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Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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","Additional materials received and processed, 2026. CC","Materials are arranged according to type and chronology.","Suzanne Wadley Jaworski Rhodenbaugh, a Tampa native, graduated from University of South Florida in 1966, with a BA in English.  She earned an MPH in Medical Care Administration from University of Michigan in 1974, and an MFA in Creative Writing from Vermont College in 1987. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 29"],"scopecontent_html_tesm":["\u003cp\u003eOne copy of an manuscript with 26 Gallic Tales\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["One copy of an manuscript with 26 Gallic Tales"],"_nest_path_":"/components#0/components#0/components#74","_nest_parent_":"9b1a44caeacea9fdc5f72fbb_aspace_109958","_root_":"9b1a44caeacea9fdc5f72fbb","_version_":1870841986919956480,"timestamp":"2026-07-16T03:52:32.760Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b1a44caeacea9fdc5f72fbb","title_ssm":["Theodore Pratt Collection"],"title_tesim":["Theodore Pratt Collection"],"ead_ssi":"9b1a44caeacea9fdc5f72fbb","unitdate_ssm":["1901-2025"],"unitdate_inclusive_ssm":["1901-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00022","/repositories/2/resources/154"],"text":["SPC00022","/repositories/2/resources/154","Theodore Pratt Collection, 1901-2025","Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood","English"],"unitid_tesim":["SPC00022","/repositories/2/resources/154"],"normalized_date_ssm":["1901-2025"],"normalized_title_ssm":["Theodore Pratt Collection, 1901-2025"],"collection_title_tesim":["Theodore Pratt Collection, 1901-2025"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Theodore Pratt","Taylor Hagood"],"creator_ssim":["Theodore Pratt","Taylor Hagood"],"creator_persname_ssim":["Theodore Pratt","Taylor Hagood"],"creators_ssim":["Theodore Pratt","Taylor Hagood"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney."],"scopecontent_html_tesm":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Theodore Pratt","Taylor Hagood"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4096,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841986919956480,"_root_":"9b1a44caeacea9fdc5f72fbb","timestamp":"2026-07-16T03:52:32.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_110063"}},{"id":"53f642d51ae3f1367537126d_aspace_826fdb53aaa845a80d825a74a7316ced","type":"Item","attributes":{"title":"Women and Child on Path to the Sisters Hotel, 1908","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/53f642d51ae3f1367537126d_aspace_826fdb53aaa845a80d825a74a7316ced#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eTwo women and a child stroll along the main path to the Sisters Hotel on the Sanibel prairie. 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It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation.","The University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library.","The Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. 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It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation."],"originalsloc_html_tesm":["\u003cp\u003eThe University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. 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Egan of New York City and Bernadette A. Egan of Shenandoah, Pennsylvania. A resident of Fort Lauderdale, Jack joined the US Army Air Corps in 1940 at age 17. Jack eventually served in China as part of the 14th Air Force, also known as the \"Flying Tigers,\" and was assigned to the 23rd fighter group. He gained acclaim after guiding fellow pilot John E. Meyer to safety after Meyer's plane was shelled, leaving his vision severely limited. Egan flew by Meyer's side sending guidance via radio until they both landed safely. Unfortunately, on January 16, 1945, shortly after his heroic flight, Egan's plane was shot down, leaving him stranded in enemy territory. With the help of locals, he then spent twelve weeks trekking back to safety. He was honorably discharged after the end of World War II in 1945. \nOnce he returned from military service, Egan attended Georgetown University in Washington, D.C. and earned a bachelor's degree in 1948. After this, he worked for the US Senate, serving as a file clerk and aide to both Senator Claude Pepper as well as Secretary of the Senate Leslie Biffle. Egan continued his studies at Georgetown attending law school during some of his time working in the Senate. However, he left his Senate work after five years and ultimately earned a master's degree in social work from Loyola University in Chicago. Egan spent the rest of his career in the field of social work including as a school social worker, director of an alcoholism treatment center, and more. \nJack Egan died on November 5, 1981 in Hillsborough, Florida at age 58 and was buried at Bay Pines National Cemetery near St. Petersburg, Florida. \nThe materials contained in this collection were assembled by Jack and kept by his sister, Mary Ann Woods, after his death. She was born March 19, 1929 in New York City and died May 14, 2004 in Bradenton, Florida. She donated the collection to the Broward County Historical Commission in 1985.","This collection received item and file level processing by Alex Ibarra in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Jack Egan Collection includes 103 photographs, an audiocassette tape, photocopies of Egan's military documents, a photocopy of a handwritten account by Egan of some of his experiences during World War II, and scrapbook pages and clippings. The photographs are primarily from the 1930s showcasing life in and around Fort Lauderdale. Featuring buildings and beaches, swimmers and sunbathers, a president, an Olympian, and much more, these photographs capture small pockets of the vibrancy of Fort Lauderdale. Highlights include photos of Fort Lauderdale High School, Port Everglades, Fort Lauderdale Beach, and local businesses such as the 700 Club Bar and Thomas Scott Cobb's Mattress Company. The scrapbook pages and clippings mostly focus on Fort Lauderdale High School activities, residents in military service, Fort Lauderdale history, and Olympian Katherine Rawls and the audiocassette tape (OH1100) contains a US Treasury salute to Jack Egan."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.1985.8","/repositories/4/resources/60"],"normalized_date_ssm":["Circa 1909-1960s"],"normalized_title_ssm":["Jack Egan Collection, Circa 1909-1960s"],"collection_title_tesim":["Jack Egan Collection, Circa 1909-1960s"],"collection_ssim":["Jack Egan Collection, Circa 1909-1960s"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Las Olas Beach Casino and Pool, 1928-1965"],"geogname_ssim":["Las Olas Beach Casino and Pool, 1928-1965"],"places_ssim":["Las Olas Beach Casino and Pool, 1928-1965"],"acqinfo_ssim":["Mary Ann Woods (Jack Egan's sister) donated the materials to the Broward County Historical Commission on December 31, 1985 (Accession BCHA-1985.8)."],"access_subjects_ssim":["World War, 1939-1945"],"access_subjects_ssm":["World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["1 Hollinger Box"],"extent_tesim":["1 Hollinger Box"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThe Jack Egan Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Jack Egan Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJohn Francis \"Jack\" Egan was born in Cuba on January 9, 1923 to James W. Egan of New York City and Bernadette A. Egan of Shenandoah, Pennsylvania. A resident of Fort Lauderdale, Jack joined the US Army Air Corps in 1940 at age 17. Jack eventually served in China as part of the 14th Air Force, also known as the \"Flying Tigers,\" and was assigned to the 23rd fighter group. He gained acclaim after guiding fellow pilot John E. Meyer to safety after Meyer's plane was shelled, leaving his vision severely limited. Egan flew by Meyer's side sending guidance via radio until they both landed safely. Unfortunately, on January 16, 1945, shortly after his heroic flight, Egan's plane was shot down, leaving him stranded in enemy territory. With the help of locals, he then spent twelve weeks trekking back to safety. He was honorably discharged after the end of World War II in 1945. \nOnce he returned from military service, Egan attended Georgetown University in Washington, D.C. and earned a bachelor's degree in 1948. After this, he worked for the US Senate, serving as a file clerk and aide to both Senator Claude Pepper as well as Secretary of the Senate Leslie Biffle. Egan continued his studies at Georgetown attending law school during some of his time working in the Senate. However, he left his Senate work after five years and ultimately earned a master's degree in social work from Loyola University in Chicago. Egan spent the rest of his career in the field of social work including as a school social worker, director of an alcoholism treatment center, and more. \nJack Egan died on November 5, 1981 in Hillsborough, Florida at age 58 and was buried at Bay Pines National Cemetery near St. Petersburg, Florida. \nThe materials contained in this collection were assembled by Jack and kept by his sister, Mary Ann Woods, after his death. She was born March 19, 1929 in New York City and died May 14, 2004 in Bradenton, Florida. She donated the collection to the Broward County Historical Commission in 1985.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Francis \"Jack\" Egan was born in Cuba on January 9, 1923 to James W. Egan of New York City and Bernadette A. Egan of Shenandoah, Pennsylvania. A resident of Fort Lauderdale, Jack joined the US Army Air Corps in 1940 at age 17. Jack eventually served in China as part of the 14th Air Force, also known as the \"Flying Tigers,\" and was assigned to the 23rd fighter group. He gained acclaim after guiding fellow pilot John E. Meyer to safety after Meyer's plane was shelled, leaving his vision severely limited. Egan flew by Meyer's side sending guidance via radio until they both landed safely. Unfortunately, on January 16, 1945, shortly after his heroic flight, Egan's plane was shot down, leaving him stranded in enemy territory. With the help of locals, he then spent twelve weeks trekking back to safety. He was honorably discharged after the end of World War II in 1945. \nOnce he returned from military service, Egan attended Georgetown University in Washington, D.C. and earned a bachelor's degree in 1948. After this, he worked for the US Senate, serving as a file clerk and aide to both Senator Claude Pepper as well as Secretary of the Senate Leslie Biffle. Egan continued his studies at Georgetown attending law school during some of his time working in the Senate. However, he left his Senate work after five years and ultimately earned a master's degree in social work from Loyola University in Chicago. Egan spent the rest of his career in the field of social work including as a school social worker, director of an alcoholism treatment center, and more. \nJack Egan died on November 5, 1981 in Hillsborough, Florida at age 58 and was buried at Bay Pines National Cemetery near St. Petersburg, Florida. \nThe materials contained in this collection were assembled by Jack and kept by his sister, Mary Ann Woods, after his death. She was born March 19, 1929 in New York City and died May 14, 2004 in Bradenton, Florida. She donated the collection to the Broward County Historical Commission in 1985."],"prefercite_html_tesm":["\u003cp\u003eJack Egan Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Jack Egan Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item and file level processing by Alex Ibarra in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item and file level processing by Alex Ibarra in April 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Jack Egan Collection includes 103 photographs, an audiocassette tape, photocopies of Egan's military documents, a photocopy of a handwritten account by Egan of some of his experiences during World War II, and scrapbook pages and clippings. The photographs are primarily from the 1930s showcasing life in and around Fort Lauderdale. Featuring buildings and beaches, swimmers and sunbathers, a president, an Olympian, and much more, these photographs capture small pockets of the vibrancy of Fort Lauderdale. Highlights include photos of Fort Lauderdale High School, Port Everglades, Fort Lauderdale Beach, and local businesses such as the 700 Club Bar and Thomas Scott Cobb's Mattress Company. The scrapbook pages and clippings mostly focus on Fort Lauderdale High School activities, residents in military service, Fort Lauderdale history, and Olympian Katherine Rawls and the audiocassette tape (OH1100) contains a US Treasury salute to Jack Egan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jack Egan Collection includes 103 photographs, an audiocassette tape, photocopies of Egan's military documents, a photocopy of a handwritten account by Egan of some of his experiences during World War II, and scrapbook pages and clippings. The photographs are primarily from the 1930s showcasing life in and around Fort Lauderdale. Featuring buildings and beaches, swimmers and sunbathers, a president, an Olympian, and much more, these photographs capture small pockets of the vibrancy of Fort Lauderdale. Highlights include photos of Fort Lauderdale High School, Port Everglades, Fort Lauderdale Beach, and local businesses such as the 700 Club Bar and Thomas Scott Cobb's Mattress Company. The scrapbook pages and clippings mostly focus on Fort Lauderdale High School activities, residents in military service, Fort Lauderdale history, and Olympian Katherine Rawls and the audiocassette tape (OH1100) contains a US Treasury salute to Jack Egan."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"352f48fb776575d38c2d7dfc","timestamp":"2026-05-07T01:41:40.616Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/352f48fb776575d38c2d7dfc_aspace_5b15520a5468c7168a4a2e2567ec6c70"}},{"id":"763de249ff7d9b630424e493_aspace_0eaff86cab666a86ca405870ab42fb07","type":"Item","attributes":{"title":"Women and children posed for photograph. Photographer and studio unknown. Postcard #302, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_0eaff86cab666a86ca405870ab42fb07#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0eaff86cab666a86ca405870ab42fb07","ref_ssm":["aspace_0eaff86cab666a86ca405870ab42fb07","aspace_0eaff86cab666a86ca405870ab42fb07"],"id":"763de249ff7d9b630424e493_aspace_0eaff86cab666a86ca405870ab42fb07","title_filing_ssi":"Women and children posed for photograph. Photographer and studio unknown. Postcard #302","title_ssm":["Women and children posed for photograph. Photographer and studio unknown. Postcard #302"],"title_tesim":["Women and children posed for photograph. Photographer and studio unknown. Postcard #302"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Women and children posed for photograph. Photographer and studio unknown. Postcard #302, Undated"],"text":["Women and children posed for photograph. Photographer and studio unknown. Postcard #302, Undated","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Couples and Families","/repositories/2/archival_objects/6892","box 25"],"component_level_isim":[2],"parent_ids_ssim":["763de249ff7d9b630424e493","763de249ff7d9b630424e493_aspace_acb689989cbc6d5b9a27e48d4327b0d6"],"parent_unittitles_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Couples and Families"],"parent_unittitles_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Couples and Families"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/6892"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1222,"parent_access_restrict_tesm":["The Love-Thornell Collection of Black American Photographs is open for research."],"containers_ssim":["box 25"],"_nest_path_":"/components#3/components#18","_nest_parent_":"763de249ff7d9b630424e493_aspace_acb689989cbc6d5b9a27e48d4327b0d6","_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"763de249ff7d9b630424e493","title_filing_ssi":"Love-Thornell Collection of Black American Photographs","title_ssm":["Love-Thornell Collection of Black American Photographs"],"title_tesim":["Love-Thornell Collection of Black American Photographs"],"ead_ssi":"763de249ff7d9b630424e493","unitdate_ssm":["Circa 1850-1950"],"unitdate_inclusive_ssm":["Circa 1850-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.17","/repositories/2/resources/168"],"text":["AARLCC.2021.17","/repositories/2/resources/168","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera","The Love-Thornell Collection of Black American Photographs is open for research.","The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.","Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\"","The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. ","View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.","The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.17","/repositories/2/resources/168"],"normalized_date_ssm":["Circa 1850-1950"],"normalized_title_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_title_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Jaquelyn Love-Thornell donated the materials to AARLCC Special Collections on November 15, 2021 (Accession AARLCC-2021.17)."],"access_subjects_ssim":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"access_subjects_ssm":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"extent_tesim":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"genreform_ssim":["Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Love-Thornell Collection of Black American Photographs is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.\u003c/p\u003e\n","\u003cp\u003eChildren and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families."],"bioghist_html_tesm":["\u003cp\u003eJacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.\u003c/p\u003e\n","\u003cp\u003eJacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.\u003c/p\u003e\n","\u003cp\u003eShe began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\""],"prefercite_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e","\u003cp\u003eDescription of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. "],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll35/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=LOT\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_0eaff86cab666a86ca405870ab42fb07"}},{"id":"18ce43a3c782b797db9fa781_aspace_179628","type":"Item","attributes":{"title":"[Women and children sitting outdoors]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179628#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179628#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_179628","ref_ssm":["aspace_179628","aspace_179628"],"id":"18ce43a3c782b797db9fa781_aspace_179628","title_filing_ssi":"[Women and children sitting outdoors]","title_ssm":["[Women and children sitting outdoors]"],"title_tesim":["[Women and children sitting outdoors]"],"normalized_title_ssm":["[Women and children sitting outdoors]"],"text":["[Women and children sitting outdoors]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Misc.","Item 25","/repositories/2/archival_objects/83325","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179901","18ce43a3c782b797db9fa781_aspace_179603"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Misc."],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Misc."],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 25","/repositories/2/archival_objects/83325"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2260,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#33/components#1/components#24","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179603","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179628"}},{"id":"b8f5477bfb9165c54746c744_aspace_102886","type":"Item","attributes":{"title":"Women and Community Activities, 1935","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b8f5477bfb9165c54746c744_aspace_102886#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_102886","ref_ssm":["aspace_102886","aspace_102886"],"id":"b8f5477bfb9165c54746c744_aspace_102886","title_filing_ssi":"Women and Community Activities","title_ssm":["Women and Community Activities"],"title_tesim":["Women and Community Activities"],"unitdate_other_ssim":["1935"],"normalized_date_ssm":["1935"],"normalized_title_ssm":["Women and Community Activities, 1935"],"text":["Women and Community Activities, 1935","Doak S. Campbell Papers, 1935-1972, 1935-1972","Addresses and Papers, 1922-1967","Addresses and Papers, 1934-1935","Item 23","/repositories/10/archival_objects/56727"],"component_level_isim":[3],"parent_ids_ssim":["b8f5477bfb9165c54746c744","b8f5477bfb9165c54746c744_aspace_116703","b8f5477bfb9165c54746c744_aspace_102862"],"parent_unittitles_ssm":["Doak S. Campbell Papers, 1935-1972, 1935-1972","Addresses and Papers, 1922-1967","Addresses and Papers, 1934-1935"],"parent_unittitles_tesim":["Doak S. Campbell Papers, 1935-1972, 1935-1972","Addresses and Papers, 1922-1967","Addresses and Papers, 1934-1935"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Item 23","/repositories/10/archival_objects/56727"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Doak S. Campbell Papers, 1935-1972, 1935-1972"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":137,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"_nest_path_":"/components#1/components#1/components#22","_nest_parent_":"b8f5477bfb9165c54746c744_aspace_102862","_root_":"b8f5477bfb9165c54746c744","_version_":1870859154518704128,"timestamp":"2026-07-16T08:25:25.172Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b8f5477bfb9165c54746c744","title_ssm":["Doak S. Campbell Papers, 1935-1972"],"title_tesim":["Doak S. Campbell Papers, 1935-1972"],"ead_ssi":"b8f5477bfb9165c54746c744","unitdate_ssm":["1935-1972"],"unitdate_inclusive_ssm":["1935-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS-044","/repositories/10/resources/579"],"text":["MSS-044","/repositories/10/resources/579","Doak S. Campbell Papers, 1935-1972, 1935-1972","Leon County (Fla.)","Mar-A-Lago National Historic Site (Palm Beach, Fla.)","Campbell, Doak Sheridan, 1888-1973--Correspondence.","Campbell, Doak Sheridan, 1888-1973--Societies, etc.","Florida State University--Presidents--Correspondences","Freemasons--United States","Governors--Georgia.","Education","Baptists--Florida.","Baptists--Kentucky.","Depression and the New Deal Years in Florida, 1930-1941","The Post War Florida, 1945-1960","Contemporary Florida, 1960-","Florida. Governor (1955-1961 : Collins)","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Doak Sheridan Campbell, the third president of Florida State College for Women (1941-1957), was born near Waldron, Scott County, Arkansas, on November 16, 1888. He was the son of a country physician, Edward Campbell and his wife, Elizabeth. It was from his great uncle, a Presbyterian minister, Samuel Doak, that young Campbell received his name.","Doak Campbell attended elementary and high school in Arkansas, graduating in 1905. Immediately after graduation, he obtained a teacher's license and began teaching in summer school. After a year in the \"normal department\" of the high school, he left to attend Ouachita College at Arkadelphia, Arkansas. By his senior year he had decided upon a teaching career. He graduated in 1911 with a Bachelor of Arts degree and major emphasis in music and speech. He was the president of his graduating class, an inter-collegiate debater and orator, and a distance runner. Upon graduation he became superintendent of school at Columbus, Arkansas.","In 1913 he married Helen Gray Smith, and to them two children were born, Doak, Jr., and Elizabeth Caroline. Mrs. Campbell passed away in 1938.","In 1916 he became associated with Central College, Conway, Arkansas as a chemistry instructor. By 1920 he had become president. It was at this time that his work in junior college began. Central College under his guidance changed from a floundering four year institution to a creditable two year junior college.","In 1928 he graduated from George Peabody with a master's degree. After receiving the Ph.D. in 1930 from Peabody he was appointed to the faculty. In 1934 Dr. Campbell became director of the division of survey and field services, and in 1938 he was also appointed to the position of dean of the graduate school He held these positions until he resigned to accept the presidency at Florida State College for Women in September, 1941.","Shortly before coming to Tallahassee, he was married to Miss Edna Simmons of Mississippi.","By legislative act Florida State College for Women became Florida State University on July 1, 1947. Overnight it became an undergraduate, professional, and graduate university for men and women. Under his tutelage he saw the graduate school grow from eleven students in 1945 to eight hundred sixty-one by 1956, making it the ninth largest graduate school in the South. A broader look at Florida State University can be obtained by reading Dr. Campbell's book,  A University in Transition .","After serving as president at Florida State University for sixteen years, Dr. Campbell retired June 30, 1957, and remained in Tallahassee until his death on March 23, 1973. Though retired, he was an active participant in many educational projects, serving on educational boards, governors' commissions on education, and as visiting professor.","In addition to his work in education, Dr. Campbell was an active layman in the Baptist church. He served in a number of capacities on committees, council, and commissions of the Southern Baptist Convention.","Dr. Campbell held membership in many professional, fraternal, civic, and religious organizations and societies. Also to his credit were many published papers, journal articles, and books.","Karl O. Kuersteiner stated at the Faculty Dinner in 1957, \"...In order to work successfully with such a complex phenomena, a college president must be a person of many parts, with many friends, and with a keen business and diplomatic sense...these are cited as the guiding forces behind the record of Doak Sheridan Campbell at Florida State University.\"","Processed by Sara Buckmaster and Shirley Fogle, Fall 1974. Completed December 1974. Additional materials were processed in October 1978.","This collection consists mainly of papers connected with Doak S. Campbell's years at Florida State University and those after his retirement. His broad educational affiliations and religious works are reflected in this collection. Includes biographical sketches, newspaper clippings, speeches, correspondence, books, writings, musical scores, invitations, dedications and related publications. Contains MSS 78-56.","Select materials from the Campbell Collection have been digitized and are available through the  FSU Digital Library .","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","This collection contains materials related to the life and career of Doak Sheridan Campbell. It includes biographical sketches of Dr. Campbell, newspaper clippings about Campbell and Florida State University, speeches, personal correspondence, some of which relate information about the Campbell family history. Other persons and topics mentioned in the collection include: Florida Governors LeRoy Collins and Claude Kirk, Campbell's book,  A University in Transition , educational materials including projects, programs and correspondence related to various educational institutions, boards and commissions in Florida and Georgia, the Georgia Peabody College for Teachers, Appalachian State Teachers College, Mar-A-Largo, Campbell's work with the Baptist Church, local and state correspondence with the Southern Baptist Convention, First Baptist Church of Tallahassee, Baptists in Florida and Kentucky, Stetson University, Campbell's civil and fraternal affiliations including Civil Defense, Free and Accepted Masons and the Rotary Club.","FSU Special Collections \u0026 Archives","Appalachian State Teachers College (N.C.)","Southern Baptist Convention","First Baptist Church (Tallahassee, Fla.)","Florida. Governor","Campbell family","Campbell, Doak S. (Doak Sheridan)","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Collins, LeRoy","Kirk, Claude R., 1926-","Barbier, Antoine-Alexandre, 1765-1825","English"],"unitid_tesim":["MSS-044","/repositories/10/resources/579"],"normalized_date_ssm":["1935-1972"],"normalized_title_ssm":["Doak S. Campbell Papers, 1935-1972, 1935-1972"],"collection_title_tesim":["Doak S. Campbell Papers, 1935-1972, 1935-1972"],"collection_ssim":["Doak S. Campbell Papers, 1935-1972, 1935-1972"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Leon County (Fla.)","Mar-A-Lago National Historic Site (Palm Beach, Fla.)"],"geogname_ssim":["Leon County (Fla.)","Mar-A-Lago National Historic Site (Palm Beach, Fla.)"],"creator_ssm":["Campbell, Doak S. (Doak Sheridan)"],"creator_ssim":["Campbell, Doak S. (Doak Sheridan)"],"creator_persname_ssim":["Campbell, Doak S. (Doak Sheridan)"],"creators_ssim":["Campbell, Doak S. (Doak Sheridan)"],"places_ssim":["Leon County (Fla.)","Mar-A-Lago National Historic Site (Palm Beach, Fla.)"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Gift of Dr. and Mrs. Doak S. Campbell."],"access_subjects_ssim":["Campbell, Doak Sheridan, 1888-1973--Correspondence.","Campbell, Doak Sheridan, 1888-1973--Societies, etc.","Florida State University--Presidents--Correspondences","Freemasons--United States","Governors--Georgia.","Education","Baptists--Florida.","Baptists--Kentucky.","Depression and the New Deal Years in Florida, 1930-1941","The Post War Florida, 1945-1960","Contemporary Florida, 1960-","Florida. Governor (1955-1961 : Collins)"],"access_subjects_ssm":["Campbell, Doak Sheridan, 1888-1973--Correspondence.","Campbell, Doak Sheridan, 1888-1973--Societies, etc.","Florida State University--Presidents--Correspondences","Freemasons--United States","Governors--Georgia.","Education","Baptists--Florida.","Baptists--Kentucky.","Depression and the New Deal Years in Florida, 1930-1941","The Post War Florida, 1945-1960","Contemporary Florida, 1960-","Florida. Governor (1955-1961 : Collins)"],"has_online_content_ssim":["false"],"extent_ssm":["18.00 boxes"],"extent_tesim":["18.00 boxes"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eDoak Sheridan Campbell, the third president of Florida State College for Women (1941-1957), was born near Waldron, Scott County, Arkansas, on November 16, 1888. He was the son of a country physician, Edward Campbell and his wife, Elizabeth. It was from his great uncle, a Presbyterian minister, Samuel Doak, that young Campbell received his name.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eDoak Campbell attended elementary and high school in Arkansas, graduating in 1905. Immediately after graduation, he obtained a teacher's license and began teaching in summer school. After a year in the \"normal department\" of the high school, he left to attend Ouachita College at Arkadelphia, Arkansas. By his senior year he had decided upon a teaching career. He graduated in 1911 with a Bachelor of Arts degree and major emphasis in music and speech. He was the president of his graduating class, an inter-collegiate debater and orator, and a distance runner. Upon graduation he became superintendent of school at Columbus, Arkansas.\u003c/p\u003e\n","\u003cp\u003eIn 1913 he married Helen Gray Smith, and to them two children were born, Doak, Jr., and Elizabeth Caroline. Mrs. Campbell passed away in 1938.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 1916 he became associated with Central College, Conway, Arkansas as a chemistry instructor. By 1920 he had become president. It was at this time that his work in junior college began. Central College under his guidance changed from a floundering four year institution to a creditable two year junior college.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 1928 he graduated from George Peabody with a master's degree. After receiving the Ph.D. in 1930 from Peabody he was appointed to the faculty. In 1934 Dr. Campbell became director of the division of survey and field services, and in 1938 he was also appointed to the position of dean of the graduate school He held these positions until he resigned to accept the presidency at Florida State College for Women in September, 1941.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eShortly before coming to Tallahassee, he was married to Miss Edna Simmons of Mississippi.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eBy legislative act Florida State College for Women became Florida State University on July 1, 1947. Overnight it became an undergraduate, professional, and graduate university for men and women. Under his tutelage he saw the graduate school grow from eleven students in 1945 to eight hundred sixty-one by 1956, making it the ninth largest graduate school in the South. A broader look at Florida State University can be obtained by reading Dr. Campbell's book, \u003cemph render=\"italic\"\u003eA University in Transition\u003c/emph\u003e.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eAfter serving as president at Florida State University for sixteen years, Dr. Campbell retired June 30, 1957, and remained in Tallahassee until his death on March 23, 1973. Though retired, he was an active participant in many educational projects, serving on educational boards, governors' commissions on education, and as visiting professor.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eIn addition to his work in education, Dr. Campbell was an active layman in the Baptist church. He served in a number of capacities on committees, council, and commissions of the Southern Baptist Convention.\u003c/p\u003e\n","\u003cp\u003eDr. Campbell held membership in many professional, fraternal, civic, and religious organizations and societies. Also to his credit were many published papers, journal articles, and books.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eKarl O. Kuersteiner stated at the Faculty Dinner in 1957, \"...In order to work successfully with such a complex phenomena, a college president must be a person of many parts, with many friends, and with a keen business and diplomatic sense...these are cited as the guiding forces behind the record of Doak Sheridan Campbell at Florida State University.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Doak Sheridan Campbell, the third president of Florida State College for Women (1941-1957), was born near Waldron, Scott County, Arkansas, on November 16, 1888. He was the son of a country physician, Edward Campbell and his wife, Elizabeth. It was from his great uncle, a Presbyterian minister, Samuel Doak, that young Campbell received his name.","Doak Campbell attended elementary and high school in Arkansas, graduating in 1905. Immediately after graduation, he obtained a teacher's license and began teaching in summer school. After a year in the \"normal department\" of the high school, he left to attend Ouachita College at Arkadelphia, Arkansas. By his senior year he had decided upon a teaching career. He graduated in 1911 with a Bachelor of Arts degree and major emphasis in music and speech. He was the president of his graduating class, an inter-collegiate debater and orator, and a distance runner. Upon graduation he became superintendent of school at Columbus, Arkansas.","In 1913 he married Helen Gray Smith, and to them two children were born, Doak, Jr., and Elizabeth Caroline. Mrs. Campbell passed away in 1938.","In 1916 he became associated with Central College, Conway, Arkansas as a chemistry instructor. By 1920 he had become president. It was at this time that his work in junior college began. Central College under his guidance changed from a floundering four year institution to a creditable two year junior college.","In 1928 he graduated from George Peabody with a master's degree. After receiving the Ph.D. in 1930 from Peabody he was appointed to the faculty. In 1934 Dr. Campbell became director of the division of survey and field services, and in 1938 he was also appointed to the position of dean of the graduate school He held these positions until he resigned to accept the presidency at Florida State College for Women in September, 1941.","Shortly before coming to Tallahassee, he was married to Miss Edna Simmons of Mississippi.","By legislative act Florida State College for Women became Florida State University on July 1, 1947. Overnight it became an undergraduate, professional, and graduate university for men and women. Under his tutelage he saw the graduate school grow from eleven students in 1945 to eight hundred sixty-one by 1956, making it the ninth largest graduate school in the South. A broader look at Florida State University can be obtained by reading Dr. Campbell's book,  A University in Transition .","After serving as president at Florida State University for sixteen years, Dr. Campbell retired June 30, 1957, and remained in Tallahassee until his death on March 23, 1973. Though retired, he was an active participant in many educational projects, serving on educational boards, governors' commissions on education, and as visiting professor.","In addition to his work in education, Dr. Campbell was an active layman in the Baptist church. He served in a number of capacities on committees, council, and commissions of the Southern Baptist Convention.","Dr. Campbell held membership in many professional, fraternal, civic, and religious organizations and societies. Also to his credit were many published papers, journal articles, and books.","Karl O. Kuersteiner stated at the Faculty Dinner in 1957, \"...In order to work successfully with such a complex phenomena, a college president must be a person of many parts, with many friends, and with a keen business and diplomatic sense...these are cited as the guiding forces behind the record of Doak Sheridan Campbell at Florida State University.\""],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], The Doak Campbell Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS-044\"\u003ehttp://purl.fcla.edu/fsu/MSS-044\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], The Doak Campbell Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS-044"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sara Buckmaster and Shirley Fogle, Fall 1974. Completed December 1974. Additional materials were processed in October 1978.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sara Buckmaster and Shirley Fogle, Fall 1974. Completed December 1974. Additional materials were processed in October 1978."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists mainly of papers connected with Doak S. Campbell's years at Florida State University and those after his retirement. His broad educational affiliations and religious works are reflected in this collection. Includes biographical sketches, newspaper clippings, speeches, correspondence, books, writings, musical scores, invitations, dedications and related publications. Contains MSS 78-56.\u003c/p\u003e","\u003cp\u003eSelect materials from the Campbell Collection have been digitized and are available through the \u003cextref href=\"http://fsu.digital.flvc.org/islandora/object/fsu:fsucampbellcollection\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection consists mainly of papers connected with Doak S. Campbell's years at Florida State University and those after his retirement. His broad educational affiliations and religious works are reflected in this collection. Includes biographical sketches, newspaper clippings, speeches, correspondence, books, writings, musical scores, invitations, dedications and related publications. Contains MSS 78-56.","Select materials from the Campbell Collection have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4080662a92cedc91d7da810ae3ae8cbf\" label=\"Abstract\"\u003eThis collection contains materials related to the life and career of Doak Sheridan Campbell. It includes biographical sketches of Dr. Campbell, newspaper clippings about Campbell and Florida State University, speeches, personal correspondence, some of which relate information about the Campbell family history. Other persons and topics mentioned in the collection include: Florida Governors LeRoy Collins and Claude Kirk, Campbell's book, \u003cemph render=\"italic\"\u003eA University in Transition\u003c/emph\u003e, educational materials including projects, programs and correspondence related to various educational institutions, boards and commissions in Florida and Georgia, the Georgia Peabody College for Teachers, Appalachian State Teachers College, Mar-A-Largo, Campbell's work with the Baptist Church, local and state correspondence with the Southern Baptist Convention, First Baptist Church of Tallahassee, Baptists in Florida and Kentucky, Stetson University, Campbell's civil and fraternal affiliations including Civil Defense, Free and Accepted Masons and the Rotary Club.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related to the life and career of Doak Sheridan Campbell. It includes biographical sketches of Dr. Campbell, newspaper clippings about Campbell and Florida State University, speeches, personal correspondence, some of which relate information about the Campbell family history. Other persons and topics mentioned in the collection include: Florida Governors LeRoy Collins and Claude Kirk, Campbell's book,  A University in Transition , educational materials including projects, programs and correspondence related to various educational institutions, boards and commissions in Florida and Georgia, the Georgia Peabody College for Teachers, Appalachian State Teachers College, Mar-A-Largo, Campbell's work with the Baptist Church, local and state correspondence with the Southern Baptist Convention, First Baptist Church of Tallahassee, Baptists in Florida and Kentucky, Stetson University, Campbell's civil and fraternal affiliations including Civil Defense, Free and Accepted Masons and the Rotary Club."],"names_coll_ssim":["Appalachian State Teachers College (N.C.)","Southern Baptist Convention","First Baptist Church (Tallahassee, Fla.)","Florida. Governor","Campbell family","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Collins, LeRoy","Kirk, Claude R., 1926-","Barbier, Antoine-Alexandre, 1765-1825"],"names_ssim":["FSU Special Collections \u0026 Archives","Appalachian State Teachers College (N.C.)","Southern Baptist Convention","First Baptist Church (Tallahassee, Fla.)","Florida. Governor","Campbell family","Campbell, Doak S. (Doak Sheridan)","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Collins, LeRoy","Kirk, Claude R., 1926-","Barbier, Antoine-Alexandre, 1765-1825"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Appalachian State Teachers College (N.C.)","Southern Baptist Convention","First Baptist Church (Tallahassee, Fla.)","Florida. Governor"],"famname_ssim":["Campbell family"],"persname_ssim":["Campbell, Doak S. (Doak Sheridan)","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Collins, LeRoy","Kirk, Claude R., 1926-","Barbier, Antoine-Alexandre, 1765-1825"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4553,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859154518704128,"_root_":"b8f5477bfb9165c54746c744","timestamp":"2026-07-16T08:25:25.172Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b8f5477bfb9165c54746c744_aspace_102886"}},{"id":"2868ee54af3563fe2f0377c1_aspace_123566","type":"Item","attributes":{"title":"Women and Foot Binding in China, 2002","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123566#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDetails the oppressive tradition of women in China\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123566#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_123566","ref_ssm":["aspace_123566","aspace_123566"],"id":"2868ee54af3563fe2f0377c1_aspace_123566","title_filing_ssi":"Women and Foot Binding in China","title_ssm":["Women and Foot Binding in China"],"title_tesim":["Women and Foot Binding in China"],"unitdate_other_ssim":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["Women and Foot Binding in China, 2002"],"text":["Women and Foot Binding in China, 2002","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Articles \u0026 Documents--Women's History","Folder 13","Item 2","/repositories/2/archival_objects/30281","Details the oppressive tradition of women in China"],"component_level_isim":[4],"parent_ids_ssim":["2868ee54af3563fe2f0377c1","2868ee54af3563fe2f0377c1_aspace_123039","2868ee54af3563fe2f0377c1_aspace_123534","2868ee54af3563fe2f0377c1_aspace_123564"],"parent_unittitles_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Articles \u0026 Documents--Women's History","Folder 13"],"parent_unittitles_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Articles \u0026 Documents--Women's History","Folder 13"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 2","/repositories/2/archival_objects/30281"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":714,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eDetails the oppressive tradition of women in China\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Details the oppressive tradition of women in China"],"_nest_path_":"/components#1/components#13/components#2/components#1","_nest_parent_":"2868ee54af3563fe2f0377c1_aspace_123564","_root_":"2868ee54af3563fe2f0377c1","_version_":1870842163975159808,"timestamp":"2026-07-16T03:55:21.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2868ee54af3563fe2f0377c1","title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection"],"title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection"],"ead_ssi":"2868ee54af3563fe2f0377c1","unitdate_ssm":["1971-2006","1980 - 2000","Date acquired: 01/15/2017"],"unitdate_bulk_ssim":["1980 - 2000"],"unitdate_inclusive_ssm":["1971-2006"],"unitdate_other_ssim":["Date acquired: 01/15/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0008","/repositories/2/resources/79"],"text":["UAFP0008","/repositories/2/resources/79","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Topical","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","Heather Frazer","English"],"unitid_tesim":["UAFP0008","/repositories/2/resources/79"],"normalized_date_ssm":["1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"normalized_title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Heather Frazer"],"creator_ssim":["Heather Frazer"],"creator_persname_ssim":["Heather Frazer"],"creators_ssim":["Heather Frazer"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["21.00 Linear Feet","38 boxes other_unmapped"],"extent_tesim":["21.00 Linear Feet","38 boxes other_unmapped"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eTopical\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Topical"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan, \u003cemph render=\"italic\"\u003eWe Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II\u003c/emph\u003e (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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