{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=710\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=709\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=711\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=42281\u0026view=compact"},"meta":{"pages":{"current_page":710,"next_page":711,"prev_page":709,"total_pages":42281,"limit_value":10,"offset_value":7090,"total_count":422809,"first_page?":false,"last_page?":false}},"data":[{"id":"17ec102ff08bd100785127f3_aspace_7c2381081917dc6ce730c4e54082ac88","type":"File","attributes":{"title":"2nd Leila Roosevelt Expedition-Armand Denis Belgian Congo Expedition, photographs, Circa 1935","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/17ec102ff08bd100785127f3_aspace_7c2381081917dc6ce730c4e54082ac88#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7c2381081917dc6ce730c4e54082ac88","ref_ssm":["aspace_7c2381081917dc6ce730c4e54082ac88","aspace_7c2381081917dc6ce730c4e54082ac88"],"id":"17ec102ff08bd100785127f3_aspace_7c2381081917dc6ce730c4e54082ac88","title_filing_ssi":"2nd Leila Roosevelt Expedition-Armand Denis Belgian Congo Expedition, photographs","title_ssm":["2nd Leila Roosevelt Expedition-Armand Denis Belgian Congo Expedition, photographs"],"title_tesim":["2nd Leila Roosevelt Expedition-Armand Denis Belgian Congo Expedition, photographs"],"unitdate_inclusive_ssm":["Circa 1935"],"normalized_date_ssm":["Circa 1935"],"normalized_title_ssm":["2nd Leila Roosevelt Expedition-Armand Denis Belgian Congo Expedition, photographs, Circa 1935"],"text":["2nd Leila Roosevelt Expedition-Armand Denis Belgian Congo Expedition, photographs, Circa 1935","Denis Lomax Collection, Circa 1900-2000","Series I. 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Photographs and II. Personal Papers.","Cornelius Louis André Roosevelt (Andre Roosevelt), was born on April 24, 1879. He was the son of Cornelius Roosevelt sr. (1847–1902), and Anna Roosevelt. Cornelius Roosevelt sr. (1847–1902) was a cousin of U.S. President Theodore Roosevelt (1858-1919). Andre Roosevelt was an Olympic athlete, filmmaker and entrepreneur. He played multiple sports and won the gold medal in the 1900 Olympic Games for his performance in Rugby. In 1905, Andre Roosevelt married Adelheid Lange (1880-1962) and they had a daughter named Leila Roosevelt (1906-1976). Between 1928 and 1930, Andre Roosevelt, along with daughter Leila Roosevelt and son-in-law Armand Denis, traveled to Bali, Indonesia to produce and film Goona Goona (Love Powder), which premiered to audiences in 1932. Andre Roosevelt also managed a hotel in  Haiti named Ibo Lele. In his later life, Andre divorced from Adelheid Lange Roosevelt and had a second marriage to Alice La Fontant. Andre Roosevelt died on July 21, 1962 in Haiti.","Adelheid Lange Roosevelt was born on October 23, 1880 in St. Louis, Missouri to Mathilde Follenius Lange and William C. Lange. William C. Lange, was a German chemist and banker. Adelheid was an architect and became one of the first women to earn a degree in architecture at the Zurich Polytechnic Institute in Switzerland. She worked with St. Louis architect Theodore Link for four years before marrying Andre Roosevelt. Adelheid was also a cubist artist and sculptor who exhibited her work in galleries including the Modern Gallery in New York City, New York. Adelheid Lange Roosevelt died on February 15, 1962 in Thompson, Connecticut. ","Leila Roosevelt was born on July 9, 1906 in St. Louis, Missouri to Adelheid Lange and Andre Roosevelt. She was a director, screenwriter and filmmaker. Leila worked with, and accompanied her husband, Armand Denis and father Andre Roosevelt on multiple expeditions around the world including Bali, Indonesia and the Democratic Republic of the Congo. She also traveled on her own, completing an around the world by truck expedition with associate and mechanic Edna Olmstead. Leila Roosevelt and Armand Denis had four children: Renee, Armand jr., David, and Heidi Denis. Armand Denis and Leila later divorced and she married William Westley. Leila Roosevelt died in 1976. ","Armand Georges Denis was born on December 2, 1896 to Belgian parents in Brussels, Belgium. He was a filmmaker, writer and magazine editor. He traveled, and worked with Andre Roosevelt on the film, Goona Goona (Love Powder) (1932). Armand Denis and Leila Roosevelt also traveled to North Africa as well as the Democratic Republic of the Congo, to film a documentary sponsored by Belgian King Leopold III entitled Wheels of Africa (1936). They also produced the film Dark Rapture (Magie Africaine) (1938) based on their travels to the Congo. The couple also founded the Anthropoid Ape Research Foundation in Dania Beach, Florida. The chimpanzees on the farm were used for medical research and attracted tourists. Armand Denis and Leila Roosevelt divorced and Armand later married Michaela Holdsworth. In 1963 Denis became editor of a magazine entitled Animals which later became BBC Wildlife. Armand Denis died on April 15, 1971.  ","The Denis Lomax collection consists of photographs, photograph negatives, scrapbooks, printed materials, correspondence and writings that document the lives of filmmakers Leila Roosevelt and Armand Denis as well as their families. The collection contains materials related to Leila Roosevelt's parents, filmmaker, entrepreneur and sportsman Cornelius Louis André Roosevelt (Andre Roosevelt), as well as architect and artist Adelheid Lange Roosevelt. The collection highlights Leila Roosevelt and Armand Denis's travels and film productions such as the documentary film based on the Democratic Republic of the Congo entitled Dark Rapture (Magie Africaine) (1938) and a film based in Bali, Indonesia entitled Goona Goona (Love Powder) (1932). 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Between 1928 and 1930, Andre Roosevelt, along with daughter Leila Roosevelt and son-in-law Armand Denis, traveled to Bali, Indonesia to produce and film Goona Goona (Love Powder), which premiered to audiences in 1932. Andre Roosevelt also managed a hotel in  Haiti named Ibo Lele. In his later life, Andre divorced from Adelheid Lange Roosevelt and had a second marriage to Alice La Fontant. Andre Roosevelt died on July 21, 1962 in Haiti.\u003c/p\u003e\n","\u003cp\u003eAdelheid Lange Roosevelt was born on October 23, 1880 in St. Louis, Missouri to Mathilde Follenius Lange and William C. Lange. William C. Lange, was a German chemist and banker. Adelheid was an architect and became one of the first women to earn a degree in architecture at the Zurich Polytechnic Institute in Switzerland. She worked with St. Louis architect Theodore Link for four years before marrying Andre Roosevelt. 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Armand Denis died on April 15, 1971.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cornelius Louis André Roosevelt (Andre Roosevelt), was born on April 24, 1879. He was the son of Cornelius Roosevelt sr. (1847–1902), and Anna Roosevelt. Cornelius Roosevelt sr. (1847–1902) was a cousin of U.S. President Theodore Roosevelt (1858-1919). Andre Roosevelt was an Olympic athlete, filmmaker and entrepreneur. He played multiple sports and won the gold medal in the 1900 Olympic Games for his performance in Rugby. In 1905, Andre Roosevelt married Adelheid Lange (1880-1962) and they had a daughter named Leila Roosevelt (1906-1976). Between 1928 and 1930, Andre Roosevelt, along with daughter Leila Roosevelt and son-in-law Armand Denis, traveled to Bali, Indonesia to produce and film Goona Goona (Love Powder), which premiered to audiences in 1932. Andre Roosevelt also managed a hotel in  Haiti named Ibo Lele. In his later life, Andre divorced from Adelheid Lange Roosevelt and had a second marriage to Alice La Fontant. Andre Roosevelt died on July 21, 1962 in Haiti.","Adelheid Lange Roosevelt was born on October 23, 1880 in St. Louis, Missouri to Mathilde Follenius Lange and William C. Lange. William C. Lange, was a German chemist and banker. Adelheid was an architect and became one of the first women to earn a degree in architecture at the Zurich Polytechnic Institute in Switzerland. She worked with St. Louis architect Theodore Link for four years before marrying Andre Roosevelt. Adelheid was also a cubist artist and sculptor who exhibited her work in galleries including the Modern Gallery in New York City, New York. Adelheid Lange Roosevelt died on February 15, 1962 in Thompson, Connecticut. ","Leila Roosevelt was born on July 9, 1906 in St. Louis, Missouri to Adelheid Lange and Andre Roosevelt. She was a director, screenwriter and filmmaker. Leila worked with, and accompanied her husband, Armand Denis and father Andre Roosevelt on multiple expeditions around the world including Bali, Indonesia and the Democratic Republic of the Congo. She also traveled on her own, completing an around the world by truck expedition with associate and mechanic Edna Olmstead. Leila Roosevelt and Armand Denis had four children: Renee, Armand jr., David, and Heidi Denis. Armand Denis and Leila later divorced and she married William Westley. Leila Roosevelt died in 1976. ","Armand Georges Denis was born on December 2, 1896 to Belgian parents in Brussels, Belgium. He was a filmmaker, writer and magazine editor. He traveled, and worked with Andre Roosevelt on the film, Goona Goona (Love Powder) (1932). Armand Denis and Leila Roosevelt also traveled to North Africa as well as the Democratic Republic of the Congo, to film a documentary sponsored by Belgian King Leopold III entitled Wheels of Africa (1936). They also produced the film Dark Rapture (Magie Africaine) (1938) based on their travels to the Congo. The couple also founded the Anthropoid Ape Research Foundation in Dania Beach, Florida. The chimpanzees on the farm were used for medical research and attracted tourists. Armand Denis and Leila Roosevelt divorced and Armand later married Michaela Holdsworth. In 1963 Denis became editor of a magazine entitled Animals which later became BBC Wildlife. Armand Denis died on April 15, 1971.  "],"prefercite_html_tesm":["\u003cp\u003eDenis Lomax Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Denis Lomax Collection, Broward County Historical Archives, Broward County Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Denis Lomax collection consists of photographs, photograph negatives, scrapbooks, printed materials, correspondence and writings that document the lives of filmmakers Leila Roosevelt and Armand Denis as well as their families. The collection contains materials related to Leila Roosevelt's parents, filmmaker, entrepreneur and sportsman Cornelius Louis Andr\u0026#xE9; Roosevelt (Andre Roosevelt), as well as architect and artist Adelheid Lange Roosevelt. 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Andre Roosevelt died on July 21, 1962 in Haiti.","Adelheid Lange Roosevelt was born on October 23, 1880 in St. Louis, Missouri to Mathilde Follenius Lange and William C. Lange. William C. Lange, was a German chemist and banker. Adelheid was an architect and became one of the first women to earn a degree in architecture at the Zurich Polytechnic Institute in Switzerland. She worked with St. Louis architect Theodore Link for four years before marrying Andre Roosevelt. Adelheid was also a cubist artist and sculptor who exhibited her work in galleries including the Modern Gallery in New York City, New York. Adelheid Lange Roosevelt died on February 15, 1962 in Thompson, Connecticut. ","Leila Roosevelt was born on July 9, 1906 in St. Louis, Missouri to Adelheid Lange and Andre Roosevelt. She was a director, screenwriter and filmmaker. Leila worked with, and accompanied her husband, Armand Denis and father Andre Roosevelt on multiple expeditions around the world including Bali, Indonesia and the Democratic Republic of the Congo. She also traveled on her own, completing an around the world by truck expedition with associate and mechanic Edna Olmstead. Leila Roosevelt and Armand Denis had four children: Renee, Armand jr., David, and Heidi Denis. Armand Denis and Leila later divorced and she married William Westley. Leila Roosevelt died in 1976. ","Armand Georges Denis was born on December 2, 1896 to Belgian parents in Brussels, Belgium. He was a filmmaker, writer and magazine editor. He traveled, and worked with Andre Roosevelt on the film, Goona Goona (Love Powder) (1932). Armand Denis and Leila Roosevelt also traveled to North Africa as well as the Democratic Republic of the Congo, to film a documentary sponsored by Belgian King Leopold III entitled Wheels of Africa (1936). They also produced the film Dark Rapture (Magie Africaine) (1938) based on their travels to the Congo. The couple also founded the Anthropoid Ape Research Foundation in Dania Beach, Florida. The chimpanzees on the farm were used for medical research and attracted tourists. Armand Denis and Leila Roosevelt divorced and Armand later married Michaela Holdsworth. In 1963 Denis became editor of a magazine entitled Animals which later became BBC Wildlife. Armand Denis died on April 15, 1971.  ","The Denis Lomax collection consists of photographs, photograph negatives, scrapbooks, printed materials, correspondence and writings that document the lives of filmmakers Leila Roosevelt and Armand Denis as well as their families. The collection contains materials related to Leila Roosevelt's parents, filmmaker, entrepreneur and sportsman Cornelius Louis André Roosevelt (Andre Roosevelt), as well as architect and artist Adelheid Lange Roosevelt. 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Materials documenting the Anthropoid Ape Research foundation in Dania Beach, Florida, founded by Leila Roosevelt and Armand Denis, along with personal papers of their families are also included in this collection."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.2019.1","/repositories/4/resources/1"],"normalized_date_ssm":["Circa 1900-2000"],"normalized_title_ssm":["Denis Lomax Collection, Circa 1900-2000"],"collection_title_tesim":["Denis Lomax Collection, Circa 1900-2000"],"collection_ssim":["Denis Lomax Collection, Circa 1900-2000"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"acqinfo_ssim":["The Denis Lomax collection was donated as a gift by Denis Lomax, grandson of Leila Roosevelt and Armand Denis."],"has_online_content_ssim":["false"],"extent_ssm":["9.97 Linear Feet (16 Hollinger boxes and 1 folio)"],"extent_tesim":["9.97 Linear Feet (16 Hollinger boxes and 1 folio)"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe Denis Lomax Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Denis Lomax Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Denis Lomax collection is organized into two series: I. Photographs and II. Personal Papers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Denis Lomax collection is organized into two series: I. Photographs and II. Personal Papers."],"bioghist_html_tesm":["\u003cp\u003eCornelius Louis Andr\u0026#xE9; Roosevelt (Andre Roosevelt), was born on April 24, 1879. He was the son of Cornelius Roosevelt sr. (1847\u0026#x2013;1902), and Anna Roosevelt. Cornelius Roosevelt sr. (1847\u0026#x2013;1902) was a cousin of U.S. President Theodore Roosevelt (1858-1919). Andre Roosevelt was an Olympic athlete, filmmaker and entrepreneur. He played multiple sports and won the gold medal in the 1900 Olympic Games for his performance in Rugby. In 1905, Andre Roosevelt married Adelheid Lange (1880-1962) and they had a daughter named Leila Roosevelt (1906-1976). Between 1928 and 1930, Andre Roosevelt, along with daughter Leila Roosevelt and son-in-law Armand Denis, traveled to Bali, Indonesia to produce and film Goona Goona (Love Powder), which premiered to audiences in 1932. Andre Roosevelt also managed a hotel in  Haiti named Ibo Lele. In his later life, Andre divorced from Adelheid Lange Roosevelt and had a second marriage to Alice La Fontant. Andre Roosevelt died on July 21, 1962 in Haiti.\u003c/p\u003e\n","\u003cp\u003eAdelheid Lange Roosevelt was born on October 23, 1880 in St. Louis, Missouri to Mathilde Follenius Lange and William C. Lange. William C. Lange, was a German chemist and banker. Adelheid was an architect and became one of the first women to earn a degree in architecture at the Zurich Polytechnic Institute in Switzerland. She worked with St. Louis architect Theodore Link for four years before marrying Andre Roosevelt. Adelheid was also a cubist artist and sculptor who exhibited her work in galleries including the Modern Gallery in New York City, New York. Adelheid Lange Roosevelt died on February 15, 1962 in Thompson, Connecticut. \u003c/p\u003e\n","\u003cp\u003eLeila Roosevelt was born on July 9, 1906 in St. Louis, Missouri to Adelheid Lange and Andre Roosevelt. She was a director, screenwriter and filmmaker. Leila worked with, and accompanied her husband, Armand Denis and father Andre Roosevelt on multiple expeditions around the world including Bali, Indonesia and the Democratic Republic of the Congo. She also traveled on her own, completing an around the world by truck expedition with associate and mechanic Edna Olmstead. Leila Roosevelt and Armand Denis had four children: Renee, Armand jr., David, and Heidi Denis. Armand Denis and Leila later divorced and she married William Westley. Leila Roosevelt died in 1976. \u003c/p\u003e\n","\u003cp\u003eArmand Georges Denis was born on December 2, 1896 to Belgian parents in Brussels, Belgium. He was a filmmaker, writer and magazine editor. He traveled, and worked with Andre Roosevelt on the film, Goona Goona (Love Powder) (1932). Armand Denis and Leila Roosevelt also traveled to North Africa as well as the Democratic Republic of the Congo, to film a documentary sponsored by Belgian King Leopold III entitled Wheels of Africa (1936). They also produced the film Dark Rapture (Magie Africaine) (1938) based on their travels to the Congo. The couple also founded the Anthropoid Ape Research Foundation in Dania Beach, Florida. The chimpanzees on the farm were used for medical research and attracted tourists. Armand Denis and Leila Roosevelt divorced and Armand later married Michaela Holdsworth. In 1963 Denis became editor of a magazine entitled Animals which later became BBC Wildlife. Armand Denis died on April 15, 1971.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cornelius Louis André Roosevelt (Andre Roosevelt), was born on April 24, 1879. He was the son of Cornelius Roosevelt sr. (1847–1902), and Anna Roosevelt. Cornelius Roosevelt sr. (1847–1902) was a cousin of U.S. President Theodore Roosevelt (1858-1919). Andre Roosevelt was an Olympic athlete, filmmaker and entrepreneur. He played multiple sports and won the gold medal in the 1900 Olympic Games for his performance in Rugby. In 1905, Andre Roosevelt married Adelheid Lange (1880-1962) and they had a daughter named Leila Roosevelt (1906-1976). Between 1928 and 1930, Andre Roosevelt, along with daughter Leila Roosevelt and son-in-law Armand Denis, traveled to Bali, Indonesia to produce and film Goona Goona (Love Powder), which premiered to audiences in 1932. Andre Roosevelt also managed a hotel in  Haiti named Ibo Lele. In his later life, Andre divorced from Adelheid Lange Roosevelt and had a second marriage to Alice La Fontant. Andre Roosevelt died on July 21, 1962 in Haiti.","Adelheid Lange Roosevelt was born on October 23, 1880 in St. Louis, Missouri to Mathilde Follenius Lange and William C. Lange. William C. Lange, was a German chemist and banker. Adelheid was an architect and became one of the first women to earn a degree in architecture at the Zurich Polytechnic Institute in Switzerland. She worked with St. Louis architect Theodore Link for four years before marrying Andre Roosevelt. Adelheid was also a cubist artist and sculptor who exhibited her work in galleries including the Modern Gallery in New York City, New York. Adelheid Lange Roosevelt died on February 15, 1962 in Thompson, Connecticut. ","Leila Roosevelt was born on July 9, 1906 in St. Louis, Missouri to Adelheid Lange and Andre Roosevelt. She was a director, screenwriter and filmmaker. Leila worked with, and accompanied her husband, Armand Denis and father Andre Roosevelt on multiple expeditions around the world including Bali, Indonesia and the Democratic Republic of the Congo. She also traveled on her own, completing an around the world by truck expedition with associate and mechanic Edna Olmstead. Leila Roosevelt and Armand Denis had four children: Renee, Armand jr., David, and Heidi Denis. Armand Denis and Leila later divorced and she married William Westley. Leila Roosevelt died in 1976. ","Armand Georges Denis was born on December 2, 1896 to Belgian parents in Brussels, Belgium. He was a filmmaker, writer and magazine editor. He traveled, and worked with Andre Roosevelt on the film, Goona Goona (Love Powder) (1932). Armand Denis and Leila Roosevelt also traveled to North Africa as well as the Democratic Republic of the Congo, to film a documentary sponsored by Belgian King Leopold III entitled Wheels of Africa (1936). They also produced the film Dark Rapture (Magie Africaine) (1938) based on their travels to the Congo. The couple also founded the Anthropoid Ape Research Foundation in Dania Beach, Florida. The chimpanzees on the farm were used for medical research and attracted tourists. Armand Denis and Leila Roosevelt divorced and Armand later married Michaela Holdsworth. In 1963 Denis became editor of a magazine entitled Animals which later became BBC Wildlife. Armand Denis died on April 15, 1971.  "],"prefercite_html_tesm":["\u003cp\u003eDenis Lomax Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Denis Lomax Collection, Broward County Historical Archives, Broward County Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Denis Lomax collection consists of photographs, photograph negatives, scrapbooks, printed materials, correspondence and writings that document the lives of filmmakers Leila Roosevelt and Armand Denis as well as their families. The collection contains materials related to Leila Roosevelt's parents, filmmaker, entrepreneur and sportsman Cornelius Louis Andr\u0026#xE9; Roosevelt (Andre Roosevelt), as well as architect and artist Adelheid Lange Roosevelt. The collection highlights Leila Roosevelt and Armand Denis's travels and film productions such as the documentary film based on the Democratic Republic of the Congo entitled Dark Rapture (Magie Africaine) (1938) and a film based in Bali, Indonesia entitled Goona Goona (Love Powder) (1932). Materials documenting the Anthropoid Ape Research foundation in Dania Beach, Florida, founded by Leila Roosevelt and Armand Denis, along with personal papers of their families are also included in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Denis Lomax collection consists of photographs, photograph negatives, scrapbooks, printed materials, correspondence and writings that document the lives of filmmakers Leila Roosevelt and Armand Denis as well as their families. The collection contains materials related to Leila Roosevelt's parents, filmmaker, entrepreneur and sportsman Cornelius Louis André Roosevelt (Andre Roosevelt), as well as architect and artist Adelheid Lange Roosevelt. The collection highlights Leila Roosevelt and Armand Denis's travels and film productions such as the documentary film based on the Democratic Republic of the Congo entitled Dark Rapture (Magie Africaine) (1938) and a film based in Bali, Indonesia entitled Goona Goona (Love Powder) (1932). Materials documenting the Anthropoid Ape Research foundation in Dania Beach, Florida, founded by Leila Roosevelt and Armand Denis, along with personal papers of their families are also included in this collection."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":128,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"17ec102ff08bd100785127f3","timestamp":"2026-04-21T01:44:00.846Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/17ec102ff08bd100785127f3_aspace_561aca1f341a6a89f7d7258a8aa57313"}},{"id":"632b627b03e7762cd9deea62_aspace_39315","type":"File","attributes":{"title":"2nd Miami Graphics Biennial, 1975 April 26-May 25","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/632b627b03e7762cd9deea62_aspace_39315#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_39315","ref_ssm":["aspace_39315","aspace_39315"],"id":"632b627b03e7762cd9deea62_aspace_39315","title_filing_ssi":"2nd Miami Graphics Biennial","title_ssm":["2nd Miami Graphics Biennial"],"title_tesim":["2nd Miami Graphics Biennial"],"unitdate_other_ssim":["1975 April 26-May 25"],"normalized_date_ssm":["1975 April 26-May 25"],"normalized_title_ssm":["2nd Miami Graphics Biennial, 1975 April 26-May 25"],"text":["2nd Miami Graphics Biennial, 1975 April 26-May 25","Miami Metropolitan Museum and Art Center Collection, 1968-1988","Box 2","Folder 1","/repositories/2/archival_objects/66241","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["632b627b03e7762cd9deea62","632b627b03e7762cd9deea62_aspace_39314"],"parent_unittitles_ssm":["Miami Metropolitan Museum and Art Center Collection, 1968-1988","Box 2"],"parent_unittitles_tesim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988","Box 2"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 1","/repositories/2/archival_objects/66241"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 1"],"_nest_path_":"/components#1/components#0","_nest_parent_":"632b627b03e7762cd9deea62_aspace_39314","_root_":"632b627b03e7762cd9deea62","_version_":1872203331105980416,"timestamp":"2026-07-31T04:30:31.956Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"632b627b03e7762cd9deea62","title_ssm":["Miami Metropolitan Museum and Art Center Collection"],"title_tesim":["Miami Metropolitan Museum and Art Center Collection"],"ead_ssi":"632b627b03e7762cd9deea62","unitdate_ssm":["1968-1988"],"unitdate_inclusive_ssm":["1968-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC4080","/repositories/2/resources/76"],"text":["SPC4080","/repositories/2/resources/76","Miami Metropolitan Museum and Art Center Collection, 1968-1988","Metropolitan Museum and Art Centers- Art Collections","Metropolitan Museum and Art Centers- Manuscript collections","The collection is open for research.","When the Metropolitan Museum and Art Center (MMAC) closed in 1989, the Art Museum at Florida International University acquired the collection of over 2,300 objects, such as sculptures, photographs, paintings, and other significant cultural artifacts from around the world spanning from the 18th to the 20th century. Such works came from renowned artists William Merritt Chase, Eadweard Muybridge, Rufino Tamayo, Duane Hanson, and Agustin Fernandez. MMAC's formation began in the early 1960s when a group of art enthusiasts brought renowned artists such as Robert Motherwell, James Brooks and Josef Albers to Miami for seminars and workshops.  The Lowe Gallery at the University of Miami agreed to provide space for these art activities.  Within a year, the group founded the Arts Council, Inc. and moved to a larger space in Kendall. Throughout the 1960's the program continued to grow and began exhibiting and collecting works of art and became a not-for profit organization changing its name to Miami Art Center (MAC). In 1973, MAC merged with the Miami Museum of Modern Art to form the Metropolitan Museum and Art Center.  In 1975, MMAC moved from Kendall to the historic Biltmore Country Club in Coral Gables and continued to present premier exhibitions of a variety of collections including local, national, and international collections.","This collection contains documents including but not limited to exhibit brochures, video gallery exhibitions, select artifacts from sunken ships, photographs, sculptures, and prints. This includes the Quicksilver Galleons believed to have sunk near the Dominican Republic in the early 18th century. Additionally, these archives are not limited to Latin America, but do contain select workings from the Far East, such as Japanese ceramic art.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC4080","/repositories/2/resources/76"],"normalized_date_ssm":["1968-1988"],"normalized_title_ssm":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"collection_title_tesim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"collection_ssim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["Metropolitan Museum and Art Centers- Art Collections","Metropolitan Museum and Art Centers- Manuscript collections"],"access_subjects_ssm":["Metropolitan Museum and Art Centers- Art Collections","Metropolitan Museum and Art Centers- Manuscript collections"],"has_online_content_ssim":["false"],"extent_ssm":["17.00 boxes"],"extent_tesim":["17.00 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWhen the Metropolitan Museum and Art Center (MMAC) closed in 1989, the Art Museum at Florida International University acquired the collection of over 2,300 objects, such as sculptures, photographs, paintings, and other significant cultural artifacts from around the world spanning from the 18th to the 20th century. Such works came from renowned artists William Merritt Chase, Eadweard Muybridge, Rufino Tamayo, Duane Hanson, and Agustin Fernandez. MMAC's formation began in the early 1960s when a group of art enthusiasts brought renowned artists such as Robert Motherwell, James Brooks and Josef Albers to Miami for seminars and workshops.  The Lowe Gallery at the University of Miami agreed to provide space for these art activities.  Within a year, the group founded the Arts Council, Inc. and moved to a larger space in Kendall. Throughout the 1960's the program continued to grow and began exhibiting and collecting works of art and became a not-for profit organization changing its name to Miami Art Center (MAC). In 1973, MAC merged with the Miami Museum of Modern Art to form the Metropolitan Museum and Art Center.  In 1975, MMAC moved from Kendall to the historic Biltmore Country Club in Coral Gables and continued to present premier exhibitions of a variety of collections including local, national, and international collections.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["When the Metropolitan Museum and Art Center (MMAC) closed in 1989, the Art Museum at Florida International University acquired the collection of over 2,300 objects, such as sculptures, photographs, paintings, and other significant cultural artifacts from around the world spanning from the 18th to the 20th century. Such works came from renowned artists William Merritt Chase, Eadweard Muybridge, Rufino Tamayo, Duane Hanson, and Agustin Fernandez. MMAC's formation began in the early 1960s when a group of art enthusiasts brought renowned artists such as Robert Motherwell, James Brooks and Josef Albers to Miami for seminars and workshops.  The Lowe Gallery at the University of Miami agreed to provide space for these art activities.  Within a year, the group founded the Arts Council, Inc. and moved to a larger space in Kendall. Throughout the 1960's the program continued to grow and began exhibiting and collecting works of art and became a not-for profit organization changing its name to Miami Art Center (MAC). In 1973, MAC merged with the Miami Museum of Modern Art to form the Metropolitan Museum and Art Center.  In 1975, MMAC moved from Kendall to the historic Biltmore Country Club in Coral Gables and continued to present premier exhibitions of a variety of collections including local, national, and international collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains documents including but not limited to exhibit brochures, video gallery exhibitions, select artifacts from sunken ships, photographs, sculptures, and prints. This includes the Quicksilver Galleons believed to have sunk near the Dominican Republic in the early 18th century. Additionally, these archives are not limited to Latin America, but do contain select workings from the Far East, such as Japanese ceramic art.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains documents including but not limited to exhibit brochures, video gallery exhibitions, select artifacts from sunken ships, photographs, sculptures, and prints. This includes the Quicksilver Galleons believed to have sunk near the Dominican Republic in the early 18th century. Additionally, these archives are not limited to Latin America, but do contain select workings from the Far East, such as Japanese ceramic art."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":909,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872203331105980416,"_root_":"632b627b03e7762cd9deea62","timestamp":"2026-07-31T04:30:31.956Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/632b627b03e7762cd9deea62_aspace_39315"}},{"id":"632b627b03e7762cd9deea62_aspace_39646","type":"File","attributes":{"title":"2nd Miami Graphics Biennial Catalog, 1975 April 26-May 25","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/632b627b03e7762cd9deea62_aspace_39646#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_39646","ref_ssm":["aspace_39646","aspace_39646"],"id":"632b627b03e7762cd9deea62_aspace_39646","title_filing_ssi":"2nd Miami Graphics Biennial Catalog        ","title_ssm":["2nd Miami Graphics Biennial Catalog        "],"title_tesim":["2nd Miami Graphics Biennial Catalog        "],"unitdate_other_ssim":["1975 April 26-May 25 "],"normalized_date_ssm":["1975 April 26-May 25"],"normalized_title_ssm":["2nd Miami Graphics Biennial Catalog, 1975 April 26-May 25"],"text":["2nd Miami Graphics Biennial Catalog, 1975 April 26-May 25","Miami Metropolitan Museum and Art Center Collection, 1968-1988","Box 12","Folder 3","/repositories/2/archival_objects/66343","folder 3"],"component_level_isim":[2],"parent_ids_ssim":["632b627b03e7762cd9deea62","632b627b03e7762cd9deea62_aspace_39643"],"parent_unittitles_ssm":["Miami Metropolitan Museum and Art Center Collection, 1968-1988","Box 12"],"parent_unittitles_tesim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988","Box 12"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 3","/repositories/2/archival_objects/66343"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":375,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 3"],"_nest_path_":"/components#11/components#2","_nest_parent_":"632b627b03e7762cd9deea62_aspace_39643","_root_":"632b627b03e7762cd9deea62","_version_":1872203331105980416,"timestamp":"2026-07-31T04:30:31.956Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"632b627b03e7762cd9deea62","title_ssm":["Miami Metropolitan Museum and Art Center Collection"],"title_tesim":["Miami Metropolitan Museum and Art Center Collection"],"ead_ssi":"632b627b03e7762cd9deea62","unitdate_ssm":["1968-1988"],"unitdate_inclusive_ssm":["1968-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC4080","/repositories/2/resources/76"],"text":["SPC4080","/repositories/2/resources/76","Miami Metropolitan Museum and Art Center Collection, 1968-1988","Metropolitan Museum and Art Centers- Art Collections","Metropolitan Museum and Art Centers- Manuscript collections","The collection is open for research.","When the Metropolitan Museum and Art Center (MMAC) closed in 1989, the Art Museum at Florida International University acquired the collection of over 2,300 objects, such as sculptures, photographs, paintings, and other significant cultural artifacts from around the world spanning from the 18th to the 20th century. Such works came from renowned artists William Merritt Chase, Eadweard Muybridge, Rufino Tamayo, Duane Hanson, and Agustin Fernandez. MMAC's formation began in the early 1960s when a group of art enthusiasts brought renowned artists such as Robert Motherwell, James Brooks and Josef Albers to Miami for seminars and workshops.  The Lowe Gallery at the University of Miami agreed to provide space for these art activities.  Within a year, the group founded the Arts Council, Inc. and moved to a larger space in Kendall. Throughout the 1960's the program continued to grow and began exhibiting and collecting works of art and became a not-for profit organization changing its name to Miami Art Center (MAC). In 1973, MAC merged with the Miami Museum of Modern Art to form the Metropolitan Museum and Art Center.  In 1975, MMAC moved from Kendall to the historic Biltmore Country Club in Coral Gables and continued to present premier exhibitions of a variety of collections including local, national, and international collections.","This collection contains documents including but not limited to exhibit brochures, video gallery exhibitions, select artifacts from sunken ships, photographs, sculptures, and prints. This includes the Quicksilver Galleons believed to have sunk near the Dominican Republic in the early 18th century. Additionally, these archives are not limited to Latin America, but do contain select workings from the Far East, such as Japanese ceramic art.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC4080","/repositories/2/resources/76"],"normalized_date_ssm":["1968-1988"],"normalized_title_ssm":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"collection_title_tesim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"collection_ssim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["Metropolitan Museum and Art Centers- Art Collections","Metropolitan Museum and Art Centers- Manuscript collections"],"access_subjects_ssm":["Metropolitan Museum and Art Centers- Art Collections","Metropolitan Museum and Art Centers- Manuscript collections"],"has_online_content_ssim":["false"],"extent_ssm":["17.00 boxes"],"extent_tesim":["17.00 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWhen the Metropolitan Museum and Art Center (MMAC) closed in 1989, the Art Museum at Florida International University acquired the collection of over 2,300 objects, such as sculptures, photographs, paintings, and other significant cultural artifacts from around the world spanning from the 18th to the 20th century. Such works came from renowned artists William Merritt Chase, Eadweard Muybridge, Rufino Tamayo, Duane Hanson, and Agustin Fernandez. MMAC's formation began in the early 1960s when a group of art enthusiasts brought renowned artists such as Robert Motherwell, James Brooks and Josef Albers to Miami for seminars and workshops.  The Lowe Gallery at the University of Miami agreed to provide space for these art activities.  Within a year, the group founded the Arts Council, Inc. and moved to a larger space in Kendall. Throughout the 1960's the program continued to grow and began exhibiting and collecting works of art and became a not-for profit organization changing its name to Miami Art Center (MAC). In 1973, MAC merged with the Miami Museum of Modern Art to form the Metropolitan Museum and Art Center.  In 1975, MMAC moved from Kendall to the historic Biltmore Country Club in Coral Gables and continued to present premier exhibitions of a variety of collections including local, national, and international collections.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["When the Metropolitan Museum and Art Center (MMAC) closed in 1989, the Art Museum at Florida International University acquired the collection of over 2,300 objects, such as sculptures, photographs, paintings, and other significant cultural artifacts from around the world spanning from the 18th to the 20th century. Such works came from renowned artists William Merritt Chase, Eadweard Muybridge, Rufino Tamayo, Duane Hanson, and Agustin Fernandez. MMAC's formation began in the early 1960s when a group of art enthusiasts brought renowned artists such as Robert Motherwell, James Brooks and Josef Albers to Miami for seminars and workshops.  The Lowe Gallery at the University of Miami agreed to provide space for these art activities.  Within a year, the group founded the Arts Council, Inc. and moved to a larger space in Kendall. Throughout the 1960's the program continued to grow and began exhibiting and collecting works of art and became a not-for profit organization changing its name to Miami Art Center (MAC). In 1973, MAC merged with the Miami Museum of Modern Art to form the Metropolitan Museum and Art Center.  In 1975, MMAC moved from Kendall to the historic Biltmore Country Club in Coral Gables and continued to present premier exhibitions of a variety of collections including local, national, and international collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains documents including but not limited to exhibit brochures, video gallery exhibitions, select artifacts from sunken ships, photographs, sculptures, and prints. This includes the Quicksilver Galleons believed to have sunk near the Dominican Republic in the early 18th century. Additionally, these archives are not limited to Latin America, but do contain select workings from the Far East, such as Japanese ceramic art.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains documents including but not limited to exhibit brochures, video gallery exhibitions, select artifacts from sunken ships, photographs, sculptures, and prints. This includes the Quicksilver Galleons believed to have sunk near the Dominican Republic in the early 18th century. Additionally, these archives are not limited to Latin America, but do contain select workings from the Far East, such as Japanese ceramic art."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":909,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872203331105980416,"_root_":"632b627b03e7762cd9deea62","timestamp":"2026-07-31T04:30:31.956Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/632b627b03e7762cd9deea62_aspace_39646"}},{"id":"ef24c6bcc6e3eac7b082603c_aspace_118347","type":"File","attributes":{"title":"2nd Mortgage","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ef24c6bcc6e3eac7b082603c_aspace_118347#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_118347","ref_ssm":["aspace_118347","aspace_118347"],"id":"ef24c6bcc6e3eac7b082603c_aspace_118347","title_filing_ssi":"2nd Mortgage","title_ssm":["2nd Mortgage"],"title_tesim":["2nd Mortgage"],"normalized_title_ssm":["2nd Mortgage"],"text":["2nd Mortgage","El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Club Records","Financial Records","Folder 8","/repositories/2/archival_objects/134070","box 9","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["ef24c6bcc6e3eac7b082603c","ef24c6bcc6e3eac7b082603c_aspace_83326","ef24c6bcc6e3eac7b082603c_aspace_84124"],"parent_unittitles_ssm":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Club Records","Financial Records"],"parent_unittitles_tesim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Club Records","Financial Records"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 8","/repositories/2/archival_objects/134070"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":75,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 9","folder 8"],"_nest_path_":"/components#0/components#8/components#7","_nest_parent_":"ef24c6bcc6e3eac7b082603c_aspace_84124","_root_":"ef24c6bcc6e3eac7b082603c","timestamp":"2026-04-23T03:16:49.257Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ef24c6bcc6e3eac7b082603c","title_filing_ssi":"Circulo Cubano records, El","title_ssm":["El Círculo Cubano (Cuban Club) records"],"title_tesim":["El Círculo Cubano (Cuban Club) records"],"ead_ssi":"ef24c6bcc6e3eac7b082603c","unitdate_ssm":["1852-1989","1902-1959","Date acquired: 00/00/2000"],"unitdate_bulk_ssim":["1902-1959"],"unitdate_inclusive_ssm":["1852-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-05","/repositories/2/resources/568"],"text":["MS-2000-05","/repositories/2/resources/568","El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Tampa (Fla.) -- Race relations.","Cuban Americans -- Florida -- Tampa -- History","The collection is arranged into series according to subject. Meeting minutes are arranged in chronological order. Life insurance policies are arranged alphabetically. Plays are arranged alphabetically by Publisher and Titles.","The Cuban Club was founded in 1899 as \"El Club Nacional Cubano October 10,\" and in 1902 the name was changed to \"El Círculo Cubano.\" Like many of the Ybor City mutual aid societies established at the turn-of-the-century, the Cuban Club provided its members with health care, recreational activities, library services, and English classes. At its peak, membership in the club, which primarily was made up of working-class Cuban immigrants, neared 8,000. Today, membership in El Círculo Cubano is based on one's dedication to preserving Florida's Cuban heritage and culture, not Cuban ancestry. Initially, the club's headquarters was located on the corner of 14th Street and 9th Avenue in Ybor City. In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. The Círculo Cubano de Tampa clubhouse, located at 2010 Avenida Republica de Cuba, is listed on the National Register of Historic Places.","Centro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Centro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","Sociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","This collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.  Also includes theatrical playscripts which range in date from the mid-19 th  to early 20 th  century.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Circulo Cubano de Tampa","English"],"unitid_tesim":["MS-2000-05","/repositories/2/resources/568"],"normalized_date_ssm":["1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"normalized_title_ssm":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"collection_title_tesim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"collection_ssim":["El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- Race relations."],"geogname_ssim":["Tampa (Fla.) -- Race relations."],"creator_ssm":["Circulo Cubano de Tampa"],"creator_ssim":["Circulo Cubano de Tampa"],"creator_corpname_ssim":["Circulo Cubano de Tampa"],"creators_ssim":["Circulo Cubano de Tampa"],"places_ssim":["Tampa (Fla.) -- Race relations."],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Circulo Cubano de Tampa","Donation"],"access_subjects_ssim":["Cuban Americans -- Florida -- Tampa -- History"],"access_subjects_ssm":["Cuban Americans -- Florida -- Tampa -- History"],"has_online_content_ssim":["false"],"extent_ssm":["19.5 Linear Feet","27 boxes"],"extent_tesim":["19.5 Linear Feet","27 boxes"],"date_range_isim":[1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into series according to subject. Meeting minutes are arranged in chronological order. Life insurance policies are arranged alphabetically. Plays are arranged alphabetically by Publisher and Titles.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into series according to subject. Meeting minutes are arranged in chronological order. Life insurance policies are arranged alphabetically. Plays are arranged alphabetically by Publisher and Titles."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Club was founded in 1899 as \"El Club Nacional Cubano October 10,\" and in 1902 the name was changed to \"El C\u0026#xED;rculo Cubano.\" Like many of the Ybor City mutual aid societies established at the turn-of-the-century, the Cuban Club provided its members with health care, recreational activities, library services, and English classes. At its peak, membership in the club, which primarily was made up of working-class Cuban immigrants, neared 8,000. Today, membership in El C\u0026#xED;rculo Cubano is based on one's dedication to preserving Florida's Cuban heritage and culture, not Cuban ancestry. Initially, the club's headquarters was located on the corner of 14th Street and 9th Avenue in Ybor City. In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. The C\u0026#xED;rculo Cubano de Tampa clubhouse, located at 2010 Avenida Republica de Cuba, is listed on the National Register of Historic Places.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Cuban Club was founded in 1899 as \"El Club Nacional Cubano October 10,\" and in 1902 the name was changed to \"El Círculo Cubano.\" Like many of the Ybor City mutual aid societies established at the turn-of-the-century, the Cuban Club provided its members with health care, recreational activities, library services, and English classes. At its peak, membership in the club, which primarily was made up of working-class Cuban immigrants, neared 8,000. Today, membership in El Círculo Cubano is based on one's dedication to preserving Florida's Cuban heritage and culture, not Cuban ancestry. Initially, the club's headquarters was located on the corner of 14th Street and 9th Avenue in Ybor City. In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. The Círculo Cubano de Tampa clubhouse, located at 2010 Avenida Republica de Cuba, is listed on the National Register of Historic Places."],"prefercite_html_tesm":["\u003cp\u003eCuban Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Cuban Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003eCentro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e\n","\u003cp\u003eSociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Centro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","Sociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.\u0026#xA0; Also includes theatrical playscripts which range in date from the mid-19\u003cemph render=\"super\"\u003eth\u003c/emph\u003e to early 20\u003cemph render=\"super\"\u003eth\u003c/emph\u003e century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.  Also includes theatrical playscripts which range in date from the mid-19 th  to early 20 th  century."],"userestrict_html_tesm":["\u003cp\u003eNone. 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The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Circulo Cubano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Circulo Cubano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":674,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ef24c6bcc6e3eac7b082603c","timestamp":"2026-04-23T03:16:49.257Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ef24c6bcc6e3eac7b082603c_aspace_118347"}},{"id":"83f92d0a0a882d51dcaee274_aspace_5e6632154bd5231f1fedf78b0852b1f4","type":"File","attributes":{"title":"2nd NOPC, 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83f92d0a0a882d51dcaee274_aspace_5e6632154bd5231f1fedf78b0852b1f4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5e6632154bd5231f1fedf78b0852b1f4","ref_ssm":["aspace_5e6632154bd5231f1fedf78b0852b1f4","aspace_5e6632154bd5231f1fedf78b0852b1f4"],"id":"83f92d0a0a882d51dcaee274_aspace_5e6632154bd5231f1fedf78b0852b1f4","title_filing_ssi":"2nd NOPC","title_ssm":["2nd NOPC"],"title_tesim":["2nd NOPC"],"unitdate_other_ssim":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["2nd NOPC, 2000"],"text":["2nd NOPC, 2000","Southwest Florida Regional Planning Council Collection, 1920-2020","Panacea","Modification, 1986-2000","/repositories/2/archival_objects/40107","Notice Of Proposed Change (NOPC)","English","box 97","folder 43"],"component_level_isim":[3],"parent_ids_ssim":["83f92d0a0a882d51dcaee274","83f92d0a0a882d51dcaee274_aspace_92a3ebe78f62b6f02e01da21fbde053c","83f92d0a0a882d51dcaee274_aspace_b5d6d10fb3984499e59d6c224bacce71"],"parent_unittitles_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020","Panacea","Modification, 1986-2000"],"parent_unittitles_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020","Panacea","Modification, 1986-2000"],"parent_levels_ssm":["collection","Series","Subgroup"],"unitid_ssm":["/repositories/2/archival_objects/40107"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3468,"parent_access_restrict_tesm":["The collection is open for use by the public."],"date_range_isim":[2000],"access_subjects_ssim":["Notice Of Proposed Change (NOPC)"],"access_subjects_ssm":["Notice Of Proposed Change (NOPC)"],"language_ssim":["English"],"containers_ssim":["box 97","folder 43"],"_nest_path_":"/components#76/components#2/components#8","_nest_parent_":"83f92d0a0a882d51dcaee274_aspace_b5d6d10fb3984499e59d6c224bacce71","_root_":"83f92d0a0a882d51dcaee274","_version_":1879903291767259136,"timestamp":"2026-10-24T04:18:06.636Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"83f92d0a0a882d51dcaee274","title_ssm":["Southwest Florida Regional Planning Council Collection"],"title_tesim":["Southwest Florida Regional Planning Council Collection"],"ead_ssi":"83f92d0a0a882d51dcaee274","unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02.03.11","/repositories/2/resources/69"],"text":["02.03.11","/repositories/2/resources/69","Southwest Florida Regional Planning Council Collection, 1920-2020","Urban Planning","Environmental planning","The collection is open for use by the public.","Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection .","Southwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. 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Mansfield collection"],"ead_ssi":"5c1d3cacb20af4c5d0f16be1","unitdate_ssm":["1915-2017","1942-1957","Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"unitdate_bulk_ssim":["1942-1957"],"unitdate_inclusive_ssm":["1915-2017"],"unitdate_other_ssim":["Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0158","/repositories/10/resources/362"],"text":["08.0158","/repositories/10/resources/362","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)","World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques","This collection is open to all researchers.","Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.","This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Processed Summer and Fall 2017","This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.","FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). 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Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"geogname_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"creator_ssm":["Mansfield, Charlotte D."],"creator_ssim":["Mansfield, Charlotte D."],"creator_persname_ssim":["Mansfield, Charlotte D."],"creators_ssim":["Mansfield, Charlotte D."],"places_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"access_subjects_ssm":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet","1 items 1 camera case"],"extent_tesim":["14 Linear Feet","1 items 1 camera case"],"dimensions_tesim":["21x9.75"],"genreform_ssim":["Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eEarly Life\u003c/title\u003e- Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in \u003cemph render=\"italic\"\u003ePopular Photography\u003c/emph\u003e Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n         \u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eWorld War II Service\u003c/title\u003e- Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was assigned to the 8\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was then transferred to the 9\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force stationed in Bad Kissingen, Germany to work with the 13\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003ePost-War U.S. Air Force Service\u003c/title\u003e- After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eIn September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eRetirement\u003c/title\u003e- Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0158\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0158\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0158 ."],"processinfo_html_tesm":["\u003cp\u003eProcessed Summer and Fall 2017\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed Summer and Fall 2017"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c0fe496351ee46fff18977354e86118\" label=\"Abstract\"\u003eCharlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.\u003c/abstract\u003e"],"abstract_tesim":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"names_coll_ssim":["United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Doolittle, James Harold, 1896-1993"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government"],"persname_ssim":["Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c1d3cacb20af4c5d0f16be1","timestamp":"2026-07-09T08:47:20.226Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1_aspace_209374"}},{"id":"889b65a67fe6306550dd539e_aspace_114289","type":"File","attributes":{"title":"2nd Piano Concerto","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e_aspace_114289#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_114289","ref_ssm":["aspace_114289","aspace_114289"],"id":"889b65a67fe6306550dd539e_aspace_114289","title_filing_ssi":"2nd Piano Concerto","title_ssm":["2nd Piano Concerto"],"title_tesim":["2nd Piano Concerto"],"normalized_title_ssm":["2nd Piano Concerto"],"text":["2nd Piano Concerto","Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Selected Works of Béla Bartók","Selected Works of Béla Bartók - 2nd Piano Concerto, 5th String Quartet, 44 Violin Duos, Székely Songs","Folder 1","/repositories/2/archival_objects/92407","box 33","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["889b65a67fe6306550dd539e","889b65a67fe6306550dd539e_aspace_114754","889b65a67fe6306550dd539e_aspace_114288"],"parent_unittitles_ssm":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Selected Works of Béla Bartók","Selected Works of Béla Bartók - 2nd Piano Concerto, 5th String Quartet, 44 Violin Duos, Székely Songs"],"parent_unittitles_tesim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Selected Works of Béla Bartók","Selected Works of Béla Bartók - 2nd Piano Concerto, 5th String Quartet, 44 Violin Duos, Székely Songs"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 1","/repositories/2/archival_objects/92407"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":573,"parent_access_restrict_tesm":["Suchoff interviews with Leafstedt are only accessible through reading room access. 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Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.","Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.","The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók","Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013","Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print.","This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. 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During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer B\u0026#xE9;la Bart\u0026#xF3;k, for whose estate he served as a curator and trustee. He has written numerous books and articles on B\u0026#xE9;la Bart\u0026#xF3;k, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.\u003c/p\u003e\n","\u003cp\u003eObituary, \u003cemph render=\"italic\"\u003ePalm Beach Post, \u003c/emph\u003eMarch 15, 2011.\u0026#xA0; http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026amp;pid=149133562#fbLoggedOut\u003c/p\u003e\n","\u003cp\u003eNote written by Kevin Arms, 2013\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013"],"prefercite_html_tesm":["\u003cp\u003eBenjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Benjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eAntokoletz, Elliott, and Paolo Susanni. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Research and Information Guide\u003c/emph\u003e. New York: Routledge, 2011. Internet resource.\u003c/p\u003e\n","\u003cp\u003ehttp://www.usf.eblib.com/patron/FullRecord.aspx?p=668794\u003c/p\u003e","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eRhythmic Form in Three of Barto\u0026#x301;k's String Quartets\u003c/emph\u003e. , 1970. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003ePrinciples of Pitch Organization in Barto\u0026#x301;k's Fourth String Quartet\u003c/emph\u003e. , 1980. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Guide to Research\u003c/emph\u003e. New York: Garland Pub, 1988. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eThe Music of Be\u0026#x301;la Barto\u0026#x301;k: A Study of Tonality and Progression in Twentieth-Century Music\u003c/emph\u003e. Berkeley: University of California Press, 1989. Print.\u003c/p\u003e\n","\u003cp\u003eBarto\u0026#x301;k, Be\u0026#x301;la, and Benjamin Suchoff. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k Essays\u003c/emph\u003e. Lincoln: University of Nebraska Press, 1993. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k and a Guide to the Mikrokosmos\u003c/emph\u003e. , 1956. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBarto\u0026#x301;k, Concerto for Orchestra: Understanding Barto\u0026#x301;k's World\u003c/emph\u003e. New York: Schirmer Books, 1995. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: Life and Work\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2001. Print\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Celebration\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2004. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBackground and Sources of Barto\u0026#x301;k's Concerto for Orchestra\u003c/emph\u003e. Frankfurt-am-Main: Peter Lang, 2006. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains research, manuscripts, interviews, articles, and letters concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881\u0026#x2013;1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of B\u0026#xE9;la Bart\u0026#xF3;k and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on B\u0026#xE9;la Bart\u0026#xF3;k and his research for his book \u003cemph render=\"italic\"\u003eMusical Symbolism in the Operas of Debussy and Bart\u0026#xF3;k.\u003c/emph\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bca246a4a4ab1d71cf129cab0ccd4011\" label=\"Abstract\"\u003eA collection of research and other documents concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881-1945).\u003c/abstract\u003e"],"abstract_tesim":["A collection of research and other documents concerning composer Béla Bartók (1881-1945)."],"names_ssim":["USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Bartok, Bela (1881-1945)"],"persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":742,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863055208841216,"_root_":"889b65a67fe6306550dd539e","timestamp":"2026-07-16T09:27:25.177Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e_aspace_114289"}},{"id":"8ab729146f7396ee7d69c900_aspace_174243","type":"File","attributes":{"title":"2nd Quarter, 1996","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8ab729146f7396ee7d69c900_aspace_174243#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_174243","ref_ssm":["aspace_174243","aspace_174243"],"id":"8ab729146f7396ee7d69c900_aspace_174243","title_filing_ssi":"2nd Quarter","title_ssm":["2nd Quarter"],"title_tesim":["2nd Quarter"],"unitdate_other_ssim":["1996"],"normalized_date_ssm":["1996"],"normalized_title_ssm":["2nd Quarter, 1996"],"text":["2nd Quarter, 1996","Carl D. Riggs papers, 1979-1996","CEMSCT 6","Folder 5","/repositories/2/archival_objects/30627","box 8","folder 5"],"component_level_isim":[2],"parent_ids_ssim":["8ab729146f7396ee7d69c900","8ab729146f7396ee7d69c900_aspace_174229"],"parent_unittitles_ssm":["Carl D. Riggs papers, 1979-1996","CEMSCT 6"],"parent_unittitles_tesim":["Carl D. Riggs papers, 1979-1996","CEMSCT 6"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 5","/repositories/2/archival_objects/30627"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Carl D. 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