized_date_ssm":["1964-2018"],"normalized_title_ssm":["American Association of University Women (AAUW) Collection, 1964-2018"],"collection_title_tesim":["American Association of University Women (AAUW) Collection, 1964-2018"],"collection_ssim":["American Association of University Women (AAUW) Collection, 1964-2018"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Community organization."],"geogname_ssim":["Community organization."],"places_ssim":["Community organization."],"access_subjects_ssim":["American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science."],"access_subjects_ssm":["American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science."],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"genreform_ssim":["American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted; consult repository for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Certain Restrictions Apply"],"accessrestrict_tesim":["Some materials are restricted; consult repository for details."],"arrangement_html_tesm":["\u003cp\u003eOrganized in three series: Series 1, AAUW Vero Beach Branch, ca. 1964-2018; Series 2, AAUW Greater Naples Branch, ca. 1974-2017; Series 3, AAUW Southwest Florida Branch, 1970 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized in three series: Series 1, AAUW Vero Beach Branch, ca. 1964-2018; Series 2, AAUW Greater Naples Branch, ca. 1974-2017; Series 3, AAUW Southwest Florida Branch, 1970 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe American Association of University Women record group is a growing collection, with more branches of AAUW throughout Florida that will be added. 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Each collection within this record group is named after the branch it is from, with their following series detailing  documents, images, and ephermera related to the series. ","About the American Association of University Women\n\"AAUW has been empowering women as individuals and as a community since 1881. For more than 130 years, we have worked together as a national grassroots organization to improve the lives of millions of women and their families\" \n(https://www.aauw.org/what-we-do/)","AAUW Initiatives include: College Campus Outreach, Education and Training, Educational Funding, Financial Planning and Security, Leadership, Legal Support, Salary Negotiation, and STEM Education. "],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":269,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843535614279680,"_root_":"6ef9b12dd4f42eb4de7a67c1","timestamp":"2026-07-16T04:17:09.925Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6ef9b12dd4f42eb4de7a67c1_aspace_6aeb539f86632ec875d4fda117276c89"}},{"id":"18ce43a3c782b797db9fa781_aspace_178857","type":"Item","attributes":{"title":"[Women shopping]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178857#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178857#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178857","ref_ssm":["aspace_178857","aspace_178857"],"id":"18ce43a3c782b797db9fa781_aspace_178857","title_filing_ssi":"[Women shopping]","title_ssm":["[Women shopping]"],"title_tesim":["[Women shopping]"],"normalized_title_ssm":["[Women shopping]"],"text":["[Women shopping]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - Lake George","Item 3","/repositories/2/archival_objects/81718","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179824","18ce43a3c782b797db9fa781_aspace_178854"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - Lake George"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - Lake George"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 3","/repositories/2/archival_objects/81718"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1091,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#21/components#2/components#2","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178854","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178857"}},{"id":"5327f7a043d3ed201d8bce4b_aspace_8021","type":"Item","attributes":{"title":"Women's Intercollegiate Sports","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5327f7a043d3ed201d8bce4b_aspace_8021#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDr. Popovich with Jack Mehl, FAU Athletic Director, promoting the fund drive to obtain scholarship donations for women students playing in intercollegiate sports; The amount of $75,000 is what FAU wants to raise from private donations\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5327f7a043d3ed201d8bce4b_aspace_8021#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8021","ref_ssm":["aspace_8021","aspace_8021"],"id":"5327f7a043d3ed201d8bce4b_aspace_8021","title_filing_ssi":"Women's Intercollegiate Sports","title_ssm":["Women's Intercollegiate Sports"],"title_tesim":["Women's Intercollegiate Sports"],"normalized_title_ssm":["Women's Intercollegiate Sports"],"text":["Women's Intercollegiate Sports","Office of the President -- Dr. Helen Popovich Photograph Collection, 1983-1989, Date acquired: 01/01/1990, bulk 1983-1989","Item 12","/repositories/2/archival_objects/34032","4\"X5\" Black And White Photograph","box 1","Dr. Popovich with Jack Mehl, FAU Athletic Director, promoting the fund drive to obtain scholarship donations for women students playing in intercollegiate sports; The amount of $75,000 is what FAU wants to raise from private donations"],"component_level_isim":[1],"parent_ids_ssim":["5327f7a043d3ed201d8bce4b"],"parent_unittitles_ssm":["Office of the President -- Dr. Helen Popovich Photograph Collection, 1983-1989, Date acquired: 01/01/1990, bulk 1983-1989"],"parent_unittitles_tesim":["Office of the President -- Dr. Helen Popovich Photograph Collection, 1983-1989, Date acquired: 01/01/1990, bulk 1983-1989"],"parent_levels_ssm":["collection"],"unitid_ssm":["Item 12","/repositories/2/archival_objects/34032"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Office of the President -- Dr. Helen Popovich Photograph Collection, 1983-1989, Date acquired: 01/01/1990, bulk 1983-1989"],"physdesc_tesim":["4\"X5\" Black And White Photograph"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":12,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 1"],"scopecontent_html_tesm":["\u003cp\u003eDr. Popovich with Jack Mehl, FAU Athletic Director, promoting the fund drive to obtain scholarship donations for women students playing in intercollegiate sports; The amount of $75,000 is what FAU wants to raise from private donations\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Dr. Popovich with Jack Mehl, FAU Athletic Director, promoting the fund drive to obtain scholarship donations for women students playing in intercollegiate sports; The amount of $75,000 is what FAU wants to raise from private donations"],"_nest_path_":"/components#11","_nest_parent_":"5327f7a043d3ed201d8bce4b","_root_":"5327f7a043d3ed201d8bce4b","_version_":1870842146298265600,"timestamp":"2026-07-16T03:55:04.975Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5327f7a043d3ed201d8bce4b","title_ssm":["Office of the President -- Dr. Helen Popovich Photograph Collection"],"title_tesim":["Office of the President -- Dr. Helen Popovich Photograph Collection"],"ead_ssi":"5327f7a043d3ed201d8bce4b","unitdate_ssm":["1983-1989","1983-1989","Date acquired: 01/01/1990"],"unitdate_bulk_ssim":["1983-1989"],"unitdate_inclusive_ssm":["1983-1989"],"unitdate_other_ssim":["Date acquired: 01/01/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAP00010","/repositories/2/resources/88"],"text":["UAP00010","/repositories/2/resources/88","Office of the President -- Dr. Helen Popovich Photograph Collection, 1983-1989, Date acquired: 01/01/1990, bulk 1983-1989","University Archives -- Photography ","Florida Atlantic University -- History","University Archives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","This collection is arranged in the order in which the photographs were received.","These photographs were periodically transferred to University Archives by the Marketing and Creative Services Department. Additional photographs were transferred in 2007 by Ms. Elfriede Lynch, Assistant Vice President for University Relations.","In 2010, Leslie Siegel processed this collection.","Please consult the Office of the President--Dr. Helen Popovich document collection.","Dr. Helen Popovich was the third president of FAU serving from 1983-1989. These photographs document the years Dr. Popovich was at FAU and reflect the changes she oversaw. Dr. Popovich increased the number of minority students in attendance, was involved with including more women athletes at the university, and participated with implementing equal opportunity for the FAU community. There are 363 photographs, negatives and contact sheets in this collection.  To provide a sample of the collection, 13 photographs were digitized and described. If you would like to see more photographs, please contact lysca@fau.edu to make an appointment.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAP00010","/repositories/2/resources/88"],"normalized_date_ssm":["1983-1989, Date acquired: 01/01/1990, bulk 1983-1989"],"normalized_title_ssm":["Office of the President -- Dr. Helen Popovich Photograph Collection, 1983-1989, Date acquired: 01/01/1990, bulk 1983-1989"],"collection_title_tesim":["Office of the President -- Dr. Helen Popovich Photograph Collection, 1983-1989, Date acquired: 01/01/1990, bulk 1983-1989"],"collection_ssim":["Office of the President -- Dr. Helen Popovich Photograph Collection, 1983-1989, Date acquired: 01/01/1990, bulk 1983-1989"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Photographs were received from the Marketing and Creative Services Department and Ms. Elfriede Lynch, Assistant Vice President for University Relations.","These photographs were transferred by the Marketing and Creative Services Department. Photographs were also transferred by Ms. Elfriede Lynch, Assistant Vice President for University Relations."],"access_subjects_ssim":["University Archives -- Photography ","Florida Atlantic University -- History","University Archives"],"access_subjects_ssm":["University Archives -- Photography ","Florida Atlantic University -- History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet","There are 363 photographs in this collection. other_unmapped"],"extent_tesim":["6.00 Linear Feet","There are 363 photographs in this collection. other_unmapped"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in the order in which the photographs were received.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in the order in which the photographs were received."],"custodhist_html_tesm":["\u003cp\u003eThese photographs were periodically transferred to University Archives by the Marketing and Creative Services Department. Additional photographs were transferred in 2007 by Ms. Elfriede Lynch, Assistant Vice President for University Relations.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These photographs were periodically transferred to University Archives by the Marketing and Creative Services Department. Additional photographs were transferred in 2007 by Ms. Elfriede Lynch, Assistant Vice President for University Relations."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Leslie Siegel processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Leslie Siegel processed this collection."],"relatedmaterial_html_tesm":["\u003cp\u003ePlease consult the Office of the President--Dr. Helen Popovich document collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Please consult the Office of the President--Dr. Helen Popovich document collection."],"scopecontent_html_tesm":["\u003cp\u003eDr. Helen Popovich was the third president of FAU serving from 1983-1989. These photographs document the years Dr. Popovich was at FAU and reflect the changes she oversaw. Dr. Popovich increased the number of minority students in attendance, was involved with including more women athletes at the university, and participated with implementing equal opportunity for the FAU community. There are 363 photographs, negatives and contact sheets in this collection.\u0026#xA0; To provide a sample of the collection, 13 photographs were digitized and described. If you would like to see more photographs, please contact lysca@fau.edu to make an appointment.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Dr. Helen Popovich was the third president of FAU serving from 1983-1989. These photographs document the years Dr. Popovich was at FAU and reflect the changes she oversaw. Dr. Popovich increased the number of minority students in attendance, was involved with including more women athletes at the university, and participated with implementing equal opportunity for the FAU community. There are 363 photographs, negatives and contact sheets in this collection.  To provide a sample of the collection, 13 photographs were digitized and described. If you would like to see more photographs, please contact lysca@fau.edu to make an appointment."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842146298265600,"_root_":"5327f7a043d3ed201d8bce4b","timestamp":"2026-07-16T03:55:04.975Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5327f7a043d3ed201d8bce4b_aspace_8021"}},{"id":"3fb86c235ef12f899c5058e6_aspace_201773","type":"Item","attributes":{"title":"Women's International Air Race, n.d.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3fb86c235ef12f899c5058e6_aspace_201773#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_201773","ref_ssm":["aspace_201773","aspace_201773"],"id":"3fb86c235ef12f899c5058e6_aspace_201773","title_filing_ssi":"Women's International Air Race","title_ssm":["Women's International Air Race"],"title_tesim":["Women's International Air Race"],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["Women's International Air Race, n.d."],"text":["Women's International Air Race, n.d.","Betty Wood McNabb Collection, 1950-1989","Framed Objects","Item 14","/repositories/10/archival_objects/33826","box 1794a"],"component_level_isim":[2],"parent_ids_ssim":["3fb86c235ef12f899c5058e6","3fb86c235ef12f899c5058e6_aspace_201757"],"parent_unittitles_ssm":["Betty Wood McNabb Collection, 1950-1989","Framed Objects"],"parent_unittitles_tesim":["Betty Wood McNabb Collection, 1950-1989","Framed Objects"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 14","/repositories/10/archival_objects/33826"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Betty Wood McNabb Collection, 1950-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":103,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 1794a"],"_nest_path_":"/components#3/components#13","_nest_parent_":"3fb86c235ef12f899c5058e6_aspace_201757","_root_":"3fb86c235ef12f899c5058e6","_version_":1870857750671523840,"timestamp":"2026-07-16T08:03:06.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3fb86c235ef12f899c5058e6","title_ssm":["Betty Wood McNabb Collection"],"title_tesim":["Betty Wood McNabb Collection"],"ead_ssi":"3fb86c235ef12f899c5058e6","unitdate_ssm":["1950-1989"],"unitdate_inclusive_ssm":["1950-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2001-02","/repositories/10/resources/187"],"text":["MSS 2001-02","/repositories/10/resources/187","Betty Wood McNabb Collection, 1950-1989","Voyages and travels.","World War, 1939-1945","Women air pilots","Florida--Description and travel","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Betty Wood McNabb was born August 5, 1909 in Spring Lake, Michigan to Frank and Florence Lucia Baker Wood. Her family moved often. She graduated from high school in Albany, Georgia and then moved to Panama City, Florida. She attended college at the Florida State College for Women and received her BA in History in 1930. She went on to receive an MA in History from the University of California, and began to pursue doctoral studies in North Carolina, but withdrew because of illness. She returned to Panama City, eventually moving back to Albany to teach High School. There she met Harold E. McNabb, a coach at the school. Teaching did not suit her so she and her brother traveled for a while. Missing Harold McNabb, she returned and they married on June 9, 1934.","Both McNabbs served in World War II efforts, volunteering for the Albany Civilian Defense Corps and the Red Cross Motor Corps. At the conclusion of the war, they moved to New York for Harold's position with the United States Coast Guard Training. McNabb tried teaching again in 1942, but left when she obtained a position at St. Vincent Hospital. She enlisted in the military on October 12, 1944; her basic training was at Fort Oglethorpe, Georgia Women's Army Auxiliary Corps. She graduated December 4, 1944, as a WAC Private and received her assignment to Camp Butner, North Carolina. In January the small hospital where she worked turned into the largest hospital in the United States. McNabb was a Sergeant in 1945 and wanted to go overseas, but WAC married members were not permitted to travel.","The McNabbs returned to Albany, Georgia and she went to work at Albany Putney Hospital, progressing in her career as a Medical Records Specialist. The state of Georgia hired her as a consultant to set up statewide Medical Record System. The job required McNabb to drive from hospital to hospital and she enjoy driving. She had always dreamed of learning to fly so she began lessons in 1951 at the age of 42. After three weeks of lessons, she bought a plane. She began flying from hospital to hospital instead of driving. McNabb joined the Ninety-Nines, an International Organization of Women Pilots. Around this time, she also began writing for various newspapers. She had also published a book,  Medical Record Procedures in Small Hospitals , Chicago: Physicians' Record Co., 1954. She joined the Civil Air Patrol and by 1958 she became a Major. She attended the Air War College, becoming the first female officer to receive a diploma in 1964. In 1969, the McNabbs moved back to Panama City, Florida. She was a pilot for the Coast Guard Auxiliary from 1969 to 1991. Deteriorating vision finally caused her to hang up her wings at the age of 82. McNabb died on December 20 1996.","This collection of memorabilia of Betty Wood McNabb's career and life consists of scrapbooks, appointment books, articles, and 2 framed, boxed collections of objects such as medals, pins, charms, and other items. Scrapbooks, dated from 1950-1989 with photos of family, friends, cats, dogs, airplanes, and boats; correspondence from friends and family, including letters, postcards, Christmas, birthday, anniversary, get well, and thank you cards; newspaper articles written by her; and certificates of recognition and awards she received.","Newspapers McNabb contributed to included: Albany Herald 1951-61; Albany Journal 1958-70; Atlanta Constitution 1962; Boston Globe 1990; Chicago Examiner 1950; Florida Times Union Jacksonville 1962; Gulf Defender 1986; Mobile Press 1936; Panama City News Herald 1967-76; The Oregonian 1963; and Wichita Eagle and Beacon 1971","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Ninety-Nines (Organization)","McNabb, Elizabeth Wood","English"],"unitid_tesim":["MSS 2001-02","/repositories/10/resources/187"],"normalized_date_ssm":["1950-1989"],"normalized_title_ssm":["Betty Wood McNabb Collection, 1950-1989"],"collection_title_tesim":["Betty Wood McNabb Collection, 1950-1989"],"collection_ssim":["Betty Wood McNabb Collection, 1950-1989"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Voyages and travels.","World War, 1939-1945","Women air pilots","Florida--Description and travel"],"access_subjects_ssm":["Voyages and travels.","World War, 1939-1945","Women air pilots","Florida--Description and travel"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 boxes"],"extent_tesim":["66.00 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eBetty Wood McNabb was born August 5, 1909 in Spring Lake, Michigan to Frank and Florence Lucia Baker Wood. Her family moved often. She graduated from high school in Albany, Georgia and then moved to Panama City, Florida. She attended college at the Florida State College for Women and received her BA in History in 1930. She went on to receive an MA in History from the University of California, and began to pursue doctoral studies in North Carolina, but withdrew because of illness. She returned to Panama City, eventually moving back to Albany to teach High School. There she met Harold E. McNabb, a coach at the school. Teaching did not suit her so she and her brother traveled for a while. Missing Harold McNabb, she returned and they married on June 9, 1934.\u003c/p\u003e\n","\u003cp\u003eBoth McNabbs served in World War II efforts, volunteering for the Albany Civilian Defense Corps and the Red Cross Motor Corps. At the conclusion of the war, they moved to New York for Harold's position with the United States Coast Guard Training. McNabb tried teaching again in 1942, but left when she obtained a position at St. Vincent Hospital. She enlisted in the military on October 12, 1944; her basic training was at Fort Oglethorpe, Georgia Women's Army Auxiliary Corps. She graduated December 4, 1944, as a WAC Private and received her assignment to Camp Butner, North Carolina. In January the small hospital where she worked turned into the largest hospital in the United States. McNabb was a Sergeant in 1945 and wanted to go overseas, but WAC married members were not permitted to travel.\u003c/p\u003e\n","\u003cp\u003eThe McNabbs returned to Albany, Georgia and she went to work at Albany Putney Hospital, progressing in her career as a Medical Records Specialist. The state of Georgia hired her as a consultant to set up statewide Medical Record System. The job required McNabb to drive from hospital to hospital and she enjoy driving. She had always dreamed of learning to fly so she began lessons in 1951 at the age of 42. After three weeks of lessons, she bought a plane. She began flying from hospital to hospital instead of driving. McNabb joined the Ninety-Nines, an International Organization of Women Pilots. Around this time, she also began writing for various newspapers. She had also published a book, \u003cemph render=\"italic\"\u003eMedical Record Procedures in Small Hospitals\u003c/emph\u003e, Chicago: Physicians' Record Co., 1954. She joined the Civil Air Patrol and by 1958 she became a Major. She attended the Air War College, becoming the first female officer to receive a diploma in 1964. In 1969, the McNabbs moved back to Panama City, Florida. She was a pilot for the Coast Guard Auxiliary from 1969 to 1991. Deteriorating vision finally caused her to hang up her wings at the age of 82. McNabb died on December 20 1996.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Betty Wood McNabb was born August 5, 1909 in Spring Lake, Michigan to Frank and Florence Lucia Baker Wood. Her family moved often. She graduated from high school in Albany, Georgia and then moved to Panama City, Florida. She attended college at the Florida State College for Women and received her BA in History in 1930. She went on to receive an MA in History from the University of California, and began to pursue doctoral studies in North Carolina, but withdrew because of illness. She returned to Panama City, eventually moving back to Albany to teach High School. There she met Harold E. McNabb, a coach at the school. Teaching did not suit her so she and her brother traveled for a while. Missing Harold McNabb, she returned and they married on June 9, 1934.","Both McNabbs served in World War II efforts, volunteering for the Albany Civilian Defense Corps and the Red Cross Motor Corps. At the conclusion of the war, they moved to New York for Harold's position with the United States Coast Guard Training. McNabb tried teaching again in 1942, but left when she obtained a position at St. Vincent Hospital. She enlisted in the military on October 12, 1944; her basic training was at Fort Oglethorpe, Georgia Women's Army Auxiliary Corps. She graduated December 4, 1944, as a WAC Private and received her assignment to Camp Butner, North Carolina. In January the small hospital where she worked turned into the largest hospital in the United States. McNabb was a Sergeant in 1945 and wanted to go overseas, but WAC married members were not permitted to travel.","The McNabbs returned to Albany, Georgia and she went to work at Albany Putney Hospital, progressing in her career as a Medical Records Specialist. The state of Georgia hired her as a consultant to set up statewide Medical Record System. The job required McNabb to drive from hospital to hospital and she enjoy driving. She had always dreamed of learning to fly so she began lessons in 1951 at the age of 42. After three weeks of lessons, she bought a plane. She began flying from hospital to hospital instead of driving. McNabb joined the Ninety-Nines, an International Organization of Women Pilots. Around this time, she also began writing for various newspapers. She had also published a book,  Medical Record Procedures in Small Hospitals , Chicago: Physicians' Record Co., 1954. She joined the Civil Air Patrol and by 1958 she became a Major. She attended the Air War College, becoming the first female officer to receive a diploma in 1964. In 1969, the McNabbs moved back to Panama City, Florida. She was a pilot for the Coast Guard Auxiliary from 1969 to 1991. Deteriorating vision finally caused her to hang up her wings at the age of 82. McNabb died on December 20 1996."],"prefercite_html_tesm":["\u003cp\u003eBetty Wood McNabb Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2001-02\u003c/p\u003e"],"prefercite_tesim":["Betty Wood McNabb Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2001-02"],"scopecontent_html_tesm":["\u003cp\u003eThis collection of memorabilia of Betty Wood McNabb's career and life consists of scrapbooks, appointment books, articles, and 2 framed, boxed collections of objects such as medals, pins, charms, and other items. Scrapbooks, dated from 1950-1989 with photos of family, friends, cats, dogs, airplanes, and boats; correspondence from friends and family, including letters, postcards, Christmas, birthday, anniversary, get well, and thank you cards; newspaper articles written by her; and certificates of recognition and awards she received.\u003c/p\u003e\n","\u003cp\u003eNewspapers McNabb contributed to included: Albany Herald 1951-61; Albany Journal 1958-70; Atlanta Constitution 1962; Boston Globe 1990; Chicago Examiner 1950; Florida Times Union Jacksonville 1962; Gulf Defender 1986; Mobile Press 1936; Panama City News Herald 1967-76; The Oregonian 1963; and Wichita Eagle and Beacon 1971\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of memorabilia of Betty Wood McNabb's career and life consists of scrapbooks, appointment books, articles, and 2 framed, boxed collections of objects such as medals, pins, charms, and other items. Scrapbooks, dated from 1950-1989 with photos of family, friends, cats, dogs, airplanes, and boats; correspondence from friends and family, including letters, postcards, Christmas, birthday, anniversary, get well, and thank you cards; newspaper articles written by her; and certificates of recognition and awards she received.","Newspapers McNabb contributed to included: Albany Herald 1951-61; Albany Journal 1958-70; Atlanta Constitution 1962; Boston Globe 1990; Chicago Examiner 1950; Florida Times Union Jacksonville 1962; Gulf Defender 1986; Mobile Press 1936; Panama City News Herald 1967-76; The Oregonian 1963; and Wichita Eagle and Beacon 1971"],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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