{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=658\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=657\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=659\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=42281\u0026view=list"},"meta":{"pages":{"current_page":658,"next_page":659,"prev_page":657,"total_pages":42281,"limit_value":10,"offset_value":6570,"total_count":422809,"first_page?":false,"last_page?":false}},"data":[{"id":"65675f74ccda9442057b96d0_aspace_72414","type":"File","attributes":{"title":"21st Meeting of Members of Congress \u0026 the European Parliament","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/65675f74ccda9442057b96d0_aspace_72414#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72414","ref_ssm":["aspace_72414","aspace_72414"],"id":"65675f74ccda9442057b96d0_aspace_72414","title_filing_ssi":"21st Meeting of Members of Congress \u0026 the European Parliament","title_ssm":["21st Meeting of Members of Congress \u0026 the European Parliament"],"title_tesim":["21st Meeting of Members of Congress \u0026 the European Parliament"],"normalized_title_ssm":["21st Meeting of Members of Congress \u0026 the European Parliament"],"text":["21st Meeting of Members of Congress \u0026 the European Parliament","Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","1989-8","Folder 11","/repositories/2/archival_objects/67617","box 227","folder 11"],"component_level_isim":[2],"parent_ids_ssim":["65675f74ccda9442057b96d0","65675f74ccda9442057b96d0_aspace_72403"],"parent_unittitles_ssm":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","1989-8"],"parent_unittitles_tesim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","1989-8"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 11","/repositories/2/archival_objects/67617"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5302,"parent_access_restrict_tesm":["No restrictions."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 227","folder 11"],"_nest_path_":"/components#226/components#10","_nest_parent_":"65675f74ccda9442057b96d0_aspace_72403","_root_":"65675f74ccda9442057b96d0","_version_":1881013055886721024,"timestamp":"2026-11-05T10:17:19.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"65675f74ccda9442057b96d0","title_ssm":["Sam Gibbons collection"],"title_tesim":["Sam Gibbons collection"],"ead_ssi":"65675f74ccda9442057b96d0","unitdate_ssm":["1940-2000","1960-1996","1996"],"unitdate_bulk_ssim":["1960-1996"],"unitdate_inclusive_ssm":["1940-2000"],"unitdate_other_ssim":["1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1996-02","/repositories/2/resources/378"],"text":["MS-1996-02","/repositories/2/resources/378","Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","University of South Florida -- History","No restrictions.","Chronologically, broken up by committee and subject. The year and number code assigned to each box denotes the year in which papers were filed by Gibbons' office. Years on documents within the box may not reflect the year of filing.","Sam M. Gibbons was born in Tampa Florida in 1920. His tenure in law school was interrupted by World War II, when he volunteered for the Army, and later for duty as a paratrooper in the 101st Airborne Division. He served with distinction and in 1951 Gibbons was elected to the Florida House of Representatives, where he drafted the bill founding the University of South Florida in Hillsborough County. He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.  Gibbons died in Tampa in 2012.","As a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba.","Primarily covers his years in the U.S. House of Representatives, 1962-1996.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Gibbons, Sam M. 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He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.\u0026#xA0; Gibbons died in Tampa in 2012.\u003c/p\u003e\n","\u003cp\u003eAs a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. 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He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.  Gibbons died in Tampa in 2012.","As a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba."],"scopecontent_html_tesm":["\u003cp\u003ePrimarily covers his years in the U.S. House of Representatives, 1962-1996.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Primarily covers his years in the U.S. House of Representatives, 1962-1996."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Gibbons, Sam M. 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The contents of the collection may be subject to copyright.  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Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  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This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_48887552aadfca96ad3af92a13f5433d"}},{"id":"bec408ef355489ed2515918e_aspace_9378","type":"File","attributes":{"title":"2.1 - Studio portrait of young girl seated in a chair wearing a dress with an overcoat, [Tintype], 1865-1872","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9378#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9378","ref_ssm":["aspace_9378","aspace_9378"],"id":"bec408ef355489ed2515918e_aspace_9378","title_filing_ssi":"2.1 - Studio portrait of young girl seated in a chair wearing a dress with an overcoat, [Tintype]","title_ssm":["2.1 - Studio portrait of young girl seated in a chair wearing a dress with an overcoat, [Tintype]"],"title_tesim":["2.1 - Studio portrait of young girl seated in a chair wearing a dress with an overcoat, [Tintype]"],"unitdate_inclusive_ssm":["1865-1872"],"normalized_date_ssm":["1865-1872"],"normalized_title_ssm":["2.1 - Studio portrait of young girl seated in a chair wearing a dress with an overcoat, [Tintype], 1865-1872"],"text":["2.1 - Studio portrait of young girl seated in a chair wearing a dress with an overcoat, [Tintype], 1865-1872","African American Legacy: The Carol Mundy collection, 1791-2003","John Smith Bible \u0026 Photographs, 1857-1890","Folder 6","/repositories/4/archival_objects/24233","box 10","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_9371"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","John Smith Bible \u0026 Photographs, 1857-1890"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","John Smith Bible \u0026 Photographs, 1857-1890"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 6","/repositories/4/archival_objects/24233"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":476,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1865,1866,1867,1868,1869,1870,1871,1872],"containers_ssim":["box 10","folder 6"],"_nest_path_":"/components#4/components#5","_nest_parent_":"bec408ef355489ed2515918e_aspace_9371","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9378"}},{"id":"19ccdd4435a2926a9437d20e_aspace_150258","type":"File","attributes":{"title":"21. Tallahassee Democrat. 1992. 19 items.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/19ccdd4435a2926a9437d20e_aspace_150258#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_150258","ref_ssm":["aspace_150258","aspace_150258"],"id":"19ccdd4435a2926a9437d20e_aspace_150258","title_filing_ssi":"21. Tallahassee Democrat. 1992. 19 items.","title_ssm":["21. Tallahassee Democrat. 1992. 19 items."],"title_tesim":["21. Tallahassee Democrat. 1992. 19 items."],"normalized_title_ssm":["21. Tallahassee Democrat. 1992. 19 items."],"text":["21. Tallahassee Democrat. 1992. 19 items.","Red Hills of Florida Collection, 1820-1994","Correspondence","Folder 21","/repositories/10/archival_objects/53921","box 1215","folder 21"],"component_level_isim":[2],"parent_ids_ssim":["19ccdd4435a2926a9437d20e","19ccdd4435a2926a9437d20e_aspace_150177"],"parent_unittitles_ssm":["Red Hills of Florida Collection, 1820-1994","Correspondence"],"parent_unittitles_tesim":["Red Hills of Florida Collection, 1820-1994","Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 21","/repositories/10/archival_objects/53921"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Red Hills of Florida Collection, 1820-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":104,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 1215","folder 21"],"_nest_path_":"/components#1/components#76","_nest_parent_":"19ccdd4435a2926a9437d20e_aspace_150177","_root_":"19ccdd4435a2926a9437d20e","timestamp":"2026-04-21T12:33:03.425Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"19ccdd4435a2926a9437d20e","title_ssm":["Red Hills of Florida Collection"],"title_tesim":["Red Hills of Florida Collection"],"ead_ssi":"19ccdd4435a2926a9437d20e","unitdate_ssm":["1820-1994"],"unitdate_inclusive_ssm":["1820-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1994-002","/repositories/10/resources/546"],"text":["MSS 1994-002","/repositories/10/resources/546","Red Hills of Florida Collection, 1820-1994","Lake Miccosukee, Florida","Gadsden County (Fla.)","Jackson County (Fla.)","Jefferson County (Fla.)","Apalachicola National Forest (Fla.)","Calhoun County (Fla.)","Jackson, Lake (Leon County, Fla. : Lake)","Leon County (Fla.)","Miccosukee (Fla.)","Monticello (Fla.)","Antebellum Florida, 1845-1861","Civil War in Florida, 1861-1865","Contemporary Florida, 1960-","Depression and the New Deal Years in Florida, 1930-1941","Economics and Society: Post-Civil War Florida, 1865-1913","European Discovery and Settlement in Florida, 1492-1821--The Second Spanish Period, 1783-1821","World War I, 1914-1918--Florida","Leon County (FL)--History","Madison County (Fla)--History.","Red Hills (Fla. and Ga.)--History.","Territorial Florida, 1821-1845","The Florida Boom and Bust, 1919-1929","The Post War Florida, 1945-1960","Interviews.","Quails","Agriculture--Florida","Archaeology","Natural Bridge, Battle of, Fla., 1865","Blacks--United States","Cemeteries","United States--History--Civil War, 1861-1865","Missions","Plantations--Florida","Plantations--Southern States","Yellow fever","Railroads","Seminole Indians--Wars","Tallahassee (Fla.)--History","Correspondence","Manuscripts","Maps","Notebooks.","Photographs","Newspapers","Deeds","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Clifton Paisley, the donor and author of the book,  Red Hills of Florida  is a retired Florida State University editor, researcher, and a local history author. Mr. Paisley served as Research Editor of the Graduate Research Office and over the course of his career wrote many pieces on the history of Leon County and the surrounding region. He is also responsible for two monographs dealing with local history entitled,  From Cotton to Quail  and  Red Hills of Florida . He was born in Texas in 1915 and died in Tallahassee, Florida, in 2000.","Portions of collection available online?: No","Processed September 1994","Clifton Paisley Collection, MSS 0-198, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_0-198","This collection is comprised of the background files, notes, correspondence, permission, maps, manuscripts, and other materials that were collected or created by Clifton Paisley during the writing of his work,  Red Hills of Florida . Included among these items are biographical sources, census data, maps and surveys of the Red Hills region, letters to and from local organizations and persons, newspapers, and interviews. The majority of the collection consists of those materials which actually played a part in the publication of the book. These items include notes, manuscripts, galley proofs, camera ready copies, and photographs mainly dating from the 1970s and 1980s when the book was being compiled and published.","Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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He was born in Texas in 1915 and died in Tallahassee, Florida, in 2000."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eRed Hills of Florida Collection, MSS 1994-002, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS_1994-002\u003c/p\u003e"],"prefercite_tesim":["Red Hills of Florida Collection, MSS 1994-002, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS_1994-002"],"processinfo_html_tesm":["\u003cp\u003eProcessed September 1994\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed September 1994"],"relatedmaterial_html_tesm":["\u003cp\u003eClifton Paisley Collection, MSS 0-198, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"https://purl.lib.fsu.edu/fa/MSS_0-198\"\u003ehttps://purl.lib.fsu.edu/fa/MSS_0-198\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Clifton Paisley Collection, MSS 0-198, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_0-198"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is comprised of the background files, notes, correspondence, permission, maps, manuscripts, and other materials that were collected or created by Clifton Paisley during the writing of his work, \u003cemph render=\"italic\"\u003eRed Hills of Florida\u003c/emph\u003e. Included among these items are biographical sources, census data, maps and surveys of the Red Hills region, letters to and from local organizations and persons, newspapers, and interviews. The majority of the collection consists of those materials which actually played a part in the publication of the book. These items include notes, manuscripts, galley proofs, camera ready copies, and photographs mainly dating from the 1970s and 1980s when the book was being compiled and published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is comprised of the background files, notes, correspondence, permission, maps, manuscripts, and other materials that were collected or created by Clifton Paisley during the writing of his work,  Red Hills of Florida . Included among these items are biographical sources, census data, maps and surveys of the Red Hills region, letters to and from local organizations and persons, newspapers, and interviews. The majority of the collection consists of those materials which actually played a part in the publication of the book. These items include notes, manuscripts, galley proofs, camera ready copies, and photographs mainly dating from the 1970s and 1980s when the book was being compiled and published."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been transferred to the Florida State University Libraries.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. 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More information is available here: https://digitalcommons.usf.edu/gandy/\u003c/physloc\u003e"],"physloc_tesim":["Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/"],"names_coll_ssim":["Eastern Air Lines","Eckerd, Jack M. (1913-2004)"],"names_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines"],"persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. 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The established preservation boards include the Historic St. Augustine Preservation Board, the Historic Pensacola Preservation Board, the Historic Tallahassee Preservation Board, the Historic Palm Beach County Preservation Board, the Historic Florida Keys Preservation Board, and the combined historic preservation boards of Broward County, Volusia County, and Flagler County. In the City of Tampa, historic preservation is accomplished by means of three distinct architectural boards and commissions responsible for reviewing and monitoring development within historic districts. These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.\u003c/p\u003e\n","\u003cp\u003e\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida. \u003cextref href=\"http://www.tampagov.net/dept_historic_preservation/\"\u003ehttp://www.tampagov.net/dept_historic_preservation/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eHistoric Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eNote written by Jean McAllister, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Historic Tampa-Hillsborough County Preservation Board is one of seven major historic preservation boards created within the Department of State pursuant to Chapter 266, F.S. for the purpose of acquiring, maintaining, restoring, and preserving the sites, buildings, landmarks, and other materials of historical significance within the State of Florida. 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These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.","\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida.  http://www.tampagov.net/dept_historic_preservation/","Historic Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Note written by Jean McAllister, 2011"],"prefercite_html_tesm":["\u003cp\u003eHistoric Tampa-Hillsborough County Preservation Board Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Historic Tampa-Hillsborough County Preservation Board Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of administrative records, the architectural records of historic buildings, site files, artifacts, zone surveys, public records, transcriptions, newspaper clippings, and general reference materials. 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Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e3adc3f0be8ab32b87f1a82b2b528f55\" label=\"Abstract\"\u003eThis collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board."],"names_coll_ssim":["Citrus Park Colored School (Citrus Park, Fla.)","Historic Tampa-Hillsborough County Preservation Board"],"names_ssim":["USF Libraries - Tampa Special Collections","Historic Tampa-Hillsborough County Preservation Board","Citrus Park Colored School (Citrus Park, Fla.)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Historic Tampa-Hillsborough County Preservation Board","Citrus Park Colored School (Citrus Park, Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":787,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863079011516416,"_root_":"1654bcb1ae789004f883a575","timestamp":"2026-07-16T09:27:47.874Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1654bcb1ae789004f883a575_aspace_60506"}},{"id":"1654bcb1ae789004f883a575_aspace_60538","type":"File","attributes":{"title":"2202 North Howard Avenue- San Martin \u0026 Leon Co. 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Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board.","USF Libraries - Tampa Special Collections","Historic Tampa-Hillsborough County Preservation Board","Citrus Park Colored School (Citrus Park, Fla.)","English"],"unitid_tesim":["H45","/repositories/2/resources/415"],"normalized_date_ssm":["1978-1995"],"normalized_title_ssm":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"collection_title_tesim":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"collection_ssim":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Historic Tampa-Hillsborough County Preservation Board"],"creator_ssim":["Historic Tampa-Hillsborough County Preservation Board"],"creator_corpname_ssim":["Historic Tampa-Hillsborough County Preservation Board"],"creators_ssim":["Historic Tampa-Hillsborough County Preservation Board"],"places_ssim":["Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Architecture -- Conservation and restoration -- Florida -- Tampa","Architecture -- Conservation and restoration -- Florida -- Hillsborough County","National Register of Historic Places"],"access_subjects_ssm":["Architecture -- Conservation and restoration -- Florida -- Tampa","Architecture -- Conservation and restoration -- Florida -- Hillsborough County","National Register of Historic Places"],"has_online_content_ssim":["false"],"extent_ssm":["40.86 Linear Feet","48 boxes"],"extent_tesim":["40.86 Linear Feet","48 boxes"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eCollection is organized within series by subject. Hillsborough County, Ybor City, and West Tampa site files are arranged alphabetically. Ybor City streets and avenues are listed in ascending numerical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection is organized within series by subject. Hillsborough County, Ybor City, and West Tampa site files are arranged alphabetically. Ybor City streets and avenues are listed in ascending numerical order."],"bioghist_html_tesm":["\u003cp\u003eThe Historic Tampa-Hillsborough County Preservation Board is one of seven major historic preservation boards created within the Department of State pursuant to Chapter 266, F.S. for the purpose of acquiring, maintaining, restoring, and preserving the sites, buildings, landmarks, and other materials of historical significance within the State of Florida. The established preservation boards include the Historic St. Augustine Preservation Board, the Historic Pensacola Preservation Board, the Historic Tallahassee Preservation Board, the Historic Palm Beach County Preservation Board, the Historic Florida Keys Preservation Board, and the combined historic preservation boards of Broward County, Volusia County, and Flagler County. In the City of Tampa, historic preservation is accomplished by means of three distinct architectural boards and commissions responsible for reviewing and monitoring development within historic districts. These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.\u003c/p\u003e\n","\u003cp\u003e\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida. \u003cextref href=\"http://www.tampagov.net/dept_historic_preservation/\"\u003ehttp://www.tampagov.net/dept_historic_preservation/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eHistoric Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eNote written by Jean McAllister, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Historic Tampa-Hillsborough County Preservation Board is one of seven major historic preservation boards created within the Department of State pursuant to Chapter 266, F.S. for the purpose of acquiring, maintaining, restoring, and preserving the sites, buildings, landmarks, and other materials of historical significance within the State of Florida. The established preservation boards include the Historic St. Augustine Preservation Board, the Historic Pensacola Preservation Board, the Historic Tallahassee Preservation Board, the Historic Palm Beach County Preservation Board, the Historic Florida Keys Preservation Board, and the combined historic preservation boards of Broward County, Volusia County, and Flagler County. In the City of Tampa, historic preservation is accomplished by means of three distinct architectural boards and commissions responsible for reviewing and monitoring development within historic districts. These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.","\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida.  http://www.tampagov.net/dept_historic_preservation/","Historic Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Note written by Jean McAllister, 2011"],"prefercite_html_tesm":["\u003cp\u003eHistoric Tampa-Hillsborough County Preservation Board Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Historic Tampa-Hillsborough County Preservation Board Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of administrative records, the architectural records of historic buildings, site files, artifacts, zone surveys, public records, transcriptions, newspaper clippings, and general reference materials. Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of administrative records, the architectural records of historic buildings, site files, artifacts, zone surveys, public records, transcriptions, newspaper clippings, and general reference materials. Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e3adc3f0be8ab32b87f1a82b2b528f55\" label=\"Abstract\"\u003eThis collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board."],"names_coll_ssim":["Citrus Park Colored School (Citrus Park, Fla.)","Historic Tampa-Hillsborough County Preservation Board"],"names_ssim":["USF Libraries - 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The established preservation boards include the Historic St. Augustine Preservation Board, the Historic Pensacola Preservation Board, the Historic Tallahassee Preservation Board, the Historic Palm Beach County Preservation Board, the Historic Florida Keys Preservation Board, and the combined historic preservation boards of Broward County, Volusia County, and Flagler County. In the City of Tampa, historic preservation is accomplished by means of three distinct architectural boards and commissions responsible for reviewing and monitoring development within historic districts. These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.\u003c/p\u003e\n","\u003cp\u003e\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida. \u003cextref href=\"http://www.tampagov.net/dept_historic_preservation/\"\u003ehttp://www.tampagov.net/dept_historic_preservation/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eHistoric Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eNote written by Jean McAllister, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Historic Tampa-Hillsborough County Preservation Board is one of seven major historic preservation boards created within the Department of State pursuant to Chapter 266, F.S. for the purpose of acquiring, maintaining, restoring, and preserving the sites, buildings, landmarks, and other materials of historical significance within the State of Florida. The established preservation boards include the Historic St. Augustine Preservation Board, the Historic Pensacola Preservation Board, the Historic Tallahassee Preservation Board, the Historic Palm Beach County Preservation Board, the Historic Florida Keys Preservation Board, and the combined historic preservation boards of Broward County, Volusia County, and Flagler County. In the City of Tampa, historic preservation is accomplished by means of three distinct architectural boards and commissions responsible for reviewing and monitoring development within historic districts. These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.","\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida.  http://www.tampagov.net/dept_historic_preservation/","Historic Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Note written by Jean McAllister, 2011"],"prefercite_html_tesm":["\u003cp\u003eHistoric Tampa-Hillsborough County Preservation Board Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Historic Tampa-Hillsborough County Preservation Board Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of administrative records, the architectural records of historic buildings, site files, artifacts, zone surveys, public records, transcriptions, newspaper clippings, and general reference materials. Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of administrative records, the architectural records of historic buildings, site files, artifacts, zone surveys, public records, transcriptions, newspaper clippings, and general reference materials. Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e3adc3f0be8ab32b87f1a82b2b528f55\" label=\"Abstract\"\u003eThis collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board."],"names_coll_ssim":["Citrus Park Colored School (Citrus Park, Fla.)","Historic Tampa-Hillsborough County Preservation Board"],"names_ssim":["USF Libraries - 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Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. 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